Louisiana Contemporary presented by The Helis Foundation 2017

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LOUIS IANA CONTEMPORARY Presented by

The Helis Foundation

2017


Louisiana Contemporary Presented by The Helis Foundation

on the cover: Rhenda Saporito, Cigars on the Beach, mixed media on canvas, 67 x 71 inches 2


letter from the director

Louisi a n a Con te m p o rar y Pre s e nt e d b y The H e l is Fo u n dat io n is a s tatewide, ju ried exhib it i o n o rga n i z ed b y th e O g d e n M u se u m of Sou thern Art. E s ta bl is hed in 2012, this a nnual e v e n t pro mo t e s c o n t e m p o rary art p ractices in the s tate of Lou is ia n a , p rovides exhib it i o n s pa c e f o r th e ex p o si t i o n o f l i v i ng a rtis ts ’ work , a n d en g a g es a con temp ora ry a ud ienc e t h at re c o g n i ze s t h e v i b rant v i su al c u l tu re of Lou is ia n a a n d the rol e of N ew Orlea ns a s a r i s i n g i nte rn at i o nal art c e n t e r. Wil lia m Pitt ma n A n d rew s Execu t iv e Dire c t o r, O g d en M u seu m of Sou the r n Art

OGDEN MUSEUM OF SOUTHERN AR T 3


Louisiana Contemporary Presented by The Helis Foundation

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Sa ra h A ma c ker

David Arme n t or

Sanctuary, 2017, mixed media, 30 x 30 inches

New Orleans Color Study 1, 2017, photography, 32 x 40 inches


Ogden Museum of Southern Art

Lui s C r u z A z a c eta DO NOT KILL HERE ANY TIME FROM 12AM TO 12PM, 2017, acrylic on canvas, 96 x 96 inches 5


Louisiana Contemporary Presented by The Helis Foundation

Bri a n B a r b ier i Alli, 2016, gelatin silver fiber based paper, 8 x 10 inches

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Ruth, 2017, gelatin silver fiber based paper, 8 x 10 inches

Paul, 2015, gelatin silver fiber based paper, 8 x 10 inches


Ogden Museum of Southern Art

Pe t e r B a r n i tz

Aron Be lka

The Wall: Good Fences Make Good Neighbors, 2017, gold leaf, mixed media, acrylic, plywood , 9 x 54 inches

George, 2017, oil on canvas, 72 x 72 inches

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Louisiana Contemporary Presented by The Helis Foundation

Th om B e n n ett

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Empt y S i g n #1 , 2 0 1 7 , insta n t ph o t o gra ph , 4 . 2 5 x 3. 5 inc h e s

E m p t y S i g n # 2 , 2017, i ns tant p h o t o g ra p h, 4. 25 x 3.5 inches

Em p t y Sig n #3 , 2017, in s ta n t p hotog ra p h, 4. 25 x 3. 5 in ches

Empt y S i g n #4 , 2 0 1 7 , insta n t ph o t o gra ph , 4 . 2 5 x 3. 5 inc h e s

E m p t y S i g n # 5 , 2017, i ns tant p h o t o g ra p h, 4. 25 x 3.5 inches

Em p t y Sig n #6 , 2017, in s ta n t p hotog ra p h, 4. 25 x 3. 5 in ches


Ogden Museum of Southern Art

M i c h ele B l ev i ns Egret, 2017, acrylic paint and gel medium on canvas, 20 x 30 inches

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Louisiana Contemporary Presented by The Helis Foundation

L i l y B ro o ks Bonnet CarrĂŠ Spillway (River Side), 2016, archiv al pigment print, 30 x 24 inch e s

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Levee, New Orleans East, 2015, archival pigment print, 24 x 30 inches


Ogden Museum of Southern Art

A nd rea B ro w n

Nesting Boxes, 2017, found objects, 48 x 48 inches

Lau rie A lan Brown e Angola Funeral: I’m Going Home, 2015, acrylic and ink on canvas, 16 x 20 inches

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Louisiana Contemporary Presented by The Helis Foundation

C+J Crescent, 2016, archival pigment print, 30 x 56 inches

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Ogden Museum of Southern Art

E l i se o Cas i a n o Neon moon, 2017, acrylic on canvas, 60 x 48 inches

White Nationalist Hulk, 2017, acrylic on canvas, 60 x 48 inches

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Louisiana Contemporary Presented by The Helis Foundation

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Ti m Ca v n ar

Aaron Collie r

Marais & Congress, 2016, oil on panel, 48 x 48 inches

A Certain Uncertainty, 2016, Flashe on canvas, shelf, owl decoy, 54 x 60 x 12 inches


Ogden Museum of Southern Art

A ni t a Co o ke

Dean Dablow

Strata (Undercurrent), 2016, canvas, acrylic paint, thread, 48 x 36 inches

Sea and Sky with Green Horizon, 2016, acrylic and graphite on wood panel, 36 x 45 inches

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Louisiana Contemporary Presented by The Helis Foundation

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M i c h elle D a s h ev

Thomas Deat on

The Tradition #3, 2017, oil on canvas, 72 x 60 inches

Sleeping Sickness, 2017, acrylic on canvas, 48 x 36 inches


Ogden Museum of Southern Art

C h a n c e D ev i lle Repression Backfires; You Can’t Hide This Anymore, 2017, archival pigment print, 18 x 24 inches

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Louisiana Contemporary Presented by The Helis Foundation

A m y Dia z Support Local Music, 2016, color giclĂŠe, 16 x 20 inches

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Friday Night at the Dew Drop, 2016, color giclĂŠe, 16 x 20 inches


Ogden Museum of Southern Art

K ri sten D o w n i ng

Michae l Eble

Baby Dolls, 2017, acrylic and paint marker on canvas, 48 x 60 inches

Coastal Landscape Right, 2017, acrylic on canvas, 36 x 48 inches

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Louisiana Contemporary Presented by The Helis Foundation

Ja m e s F l y n n Portable Monument to Harriet Tubman, American Hero, 2016, acrylic on wood panel, steel, wood bowl, dyed cloth cord, electric light, 50 x 120 x 18 inches 20


Ogden Museum of Southern Art

Da vi d G amble Not Lolita, 2017, archival print from ink on paper, 40 x 30 inches

Welcome to Amerussca, 2017, archival print, 40 x 30 inches

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Louisiana Contemporary Presented by The Helis Foundation

M i t c h ell G au det Ecstasy, 2016, cast glass, found statue, steel, 96 x 60 x 36 inches

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2015 Murder Rate, 2015, steel, cast glass, toy gun, 84 x 48 inches


Ogden Museum of Southern Art

M a j a G e o rg io u Julian and Avery in the Forest. Avery Island. 2017, 2017, archival pigment print on fine art paper, 50 x 40 inches

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Louisiana Contemporary Presented by The Helis Foundation

Sp e n c e r G rego r y Color in the Lines #5, 2017, Epson UltraChrome K3 ink, 18 x 12 inches

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Color in the Lines #6, 2017, Epson UltraChrome K3 ink, 18 x 12 inches

Color in the Lines #7, 2017, Epson UltraChrome K3 ink, 18 x 12 inches


Ogden Museum of Southern Art

L . Ka s imu Ha r ris A Blackness Continuum (Henry Glover), 2016, digital photography, 24 x 36 inches

A Blackness Continuum (Jimmie Lee Jackson), 2016, digital photography, 24 x 36 inches

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Louisiana Contemporary Presented by The Helis Foundation

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Ja m e s H en der so n

An a He rn an de z

She Had A Plan, 2017, mixed media on canvas, 36 x 36 inches

The Barnett, 2017, acrylic, latex, gouache, charcoal, nails on wood panel, 14 x 14 x 2.5 inches


Ogden Museum of Southern Art

M i ro H o ff ma n

St e phan Hoffpau ir

Crisp Farms Satellite, 9th Ward New Orleans, 2016, acrylic on panel, 36 x 60 inches

Rainbow, 2016, watercolor on paper, 31.5 x 43.5 inches

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Louisiana Contemporary Presented by The Helis Foundation

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Pe t e r H o r ju s

St e phe n Hos kin s

GW, A Series of Men #5, 2017, cotton blend used mens’ shirts, cotton fabric, cotton cloth, cotton batting, cotton thread, 80 x 75 inches

Mother I, 2017, gouache and colored pencil on paper, 29 x 21.5 inches


Ogden Museum of Southern Art

De b ra Ho w e ll

Rob Hu dak

Descriptio, 2017, lightjet print mounted on sintra and mattelaminated, 36 x 36 inches

Professor Longhair at Piano, 2016, ink on paper, 59 x 43 inches

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Louisiana Contemporary Presented by The Helis Foundation

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Susan I re la n d

Ru s h Jagoe

Suburban Homes, 2016, enamels, thread and found photos on reproduced poster, 23 x 26 inches

Warren Delacroix Sr. , 2017, archival giclee, 20 x 13.5 inches


Ogden Museum of Southern Art

Ja so n Ker z i n s ki

Kris t in a Kn ipe

Mary, 2017, 35mm photograph, 8.5 x 11 inches

Backyard Tableau, 2016, archival inkjet print, 36 x 44 inches

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Louisiana Contemporary Presented by The Helis Foundation

Th e res e K n o w les Message in the Bottle, 2017, clay and found objects, 12 x 12 x 16 inches

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Hope, 2017, clay, 10 x 10 x 14 inches


Ogden Museum of Southern Art

D. L a mmie- Ha nso n

C raig Le Blan c

Portrait of His Beautiful Blackness, 2017, silverpoint on charcoal-covered paper, 27.5 x 19. 5 inches

Shades of Red, 2015, oil on canvas, 36 x 36 inches

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Louisiana Contemporary Presented by The Helis Foundation

Log a n Ledf o rd ‘Do Whatcha Wanna’ #1, 2017, acrylic paint on cotton stretched canvas, 36 x 36 inches 34


Ogden Museum of Southern Art

Ro b y n LeRo y - Eva ns I will go to the places that scare me (red woman no. 1), 2016, archival pigment print, 12 x 18 inches

I will go to the places that scare me (red woman no. 2), 2016, archival pigment print, 12 x 18 inches

I will go to the places that scare me (red woman no. 3), 2016, archival pigment print, 12 x 18 inches

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Louisiana Contemporary Presented by The Helis Foundation

C h a r l es Lo v e ll Lee Watches Zulu II, 2017, archival pigment print, 20 x 24 inches

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Jon at han "Fe ral Opos s u m" Maye rs La Chousse verte sur la bordure du bayou des Acadiens, 2017, Acrylic and Bayou des Acadiens sediment on panel, 29.75 x 41.75 inches


Ogden Museum of Southern Art

Re b e c c a M c G ir ney

Kat ie McMu llin

God Hates Flags, 2017, archival pigment print, 14 x 11 inches

Pan and Almond Tree, 2017, oil on canvas, 66 x 36 inches

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Louisiana Contemporary Presented by The Helis Foundation

K ri stin M e y e r s Bone Shepard, 2017, mixed media, 25 x 22 x 13 inches 38


Ogden Museum of Southern Art

Ti -Ro c k M o o re Vile, 2016, neon, 48 x 30 inches

Cracka Please, 2015, mixed media, 72 x 36 x 36 inches

'Merica, 2016, mixed media, 72 x 36 x 36 inches

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Louisiana Contemporary Presented by The Helis Foundation

Sa ra h N els o n Two Lo ts Le ft, 2 0 1 6, o i l o n w o o d p ane l , 2 4 x 48 in ches

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Ogden Museum of Southern Art

Da l e N ew k ir k

Je s s ica Normin gt on

Trump2, 2017, pigmented ink and spray paint on canvas mounted on panel, 33 x 40 inches

Angelic Slough, 2015, woodcut, frottage, graphite, charcoal, Acrylic on rice paper, 87 x 72 inches

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Louisiana Contemporary Presented by The Helis Foundation

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Ka re n O c ke r

C hris Pavlik

Read, 2016, oil on plywood, 9.5 x 9.5 inches, on loan from the private collection of Jennifer Turner

On the Path Beyond My Old House, 2017, acrylic on YUPO synthetic paper, 60 x 40 inches


Ogden Museum of Southern Art

Tre n t Pe c h o n

Carol Pe e ble s

Double Standard s, 2017, broom, newspaper, and mixed media, 62.5 x 31 x 4.5 inches

Phil Sandusky, 2017, pastel on paper, 24 x 20 inches

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Louisiana Contemporary Presented by The Helis Foundation

M a ri n a Reed Longue Vue Gardens, 2016, watercolor on paper, 14 x 11 inches 44


Ogden Museum of Southern Art

De vi n Rey n o lds

Jacqu e lin e Roche

The Mega Blow Out, All Sales Final, Liquidation, 2015, acrylic and spray paint on wood and metal, 98 x 180 inches

(Pete’s) Routine, 2017, oil on canvas, 48 x 36 inches

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Louisiana Contemporary Presented by The Helis Foundation

He rb Ro e Allons aller chez nos voisins, 2017, oil on canvas, 24 x 18 inches

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Lourd est la tete, 2017, oil on canvas, 36 x 36 inches


Ogden Museum of Southern Art

N at a s h a S a n c h ez Cypress Branch, Ancient Algiers, 2016, RC photo paper, cypress branch, the sun, 11 x 14 inches

Cypress Knees & Stars, Ancient Algiers, 2016, RC photo paper, cypress wood and leaves, metallic stars, the sun, 5 x 7 inches

Cypress Tree, Ancient Algiers, 2016, RC photo paper, cypress wood and leaves, the sun, 5 x 7 inches

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Louisiana Contemporary Presented by The Helis Foundation

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Ro b e rt S an to p a dre

Rhe n da S aporit o

Reflection Parlor at Preservation Hall, 2017, oil on canvas, 30 x 48 inches

Cigars on the Beach, 2017, mixed media on canvas, 67 x 71 inches


Ogden Museum of Southern Art

Rya n S art i n

C hris t ophe r S au ce do

PALMETTOS AND ANCESTORS, 2017, acrylic and palm ash on canvas and upholstory, 72 x 49 inches

Water Bottle Buoy, 2016, polystyrene, rope, steel, stone and wood, dimensions variable

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Louisiana Contemporary Presented by The Helis Foundation

G ra n t S c h exn ider Gin & Tonic, 2017, oil on canvas, 36 x 36 inches

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The Sazerac Sazerac, 2017, oil on canvas, 36 x 36 inches


Ogden Museum of Southern Art

Vi t us S h ell

Jos e ph S h ore s

Targeted, 2016, acrylic, collage, and foamcut print on canvas, 72 x 68 inches

Rodrigue's One and Only Blue Cat, 2017, acrylic on panel, 40 x 30 inches

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Louisiana Contemporary Presented by The Helis Foundation

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J ul i e S ilv e r s

Abigail S mit hs on

Bette, 2017, ceramic and mixed media, 12 x 6 inches

Records of Hope and Loss, 2017, basketball nets and thread, 96 x 144 inches


Ogden Museum of Southern Art

Ba rry S o n s

Brian St Cyr

Bond to a Memory, 2017, oil, charcoal, oil pastel, graphite on canvas, 40 x 30 inches

The Banality of Evil, 2017, plexiglass, paint, wood, custom bottle, 40 x 40 inches

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Louisiana Contemporary Presented by The Helis Foundation

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J e ss i c a Strah a n

An dre w Mich ae l St u bbs

Blow Pop, 2017, acrylic on wood, 48 x 36 inches

National Television, 2017, mixed media, 48 x 54 x 36 inches


Ogden Museum of Southern Art

M e l i s s a Ta y l o r Fireflies on the River, 2017, acrylic on canvas, 20 x 20 inches

Crawfish Boil at Mals, 2017, acrylic and newspaper on canvas, 20 x 20 inches

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Louisiana Contemporary Presented by The Helis Foundation

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Ol i vi er Th e lin

Jos e Torre s -Tama

L’Adorazione Dei Coacci, 2017, acrylic on panel, 51 x 32 inches

No Papers! No Fear!, 2015, pastels on arches paper with conte chalks, steel plates and magnet letters, 44 x 34 inches


Ogden Museum of Southern Art

M i g u e l Viter i Addenda (Portrait of Maria Asteria), 2017, oil on canvas, oil on paper, oil on panel board, 32 x 42 inches, 15 x 15 inches, 30 x 1 5 inches

Summertime , 2015, oil on canvas, 60 x 48 inches

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Vi nc en te We ber

J. Carolin e You n gblood

Sunset, 2017, 35mm photograph on photo paper and acetate paper, 16 x 20 inches

Carrie Jo Eating Fried Chicken in Group Seated in front of Cotton Field, 2016, handwritten letter, charcoal, and oil on canvas, 40 x 48 inches


Lub a Zy ga rew icz Nesting Flight (A Thousand Wishes), 2017, emptied tea bags, pins, ink, paper with hand written wishes, 144 x 58 inches 59


about the juror Shantrelle P. Lewis

A native of New Orleans, Shantrelle P. Lewis is a 2014 United Nations Programme for People of African Descent Fellow and 2012-13 Andy Warhol Curatorial Fellow. She is a U.S. based curator and researcher who travels internationally researching Diasporic aesthetics, spirituality and the survival and nuances of Transnational African Diasporan communities. Her traveling curatorial initiative The Dandy Lion Project, examines Global Black Dandyism through photography and film. Other exhibitions and projects, including Sex Crimes Against Black Girls, Dirty Sensibilities: A 21st Century Exploration of the New American Black South, Life After Death: A Multi-Media Analysis of the Persona That Is/Was Fela Anikulapo-Kuti and Standing With Papa Legba: Vodou at the Crossroads, have been on view in institutions throughout the U.S. and Europe. She served as co-curator for the 2016 Brighton Photo Biennial (UK) and independently curated exhibitions for the Museum of Contemporary Photography (Chicago); Lowe Art Museum (Miami); Museum of Contemporary Diasporan Arts (Brooklyn); Museum of the African Diaspora (San Francisco); and Silver Eye Center for Photography and Film (Pittsburgh). Her career in arts administration began at the African American Museum in Philadelphia, and she later served as Director and Curator for the McKenna Museum (New Orleans) and the Director of Exhibitions and Public Programming at the Caribbean Cultural Center African Diaspora Institute (New York). She has worked with over a hundred contemporary artists globally including Amy Sherald, Fahamu Pecou, Radcliffe Roye, Xenobia Bailey, Russell K. Frederick, Allison Janae Hamilton, Firelei Baez, Adrian Viajero Roman, Hebru Brantley, Charl Landvreugd, Elizabeth Colomba, Terence Nance, Numa Perrier, Alexis Peskine, Laylah Amatullah Barrayn, Marilyn Nance and Adama Delphine Fawundu. Additionally, Lewis was awarded residencies at Open Ateliers Zuidoost (Netherlands) and Ateliers ’89 (Aruba). She was the guest editor for HYCIDE: The Art Issue and has written for Slate, NKA: Journal for Contemporary African Art, Art Papers, Prospect.3, AFROPUNK and How We Get To Next. Her work has been featured in The New York Times, The Washington Post, NPR, BBC, New York Magazine, The Art Newspaper, Art Net and Huffingtonpost. Since 2011, Shantrelle has been immersed in researching ties between the Dutch Caribbean and the African Diaspora at-large. Currently, she is directing and producing, The Black Dutchman, a documentary about the Dutch blackface tradition, Zwarte Piet, and Black identity in the Netherlands, for which she received a 2015 Kindle Project Award. An excerpt of the film was included in ReSignifications exhibition curated by Awam Amkpa in Florence, Italy in collaboration with Black Portraiture[s]. Lewis was recently named co-curator of the 2017 international Read My World Festival (Amsterdam) and recently published her first title, Dandy Lion: The Black Dandy and Street Style.

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in appreciation

The Ogden Museum of Southern Art is grateful to these supporters for making Louisiana Contemporary Presented by The Helis Foundation possible*: Presenting Sponsor: The Helis Foundation

Supporting Sponsor: Regions Bank Host Committee: Vivian and Richard Cahn Dale R. Fleishmann Shirley R. Masinter in memory of David F. Bradley Roger H. Ogden and Kenneth Barnes Peter Politzer and Jane Murray

*List as of July 20, 2017 61


OGDEN MUSEUM OF SOUTHERN ART


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