【Travelling Library x Parcel Exhibitions】SONGS ABOUT HONEY Catalogue (September 2022)

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SONGSABOUTHONEYisthefirstlaunchofacollectionofartist’sbooksandzines containedinaparcelthatopensintoabookshelf,formingatravelinglibrary.

Thistravelinglibraryisareactiontothestruggleofappreciatingbooksincreatives establishments.Itintendstocontributeadifferentperspectiveofviewingartist’sbooks and zines by collaborating with the exhibition modality, Parcel Exhibitions, where artworkscanbeexperiencedintimatelyinchosenspaces,bothpublicanddomestic.

Theprojectrootedfromthestrugglewithtransportingartworksbycommuting Making zinesallowedmetocontainmyideasintoaneasy-to-transportobjectintheformofa book.ButIasexhibitmyworksingalleries,Iquestionifbooks/zinesachievetheir purpose to be interactive, given that white cube spaces are mostly for displaying artworks. In the times of lockdown immobility, Parcel Exhibitions by Pam Quinto introducedanalternativeexhibitionmodalitythatpresentsartbeyondthewhitecube,to beexperiencedinthesafetyoftheaudience'shomes.Throughthis,themutualthemesof accessibility,portability,andintimacyofParcelExhibitionsandbooksaremergedinthe formofatravelinglibrary.

Inmakingtheproject,thedesignoftheboxisintendedtobebothparcelandbookshelf: 1)thelidisatableandadesk,2)thebodycontainstheworkbutisalsothecabinet,3) dividersforsafetyarealsoshelves,and4)thesizeoftheactualparcelisequivalenttothe commonmeasurementofthemotorcyclecourierslimitingthesizeoftheworksto include.Thisprojectallowsaudiencestoexperienceinteractiveandtactileworkslike booksandzineinvariousatmospheres,initiatinggatheringsandsparkingconversations whichIthinkistheessenceofbringingbustogetherthroughart.

The title, SONGS ABOUT HONEY, takes inspiration from the eco-friendly honeycombrkraftpaper(thepackagingmaterialusedtoprotecttheworkspresented here),aswellasthebox'sdesignwhichresemblesabeehive coincidentallyforminga themeaboutbees.

Included in this box are books and zines by Sarah Conanan, Francis Manaoag/picturelang,GabFerrer,PantayBituin,AllanBalisi,LesleyAnnCao,Jessica Dorizac,Nouet,SamFeleo,BryanPollero,GaleEncarnacion,FAKEzine,andPhilip Aldefolio; showcasing the beauty of books and zines as a visual form for artistic expression

–CurationandtextbyBryanPollero

FrancisManaoag/picturelang

"Banyo"

plasticcoil-boundphotobook,color 6x8inches 2022

GaleEncarnacion

“Dr. Herschel's View of the Organization of the Heavenly Bodies” box,polymerclay,transferdrawingonpaper 5x5x2.625" 2022

FAKEzine

“Lagyo” Tracingpaper(80gsm),Oldmillpaper (130gsm),12cmx12cm,Pencil/Charcoal,Ink Editions:2outof2 2022

AllanBalisi

“ForHeaven’sSake,PutThatDown,Comrade”

Laserprint,zine 8.5”x5.5”,20pages 2021

PhilipAldefolio “Babylon Revisited” box,caststone 7.5x4.5x1.25" 2022

GabFerrer

“BasahanZine” Bleachedbluelinen,thread, kawayan,g.i.Wire 2022

JessicaDorizac "Passages"

Paper,Chipboard,thread. 9.5x4x1inches

Box1

SamFeleo/BryanPollero

“Gabay sa Pagsasabuhay ng Diwa (Aklat batay kay Kennedy Davenport)”

Crystallizedbook,box,collage,pen,alum,resin 2022

SarahConanan

“The Blue Pea” MixedMedia(textile,foundobjects) 7.5”x9” 2022

Nouet “Twinkle” book 8”x12” 2022

Lesley-AnneCao

“33 faces, 2008-2022” 58-pagehardcoverbook,inkjet printonacid-freeparchment 2022

PoeleenAlvarez "Secret Garden" Zine 2022

BryanPollero

“62 pulls (monotony)” Handboundbook(drypointonparchment paper,stickerpaper,notarialseal,thread) 7.5”x10.5” 2019-2022

Box2

PoeleenAlvarez "Secret Garden"

Allan

“ForHeaven’sSake,PutThatDown,Comrade”
Lesley-AnneCao “33 faces, 2008-2022”

Ithinkoffilmphotographyasoneofmy‘proto-practices’,unassumingcreativeacts beguninchildhoodorbeforeanawarenessofanartpractice.

Theideaforthisparticularbookcamefromanaccidentalinkjetprintonparchment whichproducedasoftened,wateryimage.Iwantedtoseethiseffectonfacesand searchedmyarchivesforthem,ofwhichIdiscoveredveryfew.

“33faces,2008-2022”collects25photographsinaspecificbookformat--asone recordofasustainedtendencytomakeimagesandwhatthislookslikefrommy singularviewpoint.

JessicaDorizac "Passages"

Asfingerspinchinanticipationofthenextpage,onemeditatesonthemovement throughplaceandtime.Passageslapbetweenexternalformulationsofcolor,shape,and formwitnessedbyDorizacinhertravelwithinandoutsideofthePhilippines.

PassingthroughthesleepystateofruralLaguna,Philippines,shapesandformsemerge fromhouseandstructures;fromwrought-irongatestowalltrimmingandbreezeblock. Theworkoperatesasahapticreactiontodiasporiclonging.Eachshapeisareminderof fencing,distance,demarcationsofterritory.

Atonce,shapesblurtogetherthroughconstantfluxbeforeimmuringintodisparate feelingsofexile.Thismovementechoestheartist’sexperienceofdualityinbeingboth AustralianandFilipino-born.

Sheissimultaneouslyathomeyetoutsideofit.PerhapsPassagesisareckoningwiththe incommensurateofhavingfleeting(in)tangibleholdstofamiliarity.Withitcomesan intuitiveimpulsetogather,tocollect,toorganise;tomakewithfragmentsawhole

TextwrittenbyAniwayAquilizan.

FAKEzine “Lagyo”

Lagyo:1.Theessenceofathing,Spirit(Diwa,Kaluluwa);2.Name(Pangalan);3.Toflee (Pagtakas).This34-pagedzineisacompilationofdistinctFilipinowords,pairedwith illustrationsbyMalolos,Bulacan-basedartistKevinRoque.

ItisacollaborationbetweenFAKEzineandartistKevinRoque.

FAKEzineisamulti-disciplinarycollaborativeplatformwhichcelebrateslocalsubcultures.

SamFeleo/BryanPollero

“Gabay sa Pagsasabuhay ng Diwa (Aklat batay kay Kennedy Davenport)”
“Aliwakosakapasidadatkakayananngmgabasahan”
GaleEncarnacion
“Dr. Herschel's View of the Organization of the Heavenly Bodies”

“Aidedbysuperbnewtelescopesofhisownmaking,whichbroughtthousandsof previously unseen stellar bodies to his eyes, William Herschel undertook to determinethepatternsinwhichthestarsaredistributedinspace.”

–HolmesBoynton,TheBeginningsofModernScience

Nouet “Twinkle”
PhilipAldefolio “Babylon Revisited”

"Banyo"

Thisphotobookisanarchiveofalmost600picturesoftoiletbowls,comfortrooms, urinals,&sinkstakenw/phones&point&shootcamerasfrom2015to2022.

BryanPollero “62 pulls (monotony)”

Thisisoneofthebooksoutof24thatImadein2019.Itisaboutthemonotonyofeverydaylife expressedthroughtheprocessofintaglioprintmaking.Thebookconsistsof62pullsof drypointprintsof“scribbles”fromacardboardmatrixthatservesasrecordsoftherepetitions thatIobservedfrommydailylife.Toextendtheexperienceofexhaustion,thebookwas handboundbymyself.Inthisyear2022,Irevisitthisworktoreconnectwiththeworldbefore thepandemic.Ichangedthecoverintostickerpaperandputanotarialseal.

SarahConanan
“The Blue Pea”

TheBluePeacameaboutasaresponsetobeing25.Inmorethanoneoccasionthis year,beingbluewassuchasignificantfeeling.Intransplantingmyselfintonew territoryandrelationships,thereisafreshmixtureofoldandnewworries.With thetitlebeingtakenfromthetaleofthePrincessandPea,smallthingscan accumulate,andwedgeuncomfortablyintoourlives.

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