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Be more, be funny! Loras Players present Duprov for 2nd consecutive year

Duhawks sweep double-header from University of Dubuque Page 8 April 23, 2015 — Vol. 93, Issue 15

Daughters of Isabella host Emerald City-themed formal by ashley pudil | news editor

On Saturday, students donned fancy dresses and suit jackets to spend the evening at the annual Spring Formal hosted by the Daughters of Isabella. The dance was also sponsored by the Knights of Columbus, Alpha Sigma Alpha and Sigma Phi Epsilon. With the ballrooms adorned in green decorations, lights, and even a yellow-brick road, students came out to spend “One Short Night in the Emerald City,” this year’s theme. The spring formal is the main event hosted by The Daughters of Isabella, which has planned for this night since early November. The early part of this spring semester consisted of preparing for this event by buying decorations, creating a music playlist and selling tickets. By the end of the evening, at least 115 Duhawks had danced the night away. “Overall, I think the night was a huge success,” co-coordinator Emily Erickson said.

by ashley pudil | news editor

Last Thursday and Friday nights were full of laughter as the Loras Players presented Duprov: Be More, Be Funny! Coordinated by Michael Okas and Benjy Miller, Duprov is in its second consecutive year as part of the program for the Players. Nine Duhawks practiced for over a month to deliver entertaining, laugh-filled shows to their audience. “The cast worked really well together this year, which helps a lot with the entertainment factor,” Okas said. “We can play off each other to create some great moments on stage.” Duprov allows students to attempt improvisation, a form of comedy that involves coming up with a sort of story or situation at the spur of a moment. There was little time to prepare since most characters and scenarios were picked from a suggestion bucket or straight from the audience themselves. From there, they worked with each other to create an entertaining act. Since Duprov is all about improvisation, there’s no specific way to practice. “It’s hard to be funny off the top of your head at any given point,” senior Duprov member Josh Kessenich said. But this did not stop the group from working hard and thinking outside the box. Throughout the evening, they used different games to make the audience laugh. “Even though the cast is important, the audience is essential in our show because they take the energy we give them and throw it right back at us,” said sophomore Duprov member George St. John. “A good audience makes the show even better: when they laugh, it motivates us as we perform.” As for the future of Duprov, there are some potential changes on the horizon. “We’re hoping to perform our shows in the theatre again at some point,” Okas said. “We also think it would be cool to make it an improv club and have shows more often. Either way, it’s an entertaining show not only for us, but for anyone who watches us perform.”

“It was definitely a learning experience putting it all together, and I’m looking forward to improving the dance to make it even more enjoyable in the future.” The night started out with a dance lesson instructed by Loras professor Kristin Anderson-Bricker and her husband, John. Duhawks learned the basic steps of swing dancing, but the excitement did not stop there. A live band, made up of Loras students, played a few swing tunes before the playlist began. The rest of the evening was filled with lots of dancing, fun, fellowship, and memories. “I had so much fun at the dance,” exclaimed first-year Katie Tooze. “The music was great and everyone was happy to be there. I plan on going again next year.” Even though this was the main event for the group, the Daughters are planning a volleyball tournament with the Knights of Columbus in May. Students should keep an eye open for a set date to come and support the two groups.

photos by katherine edwards

Loras choirs present annual spring concert by andrea berns | staff writer

Let all the earth sing forth! The Loras College Concert Choir, Chamber Singers, and women’s choir Bella Voce joined forces with the string instruments last Saturday, April 18, to perform the most challenging and beautiful concert of the semester. Bella Voce set the tone with a stunning rendition of “For the Beauty of the Earth” by John Rutter and a Latin piece, “Laetatus Sum,” by Niccola Porpora with a solo by junior Kim Anderson. Senior music major Elizabeth Dickhut directed Bella Voce’s two pieces: her first time student directing in front of a live audience. “It was wonderfully terrifying, but it was a fantastic experience,” said Dickhut. “I think it will make me a better candidate for future jobs to actually have conducted a real choir and performed in public. There are not too many students who can put that on their resume.” Chamber Singers was next, first performing the final movement of Stephen Chatman’s Voices of Earth sequence. The wall of sound created by the numerous rounds of voices was directed by senior Emily Gignac. The next in line was the Italian piece, “Preghiera Semplice,” which translates to English as “Simple Prayer,” by A. Eric Heukeshoven. Soft and beautiful, it is an Italian translation of The Prayer of St. Francis. The music’s lyrics then transformed to the night’s sky with Eriks Ešenvalds’s “Stars,”

performed not only with the voices of the choir but also with the rims of water glasses. “It was my favorite piece,” said Chamber member Jennifer Kasel. “The water glasses created an unparalleled, ethereal sound that was astounding in Christ the King Chapel.” This section of the concert ended with Józef Swider’s “Cantus Gloriosus,” a hymn of praise with vocal rounds as if sung by a multitude of angels. The Concert Choir’s first piece was a beau-

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song, and I know it touched my parents in a special way.” The choir then joined forces with the string instruments for the final piece of the night: a half-hour-long collection of movements called The Sunrise Mass. The four movements are named “The Spheres,” “Sunrise,” “The City,” and “Identity and the Ground.” By the end, the choir received a standing ovation from the audience. “It was a very transcendent experience,”

This program contained music that required a mature approach to the interpretation of each work and the physical, mental, and spiritual stamina to perform these works.

,,

Bruce Kotowich, Ph.D.

director of Loras College Concert Choirs

tiful song with a beautiful story behind it. The performance of “It Is Well With My Soul” by Craig Courtney was dedicated to the family of first-year Anna Nielsen who lost her brother Erik to an aneurysm this past December. Erik sang the piece in a men’s ensemble during his senior year of high school. The song was later sung at his funeral. “The song has a great meaning behind it, and it really fits well with the whole situation,” Anna reflected. “The saying, ‘It is well with my soul,’ encompasses my feelings towards the death of my brother, and it is very comforting. The choir did a great job with the

Kasel remembered. “Gjielo’s Sunrise Mass resonated beautifully in Christ the King Chapel. It was breathtaking.” “My favorite piece was ‘Identity and the Ground’ in Sunrise Mass because it is a beautiful sound that exemplified the unity and hard work that the whole choir puts into everything we do,” said first-year choir member Cheyenne Secor. “Sunrise Mass was a very long and demanding piece that took a lot of hard work and practice, but I think it turned out beautifully. It definitely wasn’t an easy piece to sing, but it is always worth it to see everything come together.”

The audience enjoyed listening just as much as the choir enjoyed performing. “I’m very impressed with what everyone has been working on,” said senior Cody Arnold. “The biggest joy for me was seeing the choir and the instruments come together to perform something beautiful. No other song gave me chills like Sunrise Mass did. You can tell it’s great music when you get chills. “I am extremely pleased with the performance,” he continued. “This program contained music that required a mature approach to the interpretation of each work and the physical, mental and spiritual stamina to perform these works.” Kotowich has had the opportunity to have an inside look at a few of the pieces performed. “I have been fortunate to meet four of the composers from the concert: John Rutter, Stephen Chatman, Eriks Ešenvalds, and Ola Gjielo,” he explained. “I met both Ešenvalds and Gjielo in February. They were both excited to hear that we would be performing the music. They even sent [the choir] video greetings and offered ideas for the preparation and performance.” Though the choirs devoted all of their blood, sweat, and tears to this concert, it was a consensus that it was worth it to share the beauty they created in music with the public. “It was exhausting but rewarding,” Kasel continued. “It was such a great accomplishment to have performed a piece of such magnitude.”


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