Color & Light
What is a PAINTING STYLE?
What is a PAINTING STYLE?
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Istarted painting one painting a week about sixteen years ago. I had just moved to Las Vegas to rock climb at Red Rock Canyon, and I instantly fell in love with its red and orange sandstone cliffs. I decided I could paint nothing but landscapes for the rest of my life.
Although I had been painting in oils since age eight, I hadn’t yet developed a distinctive style. My subjects and media varied widely, from watercolor and ink Batman comics to delicately detailed colored pencil drawings of bird feathers. I painted everything from abstracts to portraits to carefully shaded pencil drawings.
After making the decision to paint one painting a week (and often more than one painting per week), it was like learning to paint all over again. I had never painted brightly-colored landscapes before, but waking up before dawn and watching the sun rise over Red Rock Canyon inspired me to fill my palette with cadmium orange and yellow, alizarin crimson, and
magenta. I wanted my paintings to pulse with color like the desert landscape I had learned to love.
The traditional method of painting in oils that I had been taught involved lots of waiting for painting layers to dry, breathing in turpentine, brush cleaning, laying down more washes, making minor changes, waiting for the painting to dry, and scrubbing paint around on the palette into a muddy mess.
I didn’t believe the highly textural and richly colored red rocks could be captured with such methods.
Instead, I experimented with premixing my entire palette of colors using a palette knife, before I ever picked up a brush to paint. I could then use my brush to scoop pure color and lay the brush strokes sideby-side, without layering. This gave my paintings an exciting feel, a fresh
and outdoorsy feel, a textural and colorful feel.
After creating about fifty paintings with this technique, modifying and experimenting all the while, I felt like I was starting to get the hang of how to capture red rock landscape on canvas. The thickly applied brush strokes met together like the different planes of rock faces, each plane a different color depending the angle it was facing the sun.
Through trial and error, I discovered which five colors I could mix together in any combination without getting muddy. Using only these five primary colors, I could mix thousands of variations.
Once, I sanded down an old painting to paint over it, and instead of covering it over with white gesso, I decided to paint right over the top of the old painting. I was enthralled with how the color of the previous painting peeked out in between my brush strokes, and from then on, I deliberately primed my canvases with bright shades of color.
After painting a few hundred oil paintings, I fell into a groove with
my painting technique. I fell into a groove with how I held my brush, how I applied my underpainting, how I chose my light and shadow colors, how I painted clouds, how I painted water, how I captured the bark on trees.
I came up with rules for myself, like “try not to overlap any brush strokes,” and “get it right the first time,” and “don’t make any changes to the painting after it has been signed.”
The more paintings I completed, the more a unique painting style emerged, one that was exclusively “Erin Hanson.” Finally, I came up with a name for my style: Open Impressionism.
What is a painting style? It is the grooves of habit an artist creates by practicing their craft for thousands of hours. It is what makes their creations unique.
ORIGINAL OILS BY ERIN HANSON
y wife was thrilled with the painting. We are so glad to have an original of yours in our house. We placed it on a small wall between the dining room and kitchen, near a window. The changing light from the window makes us feel like we own many paintings by you. Every hour it’s different. Seeing how much inspiration a small original painting by you gives, we definitely need a larger one elsewhere in the house.
We have many original paintings, calligraphy, tapestries, sculptures, and rugs we have gathered over the years, by artists from all over the world. But there is something about your Open Impressionism that is so exciting. So honest, and yet complex. So alive. Thank you for sharing your genius and command of color and medium.
-M. & S.H., Portland, OR
FUN FACTS
ERIN HANSON HAS PAINTED FOR APPROXIMATELY 20,834 HOURS IN THE PAST 16 YEARS, CREATING A TOTAL OF OVER 2,948 ORIGINAL OIL PAINTINGS.
Reflected Autumn Oil on canvas
40 x 28 in
This painting (above) was inspired by a photo safari I took to the Blue Ridge Mountains last autumn. This piece captures everything I love about the fall. I wanted to capture a special moment when I was outside, surrounded by nature, standing by a quiet pool in the early morning, when suddenly the clouds parted and the sunshine broke through, making the autumn-hued trees explode with color.
- Erin HansonALPINE BLUES
PRIVATE COLLECTION
DANVILLE, CA
ASPENS IN GOLD
PRIVATE COLLECTION
SCOTTSDALE, AZ
AUTUMN FIELDS
PRIVATE COLLECTION
LOS BANOS, CA
CANYON BLOOMS
PRIVATE COLLECTION
DUBLIN, CA
CLOUDED MARSH
PRIVATE COLLECTION
SAINT PETERSBURG, FL
COASTAL POPPIES IV
PRIVATE COLLECTION
BENICIA, CA
CYPRESS BLUE
PRIVATE COLLECTION
DANVILLE, CA
DESERT REFLECTIONS
PRIVATE COLLECTION
HESPERIA, CA
EUCALYPTUS BLUE
PRIVATE COLLECTION
DANVILLE, CA
HIGH DESERT BLOOMS
PRIVATE COLLECTION
SCOTTSDALE, AZ
LAVENDER TULIPS
PRIVATE COLLECTION
PALO ALTO, CA
LIGHTED FIELDS
PRIVATE COLLECTION
SAN DIEGO, CA
OAKS IN LIGHT
PRIVATE COLLECTION
AMITY, OR
OJAI POPPIES
PRIVATE COLLECTION
CORONADO, CA
PAINTBRUSH BLOOMS
PRIVATE COLLECTION
BRANCHVILLE, NJ
PETITE BLOOMS
PRIVATE COLLECTION
ST. CLOUD, MN
PINE SKY
PRIVATE COLLECTION
AMSTERDAM, NETHERLANDS
SUNSET CLOUDS
PRIVATE COLLECTION
SAINT PETERSBURG, FL
TURQUOISE WATERS
PRIVATE COLLECTION
LONDON, UK
VISTA PEAKS
PRIVATE COLLECTION
DANVILLE, CA
YELLOW IRIS
PRIVATE COLLECTION
LOS BANOS, CA
ZION LIGHT
PRIVATE COLLECTION
MOUNTAIN GREEN, UT
Blooming Field Oil on canvas
1805 NE Colvin Court
McMinnville, OR 97128
(503) 334-3670
60 x 48 The Erin Hanson Gallery