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NOVEMBER 2012
THE
INSIDE NEWS Hurricane Sandy p. 2 FEATURE Ms. Martin’s US History I Honors Class p. 4 Seniors’ Sprit Week Success! p. 5 OPINION Christie Conditionally vetoes Good Samaritan Emergency Act p. 7 A&E Red Album Review p. 8 SPORTS The Mind of a Coach p. 10 Player Profiles p. 11
A Victim of Hurricane Sandy: One of the Adelaide apartments received an unwelcome surprise on the morning after the storm. (continued on p. 2)
Don’t Mess with the Top Hat Charlotte Finegold
History has always been one of my favorite subjects, so to me, the prospect of seeing a film devoted to the struggle to pass the 13th amendment seemed like an awesome way to spend the Thanksgiving weekend. However, Stephen Spielberg’s look at our most respected president is not just for history buffs. Lincoln, despite its opening scene depicting a particularly gross battle between the Union and Confederate soldiers, is no action movie. The story focuses on debate, not muskets and cannons. The movie, based in part on Doris Kearns Goodwin’s book, Team of Rivals, focuses on the last year of the Civil War. President Abraham Lincoln has given the Gettysburg Address and Emancipation Proclamation, and is trying desperately to pass an amendment which would abolish slavery. The film, like Lincoln’s life and presidency, is filled with one moral conflict after another. Lincoln spends most of the film wondering: whether passing the 13th amendment in order to end the war is purely a political move; whether he should accept the South’s arrogant offers of peace in order to stop the bloodshed; whether he would be a hypocrite by refusing to allow his son, Robert (played by Joseph Gordon-Levitt) to join the Union Army. The film is not simplified for the audience: one must follow intricate dialogue and speeches to understand Lincoln’s, and other politicians’ reasoning and arguments. It causes the audience to think themselves, and for a whopping 150 minutes. The acting of Lincoln was the best of the year. Daniel Day-Lewis spent an entire year method-acting Abraham Lin-
coln, and the time was evidently well spent. Every step, every look, every word (high-pitched and squeaky) was Lincoln. I frequently forgot that I was watching acting at all – it seemed so real. Day-Lewis conveyed Lincoln’s serious, plodding, and incredibly burdened existence, which the president attempted to lighten with stories and quotes from his favorite authors. Sally Field (Forrest Gump, Mrs. Doubtfire) put her all into Mary Todd Lincoln, displaying the first lady’s mental instability, her unabashed nature, her grief at the death of two sons, and her shame at making her husband’s life more difficult. The string of politicians elucidated the turbulent political atmosphere and racism of the Civil War. Tommy Lee Jones (Men In Black, No Country for Old Men) was an excellent Thaddeus Stevens, conveying the veteran politician’s impatience at the stupidity of younger congressmen and the retrogressive nature of Congress. The ever-magnificent David Strathairn (Good Night, and Good Luck, the Bourne trilogy) captured Secretary of State William Seward’s growing loyalty to and frustration with the president. As for the directing, Mr. Spielberg applied his staples – a dramatic soundtrack, intricate effects and costumes – to a new project with fantastic results. Lincoln can teach the modern teen about the extraordinary intelligence and bravery of President Lincoln and his support staff, and about political gridlock and efficacy. No doubt it will hang around in theatres for a while.
OCTOBER 2012, THE HIGHLAND FLING