THELEAVEN.ORG | VOL. 37, NO. 29 | MARCH 4, 2016
PHOTO BY JANA MARIE PHOTOGRAPHY
Kansas City and Phoenix chorales took home a Grammy for the recording of Rachmaninoff’s “All-Night Vigil.” The piece was recorded at the Cathedral of St. Peter in Kansas City, Kansas.
HOW SWEET THE SOUND
Grammy-winning piece recorded at the Cathedral of St. Peter By Moira Cullings moira.cullings@theleaven.org
K
A N S A S CITY, Kan. — If you stumble upon the Cathedral of St. Peter here, you’re sure to notice its vast beauty and
rich artistic detail. But would you notice its acoustics? The Kansas City and Phoenix chorales did and, because of it, they took home a Grammy award on Feb. 15. The award, Best Choral Performance, was granted to Charles Bruffy, conductor, (with Paul Davidson, Frank Fleschner, Toby Vaughn Kidd, Bryan Pinkall, Julia Scozzafava, Bryan Taylor and Joseph Warner (soloists); Kansas City Chorale and Phoenix Chorale (choruses)) for their recording of Rachmaninoff’s “AllNight Vigil.” The achievement is a great honor for both the chorales and the Cathedral of St.
Peter, the venue in which the piece was recorded. “I’ve known about the cathedral for a long time,” said Bruffy, artistic director of the Kansas City and Phoenix chorales. “I used to teach at Donnelly College [in Kansas City, Kansas].” This venue was the perfect fit, he said, because “we needed a special acoustic for this project — one that is a little more resonant than what we normally use. And we certainly found that in St. Peter’s.” “The cathedral itself is a true gem here in the urban core,” said its rector Father Harry Schneider, who stated it was an honor to host the singers. “Their voices are incredible,” he said. “They are professional singers, and they’re just amazing persons. They were delightful to talk to.” For chorale members, a venue like the Cathedral of St. Peter is a dream come true. “The cathedral was the absolute perfect location for our recording,” said >> See “CATHEDRAL” on page 7
PHOTO BY JEN ROGERS
The Kansas City and Phoenix chorales worked for about 30 hours over a span of four days recording Rachmaninoff’s “All-Night Vigil.” The venue was the perfect fit, said Charles Bruffy, artistic director of the Kansas City and Phoenix chorales, because “we needed a special acoustic for this project — one that is a little more resonant than what we normally use.”