black in vancouver

What does it mean to be Black in Vancouver?

It’s a hard thing to answer, even for people in this community. It’s a small community, for sure, but a place is built from its people—all of its people, regardless of how large or small their representation in the the city. Black perspectives are a vital part of the city’s cultural fabric, and should be celebrated as such.

In honour of Black History Month, we’ve asked four local creatives and activists to tell their own stories, in their own words, about what being Black in Vancouver means to them. Not just to celebrate the past, but to take stock of the present, and offer hope for the future.

PARADOX CITY

“Vancouver? Why Vancouver?”

By Dannielle Piper, Mx. Bukuru, Doaa Magdy and Cicely Blain

It’s a question many people asked after I announced my decision to immigrate to Canada.

“There are no Black people in Vancouver,” they told me. “Go to Toronto. That’s where we are. You’ll find our people there.”

For the record, I come from a long line of proud Afro-Caribbean ancestors and we’re known to travel far and wide. As an aunty once said: “There ain’t no place we haven’t been, and there ain’t no place you won’t find us.”

Her words comforted me… but only for a short time. As my departure date grew closer, a seed of fear dug deep into the soil of my subconscious. For the first time in my life, I was going to be seemingly all alone. I was going to be Black in Vancouver.

To be honest, I didn’t know what that truly meant at the time. But I do now.

Being Black in Vancouver means oscillating between multiple binaries several times a day. Binaries that are confusing, nonsensical, and paradoxical. I’m diverse but indigestible; invisible but conspicuous; educated but ignorant; exotic yet too foreign; beautiful but undesirable; classy but uncultured; friendly yet aloof; polite but antagonistic; innocuous but still threatening; remarkable but forgettable; and, my personal favourite, well-spoken but incomprehensible.

The list goes on.

Truthfully, who I am constantly clashes with Black stereotypes. I’m either >>> too Black or not Black enough. Ultimately, I had to navigate my new life in a new country with these limitations. In many ways, it was—and still is—extremely liberating. I get to prove everyone wrong on a daily basis. However, it’s also exhausting. It’s like working overtime with no breaks and definitely no pay. people (or paying Black people) sometime this month. And you will scream/“yaaas!”/tip/celebrate your way into feeling educated/chastised/ uplifted/entertained. Haus Bukuru looks forward to seeing you. amcellent indeed.

So, how do I put up with this nonsense?

First, I remind myself that Blackness is varied, multifaceted and multicultural. That my worth, my voice, and my experiences are non-negotiable, and that I have no obligation to be anyone but myself—regardless of how uncomfortable my identity makes others.

Why?Because my continued presence holds this city accountable. It keeps it in check and challenges cultural erasure. Because, believe it or not, those same people who asked, “Why Vancouver?” were wrong.

Black communities have existed in British Columbia for over a century. Over the years, these communities have settled, expanded, consolidated, shifted, dissolved, reappeared, and repeatedly realigned their diverse histories with that of this city. In doing so, Black people have consistently confronted systemic racism and carved out small yet vibrant communities for themselves.

We are here. We’ve been here. And we’ve been here for a very long time. And to pretend otherwise is a slap in the face to those who have contributed to Vancouver’s cultural wealth. Until we accept this fact, I’m going to oscillate between binaries that I created for myself.

I am exhausted, but I’m liberated.; Frustrated but hopeful; rigid but adaptable. But most importantly, I am vulnerable and strong.

Let’s call back to what be onstage and ver. Within the drag community, there is a tension in knowing your coworkers used to lip sync off of fashion styles popularized lip sync to Black artists while giving Black diva energy… Tension is one word. Unease is another.

A Fresh Start

I moved to Vancouver in 2010 with huge suitcases full of hopes and dreams of a better future. I came to complete my first master of arts degree at UBC, located in the city with the mildest weather in Canada. Clearly, the word “mild” means a different thing for an Egyptian—as you can imagine, I found that out the hard way.

My first couple of years here, the grey skies and cultural shock served me a cocktail of emotions: loneliness, homesickness, racism, and depression.

Being Black in Vancouver was mostly an isolating experience because what my heart was yearning for was a sense of belonging, a community that I could connect with and relate to.

But then I realized that I was never alone, which is something easy to forget when moving to a new country. Thanks to the friendships I made, I realized how interconnected we are as humans and how much we need each other to grow and thrive, which definitely enriched this new chapter of my life.

It opened my eyes to the power we have in building communities rooted in compassion, and using our differences to foster unity, not division. It felt like getting a completely new prescription after a long overdue eye exam.

When a performer does those things and you’re the only Black person on the lineup, how do you frame the conversation? Community doesn’t have HR.

I am tired.

By Dannielle

Piper, freelance journalist and a graduate of the UBC School of Journalism. Born and raised in Jamaica and now living in Vancouver, Dannielle covers identity politics, social justice, and pop culture criticism.

Tension Is The Word

Blackness is not a monolith, so let me define mine: I’m a queer, fat, light-skin, mostly able-bodied Black performer. I’ve been tearing up Vancouver for five years with a mixture of drag and burlesque, hosting and teaching, sex and political sass. I know what it is to be me and Black in Vancouver. More specifically, what it is to be Black and onstage in Vancouver. The feelings of constant observation are similar. Unlike many, I do often get paid for the pleasure.

When performing, I have certain bits that only come out when the money high. Not because they are technically hard, involving stunts or circus animals. I only put myself through it once a year because… I know you aren’t listening.

Often, when I teach people the meaning of my name, I will give helpful hints. I’m not Nigerian. I am not Rwandan. Yet, everytime I give these hints, people say, “Bukuru, it’s a city in Nigeria!” Or “Bukuru, that’s Rwandan for the higher twin!” They’re not listening.

So here’s my final hint. I’m of Jamaican descent. If you run into me at a show, tell me the definition of my name and I’ll give you a drink ticket. When I chose my name, it was with an intention of difficulty. I wanted audiences to stutter, wonder, and research.

Some are stuck on the stutter.

I’m going into February with a goal. It is not to perform Black Excellence—though I

But there are good things ahead. This is my first year as a house parent. There are three new beautiful Black drag babies taking the stage this February: Batty B Banks, Acacia Gray, and Levi Thrust/Lilac Lust put the “future” in Black Futures Month.

What is your future? What is your past? February sometimes feels like I have to dislocate my Blackness to make it through; put it on a shelf so as not to be overwhelmed by the voices silenced and ever-weighing.

So in this future tense, I say: you will be supporting Black artists, you will be donating to the Vancouver Black Library Ko-Fi fund, and you will be learning the definition of my name.

By Mx. Bukuru, multi-disciplinary drag artist. They’re a member of Enby6 and parent of the only all-Black drag Haus in the City. Follow them at @mx.bukuru on Instagram

Despite the global trauma we all experienced in 2020, that year shifted the meaning of the word “community” and paved the way for the birth of the digital community as a portal of social change and compassion towards our diverse experiences.

The year 2022 was the most traumatic year of my life, yet the most connected I felt to the Black community. Thanks to my Dynamic Diasporas project with VMF during Black History Month, my connections expanded through my artwork and my community contributions.

The digital community, including my therapist, saved my life in so many ways as I continue dealing with the impacts of racial trauma in my workplace and the fight with WorkSafeBC to recognize race-based stress injury. It helped me navigate ways of healing by accessing Black joy, which to me looked like dance walking around East Vancouver and making new friends along the way. .

I want us all to heal, so that joy in our DNA outweighs the trauma for all the future generations. Radical joy is revolutionary, and this is what I aspire to

>>> create with my art. My passion for cinema and the power it has in transforming societies inspired me to found Horror in Seconds: a new upcoming horror film festival for Black and Indigenous emerging artists.

Radical joy is telling and writing our own stories from our perspectives and sharing them with the world. Horror in Seconds will revolutionize and decolonize the concept of film festivals by creating a space for the community to witness the magic that underrepresented artists are capable of creating when given the opportunity to unleash their creativity.

By Doaa Magdy, Nubian interdisciplinary artist and educator, subverting colonial norms of storytelling and highlighting Black joy in film, dance, poetry and photography. Follow her on Instagram at @doaaliciousart.

An Undeniable Resilience

When I sit down to summarize my experience as Black, mixed-heritage, queer femme in this city, I find it hard to consolidate the mosaic of happy, scary, joyful, and isolating moments into one cohesive descriptor. However: what strikes me most about being Black in Vancouver is the exhilarating feeling of change.

I come from London, England—you can feel the city’s age and the history that has moved in and out of the concrete and asphalt. By comparison, Vancouver is young. The settler-colonial process renders cities, particularly on the West Coast, uncertain in their identities. Where Indigenous communities lived in symbiotic harmony with the land and water, farms, factories, and tall glass buildings now extract from the surrounding nature. Processes of oppression like colonialism, slavery, forced migration, and indentured labour have all caused cultural loss..

The resurgence and revitalization of the languages and culture that has resisted extinction is a key part of Vancouver that I find beautiful and inspiring. Attempts to destroy cultural connections, like the placement of Indigenous children in residential schools or the demolition of Hogan’s Alley, have been unsuccessful in destroying the spirit and resilience of marginalized communities.

When I first moved to Vancouver in 2012, the smallness of the Black population was immediately evident. Living on campus at UBC, I would go days without seeing another Black person. The duality of being both hyper-visible and invisible was confusing and isolating. People wanted to touch my hair because they hadn’t seen an Afro before, and they based their interactions with me on superficial pop culture stereotypes. I was called on in class to speak on behalf of all Black people and “complimented” on my eloquent speech. I sat through lectures on Black trauma that were merely a distant spectacle for my peers, rather than a lived reality.

Vancouver is often disparaged for being boring and characterless; young people can end up feeling disconnected and disillusioned. In the same way that Vancouver evades definition, the type of racism that manifests here can be subtle, non-committal, and careless. As a visitor or migrant, it’s confusing. It’s hard to make meaningful relationships, especially in academic and professional spaces where Blackness is so often othered.

Yet somehow, I’m still here; lucky to enjoy the crisp ocean air, meandering forest trails and beautiful mountain views. To this, I attribute the undeniable resilience of Black communities and our ability to find one another despite fear and isolation. It’s something marginalized people have done for generations.

Eleven years later, there are two stores for Afro hair products on my doorstep, good Caribbean roti in walking distance, and a familiar Black nod or smile almost every day. Sometime during my decadeand-a-bit in Vancouver, the Black community has grown, but not just in numbers.

The growth of the Black community also feels like a growth of expression, freedom, vibrance, and connection. There are more events centring Black experiences: conferences for Black-owned businesses, theatre performances with Black leads, books by Black authors on the front shelf. Through protests, marches, articles, art, policy, education, training, and community building, Black folks continue to carve out the space they deserve in this city.

Black, Indigenous, and racialized folks are often the driving force behind systemic change and social progress, and it’s starting to show in Vancouver’s gradual transformation.

Being Black in Vancouver is an ever-evolving experience, and I feel optimistic it’s trending towards a vibrant, joyful future.

By Cicely Blain, CEO of Bakau Consulting, co-founder of Black Lives Matter Vancouver, the editorial director of Ripple of Change Magazine, and the author of Burning Sugar.

WEDNESDAY, FEBRUARY 8

TRUE TO PLACE: STÍMETSTEXW TEL XÉLTEL Exhibition curated by artist and muralist Xémontalót Carrielynn Victor (Stó:lō) examines the artistic practice of 10 Northwest Coast Indigenous artists. To Mar 19, Bill Reid Gallery of Northwest Coast Art.

FORGIVENESS To Feb 12, Stanley Industrial Alliance Stage. Tickets from $35.

THE WILLFUL PLOT EXHIBITION To Apr 16, Morris and Helen Belkin Art Gallery.

JEFF WALL: VIEWS IN AND OUT OF VANCOUVER

Jeff Wall, leading contemporary photographer To Mar 25, 12-6 pm, Canton-sardine. Free.

BAMBOO FLOWERS - KEEYAN SUAZO A new installation for BAF by Keeyan Suazo To Mar 11, Burrard Arts Foundation. Free.

2023 THE LANTERN CITY The Lantern City returns to light up the new year To Feb 16, šxʷ ənəq Xwtl’e7énk Square, Vancouver Art Gallery.

INSCAPES: OUR LANDSCAPE WITHIN To Apr 1, 10 am–5 pm, Italian Cultural Centre. Free Admission.

ADVANCE THEATRE Play Readings live on Stage! To Feb 17, 8 pm, Shadbolt Centre for the Arts. $15.

VIRTUAL FESTIVAL OF OCEAN FILMS Virtual Festival of Ocean Films To Feb 11, 9 am–11:55 pm, Georgia Strait Alliance $10.

SUNSET COMEDY| PROFESSIONAL STANDUP COMEDY SHOW VANCOUVER |THURSDAY

8:00PM Live Stand-Up Comedy in the heart of the West End Feb 9, 8 pm, The Loft Lounge. 15-20. BRAND UPON THE BRAIN! [14A] Feb 10, 8:20 pm; Feb 12, 8:30 pm; The Cinematheque. $10–$14.

TREAT SHOW COMEDY Treat show is really good improv comedy. Feb 11, China Cloud. $18/20 or Pay What You Can.

JOKE BOOKS COMEDY Vancouver’s best comedians tell new jokes! Feb 16; Mar 2, 16, 30, 8 pm, Havana Theatre. 15.

THURSDAY, FEBRUARY 9

SONGBIRD NORTH: WHERE WRITERS SING & TELL Songwriters showcase hosted by Shari Ulrich Feb 9, 7:30-9:30 pm, Roundhouse Community Arts & Recreation Centre. $23.

FRIDAY, FEBRUARY 10

HOW THE WEST WAS ONE THIS QUEER COMEDY IS BACK BY POPULAR DEMAND! Feb 10, 11, 8 pm, Russian Hall. 25.

MUSE BY FLIP FABRIQUE Feb 10, 11, 8 pm, Vancouver Playhouse. $36.75 - $93.45.

DIRTY LITTLE SECRETS IMPROV SHOW Spill secrets anonymously, laugh joyously! Feb 10, 9:30-11 pm, Tightrope Theatre. $20.

SATURDAY, FEBRUARY 11

VANCOUVER OPERA PRESENTS A MIDSUMMER NIGHT’S DREAM BY BENJAMIN BRITTEN A romantic, atmospheric opera Feb 11, 7:30-10:30 pm; Feb 16, 7:30-10:30 pm; Feb 19, 2-5 pm, Queen Elizabeth Theatre. Starting at $50.

SUNDAY, FEBRUARY 12

ONE, TWO, TRIO & TRUMPETER-PIANIST ALAN MATHESON Brass trio and trumpeter-pianist Matheson performs a program of works by Bach, Byrd, Bernstein, Beiderbecke, Poulenc, and Pulcinella. Feb 12, 2:30 pm, Langley Community Music School.

TUESDAY, FEBRUARY 14

JOKE BOOKS COMEDY! A VALENTINE’S DAY STAND-UP COMEDY SHOW Feb 14, 8-10 pm, Dolly Disco. 15.

FRIDAY, FEBRUARY 17

CONSONE QUARTET: BBC NEW GENERATION ARTISTS London quartet performs works by Mozart, Haydn, Chevalier de Saint-Georges, and F. Mendels- sohn. Feb 17, 7:30-9:30 pm, Christ Church Cathedral. $36-$75.

WEDNESDAY, FEBRUARY 22

MSG COMEDY Feb 22, 7:30-10 pm, Cold Tea Restaurant. $20.82.

FRIDAY, MARCH 3

ON THE BREATH OF ANGELS An aural journey that ranges from 1600 to the present day, exploring the ways in which the cornetto and the human voice can interact, imitate each other, and musically entwine. Mar 3, 7:30-9:30 pm, Christ Church Cathedral. $36$75.

POPCAPPELLA III The Chor Leoni men’s choir performs a blend of classic pop and choral works. Mar 3, 8 pm; Mar 4, 5 pm; Mar 4, 8 pm, St. Andrew’s–Wesley United Church. From $20.

THE SPONTANEOUS SHAKESPEARE COMPANY

PRESENTS: BREAKING BARD An improvised twist on classical Shakespeare Mar 3; Apr 7, 9:30 pm, Tightrope Impro Theatre. 20.

SATURDAY, MARCH 4

MICROCOSMOS QUARTET Quartet composed of Marc Destrubé (violin), Andrea Siradze (violin), Tawnya Popoff (viola), and Rebecca Wenham (cello). Mar 4, Langley Community Music School.

SUNDAY, MARCH 12

ANGELA HEWITT: BACH, BRAHMS & SCARLATTI Pianist Angela Hewitt plays Bach’s English Suite No. 6 in D minor, preceded by a selection of Scarlatti sonatas and followed by Brahms’ Sonata in F minor Op.5. Mar 12, 3 pm, Chan Centre for the Performing Arts. $36-$75.

SUNDAY, APRIL 16

JAMES HILL AND ANNE JANELLE Ukelele virtuoso James Hill and cellist Anna Janelle perform original material from their recent projects and programs. Apr 16, Langley Community Music School.

FRIDAY, APRIL 21

THE BIRDS CONCERT Through fascination for birdsong, La Rêveuse brings to life a vision of the music of the 17th and 18th centuries focusing on nature. Apr 21, 7:30-9:30 pm, Christ Church Cathedral. $36-$75.

WEDNESDAY, APRIL

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NILS FRAHM German musician, composer, and record producer combines classical and electronic music. Apr 26, 7 pm, Chan Centre for the Performing Arts. $89.50-$59.50 (plus service charge).

THURSDAY, MAY 4

ART VANCOUVER Western Canada’s largest international contemporary art fair features a wide range of paintings, photography, sculptures, glass, wood, and mixed-media works. May 4-7, 7-11 pm, Vancouver Convention Centre. $14.45.

FRIDAY, MAY 5

SCHUBERTIAD WITH THE LEONIDS & CHOR LEONI Chor Leoni, the Leonids and Alexander Weimann on EMV’s Graf fortepiano, present a memorable Schubertiad with solos, quartets and part-songs sprinkled with piano solos from Schubert’s Moment Musicaux May 5, 7:30 pm, St. Andrew’s–Wesley United Church. $36 - $75.

LISTINGS ARE A PUBLIC SERVICE PROVIDED FREE OF CHARGE, BASED ON AVAILABLE SPACE AND EDITORIAL DISCRETION. SUBMIT EVENTS ONLINE USING THE EVENT-SUBMISSION FORM AT straight.com/AddEvent. Events that don’t make it into the paper due to space constraints will appear on the website.

> MUSIC TIME OUT

THURSDAY, FEBRUARY 9

KID KOALA The Vancouver-born DJ performs with special guest Lealani. Feb 9, 7 pm, Biltmore Cabaret. $25 (plus service charges).

PIERRE KWENDERS: LIVE Feb 9, 7 pm, Fox Cabaret.

PRO NOVA ENSEMBLE VALENTINE CONCERT

FEBRUARY THE 9TH Professional chamber ensemble performing classical Feb 9, 7:30-9 pm, Silk Purse Arts Centre.

AWFULTUNE: LIVE Feb 10, Fox Cabaret.

MBNEL Feb 10, 6 pm, Fortune Sound Club. $20.00 (plus appl. s/c).

DUNE RATS WITH SPECIAL GUEST CHASTITY Feb 10, 7 pm, Wicket Hall. $20.

JOHNNY A...JUST ME AND MY GUITARS Feb 10, 7 pm, 9:15 pm, Blue Frog Studios. $55.50.

YVIE ODDLY PRESENTS STRANGE LOVE Feb 10, 7 pm, Rickshaw Theatre. $35.00 - $75.00 plus appl. s/c.

THE SONS OF KAIN LIVE AT THE ROXY The Sons of Kain return to the Roxy with special guests. Feb 10, 7-11 pm, The Roxy Cabaret. $13.86.

FERRON “ Feb 10, 8 pm, Shadbolt Centre for the Arts. $30-$35.

WAILIN’ WALKER BAND Feb 10, 8-10 pm, Mel Lehan Hall at St. James. $31-$35.

SATURDAY, FEBRUARY 11

FROM PHOENIX WITH LOVE A February concert exploring love and passion. Feb 11, 3 pm, Pacific Spirit United Church. Varying.

NAPALM RAID Napalm Raid in Vancouver Feb 11, 7 pm, Bullet Farm. $20 and up.

DUNE RATS WITH SPECIAL GUEST CHASTITY Feb 11, 7 pm, Rickshaw Theatre. 22.50.

THE VANRAYS ALBUM RELEASE W/ SPECIAL GUESTS CLONE An Eastvan Soul/Glam Rockin’ extravaganza! Feb 11, 7 pm, Fox Cinema. $15 advance. $20 at the door.

BISON WITH GUESTS FEARBIRDS AND WORSE BC behemoths BISON take to the Wise Hall stage. Feb 11, 7:30 pm, WISE Hall. $20.

SUNDAY, FEBRUARY 12

NICK HAKIM R&B/soul singer-songwriter from Brooklyn. Feb 12, 7 pm, Hollywood Theatre. $22 (plus service charge).

MONDAY, FEBRUARY 13

VAULTBOY Feb 13, 6 pm, Mel Lehan Hall at St. James. $20.00 (plus appl. s/c).

DUCKS LTD. Feb 13, 7 pm, WISE Hall. $17.50 plus appl. s/c.

TUESDAY, FEBRUARY 14

GILLA BAND Feb 14, 7 pm, WISE Hall. $25.16.

GILLA BAND Feb 14, 7 pm, WISE Hall.

MARGO PRICE Feb 14, 7 pm, Commodore Ballroom.

FRIDAY, FEBRUARY 17

VANESSA DEE & THE BRIGHTSIDES The Loving Longing Leaving EP Release Show Feb 17, 7 pm, WISE Hall. $20.

RAHIM ALHAJ TRIO Two-time Grammy-nominated oud virtuoso. Feb 17, 8 pm, St. James Community Square. $35.

SATURDAY, FEBRUARY 18

SUUNS WITH SPECIAL GUESTS SUUNS with special guests Feb 18, 7 pm, Cobalt. $20 plus fee.

SOOK-YIN LEE Feb 18, 8 pm, The Lido.

TUESDAY, FEBRUARY 21

‘THE 4 BS - BACH, BEETHOVEN, BRAHMS & BORIS’ WITH BORIS KONOVALOV Feb 21, Silk Purse Arts Centre. $18 - $22.

THURSDAY, FEBRUARY 23

DANCEHOUSE AND VANCOUVER NEW MUSIC PRESENT “BROKEN CHORD” Feb 23-25, Vancouver Playhouse.

FRIDAY, FEBRUARY 24

TOVE LO: LIVE Feb 24, 6 pm, Commodore Ballroom. SKEGSS Australian garage-surf trio. Feb 24, 9:30 pm, Rickshaw Theatre. $20 (plus service charge).

SUNDAY, FEBRUARY 26

SURF SUNDAY WITH THE REVIBERATORS Monthly surf rock n’ roll night Feb 26, 8 pm, The Heatley.

FRIDAY, MARCH 3

LOU REED & THE VELVET UNDERGROUND TRIBUTE CONCERT Lou Reed & the Velvet Underground Tribute Concert Mar 3, 8:30 pm, Princeton Pub & Grill. FREE EVENT.

THURSDAY, MARCH 9

PAROV STELAR Austrian electro-swing/downtempo artist. Mar 9, 7 pm, Harbour Event Centre. $55-70. JIGJAM ‘I-grass’ band melds Irish and bluegrass music. Mar 9, 8 pm, BlueShore Financial Centre for the Performing Arts. $35.

SATURDAY, MARCH 11

JOACHIM COODER Son of Ry Cooder plays Congo blues with his trio. Mar 11, 8 pm, Mel Lehan Hall at St. James. $30.

THURSDAY, MARCH 16

EXTC – FEATURING XTC’S TERRY CHAMBERS

EXTC - feat. XTC’s orginal drummer Terry Chambers Mar 16, 7 pm, Rickshaw Theatre. $26.50.

SATURDAY, MARCH 18

THE RESIDENTS Mar 18, 7 pm, Hollywood Theatre.

SUNDAY, MARCH 19

DEREK GRIPPER Guitarist melds African and classical traditions. Mar 19, 8 pm, Mel Lehan Hall at St. James. $30.

FRIDAY, MARCH 24

DEAD CAN DANCE Dark-wave/art-rock duo composed of Lisa Gerrard and Brendan Perry. Mar 24, 8 pm, Orpheum Theatre.

SUNDAY, APRIL 2

PIGS: CANADA’S PINK FLOYD – FEARLESS TOUR 2023 PINK FLOYD TRIBUTE ACT! Apr 2, 7-10 pm, Bell Performing Arts Centre. $55.

SATURDAY, APRIL 15

JILL BARBER Enchanting performer writes timeless songs Apr 15, 8 pm, York Theatre. $45.

TUESDAY, APRIL 18

FLORIAN HOEFNER TRIO Modern piano jazz trio from the East Coast. Apr 18, 8 pm, BlueShore Financial Centre for the Performing Arts. $30.

SATURDAY, APRIL 22

THEY MIGHT BE GIANTS Alt-rock band from Brooklyn. Apr 22, 8 pm, Commodore Ballroom. $35 (plus service charge).

TUESDAY, MAY 2

PLINI W/ SUNGAZER & JAKUB ZYTECKI Plini w/ Sungazer & Jakub Zytecki May 2, 6 pm, Rickshaw Theatre. $27.50 plus fee.