The Georgia Straight - Taiwanfest - Sept 1, 2016 by The Georgia Straight

2 THE GEORGIA STRAIGHT SEPTEMBER 1 â&#x20AC;&#x201C; 8 / 2016

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4 THE GEORGIA STRAIGHT SEPTEMBER 1 â&#x20AC;&#x201C; 8 / 2016

CONTENTS

Pender Harbour. Peter Lang photo.

WET WEATHER PROTECTION THAT BREATHES

GREEN LIVING

Always improving electric vehicles can drive us to a healthy and pollution-free future, and there’s no better place than B.C., with our clean power, to embrace this ecofriendly mode of transport. > BY LUCY LAU

THE LARGEST SELECTION OF THE NORTH FACE IN VANCOUVER

URBAN LIVING

Known for their sturdy blades and artfully curved handles, Japanese knives are making a mark in Vancouver’s culinary scene.

STORES OWNED AND OPERATED BY ECO OUTDOOR SPORTS

DOWNTOWN

792 GRANVILLE STREET 604.677.4770

> BY LUCY L AU

KITSILANO

2136 WEST 4TH AVE. 604.677.4770

COQUITLAM

COQUITLAM CENTRE MALL 604.677.4770

TheNorthFaceVancouver

PHOTO / IAN MOMSEN

COVER

Local conductor Ken Hsieh plays love songs, talks tragic singers, and stages a cultural tango at TaiwanFest in Vancouver. > BY ALE X ANDER VART Y

FOOD

TaiwanFest spotlights Taiwanese and Hong Kong cuisines in a cooking contest that will feature more than bubble tea and egg tarts. > BY TAMMY K WAN

MOVIES

War is Neither Heaven nor Earth, it’s hell; Jean Dujardin is Up for Love but we’re not; Natalie Portman directs a half-decent Tale; arch Boris Without Beatrice is no Antonioni.

START HERE 21 43 42 38 42 43 7 31

The Bottle Confessions I Saw You Real Estate Savage Love Straight Stars Straight Talk Visual Arts

TIME OUT 32 Arts 38 Music

SERVICES

ARTS

At the Richmond World Festival, one artist preserves an ancient form and another uses high tech to express his immigrant experience.

39 Careers 20 Healthy Living 39 Real Estate

Events

Adventures

Live a Life You Love

Single? GET TO KNOW VANCOUVER & MAKE NEW FRIENDS

> BY JANE T SMITH

MUSIC

Walk Off the Earth’s Sarah Blackwood talks about the trip from YouTube cover-band sensation to geuine folk-pop heavy-hitters. > BY MIKE USINGER

COVER PHOTO

JOIN THE CLUB

CLASSIFIEDS

Canadian Publications Mail Agreement #40009178, return undeliverable Canadian addresses to The Georgia Straight, 1635 West Broadway, Vancouver, B.C. V6J 1W9

GeorgiaStraight @GeorgiaStraight @GeorgiaStraight

30 GREAT EVENTS EVERY MONTH Kayaking | Hiking | Skydiving Wine Tasting | Dinner Cruises & More

www.eventsandadventures.ca SEPTEMBER 1 – 8 / 2016 THE GEORGIA STRAIGHT 5

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6 THE GEORGIA STRAIGHT SEPTEMBER 1 – 8 / 2016

straight talk B.C. FED PREFERS NDP’S MINIMUM-WAGE PLAN

The 2017 provincial election is still nine months off, but the B.C. Federation of Labour already knows who it’s backing. That would be the New Democrats, the organization’s president, Irene Lanzinger, told the Straight. In a telephone interview ahead of Labour Day, Lanzinger explained that, for her, the vote largely comes down to one issue: the minimum wage. “The NDP is the major provincial party that has committed to a $15 minimum wage and recognizes that that’s what people need [in order] to be above the poverty line,” Lanzinger said. Today, B.C.’s minimum wage stands at $10.45 an hour and is scheduled to increase to $10.85 this September. If the Liberals remain in power following the May 2017 election, the minimum wage will jump again, in September 2017, to $11.25 an hour. From there, it would remain pegged to the consumer price index, a statistical estimate of inflation. That would see it rise by about 24 cents a year, to $11.49 in 2018, $11.73 in 2019, $11.97 in 2020, and about $12.23 in 2021. When NDP Leader John Horgan promised a $15 minimum wage last June, he said that would come via a gradual implementation to reach $15 by the end of the NDP’s first term in power. That would mean a climb of about 83 cents a year, to $11.68 in 2017, $12.51 in 2018, $13.34 in 2019, $14.17 in 2020, and $15 in 2021. The Liberals’ plan would get to $15 an hour in 2034, 13 years later. The B.C. Greens don’t yet have an official position on the minimum wage. In a telephone interview, Green leader and Oak Bay–Gordon Head MLA Andrew Weaver dismissed the Liberals’ minimum wage as “unacceptable”, and he also criticized the NDP for its position. “How do you know that $15 is the right minimum wage?” he asked. “It’s just a number that’s round.” Alternatively, Weaver said the Greens will pursue a package of coordinated policies alongside a higher minimum wage. That might include negative taxation, a housing allowance, and an increase to the welfare rate.

B.C. Fed president Irene Lanzinger is focusing on the minimum wage. “The issue of the minimum wage is much more complex than a $15 talking point,” Weaver said. Jock Finlayson is executive vice president of the Business Council of British Columbia. He told the Straight that most employers are supportive of regular increases like the Liberal government’s peg to the consumer price index. On $15 by 2021, Finlayson said: “I think that would start to push the envelope a bit.” He didn’t dismiss further increases outright, but he argued in favour of more nuanced policies: for example, looking at the relationship between the minimum wage and the average industrial wage, which was about $25 in 2015. “I think there is room for healthy debate on what the statutory minimum should be,” Finlayson said. “Should it be 50 percent of the average [industrial wage] or should it be pushed up higher, as some people on the left will argue? I think that’s a reasonable debate to have.” > TRAVIS LUPICK

LAWSUIT TARGETS DTES HOTEL OWNERS AND CITY

A lawsuit filed on August 29 describes deplorable conditions at one of the Downtown Eastside’s shabby hotels.

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The legal action, an application for a class-action lawsuit that could involve many or even all of the building’s tenants, concerns the Regent Hotel, which stands near the southwest corner of Main and East Hastings streets. It targets four members of the Sahota family—well known for owning and operating several low-income hotels throughout the Downtown Eastside—as well as the City of Vancouver. The four family members are Kirin Sahota, Gurdyal Sahota, Pal Sahota, and Parkash Sahota. A long list of grievances is detailed in the applicant’s notice of claim. They include a lack of heat, lack of hot water, leaking roof, crumbling façade, rat infestation, broken elevator, and impassable fire escape, among other problems. “There are serious health and safety issues resulting from the Sahotas’ failure to maintain the Regent,” the notice of claim reads. “The Sahotas have consistently ignored serious infractions of the Standards of Maintenance Bylaw and have consistently ignored the few orders sporadically made by the City of Vancouver.” None of the allegations have been proven in court. The defendants have not yet had an opportunity to respond to the applicant’s notice of claim. Also named in the lawsuit are Sahotacorp, Triville Enterprises Ltd. and Yang-myung Hotel Management Ltd. (the two are described as entities involved in day-to-day operations at the Regent), and the City of Vancouver, which is accused of failing to enforce work orders related to maintenance at the Regent. “The City of Vancouver is fully aware of all of the health and safety issues at the Regent and has been aware of those issues from their inception,” it reads. The applicant named is Jerald Jack Gates, a tenant who has lived on the second floor of the Regent since September 2014. He is represented by Jason Gratl, a lawyer who over the years has been involved in several high-profile cases related to social-justice issues playing out in the Downtown Eastside. > TRAVIS LUPICK

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The Georgia Straight | Vancouver’s News and Entertainment Weekly | Volume 50 Number 2540 1635 West Broadway, Vancouver, B.C. V6J 1W9 www.straight.com Phone: 604-730-7000 / Fax: 604-730-7010 / e-mail: gs.info@straight.com Display Advertising: 604-730-7020 / Fax: 604-730-7012 / e-mail: sales@straight.com Classifieds: 604-730-7060 / e-mail: classads@straight.com Subscriptions: 604-730-7000 Distribution: 604-730-7087 EDITOR + PUBLISHER Dan McLeod ASSOCIATE PUBLISHER Yolanda Stepien GENERAL MANAGER Matt McLeod EDITOR Charlie Smith SECTION EDITORS

Janet Smith (Arts/Fashion) Mike Usinger (Music) Steve Newton (Time Out) Adrian Mack (Movies) Brian Lynch (Books) EDITORIAL ADMINISTRATOR Doug Sarti ASSOCIATE EDITORS

Gail Johnson, John Lucas, Alexander Varty STAFF WRITERS

Tammy Kwan, Lucy Lau, Travis Lupick, Carlito Pablo, Amanda Siebert, Craig Takeuchi, Kate Wilson SENIOR EDITOR Martin Dunphy EDITORIAL ASSISTANT Jennie Ramstad PROOFREADER Pat Ryffranck CONTRIBUTING WRITERS

Gregory Adams, Nathan Caddell, David Chau, Jack Christie, Jennifer Croll, Ken Eisner (Movies), George Fetherling, Tara Henley, Michael Hingston, Ng Weng Hoong, Alex Hudson, Kurtis Kolt,

Robin Laurence (Visual Arts), Mark Leiren-Young, John Lekich, Amy Lu, Bob Mackin, Michael Mann, Rose Marcus, Beth McArthur, Verne McDonald, Allan MacInnis, Guy MacPherson, Tony Montague, Kathleen Oliver, Ben Parfitt, Vivian Pencz, Bill Richardson, Gurpreet Singh, Colin Thomas (Theatre), Jacqueline Turner, Andrea Warner, Jessica Werb, Stephen Wong, Alan Woo ART DEPARTMENT MANAGER

Janet McDonald SENIOR DESIGNER David Ko CONTRIBUTING ARTISTS

Alfonso Arnold, Rebecca Blissett, Trevor Brady, Louise Christie, Emily Cooper, Randall Cosco, Krystian Guevara, Evaan Kheraj, Kris Krug, Tracey Kusiewicz, Kevin Langdale, Shayne Letain, Matt Mignanelli, Mark “Atomos” Pilon, Carlo Ricci, William Ting, Alex Waterhouse-Hayward DIGITAL PRODUCT MANAGER

Chet Woodside LEAD WEB DEVELOPER Jeffrey Li WEB DEVELOPER Tina Luu WEB ADMINISTRATOR Miles Keir

PRODUCTION SUPERVISOR Mike Correia PRODUCTION

K.T. Dean, Sandra Oswald

AD SERVICES ASSOCIATE

Lyndsey Krezanoski

AD SERVICES ASSISTANT Jon Cranny DIRECTOR OF ARTS, ADVERTISING & MARKETING

Laura Moore SALES MANAGER Sharon Smith (On Leave) ADVERTISING REPRESENTATIVES

Steve Barmash, Glenn Cohen, Lauren Ellis, Laura Findlay, Robyn Marsh, David Pearlman, Patrick Ruel, Kathy Skelton

PROMOTIONS + SPECIAL PROJECTS

Navdeep Chhina

ADVERTISING + PROMOTION ASSISTANT

Maya Beckersmith

DIGITAL SALES COORDINATOR

Brenna Woodhouse CIRCULATION MANAGER

Dexter Vosper

INFORMATION TECHNOLOGY DIRECTOR

Dennis Jangula

CREDIT MANAGER Shannon Li ACCOUNTING SUPERVISOR

Tamara Robinson

ACCOUNTING

Angela Krommidas

RECEPTION/PROMOTIONS ASSISTANT

Teagan Dobson

The Georgia Straight is published every Thursday by the Vancouver Free Press Publishing SUBMISSIONS The Straight accepts no responsibility for, and will not Corp. Copies are distributed free every week throughout Vancouver, Burnaby, North necessarily respond to, any submitted materials. All submissions should be and West Vancouver, New Westminster, and Richmond. International Standard Serial addressed to contact@straight.com. Number ISSN 0709-8995. Subscription rates in Canada $182.00/52 issues (includes GST), $92.00/26 issues (includes GST); United States $379.00/52 issues, $205.00/ 26 issues; foreign $715.00/52 issues, $365.00/26 issues. Contact 604-730-7087 if you wish to distribute free copies of the Georgia Straight at your place of business. Entire contents copyright © 2016 Vancouver Free Press, Best Of Vancouver, BOV And Golden Plates Are Trade-Marks Of Vancouver Free Press Publishing Corp.

SEPTEMBER 1 – 8 / 2016 THE GEORGIA STRAIGHT 7

8 THE GEORGIA STRAIGHT SEPTEMBER 1 â&#x20AC;&#x201C; 8 / 2016

GREEN LIVING

Electric automobiles let commuters kick gas Rechargeable-battery-powered vehicles remove the need for gasoline and eliminate the production and release of greenhouse gases > BY L UC Y LA U

t’s no secret that the use of gasoline-run vehicles is one of the biggest drivers of climate change. But in case you need the numbers, here they are: Statistics Canada estimates that, in 2014, the transportation sector contributed 23 percent of the country’s total 732 megatonnes of carbon-dioxide equivalent released that year. It was the second-largest source of greenhouse-gas emissions, behind only the oil and gas sector. In the same 2016 report, the governmental agency notes that Canada’s greenhouse-gas emissions increased over 100 megatonnes from 1990 to 2014 due in part to carbon dioxide produced during transport. Yet, despite our best efforts to car-pool, bike, and walk, many of us continue to utilize fossil-fuel-burning vehicles as our primary modes of movement. It’s a predicament that baffles Randy Rinaldo, codirector of the Vancouver Electric Vehicle Association, a nonprofit advocacy group that encourages the mass adoption of electric automobiles across B.C. “It’s insanity that we’re still using the 100-year-old internal-combustion engine,” he tells the Straight by phone. Powered by electrical energy that’s stored in rechargeable batteries, electric vehicles remove the need for gasoline, thus eliminating the production and release of harmful greenhouse gases. Besides the ecofriendly element, however, Rinaldo stresses that electric cars also run a lot smoother than their gasolinefuelled counterparts. “An electric motor has one moving part,” he explains. “It requires no oil changes, never breaks down, and propels your car forward more effi-

What’s stopping B.C. residents from embracing electric cars? A lack of available options is one factor, states Rinaldo, though the increasing popularity of electriccar manufacturers like Tesla has helped greatly in that regard. Hundreds of eager drivers lined up outside the Tesla Motors showroom on Robson Street earlier this year to nab a spot on a waiting list for the company’s new Model 3. The sporty sedan—which offers all-wheel drive and an autopilot feature—also crushes stereotypes of electric cars as unattractive, slow, and dinky. “I think they used to have a bad reputation of not being very fast—kind of like a golf-cart-type car,” says Rinaldo, though he notes that there’s still work to be done if we’d like to see B.C.’s carbon footprint reduced significantly. The Vancouver Electric Vehicle Association would like to see inCanadians have been relatively slow to embrace the use of electric vehicles (such as the Nissan Leaf, pictured above). centives for electric-vehicle drivciently and faster than an internal- considered “clean” or renewable in zero emissions,” he says, “whereas ers implemented by municipal and 2015, Rinaldo states that B.C. is es- with electric cars in Alberta or Sas- provincial governments. These combustion engine.” Given that 98 percent of the pecially suited for electric-vehicle katchewan, for example, you’re still measures include discounted meenergy produced by B.C. Hydro was use. “Our electric cars have close to using coal electricity.” ter parking and more charging stations across the suburbs. Made up of informed citizens from all sorts of cultural and political backgrounds—“people who built their own electric cars when ALL-NATURAL RIDE While those rain-scented vent clips and tiny evergreens the auto manufacturers weren’t hanging from your rear-view mirror may appear to be cleansing your car from giving them the option”, explains the inside out, the synthetic fragrances they impart are anything but fresh. Rinaldo—the group is always open Typically made from a combination of any of some 3,000 health- and enviroto new members. It meets monthly disrupting chemicals, these parfums are considered must-avoid compounds to discuss new developments and when it comes to household cleaners, sunscreens, and beauty products—so ways in which it can lobby the your car air freshener should be no different. By using pads of essential oils and government to better facilitate the essential-oil blends, this aromatherapy car diffuser ($16.95) from Vancouver’s adoption of electric cars. Saje Natural Wellness (various locations) offers an ecofriendly alternative. “It’s only a matter of time,” Rinaldo Simply plug it into your cigarette-lighter socket and kick back to all-natural adds optimistically. “Without a doubt, scents designed to revitalize, calm, and destress your mind on the go. in the next 10 years, we’re going to see > LUCY LAU mostly electric cars on our roads.” -

ECO FIND

SEPTEMBER 1 – 8 / 2016 THE GEORGIA STRAIGHT 9

The Garage Sale takes place at our showroom at 1275 W 6th Ave. Vancouver. Garage sale ends on Monday, Sept 5th at 3pm, however the Showroom will open till 6pm. For more details of the promotion please visit www.INspirationFurniture.ca

www.INspirationFurniture.ca 1275 WEST 6th AVE. VANCOUVER, B.C. V6H 1A6 T: 604 730 1275 FREE COVERED PARKING AVAILABLE

10 THE GEORGIA STRAIGHT SEPTEMBER 1 – 8 / 2016

URBAN LIVING

Japanese knife shops sell some serious steel > BY L UC Y LA U

hefs, home cooks, and culinary keeners agree: knives are the original MVPs of the kitchen. After all, what other tool can peel and julienne a dozen carrots, carve through the carcass of a Thanksgiving turkey, and cleanly divide a lattice-topped pie into nine even pieces—all in one night? And they were there for us, ready to slice through whatever crosses our cutting boards, long before Tiffany-blue stand mixers and high-performance blenders were a thing. But the openings of two Japanese knife shops in Vancouver over the past month simply confirm what elite chefs have known for decades: not all blades are created equal. Just ask Knifewear owner Kevin Kent. “The reason why I love Japanese knives is because they’re made with harder steel,” he tells the Straight during the grand opening of his first Vancouver shop, at 4215 Main Street. “And harder steel means we can make them sharper and they’re going to stay that way for much longer, which is what everyone wants out of a knife.” A self-described “knife nerd”, Kent first got his hands on a Japanese blade over 15 years ago, when he attended a cooking convention while working under the famed chef Fergus Henderson in London, U.K. After returning to his adopted home of Calgary in 2007, he began peddling Japanese knives to his chef friends. Their reactions to the imported cutters mirrored his own. “The first time I used one, I grabbed it and I cut something and I said, ‘Holy bananas! That’s way sharper than anything I’ve ever used,’ ” Kent recalls. “And it stuck in my brain—when I got home, my tastes had changed considerably.” Local chef Douglas Chang, who’s held posts at restaurants like West,

Bambudda, and Sai Woo, found himself in a similar scenario when he moved to Vancouver from Toronto seven years ago. Fascinated by the efficiency of Japanese blades and struck by the lack of “serious knife stores” in the city, he began sourcing the gadgets for his fellow chefs from back east. This interest ultimately gave way to Ai & Om Knives (129 West Pender Street), which opened its doors in Chinatown in August. For Chang, the tools’ superiority lies in their origins: the work of highly proficient blacksmiths, many of whose ancestors brought their swordmaking skills to the kitchen after World War II. Combined with an attractive exterior—think hand-forged slabs of sturdy steel, artful etchings inspired by Mother Earth, and handles carved from natural materials like ebony, pearl, and gold—this craftsmanship is what puts Japan’s blades a cut above their competition. “It’s largely a result of history,” stresses Chang. “That technology, that experience, and those techniques are now used in knife-making.” Vancouverites have been quick to embrace the trade: both Knifewear and Ai & Om have drawn a steady stream of dedicated cooks and curious culinary folk following their respective openings. From do-it-all santoku cutters, to deba or “pointed carving” knives, to straight-edge nakiri blades designed for slicing effortlessly through veggies, each shop carries over 25 lines of Japanese knives that range from $65 to upward of $1,000. Sharpening tools and services are also offered, and Chang hopes to eventually conduct how-to workshops at Ai & Om, where knife-wielders can learn the best sharpening techniques to bring their blades back to life. “A sharp knife directly translates into better food,” he says. “And it’s not just better-tasting food—it’s better-looking food, too.” -

ANGRY BIRDS™ UNIVERSE Interactive Exhibition UNBELIEVEABLE! A Magical Experience Alien Worlds and Androids Summer Night Concerts

Craft Beer Fest

Vancouver’s cooks have been quick to seek out high-quality, hand-forged Japanese knives. Lucy Lau photo.

CRIB SHEET OAK AT HOME Oak + Fort—otherwise known as your favourite minimalist fashion label—is making a foray into homewares at its recently opened Park Royal location (2002 Park Royal South, West Vancouver). Already a go-to spot among guys and gals for oversized coats, trendy culottes, and relaxed Ts in an endless range of neutrals, the boutique is now host to a selection of locally crafted ceramics, compostable dinnerware, and other functional pieces, including these matte-black nesting trays (from $10) from cult Japanese line Fog Linen. Handmade from metal with a one-off finish, they’ll look as good on your desktop or vanity as in the kitchen. > LUCY LAU

UP TO 25 CRAFT BREWERIES GET YOUR TICKETS NOW! / $10 onsite $9 at #PNECRAFTBEERFEST

#THEFAIR

Admission includes a 4oz sampling cup. If venue is at capacity, a pre-purchased ticket will not guarantee immediate access. Craft Beer Fest is a 19+ event, 2 pieces of ID will be required for entry. Does not include Fair Gate admission. Angry Birds™ & © 2016 Rovio Entertainment Ltd and Rovio Animation Ltd. Produced by: Imagine, Rovio, JRA

SEPTEMBER 1 – 8 / 2016 THE GEORGIA STRAIGHT 11

KERRISDALE

SUNSET SATURDAYS

ANTIQUES FAIR

250 tables & booths of Antiques & Collectibles under one roof! Vintage & estate jewelry, mid-century Modernist decor, retro glam accessories, sterling & silver-plate, funky kitchenalia, primitives, old toys & dolls, period lighting, textiles & linens, memorabilia, fine art, decorative china & glassware, antiquarian books, chintz, country & formal furniture, nautical collectibles & much more...

September 3 & 4 • 10am - 5pm Kerrisdale Arena 5670 East Boulevard at 41st Avenue Vancouver, BC • Free Parking

50% OFF

General Admission • Saturday & Sunday 10am - 5pm • $7 at Door Children Under 13 Free with Adult Admission • Cafe & Snack Bar 21st Century Promotions • 604 980 3159 • 21cpromotions.com

LIFT TICKETS AFTER 5PM

New Brighton Park Shoreline Habitat Restoration Project Construction Starts Soon About the Project The Vancouver Fraser Port Authority Habitat Enhancement Program and the Vancouver Board of Parks and Recreation are working together to restore habitat in New Brighton Park. The goal of the project is to restore fish and wildlife habitat in Burrard Inlet, and to increase public access to nature.

HAVE YOU WATCHED THE SUNSET FROM OUR REMARKABLE PATIO OVERLOOKING HOWE SOUND?

Construction Construction of the project is expected to begin as early as midSeptember 2016 and be complete by end of summer 2017. The key components of construction will include earthworks, park feature construction and planting.

Until September 10, visit the Sea to Sky Gondola after 5pm on Saturdays and receive 50% off your ticket at the ticket window. Gather your friends and enjoy an evening hike followed by drinks and dinner on the Summit Lodge deck.

Being a Good Neighbour Noise: Construction activities will be limited to the hours of 7:00 am to 8:00 pm between Monday and Saturday, to the extent possible. When this is not possible, we will notify the adjacent community. Traffic: Existing access points to New Brighton Park will remain open. Safety: Informational signage will be posted on site and construction fencing will be installed around work zones.

MENTION ‘50 AFTER 5’ AT THE TICKET WINDOW TO RECEIVE THE DISCOUNT.

call 604.665.9071 or email habitat.enhancement@portvancouver.com

• For construction information, visit portvancouver.com/newbrightonsaltmarsh • For park-related enquiries, email newbrightonsaltmarsh@vancouver.ca • For port-related enquiries,call 604.665.9004 or email community.feedback@portvancouver.com

Only valid for tickets purchased at the ticket window from 4:45pm onwards every Saturday until September 10, 2016. Not valid on download tickets or tickets purchased online.

Photo: David Buzzard

WAR STORIES THE PETER WALL INSTITUTE PRESENTS:

Thursday September 15 2016

War stories from Afghanistan, Iraq and other conflict zones told by foreign correspondents, combat veterans and scholars.

Award-winning Iraqi-Canadian photojournalist Farah Nosh and writer/photographer Ann Jones share images and stories of the impact of war on civilians. World-renowned geographer Derek Gregory will talk about changes

7:00 PM in the evacuation of war casualties from battle fields over the past century. Doors open 6:00 PM Goldcorp Stage at the BMO Theatre Centre 162 W. 1st Avenue, Vancouver Free event. Register at war-stories.eventbrite.com

12 THE GEORGIA STRAIGHT SEPTEMBER 1 – 8 / 2016

Contact! Unload, directed by George Belliveau, features Canadian veterans depicting what it means to transition home after overseas service. Moderated by Emmy Award winning journalist Peter Klein.

Following the presentations the performers will engage with the audience in a discussion about the different perspectives and approaches to sharing war stories, and the value of storytelling’s ability to chronicle, enlighten and heal.

TAIWAN FEST

Born in the dockside bars of Buenos Aires,

BY ALEX ANDER VAR T Y

the tango is notorious as a dance of seduction. Its dark glamour is famous worldwide, to the point that even here in distant Vancouver, TaiwanFest managing director Charlie Wu has chosen it to represent the relationship between two even more distant locales: the Taiwanese capital, Taipei, and mainland China’s preeminent port, Hong Kong. Who’s seducing whom remains unsaid. But TaiwanFest’s A Cultural Tango With Hong Kong, conducted by the Vancouver Metropolitan Orchestra’s Ken Hsieh, promises an apt analogy for the occasionally edgy dance that China and Taiwan have maintained for the past century, along with subtle allusions to the immigrant experience in our own cosmopolitan city. “I think Charlie came up with the idea, and he said, ‘You know, there’s a lot of similarities between Taiwan and Hong Kong,’ ” Hsieh tells the Straight from Toronto, where he’s performing at the Ontario capital’s own Taiwanese festival. “I mean, if you take a fl ight, it’s only about 45 to 50 minutes from Taiwan to Hong Kong, and so a lot of people actually go back and forth. Hong Kong people come for the weekend to eat food in Taiwan, and Taiwanese people go to Hong Kong usually to do some shopping or to eat some Hong Kong food. So there’s a lot of cultural exchange there, I fi nd. Even in my own family, there were a lot of people who went to Hong Kong very often—and Hong Kong, back in the day, was sort of the only way to connect Taiwan to central China. You would have to go to Hong Kong and then go into China. And so the cultural tango is that Hong Kong has a lot of things that have influence on the Taiwanese.” It’s not entirely a one-way exchange. Wu’s idea for A Cultural Tango was to focus on the songs of the late Teresa Teng, a Taiwanese-born pop diva who was a massive star all over Asia during the 1970s and ’80s, often recording the same song in Mandarin, Cantonese, Japanese, and Indonesian.

Love songs and tragedy

Vancouver conductor Ken Hsieh’s parents were part of a generation of Taiwanese residents and immigrants who embraced the Hong Kong entertainment scene.

“Initially, we were thinking about Anita With A Cultural Tango With Hong Kong, conductor Ken Hsieh Mui, another very famous Cantonese pop celebrates star-crossed singers Teresa Teng and Leslie Cheung singer,” Hsieh reveals. “Actually, I’m a huge fan of her Japanese songs,” “But then we thought, ‘Well, if we’re going to says Hsieh, who heard them while working and make it a cultural tango, we can’t have two studying in Japan. “I knew all her Japanese songs women dancing. You have to have a woman and before I knew any of her Taiwanese or Cantonese a man to really balance it. So we thought Leslie songs, to be honest. Every time I went to a kara- Cheung was the perfect icon for this. oke bar, people who are in the older generation, “Leslie had a huge presence in Taiwan,” the they always loved to sing Teresa Teng’s music. So conductor continues. “He was a huge sensation, I really grew up with it.” and it was just really sad to hear that he’d passed Teng’s melodies, he adds, are emotive enough away—I think it was in 2003—by suicide.…He that even those who did not grow up listening to was an extremely gifted singer and a really great Asian pop will understand their sentimental ap- actor as well, and he had a huge following, but peal. “The melodies are not like rock ’n’ roll,” he the pressure on him must have been enormous. explains. “They’re more like caressing, more like So I was really sad to see him go, but it was also yearning for something. It’s easy for people to re- really wonderful to see what kind of legacy he late, because I think everybody in their life yearns left, not only in Hong Kong, but in Taiwan. If for something. I think this is why, when you think you ask anybody who was born in the ’60s or about love songs, they really touch people.” ’70s, Leslie Cheung would be at the very top of Once Hsieh and Wu had settled on Teng, who the list of people they loved to listen to.” died of acute asthma in 1995, there was the question Not coincidentally, both Teng and Cheung of finding a dance partner for the late star’s music. were at the peak of their popularity at exactly A number of names were discussed, but only one the same time many Taiwan and Hong Kong really fit: Leslie Cheung, the Hong Kong–born sing- residents were immigrating to Canada, the forer and actor who came to an even more tragic end. mer in search of economic opportunity, and the

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latter in fear of an imminent Communist takeover. Hsieh’s Taiwanese parents were among that influx, and he says that working on the music of their generation—Teng was his mother’s favourite singer—has got him thinking about his own Taiwanese heritage. And what he yearns for, most of all, is a better connection to the life that his grandparents, who stayed behind, led under a succession of occupying forces that included the Japanese military and the Kuomintang. “I really never knew my grandparents on my mother’s side; they passed away before I was born,” he says. “On my father’s side, I met them once or twice; that’s it. They also passed away when I was very young. So if I ever could go back and ask them a question, I always wanted to know what they went through.…How did these people manage to get through life?” His grandparents’ experiences, Hsieh surmises, helped shape his parents’ decision to move to North America, where they hoped to find a better life for their own children. And they’ve affected his own psyche, too: his passionate pursuit of music has involved a similar blend of curiosity and resilience. “I’m doing something that’s really about western music, and people in Europe grew up with that,” he notes. “It’s like when the Viennese play see next page

TAIWAN FEST High five

EDM from Taiwan UTOPIA To hear Utopia singer Olivia Yan describe things from Toronto’s Pearson International Airport, EDM and vintage trip-hop aren’t exactly staples in Taiwan. Major props, then, to her and music producer Deadhorse for building a massive fan base with a sound that a supergroup made up of Morcheeba, Massive Attack, and Skrillex might create. After doing time in Asian syrup-pop trenches, Yan hooked up with Deadhorse to bring EDM to crowds as big as 100,000. Consider yourself lucky, then, that you get to bliss out to enchantingly chill songs like “Dance With Me” in the intimate confines of the Vancouver Playhouse on Saturday (September 3). -

Five free musical events at TaiwanFest

YOUTH AMBASSADORS (At the Vancouver Playhouse at 1:30 p.m. on September 3) Enjoy a sixact dance and musical performance by Taiwanese university students celebrating Taiwan’s diversity.

CRAS (At 700 Granville Street at 2 p.m. on September 3) Check out musicians of Taiwanese ancestry who formed a punk band in Vancouver.

LALUN (At the Vancouver Playhouse at 3 p.m. on September 4) Handpan player Liron Man, erhu artist Lan Tung, and percussionist Jonathan Bernard play world music infused with Taiwan, Spain, and Israel.

COSMOS PEOPLE (At the Vancouver Playhouse at 8 p.m. on September 4) This trio was named best musical group at Taiwan’s Golden Melody Awards.

GINALINA (At 700 Granville Street at 2 p.m. on September 5) Vancouver’s Juno-nominated Taiwanese-Canadian children’s entertainer will delight kids of all ages.

Urban dance

MIRACLE DANCERS TaiwanFest is all about engaging different cultures, so it shouldn’t come as a surprise that the organizers have made room for the Miracle Dance Team to swerve, shake, and bust some moves. The Vancouver-based street-jazz troupe was founded by Mira Lin, a former teacher at Taipei’s Sport King Dance School. She heads a group of dancers from Canada, Hong Kong, and Taiwan, who’ve given high-energy performances at various venues across the Lower Mainland. On Monday (September 5), they’ll deliver a jolt of excitement on the 700 block of Granville Street, starting at 4 p.m. Who says a multiculturalism and diversity fest can’t be sexy? SEPTEMBER 1 – 8 / 2016 THE GEORGIA STRAIGHT 13

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n the eve of TaiwanFest in Vancouver, two pioneers in the local Taiwanese community are highlighting a bright aspect of the Asian country’s current political life. For such a young democracy, Taiwan is setting a fine example of the old-fashioned value of equality, according to James Chou and Charles Yang. It’s that cherished idea that—regardless of gender, race, and class, and without the advantage of a famous last name—anyone can rise to the highest level of government. Chou, an accountant, and Yang, a retired medical doctor, are delighted about Taiwan’s new president, Tsai Ing-wen, who assumed office on May 20, 2016. Tsai, a single lawyer, is the first female president of the country. Partly aboriginal, the U.S.– and U.K.– educated jurist led the pro Taiwanindependence Democratic Progressive Party (DPP) to a landslide victory in January. Compared to past and present female leaders in Asia, the 59-year-old Tsai is exceptional. As Chou explained, the Taiwanese president isn’t related to a powerful male political figure or an influential political dynasty. That sets her apart from female politicians in the region like Park Geun-hye. Park is the current and first female president of South Korea and the daughter of late South Korean military strongman Park Chung-hee. Another example is the late Corazon Aquino of the Philippines. She became the first female president in the country after a popular revolt that followed the assassination of her husband, a prominent opposition leader. “It is an enormous statement to the world that Taiwan is moving along and quite smoothly,” Chou said about the success of Tsai in a phone interview with the Georgia Straight. For his part, Yang noted that it demonstrates the pace and depth of democratization in the island nation. “It’s good for a very early democracy to produce a female president in a matter of 30 years,” Yang told the Straight in a separate phone interview. Until martial law was lifted in 1987, Taiwan was under the authoritarian rule of the Kuomintang, or the Chinese Nationalist Party. It took almost a decade before the country held its first democratic presidential election, in 1996. Four years later, the DPP won its first presidential election, with then leader Chen Shui-bian. That watershed moment in 2000 broke the Kuomintang’s monopoly on power. The Kuomintang rule of Taiwan started in 1949, when Gen. Chiang Kai-shek and his followers decamped to the island following their defeat in

Ken Hsieh

from previous page

Johann Strauss’s ‘Blue Danube’, for example. It’s in their blood—they have a very unique way of playing the waltz. But for me, we are coming from the outside, and we have to learn even more to get into the depths of the music and really prove ourselves.” In a small way, he continues, his growth as a conductor and musician parallels the rise of Taiwan as one of the world’s centres of high-tech innovation. “What is Taiwan, as a place, to compare itself to Microsoft or Apple?” he asks. “It’s not in the same league, but I remember my father telling me that one of his roommates was the founder and president of Acer computers. He said that this man was the son of a single mother, but he worked hard to bring up his companies; he had to prove himself. And I think that is what I have to do in my career. I was not born with it; I have to learn about it, analyze it, get 14 THE GEORGIA STRAIGHT SEPTEMBER 1 – 8 / 2016

Taiwanese expats say Tsai Ing-wen’s win is a sign of democratic renewal.

a civil war with Mao Zedong’s communist forces in China. Yang joked that with Tsai, Taiwan has done better than the U.S., a democratic country for more than 200 years. The U.S. may elect its first female president in November this year: Hillary Clinton, wife of former American president Bill Clinton. Canada, a democratic country, doesn’t officially recognize Taiwan, which is being claimed as a province by China. Last Monday (August 29), Prime Minister Justin Trudeau left on his first official visit to China. His father, former prime minister Pierre Trudeau, was among the first leaders in the West to recognize Beijing. Meanwhile, China has suspended official communications with Taiwan since June this year. The move followed Tsai’s inaugural speech, in which she didn’t explicitly acknowledge a 1992 consensus by unofficial representatives of the two countries. The nonformal agreement recognizes that there is one China, but allows both sides to have their own interpretation of what that means. Chou said he is also elated over the appointment of the first transgender member of cabinet in Taiwan. On October 1, Audrey Tang will join the country’s executive council to craft policies related to open government and the digital economy. The 35-year-old Tang was involved in the so-called Sunflower Movement of 2014. This protest movement blocked passage of a trade pact negotiated by the Kuomintang government with China. Referring to the ascendance of a female president and the selection of a transgender member of cabinet, Chou said this about the new Taiwan: “You have the opportunity to serve the country and your society without any prejudice against your race, gender, background, and sexual orientation.” into the depths of it—and then really absorb it and feel it in my body in order to have it as a complete whole.” Hsieh’s record on the podium suggests that he’s learned his lessons well, but away from the bandstand, he confesses, he still sometimes has difficulty with his dual identity. “I have to prove myself to both sides,” he says, laughing. “My friends always go, ‘Oh, you should cook us a Taiwanese meal,’ and to be honest I don’t know how to cook a Taiwanese meal. I’m a good cook for French or Italian or western food, but Taiwanese food? I have no idea!” Ken Hsieh conducts A Cultural Tango With Hong Kong at the Centre in Vancouver for Performing Arts on Saturday (September 3), as part of TaiwanFest. The festival runs from Saturday (September 3) to Monday (September 5) on Granville Street and at various other venues downtown. For the full TaiwanFest schedule, visit www.taiwanfest.ca/.

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ver the past nine years, retired English-as-an-additional-language teacher Chian-Li Hsu has witnessed some heart-rending events as a palliative-care volunteer on both sides of the Pacific Ocean. Uncle Hsu, as he’s called by younger friends in the local Taiwanese community, shared some of those experiences in a recent phone interview with the Georgia Straight. It came after a four-and-a-half-hour volunteer shift at Vancouver General Hospital. That morning, a woman had passed away under the best of circumstances, surrounded by family. “She just looked so beautiful, and I was really touched,” Hsu said. “I’ve learned how important it is to have a good death. When patients are dying in peace with themselves and are well prepared, I think that’s one of the most beautiful things in the world.” But he also revealed that he can feel depressed by this work, particularly when he witnesses people suffer. Sometimes, the patient is struggling with unresolved conflicts in life; other times, the magnitude of the medical problems is taking a toll.

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On other occasions, relatives will be fighting to have medical treatment delivered until the very end, even if there’s no chance of success. “The patients will suffer even more before they die,” Hsu said. “Why not give your loved ones palliative care so that they can spend the last portion of their life with their loved ones in a very peaceful and less painful environment and live a dignified life?” In 2013 and 2014, he volunteered for two three-month stints at a Taiwanese hospital. He recalled one patient who had cancer in his cheek area. When the nurse was changing the gauze, Hsu could see the man’s teeth and bones through a hole in his face. It brought tears to the volunteer’s eyes. “I held his hand and said, ‘I know you’re suffering and I’m suffering with you,’ ” Hsu said. “We sit with patients. We listen to what they have to tell us. If we are lucky, we run into situations where we are able to provide some comforting words so patients go very peacefully.” This year, Hsu completed a book in Chinese about being a palliative-care volunteer. The translated title is Being

With You Till the Last Moment, and he’ll speak about it as part of a series called Hope Talk at TaiwanFest, which takes place in downtown Vancouver over the Labour Day weekend. The book includes 50 stories and it covers, among other things, the differences and similarities between palliative care in Canada and Taiwan. There are also sections on people who died a good death, as well as those who died what Hsu would consider a bad death. Names and occupations have been changed to conceal the patients’ identities. He noted that Swiss-American death researcher Elisabeth KüblerRoss once said that the dying have learned many lessons, but by that point it’s too late for them to benefit from them. “I’m grateful that I am able to learn from them and try to apply them to my life,” Hsu said. The Hope Talk series was inspired by a Taiwanese tradition in which news was read out in imperial times beneath the Wind Temple arches in Tainan, Taiwan. Most of the Vancouver lectures will take place on a stage on Granville Street. However, high-profile Taiwanese business journalist and author Tieh-chih Chang will give his presentation at 1 p.m. on Saturday (September 3) at the Orpheum Annex. Other speakers in the series include Taiwanese immigrants Julia Hsieh, Alex Peng, and Lina Chuang, who will discuss Hakka culture in Taiwan and in the Lower Mainland. RCMP officer and Taiwanese immigrant Will Lin will give a Hope Talk about pursuing dreams. And environmentalist Sam Lin will discuss the democratization process in Taiwan. Chian-Li Hsu will speak at 2 p.m. Saturday (September 3) on Granville Street between Smithe and Robson streets on as part of TaiwanFest.

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ost people in Canada have never heard of a parasite called a chigger, also known as a jigger or the chigoe flea. But in East Africa, the one-millimetre insect is causing havoc for residents who walk around with bare feet and for those who sleep on dirt floors. That’s because this flea, known as Tunga penetrans, can enter the skin and feed on human flesh. It leaves victims with disfigured limbs, making them more susceptible to infections. That’s in addition to the debilitating pain caused by these insects, which also lay eggs inside their host’s bodies. In some cases, people with this parasite might suffer amputations or even die. The impact of chiggers on Africans troubled a Taiwanese Christian, YuJen Yang, who decided to create a poster and blog about it two years ago. In a recent phone interview with the Georgia Straight from Guelph, Ontario, Yang said he was surprised by the generous response from his fellow citizens after it went viral on social media. “All of the sudden, I got about 40,000 or 50,000 pairs of shoes sent to my house,” Yang recalled. “That kind of grew and evolved into a movement in Taiwan.” He created the Step30 campaign and gathered about 150,000 pairs of shoes and 7,000 kilograms of old clothes, which were put in a container and shipped to Kenya. This weekend, he’ll deliver one of the “Hope Talks” at TaiwanFest, which take place throughout the three-day festival at 800 Granville Street. In addition, TaiwanFest organizers are encouraging Vancouverites to donate their old shoes two blocks north at 600 Granville Street over the three days of the festival, from Saturday (September 3) to Monday (September 5).

Taiwan resident Yu-Jen Yang launched a massive charitable drive for old shoes because they offer protection to Africans dealing with a devastating parasite.

“We’ll have volunteers come and pack the shoes and put them in a container,” Yang said. “We also have people donating their warehouse space for us to put the shoes there.” Most of the shoes have been distributed in Kenya, but according to Yang, some have also gone to people living in Uganda, Tanzania, Burundi, Rwanda, and Congo. He estimated that by the end of 2016, almost a million pairs will have been shipped to African countries. There’s a Canadian connection to Step30. Yang’s wife, Kara Remley, is from Guelph, and her parents, Allen and Kathie Remley, operate a Canadian-registered charity called Forgotten People Connection. The name refers to the organization’s mission of connecting Canadian people and resources with people in parts of the world that are often overlooked. Step30 works with Forgotten People Connection not only in providing shoes to East Africans but also in building capacity within communities. Yang said that in rural areas, empty containers have been converted into locations for medical clinics, computer labs, or places where people

can learn about carpentry or sewing. Last year, Yang and his wife moved to Kitale, Kenya, for eight months because they didn’t want to make all their decisions in the air-conditioned comfort of their home in the northwestern Taiwanese city of Taoyuan. Living in Kitale, he observed kids trying to remove chiggers one at a time by sticking a needle into their feet. “Here’s the thing: even if you get it out, you go back working on the dirt ground,” Yang said. “You know they’re going to come back in again. When you have open wounds, that will make everything even worse.” His wife and his mother-in-law have also created a project to teach African women how to make reusable sanitary pads. This came after the Remleys noticed some were using animal skins or plastic bags to deal with menstruation. “Part of our job is to train local leaders so they will eventually rise up and don’t have to rely on foreigners coming in,” Yang stated. As part of TaiwanFest, Yu-Jen Yang will give a Hope Talk at 1 p.m. on Monday (September 5) at 800 Granville Street.

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f you think you know Taiwanese food because you’ve frequented the bubble-tea shop down the street, you may want to think again. The annual TaiwanFest returns to Vancouver this weekend (September 3 to 5) and will feature musical performances, arts-and-culture showcases, and perhaps the most popular category for many attendees: food. The main theme for this year’s festival is A Cultural Tango With Hong Kong; therefore, many programs and activities (including food-related attractions) will compare and contrast the island region and Asia’s “hub”. One of the main culinary highlights of the weekend-long event is the International Pan-Asian Culinary Invitational (IPACI), which is a cooking competition that will showcase flavours from across Asia—specifically, Taiwanese and Hong Kong cuisines. “We created this competition to showcase more pan-Asian elements to the public and to bring it into everyday cooking so more people can experience it,” Leanna Liang, the event’s project coordinator, told the Straight by phone. The free-admission event (September 3 and 4) takes place at the Queen Elizabeth Theatre Plaza (650 Hamilton Street). Overseas chefs will be flying in from Taiwan and Chef Yi-Chien Chen says the truly authentic Taiwanese food is that cooked by the island’s aboriginal population. Hong Kong, and local chefs who There is a long history of what has bouring cultures, it has also directly will be representing Canada will consumers may list dim sum and Hong Kong–style milk tea when influenced and shaped the culinary influenced the local cuisines. also participate in the cook-off. asked about dishes sphere in the two different areas. Traditional Taiwanese food has But what’s the in the Cantonese Both regions were previously ruled retained many recipes from mainsignificance of this region. by other nations: Hong Kong was land China, including dishes from particular event? When food The truth is, Tai- a British colony, and Taiwan was Guangdong province, Shanghai, HuTammy Kwan lovers think of wanese and Hong under Japanese and Chinese rule nan, and Beijing, among others. Taiwanese food, modern snacks Kong cuisine encompasses much more during different periods of time. One such dish that draws from such as bubble tea and fried fish than the popular quick bites that have Besides how colonial occupation Chinese influence is “three cups cakes might pop up. In contrast, dominated many people’s palates. has left a mark in the two neigh- chicken”, made with three different

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sauces: rice wine, sesame oil, and soy sauce. Popular local dishes range from gua bao, braised pork belly wrapped in a clam-shaped steamed white bun, to beef noodle soup, one of the staples in Taiwanese cuisine. But those looking for real “authentic” Taiwanese food are in luck. “The food cooked by the aboriginals in Taiwan is authentic Taiwanese food,” chef Yi-Chien Chen, an IPACI competitor representing Taiwan, said by phone. “They have been [in Taiwan] much longer than the people who migrated here from mainland China.” From native dishes cooked by Taiwanese aboriginals to traditional creations that come from mainland China, the scope of Taiwanese cuisine is vast. There is a lot of variety when it comes to choosing what types of Hong Kong food to try. “Taiwan cuisine definitely features more traditional and cultural dishes, and Hong Kong is an East-meetsWest sphere, resulting in more fusion-style foods,” chef William Ma— another IPACI competitor, who will be representing Hong Kong—told the Straight in a phone interview. Fusion-style foods can most often be found in a Hong Kong–style of café known as cha chaan teng. These cafés are influenced by the period when Hong Kong was a British colony. Cha chaan tengs offer menu items that range from Hong Kong–style milk tea to French toast to dry-fried beef and rice noodles to Hong Kong– style spaghetti Bolognese. Even though the fusion cafés are iconic in the Hong Kong cuisine scene, there are also traditional Hong Kong foods that can be overlooked. One such dish see next page

FOOD High five

Meal ticket FOODIE FESTIVAL What goes well with good music? Good food. The Richmond World Festival (Minoru Park, 7191 Granville Avenue, Richmond) returns on Saturday (September 3) from 11 a.m. to 10 p.m. In addition to celebrating the city’s cultural diversity through art, music, and sport, attendees can expect to try a variety of foods. Highlights of the fest include a culinary stage where Metro Vancouver chefs will offer cooking demonstrations, and the FEASTival of Flavours—an international food-truck festival featuring more than 40 food trucks. Eventgoers will be able to taste everything from tacos to barbecued meats and perogies to poutines. Admission to the festival is free. For more information, visit www.richmondworldfestival.com/. -

Five food-and-drink activities to check out at this year’s TaiwanFest.

FRIENDSHIP PICNIC (700 block of Granville Street, between West Georgia and Robson) Mix and mingle with new friends over a spread of Taiwanese and Hong Kong foods.

BUBBLE TEA VS. MILK TEA (800 block of Granville Street, between Robson and Smithe) Decide which tea you enjoy more: one has tapioca balls and the other has evaporated milk.

FOOD VENDORS (Along Granville Street) Indulge in Taiwanese fare such as beef noodles, dumplings, and Hong Kong–style teas.

THE GRAND TEA RECEPTION (600 block of Granville Street, between Dunsmuir and West Georgia) Try black, green, or purple herbal teas that are said to benefit your health.

EXPERIENCE HAKKA (700 block of Granville Street, between West Georgia and Robson) Learn about the Hakka heritage from the Peng family and experience a Hakka-style afternoon tea.

Cocktail of the week

FRAPPE JIM This ain’t your average frappe. For one thing, it comes in a tall, soda-topped glass—not flimsy, nonrecyclable plastic—which you can trade in for fresh, cup after cup. And, trust us, you’ll want to, given that it’s spiked with enough Kentucky bourbon and Oloroso sherry to help erase the day’s most distressing woes. (This is one of five sips on Uva Wine & Cocktail Bar’s [900 Seymour Street] revamped happy-hour menu, after all.) Lemon, cream, egg white, and berries help impart a fruity frothiness that’s all frappe without the girl-in-Uggs feel. -

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Chef Tom Lee, who will compete in the International Pan-Asian Culinary Invitational, points out that Taiwan’s cuisine has diverse influences.

Pan-Asian cuisines

from previous page

is stir-fried crab with garlic and chili—a flavourful and tasty seafood option that can be found at most Cantonese restaurants and that highlights historic Hong Kong as a fishing village. Neither Taiwanese nor Hong Kong cuisine can be limited to an easy-tounderstand category of food, just as Canadian food cannot be identified by a singular dish. “I think [Taiwan] is like Italy: a lot of the profiles are sort of similar but very different,” chef Tom Lee, an IPACI competitor representing Taiwan, told the Straight by phone. “I think Taiwan is very multicultured from its surrounding countries, like Japan and Hong Kong.… it is very diverse in every area you go.” The highly anticipated culinary competition at this year’s TaiwanFest will both give Vancouverites a sense

of the diverse pan-Asian cooking elements and showcase the cooking styles of chefs from different cultural backgrounds. Not only do eventgoers get to learn about the history and culture of a different place through food, they will also get to take home some tips on how to create tasty dishes with a Taiwanese or Hong Kong flair. “We want to show more people within Vancouver that there are more traditional types of Hong Kong and Taiwanese cuisines,” Liang said. “We are hoping that the chefs can bring in some of their own personal elements so everyone can see their skills.” The International Pan-Asian Culinary Invitational takes place on Saturday and Sunday (September 3 and 4) at the Queen Elizabeth Theatre Plaza (650 Hamilton Street) from 1 to 2 p.m., 3 to 4 p.m., and 5 to 6 p.m.

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Anxiety? Depression? Free Mental Wellness Support Group held on Saturdays (10:30 am – 12:30) Promotes a holistic approach to healing (body, mind & spirit). Networking and interactive learning experience in a safe, non-judgmental environment. For more information call 604-630-6865 or visit www.mentalwellnessbc.ca ARTIFICIAL INSEMINATION Looking to start a parent support group in Kitsilano. Please call Barbara 604 737 8337 Distress Line & Suicide Prevention Services NEED SOME ONE TO TALK TO? Call us for immediate, free, confidential and non-judgemental support, 24 hours a day, everyday. The Crisis Centre in Vancouver can help you cope more effectively with stressful situations. 604-872-3311 Equal Parenting Group - North Vancouver Support group for fathers going through the divorce process needing help. Call 604-692-5613 Email:nspg@mybox.com Join a FREE YWCA Single Mothers support group in your local community. Share information, experiences and resources. Child care is provided for a nominal fee. For information call 604-895-5789 or Email: smacdonald@ywcavan.org Vancouver Society for Sexuality, Gender & Culture Educational group with monthly meetings are planned for: 1st Tuesday of each month, 6:30 PM 8:30 PM Vancouver Public Library - Firehall Branch 1455 W 10th Ave (by Granville St next to the Firehall) All are welcome, and we are looking for Board Members from the Health, Counseling, Education, and Business Professions Info: Michael or Darren: VSSGC@yahoogroups.ca

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Sound Different? Men & Women supporting each other in a friendly, non-judgemental environment based on abstinence, secularity & self-help Van: @ Vancouver Daytox 377 E. 2nd Sat @ 4pm Maple Ridge: @ The CEED Centre 11739 - 223 St Sundays 1:30pm www.liferingcanada.org or www.lifering.org RECOVERY International FEAR? DEPRESSION? PANIC ATTACKS? Feelings that keep you from really living your life? A way out is where we come in. Weekly meetings. Call for info: 9am - 5pm Kathy 778-554-1026 www.recoverycanada.org Is your life affected by someone else's drug use? Nar-Anon Family Group Meeting Every Friday 7:30-9:00 pm at Barclay Manor, 1447 Barclay

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The Compassionate Friends (TCF) Burnaby TCF is a grief support group for parents who have experienced the loss of a child, at any age. Meet the last Wednesday of the month at 7:00 p.m. For location call Grace: 778-222-0446 "We Need Not Walk Alone" compassionatecircle@hotmail.com Burnaby@TCFCanada.net www.tcfcanada.net Healthy & loving relationships alluding you? CODA: Co-dependency Anonymous 12 step Recovery: 604- 515-5585 AFTER SUICIDE SUPPORT GROUP Meetings every other Wednesday 7pm Call Sylvia Cust, RCC, Counsellor at CHIMO Crisis Service in Richmond 604-279-7077 Richmond Caring Place, 7000 Minoru

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704 – 333 Terminal Ave. Van 604 684 8171 An inclusive centre for older adults, 55+ on low income, and those with disabilities, offering year-round educational, health-related, recreational activities. Information & Referral to assist seniors with resources & services in the community ie seniors benefits, income tax preparation & government services. Hours: Monday to Friday, 9:00am to 4:00pm Support, Education & Action Group for Women that have experienced male violence. Call Vancouver Rape Relief 604-872-8212 Healing Our Spirit B.C. First Nations AIDS Society has volunteer opportunities for hospital visitation, information booths, office assistance & preparation of pamphlets & condoms for distribution. We offer volunteer orientation, training & recognition & bus tickets. If interested, please call 983-8774 Ext. 13. We are dedicated to preventing and reducing the spread of HIV in the aboriginal communities of B.C. Infertility Awareness Assoc. of Canada (IAAC) provides educational material & support to individuals or couples experiencing infertility. Meetings: 7 pm the 2nd Wed of the month. Richmond Library & Cultural Centre, 7700 Minoru Gate. Info 523-0074 or www.iaac.ca

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FOOD

Tardivel tells tales of tequila six-time Michelin-star kitchen, but make no mistake—this is a whiskey bar! With an absolutely daunting whiskey menu, the incredibly hospitable and educated staff help navigate the menu with you by asking the greatest question ever posed to me in a bar or restaurant: “What mash bill are you comfortable with?” If you are ever in Chicago, drop your bags at your hotel and go there immediately.

> BY A M A NDA SIEBE R T

traight, No Chaser looks to Vancouver’s talented mixologists for stories from behind the stick. We find out how they create, what they love, where their favourite bar is, and what they grew up watching their parents drink.

WHO ARE YOU

This is a condensed version of

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I don’t really have a distinct process by which cocktails evolve. Food pairings, new products, seasons, cultural significance, all sorts of potential factors come into play. One thing I maintain is a quick process. That is, if I have an idea, I work with it a handful of times, and if it is not turning out how I want, I move on. It’s never worked out well for me when I focus on a singular cocktail for too long. You begin to get tunnel vision and question your own palate. When that happens you’re fucked, and there’s no recovery. Not to say the best cocktails come easy, but if you make educated decisions early in the creative process, you will (hopefully) get to where you want to go.

OFF

THE CREATIVE PROCESS

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Growing up my mom only kept, and still only keeps, a bottle of California Zinfandel and a bottle of Jack Daniel’s on hand. She drank wine with dinner and Jack with a few cubes the rest of the time. There were never many cocktails made in my house, but I do remember dipping into a Christmas rum punch one year when I was about nine years old. Then when my mom checked on me in bed I asked her why the room was spinning. She replied, “Put your foot on the floor.” By the way, that trick still works!

Not sure of my “signature cocktail”, as I believe that is for others to decide. I would rather be known for my service than a singular drink. However, one cocktail I am proud of is the Incognito—is it a cocktail that tastes like a beer or a beer dressed up like a cocktail? Allow me to explain. Three years ago or so, I fell madly in love with West Coast Green Flash IPA. So I decided to create a tequila cocktail that tasted like Green Flash! I infused a blanco tequila Cooper Tardivel, head bartender at Hawksworth. Amanda Siebert photo. with a blend of hops and supported it with profile flavours found in the IPA. BEST DRINK I EVER HAD It turned out great—a cocktail that One of the best drinks I’ve ever had had tasted like a beer—and was enjoyed by nothing to do with the drink itself! I was many. Also, the name was perfect! in Paris three years ago and went to the famous and historic Harry’s New York I’D LOVE A COCKTAIL WITH Bar. The 105-year-old room is basically Mr. Robyn Gray! He’s the head barunchanged (for better or worse) and tender at Prohibition in Hotel Georgia. is the birthplace of classics such as the There are many bartenders in this barSidecar and Bloody Mary. This was def- tender-saturated city who are passioninitely a pilgrimage for my bartender’s ate about the local cocktail culture, but soul, as this bar is so incredibly import- few more than Robyn. Wherever there ant in the annals of cocktail culture is a tasting, competition, seminar, or and history. I ordered a martini, and simply a cocktail party, Robyn is there. of course a Sidecar and a Bloody Mary. He is a great bartender, a mentor, and They were all okay, but they tasted like remains a dutiful student of the craft. heaven because of the room I was in and And five years ago when I landed from the hospitality I was shown. This is a pil- Halifax, he was one of the first local bargrimage I recommend every bartender tenders to befriend me, and he has been make at some point or another. a great, supportive friend ever since. -

MY PARENTS MIXED

SIGNATURE CREATION

My name is Cooper Tardivel, and I am the head bartender of Hawksworth Restaurant and Cocktail Bar.

E XC E P T I O N A L I TA L I A N C U I S I N E

l f lav

cannot believe it’s been a year since the previous edi- STONESTREET WINERY (Alexander Valley, Califortion of Top Drop Vancouver, the annual terroir-fo- nia) The Jackson family do single-vineyard Cabernet cused wine event produced by me and a few industry Sauvignons, Chardonnays, and more, sourced from highcolleagues. Next Wednesday and Thursday (Septem- altitude estate vineyard plots in the Mayacamas Mountain ber 7 and 8) will be the third Top Drop, and while a few Range above the Alexander Valley. Gentle use of French things have stayed the same, there are plenty of new and oak by winemaker Lisa Valtenbergs frames all of the prisexciting aspects of the event in store for Vancouver wine tine fruit on offer so everything is perfectly integrated. enthusiasts. Again, we’re being kindly sponsored by the dashing, ILLAHE VINEYARDS (Willamette Valley, Oregon) charismatic folks here at the Georgia Straight. Also sim- Sustainably farmed and family-owned since 1983, the ilar to the past two editions, the first day of Top Drop wines of Illahe are all small-lot wines, and—talk about features trade seminars during the day and consumer old-school—they even use horses in the vineyard for mowing the cover crops and bringing in the grapes at dinners in the evening. Besides some fun stuff going on up in Whistler, there’s a harvest. Pinot Noir fans will want to make a beeline supergeeky dinner going on at Mount Pleasant’s Burdock for this table. & Co., where chef Andrea Carlson’s refined organic dishes are being paired with the wines of Bella’s sparkling house BLUE MOUNTAIN VINEYARD & CELLARS (Okanagfrom British Columbia’s Naramata Bench and the natural an Falls, British Columbia) Well, we can’t have a wine event in Vancouver without championing the home team, vintages of La Stoppa from Emilia-Romagna, Italy. right? This is an auspicious year for Blue While we’re on the Italian front, La Mountain, as they’re celebrating their Pentola at the Opus Hotel is hosting 25th year of making excellent estate an Italian-inspired dinner with Anwines from their stunning Okanagan gela Maculan, the proprietor of Veneto, Kurtis Kolt Falls property. A member of the Mavety Italy’s Maculan winery. I’m personally salivating over the main course of braised short rib, family will be on hand to share their stories and, of course, cauliflower purée, farro, charred onion, and Saskatchewan a little sparkling wine as well. chanterelles paired with Maculan 2013 Palazzotto, an aroDE MOUR PROPRIÉTAIRE ET NÉGOCIANT (Bordeaux, matic herb-and-spice-driven Cabernet Sauvignon. As we’ve arranged in past years, partial proceeds from France) Because the opportunities to sip some kick-ass these dinners, and all of Top Drop Vancouver’s events, Bordeaux reds are way too few and far between. are being donated to the B.C. Hospitality Foundation, After steady winetasting for an hour or two, I always which provides financial assistance to those in the hospiget a little thirsty for a palate cleanser, and I know I’m not tality industry facing a major medical crisis. The main event of Top Drop Vancouver is happening the the only one. Keeping this in mind, we’ll have a slew of evening of September 8, and it’s something we’ve cleverly refreshing beverages on offer too, from the award-wintitled the Main Event. (See what we did there?) This is the ning craft beer made by Mount Pleasant’s Main Street grand tasting at Yaletown’s Roundhouse Community Centre Brewing to local cider from Summerland’s Dominion featuring all participants in Top Drop Vancouver: 35 inter- Cider Co. and Sea Cider Farm & Ciderhouse from Vannational, terroir-focused wineries, all with principals in at- couver Island. tendance, along with a handful of craft breweries and cideries, And then, really, what is a winetasting without the opwith a few food purveyors in the mix. Winerywise, it’s a com- portunity to play around with a little food-pairing? The pletely fresh slate from last year, with notables from all around folks from Nelson the Seagull, Benton Brothers Fine the world. Here’s a small sampling of ones you shouldn’t miss. Cheese, and Two Rivers Specialty Meats will be on hand. So, come join the fun and see what’s been keeping me M. CHAPOUTIER DOMAINE TOURNON (Victoria, Aus- superbusy during the past couple of weeks, not to mention tralia) Yup, this is the M. Chapoutier most of us are familiar the event that’s been making me wake up at night with with for the legendary wines hailing from the Rhone Valley nightmares involving glassware not arriving or things of in France. The famed family have had a way with Syrah for that nature. (We’ll have plenty of glassware, I promise.) Pop over to TopDropVancouver.com for more informagenerations, so it’s fascinating to see their take on Australtion and tickets; I hope to see you there! ian Shiraz, and they’ll be pouring a few different editions.

2 0 1 6 va n c o u v e r fa r m e r s m a r k e t s

F o r l o c at i o n s & s c h e d u l e s , v i s i t e at l o c a l . o r g

The Bottle

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22 THE GEORGIA STRAIGHT SEPTEMBER 1 – 8 / 2016

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22 THE GEORGIA STRAIGHT SEPTEMBER 1 – 8 / 2016

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THE DECALOGUE

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24 THE GEORGIA STRAIGHT SEPTEMBER 1 – 8 / 2016

T OMOR ROW

MOVIES REVIEWS NEITHER HEAVEN NOR EARTH Starring Jérémie Renier. In French, with English subtitles. Rating unavailable

There’s a fashion of late to view the West’s

2 adventures in Afghanistan as doomed folly

in the face of historic or even supernatural forces, indomitable in either case. Last year, Paul Gross took that quasi-mystical route with Hyena Road. This French offering goes further while avoiding the nationalism or hollow justifications that undermined the previous film. The French squadron depicted in writer-director Clément Cogitore’s slow-burning film is doing the mundane work of securing a bleak chunk of mountainous desert near the border of Pakistan, but it’s also pissing in the dark. Literally, in fact, when one squaddie returns from a midnight squirt to find that his partner in a two-man outpost has vanished into thin air, just like two colleagues the previous night. Jérémie Renier (In Bruges) is the square-jawed and fatally proud Capt. Bonassieu who doubles down when the mystery deepens, isolating his men from central command after satellite surveillance fails to yield any clues to the disappearances, and making unholy deals in his desperate search for answers with local villagers and the Taliban, both wary of the darker folk-magical practices common to the region.

The enemy has no face

Jérémie Renier is a French army captain whose men begin to mysteriously vanish into thin air in the eerie, Afghanistan-set Neither Heaven nor Earth.

some folk tales Fania tells her son, providing opportunities to break away from the bluetinged, graphic-novel style of the film, shot in apt locaSoldiers meet the unnameable in Neither Heaven nor Earth; tions. (Kudos to Slawomir Idziak, the Polish-born cineA Tale of Love and Darkness puts Portman at the helm matographer of Gattaca and If there’s a baleful and hungry spirit in the air, it’s Harry Potter movies.) The Holocaust hangs over the realer than bullets to the peasants who dare to cross characters with the weight of unspoken dread, but NATO on their way to what might be a sacrificial this hasn’t dampened the lad’s curiosity about his sheep-burning—a situation that Cogitore captures surroundings, or his sympathetic interest in Arab neighbours—before walls and wars separated them. through the eerie use of night-vision goggles. Portman’s ability to convey this rich borscht of Neither Heaven nor Earth comes off a bit like Kill List in these heavier and effective moments of incipi- people, place, and inescapable history is flavourful ent dread, although it’s far less hysterical. As a com- indeed. So it’s unfortunate that, while getting so petent and rational man undone by something way many difficult things right, she makes an almost beyond his ken, Bonassieu is the film’s all-purpose equal number of missteps on the easy stuff. Shots stand-in for occupying forces given the powerful are held too long, or repeated too often, with slowmessage that they don’t belong. There’s a conscience motion effects occasionally bringing a music-video to this film, and if it takes a spooky metaphor to ex- cheapness to otherwise carefully composed images. More damaging is the second-half change of press it, then Neither Heaven nor Earth has landed focus from Amos to her own character’s increason a subtly memorable one. > ADRIAN MACK ingly paralyzing ennui. (Oddly, it’s one of three titles released this week that feature severely deA TALE OF LOVE AND DARKNESS pressed wives and mothers.) “My mother grew up in an ethereal culture of misted beauty,” the narraStarring Natalie Portman. In Hebrew and Yiddish, tor explains, without adding further detail. Fania’s with English subtitles. Rated PG dark melancholia gradually sucks the life out of the Natalie Portman makes her writing and di- movie, and we almost forget who’s telling the story. > KEN EISNER recting debut with a striking, and strikingly uneven, adaptation of Israeli literary lion Amos Oz’s bittersweet memoir of growing up in that UP FOR LOVE troubled nation just as it was being born. Starring Jean Dujardin. In French, with English The young Amos is nicely played by Amir Tessler, subtitles. Rated PG although the film is narrated by his elderly counterUp for Love is a useless handle for this part. This Wonder Years: Sabra Edition features a intermittently amusing farce about a seemkid with pretty messed-up parents. Portman herself plays Fania, an elegant European clearly disappoint- ingly mismatched twosome. A scene-by-scene ed to be living in dicey circumstances with a meek, remake by director Laurent Tirard (and another scholarly husband (Gilad Kahana) whose love of lan- writer) of an Argentine flick called Corazón de León, this Franco-Belgian production was origuage is the family’s only solidifying bond. Portman, who was born in Israel, also conveys ginally titled Un Homme á la Hauteur, reasona related passion in the pointed, sometimes grue- ably translated as A Man of Stature.

WEEK IN WIDESCREEN

never makes another movie, his reputation is sealed by The Raid: Redemption and its no less mind-blowing sequel, The Raid 2: Berandal. The first film is a low-budget martial-arts punch to the gut that reimagines Assault on Precinct 13 inside a Jakarta slum overseen by a sadistic drug lord. The second sends Redemption star Iko Uwais deep into the city’s criminal underground, culminating in an experience that outstrips Scarface, Only God Forgives, or any other gloriously overblown and style-drenched gangster epic of your choice. See them both at the Rio on Sunday (September 4). -

What to see and where to see it

THE LIGHT BETWEEN OCEANS This

THE SECRET OF NIMH If you think

HEAVEN’S GATE A disaster that ruined a

THE RAID: REDEMPTION If director Gareth Evans

> KEN EISNER

BORIS WITHOUT BEATRICE Starring James Hyndman. In French, English, and Russian, with English subtitles. Rating unavailable

Unlikable characters do dull, unconvincing

2 things we don’t care about in Boris Without Beatrice, a mannerist exercise that doesn’t have the manners to keep us awake. see next page

MOVIES

The projector

Get Jakarta

That last name suggests the central premise and most overworked joke here, with The Artist’s impressively resourceful Jean Dujardin playing a suave, successful architect in an unspecified French seaside town. Alexandre has only one social deficit: he’s less than four-anda-half feet tall—a fact unknown to gorgeous, self-assured lawyer Diane (Belgium’s Virginie Efira), who meets him after being charmed on the phone. In person, she’s freaked out, but also smitten by his confidence. The director pulls many tricks to sell the size disparity, from green-screen effects to body doubles and lots of oversized furniture. Extra-tall César Domboy plays Alexandre’s almost-adult son, in warmly sincere scenes that don’t always fit with the funny business. It’s all quite cleverly done, but the main gimmick belies two essential weaknesses in the tale of Diane’s gradual acceptance of someone who doesn’t tower over her. The first is that there’s not enough material for even a modest 98 minutes, with dumb side characters, including Cédric Khan as Diane’s brutish ex, and Hollywood-style slapstick capers awkwardly padding the affair. The more irreducible problem is that the filmmakers went with a normal-sized actor and then laboriously scaled him down. The movie appears to be pleading for the acceptance of otherness—a privileged, wealthy version of otherness—but in the end, these dudes went with what they already knew. Still, this shouldn’t stop anyone from approaching Peter Dinklage for an English-language remake—maybe one with a little longer reach.

All-time top 10

period piece from Blue Valentine director Derek Cianfrance stars Alicia Vikander and Michael Fassbender as a couple who learn you can’t just go and steal any old baby from an abandoned boat. Opens Friday (September 2).

Stranger Things has anything worth saying about creepy government experiments, then it’s time to either think again or reacquaint yourself with Don Bluth’s exceedingly dark animated feature at the Rio on Friday (September 2).

major filmmaker’s career? A work of bold radicalism from a true auteur and a tragically misunderstood masterpiece? See the full version of Michael Cimino’s albatross at the Vancity Theatre on Sunday (September 4).

THE DECALOGUE If the Cinematheque didn’t already

give you the cinephile’s event of the year with Out 1: Noli Me Tangere, well—here’s your Decalogue. Originally made for Polish TV, Krzysztof Kies´lowski’s magnum opus, based on the Ten Commandments and set in modern Warsaw, was widely hailed as the crowning cinematic achievement of its age when it was beheld by international audiences in the early ‘90s. See the entire thing when all 10 parts of The Decalogue return to Vancouver starting Monday (September 5). SEPTEMBER 1 – 8 / 2016 THE GEORGIA STRAIGHT 25

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MOVIES

A young life caught on film > B Y A D R IA N M A C K

he first thing we see in The 9th Life of Louis Drax, opening Friday (September 2), is a kid falling to his death. Weâ&#x20AC;&#x2122;re informed by voice-over that our titular character is the most accident-prone kid in the world, the frame freezes mid-dive, and poor little Louis spends the rest of the movie in a comatose position somewhere between life and the hereafter. Youâ&#x20AC;&#x2122;d assume this is pretty heavy subject matter for the 12-yearold who plays him, but no, itâ&#x20AC;&#x2122;s all in a dayâ&#x20AC;&#x2122;s work for Aiden Longworth. â&#x20AC;&#x153;I dunno, when Iâ&#x20AC;&#x2122;m reading a script, I know Iâ&#x20AC;&#x2122;m just reading a story. I wasnâ&#x20AC;&#x2122;t too frightened by it or anything,â&#x20AC;? he tells the Straight, in a call from home. Home, in this case, is somewhere in the area of Granville Island, where Longworth and his two siblingsâ&#x20AC;&#x201D;Rowan and Hannah, also impressively busy actorsâ&#x20AC;&#x201D;live an otherwise normal life. Aiden got the bug after spotting another kid from his housing co-op in a Hot Wheels commercial. â&#x20AC;&#x153;I saw him and I just thought it was so cool,â&#x20AC;? he remembers. Not too long after, Longworth had his own agent (â&#x20AC;&#x153;I thought it meant a spy or something like that,â&#x20AC;? he says with a chuckle) and his first credit, in 2012â&#x20AC;&#x2122;s A Christmas Story 2. These days, that rĂŠsumĂŠ also includes Intruders and the recent XFiles reboot, but itâ&#x20AC;&#x2122;s a significant leap to Drax, an internationally financed feature production that also features Sarah Gadon, Jamie Dornan, Aaron Paul, and Molly Parker. Director Alexandre Aja is otherwise known for a string of expertly nasty horror flicks (High Tension, The Hills Have Eyes, Piranha 3D), so itâ&#x20AC;&#x2122;s no surprise

Boris Without Beatrice

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New Brunswick critic turned filmmaker Denis CĂ´tĂŠ has been a tough sell for the decade heâ&#x20AC;&#x2122;s been directing, with small-scaled dramatic oddities like Curling and Vic + Flo Saw a Bear seeming to reach for a little more than they actually delivered. Given more rope, and a slightly bigger budget, Boris seems to offer less than whatâ&#x20AC;&#x2122;s on the surface, perhaps because that surface, while initially attractive, seems so self-consciously designed. Known in Quebec for several medical series (one coincidentally called Au Secours de BĂŠatrice), a bald

Twelve-year-old Vancouverite Aiden Longworth headlines an impressive cast as the titular character in Alexandre Ajaâ&#x20AC;&#x2122;s The 9th Life of Louis Drax.

that Drax, while anything but a screamathon, still traffics in elements of the fantastic. Longworthâ&#x20AC;&#x2122;s character, in fact, spends a lot of his screen time communicating with a Lovecraft-ian beast from the otherworld, as if Guillermo del Toro had been let loose on Heaven Is for Real. â&#x20AC;&#x153;When I first read the script I thought that he was hilarious, because of his attitude,â&#x20AC;? Longworth says of the occasionally combative Louis, whose story is revealed in flashbacks to be a lot more complicated than we initially realize. â&#x20AC;&#x153;I think that heâ&#x20AC;&#x2122;s kinda clueless about whatâ&#x20AC;&#x2122;s going on at first. He just really seems like an innocent child whoâ&#x20AC;&#x2122;s being played, kind of, by his parents. I felt bad for him.â&#x20AC;? Complementing what we learn from Draxâ&#x20AC;&#x2122;s supernatural encounters are the somewhat more mundane

conversations he has with a child psychiatrist played by the great Oliver Platt. Predictably, Longworth says he learned a lot from the veteran film actor, whose scenes with Drax are easily among the filmâ&#x20AC;&#x2122;s warmest. While the work of entering a character and staying there is â&#x20AC;&#x153;getting easierâ&#x20AC;?, reports Longworth, Platt â&#x20AC;&#x153;makes it feel like heâ&#x20AC;&#x2122;s really who he is, which makes me feel like Iâ&#x20AC;&#x2122;m actually there with himâ&#x20AC;?. Perhaps most endearing of all to a regular kidâ&#x20AC;&#x201D;who otherwise enjoys comics and raves about a recent viewing with his dad of Mrs. Doubtfireâ&#x20AC;&#x201D;is his 56-year-old costarâ&#x20AC;&#x2122;s habit of playing Tower Defense games on his phone between takes. â&#x20AC;&#x153;I dunno,â&#x20AC;? says the clearly impressed Longworth. â&#x20AC;&#x153;I havenâ&#x20AC;&#x2122;t seen very many adults playing video games in front of me.â&#x20AC;? -

and bearded James Hyndman plays Boris Malinovsky, successful owner of an unspecified business heâ&#x20AC;&#x2122;s been neglecting lately. Well, he has been having an affair with one of his executives (Dounia Sichov), but we donâ&#x20AC;&#x2122;t know if thatâ&#x20AC;&#x2122;s a reaction to or a reason behind the paralyzing melancholia currently being suffered by his wife, Beatrice, played by the appropriately ethereal Simone-Ă&#x2030;lise Girard, who has little to say. We see in flashbacks that the macho Boris really loves his wife, but sheâ&#x20AC;&#x2122;s not getting much help from therapy and a perhaps overly attractive hired hand (Isolda Dychauk, a Russian-born Amy Schumer type).

Beatrice is some sort of high government official, and CĂ´tĂŠ hands us a Cancon zinger by casting queercinema icon Bruce La Bruce as an unnamed prime minister who pleads for her return. Another cult figure, Holy Motors star Denis Lavant, plays a mysterious, Nehru-jacketed stranger who steps into Borisâ&#x20AC;&#x2122;s life to demand that he clean up his act. These in-jokes donâ&#x20AC;&#x2122;t add up to much, mainly because the movie is too humourless and its characters too vague for anything to resonate much beyond â&#x20AC;&#x153;Hey, this guy sure likes Antonioni movies from the â&#x20AC;&#x2122;60s.â&#x20AC;? Those are still available, for all who want them.

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ARTS

Sammy Chien uses dance, storytelling, and interactive video to express his immigrant experience (Sheng Ho photo), while Vancouver Cantonese Opera’s Rosa Cheng works to preserve her homeland’s art form.

Classic forms and new paths

structures built from other ensembles—making for a constant crossbamboo in the villages pollination throughout the festival. of southern China and around Hong Kong. Those USING GROUNDBREAKING NEW technology towns would pool their rather than a historic style, media artist Sammy money to bring in opera Chien, too, seeks to speak to a wide range of groups at the fest. troupes during festivals. Performing at the Your Kontinent Digital Without the proper materials or the tech- Carnival on the site, Chien will be using an niques needed to erect interactive, real-time audio-visual software New-media artist Sammy Chien and Cantonese opera performer the incredible, nail-free technology he worked with this summer in Rosa Cheng speak to the breadth of the Richmond World Festival buildings, the VCO is in- Germany—a program that turns his every stead trying to re-create move on-stage into projected computer-generFew events feature an art form as old as their atmosphere in an outdoor stage. “We will ated sound and imagery. Cantonese opera, with its roots in the 12th cen- decorate it with lanterns and red ribbons similar “It knows when your fingers are moving and tury, alongside an interdisciplinary performance to the way they decorated in that time,” Cheng when your left shoulder and right hip are movBY JANET S M IT H using cutting-edge interactive digital technology. says, referring to the early 20th century. ing, so you’re making music with the body,” he But that speaks to the breadth of the Richmond If you’re in Minoru Park during the VCO’s says, adding that those sounds in turn spur more World Festival, a celebration of the vast artistic performances, which will feature a mix of short movement, and generate the live, manipulated influences that have been rolling into the region pieces from Beijing and Cantonese opera, you’ll video. “The body becomes this whole system that with immigrants from around the globe. likely hear the pulsing percussion fi rst. “A lot of cycles and interlocks together. Take artist Rosa Cheng, who immigrated here Canadians will go and say, ‘Th is is so noisy with “It’s pretty much structured improvisation,” he 40 years ago from Hong Kong and works to pre- all the gongs and cymbals.’ But they symbolize says. “For me, with the show, I don’t really know serve an ancient art form from her homeland. Or all the movement: we have special rhythms what’s going to happen and I’m pretty consider Sammy Chien, who came here from Tai- for drinking wine or kneeling down or happy about that! With new media, it wan as a preteen just over a decade ago and now for the fi rst time the audience sees a sometimes gives you things you don’t Check out… uses high-tech projections to express his experi- character,” Cheng explains, describSTRAIGHT.COM expect and I like to take those errors ences as a newcomer. and comment on them.” ing those driving beats as the “heartVisit our website Both aim to use the fest to speak to audiences beat” of the art form. Like Cheng, Chien is helping to for morning-after reviews and local far beyond their own ethnic groups. demystify his artistic language for the That unusual musical sound is arts news Even in the case of Cantonese opera, with its rar- one of the reasons Cheng says Canaudience. Throughout the piece, he talks efied mix of singing, dancing, martial arts, tradition- tonese opera takes understanding. about the program he is using and what al stringed instruments, and gongs, Cheng’s group he’s doing with it. He also weaves in stories With that in mind, the troupe is devotis determined to educate—including using either ed to demystifying the art form, with an on-site from the distant and recent past. In one sequence, printed surtitles or spoken English translations dur- tent featuring demonstrations in makeup (the he performs a “finger dance”—a sort of B-boying he ing the shows and holding on-site workshops. opera is known for its pale white faces with red does solely with his hands—that he invented as an “It’s a learned experience, and gradually you that flows down from the eyes), costumes, and isolated youth who had immigrated here. will learn to like it,” says Cheng, artistic direc- performance techniques (like ma dang zhi, a “When I was 13 or 14, I lived in a small town tor and performer at the Vancouver Cantonese horse-whipping sequence). and I didn’t know a lot of English, and as an Opera, which has been around for 16 years and In an art form where it’s often said a minute on- Asian male you will go through a lot of bullperforms two large productions in the region stage takes 10 years of training, it’s clear that while shit.…So the fi nger dance really talks about each year. “I have Canadian friends and they can’t visitors won’t be learning it overnight, they’ll at that; I break-dance with them. It was kind of speak the language [Cantonese], and yet they least have their world opened up to its beauty. a friendship with my own hands while coping come back again and again.” The VCO will also host different art forms with this loneliness I had to go through. Then— The group is hosting the Bamboo Theatre at the from around the world at its Bamboo The- boom!—I was the cool kid in school.” festival, naming the stage for the giant temporary atre—including Polynesian, South Asian, and see next page

THINGS TO DO

ARTS High five

Editor’s choice DREAM STATE And now for something completely hallucinatory: for their installation show The Last Waves, artists Julia Feyrer and Tamara Henderson invite you into immersive theatrical sets. At The Night Times Press Bar for Dreamers, you can read a Night Times newspaper documenting the two artists’ dreams, or watch a film shot at the old Belvedere Court apartments on Main Street. Or you can take in the surreal film Bottles Under the Influence (shown here), in which historic glass vessels become characters. Expect it to be a real trip. Julia Feyrer and Tamara Henderson: The Last Waves is at the Morris and Helen Belkin Art Gallery from Tuesday (September 6) to December 4.

Five events you just can’t miss this week

ERICA SIGURDSON (At the Comedy MIX from September 1 to 3) The Debaters star is still one of the funniest female comics around.

OTHELLO (At Bard on the Beach to September 20) The Civil War–set tragedy is one of the gutsiest versions you will ever get to see.

EDGAR HEAP OF BIRDS (At the Charles H. Scott Gallery to November 6) His art confronts oppression with the cutting force of an arrowhead.

THE SHANGHAI ACROBATS (At the Orpheum on September 1) Astonishing feats by the original Cirque-sters.

FRINGE OPENING NIGHT (At Performance Works on September 6) Yes! It’s that time again—complete with Butt Kapinski, surprise guests, and cask beer.

Guest pick

LOVE, LUST & LACE Our choice comes from Deb Pickman, member of shameless hussy productions, as well as marketing and communications manager of UBC Arts & Culture District, which cohosts UBC’s Harvest Feastival on September 22, an epic outdoor dinner for 1,000, followed by exclusive shows and exhibits. “I promise Love, Lust & Lace from Gas Pedal Productions is a must-see at the Vancouver Fringe Festival. This sexy and smart show was devised by the company at UBC with Axis Theatre artistic director Chris McGregor. It’s already been performed on campus to overwhelming acclaim.” The Vancouver Fringe Festival presents Love, Lust & Lace at the Firehall Arts Centre on September 8, 10, 11, 13, 15, and 17.

SEPTEMBER 1 – 8 / 2016 THE GEORGIA STRAIGHT 27

ARTS

Gad Elmaleh has moved from performing for 12,000 people in a European arena to trying to make 100 people at the legendary Comedy Cellar bust a gut.

French standup star set to conquer North America > B Y G U Y M A C PHERSON

Theatre for everyone!

Midnight in Paris and The Adventures of Tintin) in two decades. “I have to say I prefer comedy, I prefer to go on-stage and play and do the standup and do live shows,” he says. “I think cinema is okay but I get very bored on the set. It’s very, very boring to me.” Easy to say when you’re playing arenas around Europe, when the rush of thousands of laughs comes back in a wave immediately. But he’s given that up for a new challenge in a new world—in North America, where most people don’t know him from Jacques. “The experience now is crazy,” he says. “I was performing in a 12,000seat arena this summer in Belgium and last night I performed at the Comedy Cellar in front of people who had no idea who I was. There were, like, 100 people, and it’s great and I like it and it’s a good challenge, but I’m basically starting over. I get excited again. It’s like a new girlfriend, no? A new wife, new girlfriend, new relationship. It’s spicy, it’s exciting. I get butterflies before going on-stage. I can’t believe when I make Americans laugh. I’m like, ‘Wow, they laughed at my jokes!’ That’s great, and it’s not even my first language.” Not by a long shot. Elmaleh performed in French, Arabic, and Hebrew before giving the new lingua franca, English, the old college try. “I woke up one day and I said, ‘I wanna get excited,’ ” he says about his decision to conquer America. “It’s hard. Everyone was discouraging me. Everyone. Every comedian was like, ‘Don’t do this. It’s going to be too hard, stay in France.’ And I said, ‘No.’ It’s because it’s hard that I’m doing it.” -

ad Elmaleh is jet-lagged when he calls from his home in New York. The Moroccoborn French standup and movie star flew in from Paris the night before. But you wouldn’t know it from listening to him. His passion—comedy—is a tonic whether he’s performing it or talking about it. Even, or especially, when it’s in his fourth language. When his plane landed, he zipped from the airport to the Comedy Cellar. “This is the best place in town,” he says. “It’s really addictive. When we go there as comedians, we don’t want to go anywhere else. It’s great.” The first time he tried standup was in Montreal, where he was a student at McGill University. Then he moved back to Paris and started performing in a culture where American-style standup wasn’t on the radar. “A long time ago, like, 20 years ago when I started to do standup comedy, I would have an entire show and an act and I would play it every night in a small theatre, which was obviously not sold-out in the first months, you know?” he says. There still is no club system to speak of in France. Elmaleh says it’s because French comedians are “too pretentious”. “They don’t want to work out on their material in a small room for months and then go on-stage. I know some performers in Paris, they write their show and they tape it, like, one week later. Really? Don’t you think you’re gonna move things around and correct and adjust and craft? ‘No, it’s good.’ And they play the same show over and over again with not moving anything.” He very quickly landed his first movie role, which helped him grow a following for his stage show. By his Gad Elmaleh plays the Vogue Thecount, he’s done 30 films (including atre on Tuesday (September 6).

Classic forms, new paths the idea of technology, which can from previous page

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either help us or destroy us, to water: for his piece, he’s been inspired by the quote from Confucian philosopher Xunzi: “Water can carry a boat; it can bury a boat.” “I’m going to start with something very beautiful and slow,” he explains, adding he’ll be drawing from traditional qi gong. “There will be the illusion that I’m actually moving my energy through the screen.” Eventually, the technology will start to glitch, he says. “When I get frustrated, I’m really going to start to work with it. It gets loud and glitchy, loud and rhythmic.” Ultimately, he hopes to show fest audiences not just the new potential for technology in art, but also what it feels like to be treated as different in a society. “In the end, I want them to feel like they’re going home with something. They may think of me being alone. A lot of the Richmond demographic is immigrants, and we’re here to coexist together. I want them to think about that.” -

Interestingly, that story ties into experiences he’ll share from his recent residency at Lake Studios Berlin, in a town outside the city that wasn’t exactly used to seeing people of Asian descent around. Chien says he could never go out to eat without eliciting stares and getting asked about where he was from. “After five hours of studio work, I just wanted to eat and relax. So I felt very vulnerable. I’m just here to relax and eat! So then I didn’t go out anymore. I just cooked food in my apartment. So I’m isolated again and that brings all that back [from childhood].” Happily, that all changed for Chien near the end of his study trip, with the arrival of a half-Japanese artist. “It was like a bromance!” he says with a laugh. “When I walked with him, it was like two freaks walking together, two outcasts. But it was the power of two!” In his show, Chien weaves all of that into the theme of the festival, The Richmond World Festival takes water, and the idea of immigration place Saturday (September 3) in flowing in waves. He also compares Minoru Park.

ARTS

Art transforms VAG façade

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he artists in this year’s Façade Festival are used to expressing their work on canvases or screens, but it’s a massive new step to project their ideas across an entire building—not to mention one as iconic as downtown’s Vancouver Art Gallery. That’s been the challenge of the second annual event, which will project newly commissioned work from five local artists across the structure’s high-profile Robson Street side until Monday (September 5). The event is a collaboration between the Burrard Arts Foundation, Microsoft, and the VAG, with technical mentorship from projection-mapping specialists Go2 Productions. In the case of digital artist Chris Shier, whose installation happens Saturday night (September 3), he’s had to take the feedback effects and the looping, mutating forms that he normally employs on websites and transfer them to a solid architectural edifice. “The Go2 guys were pretty helpful in mapping out different areas of the building rather than a single surface,” Shier, who’s shown his work everywhere from the Centre Pompidou to the Western Front, explains to the Straight over the phone. “So we’ve put big concentric petri-dish shapes on the columns. And in the recessed areas there are video feedback elements.” “The idea is to make the building itself into a work of art,” explains Genevieve Michaels, Burrard Arts Foundation gallery coordinator, in a separate phone interview. “I don’t think any of the five artists this year had ever worked with this technology before and they all found it exciting. They bring their own materials and ideas and work really closely with Go2 about how they could use this technology.

“...a foot-stomping hoot” -Vancouver Courier

“An exquisite reimagining…” -Vancouver Sun

Eric Metcalfe sends animal prints across the Vancouver Art Gallery as part of the Façade Festival, which also features interactive digital projections.

“For someone walking through downtown and coming across this, it’s going to be a magical moment. We’re really focused on public art and making it accessible.” Joining Shier on the roster are artists Eric Metcalfe, Barry Doupé, Rebecca Chaperon, and Renée Van Halm, in an event in part inspired by huge visual-arts festivals like Sydney’s VIVID and Toronto’s Luminato and Nuit Blanche. All five participants will have their own solo showcase nights, culminating in two encore presentations featuring all five of them on Sunday and Monday (September 4 and 5). What sets Shier’s work apart is that, for the first time at Façade, the projections will be fully interactive. A webcam will point at the audience area, where the crowd’s movements will feed into the effects that are being projected.

“This is the first time I’ve been able to have this scale,” says Shier, who adds that the festival is a big step for him. Interestingly, though, with projects like his viral “gifmelter” online, he’s used to reaching mass audiences. “It’s really about translating work from the computer screen onto another kind of screen, so it feels at home but feels like a big home. The scenario feels familiar to me: it’s very public, open, and egalitarian, with not much cost of entry.” Still, Shier is psyched to be able to use such high-quality projectors on such a massive scale—in a celebratory atmosphere where people won’t have to websurf to find his work. “I’m gonna be going down there pretty much every night, I’m sure,” he says. The Façade Festival runs at the Vancouver Art Gallery’s Robson Street side from 8 p.m. to midnight until Monday (September 5).

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SEPTEMBER 1 – 8 / 2016 THE GEORGIA STRAIGHT 29

ARTS

Poe’s poetry meets the squeezebox

Legendary Family Act SHARON, BRAM & FRIENDS

Animation and trumpet add to Noir atmosphere

Live at the Orpheum Theatre Sunday September 18, 2016 at 2:00pm

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Opera & Arias, 2015

Opera & Arias: The Magic Flute A costumed concert staging of Mozart’s beloved opera – so delightfully entertaining in the Park! Featuring the UBC Opera Ensemble and members of the Vancouver Opera Orchestra • Hosted by Christopher Gaze

Monday, Sept 5 • 2pm & 7:30pm BMO Mainstage | Global BC Youth Price available

604-739-0559 • bardonthebeach.org 30 THE GEORGIA STRAIGHT SEPTEMBER 1 – 8 / 2016

hen it comes to putting the noir into the Accordion Noir Festival, Patrick Farrell and Ben Holmes have got a serious head start on the competition. The Brooklynbased squeezebox-and-trumpet duo is debuting a new project at this year’s edition of the annual accordion romp, which runs at various East Van venues from next Thursday to Sunday (September 8 to 11): a raven-black reading of Edgar Allan Poe’s morbid “The Conqueror Worm”, complete with animated visuals from Natalie C. Sousa. It’s so perfect for Accordion Noir that accordionist Farrell seems almost abashed he didn’t dream it up. “That was all Ben, actually,” Farrell reveals in a telephone conversation from his parents’ home on the outskirts of Ann Arbor, Michigan. “He’s the son of a poet. I love poetry, but I don’t spend a ton of time reading it or thinking about it these days. I mean, I have in the past, but these days not as much. But Ben, I think, has always just read poetry. And he and Natalie—who’s his partner, but also the woman who’s doing the animation—were sitting down and came up with this idea that ‘Oh, we should do something with this poetry.’ I think part of the thing with doing Poe is that it’s so macabre and so silly that it struck Ben’s funny bone in a particular way. He just thought it would be hilarious to do something called ‘The Conqueror Worm’, so we’re trying not to be serious—or too serious—about it.” Known for their inventive arrangements of works by early modernist icons Erik Satie, Alexander Scriabin, and Dmitri Shostakovich, the two couldn’t help giving serious thought to the “Worm”, however. “What’s happening most of the time is that we’ll have a piece of music that we’ll play, and there will be visuals going along with that, and then there will be a stanza of the poem that will be read,” Farrell explains. “Ben will read the poem, and I’ve written accompaniment stuff using themes from the duo pieces— and in those moments there’s not animation happening. So while we’re hearing the poem there’s not a visual element going on, or else it’s just a still from the end of the previous section. And then, as we move the music forward, the animation starts up again.” The idea, he adds, is to give both a literal reading of Poe’s bloodcurdling lyric and an impressionistic multimedia version of the same. “We’re trying to make a little story happen through sound,” Farrell notes, adding that he and Holmes are used to making sense of seemingly incongruous elements. “It’s a pretty weird combination,” he says of their duo’s unconventional instrumentation. “There is, like, no timbral crossover at all between the two of them—or at least not in the sense of where you can play an accordion with a violin and sometimes you can confuse one for the other. With the trumpet and the accordion, the sound of them is so different that it makes you really think hard about how you combine them. It also makes it really difficult as a duo, because you can’t hide behind each other at all. Everything that either of us do is going to be heard.” With imaginative musicians like these, though, that’s not going to be a problem. The Accordion Noir Festival and Caravan World Rhythms present Patrick Farrell and Ben Holmes’s The Conqueror Worm Suite at the York Theatre next Friday (September 9).

ARTS

OPENING NIGHT:

BUTT KAPINSKI: DICK ON THE FRINGE While Ryan Quast’s Molin 97 may look like it’s assembled from found objects, it is just one of his many sculptures made entirely out of paint. Dennis Ha photo.

Quast turns humble objects into high art VISUAL AR TS RYAN QUAST: EVERYDAY LIVING At Wil Aballe Art Projects (WAAP) until September 10

Ryan Quast’s exhibition Every-

2 day Living juggles a number of

representational tropes, traditions, and inversions, from trompe l’oeil to readymade to pop art. His highly realistic depictions of humble objects and accumulated detritus—cigarette butts, spent matches, a used paint tray with roller, a plastic bag stuffed with garbage—are paintings in sculptural form. Or perhaps they’re sculptures in painted form. Composed entirely of paint—layer upon thinly brushed layer of gesso, oil, and latex—and sometimes taking years to complete, they are exacting and often remarkable full-scale facsimiles. In their labour-intensiveness, they are an embodiment of time and process, asking us to contemplate what we value and why. In their handwrought verisimilitude, Quast’s works challenge us to consider how an artist may imbue grubby ordinariness with an aura of worth. Quast’s objects share explorations of paint’s materiality and threedimensionality with the likes of Eric Cameron’s concept-driven “Thick Paintings” and Jeremy Hof’s more recent abstract sculptures, just as he shares their practice of patiently and painstakingly building up layers of paint over time. He also embraces Marcel Duchamp’s fondness for the mundane readymade, which wholly undermined conventional notions of what art was and how it signified meaning in the early 20th century. By making what look like readymades out of paint, however, Quast flips Duchamp’s radical ideas back at him

and us, reintroducing skill and handmadeness into a mix of abjectness. Still, his choice of subject matter—for instance, there’s a slur of pseudo shit on the pseudo toilet plunger of Everyday Living: Plunger—punctures any lofty ideas about art that may linger in the 21st century. If Duchamp had lived into the age of Starbucks, he might have placed a disposable coffee cup on a pedestal in an art gallery and signed it “R. Mutt”, as he did his famous urinal. Using paint and only paint, Quast has created Brentwood Mall Food Court Memorial, a work that appears to be a used paper coffee cup with a plastic lid onto which “cigarette butts” have been crushed, along with a wad of “gum”. (The realistic appearance of this piece was sadly proven during an open studio event when a visitor stubbed out an actual cigarette on it.) The subject of labour is also present here, not only in the hugely timeconsuming process of making these pieces, but also in their subject matter. Everyday Living: Dustpan, for instance, speaks to the kind of janitorial work Quast has undertaken in the past in order to support his art practice, while the empty “paint cans” and the “felt-tip pens”—one mounted on the wall with “duct tape”, the other sitting in a crushed “plastic cup”—question the relevance of the artist’s studio as a site of production. Smart and engaging, Everyday Living launches WAAP’s new exhibition space, in the basement of 688 East Hastings Street. WAAP is accessible through the street-level Fazakas Gallery; on your way to or from it, be sure to spend time with the First Nations art on view at Fazakas, especially the extraordinary Beau Dick masks, large and small. > ROBIN LAURENCE

Tuesday, September 6 at Performance Works 1218 Cartwright St on Granville Island Doors at 7:00pm This is a Fringe fundraiser and tickets are only $50!

Butt Kapinski is a private eye like no other. Celebrate the opening of the Festival with one of the wildest characters in Fringe history. Join Butt in solving the great Fringe murder mystery. With your help, Butt will get to the bottom of this seedy world of sex, sin, shadows, and subterfuge! A film noir themed party featuring a VIP reception, a fast and furious live auction, and a once in a lifetime Fringe performance!

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SEPTEMBER 1 – 8 / 2016 THE GEORGIA STRAIGHT 31

straight choices

Sept 11

RedRoom 398 Richards St. $5 cover 9pm-2am @

descentsundays.com

THE RISE AND FALL OF ZIGGY STARDUST SEP. 30 & OCT. 1 @ 8 PM • KAY MEEK CENTRE A celebration of David Bowie’s iconic album with some of Vancouver’s best musicians

EL TWANGUERO & PAUL PIGAT OCT. 15 @ 8 PM

A night of guitar magic with two rockabilly virtuosos

DONNY MCCASLIN • OCT. 28 @ 8 PM

Grammy-nominated jazz saxophonist blurs the line between jazz and electronica with“A” Band and NiteCap

All Tickets on sale Sep. 2 Tickets: 604.990.7810 • Online: capilanou.ca/centre Capilano University • 2055 Purcell Way • North Vancouver

ar ts/ timeout THEATRE DANCE MUSIC COMEDY LITERARY EVENTS ET CETERA GALLERIES MUSEUMS

< < < < < < < <

THEATRE 2OPENINGS THE GLASS MENAGERIE Canadian production of Tennessee Williams’s classic about the plight of a single mother and her two adult children. Sep 6-25, PAL Theatre (8th floor, 581 Cardero). Tix $20, info www.glassmenagerie.ca/. BUTT KAPINSKI: DICK ON THE FRINGE Celebrate the opening of the Vancouver Fringe Festival with a onenight performance that sees a private detective get to the bottom of a seedy world of sex, sin, shadows, and subterfuge. Includes a preshow reception. Sep 6, 7 pm, Performance Works (1218 Cartwright, Granville Island). Tix $50, info www.vancouverfringe.com/openingnight/.

2ONGOING BARD ON THE BEACH Annual outdoor Shakespeare festival features performances of The Merry Wives of Windsor (to Sep 24), Romeo and Juliet (to Sep 23), Othello (to Sep 17), and Pericles (to Sep 18). To Sep 24, Vanier Park (1000 Chestnut). Tix from $20, info www.bardonthebeach.org/.

straight choices

PUE GOLD Vancouver comedy fans used to have the luxury of seeing Rob Pue perform all around town through the year. The former Edmontonian standup comic lived here for a while, before moving to Los Angeles, where he was a regular on MTV’s Punk’d. Now Pue resides in the centre of the known universe, Toronto, so we only get to see him once or twice a year when he rolls through town to headline. Here to support his new album, Puegilist, Pue will be at Yuk Yuk’s on Cambie for three shows Friday and Saturday (September 2 and 3) going for a comedic knockout. With his experience on Comedy Central, the Comedy Network, CBC’s The Debaters, all the major festivals in the country, and after winning the prestigious San Francisco Comedy Competition in 2003, he usually gets it. THE BOOK OF MORMON Broadway Across Canada presents a musical comedy that follows the misadventures of a mismatched pair of missionaries, sent halfway around the world to spread the Good Word. To Sep 4, Queen Elizabeth Theatre (650 Hamilton). Tix at www.ticket master.ca/.

2UPCOMING HIGHLIGHTS VANCOUVER FRINGE FESTIVAL Annual celebration of theatre features more than 800 performances by over 90 artists over 11 days. Highlights include an opening-night gala, a preview night, the Big Rock Brewery Fringe Bar, the Barefoot Wine & Bubbly Free Stage, the Fringe Pick Plus, and an awards night. Sep 8-18, various Vancouver venues. Info www.vancouverfringe.com/.

DANCE 2THIS WEEK VANCOUVER INTERNATIONAL TAP DANCE FESTIVAL Event celebrates, showcases, and explores the world of tap dance. Sep 1-4, Norman Rothstein Theatre (950 W. 41st). Tix $34-38, info www.vantapdance.com/.

2UPCOMING HIGHLIGHTS

THE RED CROSS Canadian Red Cross / Croix-Rouge Canadienne

www.redcross.ca

32 THE GEORGIA STRAIGHT SEPTEMBER 1 – 8 / 2016

VANCOUVER INTERNATIONAL FLAMENCO FESTIVAL 2016 Discover the spirit of flamenco through performances, workshops, and classes. Participating artists include Mercedes Amaya Company, ¡ARTE! Flamenco, Toque Flamenco, Flamenco Rosario, and Rosanna Terracciano. Sep 10-20, various Vancouver venues. Tix free to $60, info www.vancouverflamencofestival.org/.

STRING HEAVEN If you’ve got a thing for strings, you won’t want to miss the Kessler Academy performing at Music on Main this Thursday (September 1) at Pyatt Hall. It’s a chance to see the rising stars of violins, violas, and cellos playing with the Microcosmos Quartet after four days of intensive rehearsal of 21st century music. In a unique intergenerational project, the mentor quartet (Marc Destrubé, Andrea Siradze, Tawnya Popoff, and Rebecca Wenham) lead the young talents in a conductor-less ensemble. Highlights of the program include string-celebrating pieces by Béla Bartók, Arnold Schoenberg, and Krzysztof Penderecki.

MUSIC 2THIS WEEK OPERA AND ARIAS: THE MAGIC FLUTE Bard on the Beach presents a staging of Mozart’s classic opera featuring the UBC Opera Ensemble and members of the Vancouver Opera Orchestra. Sep 5, 2-7:30 pm, Bard on the Beach (1000 Chestnut). Tix $20, info www.bardonthebeach.org/.

don’t miss out! For up-to-the-minute, searchable Arts Time Out listings, visit

www.straight.com

COMEDY 2JUST ANNOUNCED THE COLIN MOCHRIE EXPERIENCE Canadian improv comedian, Vancouver TheatreSports League alumnus, and Whose Line Is It Anyway? star presents an evening of laughter. Sep 24, 7:30 pm, Vogue Theatre (918 Granville). Tix $29-69, info www.vtsl.com/. TRUMP CARD The Vancouver TheatreSports League presents an improvcomedy show that examines the 2016 U.S. presidential election. Sep 28–Nov 12, 7:309 pm, The Improv Centre (1502 Duranleau, Granville Island). Info www.vtsl.com/. BOB SAGET American actor, standup comedian, and TV host performs his signature raw and raunchy brand of comedy. Nov 10, 8 pm, River Rock Casino (8811 River Rd., Richmond). The event also runs Nov 11 at the Molson Canadian Theatre at Hard Rock Casino Vancouver. Tix $69.50 (plus service charges and fees) at www.ticketmaster.ca/.

2ONGOING THE COMEDY MIX 1015 Burrard, Century Plaza Hotel & Spa, 604-684-5050, www. thecomedymix.com/. Comedy club with pro-am night Tue at 8:30 pm, showcase Wed at 8:30 pm, and featured headliners Thu at 8:30 pm and Fri-Sat at 8 and 10:30 pm. Cover $8 Tue, $10 Wed, $15 Thu, $18 Fri, $20 Sat. 2ERICA SIGURDSON Sep 1-3 2DAN QUINN Sep 8-10 2STEPH TOLEV Sep 15-17 2KEVIN FOXX Sep 22-24 2PAUL MYREHAUG Sep 29-Oct 1 YUK YUK’S COMEDY CLUB 2837 Cambie, 604-696-9857, www.yukyuks.com/vancouver. Comedy club with Top Talent Tue at 8 pm, amateur night Wed at 8 pm, and professional headliners Thu-Fri at 8 pm and Sat at 7 and 9:30 pm. Cover Tue $10, Wed $7, Thu $10, and Fri-Sat $20. 2ROB PUE Sep 2-3. VANCOUVER THEATRESPORTS LEAGUE Some of the world’s most daring and innovative improv. The Big Picture: An Improvised Movie (Thu, Fri, and Sat, 7:30 pm); Firecracker! (Thu, 9:15 pm); Improv After Dark (Fri and Sat, 11:15 pm); OK Tinder (Wed, 9:15 pm); Rookie Night (Sun, 7:30 pm); TheatreSports (Wed, 7:30 pm; Fri and Sat, 9:30 pm). Aug 31–Sep 7, The Improv Centre (1502 Duranleau, Granville Island). Tix $8-22, info www.vtsl.com/.

2THIS WEEK ERICA SIGURDSON Vancouver standup comedian known for appearing on The Current and Definitely Not the Opera. Sep 1-3, The Comedy MIX (1015 Burrard). Tix $20/18/15, info www.thecomedymix.com/. ROB PUE Standup comedian tours in support of debut comedy album Puegilist. Sep 2-3, Yuk Yuk’s Comedy Club (2837 Cambie). Tix $20, info www.facebook. com/events/1049631615124795/. RORY SCOVEL American comedian, writer, and actor performs a standup show. Presented by JFL NorthWest. Sep 2, doors 7 pm, show 8 pm, Biltmore Cabaret (2755 Prince Edward). Tix $20 (plus service charges and fees) at www.jflnorthwest.com/. GAD ELMALEH Paris-based comedian, actor, and writer performs a new standup show entirely in English. Sep 6, doors 7:30 pm, show 8:30 pm, Vogue Theatre (918 Granville). Tix $35 (plus service charges and fees) at www.ticketfly.com/.

T.J. MILLER Just for Laughs Live and JFL Northwest present Denver comedian on his standup tour the Meticulously Ridiculous Tour. Sep 7, doors 6 pm, show 7 pm, Vogue Theatre (918 Granville). Tix $32.50 (plus service charge) at www.ticketfly.com/.

LITERARY EVENTS 2THIS WEEK TWS READING SERIES Readings by Vancouver poet Shazia Hafiz Ramji. Sep 1, 8-10 pm, Cottage Bistro (4470 Main). Info www.sfu.ca/continuing-studies/ programs/the-writers-studio-creativewriting-certificate/reading-series.html.

ET CETERA 2THIS WEEK SHANGHAI NIGHTS: A DREAM JOURNEY The Shanghai Acrobats present a Cirque du Soleil-style performance. Presented by the Vancouver Symphony Orchestra. Sep 1, 7:30 pm, Orpheum Theatre (601 Smithe). Tix $22-75, info www.vancouversymphony.ca/. THE SALON SERIES Vancouver theatre professionals reveal how they take the page to the stage. Includes discussions and Q&A sessions on designing. Presented by Bard on the Beach. Sep 5, 7 pm, Bard on the Beach (1000 Chestnut). Tix $15, info 604739-0559, www.bardonthebeach.org/.

GALLERIES VANCOUVER ART GALLERY 750 Hornby, 604-662-4719, www.vanartgallery.bc.ca/. 2PICASSO: THE ARTIST AND HIS MUSES (exhibition examines the significance of the six women who were inspirational to the artistic development of Picasso) to Oct 2 2BHARTI KHER MATTER (exhibition brings together sculptures and paintings that represent the diversity of New Delhi-based artist Bharti Kher’s practice) to Oct 10

straight choices

DESTROY IMPLODES The name implied a nihilistic approach, but noise showcase Destroy Vancouver wound up being a vital creative asset within our city’s underground music scene. Founder, curator, and drummer John Brennan is taking a break to pursue other things—including more noisemaking of his own—but not before offering one last installment of the series, at VIVO Media Arts on Thursday (September 8). Come for Berlin’s Kristina Kubische, whose work with electromagnetic transmissions will change the way you hear the urban soundscape, and stay for similarly adventurous sonic excursions from Adriana Lopez, Friends+War, hazy, Katharina Ernst, and minimal violence.

MUSEUMS THE MUSEUM OF ANTHROPOLOGY AT UBC 6393 NW Marine Drive, 604-822-5087, www.moa.ubc.ca/. 2LAWRENCE PAUL YUXWELUPTUN: UNCEDED TERRITORIES (Vancouver-based artist is showcased in a presentation of works that confront the colonialist suppression of First Nations peoples and reflect the ongoing struggle for indigenous rights to lands, resources, and sovereignty) to Oct 16

TIME OUT ARTS LISTINGS are a public service provided free of charge. Submit listings online using the event-submission form at straight.com/AddEvent. Events that don’t make it into the paper due to space constraints will appear on the website.

MUSIC

Despite what the lyrics on last year’s Sing It

BY MIKE US IN G ER

All Away might suggest, life couldn’t be more wonderful for Walk Off the Earth, which started as a YouTube sensation and has since proven itself to be much more. This past spring the Burlington, Ontario–born quintet waltzed away from the 2016 Juno Awards with group-of-the-year honours. That win was at least partly traceable to Sing It All Away. A hookheavy, unabashedly anthemic triumph, the record cemented Walk Off the Earth’s status as equals of folk-pop heavy hitters like Of Monsters and Men, the Head and the Heart, and Mumford & Sons. What’s surprising is that, by conventional thinking, the group’s 15 minutes should have been up a half-hour after its 2012 viral-video hit of Gotye’s “Somebody That I Used to Know”. (Currently sitting at 6.5 million views, the proudly DIY clip famously

Finding light in the darkness

Gianni “Luminati” Nicassio (centre) is still fuming that his idea of having everyone in Walk Off the Earth wear headbands was nixed by his bandmates.

“When I saw what Gianni was doing with Walk Off the Earth,” she continues, “I really knew it was something that was goWalk Off the Earth’s mission is to write songs ing to be bigger than what I about finding the positives in every situation was doing with Creepshow, has all five members of the band playing the song or at least be on the right path. So I jumped in and on a single guitar.) But the story hasn’t ended there. was like, ‘Hey man, I wanna be involved. I wanna Instead, to listen to the critically lauded Sing It All be in your videos. Let’s do something really cool.’ Away is to marvel not only at Walk Off the Earth’s I was done with the eight months of van tours and ability to mix and match genres at will, but also at sleeping on people’s floors with Creepshow. I wanthow its sole reason for existing seems to be to inspire. ed something more. And I knew that Walk Off the One of Walk Off the Earth’s great tricks is the Earth had the potential to explode.” That explosion occurred, first with the Gotye way that the band can take a downbeat line like “You’ve seen the darkest skies I know,” from cover, and then through a follow-up viral video “Home We’ll Go”, and then turn it into some- that had Walk Off the Earth performing Taylor thing wonderfully bright-eyed and life-affirming. Swift’s “I Knew You Were Trouble” a cappella That, says singer and multi-instrumentalist Sarah with accompaniment by beatboxer KRNFX. The early danger was that Walk Off the Earth was goBlackwood, is completely intentional. “One of the biggest struggles human beings go ing to be known only for its cleverly executed covthrough is trying to find positivity in life everyday,” ers, as it tackled works by artists as varied as Wiz the Toronto-based frontwoman says, speaking from Khalifa, LMFAO, and Adele. But counterbalanNashville, where she’s on a songwriting retreat with cing whatever worries that caused was the fact a couple of friends. “And that’s what we write songs that Blackwood’s music career took off without about. We write songs about breaking through the her having to spend countless hours in a tour van. “We worked our asses off—we shot a whole negative space and finding the positive space in whatever situation you happen to be in. Some of the bunch of videos, and started gaining a pretty delyrics are dark, because we’re struggling with things cent following on YouTube,” she relates. “We were every day. No matter how rich or poor you are, no having so much fun while gaining a bigger audimatter what country you live in or what situation ence than we ever would have touring. One video you’re in in a relationship, people are always strug- kind of resonated with everyone, and that was it.” Except, of course, that wasn’t it. As Walk Off the gling with something, whether it’s big or small.” Blackwood knows about the importance of stay- Earth piled up its YouTube views, record labels began ing positive while waiting for something better to doggedly pursuing the group, and Sony eventually come along. Before Walk Off the Earth, she was signed it to a deal. With 2013’s hastily assembled playing with Toronto psychobilly stalwarts Creep- R.E.V.O., Blackwood and her multi-instrumentalist show, starting out as a replacement for her sister, bandmates—Ryan Marshall, Mike Taylor, and Joel who was pregnant, and eventually becoming a full- Cassady—proved equally adept at writing originals, time member of the group circa 2008. Looking back which soon went gold in the U.S. “It was funny,” Blackwood says, “because in on that period, she has no regrets, but admits that she was on a different wavelength than her band- the indie world that I was from, people were like, mates when it came to ambition. She found a kin- ‘You’re going to be known as a cover band, and dred soul in a musician and multi-instrumentalist that’s a stupid idea.’ That wasn’t the point. It was named Gianni Nicassio, who today is not only her more that if you do a song that everyone in the bandmate in Walk Off the Earth, but also her part- world loves, and do it in a way that everyone in the world is going to love, everyone in the world is goner in raising two small children. “I finished my time with Creepshow because I ing to watch and share it. And then you can show wanted to move on and do more,” Blackwood says. “I them everything else that you’re capable of doing.” Blackwood and her bandmates were careful to take really wanted Creepshow to write a Tragic Kingdom [No Doubt’s breakthrough] and become a huge, suc- their time with a follow-up. Making the record strongcessful pop band. That’s the goal. I don’t care what er, she suggests, were the months the band spent touranyone says as a musician—their ultimate goal is to ing and gelling as a live act for R.E.V.O. If anything, do that. Otherwise, it gets to the point where you’re Walk Off the Earth ended up even more self-assured doing the grind, and it gets exhausting. If you don’t get on Sing It All Away, pretty much mastering whatever on top of things, you’ll be stuck on the same plateau style it chose to tackle. “Boomerang” updates Peter for the rest of your career, until you have to stop doing Gabriel prog-pop for the Spotify generation, “We Got Love” gives golden Americana an injection of ’70s music, and then start doing some job you don’t like.

CHECK THIS OUT

BY THE WAY Fox News’s Greg Gutfeld has retracted his

assertion that the Red Hot Chili Peppers are the worst band on the planet. Sort of. “What I meant to say is the Red Hot Chili Peppers is the worst band in the universe,” Gutfeld clarified.

SHOULD’VE SAID NO Taylor Swift was excused from

AMERICAS MASTERS Music tends to make everything

better, and this week that includes the already pretty great Americas Masters Games. Over-30 athletes from around the world have descended on Vancouver to take part in everything from baseball to squash. After you’ve watched competitors give it their all at table tennis or lacrosse, head to Jack Poole Plaza and party to the likes of DJs Crystal Adare and Kathleen Matthews. Or rip it up to the Undercovers on Friday (September 2) or the muchlauded Gay Nineties (above) on Saturday (September 3). Go to www.americasmastersgames2016.com/ for more information.-

Walk Off the Earth headlines the Richmond World Festival at Minoru Park on Saturday (September 3).

in + out

Walk Off the Earth’s Sarah Blackwood sounds off on the things that enquiring minds want to know.

On the “Somebody That I Used to Know” video: “It proved that YouTube world was taking over—you didn’t need labels or support from managers or anything like that.” On instant fame: “When the video exploded we went through three-and-a-half months of record labels trying to sign us. I was in a meeting with someone every day and it was like being back in school. Really quickly, I was like, ‘I don’t want to be in these meetings—I wanna be in creative mode.’ ” On the best part of Walk Off the Earth: “There are no limits to anyone’s creativity—any idea that you have is to be put on the table and considered. There’s never ‘That’s going to be too hard’ or ‘That’s going to take too long.’ Instead, it’s all freedom of creativity and not limits. And that’s a pretty key thing to have in this industry. As soon as someone starts saying ‘You can’t do that’ for some reason, you start losing your momentum.”

MUSIC Let’s talk about

You gotta see

jazz, and “Home We’ll Go” dives headfirst into the EDM pool with Steve Aoki onboard. Binding the songs together are all-hands-ondeck choruses that make it impossible to resist the urge to sing along. And to feel down, no matter how dark the lyrics might be. More than anything, Blackwood suggests, she and her bandmates are looking for assurance that they aren’t alone during the bad times. So when she sings “Life is hard and the living’s rough” in the sunsplashed “I’ll Be Waiting”, it’s important to keep in mind that the next line is “These are the times when you gotta stand up.” “Generalizing those struggles, putting them into words in a song, you can really inspire people,” Blackwood says. “That’s what music is— something that’s really meant to connect people. To let them know what they’re going through has happened to other people, and that they are going to get through it. So, yeah, a lot of lyrics are things like ‘Don’t let your head hang low—you’ve seen dark skies. But you’ve got to let your heart go.’ ” -

jury duty in Nashville on Monday, most likely because she posed all smiley and laughing for selfies with other potential jurors for the not-particularly-funny rape-and-kidnapping trial.

COCK TALK Flea is bitching that constantly having to play

old hits like “Give It Away” and “Californication” makes him feel like his “cock’s gonna fall off”. Which is funny, because having to sit through new numbers like “Dreams of a Samurai” makes even devoted fans feel like their cocks are gonna fall off.

NOT SO MERRY Oxfam will be using the cover art of Joy Division’s debut album, Unknown Pleasures, as part of a Christmas card campaign this year. Remember when you looked at yourself in the mirror last year and asked “How could Christmas be any more depressing?”

Fresh and local FOLK ROAD SHOW FOLK ROAD SHOW Folk Road Show would have made an excellent opening act for Monsters of Folk when that supergroup rolled into a halfempty Commodore a few years back. The band came together when local singer-songwriters Dominique Fricot and Pieter Van Vliet (Port of Call) hooked up with friends James Caldwell and Olaf Caarls (Long Conversation), and then began playing everywhere from living rooms to festival stages. By turns skeletal and haunting (“What’s a Man”) and beautiful and bittersweet (“Miss Ohio”), the first thing that hits you about Folk Road Show is how accomplished it is. This is the sound of four songwriters who understand that there’s strength in numbers. Monsters of Folk disappeared after one record. Let’s hope that Folk Road Show doesn’t do the same, because whether you’re talking the after-the-gold-rush majesty of “Sweet Redemption” or the driving, harmony-laced “Fernando Pessoa”, Fricot, Van Vliet, Caarls, and Caldwell are well on their way to earning the title “supergroup”. SEPTEMBER 1 – 8 / 2016 THE GEORGIA STRAIGHT 33

MUSIC

Bishop Nehru chooses to do things his way “I do it my way,” spits up-and-

2 coming rapper Bishop Nehru

in his track “It’s Whateva”—and he means it. The New York artist has worked with producers from Madlib to Disclosure, released a swath of mix tapes and LPs, dropped an album rapping alongside MF DOOM, toured with Joey Bada$$ and the Wu-Tang Clan, and, on the back of that, signed to Nas’s label Mass Appeal Records. But despite having an address book that hip-hop aficionados would trade their vintage Transrotor turntables for, Bishop Nehru, born Markel Scott, decided it was time to go it alone. Having recently parted ways with Mass Appeal—a split Nehru describes as amicable—the rapper released his newest mix tape, Magic 19, exclusively on his Soundcloud account. “I wasn’t meshing well with Mass Appeal,” Nehru tells the Straight on the line from New York. “I wanted to be more face-to-face with Nas. A lot of other individuals were trying to put their input into the sound of the record, and I didn’t agree with everything they were saying.” Since producing his first beat at the tender age of 12, Nehru has spent a long time developing his artistic vision. He first made waves with his freestyle verse over Mos Def’s “Mathematics” at 15, his tight flow harking back to the golden age of old-school hip-hop. Now rapping in a mature style reminiscent of The Shining–era J Dilla, the baby-faced 20-year-old is still struggling to be taken seriously in the industry, despite his stellar résumé and prodigious talent. “Because of my age, people often don’t have faith in the ideas that I have,” Nehru says. “Others might think that they know what’s best for you, just because you’re young. People can assume that you don’t know your own mind or have ideas about the direction you want your music to go.

Bishop Nehru wanted to dress up like a Catholic clergyman to play on his name, but his management said no.

I’m really passionate about my work. I put a lot into it—my heart and my thoughts—and it’s very personal in a lot of ways. I know what I’m about.” Nehru is, by his own admission, an introvert—a quality that informs Magic 19. The finesse of self-produced tracks “$acred Visions” and “Midnight Reflecting” reveals hours spent alone with a laptop, and the swung rhythms of “I Know (Angel of My Dreams)” showcase Nehru’s dedication to teaching himself new styles. “I think I gravitate towards being a bit reclusive and independent because of where I’m from,” he suggests. “You have to do a lot for yourself. Since I can remember, I’ve spent a lot of time thinking and reading. I’ve never been dependent on other people, and I’ve always sought things for myself and had my own views.

34 THE GEORGIA STRAIGHT SEPTEMBER 1 – 8 / 2016

“I’m trying to really take over everything,” he continues, “and if that means doing it by myself, I’m okay with that. I’ve just released the last mix tape, but I’m always working on new stuff. You’ve got to keep paying attention and looking out for me.” > KATE WILSON

Bishop Nehru plays Fortune Sound Club on Friday (September 2).

Explosions in the Sky goes beyond its default setting It sounds counterintuitive, but

2 the best bits of the most recent

Explosions in the Sky album are the ones that sound the least like Explosions in the Sky. That’s not meant to disparage any of the records that came

before The Wilderness, mind you. Each has been excellent in its own way, showcasing the Austin, Texas–based band’s stirring brand of postrock, replete with both delicately wrought guitar interplay and meteoric regality. The Wilderness is an altogether different listening experience. Case in point: “Logic of a Dream”, which moves through a number of different passages, from cosmic-hymnal ambient drones to a motorik-lite groove. See also “The Ecstatics”, which starts with a foundation of looping synthesizer arpeggios and clattering percussion but slowly grows into something as grand as any other entry in the Explosions in the Sky catalogue. Reached on the road in Saratoga, California, drummer Chris Hrasky admits that figuring out how to pull the new material off on-stage was no easy task.

“A lot of it is just people playing multiple instruments in the same song,” Hrasky tells the Straight. “We’re using samplers, which we’ve never done before in a live setting. So it’s a lot of work for each guy in the band. It definitely took getting used to. We rehearsed for months, working on new stuff, figuring out how exactly to pull it off. It took two or three weeks of shows before it started feeling kind of like muscle memory and second nature, which is kind of what you’re hoping for when you play live, to not have to think too hard about what you’re doing or to be too uptight about it.” Hrasky says that, in spite of all the extra effort it has entailed, he was happy to make an album that forced Explosions in the Sky out of what he calls its “default setting”. “As a drummer, I did not want to do any of the things that I’ve sort of been associated with, drumwise, on this record,” he says. “Even guitarwise, we just wanted to do something that felt stranger, and maybe evoke something different than the past records, and maybe end up in a few less sports montages with this record than with previous ones.” He laughs when he says that last part, but he’s not really joking. Due no doubt to the dramatic—and sometimes downright triumphant—nature of its work, the band has placed songs in everything from the video game Major League Baseball 2K12 to an Adidas commercial featuring Chicago Bulls point guard Derrick Rose. Explosions in the Sky’s music is most often associated with football, however. The band wrote and recorded the score for the 2004 highschool-pigskin flick Friday Night Lights, and a number of its songs were featured on the TV spinoff, which ran for five seasons. More recently, Hrasky and his bandmates scored the feature films see next page

> JOHN LUCAS

Explosions in the Sky plays the Commodore Ballroom on Sunday and Monday (September 4 and 5).

Turner is thrilled to write for Metalwood’s members It’s not the prospect of adding to

2 Metalwood’s stock of Junos (two,

from 1998 and 1999) and Juno nominations (five) that has Brad Turner excited about reuniting with bandmates Mike Murley, Chris Tarry, and Ian Froman: it’s the chance to write for their large and distinctive set of skills. “One thing that I’ve always enjoyed about Metalwood is that there really are no faceless entities,” the local trumpeter, keyboardist, and composer tells the Straight from a Port Coquitlam coffee shop, where he’s killing time while waiting for his car to get a new muffler. “Everyone has a pretty strong musical personality, and I think that comes from playing a lot of jazz through the years. Speaking for myself, my strengths as a musician mostly come from the work that I’ve done playing jazz— and with that goes a sort of jazz composer’s aesthetic of writing for the people that you’re going to be playing

with. So I just went back to the things I like the best about these guys—all the great things they can do, musically—and then try and shine a light on them in the tunes I’m writing.” There’s no disputing that Metalwood is a strong showcase for Turner’s assertive approach to both trumpet and Fender Rhodes, for bassist Tarry’s funky complexity, and for drummer Froman’s potent polyrhythms. The transcontinental quartet—Froman and former Vancouverite Tarry now live in New York City, while Murley calls Toronto home—sounds better than ever on its aptly titled Twenty, which marks two decades since its debut. It’s jazz for extroverts, in the tradition of Weather Report or the Brecker Brothers, mixing as it does a clear group aesthetic with deeply individualistic soloing. Of all the personalities in the band, however, it’s saxophonist Murley that Turner is most excited to reconnect with. “Frankly, one of the biggest pleasures in my career as a composer has been being able to write melodies for Mike to play,” he reveals. “His soprano playing is just gorgeous as well, so I have the sound of his saxophone in mind, and how he sings a melody through his horn. Mike has that thing where no matter what he does, no matter how intense or aggressive or introspective or simple the music is, he’s always playing melodically.” That plays out beautifully on Twenty’s opening track, “The Past Before You”, which opens with minimalistic saxophone arpeggios and Tarry’s guitaristic twang before developing into an attractive, if enigmatic, theme that manages to be both muscular and mysterious. “I’m always thinking of melodies—a melody with interesting harmony underneath it,” says Turner. “And I’m always sort of going back to Wayne Shorter when I’m writing—you know, thinking about how so many of his compositions for smaller groups stick in your mind because of the melody first, and then

NO COVER

Prince Avalanche, Lone Survivor, and Manglehorn. Don’t expect them to put their sounds to moving pictures again in the near future, though. “We’ve had to turn some down because the record came out and we’re touring for two years,” the drummer notes. “When it comes down to it, the records are always the priority for us. Soundtrack stuff is fun and interesting, and I hope to do it again at some point, but it just depends if something comes up that we’re interested in and seems like it could make sense. But until 2018, we’re probably just kind of passing on those sorts of things. I mean, it depends—obviously, if Paul Thomas Anderson calls us, then yes, we will do it. But he’s got Jonny Greenwood, so I doubt he’s going to be calling us anytime soon.”

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SEPTEMBER 1 – 8 / 2016 THE GEORGIA STRAIGHT 35

Metalwood

years

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from previous page

as you learn to play them, you realize that there are layers of complexity, harmonically, below what seems like a very singable tune. I’ve always been intrigued by that combination, so I’m always trying to work that into my writing—and certainly this album shows that. On first listen, some of these things might seem relatively simple, but on further listens somebody might notice depths that weren’t apparent first time through.” Let’s hope next year’s Juno jurors give themselves time to listen fully, then, for Twenty just might become Metalwood’s third. > ALEXANDER VARTY

Metalwood plays Frankie’s Jazz Club next Friday to Sunday (September 9 to 11).

Swans’ music transports Gira into the naked now Michael Gira is talking about sex, but he might as well be discussing something that he’s only going to do one more time before abstaining forever: tour with the current incarnation of Swans. “Aside from the grunting animal aspect that it can have,” he says in an enjoyably glitch-free Skype interview, “when it’s a focused and honest and unguarded and exploring experience with someone you love, it’s absolutely a true spiritual experience.” Now, we don’t know what goes on in Gira’s New Mexico home—and, frankly, we don’t really want to know. But having experienced the brutally ecstatic maelstrom that is a Swans

concert, we’re sure that, for Gira, performing is a kind of Tantric initiation: a sweaty, three-hour-long offering of physical and emotional extremity. How has immersing himself, night after night, in that kind of ritual changed his physicality and his consciousness? “My physicality? I’m a wreck,” the 62-year-old singer-guitarist says, with a dry chuckle. “But my consciousness? When the music is elevating, when the music is playing us rather than the reverse, it’s the closest I get to a kind of pure state of awareness—aside from meditation, which I do fitfully, unfortunately, not as rigorously as I should. But I see the music—when it’s really taking us over and it’s really like we’re one body that’s playing—as being the closest I get to what someone in a book I read called ‘the naked now’.” It’s not the ecstasy that Gira is readying himself to give up, however. By turning Swans into a project-based enterprise rather than a full-time rock band, he hopes to rid himself of the burdensome infrastructure that comes with being an employer. He also plans to expand his musical palette, perhaps through performing with improvising musicians such as cellist Okkyung Lee, who makes a cameo appearance on Swans’ latest release, The Glowing Man. And he might just find the time to delve deeper into meditation. We, on the other hand, will have to content ourselves with the recordings—which, based on The Glowing Man and its immediate predecessors, The Seer and To Be Kind, will be no hardship. It’s easy to view the new double CD as a voyage: it begins with “Cloud of Forgetting”’s agonized chant of “I am blind,” reaches its sonic apex in the nearly half-hour-long title

track, and winds slowly down with the self-explanatory “Finally, Peace”. “I can see that,” Gira allows. “That has a lot to do with sequencing, of course, on which I worked very hard—but I don’t start out with a template and then fill it in. “It’s just following intuition,” he continues, “and imposing discipline on the intuition. A painter for whom I have a great affinity is Francis Bacon, and the way he worked was, in a way, similar. I don’t know if he had an image in mind; I think he would just start painting, and gradually the image would develop. And that’s sort of how things happen with us.” With that in mind, Gira gently declines to discuss future projects; once this tour is over, they’ll develop at their own pace. But one thing is sure: he’s going to keep working. “That’s kind of the code of my life, really,” he says. “I mean, there are personal relationships and children, but in the end, just for my own sense of having a purpose, that’s always been my way of living. I have to do the work.” > ALEXANDER VARTY

Swans, with opening act Baby Dee, play Venue on Tuesday (September 6).

Veteran pop star Thomas shows no signs of stopping For any pop star who’s spent

2 nearly 20 years in the industry,

it’s common to try to duck the question of relevance. Not so for Matchbox Twenty singer and solo artist Rob Thomas. Despite closing in on his 45th birthday, the performer is quick to point out that he won’t be dropping off the map anytime soon. see next page

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WITH Rob Thomas has a nervous habit of buttoning and unbuttoning his clothes, which is really only a problem when he’s wearing button-fly trousers.

The late ’90s and early 2000s were great years for Thomas as Matchbox Twenty’s primary songwriter. All four of the band’s studio albums went platinum, with singles “Push”, “3 a.m.”, “Bent”, and “Unwell” topping charts around the world. The multiGrammy-winning performer was presented with the first Hal David Starlight Award by the Songwriters Hall of Fame—an honour bestowed in recent years on artists like Taylor Swift and Drake—and Thomas’s two initial solo albums, ...Something To Be and cradlesong, both sat comfortably in the Top 10. Now on the road to showcase material from his most recent record, The Great Unknown, Thomas is confident about the continued longevity of his career. “If you’re lucky enough to have been around as long as I have,” Thomas tells the Straight on the line from his tour bus in South Dakota, “there are a lot of people that want to hear what you have to say. And because I still play some of my old songs, there’s always an element of nostalgia for what you’re doing. There are fans who want to come and hear songs that I’ve written from all periods of my career, and that provides gas in the tank for whenever I want to go out and perform. “I’m very fortunate,” he continues, “because when I’m out touring, I don’t necessarily have to promote a record—I’m just promoting my career. If I happen to have some new material I want to show the world, then all the better. But it’s not just

about playing live shows to peddle an album to people. I’ve got to a point where I’m not a travelling salesman anymore, and I think that’s the key to lasting success in the industry.” Written with platinum-selling producer Ricky Reed and celebrated hit-maker Ryan Tedder, The Great Unknown showcases a collaborative effort that, by adding a different nuance to Thomas’s sound, helps him stay fresh and exciting. Closer in tone to his first solo record than to 2008’s cradlesong, pop tracks “I Think We’d Feel Good Together” and “Trust You” are reminiscent of previous smashes “Lonely No More” and “This Is How a Heart Breaks”, while the acousticguitar-driven “Hold On Forever” and the piano ballad “Pieces” find the artist exploring more demure avenues. “I think I’ve only got maybe one or two more pop records in me before nobody is going to want to hear me make pop music anymore,” Thomas says of the development. “My writing now is way more singer-songwriter–y and introspective. Working with Ricky and Tedder, you get to think to yourself, ‘That guy’s really fucking great.’ It takes your ego completely off the table, and you’re just a good writer in a room with another good writer, just trying to do something good. That’s where we’re at with The Great Unknown, and it’s a sound I’m definitely pushing towards in the future.”

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Rob Thomas plays the Hard Rock Casino Vancouver in Coquitlam on Friday (September 2).

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music/ timeout CONCERTS < CLUBS & VENUES < OUT OF TOWN <

CONCERTS 2JUST ANNOUNCED DESCENT DEPECHE MODE TRIBUTE NIGHT Concert presented by Descent Sundays pays tribute to the influential synth-pop/electronica band. Sep 11, 9 pm, Red Room Ultrabar (398 Richards). Tix $5, info www.descent sundays.com/events/2016/09/depeche-mode-tribute/. NIYKEE HEATON American pop-R&B singer-songwriter performs on her Centerfold Tour. Nov 1, doors 7 pm, show 8 pm, Biltmore Cabaret (2755 Prince Edward). Tix on sale Sep 1, 10 am, $25 (plus service charges and fees) at www.ticketweb.ca/. DANIELA ANDRADE Toronto acoustic singersongwriter tours in support of latest release Shore. Nov 2, doors 7 pm, show 8 pm, Rio Theatre (1660 E. Broadway). Tix on sale Sep 1, 10 am, $25 (plus service charges and fees) at www.livenation.com/.

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HANNAH GEORGAS Toronto-based pop-rock singer-songwriter tours in support of latest release For Evelyn. Nov 2, doors 8 pm, show 9:30 pm, Commodore Ballroom (868 Granville). Tix on sale Sep 2, 10 am, $25 (plus service charges and fees) at www.livenation.com/. WATERSTRIDER California Afro-inspired jam band tours in support of debut album Nowhere Now. Nov 18, doors 7 pm, show 8 pm, Biltmore Cabaret (2755 Prince Edward). Tix on sale Sep 1, 10 am, $12.50 (plus service charges and fees) at www.livenation.com/. NICK CARTER American pop singer-songwriter and Backstreet Boys member performs on his All American Tour. Nov 23, doors 8 pm, Venue (881 Granville). Tix on sale Sep 2, 10 am, $33 at Red Cat, Zulu Records, and www.bplive.ca/. THE HEAD AND THE HEART Seattle indie-folk band tours in support of upcoming full-length album Signs of Light. Dec 5, doors 7 pm, show 8 pm, Orpheum Theatre (601 Smithe). Tix on sale Sep 2, 10 am, $55/39.50/32.50 (plus service charges and fees) at www.livenation.com/.

2THIS WEEK PNE SUMMER NIGHT CONCERTS Featuring performances by A Tribe Called Red (Aug 31), Dru Hill with Sisqo, Nokio, Jazz & Tao (Sep 1), Pat Benatar & Neil Giraldo (Sep 2), Tim Hicks (Sep 3), the Monkees (Sep 4), and Chris Isaak (Sep 5). Aug 20 to Sep 5, 8:30 pm (except Aug. 20 from 2-10 pm, PNE Amphitheatre (2901 E. Hastings). Free with PNE gate admission, info www.pne. ca/thefair/live-shows/summer-night-concerts.html. AMERICAS MASTERS GAMES Music programming for the sports festival includes performances by the Boom Booms, Eagle Song Dancers, DJ Crystal A’dare, Marie Hui, Famous Players Band, CocoJafro, Locked and Loaded, Scott Shea, Taylor James, Quickness, the Bad Beats, the Undercovers, DJ Leanne, DJ O, DJ Pri, DJ Miss M, Gay Nineties, and Willa. To Sep 4, Jack Poole Plaza (Thurlow and W. Cordova). Info www. americasmastersgames2016.com/. THE HOLY ROLLER REVUE Monthly musical event showcases new and established country, roots, folk and gospel artists. Sep 1, 8 pm, Fox Cabaret (2321 Main). Tix $15/10, info www.facebook.com/events/1756915981218777/ permalink/1758418284401880/. ROB THOMAS American pop singer-songwriter, frontman for Matchbox Twenty. Sep 2, doors 7 pm, show 8 pm, Molson Canadian Theatre at Hard Rock (2080 United Blvd.). Tix $119.50/109.50 (plus service charges and fees) at www.ticketmaster.ca/. SONGS OF THE SOUL International classical, world, and jazz musicians play the songs of Maestro Sri Chinmoy. Participating artists include Mandu, Pranlobha and Bhoiravi, Kanala, Ashru Dhara, Shamita’s Strings, Agnikana’s Group, and Paree’s International Singers. Sep 2, 7:30 pm, Granville Island Stage (1585 Johnston, Granville Island). Free admission, info 604-704-2720, www.songsofthesoul.com/. SUNSET MUSIC SERIES Every Friday will include Summit Lodge Restaurant barbecue and musical performances including classic rock, European folk, indie-soul, modern-acoustic, R&B, and world fusion. Performers include Team Tim Hewitt (Sep 2), Sea to Sky Orchestra (Sep 9), and Lovecoast (Sep 16). To Sep 16, Fridays from 6-9 pm, Sea to Sky Gondola (36800 Hwy 99, Squamish). Tix $39.95, info www. seatoskygondola.com/.

THE WHITE PANDA Chicago dance-music duo tours in support of latest release The Pawprint. Sep 3, doors 8 pm, show 9:30 pm, The Imperial (319 Main). Tix $22 (plus service charges and fees) at Red Cat, Zulu Records, and www.ticketweb.ca/.

straight choices

ANDERSON .PAAK & THE FREE NATIONALS Hiphop artist from California performs material from latest album Malibu, with guests Pomo and Duckwrth. Sep 4, doors 7 pm, show 8 pm, Vogue Theatre (918 Granville). Tix $25 (plus service charges and fees) at www.livenation.com/. EXPLOSIONS IN THE SKY Instrumental rock band from Austin, Texas, plays tunes from latest album The Wilderness. Sep 4-5, doors 7 pm, show 8 pm, Commodore Ballroom (868 Granville). Tix for Sep 4 show SOLD OUT. Tix for Sep 5 $30 (plus service charges and fees) at www.ticketmaster.ca/. LINDA MCRAE AND THAD BECKMAN The Rogue Folk Club presents Canadian folk-roots musician coheadlining with Denver blues-folk artist. Sep 4, 7:30 pm, St. James Hall (3214 W. 10th). Tix $24/20, info www.roguefolk.bc.ca/concerts/ev16090420/. SWANS American experimental-rock band led by vocalist Michael Gira, with guests Baby Dee. Sep 6, doors 8 pm, Venue (881 Granville). Tix $25, info www.venuelive.ca/. EDEN Irish electronica musician and producer tours in support of debut EP End Credits. Sep 7, doors 7 pm, show 8 pm, Rio Theatre (1660 E. Broadway). Tix $20 (plus service charges and fees) at www.live nation.com/. JAKE BUGG English indie-rock singer-songwriter and guitarist tours in support of upcoming release On My One. Sep 7, doors 7 pm, show 8:15 pm, Commodore Ballroom (868 Granville). Tix $39.50 (plus service charges and fees) at www.livenation.com/.

2UPCOMING HIGHLIGHTS KEITH URBAN Australian country star, with guests Dallas Smith and Maren Morris. Sep 10, 7:30 pm, Rogers Arena (800 Griffiths Way). Tix from $69.50 to $109.50 (plus service charges and fees) at www. ticketmaster.ca/.

CLUBS & VENUES BACKSTAGE LOUNGE Arts Club Theatre, 1585 Johnston, Granville Island, 604-687-1354. 2BAD MOON RISIN’ Sep 23 BILTMORE CABARET 2755 Prince Edward, 604-6760541. 2EMILY CHAMBERS Sep 14 2GROENLAND Sep 15 2DANIEL CAESAR Sep 16 2CHROME SPARKS Sep 21 2NAO Sep 24 2ALLAH-LAS Sep 27 2MARLON WILLIAMS AND THE YARRA BENDERS Oct 7 2PANTHA DU PRINCE Oct 12 2TAL WILKENFELD Oct 13 2HOW TO DRESS WELL Oct 20 2BLIND PILOT Oct 21 2THE BOXER REBELLION Oct 23 2K.FLAY Oct 29 2NIYKEE HEATON Nov 1 2BULLY Nov 11 2DUNE RATS AND DZ DEATHRAYS Nov 12 2THE SUFFERS Nov 13 2WATERSTRIDER Nov 18 BLUE MARTINI JAZZ CAFE 1516 Yew, 604-428-2691. Live jazz and blues. COBALT 917 Main, 778-918-3671. 2BIRDS OF BELLWOODS Sep 1 2JOSEPH ARTHUR Sep 16 2BEATY HEART Sep 20 2NICK WATERHOUSE Sep 28 2CYMBALS EAT GUITARS Oct 4 2JAPANDROIDS Oct 5 2WHITE FANG AND NO PARENTS Oct 9 2THE FELICE BROTHERS Oct 14 2CHIXDIGGIT Oct 15 2POSTER CHILDREN Oct 16 2JACUZZI BOYS Oct 22 2MANGCHI Nov 5 2DAUGHTERS Nov 12 2PUP Nov 21 2THE JAPANESE HOUSE Dec 1 2PERE UBU Dec 2 COMMODORE BALLROOM 868 Granville, 604-7394550. 2EXPLOSIONS IN THE SKY Sep 4-5 2JAKE BUGG Sep 7 2SHINE! A FUNDRAISER FOR MENTAL HEALTH AND ADDICTION Sep 10 2ACTION BRONSON Sep 12 2ATMOSPHERE Sep 14 2LEE SCRATCH PERRY Sep 15 2BLOC PARTY Sep 16 2AIRBOURNE Sep 17 2THRICE Sep 18 2SAINT MOTEL Sep 20 2THE TEMPER TRAP Sep 21 2TRITONAL Sep 22 2ECHO & THE BUNNYMEN Sep 24 2ST. PAUL AND THE BROKEN BONES Sep 25 2JACK GARRATT Sep 26 2PEACHES Sep 28 2KT TUNSTALL Sep 29 2DINOSAUR JR. Sep 30 2PENNYWISE Oct 1 2DJ SHADOW Oct 2 2SQUEEZE Oct 3 2TOKYO POLICE CLUB Oct 5 254-40 Oct 7 2PHANTOGRAM Oct 9 2GROUPLOVE Oct 10 2THE PROCLAIMERS Oct 11 2NAHKO AND MEDICINE FOR THE PEOPLE Oct 12 2COLD WAR KIDS Oct 13 2I MOTHER EARTH Oct 14 2THE STRUMBELLAS Oct 16 2STIFF LITTLE FINGERS Oct 19 2AGAINST ME! Oct 25 2YOUNG THE GIANT Oct 26 2SUM 41 Oct 28 2BOY & BEAR Oct 29 2MAJID JORDAN Oct 30 2HALLOWEEN HOWLER Oct 31 2HANNAH GEORGAS Nov 2 2ANDRA DAY Nov 8 2SHOVELS & ROPE Nov 9 2LAPSLEY Nov 11 2YELAWOLF Nov 13 2ANIMALS AS LEADERS Nov 16 DOOLIN’S IRISH PUB 654 Nelson, 604-605-4343. Live music Sun-Thu, with acoustic soloist or duo Sun-Wed and live band Thu DJ Fri-Sat. FORTUNE SOUND CLUB 147 E. Pender, 604-5691758. 2BISHOP NEHRU Sep 2 2FRED & TOODY Sep 3 2STEVE GUNN AND THE OUTLINERS Sep 23 2FUTURISTIC Sep 29 2KERO KERO BONITO Oct 12 2HAYDEN JAMES AND ELDERBROOK Oct 25 2THE VEILS Nov 11 2TIMEFLIES Nov 12 2THE GOTOBEDS Nov 16 2LEMAITRE Nov 17 2MERCHANDISE Dec 2 FOX CABARET 2321 Main. 2THE HOLY ROLLER REVUE Sep 1 2FROM BOND WITH LOVE: THE ENCORE Sep 9 2MICHAEL BERNARD FITZGERALD Sep 15 2ROYAL WOOD Sep 16 2RYLEY WALKER Oct 7 2ANDY SHAUF Oct 15 2RACHAEL YAMAGATA Oct 18 2KISHI BASHI Oct 19 2SUNFLOWER BEAN Oct 28 2HISS GOLDEN MESSENGER Oct 29 2DONOVAN WOODS Nov 11 2MAX FROST Nov 12

FUNKY WINKER BEANS 37 W. Hastings, 604-7647865. 2THE EVIL BASTARD FRIDAY NIGHT KARAOKE EXPERIENCE Sep 2 2TRADE YOUR CHILDREN, RICHMOND WORLD FESTIVAL Performers include IMMUNE TO NOTHING, DR. TASTY & THE RED CHEF Walk Off the Earth, Delhi 2 Dublin, Tanga, Sammy Chien, Sep 3 2OPUS ARISE, STRATHCONA, WAR AMP Sep De La Terra, Asi Somos, Colin Bullock, Will Stroet, 9 2DAYGLO ABORTIONS, DEATH SENTENCE, ROGUE Andrew Wade, and Vancouver Cantonese Opera. BRIGADE, THE GAGGED Sep 10 2THE ROCABRONES, Event includes a food truck festival, culinary stage, THE EXTROVERTS, THE HEX Sep 16 artisan market, and global village. Sep 3, 11 am–10 THE IMPERIAL 319 Main, 604-868-0494. 2THE WHITE pm, Minoru Park (7191 Granville Ave., Richmond). Free PANDA Sep 3 2HUMANS Sep 9 2MARDUK Sep admission, info www.richmondworldfestival.com/. 17 2WARPAINT Sep 20 2LAURA MARLING Sep FRED & TOODY Dead Moon guitarist-vocalist and 23 2ROYAL CANOE Sep 30 2H’ARTS FOR THE HOMELESS Oct 6 2QUANTIC Oct 15 2MARGO bassist-vocalist, with guests Willie Thrasher & Linda PRICE Oct 19 2TOM ODELL Oct 21 2BAD SUNS Oct Saddleback and Sipreano. Sep 3, doors 7 pm, Fortune Sound Club (147 E. Pender). Tix $13 (plus ser23 2WET Nov 2 2CLASSIXX Nov 4 2AUTOGRAF vice charges and fees) at Red Cat, Zulu Records, and & GOLDROOM Nov 11 2THE JEZABELS Nov 13 www.bplive.ca/. 2RÜFÜS DU SOL Nov 24

38 THE GEORGIA STRAIGHT SEPTEMBER 1 – 8 / 2016

RUIN Oct 7 2BEACH FOSSILS Oct 8 2CARSICK CARS Oct 10 2THE KING KHAN & BBQ SHOW Oct 28 2DESORDEN PUBLICO Nov 11 2DARK TRANQUILLITY Nov 25 2THEE OH SEES Nov 26 RIVER ROCK SHOW THEATRE 8811 River Rd., Richmond, 604-247-8900. 2DONNY & MARIE Dec 20-22 ROGERS ARENA 800 Griffiths Way, 604-899-7400. 2KEITH URBAN Sep 10 2DRAKE Sep 17 2DOLLY PARTON Sep 19 2KANYE WEST Oct 17 2CHICAGO AND EARTH, WIND & FIRE Nov 7 2FLORIDA GEORGIA LINE Nov 12 2AMY SCHUMER Dec 2

THE MONKEES Wondering why you should bother going to see the Monkees play the PNE Amphiteatre on Sunday (September 4)? We can think of a few reasons. For instance, unlike most nostalgia acts, the Monkees have a new album out, which means that, in addition to classics like “Last Train to Clarksville” and “Daydream Believer”, they’ll be playing tunes written by the likes of Rivers Cuomo (Weezer), Ben Gibbard (Death Cab for Cutie), and Adam Schlesinger (Fountains of Wayne), all of whom have serious indie bona fides. Best of all, the concert is included with gate admission to the Fair at the PNE, which means you get the Monkees and the SuperDogs, all for one price. IVANHOE PUB 1038 Main, 604-608-1444. 268 LIPS Sep 9 2WOODY JAMES Sep 10 2SONS OF THE HOE Sep 11 2HARPDOG BROWN Sep 12 2RHYTHM ST. Sep 16 2NEW MARAUDERZ Sep 17 MEDIA CLUB 695 Cambie, 604-608-2871. 2NINE O’CLOCK GUN Sep 2 2BARNS COURTNEY Sep 3 2ECHO NEBRASKA Sep 9 MOLSON CANADIAN THEATRE AT HARD ROCK 2080 United Blvd., 604-523-6888. 2ROB THOMAS Sep 2 2MICK FLEETWOOD BLUES BAND Sep 30 2GREAT WHITE & SLAUGHTER Oct 14 2DWIGHT YOAKAM Oct 28 2ROGER HODGSON Nov 25 ORPHEUM THEATRE 601 Smithe, 604-665-3050. 2CHARLES BRADLEY AND HIS EXTRAORDINAIRES Sep 17 2LINDSEY STIRLING Sep 28 2THE MUSIC OF DAVID BOWIE Oct 5 2JAMES BLAKE Oct 13 2OPETH Oct 26 2THE HEAD AND THE HEART Dec 5 QUEEN ELIZABETH THEATRE 650 Hamilton, 604665-3050. 2SIGUR ROS Sep 18 2TEGAN AND SARA Oct 5 2GLASS ANIMALS Oct 12 2NORAH JONES Oct 18 2ALICE COOPER Oct 19 2PET SHOP BOYS Oct 24 2IL DIVO Nov 6 2MS. LAURYN HILL Nov 8 2DAUGHTER Nov 25 RICKSHAW THEATRE 254 E. Hastings, 604-681-8915. 2STICK TO YOUR GUNS Sep 9 2DOPE Sep 15 2PROZZÅK Sep 17 2PETUNIA & THE VIPERS Sep 24 2PREOCCUPATIONS Sep 28 2DAVID LIEBE HART Sep 29 2DRIVE-BY TRUCKERS Oct 2 2THE JULIE

THE ROXY 932 Granville, 604-331-7999. House band Tattoo Alibi Sat & Mon; country band Locked & Loaded Sun; the Bulge and DJ Joe Pound Tue; Troys ‘R Us Wed-Thu. ST. JAMES HALL 3214 W. 10th, 604-736-3022. 2LINDA McRAE AND THAD BECKMAN Sep 4 2HAYDEN Oct 4 VENUE 881 Granville, 604-646-0064. 2OPEN UP TOUR Sep 4 2SWANS Sep 6 2JULIETTE LEWIS Sep 14 2MILLENCOLIN Sep 25 2HATEBREED Sep 28 2LANY Sep 29 2PSYCHIC TV Sep 30 2STORMZY Oct 21 2PETER HOOK & THE LIGHT Nov 1 2NICK CARTER Nov 23 2SONATA ARCTICA Nov 28 VOGUE THEATRE 918 Granville, 604-569-1144. 2ANDERSON .PAAK & THE FREE NATIONALS Sep 4 2BOYCE AVENUE Sep 10 2NOTHING BUT THIEVES Sep 14 2DAVID CROSBY Sep 15 2BAND OF SKULLS Sep 16 2TA-KU (LIVE) Sep 26 2ANIMAL COLLECTIVE Sep 27 2KAYTRANADA Sep 30 2FLIGHT FACILITIES Oct 5 2DANNY BROWN Oct 6 2STICKY FINGERS Oct 7 2GOJIRA Oct 9 2GHOST Oct 13 2ZIGGY MARLEY Oct 16 2PURITY RING Oct 18 2MATTHEW BARBER AND JILL BARBER Oct 22 2THE NAKED AND FAMOUS Oct 28 2POST MALONE Oct 30 2CHARLIE PUTH Nov 4 2A$AP FERG Nov 5 2MAC MILLER Nov 6 2LUKAS GRAHAM Nov 10 2TERRI CLARK Nov 12 2TORY LANEZ Nov 14 2THE LIFE AQUATIC: A TRIBUTE TO DAVID BOWIE Nov 20 2YG Nov 21 2MØ Nov 23 WISE HALL 1882 Adanac, 604-254-5858. 2SAPPHIRE EMPIRE Sep 2 2FUNKY GUMBO Sep 9 2MOVE THE MESS AROUND Sep 10 2LEAH BARLEY Sep 16 2TOM SAVAGE Sep 20 2TOPS Sep 30

OUT OF TOWN 2THIS WEEK BUMBERSHOOT Performers include Macklemore and Ryan Lewis, Death Cab for Cutie, Tame Impala, G-Eazy, Porter Robinson, Michael Franti and Spearhead, Billy Idol, Father John Misty, Explosions in the Sky, Third Eye Blind, Reggie Watts, and Black Joe Lewis. Sep 2-4, Seattle Center (Seattle, Wash.). Passes at www.bumbershoot.com/.

TIME OUT MUSIC LISTINGS are a public service provided free of charge, based on available space and editorial discretion. Submit listings online using the event-submission form at straight.com/AddEvent. Events that don’t make it into the paper due to space constraints will appear on the website.

Anti-Asian racism persists

he City of Vancouver is receiving a lot of correspondence from citizens on the subjects of housing affordability and what role foreign money is playing in the market, a freedom-of-information request reveals. And some of it is explicitly racist. “I am disgusted that all of the BC and Lower Mainland especially is being sold out to Asians,” reads a letter sent last May. “The Kerrisdale/Dunbar/UBC area is like being in the Orient….Even Abbotsford is now being sold out to Asians. The majority don’t give a hoot about Canada, don’t assimilate, don’t look after their property, and many don’t even pay income taxes.” “Vancouver was a lovely city in which to live and grow up in however, it is not nice anymore,” reads an email the city received in April 2016. “This is due to all the Asians who have moved there.” “Asians are pricing all white people out of the housing market in the Lower Mainland & it must be stopped,” reads another email received last May. “The Asians do not pay taxes here as they do not work here and are just using benefits of Canada and not contributing nothing to Canada.” The Georgia Straight initially requested one year’s worth of feedback received by the city, but was informed that this would result in a hefty fee. The request was, therefore, limited in scope in order to minimize processing costs. In the end, the city supplied five weeks’ worth of correspondence, a response that still consisted of 349 pages. The letters from citizens are largely civil, relaying heartfelt concerns for housing affordability. Many describe personal struggles in detail. But the response package also includes emails like those quoted above. In a telephone interview with the Straight, Vision Vancouver councillor Kerry Jang, a Canadian-born politician of Chinese descent, said he wasn’t surprised by the tones of those letters. “I’ve heard those types of comments for so much of my life,” he explained. “It isn’t anything new. What saddens me is [that] those comments from the 1960s and ’50s

haven’t changed….We—as a city, as a province, as a country—have not really moved beyond that.”

> TRAVIS LUPICK

THERE ARE A LOT of reasons why many young

people end up on the street. Krista Thompson has seen them all. She is the executive director of Covenant House Vancouver, a charity that helps homeless, runaway, and at-risk youths. According to her, the majority grew up in difficult circumstances, with inadequate housing and care. Some are fleeing from sexual abuse and violence. Many have addictions and mental-health issues. Thompson related that last year, about 1,300 young people were assisted by Covenant House at its two locations, at 575 Drake Street and 326 West Pender Street. They received food, clothing, counselling, and shelter. However, Covenant House has only so much space. She said the group had to turn away more than 300 youths. “We’ve utilized every square inch…and now we are finding that there simply isn’t enough room to meet the need,” Thompson told the Straight by phone. This inadequacy is what is driving the threephase redevelopment project of Covenant House. The first phase is the demolition of the former building of the Immigrant Services Society at 530 Drake Street, a property that has been acquired by Covenant House. A new five-storey building will be constructed on the site. Expecting it to be completed in December 2018, Thompson said that it is estimated to cost $15 million. The next phase is the demolition of the current 575 Drake Street facility. A new 10-storey building will take its place. Planned for completion in March 2020, the project may cost about $22 million. The third phase is the renovation of 326 West Pender Street. Expected to finish in December 2020, the renewal has a $1-million budget. Covenant House has filed a rezoning application with the city to enable the development of the two new Drake Street facilities. An open house is scheduled on Tuesday (September 6) from 5 p.m. to 8 p.m. at the Chateau Granville Best Western Hotel (1100 Granville Street).

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40 THE GEORGIA STRAIGHT SEPTEMBER 1 – 8 / 2016

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redhotdateline.com 18+ SEPTEMBER 1 – 8 / 2016 THE GEORGIA STRAIGHT 41

savage love I have been seeing sex workers for 30 years, and I shudder to think how shitty my life would have been without them. Some have become friends, but I’ve appreciated all of them. Negative stereotypes about guys like me are not fair, but sex work does have its problems. Some clients (including females) are difficult—difficult clients aren’t typically violent; more often they’re inconsiderate and demanding. Clients need to understand that all people have limits and feelings, and money doesn’t change that. But what can we clients do to fight stupid, regressive, repressive laws that harm sex workers? > NOT A JOHN

You can speak up, NAJ. The current line from prohibitionists—people who want sex work to remain illegal—is that all women who sell sex are victims and all men who buy sex are monsters. But talk to actual sex workers and you hear about considerate, regular clients who are kind, respectful, and sometimes personally helpful in unexpected ways. (A sex worker friend had a regular client who was a dentist; he did some expensive dental work for my uninsured friend—and he did it for free, not for trade.) You also hear about clients who are threatening or violent—and how laws against sex work make it impossible for them to go to the police, making them more vulnerable to violence, exploitation, and abuse, not less. There is a large and growing sex workers’ rights movement, NAJ, which Emily Bazelon wrote about in a terrific cover story for the New York Times Magazine (“Should Prostitution Be a Crime?”, May 5, 2016). Bazelon spoke

with scores of sex workers active in the growing and increasingly effective decriminalization movement. Amnesty International recently called for the full decriminalization of sex work, joining Human Rights Watch, the World Health Organization, and other large, mainstream health and humanrights groups. But there’s something missing from the movement to decriminalize sex work: clients like you, NAJ. Maggie McNeill, a sex worker, activist, and writer, wrote a blistering piece on her blog (“The Honest Courtesan”) about a recent undercover police operation in Seattle. Scores of men seeking to hire sex workers— the men ranged from surgeons to bus drivers to journalists—were arrested and subjected to ritualized public humiliation designed to discourage other men from paying for sex. “These crusades do nothing but hurt the most vulnerable individuals on both sides of the transaction,” McNeill wrote. “The only way to stop this [is for] all of you clients out there to get off of your duffs and fight. Regular clients outnumber full-time whores by at least 60 to 1; gentlemen, I suggest you rethink your current silence, unless you want to be the next one with your name and picture splashed across newspapers, TV screens, and websites.” The legal risks and social stigma attached to buying sex doubtless leave some clients feeling like they can’t speak up and join the fight, and the much-touted “Nordic model” is upping the legal stakes for buyers of sex. (The Nordic model makes buying sex illegal, not selling it. In theory, only clients are supposed to suffer, but, in

> BY DAN SAVAGE practice, the women are punished too. Bazelon unpacks the harms of the Nordic model in her story—please go read it.) But sex workers today, like gays and lesbians not too long ago, are coming out in ever greater numbers to fight for their rights in the face of potentially dire legal and social consequences. Clients need to join the fight—or perhaps I should say that clients need to rejoin the fight. In The Origins of Sex: A History of the First Sexual Revolution, which I read while I was away on vacation, author Faramerz Dabhoiwala writes about “Societies of Virtue” formed all over England in the late 17th century. Adulterers, fornicators, and Sabbath breakers were persecuted by these groups, NAJ, but their campaigns against prostitutes were particularly vicious and indiscriminate; women were thrown in jail or publicly whipped for the crime of having a “lewd” appearance. The persecution of streetwalkers, brothel owners, and women guilty of “[walking] quietly about the street” went on for decades. Then a beautiful thing happened. “In the spring of 1711, a drive against ‘loose women and their male followers’ in Covent Garden was foiled when ‘the constables were dreadfully maimed, and one mortally wounded, by ruffians aided by 40 soldiers of the guards, who entered into a combination to protect the women,’ ” Dabhoiwala writes. “On another occasion in the East End, a crowd of over a thousand seamen mobbed the local magistrates and forcibly released a group of convicted prostitutes being sent to a house of correction.” Male followers of loose women, soldiers of the guard, mobs of seamen—

not altruists but, likely, clients of the women they fought to defend. And thanks to their efforts and the efforts of 18th-century sex workers who lawyered up, marched into court, and sued the pants off Society of Virtue members, by the middle of the 18th century, women could walk the streets without being arrested or harassed—even women known to be prostitutes. I’m not suggesting that today’s clients form mobs and attack prohibitionists, cops, prosecutors, and their enablers in the media. But clients can and should be out there speaking up in defence of sex workers and themselves. Sex workers are speaking up and fighting back—on Twitter and other social-media platforms, sometimes anonymously, but increasingly under their own names—and they’re staring down the stigma, the shame, and the law on their own. It’s time for their clients to join them in the fight.

I’m a 26-year-old gay male, and I like to explore my feminine side by wearing female clothes. I have a boyfriend who likes to do the same thing, but he doesn’t have the courage to tell his parents that he’s gay and explores his feminine side by wearing female clothes. I want to adopt early-schoolage boys and teach them that they can explore their feminine side by wearing female clothes. My question has two parts. First, in regard to my boyfriend, how can I encourage him to tell his parents he’s gay and wants to explore his feminine side by wearing female clothes? Second, in regard to adopting early-school-age boys, how do I teach an early-school-age boy that it’s okay for them to explore

their feminine side by wearing female clothes and also teach them that they don’t have to be gay at the same time?

> DRESSING A FUTURE TOGETHER

Wear whatever you like, DAFT, but please don’t adopt any children— boys or otherwise, early-school-age or newborn, not now, probably not ever. Because a father who pushes his son into a dress is just as abusive and unfit as one who forbids his son to wear a dress. You two don’t need kids, DAFT, you need a therapist who can help your boyfriend with his issues (the closet, not wearing female clothes) and help you with yours (your extremely odd and potentially damaging ideas about parenting, not wearing female clothes). Before I sign off: a big thank-you to the Dan Savages who fi lled in for me while I was on vacation—Dan Savage, Orlando-based sportswriter; Dan Savage, London-based theatrical marketing executive; and Dan Savage, Brooklyn-based designer. You guys did a great job! And here’s something that clients of sex workers can do without going public: the Sex Workers Outreach Project (SWOP) is running a pilot program to help incarcerated sex workers. Send a book to an imprisoned sex worker, become a pen pal, or make a donation by going to SWOPbehindbars.org and clicking on “10 Ways to Help Incarcerated Sex Workers”. Nonclients are welcome to help too! Listen to the Savage Lovecast live in Chicago at savagelovecast.com. Email: mail@savagelove.net. Follow Dan on Twitter @fakedansavage.

> Go on-line to read hundreds of I Saw You posts or to respond to a message < IRISH GUY AT BISMARCK BAR

I SAW A: I AM A: WHEN: AUGUST 27, 2016 WHERE: Bismarck Bar on Abbott St My sister first saw you across the bar and asked me to talk to you and get your number. We talked at the bar for a bit (about your Irish accent and the UFC fights) then parted but did not exchange names. But we kept locking eyes after. At the end of the night she asked me to give you her number anyway... but you caught me off guard and said you actually wanted my number. All I told you was that my number was 1 digit different then her's, gave you a wink and walked off. Hoping to see you again one day

GORGEOUS MOTHER ON THE DRIVE

I SAW A: I AM A: WHEN: AUGUST 28, 2016 WHERE: Cafe Deux Soleils on Commercial Drive Sunday morning, Cafe Deux Soleils on Commercial Drive, between 9-10 a.m. You were sitting with your back to the entrance. You look in your early 30s, have long brown hair with sunglasses held up in it. You were wearing a light brown light sweater with a blue skirt, flip flops and had a hint of polish on your toes. You were sitting with a blond haired boy wearing a ball cap who looked between six and eight years old. You talked to the boy, listened to him and played with toys with him then checked your phone as he ate. You glanced my way twice, once at my black shirt with a red design, and once at me. You and that moment looked so beautiful in so many ways. I‚ would love to meet for coffee and tell you about it in person.

SMOOTH TALKIN HOCKEY BOY THAT CAN HANDLE SASS.

I SAW A: I AM A: WHEN: AUGUST 27, 2016 WHERE: The Roxy Jason, you kissed my hand right when I walked into the bar. I was sassy as hell all night long but you handled it so well. I crashed in your hotel room after we helped a passed out woman on Howe. Your two friends were not impressed. You’re from Langley, and own two (maybe three) dogs if I recall correctly, and hate going to North Vancouver for work. You asked me if you would ever see me again before I hopped in a cab and I said “only if you make an effort” turns out you can’t because I forgot to give you my number. I kicked myself the whole way home. I wonder if this will even work?

ON THE PHONE AT URBAN FAIR

I SAW A: I AM A: WHEN: AUGUST 28, 2016 WHERE: Urban Fare, Coal Harbour You are a very attractive tall blond wearing a bold jacket, who was on the phone this afternoon at Urban Fare. I was the blond in jeans, just a little damp from the rain. We exchanged several glances, but your call seemed to take quite some time. Let’s find some time to talk to each other !

LOVELY STRANGER

I SAW A: I AM A: WHEN: AUGUST 25, 2016 WHERE: PNE Market Place I am sorry I missed our meeting at the Unbelievable Magic Show. I looked for you in the front rows after the show, but didn’t see you. We had a lovely chat earlier that day sitting inside the Market Place and liked what we talked about and felt connected... and I think we could be friends. Sincerely, R:-)

“IT’S REALLY STARTING TO RAIN”

I SAW A: I AM A: WHEN: AUGUST 28, 2016 WHERE: Grouse Grind Parking Lot We were both getting into cars at the end of the Grouse parking lot as it started to rain. You were putting on your white Adidas shoes I was with my friends and a dog. We said hi and smiled at each other as it started to rain and you got in your car to drive away. Never tried this before but I thought you were cute and am curious if you’re single?

ASTONISHED AT NASH

I SAW A: I AM A: WHEN: AUGUST 24, 2016 WHERE: Steve Nash Morgan Crossing It seemed like a regular Wednesday at Nash Morgan Crossing. You wore a blue top and dark pants. Long dark hair. You were stretching by one of the resistance machines near the kettle bells. I was on the Rogue rack by the window, doing my usual odd routine. You smiled, waved and left. I was literally paralyzed with surprise (that sort of casual friendly NEVER happens to me). I looked around (somebody else behind me?), but I was the only person in that space. I think I remember helping you with a barbell sleeve one time (?). Sorry I froze, but thank you for making my day, and my week. Maybe longer. You’re amazing.

2 SMILES IN 2 HOURS

I SAW A: I AM A: WHEN: AUGUST 27, 2016 WHERE: On Smithe Between Beatty and Expo Blvd To catch someone’s eyes and exchange an honest smile of acknowledgment once in a day is one thing, to do so twice in the span of 2 hours in the same place but opposite directions - leaves a glow, and a wish that a third chance encounter mot lead to a walk in the same direction. The first time you were alone, the second you were with friends. I may have to frequent that cafe in hopes of making the third time a charm :)

STUNNING AT CLOUGH CLUB

I SAW A: I AM A: WHEN: AUGUST 27, 2016 WHERE: Clough Club You were sitting at the bar with your friend. I was sitting a couple seats away with my buddy. I was in a blue and green checkered button up shirt. You were absolutely stunning. We made eye contact a bunch of times. I couldn’t stop myself looking your way. Let’s grab coffee/food sometime?

BEARDED BREWERY CREEK BABE

I SAW A: I AM A: WHEN: AUGUST 26, 2016 WHERE: Brewery Creek Liquor Store My two friends and I were so stunned by the variety of beers and the babes working there. You saw the confusion on our faces (I said “confusion looks good on us”) and came to our aid multiple times. When we got distracted by pretty labels, you guided us towards the sour (beer) land. We think your name is Brendan, and I was the one with braids and cracking all the jokes. If you have a girlfriend, forget about it. If not, lets hang. Sprinkle me with some beer knowledge.

SUBWAY GUY

I SAW A: I AM A: WHEN: AUGUST 26, 2016 WHERE: Burrard and Robson I was having lunch with coworkers at Joey on Burrard and Robson and as we were finishing up saw you through the window in line at the Subway next door. We made eye contact a few times and I’m not positive but felt like there was a mutual interest... not the best time to try and pursue it but if you see this and were interested, feel free to reach out. Either way, you’re looking fine!

DEPARTURE BAY

SAUSAGE PARTY....

I SAW A: I AM A: WHEN: AUGUST 13, 2016 WHERE: BC Ferries

I SAW A: I AM A: WHEN: AUGUST 23, 2016 WHERE: Park & Tilford

Sorry it’s come to this (I am apologizing to myself for posting an I Saw You, because I think this is the domain of cowards - no offense, everyone). We spoke on the ferry one recent Saturday afternoon. You: N. and hot as hell, traveling light. A true gentleman for saying hello and striking up conversation in this, a cold world of indifference where no one says hello anymore. Unfortunately, I rambled on about gambling and beach-lounging, topics that might make me seem as if I take no stock in serious things. Yes, I did have a bag of books. You liked my shoes. They are common-enough shoes, but I am glad they brought you happiness. I would have been a lot more pleasant but when you said hello I had been separated for only a week or so. I have no game yet. The world is still a huge and terrifying place full of strangers I don’t feel equipped to make successful small-talk with. You made me smile. That hasn’t happened lately. I hope life is good for you on the mainland. Happy trails, stranger.

You do not strike me as the type of person that would read these things, and to be honest neither am I, but what have I got to lose... I saw you tonight at the movie theatre and I was sitting in front of you. If i’m not mistaken you were wearing a white striped shirt, black shorts and Nikes. I’ve got blonde hair and I was with my guy friend. I doubt you’ll ever read this, but I thought you were really attractive and I would have loved to grab your number or something but I had no liquid courage in me. In the unlikely event that you are reading this, gimme a shout :)

TAP SHACK ON THURSDAY

I SAW A: I AM A: WHEN: AUGUST 25, 2016 WHERE: Tap Shack - Coal Harbour I was with work people, you were with what seemed like another couple. We certainly noticed each other but I never took the opportunity to ask you for a drink. Let’s hope like minded people prevail.

STEVE MILLER ROCKED, & SO DID WE!

I SAW A: I AM A: WHEN: AUGUST 24, 2016 WHERE: PNE Amphitheater Sandy Dee noticed me cause I was larger than life! My EX-wife says I’m jerky, but Sandy perceived the quirky & she knows I’m a kind, generous, intelligent guy who (bonus!) is an intriguing, cuckoo-fun Dancer, baybee! (FYI baybee said like Austin Powers, not like a creepy weirdo dude!). You seem fun, smart, open-minded* (*for a Catholic school-girl anyway, LOL, probably graduated not so many years ago -such a fresh, youthful smile Sandy has ;-) When I take you for lunch, brunch, cocktail, dinner w.h.y. I GUARANTEE more smiles, or I’ll pay (oh I’m paying anyway, so... I haven’t thought that thru, but I know YOLO you’ll let me buy you a meal or two & we'll reminisce about old times at Club Soda, Metro, the Coyote(?). Turns out thee man, Steve Milller, is 72! I bow to his amazing-ness. We ARE so young, it turns out :^)

LONG WHITE HAIR, TALL AND LEAN, SHIRTLESS

I SAW A: I AM A: WHEN: AUGUST 20, 2016 WHERE: New West, 7th Avenue Just North of 6th Street You were walking on the other side of the street, and I was turning right in my car. Wish I could have spoken to you. Still would like to. Not too many casually healthy-looking people ambling along with ease at our age. You caught my attention, and few do.

VIFF THEATRE

I SAW A: I AM A: WHEN: SEPTEMBER 27, 1992 WHERE: VIFF Theatre, Scotia Tower September 1992 in the big theatre in the Scotia tower during the VIFF. You were young and radiant maybe 30. Wearing a light coloured sweater. Red hair, could be strawberry blonde, fair complexion, some freckles and jeans. You were eating a nicely organized lunch from plastic containers, obviously a seasoned vet of the film fest. I was 2 seats to your right. Before our film screened, the manager announced that those staying for the next film in that theatre should put up their hands so an usher could take tickets. The title of that film was "Flamingly Gay". You slowly looked up from your food and scanned the theatre. You said in a stage whisper, “Well, now we know who’s who.” Then you went back to your food, the lights went out and the magic began. I know now that in that instant I loved you. I kicked myself for not engaging you and losing you after the screening. I never saw you again. I went back to the VIFF every year, saw more foreign films than I can count, read far too many subtitles, laughed, cried, looked for you to no avail. I can’t stop. I’ll be there again this year. Help me.

BEAUTIFUL BLONDE IN ALL WHITE ON MAIN ST.

I SAW A: I AM A: WHEN: AUGUST 24, 2016 WHERE: Main and 10th You looked amazing in all white as you seemingly bumped into your friend and stopped to have a chat. I too was standing on the corner chatting with a friend I had just met up with. We met eyes more than a few times as I struggled to pay attention to the conversation I was having. I overheard your friend say your name so if you’d like to randomly bump into me this time send me a message:)

IRISH GUY NEEDING DIRECTIONS

I SAW A: I AM A: WHEN: AUGUST 23, 2016 WHERE: Knight and Kingsway You stopped your bike to ask me for directions to Clark, I had a stroller and a dog, pretty hard to miss. I wished we had chatted longer. Drinks? (P.S. They aren’t mine, I’m a child minder.)

BURRARD STATION TUES 10.30PM - A CHEEKY WAVE

I SAW A: I AM A: WHEN: AUGUST 23, 2016 WHERE: Burrard SkyTrain Station It started at Burrard station, me heading home from meeting friends - green cap backwards and nose pierced. You, good looking, long dark hair, denim jacket and mischievous look. We both kind of lingered near each other. Sat opposite each other on the SkyTrain and I left the seat open next to me when we transferred at Commercial. You didn’t take it but I’m hoping you wanted to. I got off at Sperling/Burnaby Lake and we made eye contact. You waved with a cheeky smile as the train pulled away and I swore. On the off chance that you read this, coffee?

MYSTERIES PRETTY BLONDE AT BURRARD & NELSON

I SAW A: I AM A: WHEN: AUGUST 24, 2016 WHERE: Burrard & Nelson. Downtown You were out for a walk this morning around 10:30. I was in my car at a red light as you crossed the street. As you walked by me I definitely noticed you peak at me from the corner of your eye. Pretty difficult for me to be able to talk to you in that situation, but I am definitely curious and would be interested to talk to you. You’re beautiful. You were wearing shorts and a t-shirt. If you come across this shoot me an email :)

Did you see someone? Go to straight.com to post your FREE I Saw You _ 42 THE GEORGIA STRAIGHT SEPTEMBER 1 – 8 / 2016

straight stars September 1 to 7, 2016

ercury retrograde has just begun. In taskoriented Virgo, to September 21, the retrograde is well aligned with back-to-it season. The focus is on specific work, correction, repair, revision, and healing. The focus is also on what or who is missing; what hasn’t been said, done, or included; what isn’t yet complete; and the problem, negative, or shortfall. The details or missing pieces are of issue. It’s easy to get it wrong or to follow the wrong advice. Ask more questions; get a second opinion; hire a specialist. Omissions can make for extra headache, heartache, or expense. While you can never be too careful, there are times when too much concentration on the small stuff can get in the way. Thursday’s solar eclipse in Virgo underscores the karmic nature. A sense of added anxiety to get on with it is your clue. Time is moving on, and it waits for no one. Necessity calls for more serious ambition toward the work and the future. The eclipse draws from cut-to-the-chase Mars and the Saturn/Neptune transit that has been in operation since the end of 2014. The changing face of our worldly and personal reality is now undeniably well into its program. Marking endings, beginnings, and transitions of significance, remember that an eclipse can be event-generating before, during, or after the actual date. Friday’s Mercury/Jupiter goes deeper into the conversation, exploration, or process. Setting a productive backdrop, Tuesday’s sun/Pluto and Wednesday’s

> BY ROSE MARCUS

Venus/Saturn help us to get the new can extend a revisit, renovation, or initiative started on the right foot. work-it-out period.

‫ﺎ‬

ARIES

March 20–April 20

‫ﺑ‬

CANCER

June 21–July 22

Thursday’s solar eclipse marks an auspicious time to get to work, to get it fixed or healed. Yes, sign up for more training; hone a specialty. Mercury retrograde suggests that a repeat or revisit is particularly well timed. There’s something more to work out with a key person; perhaps travel or legal steps are necessary. Take extra good care of the furry folk.

What’s next? Thursday’s solar eclipse can present more questions than answers. Although the future holds uncertainty, it is infused with greater-than-average potential. Today sets up tomorrow, so aim for a great launch. Do what you can as you can—it will add up. Mercury retrograde is an ideal time to train/study, resume, revisit, reapply, talk it over, or try again.

‫ﺏ‬

‫ﺒ‬

TAURUS

April 20–May 20

If you are born at the end of April or the end of Taurus, then Thursday’s bring-it-to-life eclipse will hold added promise. Of course, it sets a particularly opportune/ fertile backdrop for all. The eclipse gift s you with a second chance. Mercury retrograde, a repeat or remeet influence, underscores the karmic nature of the moment. Optimize on Thursday, Friday, Tuesday, and Wednesday.

‫ﺐ‬

GEMINI

May 21–June 21

It’s time to let go of the past, to let go of preconceived expectations, judgments, or ideas, and to allow the future to unwrap itself. Thursday’s eclipse can uproot you and change your address, career focus, or life course. A significant goodbye, departure, homecoming, or revamp can be part of the mix. Mercury retrograde

LEO

‫ﺔ‬

LIBRA

September 23–October 23

Keep it simple and openended for now. The solar eclipse and Mercury retrograde can dish up something unforeseen, especially Thursday through Sunday. The best you can do is to put safety first, to take it one step at a time, and to allow rather than to push. Answers, clarity, plans, and circumstances will chart their own course. Tuesday/Wednesday, you’ll make good progress.

‫ﺕ‬

SCORPIO

October 23–November 22

Give up to get; streamline, cut back, repair, or replace it. An upfront or extra payment can be required. Thursday’s solar eclipse can create a void, alert you to a missing element, open it up unexpectedly, or put you on the shortlist. Secondguessing, doubt, worry, or necessity can get the better of you initially, but in the end you stand to gain.

Mercury retrograde and Thursday’s solar eclipse can put you back in the game, perhaps unexpectedly so. Expect to reconnect with folks or to revisit a plan, goal, or project. Perhaps there’s something more to experience or express. You could part ways with a lover or a special someone. The solar eclipse can also boost income or restimulate a moneymaking prospect. Tuesday/ Wednesday are optimal.

‫ﺓ‬

‫ﺖ‬

July 22–August 23

VIRGO

August 23–September 23

Thursday’s solar eclipse is particularly catalytic if it’s also your birthday or if you are born in the first few days of September or the last few days of Virgo. For all, it is a very potent kickoff time. Mercury retrograde in Virgo gives you an extended time to get a better fix on it. Friday, Tuesday, and Wednesday should prove productive and smooth-running.

SAGITTARIUS

November 22–December 21

‫ﺊ‬

CAPRICORN

‫ﺋ‬

AQUARIUS

‫ﺌ‬

PISCES

December 21–January 20

It seems you have more to consider, discuss, explore, and/or try than you have assumed or assessed. By all means, go further, do more, seek more. No matter what package it comes in, consider what shows up now a saving grace. If there’s something to fi x or to be gained, it’s better soon rather than later. January 20–February 18

There’s always room for improvement. Thursday’s solar eclipse spotlights health and wealth. Sorting out is likely to involve more than just you alone. More discussion, negotiation, tests, information, research, or air-clearing is needed. Intimacy—or lack of it—is another topic up for review. Friday, Tuesday, and Wednesday are great for a revisit or remeet. February 18–March 20

Some things are simple and straightforward; some are not. A key relationship can keep you coming, going, or guessing. You could be called on to help or for a bailout. The eclipse could also busy you with a contract renewal, repair project, or money matter. Thursday/Friday is exposing. Tuesday/Wednesday, you’ll get a good handle on it. -

While Mercury retrograde may pile on extra work and/ or pile up necessity, Thursday’s solar eclipse signals the start of a new career and/or personal-life chapter. Avoidance is futile. Perhaps you don’t have everything you need or want just yet—don’t let it stop you. Friday, Tuesday, and Wednesday are Book a reading or sign up for Rose’s your best days to make the call and/ free monthly newsletter at www.rose marcus.com/astrolink/. or give it another shot.

Hard to Live With

Scaan to conffess Th Georgia The G i St Straight i htt C Confessions, f i an outlet for submitting revelations about your private lives—or for the voyeurs among us who want to read what other people have disclosed.

I’m Done... I know I should let love find me. It better be quick cause my clock is ticking... SIGH

Lower those expectations I think I’ve finally learned the secret to life - always have low expectations. Whether it’s about a person you’re interested in, a new job, a new place, or even just what’s going to happen tomorrow, my experience has taught me that the lower your expectations are the better the outcome. If you go in with your hopes up, you are bound to be let down, sometimes to a soul-crushing extent. But if you start out not giving a fuck if it works out or not, you’ve got nothing to lose and everything to gain. Some might call this being jaded, but I just call it being smart.

I don’t care I honestly don’t care how many friends I lose, I will call everyone out on their bullshit. Claim to hate gossip yet you talk about everyone behind their back? I will call you on it. Promise me something and don’t deliver? I will call you on it. Try to lead me on? I will call you on it. Act like a selfish asshole? I will call you on it. I’m done taking everyone’s shit.

Fakebook sucks It’s amazing how ever since I left facebook I have no friends. Everyone uses that platform to validate their existence and when you aren’t there to boost their ego every few hours as they require, they couldn’t care less about you. I’m so glad I woke up and realized how dumb and hopelessly fake this world is where all anyone knows is what they see on tv, movies and their cell phones. Only problem is it gets lonely from time to time.

I think I’m okay with it My whole life I’ve been aiming for something high.. Not really for myself. It’s been for my family and people rooting for me to do well. I was sitting in my living room this morning thinking... I work a 9-5, I have a few hobbies... Why is life this huge race to be better than somebody else, to rise above what you want to do just say you’ve done it and accumulated things? I’ve come to realization that I’m actually content with just working a small job and making ends meet. I really don’t need a lot. If I were to just live this way for the rest of my life I’d honestly be okay with it. Is it wrong to be okay with a small, simplistic lifestyle? I don’t know but.. I think I’m okay with it.

Bipolar people are hard to live with, and it’s a fact that needs to be recognized by those who are bipolar. It feels like a thankless job. A little recognition, especially after a fight because of moods that are beyond your control: it’s easy to just say thank you, that you know its hard, and that you appreciate the person who does put up with your crazy moods. Or you may find them not there after the next one.

I feel So fucking grateful right now. I had my weekend off, and today I have too much food in my place. Its because I recently got a new job that is about double my old income. I was having a bit of a rough year, with my commission being cut and hours being slashed. I was grinding, struggling to pay my bills. But now my new job gives me a free meal and snack so I’m still getting used to not having able to prep 3 meals per day. That is why I was overwhelmed with gratefulness as I ate food and still have so many meals to eat for the rest of week (too much in fact)

Be spontaneous I try to chit chat with strangers when I sense that they are receptive. These friendly encounters make the city feel more like home to me. We can make Vancouver feel more like a community of we are a little friendlier. If the chance appears, try it! Spending a moment connecting with a stranger can mean a lot of both sides. :)

Sailing the seas Sometimes I feel like my life ship has sailed. I’ve never been in a serious romantic relationship (my last relationship completely scared me off of them all together - I’d rather be alone than with someone who might cheat, abuse me, or be an overall jerk), I’m still a virgin (by choice), and I don’t have kids. I want all of the above things, but considering I’m 30 years old I feel like that ship has sailed for me. Maybe I have another purpose in life that doesn’t include any of that. I guess I just have to figure out what it is. Am I the only one who feels this way?

21st century couples Why does anyone choose to stay in a commited relationship if they are seeking others for sexual favours? I don’t understand what has happened to the dating world. Is cheating just a new branch of normal nowadays? It seems like everyone I meet has a story about someone who has cheated... If you’re not happy then do that person a favour and leave. Yes it’s not ideal to be alone but maybe you should be...

When I Was Your Age... Not that long ago (this is not intended to be a diss in any way). A room was $200, minimum wage was $8.00, smokes were $5, gas was 80 cents, a landline was $30 and the only number that’s stayed the same was the price of weed. Back then it seemed easier to enjoy my free time and occasional unemployment, now I just work for the man. Spare us the comments from the nearly-retired, this is about the cost of living for young people post olympics vs post expo.

Visit

to post a Confession SEPTEMBER 1 – 8 / 2016 THE GEORGIA STRAIGHT 43

AMERICAS MASTERS GAMES 2016 CELEBRATION SITE SCHEDULE

CELEBRATION SITE, JACK POOLE PLAZA: DAILY NOON-10:00PM FREE YOGA CLASSES BY YYOGA, NOON-1:00PM DAILY BEER GARDEN, 1-10:00PM JOIN US FOR DAILY ATHLETE HIGHLIGHTS, PRESENTATIONS & INTERVIEWS (Including special guests & Olympians) 6-7:00PM

DJS

LIVE BANDS

THU. SEPT. 1

DJ O: Contemporary Mix

4-8:00PM

DJ O: Electronic Dance Music and Deep House*

8-9:30PM

FRI. SEPT. 2

Crystal Adare

4-7:30PM

The Undercovers CocoJafro

7:30PM 8:00PM

SAT. SEPT. 3

DJ Kathleen Matthews

2-8:00PM

Gay Nineties

SUN. SEPT. 4

DJ Leanne

1-6:00PM

(No band)*

8:30PM

* No bands these days

CLOSING CEREMONIES: SEPTEMBER 4TH, 3:00PM – 4:00PM DJ CRYSTAL ADARE BEGINS 1:00PM CLOSING CEREMONIES FROM 3-4:00PM Official Speeches, Video Montage of Americas Masters Games, Lowering of IMGA Flag, Farewell to Athletes BEER GARDEN OFFICIALLY CLOSES 6:00 PM THANK YOU to our inaugural Americas Masters Games partners for your support in making Vancouver 2016 a success and memorable for all athletes from near and far! PARTNERS

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