The Human Issue - June 2022

VOLUME V I

LINUX FOR

THE HUMAN ISSUE THEHOUSE-MAGAZINE.COM

|

THE HUMAN ISSUE

|

VOLUME VI

1

THE HOUSE OF PEREZ WEDDINGS

2

THEHOUSE-MAGAZINE.COM

|

THE HUMAN ISSUE

|

VOLUME VI

COMING SOON The latest place for luxury wedding inspiration. Follow along for the latest trends in wedding fashion, design, beauty, and tips and tricks from the best in the industry.

Photography by Jana Schuessler | @janaschuessler | www.janaschuessler.com

THEHOUSE-MAGAZINE.COM

|

THE HUMAN ISSUE

|

VOLUME VI

3

W W W. C H E R E S H N I V S K A . C O M

4

THEHOUSE-MAGAZINE.COM

|

THE HUMAN ISSUE

|

VOLUME VI

CONTENTS The Human Issue

C O V E R S H O OT F E AT U R I N G C L AY. P H OTO G R A P H Y B Y J A N A S C H U E S S L E R .

6 Editor’s Letter

FASHION 8 Men's Handbags A round up from our own Frankie Sanderson

10 On Our Radar Queer Brands Pushing the Boundaries of Fashion

12 Honoring Icons The Ones We Love From the Queer Community

ART

40 On the Cover: Linux New York's It Girl

18 Lee Joo Won Meet this talented abstract artist from South Korea

28 Diversifying Art with Shei Phan

FEATURES

52 On the Cover: CLAY Breathing Into Bloom: The Heart of Healing

64 Meet Italian Actress Gea Dall'orto

72 Last Look

32

75

Erwin Gomez Reinventing the Wheel

Final Notes

34 Jacey Duprie Authenticity in the Digital World

THEHOUSE-MAGAZINE.COM

|

THE HUMAN ISSUE

|

VOLUME VI

5

P H OTO C R E D I T S F R O M TO P TO B OT TO M : VA L E R I E B U R K E , J A N A S C H U E S S L E R , K I M S I W O O.

Letter from the Editor

For All IN OUR INAUGURAL ISSUE, MY EDITOR'S LETTER explained where the passion and drive came from that guided myself, and our team, to start this journey. It came from a desire for togetherness and unity. After experiencing so much as a nation and a globe over the past few years, we wanted to create something that brought people together - from all walks of life.

We see it as our duty and our job as fellow creators to develop a space for all, where anyone from any background can have a voice to share their story. At The House, we get very excited about the platform we have developed and its ability to shine a light on the undiscovered, under-represented and the success stories that inspire us all.

For The Human issue, we are proud to bring you an amazing group of people within these pages. Don't miss our cover story on New York's it girl - Linux. Her story overcomes the impossible and inspires us to keep our heads high and focused on our dreams. Also

6

THEHOUSE-MAGAZINE.COM

|

THE HUMAN ISSUE

|

VOLUME VI

sharing the cover spotlight is queer, bi-racial musician, CLAY. After the interview we haven't stopped listening to her captivated tracks, and our team on set for the cover shoot felt honored to meet such a beautiful human.

Finally, we encourage you to visit our website for an extension of this issue. There were so many amazing stories and articles that came through that we couldn't fit into the print edition. That said, keep an eye on our site as we are continually adding stories there you may not catch in print, no matter the theme of our upcoming issues.

Everyone at The House wishes you an amazing start to your summer. And, as always, we can't wait to show you what's next.

Editor in Chief KACEY PEREZ Creative Director at Large NATALIE STEGER Operations Director + Features Editor JENNIFER STRIEGEL Visual Directors JANA SCHUESSLER FILBERT KUNG Beauty Director FRANKIE SANDERSON Social Media Manager CLAIRE GRISOLANO Copywriter JAMES WARD Contributing Writers CONNOR DUSZYNSKI, AIDA M. TORO, BOBBY MULLIGAN, LAYLA REIMERS, HANNAH MCKINNEY

THEHOUSE-MAGAZINE.COM

|

THE HUMAN ISSUE

|

VOLUME VI

7

Who's on Your Shoulder "It" Bags for Men W R I T T E N B Y: F R A N K I E S A N D E R S O N P H OTO G R A P H Y: CO U R T E S Y O F B R A N D S

WHO SAID HANDBAGS ARE FOR WOMEN? What century are we living in? Why can't we get in on all the shoulder bling too?

Since the beginning of time I've always loved looking at designer handbags. The materials, the hardware, smart design, and experiencing the way they work were always such a treat for me., especially luxury bags.

You can tell the difference by touch, feel, fabric, hardware., stitching, the mechanics. How does the zipper look, feel? How does it glide close?close. The buttons? How do they snap? Are they reinforced? Is it a magnetic closure? Does the magnet work every time like a true fit? There are so many reasons I love luxury bags besides their high brow design.

In the 90's I carried a backpack everywhere because that was our version of a purse. It was not entirely acceptable to carry a purse then. Even though the 90's were a multiverse of cultures colliding and creating new and subcultures it was still not easy being 'different.' I would have been buried alive back then and my tombstone would've been that very handbag that landed me in my new residence.

The next phase of the men's handbag was the messenger bag. By this time everyone got use to seeing and using normal backpacks as an

8

THEHOUSE-MAGAZINE.COM

|

acceptable way of schlepping their personal items around the messenger bag that answered the needs of men in the most masculine way possible.

Wow! Were there many messenger styles. It was overwhelming! From there bags for men just catapulted into various shapes and styles, but these new bags never really quite made it all the way in terms of high style, streetwear, etc…. These bags left much to the imagination because they weren't stylized quite enough.

Fabrics used would be nylon, leather, canvas and the hardware was used in a more utilitarian style. These designs were fine but not really a true handbag. The style was missing from the design. Although better options than the canvas backpack, still much to be desired and admired. These mini evolutions took place over two decades which seems like a lifetime.

Nowadays fashion adaptations race down the runway in mere seconds!

I, myself, have always been into fashion.

Every last aspect of it. I recognized the power of transformation in third grade. I recognized everyone wanted to be your friend when you looked a specific way. Their perception of you was

THE HUMAN ISSUE

|

VOLUME VI

maybe even more powerful than the one you had of yourself. The most important lesson was just how powerful it made me feel. The confidence I had was unparalleled. I have always collected clothing, accessories and shoes but not as many bags. I wasn't in love with the styles as they didn't have much 'fashion' injected into their design until recently. Over the last few years I've been buying designer bags left and right. My most recent purchase was a Bottega Veneta bag I'd been eyeing. It's called the Padded Cassette bag that has a zippered bag inside. Bottega is a an Italian house that began in 1966. They don't believe in the splattered designer logo over everything. You'll know it when you see it as they are known for there Intreciatto weave. It's used on shoes, bags, belts and various leather goods and clothing. Bottega is the type of design house "if you know, you know"!

This bag is about $1800 and I'm currently loving it. The day after I purchased it from Tyson's II Bottega I was in Whole Foods and saw another guy carrying a smaller "murse" and made me feel even confident in my purchase. I don't need validation to wear or carry a look but it felt good to have. Times have changed, for sure.

Another luxury purchase for me was the DIOR Saddle bag. This bag has rich dark black pebbled leather and goes around the head and shoulder, crossbody. This famous bag is a rework from the original DIOR Saddle Bag from the aughts. This bag is fantastic! It is just big enough to carry everything comfortably. It goes with almost any look and is high quality. It shows in the construction, the hardware and functionality of the bag. This bag retails for about $3400.

I have my eye on the Spring/Summer 2022 DIOR Saddle with gold chains instead of the safety belt strap. It's a bit more glam, this one. Hopefully I will score this from my partner for my birthday this year. (Someone please send him this article)! DIOR has also created these tiny saddle bags with gold chains to be worn as necklaces or just the tiny shoulder bag. DIOR has always been and will always be a fan favorite because their house knows how to hand-pick their designers but I would have to say after Galliano my other absolute favorite is Kim Jones.

His mind goes to all corners of the universe and I just love him!

A waist bag from YSL is a sleek, modern-looking bag that carries the essentials without being fussy. It’s NY black, gold or silver YSL hardware, and goes with everything. This is a chic and simple waist bag anyone could use in their bag collection. To me, it’s about hitting all the looks when it comes to clothing, shoes, hats, accessories. You’ll always be prepared to complete your looks from head to shoulders, then toes! This bag retails for $1090.

These aforementioned bags are just a few bags out of my many in my ever-growing collection. They all have one thing in common, innovation. Everything about them is forward thinking. I do not see these bags as feminine or women's fashion, baubles etc. I see them as a fashionable and utilitarian purpose that puts the cherry on top of the desertdessert. The dessert being the outfit.

Guys! If you've ever wanted to have your own stylish utilitarian accessory to compliment your 'fit, now is the time! Throw that designer bag over your shoulder and strut. No one would think the worst. In fact, you may just inspire someone to share their inner handbag obsession with the world. These statement bags were not meant to be suppressed.

They're meant to be shared with the world and the world is your oyster!

THEHOUSE-MAGAZINE.COM

|

THE HUMAN ISSUE

|

VOLUME VI

9

On Our Radar:

Queer Brands Pushing the Boundaries of Fashion W R I T T E N B Y: CO N N O R D U S Z Y N S K I P H OTO G R A P H Y: CO U R T E S Y O F B R A N D S

FROM GIANNI VERSACE TO ZAC POSEN, queer designers have always been at the forefront of fashion, sharing their visions and creativity with the world.

While there is still a long way to go to make the industry fully inclusive, there are a number of up-and-coming designers we have on our radar. They are quickly establishing their brands as trendsetting and boundary-pushing, and many have already broken through to a mainstream audience.

Whether it’s Kim Kardashian and Rihanna wearing the creations of Ludovic de Saint Sernin, or Patrick Church’s well-received collaboration with queer icon Amanda Lepore, a number of queer brands are garnering recognition from A-list celebrities and stylists alike. The brands below are ones that we anticipate to continue growing over the next few years, in part due to their ability to share their work via social media and capitalize off of their significant followings. Their work will further propel queer voices to the center of discussions around fashion.

Ludovic de Saint Sernin

Recognizing a need to “return to beauty,” Ludovic de Saint Sernin, Creative Director and Founder of his eponymous brand, perfectly-timed the debut of his Spring-Summer 2018 collection during a time when everything else in fashion seems to be mass-produced. Straying from the norm, Saint Sernin recognizes the importance of creating pieces that feel and look special, custom, and sensual. Saint Sernin founded the label in 2017, after two years as an embellishment expert at Balmain.

The Paris-based designer creates pieces for both men and women, without any specific gender in mind. The beauty of Ludovic de Saint Sernin, or LdSS, is that people of all genders can feel equally sexy and beautiful in their creations. Despite only debuting their initial collection a few short years ago, the brand has already been featured at both the Men’s and Women’s Paris Fashion Weeks, most recently at the Fall-Winter 2022 show last March, which featured runway “it girls” Bella and Gigi Hadid. While LdSS is well known for creating luxury underwear for men, the label continues to branch out with ready-to-wear pieces of jewelry, accessories, and swimwear, as well as made-to-order custom pieces. Saint Sernin’s “Crystal Mesh Lace-

10

THEHOUSE-MAGAZINE.COM

|

THE HUMAN ISSUE

|

VOLUME VI

Up Top” and “Golden Shadow Crystal Mesh Lace-Up Dress” were standouts of the runway in Paris.

While I hate comparing labels – especially as Ludovic de Saint Sernin is certainly a standalone success – their craftsmanship and attention to detail is most comparable to that of Dior. From the choices in materials, textiles, textures, patterns, and accessorizing of the pieces, LdSS is made to last. What is perhaps most notable about the label is their close relationship with their ateliers, who state: “The majority of the clothes and accessories are made in France, and sustainable practices are always closely followed, consciously shortening the supply chain and maintaining a close relationship with all ateliers.”

The playfulness of the brand, which regularly features ready-towear leather, lace-up accents, and cropped tanks further elevates its sex appeal. In this way, LdSS redefines masculinity through fashion, playing a careful game of hide-and-seek with precisely placed cutouts, sheer fabrics, and distressed ensembles. This balancing act oozes sensuality. However, all this being said, the brand isn’t “in your face” at all. It’s effortless, relaxed, and sensible in its sexiness. It isn’t trying to be what it’s not. I can only say that as I wait to see what comes next

from LdSS, whether it’s on my Instagram feed or stomping down the runway of Paris Fashion Week, I’ll be waiting with anticipation.

Patrick Church

Gay. Like, super gay in the best way. That’s perhaps the first thought that comes to mind when I think of designer Patrick Church and his brand. Frankly, amongst a fashion landscape that is overdone and hyper-saturated with the same kinds of looks, patterns, and designs, Patrick Church is a breath of fresh air. His work is instantly recognizable and distinctly original. It’s his own creation and his alone. Patrick Church is not only a

designer, but an artist. His artistic ability is evident through his designs, which feature his original drawings, paintings, and motifs plastered across his collections. At present, Church is perhaps best-known for his “All Over You” and “Get In Line” motifs, which are reminiscent of the kind of graphic, pop art works of Andy Warhol and Leigh Bowery. Given his additional work in home decor, fine art, and the Patrick Church Studio, it’s clear that Church’s intention is to create walking, living art through his fashions.

This is what the fashion landscape has been missing. Church has rejected the “overdone” and the “toned-down,” opting for bold colors, bold patterns, and an even bolder message. “He [Patrick Church] paints from a personal point of view. Blurring the boundaries between art and fashion, juxtaposing vulnerability with fearlessness; reflective of Patrick’s own character,” the label claims. Church’s approach to fashion and the subject matter he conveys has resonated with a legion of loyal queer customers. Worn by the likes of Tom Daley, Kehlani, and Megan Thee Stallion, Church’s refreshing take on fashion – from sequined pajama sets to backless mesh dresses – can’t be missed and won’t be ignored.

Charles de Vilmorin

Abstract and avant-garde, Charles de Vilmorin burst onto the scene in April of 2020 in style. Shortly after an unknown buyer purchased all of his first pop-colored coats, Charles was able to fund his very first collection, which featured exaggerated silhouettes like

puffy jackets and flowing garments that moved beautifully – all at the age of 23. The purchase was perfectly timed, as Charles had been struggling as a creative trying to find an internship that would set him on a fashion trajectory. Pairing the pieces of his fall collection with neon body and face paint, the presentation of his first collection was colorful, yet the subject matter was macabre; the presentation was like a Baroque painting come to life. Charles artfully accessorized the collection with matching skeletons draped on the fronts of many of the models. Citing fashion inspirations like Dracula, Cruella de Vil, and Edward Scissorhands, it’s clear to see how Charles has always been influenced by the dark, dramatic, and high-fashion aesthetics of some of our favorite fictional characters.

A few short months after the success of his first collection, Charles was named the head of Rochas, which he admits has taken precedence over the development of his own brand. However, despite his preoccupation with the success of Rochas, there’s not a doubt in my mind that we’ll be seeing more from Charles in the near future. He’s already established himself as a fashion prodigy. Given his drive and unfettered artistic genius, I anticipate Charles will continue to develop his own brand and unique voice through his work. If there’s one thing fashion lovers, particularly those of whom are queer youth, should take from Charles and his story, it’s to pursue your passions tirelessly. Pour everything into your vision.

Salt Murphy

Free-spirited and inspired by the coastal lifestyle, Salt Murphy transports its wearers to a heavenly getaway. Founded and based in Melbourne, Australia, it’s no surprise the designs of their first collection were reflective of the region’s beauty, utilizing neutral tones and natural fabrics. Creative Director Mark Kenny founded Salt Murphy in 2020 with the intention to convey feeling through his clothes to enhance the day-to-day lives of his customers. Spurred by the global uncertainty at the height of the COVID-19 pandemic, Mark initially launched the brand to share his vision, which was aimed at conveying “a sense of freedom and light which was a reflection of what we craved amongst the chaos.” While Mark’s latest collection has taken a different direction, utilizing more blacks and vibrant pops of color, the attention to detail and high quality of his garments has remained constant. From frayed skirts and distressed dresses to lace-up sheer shirts, Mark considers how his pieces make his wearers feel.

In addition to the pops of color, Mark also unveiled his first women’s range during the launch of his “High Summer” collection on May 23rd. If this is any indication, fans of the brand should expect Salt Murphy to continue its growth, expanding its ready-to-wear pieces.

I’d especially love to see swimwear and made-to-order, custom pieces moving forward. There’s certainly a market for Salt Murphy swimwear, as it seems like a natural fit for the label’s relaxed, sensual vibe. Similarly to the trajectory of Ludovic de Saint Sernin, it’s only a matter of time before we see celebrities and their stylists flock to Salt Murphy. Bretman Rock, ever the trendsetter, has already been styled and photographed in a Salt Murphy ensemble for his Urban Decay Cosmetics collaboration. It won’t be long now until other celebrities follow suit.

THEHOUSE-MAGAZINE.COM

|

THE HUMAN ISSUE

|

VOLUME VI

11

Honoring Icons:

The Ones We Love From he Queer Community W R I T T E N B Y: CO N N O R D U S Z Y N S K I

THE WORD “ICONIC” IS THROWN AROUND A LOT NOWADAYS. Too much if you ask me.

While mainstream media and contemporary culture has appropriated the designation from queer culture (specifically from the Ballroom scene) to simply describe something or someone in a positive light, our team at The House takes the title more seriously.

This year, in honor of Pride Month, we want to recognize some of our contemporary public figures who have made undeniable positive impacts on the LGBTQIA+ community at-large through their works in activism, charity, and throughout their time-tested careers. While there are countless queer icons that have come before, including the likes of Marsha P. Johnson, Harvey Milk, David Bowie, and Freddie Mercury, we want to celebrate the icons who are still making strides to promote equality, love, and goodwill within the community today. Who are these icons? See our list below to learn more about the top five queer icons we love, in honor of Pride Month 2022!

RuPaul

Everybody say love! Kicking off our list of the Queer Icons We Love is none other than the legendary RuPaul. With a successful career spanning over three decades, RuPaul’s impact on contemporary

12

THEHOUSE-MAGAZINE.COM

|

THE HUMAN ISSUE

|

VOLUME VI

pop culture is undeniable. Bursting onto the scene in the early nineties, RuPaul first garnered recognition within the New York club scene as a gender-bending performer. From first appearing as

an extra in The B-52’s “Love Shack” music video in 1989, to becoming the most awarded person of color by the Emmys just last year, RuPaul has literally done it all throughout the course of his career. RuPaul’s renowned television show RuPaul’s Drag Race has now tallied a total of 48 Emmy nominations over the years, winning half of those awards. With countless spin-offs, an ever-growing number of foreign franchises, and a larger fanbase than ever before, there’s no sign of slowing down for RuPaul and the VH1 team. The show has catapulted a number of the contestants to stardom as well, including the likes of Trixie

P O R T E R G I F F O R D, E LY S B E R R OT E R E N , N I C O K A R T E L , S AVA G E X P H OTO C R E D I T S F R O M L E F T TO R I G H T: TO M H I L L ,

Mattel, Bianca Del Rio, and Bob the Drag Queen. Many of these contestants have taken notes from RuPaul’s career, branching out into the film, fashion, music, and beauty industries. As a result, it’s hard to deny that RuPaul has quite literally, single-handedly built an industry of drag performers, further launching queer talents and artistry into the spotlight of mainstream pop culture.

Due to the success of the show, RuPaul is often credited with revolutionizing how the queer community is portrayed in television and media. Thanks to the doors RuPaul opened throughout his own career, today’s entertainers are benefitting from greater exposure and access to these professional opportunities. With a successful music and film

career of his own, RuPaul hosted his first talk show on VH1 in 1996 called The RuPaul Show, which featured a number of celebrity guests, including his longtime friend and personal inspiration, Diana Ross. To this day, RuPaul continues to rack up countless awards for his work in film and television.

He has released fourteen studio albums, hosts a podcast with fellow RuPaul’s Drag Race judge Michelle Visage, and actively supports voter registration by promoting the message on his show. Thanks to RuPaul’s collaboration with MAC Cosmetics, their fund has raised over $400 million for AIDS epidemic awareness, an issue that has

disproportionately ravaged the gay community. The positive impacts of RuPaul and his career on the queer community are endless. While our brief summary can’t even begin to describe the positive impacts of RuPaul’s extensive career, it’s clear that the world is a more tolerant and loving place because of him and the work he’s done to amplify queer voices and representation in contemporary media. If you can’t love yourself, how in the hell are you gonna love somebody else? Can I get an “Amen?”

Amanda Lepore

Looking good kept me out of trouble. Muse, model, and fashion maven, Amanda Lepore knows no bounds. A transgender trailblazer, Amanda first gained recognition within the Club Kid scene of New York in the early nineties. Establishing herself as a nightlife figure, Amanda quickly caught the eye of renowned photographer David LaChapelle, best known for his “pop surrealist” style. Their instantly recognizable photos have been displayed in countless galleries and exhibits around the world, with Amanda frequently serving as David’s model. Surrounding herself with champagne, sequins, and all-things-glamorous, Amanda is a queer icon for simply being Amanda. Living proof that life is too short not to be one’s most authentic self, Amanda presents herself as a Marilyn Monroe-like doll because it's the skin she feels most comfortable in. If there’s one thing queer youth should learn from Amanda, it’s to be unapologetic.

An advocate for transgender rights and social acceptance of body modification, as well as a promoter of various NYC queer clubs, events, and parties, Amanda is undoubtedly a queer icon. In living by example, Amanda serves as a beacon to queer individuals everywhere. Through her career in NYC nightlife, Amanda has opened her arms to the LGBTQIA+ community for decades, providing an escape for queer folks to celebrate all that is unique and enchanting about the scene.

Furthermore, Amanda still serves as a muse to countless queer artists and creatives. Having worked with the likes of Elton John and Grace Jones, Amanda has solidified herself as an inspiration to artists everywhere. Most recently, Amanda collaborated with up-and-com-

THEHOUSE-MAGAZINE.COM

|

THE HUMAN ISSUE

|

VOLUME VI

13

ing queer artist and designer Patrick Church for the Patrick Church Loves Amanda Lepore collection, featuring bodysuits, pajamas, swimwear, and home decor with his paintings of Amanda featured prominently throughout the collection. For me, glamor was always an escape.

Leiomy Maldonado

Ballroom is my home. With the title of the “Wonder Woman of Vogue,” Leiomy Maldonado is perhaps the most well known and celebrated ballroom dancer alive today. Ballroom, or Ball Culture, is an LGBTQ+ subculture created

by New York’s Black and Latino communities.

Born in the late nineteenth century, Ball Culture originated from a need for members within the community to safely express themselves through dance and pageantry. Citing Ballroom icons Yolanda Jourdan and Alloura Jourdan Zion as her inspirations, Leiomy was initiated into New York’s ballroom scene at the age of sixteen, and rose to prominence after introducing a new form of voguing in the early 2000s.

Leiomy’s talents as a dancer and choreographer are on full display on HBO Max’s hit show Legendary, which is currently airing its third season. Starring alongside the likes of Law Roach, Keke Palmer, Jameela Jamil, and fellow Ballroom icon Daushaun Wesley, Leiomy is the breakout judge of the show, judging the competing houses and further amplifying the voices within the Ballroom scene. In addition to her incredible and extensive contributions to Ballroom, Leiomy’s career has also spilled into other commercial pursuits. She recently appeared in Rihanna’s “Savage X Fenty, Vol. 3” show, in which she vogued the house down, ending her performance with a dip that went viral on social media. Leiomy is a sensation; she has been ever since she first duck-walked onto the scene. Our team at The House is so happy to see a larger and more mainstream audience exposed to her talents and performance abilities through her successes in

14

THEHOUSE-MAGAZINE.COM

|

THE HUMAN ISSUE

|

VOLUME VI

television and other outlets. Performance is her art, the world is her ballroom, and we’re just lucky we get to live in it. When I look back and try to imagine what my life would have been like without dancing, without the balls … I don’t know what my life would’ve been.

Lady Gaga

Don’t you ever let a soul in the world tell you that you can’t be exactly who you are. A star who needs no introduction, Lady Gaga has been a champion for the LGBTQIA+ community ever since she first shared her talents with the world. A trendsetter in fashion, music, and virtually all other means of artistic expres-

sion, Lady Gaga is one of the most multi-talented treasures not only of our generation, but of all time. Irreverent, boundary-pushing, and thought-provoking, Lady Gaga has never compromised her authenticity. Through her music, film, and personal style, she quickly became a spokesperson for the queer community, supporting marriage equality and a number of other queer sociopolitical matters even when it hasn’t always been popular to do so.

Perhaps most notably, after the chart-topping success of her second full-length studio album, Born This Way, Lady Gaga co-founded and launched the Born This Way Foundation in 2012 alongside her mother, Cynthia Germanotta. Focusing on empowering young peo-

F O U N D AT I O N , M A R K M I N TO N P H OTO C R E D I T S F R O M L E F T TO R I G H T: B O R N T H I S WAY

ple, particularly in the LGBTQ+ community, the foundation works to support their mental health. Its mission statement claims that, “through high-impact programming, youth-led conversations, and strategic, cross-sectoral partnerships, the Foundation aims to make kindness cool, validate the emotions of young people, and eliminate the stigma surrounding mental health.” According to the findings of the Human Rights Campaign and countless other groups, LGBTQ+ youth are significantly more likely to report struggling with mental

health issues than their heterosexual counterparts, resulting from societal stigmas and discrimination. Noting the disproportionate ratio of queer youth that suffers from these issues, the work that Lady Gaga and the Born This Way Foundation are doing to promote mental and emotional wellness is quite literally saving lives. It’s always wrong to hate, but it’s never wrong to love.

best way to help yourself, by giving and being in service. Known for throwing some of the most extravagant and over-the-top parties of the past few decades, Susanne Bartsch is a legend in the nightlife scene.

Through her popular events like On Top, House of Bartsch, and New York, New York, Susanne has provided an NYC haven for the queer community to escape to. Residing in the city during the height of the AIDS epidemic in the eighties and nineties, Susanne witnessed firsthand the horrors of the disease, its stigma, and its terrifying, adverse effects on the queer community. After seeing her friends and loved ones lose their lives to the disease, Susanne attempted to combat the rising number of HIV/AIDS cases in the city by putting on the “Love Ball,” which not only raised a significant amount of money for research and for those affected

by HIV/AIDS, but also helped raise awareness of the severity of the disease amongst the general public, as celebrities like Madonna, Anna Wintour, Pepper LaBeija, and Leigh Bowery came out to support the event.

In addition to her charitable work and advocacy, Susanne has espoused individualism since she moved to NYC from Switzerland.

Susanne is a performance artist in her own right. If you’ve ever seen Susanne, photos of her events, or watched her documentary, Susanne Bartsch: On Top, you already know that Susanne wants her viewers to think and question everything; question the meaning of identity, gender, self-expression, art, sexuality, and what it means to be human.

As for her party-goers? Dance! Susanne continues to provide a home for queer youth who come to NYC looking for an escape. All she asks is that you dance and celebrate with her.

Follow your heart, and as my mother said, you have to play the game to get anything out of it, meaning if you want your life to have meaning, joy, success, love, happiness, fulfillment, you need to get in there and ENGAGE WITH IT.

Susanne Bartsch

I was really helping myself by helping other people; which is usually the

THEHOUSE-MAGAZINE.COM

|

THE HUMAN ISSUE

|

VOLUME VI

15

16

THEHOUSE-MAGAZINE.COM

|

THE HUMAN ISSUE

|

VOLUME VI

with the process of lighting and shooting mad color in all its forms, documented and made permanent the glorious artwork.

WE WELCOME YOU INTO SUMMER with this beautiful floral sculpture masterfully put together by two creatives we love to follow. It's the perfect way to say farewell to the 2022 PRIDE month as well. A bit about the artists below.

Preston Wainright, floral designer, and Monica Stevenson, photographer, live in two small neighboring towns, Tryon and Landrum, on the Western North Carolina/South Carolina borders. Both of them derive immense satisfaction from creative collaborations--the talking and planning and laughing and Googling that leads to mutual projects is fuel that can make life grand.

These two are the kinds of artists for whom there are too many ideas and not enough time. Their brains are brimming with whirlwinds of plans and pictures and beautiful things that just MUST be brought to life.

Preston painted this floral sculpture in hid head and built it as a still life. Monica, in sync

In Bloom

THEHOUSE-MAGAZINE.COM

|

THE HUMAN ISSUE

|

VOLUME VI

17

LEE JOO WON WRI TT EN BY: L AYL A RE IM E RS P H OTOG RA P H Y: K I M SI WO O

LEE JOO WON HAS PURSUED A CAREER IN HIS ARTWORK. He was inspired by many other artists and had a passion for it before it became his job as well. One defining moment in Joo Won’s life that made him decide to pursue a career in art was the first time his work was sold on exhibition. The gallery director told him that there was someone who supported him and his work. The first time his art became public was when an artist from every country was picked to showcase their best project. He was selected in South Korea for his off-white project. He does not go by different names besides his instagram account “likewon” in which he has been using this for a long time and has been using it naturally, but still prefers to go by his name. Lee Joo Won does not work everyday for the job and the money, he does it because it is his passion for his talent, more than just a job. He loves what he’s doing in life. Many people love Joo Won’s work, and students often contact him to explain how inspired and encouraged they are by his work. His work is influential and this encourages Joo Won by their support.

18

THEHOUSE-MAGAZINE.COM

|

THE HUMAN ISSUE

|

VOLUME VI

Joo Won seems to be kept busy with the life of an artist. He will have his third solo exhibition in Seoul in October. At the moment, he is working on various topics with clothes, and when creating he goes around and stays in that area or place to take pictures of people and see how the community is, before working on the theme of an area or place. Lately, he has been working with fashion brands or other fashion-related topics. He takes a look at Instagram, Google, Pinterest, fashion lookbooks, and magazines or even photo books to find fashion for people to work with and use in designs. Now he has to focus on another solo exhibition coming four month from now.

With every job, there is a challenge that seems impossible to get over, however Joo Won has found that challenge and overcame it in a stride. He stated, “What I like and what others want. I think it's right to do what I like. And I think I should do what I like so that my direction doesn't go wrong from all directions.” He seems to struggle with people wanting something other than what he creates. His artwork is amazing and a lot of thought goes into every part; however, the

THEHOUSE-MAGAZINE.COM

|

THE HUMAN ISSUE

|

VOLUME VI

19

20

THEHOUSE-MAGAZINE.COM

|

THE HUMAN ISSUE

|

VOLUME VI

THEHOUSE-MAGAZINE.COM

|

THE HUMAN ISSUE

|

VOLUME VI

21

P R E V I O U S PA G E EURO 2022 T H I S PA G E DANIEL ARSHAM

pressure of not feeling allowed to do what he likes can put a damper in someone. Joo Won appears to put all his effort into his art and make it diverse, from the art itself to the man who made it.

Joo Won loved doing his first solo exhibition in the space he went to often, and he was able to communicate with multiple idols of his due to his work.A couple of his idols being Virgil Abloh, Jerry Lorenzo, Daniel Arsham and JooWon got the opportunity to show his work to many other people. One of his favorite idols would be none other than Kanye West, a well known American rapper, record producer, entrepreneur, and fashion designer. Joo Won enjoyed listening to his music and liked his fashion. Recently, he fell in love more

22

THEHOUSE-MAGAZINE.COM

|

THE HUMAN ISSUE

|

VOLUME VI

with Kanye's documentary on Netflix.

Joo Won has planned some different projects with other artists.

With each collaboration, they combine different abilities so that each one has in order to create a more diverse and wonderful thing. New things seem to come out due to the subject of diversity, and various tastes can be created in it, and the value of originality can shine more, and that value shines more because of the diversity present. Many people seem to attempt to show it throughout their lives and artwork. However, Joo Won truly shows how to advocate diversity into the life he has created for himself.

ORANGE

THEHOUSE-MAGAZINE.COM

|

THE HUMAN ISSUE

|

VOLUME VI

23

24

THEHOUSE-MAGAZINE.COM

|

THE HUMAN ISSUE

|

VOLUME VI

O P P O S I T E PA G E FACE

T H I S PA G E LEE JOOWON IN HIS STUDIO

THEHOUSE-MAGAZINE.COM

|

THE HUMAN ISSUE

|

VOLUME VI

25

T H I S PA G E LEE JOOWON WITH HIS WORK

26

THEHOUSE-MAGAZINE.COM

O P P O S I T E PA G E HAEBANGCHON

|

THE HUMAN ISSUE

|

VOLUME VI

THEHOUSE-MAGAZINE.COM

|

THE HUMAN ISSUE

|

VOLUME VI

27

Diversifying Art with Shei Phan WRI TT EN BY: AI DA M. TORO P H OTOG RA P H Y: C OURTE SY O F SHEI PHAN

“I just have it in me to create,” said Shei Phan. “I have always created one way or another.”

The artist is an Oklahoma native who lived throughout the entire state, as well as in California and Las Vegas. Phan began her creative journey during her childhood while witnessing her mother obtain an A+ as a single parent, since she raised her and her two siblings. Despite the challenges the family experienced, her mother always ensured the kids had food on the table and a place to sleep.

Overall, Phan, her siblings, and her mother were always on the move, which always seemed like another adventure.

“I think moving around a lot as a child, attending multiple schools, living out of the car, having to stay at shelters, and just encountering so many different types of people along the way made my imagination even stronger,” said Phan. “Seeing how my mother always kept a smile on her face and made the best out of every situation sparked the creativity in all of us.”

Phan mentioned that her whole family is somewhat creative.

She, however, is the only one who decided to make a career out of

28

THEHOUSE-MAGAZINE.COM

|

THE HUMAN ISSUE

|

VOLUME VI

her creativity. She recalls a time when she was younger and she, along with her two older brothers, would have drawing contests where they drew Dragon Ball Z characters, which she’d always lose. These drawing contests pushed her to aim higher. Ultimately, Phan’s skills were discovered by an art teacher when she was in middle school.

“One of our assignments was to create a self-portrait using acrylic paints and only our fingers. While the other 7th graders had fun playing in paint, I really took the assignment seriously. I painted myself for the first time, and my art teacher, Mrs. Fisher, saw my potential and started challenging me more and more.”

As a result, Fisher invited Phan to join the AP art class in high school, which she actually taught. She allowed Phan to explore all of the ideas she brought to the table, which weren't small. As a result, Fisher would always stay after school to help her build the large canvas or develop strategies on how Phan could create these large sculptures she had in mind.

“We always accomplished the end goal …. I ended up submitting a 3D portfolio and receiving a 5 on it, which is the highest score you can receive,” she said. “Oh, happy day! Sculpture was my first love, but once I entered college, I tried to double major but they wouldn't allow me to do so because the classes overlapped. I wanted to do art and nursing at the same time.”

When Phan discovered she couldn't pursue the two majors, she chose to go with nursing, since it was pretty obvious she'd always have job security in the medical field. After the first semester, her creative side was itching to come out again. Therefore, Phan left East Central University to attend the University of Central Oklahoma to major in Art Education.

“I was happy to be able to get back to studio classes where I could sculpt and paint, but in my junior year, my path shifted once again. I was driving to a party all dressed up and looking cute when I heard on the radio that there was a modeling casting for a runway show for Johnathon Kayne, a local from Oklahoma that won Project Runway.”

After hearing this news, Phan turned around and attended the casting. She knew she had the audition in the bag because when she was 15, she had attended Barbizon Modeling and Acting School in Texas, where she excelled in a runway class. For Phan, modeling was a way for her to reach a higher level of artistry and to discover stories about herself that she wanted to tell.

Phan mentioned, “In modeling, your body is used in so many ways, but often your story is told. Modeling was never going to be my end career, only a stepping stone into a higher level of artistry.”

She booked the Johnathon Kayne show. In addition, Kayne invited her to be a part of his prom lookbook. Working with Kayne was Phan’s first professional modeling experience. Not long after that, she was introduced to a local photographer after being seen by an agent at a Baby Bash music video set. Her first test shoot would follow and she had no idea what she was doing. Although Phan was unaware of what needed to be done at the photoshoot, the photographer enjoyed her presence and saw real potential. As a result, he invited her back for a modeling bootcamp, which she attended every day before and after classes at school, as well as before and after work.

THE BLIND QUEEN

THEHOUSE-MAGAZINE.COM

|

THE HUMAN ISSUE

|

VOLUME VI

29

“He put me in every modeling scenario you could imagine. We did glamor, action shots, beauty, editorial, commercial, nudes, swimsuits, and lingerie … everything you could think of we did,” she said. “We built my portfolio and sent it out, and I got signed in New York to Fenton Moon. The agent that signed me was beyond excited to have me and had it all planned out on how she would promote me, but two weeks before I left for New York, I got a call and she told me she was leaving the agency.”

With the contract already signed, Phan had no way out. She was stuck with the agency and another agent that had no idea what to do with her. Despite this, Phan ended up in New York and continued to book her own shoots to make sure she was always shooting and building her portfolio.

After being with this agency for two years and not being pushed to her full potential, Phan obtained the opportunity to be on America's Next Top Model. Being on the show was a bucket list item for Phan, as she used to watch it as a little girl and always said to herself that she was capable of being a contestant. After being on the show, she realized modeling wasn’t her end goal because

30

THEHOUSE-MAGAZINE.COM

|

it was just a stepping stone to exploring herself even further. She then began making the transition from the model to the artist she was all along.

“Nudes became my favorite. Being able to be in my purest form rather than in clothes, makeup, hair, and poses that covered me up and were the vision of someone else was amazing. I AM ME,” said Phan. “My nude modeling became a part of a self nude painting series called ‘FORGETMENOT,’ exposing my nude body but hiding my face, and my eyes … you can have my body, but you can't have my soul.”

Phan also created the panda character before going on America’s Next Top Model because she knew she had to bring her art onto the show to remind everyone that she is an artist first and foremost. Her older brother Jerry, who was a tattoo artist at one point, had all these cool skeletons tattooed on him, which Phan wanted to incorporate into the panda character somehow. She created a panda skeleton and started creating characters, followed by her fans becoming the "Lil Pandas," and in the street art world, "PANDA" as her character. As a result, PANDANATION was born.

THE HUMAN ISSUE

|

VOLUME VI

“Making the transition from model to artist was a little rough for me because I hated being introduced as 'the model' instead of 'the artist,’ but during that time I managed to be a part of multiple group shows, my first solo show, and connect with so many creatives that are now family,” she said. “I still do modeling here and there because it is still a part of me. However, my main focus will always be my art.”

Although Phan is a successful artist, model, and overall creative, one of the three roles is packaged with certain unique challenges, and that role is modeling. Within modeling, Phan explained the challenge was never being good enough for one person, but being exactly what is needed for the next.

“Being too big, being too Asian, not being Asian enough, looking too white, not looking white enough …. within the modeling world it's all judgment, and as a young woman being judged solely based on how you look, is its own horrible challenge,” said Phan. “The challenge of looking at yourself in the mirror and knowing you are enough, knowing you are beautiful, and just knowing that it's just business and to not take it

personally is hard to explain to one's self.”

In the creative and art spheres, Phan mentioned that the challenge is simply being vulnerable and allowing others to dive into your mind, see your pains and your heart, along with telling you if they think the work is good or not.

“I think no matter what direction in life you decide to go in, there will always be challenges where you question your whole existence, but I have that little voice in my head, my inner child, my inner genius, the homie upstairs (God), that tell me that we are on the right path and even if we get a little lost along the way or take detours, those experiences are what make you stronger and give you a little oomph to the story when you're ready to tell it,” expressed Phan. “I had ‘artist block’ for three years – yes, I am still creating murals for other people, but not really painting for myself. I have been able to explore other creative parts of me, such as poetry, my stories, and myself. I had to dive into my traumas to discover the story I want to tell now.”

Nowadays, Phan is residing in her hometown, Oklahoma City. She left New York due to the fact that she needed to

return to her roots and reset, as she felt she lost herself in the Big Apple.

“Nothing can compare to the energy New York brings. New York, however, also brought a lot of hardships for me because I worked in nightlife on the weekends, which I enjoyed maybe a little too much because there was a point where I did feel as if I was losing myself within it,” said Phan. “The drugs and alcohol started taking over, even though I was making moves as an artist and being seen … I still felt as if I wasn't really me.”

Oklahoma City has brought out suppressed feelings Phan held deep inside her soul throughout the years. Therefore, she felt the need to dive back into the past traumas that she had pushed down in order to discover who she truly was and to experience the opportunity to spend time with herself without so many outside voices influencing her choices.

“Luckily within a year of moving back, cannabis was legalized and I was able to start painting for dispensaries … I had friends that put me on,” she said. “I miss New York every day, but I know that being back in Oklahoma is part of my journey to really getting

to know myself and resolving past hurts.”

Currently, Phan is working on one major project … and that project is herself. Over the years, she learned that she would always consider everyone else's opinions, such as what they thought she should do with her life all the way to where she should go or even live. Even though she’d done so much on her own, Phan has always been influenced by others on what her next move should be.

“I just want to really strive to be the best version of myself. I have been somewhat creating for others since living in Oklahoma and creating murals – don't get me wrong, I have fully enjoyed it and it has challenged me to explore areas I might never have before,” said Phan. “I really want to get back to me, to my story. I only want to encourage others that it's okay to not be perfect, to go through depression, to have anxiety, to have OCD, to be a little fucked up, and to not allow fear to control your life.”

To keep up with Phan, her work, and life journey, follow her on Instagram over @ shei_phan_art.

THEHOUSE-MAGAZINE.COM

|

THE HUMAN ISSUE

|

VOLUME VI

31

Erwin Gomez - Reinventing the Wheel WRITT EN BY: BO B BY MILLIGAN PHOTOG RA PHY BY: CO URTESY O F ERWIN GO MEZ

E

ERWIN GOMEZ IS WELL VERSED ON ALL THINGS FASHION AND BEAUTY and, as a passionate member of society, he is inspired by the progression towards a more equal world. He is at the top of the industry with numerous features in major magazines, working closely with countless celebrities and influential people. Looking at his many accomplishments, you would think Gomez would rest on his laurels. Yet, as accomplished as he may be, the feeling of “I made it!” has yet to come to mind for him. In fact, the most gratifying moments of his career are when he is able to see the people he has mentored succeed on their own paths. As someone who grew up with little to no mentorship, finding his way through the beauty industry, while not impossible, was difficult with this lack of guidance. Gomez has taken this even further, with the main inspiration of starting KARMA being to help others get to where he is.

KARMA offers a wide variety of beauty treatments and services, so that passionate people with different skill sets have the opportunity to come together and have a sense of direction and counsel.

Knowing exactly what he wanted from a very young age and always being invigorated by art, he began his journey navigating the fields of fashion photography, makeup artistry, and more. While feeling his way through these different areas, one major thing has stayed in his mind: that the fashion and beauty industries are relatively trend-based and fast changing, so it is important to always be on your toes and stay ahead of the game. “You can’t reinvent the entire wheel,” he says, referring to the trends that cycle in and out through time.

But, relating it to art, anything can be seen in a different light through another’s eyes or interpretation. Pulling from classical styles such as “Old Hollywood,” Gomez takes into account the importance of being able to take something that has been done before, and make it new once again. With role models like Pat McGrath and Sam Fine, there is plenty of inspiration and knowledge to pull from, with a chance to showcase his own talent and personal vision.

According to Gomez, aside from the trials, tribulations, and triumphs that come along with the creative process, pride and diversity are focal points, especially when expressed through one’s work.

The importance of diversity is something that Gomez holds close to his heart, coming from a background in the Philippines. Within the workplace, clients at times ask things such as if their particular hair type can be done, and a main priority at KARMA is to ensure there is a versatile team so that when that question is asked, it is answered with a yes sans hesitation. Representation is a cornerstone of awareness and understanding when on the topic of diversity, and it is more important now than ever to continue this. As far as we have come, there is still a long way to go, and Gomez is leading by example, representing his culture and background at the top of a profoundly

32

THEHOUSE-MAGAZINE.COM

|

THE HUMAN ISSUE

|

VOLUME VI

vast industry.

Pride is defined on the grounds of celebrating diversity and differences, being confident with who you are and what you put out into the world. “When we say ‘pride,’ it’s because we are proud.”

Seemingly self-explanatory, how Gomez defines pride is so much more than what it seems on the surface. Pride is in everyday life, the way that you live, daily normalities, and what you create. All of this is encompassed under the umbrella of pride. To unapologetically live your life the way you see fit and to ensure that quality is at the forefront. Gomez finds that the commonality of constant media consumption is a great opportunity to translate representation and awareness to the masses, even to people who may be less inclined to understand. An example that comes to him is the show Pose. Based on ballroom culture in the eighties, it shows the human experience of navigating pride at a time when it was less accepted than it is now. Ryan Murphy, the creator of the show, is praised for his work that creates an entertaining environment while still commenting on heavy-hitting societal struggles, and shedding light on issues that might otherwise be overlooked.

The arts and creative industries are a quintessential outlet in which pride can be expressed with passion. For Gomez, beauty and pride go hand in hand, and he finds that flawless and consistent execution of his talent is the most effective way for pride to translate into his work. His work is obviously important to him, but guiding his staff and mentees to the completion of their own aspirations and creative expression is yet another form of expressing pride, and more gratifying to Gomez than anything else. “You have to have good taste as an artist,” he says, referring to the idea of expression, without which art would not exist. The human experience is something everyone shares, and while our lives may look different from one another, we can all attest to experiencing some of the same things.

Gomez has learned that fame does not last long, and what makes a truly lasting impact is what we do to others, and the effect we have on them.

Everyone must live with pride every day, but there are also opportunities to come together where a larger support system can be felt. Philanthropy is not estranged from Gomez, and he does anything he can to help and contribute to different communities. Though he does not consider himself a particularly loud person, he still sees the importance of attending Pride every year in June, and supporting those who may not experience much support. It encourages people to be proud as they are, and while you can’t reinvent the wheel, you just may be able to reinvent society’s perception and acknowledgement of differences.

THEHOUSE-MAGAZINE.COM

|

THE HUMAN ISSUE

|

VOLUME VI

33

Jacey Duprie on Authenticity in the Digital World WRI TTEN BY: KACEY P EREZ | IN T ERVIEWED BY: CLAIRE GRIS O LANO P H OTOG RA PHY BY: JANA S CHU E SSLER | MAKEUP BY: NOVA K APLAN | HA IR BY: JOSEPH O ROZCO AND JENN LAGRO N PRO DUCED BY: GREAT S O CIAL CLUB

N

Now, more than ever before, our daily lives encounter more digital time than we know what to do with. But what happens when your digital platforms also become your career? Is there a balance between real life and what's seen on screen or in your feed? And if that world is how you build your business, how do you make sure you don't lose yourself in it? We talked with new author, Jacey Duprie, about what it means to be authentic in front of a digital audience and what she discusses in her newly released book, "Liking Myself Back".

So you're about to head onto a book tour.

How does it feel to be doing this for the first time?

Oh, my gosh, it feels so exciting. Not only just to be going on my first ever book tour, but also to be kind of reemerging back into events in the event space. It's been quite a long time. Not just with Covid and the pandemic and everything that's been going on with the world, but also my personal life because I was pregnant and then I had a newborn, so I've kind of been a bit off the grid the past two years. It feels really good, kind of out and about. I'm really excited.

So for those of us just getting to know you, will you tell UA about the start of your career and how that led to you writing Liking Myself Back? I guess a lot of people call me one of the OG bloggers, which still feels so weird hearing that because I felt like there were many that came before me. Although I did start out very early on in this industry. I've been blogging for almost eleven years and I started my social media account a few years after that. So blogging has really been at the core of everything that I've been about over the past ten to eleven years. And when I started, the landscape was totally different.

Like, 100% different.

When I started, it was just me posting

34

THEHOUSE-MAGAZINE.COM

|

collages that showed what I like to buy, and here's what I think you would like to buy and purchase. But more and more and more people wanted more and more and more of us in the family and pictures of me and what I was wearing and where I was eating and where I was going and every little thing I was doing.

And now it's like a 24/7 cycle of just sharing.

So when I started, I really hate to say it, but I didn't know what I was signing up for. But as

THE HUMAN ISSUE

|

VOLUME VI

the landscape has shifted, I opened up more and more, and before I knew it, I was sharing my entire life on social media, but also living behind this filter of what our lives really looked like. There was so much happening behind the scenes of my life, and just with me personally, I just felt like I didn't feel as though I was living an authentic life for many years. I felt like I was putting up this beautiful, picture perfect, filtered version of myself

Left: Fu l l l o o k A R I T Z I A This page: Bodysuit COMMANDO J e a n s S LV R L A K E D E N I M Shoes MIA BECAR

THEHOUSE-MAGAZINE.COM

|

THE HUMAN ISSUE

|

VOLUME VI

35

Dress COS Jewelr y CAST JEWELRY

36

THEHOUSE-MAGAZINE.COM

|

THE HUMAN ISSUE

|

VOLUME VI

that seemed really glossy from the outside.

But on the inside, I was struggling big time with self acceptance, self love, liking myself back. And so really, that is the reason for why I decided to write this book. I've always been a writer at heart, and I always kept a Journal as a child, which a lot of the stories in the book are drawn from my past journal entries.

I'm so thankful for that because otherwise it's been very hard to pull those emotions back out. I wanted to show our readers, our followers and the people that have been with us on our journey for so long that behind the lens of social media, behind the curtain and the filter, there are actual real people with real stories and real life struggles because things can seem so picture perfect on the grid of Instagram. I wanted to shed some light that.

Yeah, absolutely. I think it really takes a lot to be so vulnerable in that way. Was that hard for you at first? You know, it wasn't hard writing it because I've always written my emotions and feelings down, and I've gone through a lot of therapy. My armor is kind of tucked away in the back bin in my closet, so to speak. I've healed, I've grown, I've learned. And so it wasn't very hard to talk about it. I'm very comfortable speaking about my past and the things that I've gone through and the things that I'm choosing to share in this book. Because, again, not everything is in this book, right? I can't share my entire life in one book, but the stories we decided to share in this book, I did feel comfortable sharing. I wouldn't share anything that I didn't if I'm still not 100% confident sharing it, which, again, there's things that I didn't and are not included here, but they don't have value either to the reader or to myself. With that said, it's actually harder now that the book is actually going to be in the hands of people. I

have a lot of friends that are reading it now, and it's an amazing feeling when someone has posted and asked something like, "Really?

I thought I knew her, but I really didn't know her at all." They're posting things like that on Instagram and sharing their experience reading the book, and it's so beautiful and honestly makes me want to cry. I didn't really think I needed any validation in my writing or the fact that I wrote this book, but I don't know. Just getting those first few pieces of

feedback has kind of, like, hit me in a very raw way. I don't really know how to describe it, but I'm like wow, people are actually reading this and so it's vulnerable. But also it excites me. It's scary. I kind of get weirdly sad in a way. It's just weird raw emotion that yes, it's a very vulnerable story, but I also get excited about that Because what else are we doing if we're not opening ourselves up to each other and one another? Otherwise, it's just another filtered story. So it's a hard feeling, but it's a

good one.

So the book is about turning self doubt into self acceptance. What were some lessons that you learned throughout the course of influencing that taught you to make that shift? Well, I think that the work on having self acceptance is very long and it's an ongoing process that really starts from within. I think finding the tools needed is not a "one size fits all" model for me. It took a lot of different things. It took me setting some pretty firm boundaries between myself and my work, my personal life, and my professional life. It took me putting my phone down at the dinner table, plugging out on vacation, not posting for 24 hours here and there, but also not announcing it to the world. So just sitting with feelings, sitting with news, sitting with information for just a beat longer than I used to, has been really helpful for me. And breathing through sticky moments on Instagram, to like dealing with trolls and mean comments. Instead of just getting all wrapped up in that moment and firing right back and being defensive, I sit with it for a second. I try to read it from every point of view or every piece of tone and the voice I could think of because tone can be so misconstrued on Instagram. Honestly, it took a ton of work for me to kind of let go of a lot of my past traumas.

I'm really, really, into yoga now, and practice three to five times a week. For me, I've brought that practice into my everyday life, which has been a game changer for me. But yeah, it was really just learning that there's literally no one in this world that can make me happy other than myself. I have Grant, I have my daughter June, and oh, my god do they make me the happiest of the happy. But they still can't make me happy, if you know what I mean. Even if they're sitting there dancing around and cracking jokes, I could still feel sad. It really is a daily choice, so to speak.

I do feel like that's a piece of reality that we

THEHOUSE-MAGAZINE.COM

|

THE HUMAN ISSUE

|

VOLUME VI

37

tend to look away from, like, our responsibility to struggle with that, and nine times out of ten ourselves. I think that's really amazing. Speaking when I'm doing that, it's because I'm not givof little June, as a mother, how do you find balance ing, like I said earlier, that 100% energy at that in your day to day and career? I really don't. I time into that task. If I have the time to be don't have balance, and I don't really like to worried about what other people are doing, have balance. This is what works for me. I it's because I'm not doing enough for myself don't even really like the word balance. I just and for my work. If I were doing enough don't think that there's such a thing for me. for myself and for my work, I wouldn't have I don't believe in it. I'm the type of person the time to even worry about what other that wherever I am in that exact moment, people are doing. So anytime I start to worry I'm giving, like, 110%, and I'm just there. And about that, I'm like "alright, let's refocus. Here for me, that works because when I'm with June, I'm with To p a n d p a n t s D ' O F FAY her 100%. If you see me posting Outer wear MA JE Shoes MIA BECAR to my phone, obviously those are quick little ten second moments. But I'm not on my phone. I'm not thinking about anything else. I'm giving her my undivided attention. And when I'm away from her, if I'm actually taking the time to be away from my daughter, you better believe I'm going to make it count. Now, that's not to say that I'm not thinking of her, missing her and trying to juggle the fact that she's at school and I have 2 hours, I'm going to go do this. I'm balancing my life in that way, - energetically and emotionally and spiritually.

Jacey, that's awesome. That is my new philosophy. I like that a lot. What has been your biggest challenge that you've faced on your road to success, and how did you overcome that challenge? I think for me, this is still a challenge.

It's the comparison game.

Everything and everyone is on social media, including dogs and children - you name it. I think when it's hard what's going on in the home front, because not to compare and measure your success this has nothing to do with other people, up against the success of others. So for me in their success or what they're doing. It has my career, that's been my biggest challenge, absolutely nothing to do with them. It has and I'm not competitive with other people. everything to do with me. And the same I'm just very hard on myself, which is what thing can also be applied to my personal life. you'll get, I hope, from my book. I'm a perIt's the same challenges. It's being a perfect fectionist. I'm a perfectionist because I am mother, dropping my daughter off at school the child of an alcoholic. In my world in my every single day instead of the nanny doing childhood, I thought that if I were perfect it, or being at every single event at every enough, my dad wouldn't drink. So I still single moment, which is just impossible as a

38

THEHOUSE-MAGAZINE.COM

|

THE HUMAN ISSUE

|

VOLUME VI

working mother. So I think learning to have grace with yourself and just know that you're doing an amazing job, even if it isn't what you think of the perfect mother being.

So do you find it easy to be fully yourself in the public eye? No, I don't. Sometimes I do.

Sometimes I really do. When we're sitting on the couch at home, and Grant and I were laughing, and I'm like, oh, my God, I think other people would find this funny. Like, last night, we were talking about leaving the toilet seat up, and we're just kind of riffing, and I'll laugh and whatever. But if I'm being honest, sometimes I'll see a negative comment and it takes away from that moment, and it force you to put up a guard. So, I try my best to not listen to all that noise. But I would be lying if I didn't admit that sometimes it's really hard to be truly, fully, 100% authentic on social media. And not just because of that negative noise that sometimes filters into the feed, but also just because of the world that we live in now. I mean, there's so much information, and I'm absolutely no political expert or activist. While I want to use my platform for all these very important issues, and I do use my platform for important issues, I'm just not always comfortable speaking to them because I don't want to step out of my lane.

I'm a fashion blogger, and I don't I want to spread misinformation or false hope or negative energy. Maybe people are going on social media to escape from all this. I don't always know exactly what to do. I'm human. So, yeah, it's hard to be authentic. It's also hard to open up about that, because that's a little hard to understand if you're not a social media influencer as, like, a profession. There's a lot of things that go on behind the scenes that we have to think about, the brands that we're working with and the projects that

It's the comparison game. Everything and everyone is on social media, including dogs and children - you name it. I think it's hard not to compare and measure your success up against the success of others. So for me in my career, that's been my biggest challenge, and I'm not competitive with other people. we have in the pipeline, and I'm doing my book next week, but there's like a whole huge movement going on right now on social media that deserves a lot of attention. And I feel like an asshole for posting on my book when there's real life issues going on, but I can't control the timing of this. There's just so many things going on behind the scenes.

But it's not always easy.

Absolutely. So specifically, what about fashion inspires you? And do you have any designers that are currently inspiring you most right now?

Oh, man. I mean, right now I'm obsessed with Toteme and Khaite. I love everything that Celine is doing at the moment. The Row has always been a favorite of mine. My best friend is retro VI. Her jewelry is always very inspirational. I have so many Tory Burch, Ralph Lauren, I think what inspires and excites me about fashion is that it can really transport you and whether that means transporting you into a comfortable, cozy sweater to curl up on the couch and watch

movies with popcorn, or it transports you to walking into a dinner reservation. A beautiful dress with stilettos. It can alter the mood and it can alter your whole attitude. If you let it, you can, but you don't have to. Which is also in my book. Clothing is just such an interesting thing, right? Because it's the armor that we choose to go out and face the world in.

It's literally what we're saying to the world about who we are, it's a creative expression.

It's what keeps our bodies warm. There's so many different ways you can kind of analyze clothing and fashion, but the actual fashion industry has always drawn me to it since I was a little girl and I got my very first green silk taffeta dress.

So what words of encouragement can you leave for future generations or upcoming or betting entrepreneurial women? I think my biggest piece of advice is if you want to do something, if you're interested in anything to actually do it. I think that a lot of the girls in the younger generation, young ladies that are

coming up and wanting to start their own business or pursue their own careers, they just need to have confidence in themselves.

And I don't mean confidence in like, posting Tik Tok videos. They seem to have a lot more confidence doing that than I ever did.

But start before you're ready. You know what I mean? A lot of people will approach me and be like, I think I want to start a blog.

What should I do? And I'm like just start a blog. It's pretty much free. Just make sure you like doing it and make sure you're really obsessed with it before you go out and do all these things that you think you should be doing, worry less about what you think you should be doing and just start to do things that you really enjoy doing and tap into what really makes you click and what makes you unique.

You can follow Jacey on Instagram @jaceyduprie and purchase her book at all major bookstores.

THEHOUSE-MAGAZINE.COM

|

THE HUMAN ISSUE

|

VOLUME VI

39

LIN 40

THEHOUSE-MAGAZINE.COM

|

THE HUMAN ISSUE

|

VOLUME VI

NUX WRI TTEN BY: AIDA M. TORO

PHOTO G RAPHY BY: JANA S CHU ESSLER STYLI NG BY: KIM ME S CHES

EXC LU SI VELY WEARI NG : HALSTON HAI R BY: DE NIS PE RANI

MAKE U P BY: M ONICA WU PRO DU CTI O N: GRE AT S OCIAL CLUB

THEHOUSE-MAGAZINE.COM

|

THE HUMAN ISSUE

|

VOLUME VI

41

L

“Let’s grab drinks!” I tell Linux with excitement.

Linux proceeded with inviting me to one of the weekly parties she throws at Paul’s Casablanca in Soho, which is known as Paul’s Dolls. This Manhattanite is a trans woman known as the New York Downtown IT Girl, as she brings the world together one dancefloor at a time. Her name, Linux, originated from the operating system, which is open-sourced. Unlike Apple or Microsoft, Linux has virtually no rules or limitations.

Therefore, anything you want to create, can be created with Linux.

“The same goes for me and how I live my life,” said Linux, regarding the similarities between her name and the operating system. “To me, life knows no bounds and anything is possible. If you can imagine it, you can create it.”

Linux has experienced a life like no other. She was falsely imprisoned in Q2L, a private unit in Rikers Island's men's prison. It all began on September 7, 2018, when Linux received a voicemail from an NYPD Detective, who informed her that the Chanel bag she had reported stolen a while back had been found. The bag had been snatched from her during a mortifying assault on Christmas Eve in 2016 where Linux was raped and mugged, leaving her bloodsoaked and beaten. On that very night, she spoke to the detective and filed a report, but wasn’t optimistic that the person would be caught. Once she received the call from the NYPD Detective, she rapidly went to the station to speak with him. Upon her arrival, it was revealed to all be foul play, as Linux was immediately arrested.

She then was taken into custody based on a felony warrant out of Miami, Florida.

Linux was stuck in jail with a $90,000 bond until the time came to be extradited back to Miami to plead her case, which took about 45 to 90 days. For her, this was an experience that was beyond traumatizing, as she had a difficult and eye opening experience of what many trans women go through in the United States.

“Fellow prisoners and wardens told me I was not a woman, yet in jail they sexualized me as if I was one and took advantage of me,” she said. “If we can’t abolish prisons, the least we could do is put people in the rooms they identify with.”

Through the pain, Linux connected with her higher self and realized how blessed she was to be supported by the New York Nightlife community. While she was in Rikers, the communities banded together to get her out. She then was able to tell her story through writing a column in Paper Magazine.

“I would never have found my passion

Nightlife, which I live and breathe.”

Linux loves New York City and going out, and she wanted the world to see that passion through her rose-colored glasses.

Therefore, she started writing about all the incredible things she saw and places she was going to, while also creative directing her own corresponding shoots with each month she wrote about.

“Thankfully, Scene-city never sleeps, so I never run out of things to write about,” she said.

Linux states that many don’t realize that Nightlife is therapy. Many people go out to release their demons, and the people who throw the parties are real life guardian angels, helping everyone to heal. She loves that nightlife enables people to become and celebrate their authentic selves, at a time when they can’t always do so in the real world.

“In the clubs, the fantasy becomes the reality, and that's powerful,” said Linux. “‘NYC It-girl’ is a self-proclaimed title of mine. I think it just works.”

Linux is currently occupied with the PRIDE celebrations happening in Manhattan this year, as the city is back and ALIVE post pandemic. This has been her busiest pride month yet, as a lot of corporations are being extremely supportive of women like her. She’s done campaigns with COACH and other corporations for this year’s PRIDE. “For the last two weeks of June, I have more than one event every single day,” said Linux. “I’m looking forward to vacationing on Fire Island in early July, which is New York’s gay backyard.”

Linux will continue hosting her Paul’s Dolls party every Wednesday until the end of time, and will continue writing her column and more as much as she can. To keep an eye out and to continue reading and partying, give Linux a follow on Instagram over at @im_linux.

“To me, life knows no bounds and anything is possible. If you can imagine it, you can create it.”

42

THEHOUSE-MAGAZINE.COM

|

for writing and uplifting my community if it weren’t for this traumatic experience,” said Linux.

Linux began writing while at Rikers.

She wrote her story on a roll of toilet paper in that jail cell, with tears rolling down her cheeks. At first, she was writing because she wanted to document everything, in case the PTSD blacked her out and she wouldn't be able to remember details. Years after her piece was published, countless people would approach Linux at the clubs and compliment her on how her writing moved them and that she should do more of it.

“I liked the sound of that, but I didn’t want to write about sad things anymore, I wanted to make people happy, and feel fabulous,” she said. “I then took it upon myself to pitch a column about New York

THE HUMAN ISSUE

|

VOLUME VI

Jacket and jumpsuit H A L S TO N

THEHOUSE-MAGAZINE.COM

|

THE HUMAN ISSUE

|

VOLUME VI

43

D r e s s H A L S TO N

44

THEHOUSE-MAGAZINE.COM

J a c k e t S U I T S U P P LY

|

THE HUMAN ISSUE

|

VOLUME VI

J u m p s u i t H A L S TO N

THEHOUSE-MAGAZINE.COM

|

THE HUMAN ISSUE

|

VOLUME VI

45

46

THEHOUSE-MAGAZINE.COM

|

THE HUMAN ISSUE

|

VOLUME VI

J u m p s u i t H A L S TO N

THEHOUSE-MAGAZINE.COM

|

THE HUMAN ISSUE

|

VOLUME VI

47

D r e s s H A L S TO N

48

THEHOUSE-MAGAZINE.COM

|

THE HUMAN ISSUE

|

VOLUME VI

THEHOUSE-MAGAZINE.COM

|

THE HUMAN ISSUE

|

VOLUME VI

49

Jacket and jumpsuit H A L S TO N

50

THEHOUSE-MAGAZINE.COM

|

THE HUMAN ISSUE

|

VOLUME VI

D r e s s H A L S TO N

THEHOUSE-MAGAZINE.COM

|

THE HUMAN ISSUE

|

VOLUME VI

51

CLAY B R E AT H I N G I N T O B L O O M : THE HEART OF HEALING WRI TTEN BY: H A NNAH M CKINNEY P H OTOG RA P H Y BY: VALE RIE BU RKE STYL I N G BY: N O RA FOLE Y H A I R BY: J E N N L AGRON M A K EU P BY: K A RLA B O NI LLA P ROD U CTI ON: GRE AT S OCIAL CLU B P ROD U CTI ON ASSI STANT: CLAIRE GRIS OLANO

52

THEHOUSE-MAGAZINE.COM

|

THE HUMAN ISSUE

|

VOLUME VI

THEHOUSE-MAGAZINE.COM

|

THE HUMAN ISSUE

|

VOLUME VI

53

Bodysuit COMMANDO Sheer dress HYPEACH G l o v e s W E I S H E N G PA R I S

54

THEHOUSE-MAGAZINE.COM

|

THE HUMAN ISSUE

|

VOLUME VI

L

LA-based queer altpop/R&B artist, CLAY, returns with the release of her sophomore EP Breathing Into Bloom, which features her collaboration with Alessia Cara on “WTSGD” (When The Sun Goes Down) — a track that has surpassed 1.7M Spotify streams since its release in March. The single follows her first single of this project, “ARTERY,” which gave listeners an upbeat track juxtaposed with candid and raw lyrics. The album takes listeners through a soulful and reflective journey of healing, with hopes of creating art for others to use for their own healing.

Following her debut single in 2016, CLAY has developed a fan base of over 17M streams across 520K+ monthly listeners on Spotify. Her music has been featured on multiple playlists curated by Spotify, including Alternative R&B, Indie Pop, Out Now, Morning Commute, Cleaning Kit, and Ready for the Day. The singersongwriter has also been featured in major press articles, such as LA Weekly, Teen Vogue, Consequence, METAL, and LADYGUNN. CLAY states her six track EP, Breathing Into Bloom, “is about accepting that healing is a process, one that has many phases and breaths, ups and downs, and learning how to love yourself throughout the journey.” The album, co-produced by CLAY, is a multigenre experience that explores the artist’s personal experiences with mental health and unrequited love. In collaboration with The House Magazine, CLAY has shared with us a deeper look into her newest album as well as into herself as an artist.

CLAY’s earliest inspirations and influences in music originated within her home. She remembers that she had started singing “long before I was forming full sentences,” and growing up in a house that always had music playing it is easy to understand why. “It took until I was about 18 to decide to venture into writing music for myself using my own words, thoughts, and musings,” says CLAY. Since that time, CLAY has been on a journey of finding her “sound”

and the “literal sonics in combination with the melody and lyrics.” She describes this journey as a continuous one that she hopes she will always be on.

When asked about her passion for music CLAY says, “I always like to say that music chose me because that’s the only way to truly describe the way it moves through me. I am deeply passionate about creating tangible things that people can interact with and make their own.” She also describes herself as a multidisciplinary artist because of this passion, and seeks to be able to express herself in many different art forms, with music being the “nucleus/heart” of it all.

In her recently released album,

Cara on “WTSGD” (When The Sun Goes Down). As her first collaboration with another artist, she described feeling “organic and creative” together during the experience.

She also notes that due to collaborating during the midst of the COVID-19 pandemic, the artists’ session occurred over FaceTime. Although there was a physical separation between the two, CLAY tells us that they came together with “open hearts” and that “the song just poured out of us. It was beautiful.”

Through her musical platform, CLAY is able to share with listeners her grief about climate change and other personal topics that resonate with her. She explains that right now, the purpose of her music is to heal herself in hopes that “in sharing my innermost feelings and musings, I may provide some healing for listeners.”

CLAY would like her listeners to know that she seeks to create a “sonic and eventually visual world where people can feel free to be themselves, whoever that may be.” Though CLAY uses her music as a tool for her own healing, she wants her listeners who may also be going through processes of healing to know that the art she has created is now theirs. She says, “it is there for whatever they may need or desire from it.” CLAY’s current EP explores her own struggles with mental health, and she shares with us her message for those who are struggling with mental health and sexuality. “You are loved,” says CLAY. “You are important. There is only one you on the planet, therefore being yourself in your truest form is essential.”

At the end of our Q&A, CLAY tells us she is currently finishing up another EP and plans to tour at the end of the year, as well as the majority of next year. She says, “I simply cannot wait to get on the road and perform forever!” With exciting plans of touring for her new EP along with new music in her future, CLAY is definitely an artist to keep your eye on! CLAY’s new album Breathing Into Bloom can be streamed on Spotify and Apple Music, and you can connect with her on Instagram and Twitter @iamclayofficial.

“I always like to say that music chose me because that's the only way to truly describe the way it moves through me. I am deeply passionate about creating tangible things that people can interact with and make their own.”

Breathing Into Bloom, there are many themes portrayed throughout. She explained that the inspiration for this body of work “came together naturally over time. I am always drawing inspiration from the process of healing and the human emotions we all experience like shame, heartbreak, etc.”

Nature is another theme that can be seen throughout the EP. As CLAY expresses, she has “always felt so interconnected and deeply moved by nature, so I end up using many analogies and comparisons to nature throughout my writing.” The portrayal of nature is beautifully written into her EP, and her song “Numb” is a perfect example of her use of natural imagery to convey the meaning behind the song. Opening with the line, “My blood drips green,” CLAY evokes a sense of connectedness to nature in her commentary on climate change and the destruction of nature.

On track three of Breathing Into Bloom, CLAY collaborates with Alessia

THEHOUSE-MAGAZINE.COM

|

THE HUMAN ISSUE

|

VOLUME VI

55

56

THEHOUSE-MAGAZINE.COM

|

THE HUMAN ISSUE

|

VOLUME VI

S w i m s u i t PA Z A D Z Dress EZILI SWIM Earrings DADA

THEHOUSE-MAGAZINE.COM

|

THE HUMAN ISSUE

|

VOLUME VI

57

Fu l l s e t PA O L A E S T E FA N I A

58

THEHOUSE-MAGAZINE.COM

|

THE HUMAN ISSUE

|

VOLUME VI

THEHOUSE-MAGAZINE.COM

|

THE HUMAN ISSUE

|

VOLUME VI

59

Earrings DADA

60

THEHOUSE-MAGAZINE.COM

|

THE HUMAN ISSUE

|

VOLUME VI

Dress ALERSUNDI

THEHOUSE-MAGAZINE.COM

|

THE HUMAN ISSUE

|

VOLUME VI

61

D r e s s PA O L A E S T E FA N I A H a t J A C K A LO P E

62

THEHOUSE-MAGAZINE.COM

|

THE HUMAN ISSUE

|

VOLUME VI

B l a z e r N A N A G OT T I Skirt VEGAN TIGER

THEHOUSE-MAGAZINE.COM

|

THE HUMAN ISSUE

|

VOLUME VI

63

Gea Dall'orto WRI TTEN BY: N ATA LI E T. STE G E R

|

PHOTO G RAPHY BY: ALAN GELAT I

| STYLIN G: ANDREA SANGIORGI

HAI R: UGO L E P R E | MAKE U P: G I O RG I A PALVARI NI

Meet Gea Dall'orto, a Florentine actress, who was recently adored as one of the protagonists of the Italian film "Tre Piani", that was featured in the 2021 Cannes Film Festival. She's also currently on set as a main character in the series "Light of Your Eyes" for it's second season. We we happy to have a quick chat with this beauty and got to know her more.

Can you tell us about yourself? Where you are from, your background? I was born in Florence twenty years ago, which seems like a long time ago, and I’m an only child. When I was little, I used to travel all around Italy with my family. By that time my grandfather’s theater company was on tour with “The Little Prince”, a beautiful play that I didn't act in, but still knew it by heart because I used to watch it almost every night. That’s how I grew up - in between reality and wonderland. My home is in Florence and my heart is everywhere the tour would lead us. Every theater had a different smell and yet the same, magical, set.

You started very young in the world of film around the age seven with your grandfather Italo Dall’Orto? Can you recall that moment? If so, can you share it? Despite my family being in the show business, I started all by myself, playing for the first time at seven years old in a movie.

Of course, it’s not that I did go to the audition by myself, my mom brought me there, and continued to be by my side every step of my journey. To me, that movie was the awakening. I not only learned that I enjoyed acting, but I was willing to commit to it in a very responsi-

64

THEHOUSE-MAGAZINE.COM

|

THE HUMAN ISSUE

|

VOLUME VI

ble way. It was after a few other experiences that my grandfather gave me the biggest honor. At the age of ten, to star in his new production, “The magic wizard of Oz”. As long as I had prayed for him to act in his plays when I was younger, he did not want me to. Even though you’re having fun, you have to be responsible and conscious of what you’re doing because hundreds of people have come to see you.

Also tell us a little bit more about how you got started? The time had come for me to go to Rome, in search of an acting agency. Rome is the heart of Italian cinema, if you want to do castings, you have to go there. Fortunately, Florence is not that far and with only two hours by train I could get to a casting without even missing school. I did hundreds of them, and most of the time got “no” for an answer.

Anyways, I had a lot of fun and created the best memories running around Rome with my mom. This is without mentioning what those first years of castings had taught me, leading me towards my first successes and appearances in TV shows.

Can you describe what influenced you to pursue a career as an actor?

You are born from a family of talented actors, how has that affected your career and do you feel it has influenced or inspired your process as an actor?

My grandfather, is the most influential figure. He’s an actor, a theater director and a huge bookworm. He used to read to me every night.

For some reason, I just wanted to crawl inside his stories, as his voice could lead me into another world. I had to be part of a world where the narrator’s voice is that charming and relaxing. That’s how it all

THEHOUSE-MAGAZINE.COM

|

THE HUMAN ISSUE

|

Blazer NO 21

65

V O L U M E Necklace VI PIAGET

Blouse, trousers and sandals FENDI Watch and earrings PIAGET

66

THEHOUSE-MAGAZINE.COM

|

THE HUMAN ISSUE

|

VOLUME VI

started, I then found strength to continue doing what I loved. My mom, my greatest supporter, and in the countless number of films I see at the movies that make me think, I want do something as iconic as that.

Where do you draw inspiration from? I draw inspiration from the interpretations I get to see, such as Natalie Portman, Javier Bardem, Adam Driver and the one and only Meryl Streep. But, I’m also a very curious person and I like to observe people in their everyday life.

Their expressions, the way they react to the things that happen to them…I think it teaches you empathy, as well as realizing that the way that you approach life is unique, and it’s to keep in mind when your character acts in a way that you wouldn't do in your personal life.

Besides acting do you have any other talents, interests, or hobbies?

Studying takes most of my time whenever I’m not on set. I’m currently attending a university here in Rome where I just moved in.

I’m still trying to figure out my routine, living all by myself, shooting everyday and studying. I’m really interested in art, I like visiting museums and drawing. I’ve danced several years and it is something that I still love doing, whenever I can.

What steps do you take to fully understand the importance of your character to the story? What techniques do you use to create a believable character? I’m really into studying new techniques. I think taking lessons is fun and challenging, in spite of what point you are in your career. I’m also very young and I know there is still a lot I have to learn, so I try to experiment as much as possible. Even though I already found great coaches whom I want to maintain a relationship with, such as Alessio Di Clemente, I’m not ready to stop my research.

Every time I get a new project I attempt to study it with a different approach, so that I can understand what works best for me and also because every project is different and requires a different approach.

Nevertheless, there are a few basic steps I always take whenever I’m starting a new project. Understanding the character’s needs, their background and their relationships with the other characters. Most of the time the work is connected to my personal life - the right amount that isn’t dangerous, and I also think music is a great helper as it naturally takes you to emotional levels that could be difficult to find in the first place.

List some of your accomplishments in the field of acting. What was the last project you worked on? What new roles or projects are you working on?

What can we look forward to seeing in the near future?

“Six characters in search of author” by Pirandello was my debut in theater, joining the company of Branciaroli by Teatro Carcano di Milano, I then starred as Dorothy in my family theater company who produced “The magic wizard of Oz”. Theater had been my home and my passion, but I had already started dreaming about cinema.

My first role in a movie landed at the age of seven for the docu/film “Le Piccole idee” by Gioco Faenza, my mother had bought me to the casting just for the fun of it, but I immediately felt in love. We were told to look for an agency by the D.O.P. and that’s when it really took off. A lot of castings - yet mostly “no's” for answer! And then the first “yeses” and a new agency - TTAgency - of whom Alessia DiTuri, my agent, is still working with me to this day. As my first experiences I had portrayed minor roles in Italian notorious pictures as well as independent movies, up until 2019 when I participated in the picture,

“My brother runs after dinosaurs” by Stefano Cipani. Meanwhile I was shooting Chiara Malta first feature, “Simple women”. This two movies were very meaningful to me and helped me get noticed a little more. Moreover, 2019 was the year I was casted as Francesca in “Tre Piani”, the newest picture by Nanni Moretti, who I had the honor to join to Cannes Film Festival 2021. As I was shooting “Tre Piani” I started to work on the Rai production, “Gli orologi del diavolo”, for my first time in a leading role. A year later I starred in the Mediaset TV series, “Luce Dei tuoi occhi” (the TV series has been so successful that I am currently on the set of the second season). During the last year I’ve worked a lot on my acting and I’m very grateful to have been able to show it. I ended 2021 losing myself into two very diverse leading roles, with such a sensitive issue as “Rinascere” - a movie by Umberto Marino and “Cabala. Le Vergini di fuoco”, a new anthological TV series for Rai Play, written and directed with an extremely contemporary point of view, both of them being launched a few weeks ago. That’s it, for now. You’ll see me again on Canale5 this autumn and hopefully soon at the movies.

Also share your opinion and thoughts about the importance of diversity and inclusion in the film and entertainment industry. Movies have a crucial role in our society as they are possibly the most influential media the human being has ever created. Not only do they reflect trends, cultures, ideologies - they have the power to create them. It’s what a film is made for - to make a reality come to life, and I’m not only talking about science fiction films - even though they are equally influential - I’m talking about everyday life. A film is not like a mirror: it is always an impartial, subjective way to see life. Producers have to be very careful about what they choose to portray in a film. Diversities have to be represented in order to be recognized, minorities should be seen more often in film so that the world can acknowledge their presence and become more open-minded and respectful.

Can you share with us a special moment when you experienced something from another culture that inspired you or came to deeply appreciate?

It can be a place, art, film, music, food, or anything. I’m really fond of French artistic cinema. I'm referring to the group of the Nouvelle Vague, active between the end of the 1950 and the beginning of the 60s. Their cinema really inspires me: they value cinema as a form of art and make me appreciate my job. In a whole other way, I love how high budget Hollywood films can create a never-seen and absolutely original image and it would be a dream to be able to participate in such an impactful movie, that’s the reason why I studied English, accomplishing the C2 level last year.

Is there anything else you want to share for us to include or to keep an eye out for? Always keep an eye out for the health of our planet! Unfortunately, sets are not the most ecological environments. A lot of energy is needed as well as disposable objects. We are always trying our best as there are more and more sets who are sensitive about the topic. I always bring my refilling water bottle to work and I would like that everyone could pay attention to such a serious issue as global warming is.

THEHOUSE-MAGAZINE.COM

|

THE HUMAN ISSUE

|

VOLUME VI

67

68

THEHOUSE-MAGAZINE.COM

|

THE HUMAN ISSUE

|

VOLUME VI

Jacket EMPORIO ARMANI Watch PIAGET

THEHOUSE-MAGAZINE.COM

|

THE HUMAN ISSUE

|

VOLUME VI

69

T-shirt, top and shoes SALVATORE FERRAGAMO Watch and necklace PIAGET

70

THEHOUSE-MAGAZINE.COM

|

THE HUMAN ISSUE

|

VOLUME VI

Sweater MISSONI

THEHOUSE-MAGAZINE.COM

|

THE HUMAN ISSUE

|

VOLUME VI

71

last look

THE SUMMER EDIT 1.

1.

3.

1. 414 PEGGY SUNBURN NAIL POLISH, GUCCI 2 . E M B R O I D E R E D P L A C E M AT S , C A S A V E L A S Q U E Z 3 . H A N D - PA I N T E D B O W L W I T H S PA N I S H L E B R I L LO D E S I G N I N S U N N Y Y E L LO W, P O M E LO C A S A 4 . A L E X I S B OTA N I C A L TO P, T H E AV E N U E B Y LY N D S E Y ZO R I C H 5 . F R I D AY S F R O M T H E G A R D E N C O O K B O O K , F L A M I N G O E S TAT E 6 . D A R Y L D E N I M S H O R T, T H E AV E N U E B Y LY N D S E Y ZO R I C H 7 . R U B Y B E R L I N G OT W I N E G L A S S , T H E A R K E L E M E N T S

72

THEHOUSE-MAGAZINE.COM

|

THE HUMAN ISSUE

|

VOLUME VI

2.

4.

5.

7.

6.

7.

4.

THEHOUSE-MAGAZINE.COM

|

THE HUMAN ISSUE

|

VOLUME VI

73

On the

HOUSE

the go-to HANDBAG + CLUTCH for summer

by KZ_K STUDIO

the DISTRICT SHOPPER THE ONLY BAG AND CLUTCH YOU WILL EVER NEED. This clean, modern design is a classic for the multi-functional shopper. The double straps make it the perfect option for the everyday bag. It's also handcrafted with an exquisite quality suede and nappa lambskin by local artisans in New York City's garmet district with minimal waste and environmental impact.

SHOP THIS LOOK -> WWW.KZKSTUDIONYC.COM

74

THEHOUSE-MAGAZINE.COM

|

THE HUMAN ISSUE

|

VOLUME VI

final notes FROM THE HOUSE WRITTEN BY: JENNIFER STRIEGEL

I M A G E C R E D I T S : TO P - T I M H J E R S T E D. B OT TO M , L E F T TO R I G H T - M I C H A E L O C H S A R C H I V E S , T H E K I L L E R S , I M B D.

ARE WE HUMAN, OR ARE WE DANCER?

The well known yet controversial lyrical line from the iconic song Human, by the Killers struck a relevant cord for The House’s Human Issue. Although the song was written in 2008, and the words originally spoken two decades earlier, the meaning behind its words are eerily relevant to the world we are living in right now.

American journalist and writer Hunter Stockton Thompson, first known for his book Hell’s Angels followed by the popularity of his second book also turning into a screenplay Fear and Loathing in Las Vegas, was the author of these notable words. He was quoted saying them in reference to the generation of the 90s era being a time when humans were raised to dance together versus take steps on their own accord.

Ironically, today, near the end of Generation Alpha, in many ways our dancing is the step out. Having your own voice, taking a

stand, being empowered to follow your gut and stand up for your beliefs publically is not only thrilling, but also the incredible gift of being in a democratic society. However, those individual step outs can also drive unfathomable pain and downfall for oneself and others. The heightened conflict, entitlement, expectation without accountability, obsessive self care built in a hyper advanced technological age is turning the world upside down. The humanity of being a human in real life.

The Human Issue sought to step humanity back in. Embrace the collective human race. Our innate creativity and compassion individually derived from being a species of both heart and head.

Call on our species origin story for your own step out today. See whether it changes your perspective on your dance for tomorrow.

And put yesterday behind you. As real humans, we aren’t designed to walk backwards.

THEHOUSE-MAGAZINE.COM

|

THE HUMAN ISSUE

|

VOLUME VI

75

WWW.HALSTON.COM

76

THEHOUSE-MAGAZINE.COM

|

THE HUMAN ISSUE

|

VOLUME VI