The Mirror v11 iss1

Page 1

Vol. 11 Issue 1 • FEBRUARY 2022 - MARCH 2022 •

S O U T H

F L O R I D A

THEMIRRORMAG.COM

G A Y

WINTER ARTS & ENTERTAINMENT

N E W S

A NEW FACE GABE SALAZAR TO CONDUCT THE GAY MEN’S CHORUS Begins on Page 20


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TABLE OF CONTENTS FOOD Pre-Theater Cocktail Party Page 14 GADGETS Franklin’s Original Whirley Pop Stovetop Popcorn Machine Page 34 OPINION I Wish I Was A Luddite Page 36 ENTERTAINMENT An Interview with Julia Lemigova of ‘Real Housewives of Miami’ Page 40 CARS The 2022 Audi A3 Sports Sedan Proves An Old Cliché to be True Page 44

WINTER A&E DEAR BEN PLATT Page 18 THE MUSIC MAN: GABE SALAZAR Page 20 10 HOT TICKETS FOR THE SEASON Page 22 COVID CHAOS Page 26 CARBONELL AWARDS OVERHAUL SYSTEM, INTRODUCE NEW JUDGES Page 28 ARTS BOOKSHELF Page 30

Pictured on the cover: Gabe Salazar, the newest face for the Gay Men’s Chorus. Photo via the Gay Men’s Chorus of South Florida, Facebook. Story on page 20.

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2021 / 22 S E A S O N

Experience the thrill of live music in Ft. Lauderdale, Miami and Key West!

A PUBLICATION OF SOUTH FLORIDA GAY NEWS FEBRUARY 2022 - MARCH 2022 Vol 11 | Issue 1 2520 N. Dixie Highway | Wilton Manors, FL 33305 Phone: 954.530.4970 Fax: 954.530.7943

PUBLISHER

MOZART | MENDELSSOHN Mendelssohn’s “Scotch” Symphony and Mozart’s Double Piano Concerto in E-Flat major featuring Catherine Lan and Tao Lin The Parker March 23 Temple Israel of Greater Miami March 24 Tennessee Williams Theatre at The College of the Florida Keys March 26

NORM KENT norm.kent@sfgn.com

Associate Publisher/ JASON PARSLEY Executive Editor jason.parsley@sfgn.com

EDITORIAL Art Director BRENDON LIES artwork@sfgn.com Webmaster KIM SWAN Senior Features Reporter DAMON SCOTT A&E Editor J.W. ARNOLD Food Editor RICK KARLIN Special Columnist PIER ANGELO

SALES & MARKETING For ad placement in the Mirror Magazine, CONTACT 954-530-4970 Sales Manager JUSTIN WYSE justin@sfgn.com

BEETHOVEN | COPLAND Beethoven's monumental 'Eroica' Symphony, and David Shifrin performing Copland's Clarinet Concerto The Parker April 27 Temple Israel of Greater Miami April 28

Senior Advertising Assoc. EDWIN NEIMANN edwin@sfgn.com Sales Consultants TIM HART Printing PRINTER’S PRINTER National Advertising RIVENDELL MEDIA Accounting Services CG BOOKKEEPING Legal Counsel RUSSELL CORMICAN Thank you to our special guest columnists for this issue: Gregg Shapiro | Pier Angelo

Pictured on the cover: Gabe Salazar, the newest face for the Gay Men’s Chorus. Photo via the Gay Men’s Chorus of South Florida, Facebook.

TICKETS ON SALE NOW southfloridasymphony.org | 954.522.8445

The Mirror is published bi-monthly. The opinions expressed in columns, stories, and letters to the editor are those of the writers. They do not represent the opinions of The Mirror or the Publisher. You should not presume the sexual orientation or gender identity of individuals based on their names or pictorial representations in The Mirror. SFGN contracts with independent entities for stock images. Furthermore the word “gay” in The Mirror should be interpreted to be inclusive of the entire LGBT community. All of the material that appears in The Mirror, both online at www.themirrormag.com, and in our print edition, including articles used in conjunction with the Associated Press and our columnists, is protected under federal copyright and intellectual property laws, and is jealously guarded by the newspaper. Nothing published may be reprinted in whole or part without getting written consent from the Publisher of The Mirror, Norm Kent, at Norm@NormKent.com. The Mirror is published by the South Florida Gay News. It’s a private corporation, and reserves the right to enforce its own standards regarding the suitability of advertising copy, illustrations and photographs. MIRROR Copyright © 2022, South Florida Gay News.com, Inc.

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Florida Press Association National Gay and Lesbian Journalists Association



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DRIVEN BY JAZZ March 25, 8pm at The Parker UNBREAKABLE & UNSTOPPABLE June 24 & 25, 8pm at Sunshine Cathedral

GMCSF GAY MEN’S CHORUS OF SOUTH FLORIDA

For ticket information, visit GMCSF.org or call us at 954-763-2266.


FOOD

PRE-THEATER COCKTAIL PARTY // Rick Karlin

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t’s wonderful that theaters are back and running, but if you and your friends still feel a little uncomfortable about hitting a bar or restaurant before or after the theater, why not host a small pre- or post-show gathering in your home? Serve a special cocktail which you prepare ahead of time and put out a few indulgent hors d’oeuvres. All of these recipes can be prepped ahead of time and just heated up and put out before serving. Using already prepared ingredients such as corn muffin mix or frozen meatballs makes things even easier.

Photo via Adobe.

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FRIED TORTELLINI

PARTY SHRIMP

When frying, cook until the coating is just set and lightly browned, then refrigerate and finish cooking in the oven just before serving.

Shrimp is always a big hit at parties, spend a little more for the jumbo (15-18 per pound). Also make certain to dry on paper towels, it makes all the difference.

These are great for the vegetarians in your group. If you choose to use a corn muffin mix, make certain it doesn’t have lard in the ingredients.

INGREDIENTS

INGREDIENTS

2 lbs. cooked shrimp 1 tablespoon olive oil 1-1/2 teaspoons brown sugar 1-1/2 teaspoons lemon juice 1 garlic clove, thinly sliced 1/2 teaspoon paprika 1/2 teaspoon Italian seasoning 1/2 teaspoon dried basil 1/4 teaspoon pepper

Corn muffin batter (below or use a box mix) 1½ cups all-purpose flour 1 cup cornmeal 1 teaspoons sugar 1 teaspoon baking powder 1 teaspoon salt 1 large egg, room temperature ¾ cup milk ¼ cup vegetable oil 1 cup frozen corn Filling ingredients 2 cups shredded cheddar cheese 1 can (4 ounces) chopped green chiles ½ teaspoon cayenne powder

INGREDIENTS 2 large eggs 2 tablespoons milk 1 cup seasoned bread crumbs 1 teaspoon garlic powder 2 tablespoons grated Pecorino Romano cheese 1 tablespoon minced fresh parsley 1/2 teaspoon salt Oil for frying 1 package (12 ounces) refrigerated tortellini, any filling you choose Tomato sauce (homemade or jarred) DIRECTIONS Allow tortellini to thaw to room temperature. In a small bowl, whisk together eggs and milk. In another bowl, stir together the bread crumbs, cheese, herbs and spices. In a cast-iron or other heavy skillet, heat 1/4 in. oil to 375°. Dip tortellini in egg mixture, then in bread crumb mixture to coat. Fry tortellini in small batches (fry about 6-8 at a time so oil doesn’t become too cold), 1 to 1½ minutes on each side. Drain on paper towels. May be stored in the refrigerator for up to two days. To reheat place on a baking sheet and warm in a 350° oven about 10-15 minutes or until golden brown. Serve with tomato sauce for dipping.

DIRECTIONS If frozen, thaw shrimp overnight in the refrigerator. Peel, devein, and remove tails from shrimp. Place in a sealed container lined with paper towels (if you need to make two layers, put paper towels between each layer). Refrigerate while you prepare marinade. Heat oil in a saucepan. Turn off heat and add remaining ingredients. Stir until all are dissolved. Remove paper towels from shrimp. Pour warm oil mixture over shrimp. Refrigerate at least three hours or overnight. Remove from marinade and place on a platter with toothpicks.

MINI CORN MUFFINS WITH SPICY CHEESE

DIRECTIONS Preheat the oven to 400°. If making corn muffin mix, follow steps below, if using a box mix, follow directions on box, then stir in corn. In a large bowl, whisk the first five ingredients. In another bowl, whisk egg, milk, and oil until blended. Add to flour mixture; stir just until moistened. Fold in corn. Fill greased mini muffin cups threefourths full. Bake for 15-18 minutes or until a toothpick inserted in the center comes out clean. Cool 5 minutes before removing from

pans to wire racks. In a large bowl, combine filling ingredients. Using a small melon baller, scoop out the center of each muffin Spoon a rounded teaspoon of filling into the center. At this point the muffins can be refrigerated for up to one day beforehand. To heat before serving, place in a preheated 350° for 10-12 minutes, or until the cheese is melted.

CRAB CUPS These freeze wonderfully. Underbake for 3-5 minutes, then just heat for 10 minutes in a 350° oven before serving. INGREDIENTS 1 package of 24 frozen phyllo cups. 2 (8 ounce) packages cream cheese, softened 2 (6 ounce) cans crab meat, drained 2 tablespoons mayonnaise 4 tablespoons grated Parmesan cheese 1 cup shredded cheddar cheese 2 thinly sliced green onions DIRECTIONS Lightly grease a baking sheet Place phyllo cups on the prepared baking sheet. In a large bowl, combine cream cheese, crab, mayonnaise, Parmesan cheese, cheddar cheese, and green onions Spoon 1 teaspoon of mixture into tarts. Refrigerate for 30 minutes or up to one day. Bake in a preheated oven to 375° oven for 15 to 20 minutes, or until light brown.

BOTTOMS UP!

To make your party even easier, have a couple pitchers of pre-made cocktails. Make one vodka drink and another with a brown liquor, such as bourbon. Also don’t forget a virgin version for the designated driver and other non-drinkers in the group. Here are two drinks to put everyone in a festive mood.

SEA BREEZE

KENTUCKY MULE

IN A LARGE PITCHER MIX: 2 cups vodka 3 cups cranberry juice 1 cup grapefruit juice Pour over a glass of ice and garnish with a thin slice of lime. For the virgin version, leave out the vodka.

IN A LARGE PITCHER MIX: 2 cups bourbon ¼ cup fresh lime juice 4 cans (12 oz) ginger beer Pour over ice (preferably in a brass cup), garnish with lime wedge and mint leaves. For the virgin version, just use ginger beer with lime juice. FEBRUARY 2022 - MARCH 2022 | THE

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www.FLPDJOBS.com I 954-828- FLPD (3573)

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THE CITY OF FORT LAUDERDALE IS AN EQUAL OPPORTUNITY EMPLOYER

www.FLPDJOBS.com I 954-828- FLPD (3573) Sworn to serve I Live to Protect I Be FLPD FORT LAUDERDALE POLICE DEPARTMENT

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www.FLPDJOBS.com FLPD (3573) www.FLPDJOBS.com I I 954-828954-828- FLPD (3573) Sworn Sworn to serve to serve I Live I Liveto toProtect Protect I Be I Be FLPD FLPD FORT LAUDERDALE FORT LAUDERDALE POLICE POLICE DEPARTMENT DEPARTMENT

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PPORTUNITY EMPLOYER 16 | THE

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ARTS & ENTERTAINMENT

Pictured: Ben Platt. Courtesy photo.

FEATURE

DEAR BEN PLATT

HARD ROCK HOSTS CREATIVE STAR OF STAGE AND SCREEN / / J.W. Arnold

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t just 28, actor, singer and songwriter Ben Platt is on top of the world. Platt got his start on Broadway in “The Music Man” and “The Book of Mormon” before capturing the hearts of audiences as the title character in “Dear Evan Hansen,” snagging a Tony Award in 2017. Roles in “Pitch Perfect” and “Pitch Perfect 2,” as well as the Netflix comedy “The Politician” earned him fans around the globe.

Platt was still enjoying the success of his first album, “Sing to Me Instead” when the pandemic sent him into quarantine (with his boyfriend) at his parents’ house for months. He spent the time working on a new album, “Reverie,” and nearly two years later, is touring the country again. Platt will perform songs from the album on the stage at Hard Rock Live on Feb. 25. Mirror spoke with Platt last fall as final preparations were being made for the “Reverie” tour. When asked what “10-year-old Ben” might think of his success, Platt replied: “I think he’d be shocked. I mean, I think he’d be really proud and excited … that I not only had the opportunity to write my own music, but that I could do it at the level that I was performing in these amazing spaces and all of these cities and that people were coming to hear my own thoughts and experiences. I think that might really overwhelm him in a good way, hopefully. And I do hope that in some ways he’s kind of present, whenever I’m performing…” On the effects of the pandemic and months spent back at home with his parents, he shared: “In the literal sense, the fact that the pandemic

sort of displaced me to my former bedroom, living with my parents and being surrounded by my old posters and clothes and yearbooks and things, I think that ended up being sort of a very fruitful, kind of inspirational place to write from, and to even use my old keyboard from high school to sort of write on. I think that stylistically and also just content-wise that ended up really influencing and inspiring a lot of the record.” Performing on a solo tour is a “freeing” experience, very different from his stage and screen roles: “Performing live [is] my favorite thing to do … even in the context of playing a character, doing a piece of theater, as much as you’re directed and as specific as your role is, you are the one going out there and delivering the performance. So, there’s a great amount of ownership in [the] performance, regardless. And then you take that to the nth degree when it’s your own music and you’re performing as yourself because there is really no netting other than the netting that you create for yourself.” He went on: “And there’s an incredible boundary-lessness, which I think is a scary thing — but a very

positive scary thing — in the sense that it gives you those good butterflies. And it’s a challenge that never gets old. And it’s something that feels very kind of naked and very vulnerable because there’s not a lot of protection between what you’re doing and the people watching. But I think, that’s sort of the thing that I love the most about it. And I do think after working since I was 8 or 9 years old playing characters, for 18, almost 20 years, it does feel rather cathartic to finally get to sort of perform purely as myself. So, it’s an outlet that I’m very grateful to have.” Platt refused to speak about the critically panned “Dear Evan Hansen” film, even though the soundtrack earned Grammy nominations days before the interview. Despite the hiccup in his career, he’s expected to be in front of a camera again for a film adaptation of Stephen Sondheim’s “Merrily We Roll Along,” a musical that traces the careers and friendships of two couples backwards over 20 years. A return to Broadway is almost certainly in the future, too. But, in the meantime, he’s reveling in the success of “Reverie” and strong advance ticket sales across the country as he prepares to hit the road again.

TICKETS FOR BEN PLATT’S “REVERIE” TOUR AT THE HARD ROCK LIVE IN HOLLYWOOD ON FRIDAY, FEB. 25 ARE AVAILABLE AT TICKETMASTER.COM. 18 | THE

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ARTS & ENTERTAINMENT

MUSIC

Pictured below: Gabe Salazar leads the Gay Men’s Chorus. Photos via Facebook.

THE MUSIC MAN

GABE SALAZAR TAKES LEAD AT GAY MEN’S CHORUS / / J.W. Arnold

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ust when life seems to return to normal, the pandemic rebounds unpredictably. The Gay Men’s Chorus of South Florida (GMCSF) experienced just that in December.

Gabe Salazar, the new artistic director, had just completed his inaugural concert at the Sunshine Cathedral before several COVID-19 diagnoses among the chorus forced the cancellation of a second, larger production with recording artist Deborah Cox at the Hard Rock Live in Hollywood. More than 1,300 ticketholders were notified, but none were more disappointed than the men of the chorus and their conductor. Salazar, who was selected following a nationwide search, had been looking forward to the opportunity to finally gather the members and lead them in song. The Texas native had conducted choirs and taught in Arizona, Tennessee, Illinois and California, but relocated to Florida and recently joined GMCSF as a singer when the position was announced. His experience performing with the Chicago Symphony Orchestra chorus and teaching at the high school and university levels prepared him for the position and, despite the disappointment this winter, he has big plans for the GMCSF. “It’s similar, but with students you have to be stricter and more forceful in your expectations. These guys voluntarily give up so much of their time to be in the chorus, I have to approach it differently. I’m grateful for their dedication and energy,” he said. “Everyone is craving live performances and being together again. They’re so excited to sing again.” With the holidays behind him, Salazar’s priorities include expanding the GMCSF performance schedule beyond Broward County (“We’re the Gay Men’s Chorus of South Florida, not just Fort Lauderdale or Wilton Manors.”) and he behopes to establish a chorus program for LGBT and allied youth. “I’d like to see the chorus grow. I’d love to see us go on some sort of tour, maybe Carnegie Hall,” he said. “There are lots of big dreams, but nothing that’s beyond our reach, considering our leadership team, our board members and our singers.” He’s especially passionate about the opportunity to support other LGBT people in their life journeys.

“A lot of people are surprised to learn that I used to weight 600 lbs. I lost it all by healthy eating. Health and fitness are very important to me,” Salazar explained. “I came out late in life. I was an emotional eater. By living my true self, I was able to be motivated and shed the pounds.” One of eight children himself, Salazar is also a devoted father to an 8-year-old, who lives in Los Angeles with his mother. He travels to California frequently to spend time with his son. For now, Salazar’s grateful for the support he’s received so far and the resilience of his singers and the chorus organization. “It’s been a whirlwind in the best kind of way, fun and exciting. And the guys have been so receptive to me and my vision for the chorus, offering nothing but support and encouragement along the way,” he said, noting if COVID-19 strikes again, the GMCSF will be ready.

GABE SALAZAR AND THE GAY MEN’S CHORUS OF SOUTH FLORIDA WILL PRESENT “DRIVEN BY JAZZ” ON MARCH 25 AT 8 P.M. AT THE PARKER IN FORT LAUDERDALE. FOR MORE INFORMATION AND TICKETS, GO TO GMCSF.ORG. 20 | THE

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EXPERIENCE THE NEW WORLD SYMPHONY IN MIAMI BEACH Upcoming events you won’t want to miss: Music of the Silver Screen Saturday, March 19 | 7:30 PM Richard Kaufman, conductor Philippe Quint, violin Richard Kaufman, conductor Philippe Quint, violin

NWS goes to the movies, performing selections from Hollywood films paired with clips.

Latin Love and Lore

Teddy Abrams, conductor People of Earth

Saturday, April 9 | 8:00 PM Sunday, April 10 | 2:00 PM Teddy Abrams, conductor People of Earth Teddy Abrams—Musical America’s 2022 Conductor of the Year and NWS alumnus—joins Latin ensemble People of Earth for a celebration of culture and expression.

Season Finale: MTT and Gil Shaham

Michael Tilson Thomas, conductor Gil Shaham, violin

Friday, May 6 | 7:30 PM Saturday, May 7 | 8:00 PM Michael Tilson Thomas, conductor Gil Shaham, violin

Witness MTT’s Mahler Legacy with an explosive performance of the Fifth Symphony in this epic season finale.

TICKETS | NWS.EDU 305.673.3331


ARTS & ENTERTAINMENT

TOP 10 TICKETS

Courtesy photos.

10 HOT TICKETS FOR THE SEASON / / J.W. Arnold

D

espite the inconveniences and continuing uncertainty caused by the Omicron variant of COVID-19, South Florida arts organizations and presenters have lined up a varied and exciting schedule of theater, dance, concerts and comedy. Here are 10 hot tickets to reserve today — in chronological order, because it was just too difficult to pick favorites.

5.

“DRIVEN BY JAZZ” GAY MEN’S CHORUS OF SOUTH FLORIDA MARCH 25 Artistic Director Gabe Salazar and the Gay Men’s Chorus of South Florida make their debut in the recently renovated and expanded Parker in Fort Lauderdale with a toe-tapping journey through great jazz tunes across the decades with a focus on the LGBT composers and performers that made them famous. GMCSF.ORG.

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“VARLA JEAN MERMAN’S LITTLE PRICK” SUNSHINE CATHEDRAL FEB. 12 The Sunshine Cathedral has resurrected the Outlandish performing arts series following the pandemic and presents the drag sensation Varla Jean Merman with her new show, “Varla Jean Merman’s Little Prick.” Innuendo aside, Varla Jean is certain to provide her insights on COVID-19 and the disruptions that little virus imposed on her fabulous life. SUNSHINECATHEDRAL.ORG.

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“BETWEEN RIO AND PAMPA” SYMPHONY OF THE AMERICAS FEB. 22 Dynamic new conductor Pablo Mielgo leads audiences at the Broward Center to the confluence of musical styles pioneered by Brazilian composer Hector Villa-Lobos (“Amazonas,” “Bachiana Brasileiras No. 5”) and his Argentinian contemporary Alberto Ginastera (“Variaciones Concertantes,” “Estancia”). Soprano Karen Slack is guest soloist. SOTA.ORG.

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ELTON JOHN HARD ROCK LIVE FEB. 27 If you missed Elton John on his “farewell” tour in 2018-2019, well, he took a lesson from Cher and is hitting the road again. He’s back in South Florida at the sparkling Hard Rock Live at the Seminole Hard Rock Hotel & Casino and — believe it or not — tickets are still available. They’re pricey, ranging from $600 to $3,000, but will you have another chance to see the Rocket Man? TICKETMASTER.COM.

6.

“SIDE BY SIDE BY SONDHEIM” ZOETIC STAGE MARCH 17 – APRIL 10 Multiple Carbonell Award-winning Zoetic Stage at the Arsht Center in Miami has established itself as the region’s preeminent interpreter of late composer Stephen Sondheim’s sublime musicals. Simple and unpretentious, this Tony Awardwinning musical is a perfect introduction to the work of a contemporary master and a must for die-hard fans. ZOETICSTAGE.ORG.

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4.

“DOWNTON ABBEY: A NEW ERA” IN THEATERS MARCH 2022

The beloved Crawleys are back in theaters this spring in the latest installment of this British upstairs/downstairs period drama. The studio and stars have been unusually tight-lipped about the plot, but creator Julian Fellowes rarely disappoints. It’s not too early to get some tea brewing, Mrs. Patmore. CHECK LOCAL LISTINGS FOR THEATERS AND SHOWTIMES.

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“FELLOW TRAVELERS” FLORIDA GRAND OPERA APRIL 23 – 28 Against a backdrop of the 1950’s “pink scare” in Washington, D.C., “Fellow Travelers” by Gregory Spears follows the lives of aspiring young journalist Timothy Laughlin and handsome State Department official Hawkins Fuller, who are swept into a passionate love affair, just as Senator McCarthy begins his hunt for “sexual subversives” in the government. FGO.ORG.

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“BEETHOVEN, COPLAND & BACH” SOUTH FLORIDA SYMPHONY ORCHESTRA APRIL 27 – 28 Maestra Sebrina María Alfonso leads the symphony in an exciting program including Beethoven’s Symphony No. 3, “Eroica;” Copland’s colorful Clarinet Concerto featuring soloist David Shifrin; and J.S. Bach’s mammoth Triple Concerto in A Minor. Don’t miss this opportunity to hear the orchestra shine in its new home at the Parker. SOUTHFLORIDASYMPHONY.ORG.

February 4 - February 13

A playground altercation brings together two sets of Brooklyn parents for a meeting to resolve the matter. But as the meeting progresses and the rum flows... the gloves come off.

TONY AWARD WINNER

February 18 - March 6

As news spreads of a murder in London, a group of seven strangers find themselves snowed in at a stately countryside guesthouse...with the murderer!

March 12, 2022

This annual Drag Show Fundraiser is back by popular demand for ITS FIFTEENTH consecutive year! A high-energy drag concert that features a cast of dazzling drag divas.

March 25 - April 10

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Follow the yellow brick road in this delightful stage adaptation of L. Frank Baum’s beloved tale, featuring the iconic musical score from the MGM film.

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PRODIGAL SON MIAMI CITY BALLET APRIL 29 – MAY 22 Miami City Ballet serves up a program of four energetic and beautiful ballets with something for everyone, including a classic story, Balanchine’s “Prodigal Son;” two fresh company premieres by Herman Schmerman and Christopher Wheeldon; and an innovative world premiere from Claudia Schreier that blends dance and technology. MIAMICITYBALLET.ORG.

April 22 - May 1

Sons of a desert-dwelling alcoholic and a suburban wanderer clash over a film script. Will this bring the brothers together or break their relationship completely apart?

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HEAD OVER HEELS SLOW BURN THEATRE CO. JUNE 10 – 26 This laugh-out-loud love story is set to the music of the iconic 1980’s all-girl rock band The Go-Go’s, including the hit songs, “We Got the Beat,” “Our Lips Are Sealed,” “Vacation,” “Heaven is a Place on Earth” and “Mad About You.” Join the hilarious escapades of a royal family on an outrageous journey to save their beloved kingdom from extinction. SLOWBURNTHEATRE.ORG.

April 29 - May 8

What happens when a group of soldiers roll into town? Find out in Shakespeare’s classic comedy about love, misunderstandings and deception. 713 Lake Ave. Lake Worth Beach, FL. 561.586.6410 | lakeworthplayhouse.org �

FEBRUARY 2022 - MARCH 2022 | THE

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IMPORTANT FACTS FOR BIKTARVY®

This is only a brief summary of important information about BIKTARVY and does not replace talking to your healthcare provider about your condition and your treatment.

(bik-TAR-vee)

MOST IMPORTANT INFORMATION ABOUT BIKTARVY

POSSIBLE SIDE EFFECTS OF BIKTARVY

BIKTARVY may cause serious side effects, including:

BIKTARVY may cause serious side effects, including:  Those in the “Most Important Information About BIKTARVY” section.  Changes in your immune system. Your immune system may get stronger and begin to fight infections that may have been hidden in your body. Tell your healthcare provider if you have any new symptoms after you start taking BIKTARVY.  Kidney problems, including kidney failure. Your healthcare provider should do blood and urine tests to check your kidneys. If you develop new or worse kidney problems, they may tell you to stop taking BIKTARVY.  Too much lactic acid in your blood (lactic acidosis), which is a serious but rare medical emergency that can lead to death. Tell your healthcare provider right away if you get these symptoms: weakness or being more tired than usual, unusual muscle pain, being short of breath or fast breathing, stomach pain with nausea and vomiting, cold or blue hands and feet, feel dizzy or lightheaded, or a fast or abnormal heartbeat.  Severe liver problems, which in rare cases can lead to death. Tell your healthcare provider right away if you get these symptoms: skin or the white part of your eyes turns yellow, dark “tea-colored” urine, light-colored stools, loss of appetite for several days or longer, nausea, or stomach-area pain.  The most common side effects of BIKTARVY in clinical studies were diarrhea (6%), nausea (6%), and headache (5%).

 Worsening of hepatitis B (HBV) infection. Your

healthcare provider will test you for HBV. If you have both HIV-1 and HBV, your HBV may suddenly get worse if you stop taking BIKTARVY. Do not stop taking BIKTARVY without first talking to your healthcare provider, as they will need to check your health regularly for several months, and may give you HBV medicine.

ABOUT BIKTARVY BIKTARVY is a complete, 1-pill, once-a-day prescription medicine used to treat HIV-1 in adults and children who weigh at least 55 pounds. It can either be used in people who have never taken HIV-1 medicines before, or people who are replacing their current HIV-1 medicines and whose healthcare provider determines they meet certain requirements. BIKTARVY does not cure HIV-1 or AIDS. HIV-1 is the virus that causes AIDS. Do NOT take BIKTARVY if you also take a medicine that contains:  dofetilide  rifampin  any other medicines to treat HIV-1

BEFORE TAKING BIKTARVY Tell your healthcare provider if you:  Have or have had any kidney or liver problems,

including hepatitis infection.  Have any other health problems.  Are pregnant or plan to become pregnant. It is not known if BIKTARVY can harm your unborn baby. Tell your healthcare provider if you become pregnant while taking BIKTARVY.  Are breastfeeding (nursing) or plan to breastfeed. Do not breastfeed. HIV-1 can be passed to the baby in breast milk. Tell your healthcare provider about all the medicines you take:  Keep a list that includes all prescription and over-the-

counter medicines, antacids, laxatives, vitamins, and herbal supplements, and show it to your healthcare provider and pharmacist.

 BIKTARVY and other medicines may affect each other.

Ask your healthcare provider and pharmacist about medicines that interact with BIKTARVY, and ask if it is safe to take BIKTARVY with all your other medicines.

These are not all the possible side effects of BIKTARVY. Tell your healthcare provider right away if you have any new symptoms while taking BIKTARVY. You are encouraged to report negative side effects of prescription drugs to the FDA. Visit www.FDA.gov/medwatch or call 1-800-FDA-1088. Your healthcare provider will need to do tests to monitor your health before and during treatment with BIKTARVY.

HOW TO TAKE BIKTARVY Take BIKTARVY 1 time each day with or without food.

GET MORE INFORMATION  This is only a brief summary of important information

about BIKTARVY. Talk to your healthcare provider or pharmacist to learn more.

 Go to BIKTARVY.com or call 1-800-GILEAD-5  If you need help paying for your medicine,

visit BIKTARVY.com for program information.

BIKTARVY, the BIKTARVY Logo, GILEAD, the GILEAD Logo, and LOVE WHAT’S INSIDE are trademarks of Gilead Sciences, Inc., or its related companies. Version date: February 2021 © 2021 Gilead Sciences, Inc. All rights reserved. BVYC0370 04/21


HUGO LIVING WITH HIV SINCE 1995 REAL BIKTARVY PATIENT

KEEP CONNECTING. Because HIV doesn’t change who you are.

BIKTARVY® is a complete, 1-pill, once-a-day prescription medicine used to treat HIV-1 in certain adults. BIKTARVY does not cure HIV-1 or AIDS.

Ask your healthcare provider if BIKTARVY is right for you. See Hugo’s story at BIKTARVY.com. Featured patient compensated by Gilead.

Please see Important Facts about BIKTARVY, including important warnings, on the previous page and visit BIKTARVY.com.


ARTS & ENTERTAINMENT

THEATER

Pictured right: Gable Stage. Photo via Facebook.

COVID CHAOS

OMICRON TAKES CENTER STAGE IN SOUTH FLORIDA / / J.W. Arnold

T

he Omicron variant of COVID-19 continues to upend the performing arts community across South Florida, just as most producers, performers and organizations were beginning to believe “normalcy” had finally returned.

The Gay Men’s Chorus of South Florida was forced to cancel their holiday concert at the Hard Rock Live! due to concerns about the rapidly spreading COVID-19 Omicron variant. The performance featuring recording artist Deborah Cox was canceled just hours before doors were set to open. More than 1300 ticketholders had to be notified. Miami New Drama canceled six performances of its Louis Armstrong biography, “A Wonderful World,” during the holidays and relied on understudies in key roles during the world premiere. Soon after, performances of touring productions of “Hairspray” at Miami’s Arsht Center and “Summer” at the Kravis Center in West Palm Beach were canceled or rescheduled due to positive tests among their casts and crews. The Maltz Jupiter Theater was forced to cancel its second performance  Ronnie Larsen of “Ronnie Larsen Presents” is among many producers who have made drastic changes during the pandemic. Photo via Facebook.

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of the season because of construction delays due to COVID and pandemic-related supply chain disruptions. The theater was in the midst of a multimillion-dollar expansion to its Palm Beach County facility. Arts organizations continue to respond with a mix of caution and confidence. As local arts venues began to reopen last fall, most already enacted fairly strict masking requirements for audiences and testing schedules for performers. But the arrival of the rapidly spreading Omicron variant and rising breakthrough cases affecting fully vaccinated people has fueled continued uncertainty. The Arsht Center and the Broward Center in Fort Lauderdale successfully transitioned to electronic ticketing and required temperature checks and proof of a negative COVID test, or alternately proof of vaccination, to enter their facilities. The Arsht Center provided a statement expressing its continued commitment to the scientifically driven protocols already in place, but added, “Any changes to entry policy or performance schedule will be sent directly to ticketholders and updated regularly” at the center’s website. Jacqueline Lorber, president of the South Florida Symphony, noted the orchestra follows similar protocols adopted by the Broward Center and at its main concert venue, The Parker in Fort Lauderdale. More than 1,200 people attended the symphony’s December and January concerts. She praised the level of caution exercised by the Broward Center and the venues the center manages: “Excellent protocols are in place and those are the things to have in place for everyone to be comfortable. It’s the most that you can do, plus we’re masked,” referring to masks worn by audiences and the musicians during rehearsals and performances. Similarly, Slow Burn Theatre Co. employed rigorous and regular testing throughout rehearsals and the uninterrupted run of its critically acclaimed production of “Kinky Boots,” even with a large cast of 25+ performers. Theater producer Ronnie Larsen was one of the first to resume live performances following the March 2020 shutdown, offering plays, readings and cabaret performances at the Foundry in Wilton Manors since July 2020. His comedy, “Sauna,” which played in two runs last fall was highest


AUDIENCES HAVE CERTAINLY TAKEN NOTICE. ON BROADWAY, TICKETS ARE SUDDENLY AVAILABLE FOR HITS LIKE “HAMILTON” AND “MOULIN ROUGE,” SHOWS THAT WOULD HAVE BEEN SOLD OUT MONTHS IN ADVANCE. grossing show ever at the intimate Blackbox theater. He tests his cast and when they receive positive results, they are replaced, but he has no intentions of making immediate changes with the rise of Omicron. “We’re not going to shut down,” he said. “It really feels in my heart that this is a time for a segment of us to put our foot down and say we’re going forward. It’s also time for all those people who haven’t been vaccinated to get their [expletive] shots!” At Island City Stage next door, Managing Director Martin Childers agreed. “This is something we’re going to have to live with. It’s not going away.” Other companies have taken a more cautious approach. In Coral Gables, GableStage postponed its January production of “The White Card” to February and Actors Playhouse followed suit with “On Your Feet,” the jukebox musical based on the hits by local artists Gloria and Emilio Estefan. In Palm Beach County, Theatre Lab at Florida Atlantic University in Boca Raton also pushed back or postponed activities. Temporary and longer-term closings have become commonplace on Broadway — even though audiences are mandated to present proof of vaccination and performers are tested regularly — and Omicron has completely disrupted the triumphant reopening celebrated a few months ago. Swings and understudies have been called in at short notice to replace cast members who test positive, while some producers have begun temporarily shuttering productions until March. A number of other shows have closed permanently, rather than sit out the current wave or respond with sporadic closings. While local organizations may have greater flexibility, “we’ll just have to wait and see what happens with Omicron now,” said one South Florida producer who asked to comment anonymously. “We’ve been taking all sorts of precautions, but until everyone is vaccinated, I’m afraid we’re never going to get ahead of COVID.” Audiences have certainly taken notice. On Broadway, tickets are suddenly available for hits like “Hamilton” and “Moulin Rouge,” shows that would have been sold out months in advance. In Fort Lauderdale, opening night of the touring production of “Tootsie” filled only about half of the cavernous 2,500 seat Au Rene Theater. Prepandemic, the two-week Broadway in Fort Lauderdale runs typically sold out. “It’s so important for audiences to support us,” added the local producer, “if we’re going to get through this. We’re doing everything we can to make it an entertaining and safe experience, but if audiences aren’t comfortable, that will be a problem.” In the meantime, he said schedules and programming could change at a moment’s notice and encouraged audiences to confirm their plans, even if they have tickets in hand. FEBRUARY 2022 - MARCH 2022 | THE

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ARTS & ENTERTAINMENT

THEATER

CARBONELL AWARDS OVERHAUL SYSTEM,

INTRODUCE NEW JUDGES

/ / J.W. Arnold

F

or more than four decades, the Carbonell Awards have recognized achievement in South Florida regional theater, like the Drama Desk Awards in New York City and Chicago’s Joseph Jefferson Awards. The Carbonell Awards are named after internationally renowned, Cuban-American sculptor Manuel Carbonell, who designed the original solid bronze and marble award in 1976.

In recent years, the organization has come under criticism for a lack of diversity and perceived inequities in the judging process across the tri-county region. Before the COVID-19 pandemic, the Maltz Jupiter and Wick Theatres, both in Palm Beach County, withdrew from the program. In direct response to community concerns and following a series of community meetings, the Carbonell Awards developed new judge eligibility criteria and replaced the two-tier system of recommendation panelists and judges with a new county-focused process that still maintains the regional integrity of the awards. “Over the last year, the Carbonell Awards has revised our entire judging process, changing the way judges are assigned, while maintaining our historic focus on recognizing and celebrating theatrical excellence on a regional basis,” said Board President Jeff Kiltie. “In addition, we have redefined the required qualifications for being a Carbonell judge, while strengthening our commitment to creating diverse judging panels, including diversity in age, gender, race, sexual orientation and ethnicity.” Kiltie added, “We have an outstanding panel of 30 experienced judges, many of whom have been working with the Carbonell Awards for years, but also eight new volunteer judges, all very highly qualified, who have a passion for and openness to all kinds of theater, including plays, musicals, new works, classics, immersive

and multidisciplinary theater. This may be the most impressive and diverse roster of Carbonell judges in our 45-year history.” New Carbonell judges for the 2021-22 season include Dr. Lhisa Almashy, Allen H. Jones, Deborah Nix, Marj O’Neill-Butler, Jeremy Quinn, Ellen Rusconi, Linda Shorrock and Jan Sjostrom. Two special committees of experienced Carbonell judges researched similar award programs across the country and made specific recommendations to the Board. In response, the Carbonell Awards revised overall production eligibility requirements and instituted a new scoring rubric in judging on-stage and backstage achievements from which both the nominations and eventual award recipients will be determined. The scoring rubric is adapted from the highly respected ariZoni Theatre Awards of Excellence, Kiltie said in an announcement. For each eligible production, the new Carbonell coordinator will assign seven judges, including one professional reviewer, four judges from the home county, and two judges from the other counties. Based on the accumulated results, the top six scoring productions in each competitive category will be considered the nominees, and the nominee with the highest score will be declared the winner at the Carbonell Awards ceremony, traditionally held at the Broward Center in early April.

TO LEARN MORE, GO TO CARBONELLAWARDS.ORG. 28 | THE

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The Carbonell Trophy. Courtesy photo. 



ARTS & ENTERTAINMENT

BOOKS

ARTS BOOKSHELF / / J.W. Arnold

CHOREOGRAPHERS LET THEIR FEET DO THE TALKING

I

f the emergence of the contagious COVID-19 Omicron variant has you stuck at home, here are three great reads to pass the time (and virtually burn some calories, too):

“EVERYTHING IS CHOREOGRAPHY: THE MUSICAL THEATER OF TOMMY TUNE” BY KEVIN WINKLER, OXFORD UNIVERSITY PRESS, $35 Dance has always been a passion for Kevin Winkler. After more than a decade as a dancer on stage, he pursued a library science degree and landed a job with the New York Library of the Performing Arts. Now retired and a South Florida snowbird, he’s writing volumes about legendary choreographers that have found places in that prestigious library’s collection. His latest book, “Everything is Choreography: The Musical Theater of Tommy Tune,” was released by Oxford University Press last November. “Some of the most delightful moments I ever spent in a theater were at shows Tommy Tune either directed, choreographed or performed in,” said Winkler. “He’s won a boatload of Tony Awards [and] been declared a living landmark by the New York Landmarks Commission, and yet, surprisingly, there’s been little critical discussion of his work as an artist and creative force in theater. He either doesn’t get mentioned or is just mentioned in passing. A book about his artistic life will fill that void.” Winkler had just completed his survey of Fosse’s dance legacy and sent Tune a copy of the book, hoping to get his attention and even pique his interest in the project. Tune had already written his own memoir 25 years earlier, but Winkler was more concerned with the choreographer’s creative process and legacy. Tune called him a few weeks later. “He trusted me,” Winkler shared. “He’s very open. Something that really impressed me is that he has a real abiding love for the theater. He’s spent his whole life working in the theater. My biggest takeaway was that the theatrical experience — the connection between performer and audience — is something sacred, really, and he has such great respect for that interaction.”

“DANCING MAN, A BROADWAY CHOREOGRAPHER’S JOURNEY” BY BOB AVIAN WITH TOM SANTOPIETRO, UNIV. PRESS OF MISS., $28 For more than 60 years, Bob Avian made history on the Broadway stage. Just months before his sudden death a year ago, Avian shared the story of his career in a candid, witty and sometimes surprising autobiography, “Dancing Man, a Broadway Choreographer’s Journey.” His first break came as a dancer in “West Side Story” and “Funny Girl.” He met choreographer and director Michael Bennett in 1962 and, over the next two decades, they would collaborate on “Promises, Promises,” “Company” and “Follies.” Avian

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shared a Tony Award with Bennett for their work on “A Chorus Line,” the show that reinvented the Broadway musical in the 1970s. Avian went on to produce “Dreamgirls,” and, on London’s West End, choreographed “Follies,” “Martin Guerre,” “The Witches of Eastwick,” “Miss Saigon” and “Sunset Boulevard.” Along the way, he worked with the biggest names in show business, including Barbra Streisand, Mary Martin, Cameron Mackintosh, Andrew Lloyd Webber, Carol Burnett, Jennifer Holliday, Patti LuPone, Elaine Stritch and Glenn Close. Almost ironically, in the frightful era of COVID-19, Avian spent some time remembering Bennett’s last months after being diagnosed with AIDS. Just as Avian was Bennett’s sidekick on the stage, he was also there through clinical trials at the National Institutes of Health and many ups and downs until “eventually the dark day came” in 1987.

“BUZZ: THE LIFE AND ART OF BUSBY BERKELEY” JEFFREY SPIVAK, UNIV. PRESS OF KENTUCKY, $29.95 Characterized by grandiose song-and-dance numbers featuring ornate geometric patterns and mimicked in many modern films, Busby Berkeley’s (1895–1976) unique artistry is as recognizable and striking as ever. “Buzz: The Life and Art of Busby Berkeley” by Jeffrey Spivak is a telling portrait of the filmmaker who revolutionized the musical and changed the world of choreography. Employing personal letters, interviews, studio memoranda and Berkeley’s private memoirs, Spivak unveils the colorful life of one of cinema’s greatest artists. From his years on Broadway to the director’s chair, Berkeley was notable for his inventiveness and signature style. Through sensational films like “42nd Street” (1933), “Gold Diggers of 1933” (1933), “Footlight Parade” (1933), and “Dames” (1934), Berkeley sought to distract audiences from the troubles of the Great Depression. Although his bold technique is familiar to millions of moviegoers, Berkeley’s life remains a mystery. Despite rumors he was gay, he married six times, but remained devoted to his mother and attempted suicide twice following her death. A heavy drinker, Berkeley’s reputation was also marred by a drunk driving accident that killed two and injured five people, even though a jury failed to convict him. Berkeley died at the age of 80 in Palm Springs, California in 1976 of natural causes.



JA NUA RY 2 8 – A PRIL 9, 2022

Joe Horton, Daydreaming (detail), 2020, Oil on linen, 16 x 20 inches

palmbeachculture.com/exhibitions

Featuring: Emilio Apontesierra-Paretti

Joe Horton

Kathy Kotter

Rolando Chang Barrero

Ates Isildak

Kingsley Ratcliff

Juan Carlos Badia Cabero

Deon Jefferson

Dariel Donovan

Teresa Korber

Dianne Rosenberg and Stacie Kiner

Generously sponsored by:


All people wish to be heard and seen for exactly who they are without question or compromise. Artists are uniquely capable of visually capturing and communicating their emotions and essence through their work. This exhibition will include artists who identify as LGBTQ+ as well as artists whose work interrogates issues of rights, representation, and the lived experience of LGBTQ+ individuals. Presented in collaboration with artist Jose Alvarez (D.O.P.A.) Proceeds from artwork sales directly benefit local artists and support the Council’s mission to grow arts and culture in Palm Beach County.

Jose Alvarez (D.O.P.A.) first emerged as a performance artist where he channeled a 2000-year-old spirit named Carlos. He now creates intricately composed mixed media collages. Exhibitions of his work have been featured at the Boca Raton Museum of Art, the Norton Museum of Art, The Drawing Center, New York, and is represented by GAVLAK Galleries in Palm Beach and L.A.

Art Talks Free admission, registration recommended. palmbeachculture.com/exhibitions

Human Transformation through Art February 26, 2022 I 2 p.m. Jose Alvarez (D.O.P.A.)

The Path to Being Heard and Being Seen March 26, 2022 I 2 p.m. Emilio Apontesierra-Paretti

Robert M. Montgomery, Jr. Building 601 Lake Avenue, Lake Worth Beach, FL 33460 Tuesday – Saturday, 12 – 5 p.m. Free and open to the public

Presented by:


GADGETS

TOP TECH / / Pier Angelo

FRANKLIN’S ORIGINAL

WHIRLEY POP STOVETOP POPCORN MACHINE MAKE POPCORN JUST LIKE AT THE MOVIES

Why We

Sing! A 35th Anniversary Musical Celebration

Join us as we celebrate our 35th Anniversary with some of our favorite songs we’ve sung over the years.

Saturday, May 7, 2022 8 p.m.

UCC Fort Lauderdale 2501 NE 30th Street, Fort Lauderdale For Tickets:

FTLGMC.ORG or 954-832-0060 Funding for this organization is provided in part by the Broward County Board of County Commissioners as recommended by the Broward Cultural Council

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Make delicious and authentic movie theater popcorn right at home, just like those old-time movie theaters once made popcorn. Complete with a real wood handle, the Whirley Pop’s 6-quart aluminum pot distributes heat much better than stainless steel. This extra-large stovetop popcorn maker is big enough to cook popcorn kernels for that ideal movie night with your loved ones. (Note, though, that it can’t be used on induction type stove tops.) Inside, you’ll find all metal gears and a patented stirring mechanism that prevents sticking or burning by stirring every kernel until it pops. You get to enjoy fresh, perfect movie popcorn within just a few minutes. And there’s even a free Franklin’s gourmet popcorn kit included! It’s also easy to use and clean. All you have to do is pour the contents of the Franklin’s pre-measured popcorn kit into the whirley pop popcorn maker, stir until there’s a few seconds between pops, pour into a popcorn bowl, leave uncovered for one or two minutes, and enjoy! Once you’re done, just wipe the pot with a damp paper towel. • BRAND: FRANKLIN’S GOURMET POPCORN • COLOR: BLACK • HEIGHT: 16.6 INCHES • CAPACITY: 6 QUARTS If you’re not already sold, take comfort in the Whirley Pop’s lifetime warranty, a device that’s been assembled in the USA since 1978. So, treat yourself with some healthy popcorn and enjoy the old fashioned movie theater popcorn experience with the original Franklin’s Whirley Pop Popcorn Popper.

STARTING AT $69.99 Order it online at Amazon.



OPINION

I WISH I WAS A LUDDITE // Pier Angelo

In one of his “weekly ruminations,” Norm Kent, publisher of SFGN, went on a rampage against technology for hampering, disrupting and interrupting his daily life. He calls these events technological breakdowns, and correctly so. Most importantly he asks “What works anymore?” His anti-tech tirade went after Comcast, AT&T, Wi-Fi, the internet, even microwave ovens and the shortage of electronic chips. Good points. It is a beautiful sunny morning, not a cloud in the sky, no wind, all is quiet. I am writing this as a draft on my Samsung tablet. It is 10 a.m., the electricity and the internet have been out since 7 a.m. FPL promises power will be restored by 2.30 p.m. Often I think I should be a Luddite and swear off any new piece or advancement in technology. I have had enough. And then ATT sends me a free Samsung Galaxy to replace my still functioning beloved Black Berry because it is no longer compatible with their 5G network and... I get sucked in all over again. Every day I discover new functions and new apps. One of my favorites, I know it has been around for a long time but I never 36 | THE

had it on my phone, is Shazam with its extraordinary ability to recognize any song being played in a bar, in a store, in a mall and while I enjoy it and think that’s its Google has already moved up another notch by being able to recognize a song title from MY singing it no matter how out of tune I am or how badly I murder the lyrics. I know this is not the end of it all. I am pretty sure that in the not-so-distant future I will be able to ask Google personal questions like “Hey Google, what is the name of that guy that lives on Long Island, he is a bartender, I know his first name starts with a D but I can’t remember it, you know the one I had a drink with last time I went to NYC before the pandemic.” And voila’ Google, in a nanosecond will come up with first and last name and connect me directly

| FEBRUARY 2022 - MARCH 2022

with my friend’s Facebook page. Google is really better than Prevagen. I guess I will not allow myself to become a Luddite after all, technology is addictive alas frustrating, I have seen my share: The transistor radio, the telex machine, the fax machine, color TV, the remote, the answering machine, the LP, the cassettes, the CD, the Walkman, the Discman, pagers, VCRs, ipods and ipads, email, smart TVs, it is endless and even though they can be frustrating and often don’t work or fail you, after a while we take them for granted. As Mr. Norm Kent said in his column, “...I’m trying to laugh. What else can you do? Destiny comes at you blindsided and like adversity, you adapt, you adjust, and you scream a lot.” AMEN.

Pier Angelo was born in Italy, moved to England at the age of 17 and learned English at the Nelson School of English. He attended college and graduate school in Manhattan. In 2009 he founded SFGN with Norm Kent. Now he’s retired with his husband Tom and his Affenpinscher Cabbage. He still enjoys writing his column Off The Wall for SFGN.


Broward Teachers Union Engaging and Empowering Educators

The public education system and its employees are under siege from a state and federal government that want to dismantle public education. Teachers and support staff are overwhelmed and need our help. The Broward Teachers Union represents the finest educators in Broward County. At 12,000 members and growing, BTU stands against inequality and injustice in our public schools and protects educators’ jobs every single day. Join us in protecting and enhancing public education and supporting our educators, staff and students. Follow BTU and the Florida Education Association and get involved at the local level to elect candidates who stand for strong public schools. #FundOurFuture #4everyStudent @BrowardTeachers @FloridaEA

s d at n

s TU

B

Anna Fusco President www.btuonline.com 954.486.6250

q e of r

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o f ci e

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ENTERTAINMENT

THE ‘REAL’ DEAL

AN INTERVIEW WITH JULIA LEMIGOVA OF ‘REAL HOUSEWIVES OF MIAMI’ // Gregg Shapiro Pictured: Julia Lemigova. Photo via Instagram.

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ENTERTAINMENT

I

f you’ve managed to avoid watching even a single season of any of the “Real Housewives” shows, you now have a reason to watch. Julia Lemigova, who has been married to Martina Navratilova since 2014, is the first openly lesbian member of the cast in the history of the series. Initially introduced as a friend of “Real Housewives of Miami” cast member Adriana de Moura, the statuesque Lemigova towers over her castmates in more ways than one. She has a wonderful sense of humor, and her self-confidence is palatable. More than just a welcome addition to the cast, her presence is essential to making the show a well-rounded experience. Lemigova was gracious enough to answer a few questions in December 2021.

GREGG SHAPIRO: Julia, were you a fan of the “Real Housewives” franchise before you joined the cast of “Real Housewives of Miami,” now airing on Peacock? JULIA LEMIGOVA: I had heard about the “Real Housewives” franchise. I always wanted to find time to watch, but life is busy with me farming or something else. I never watched the show until my dear friend Adriana called me and invited me to try to be her partner on the show. I was so thrilled because my real-life friendship with Adriana is like a show anyway [laughs], so it seemed like a natural fit. That same day, I watched the first season; all the episodes in one day. Then the next day I watched the second season of “Real Housewives of Miami” and the third day I watched the third season, and that’s it [laughs]. I was convinced! I loved it! I became an instant fan. It was like a natural chemistry. GS: I was touched by the story of how you met

Martina, to whom you’ve been married since December 2014. Did you do anything special to celebrate your wedding anniversary? JL: We were actually in the middle of moving houses. We literally moved on that day because everything was kind of going fast and we wanted to get the house to ready for our daughters. So, we haven’t really celebrated. We’re kind of we’re making jokes to each other that here we are moving boxes and packing on our anniversary. But we did open a bottle of something and had dinner. Now that both of our daughters came back from being abroad, we are looking forward to celebrating it together with them. We had a rain check, and we’ll celebrate it all together; Christmas, wedding anniversary, all of it in the new house. GS: Another fascinating detail is the way you talk about how you had been closeted, but that living in Miami has allowed you to be more of yourself. Can you please say a few words about that? JL: I felt free from the second I stepped onto the U.S. soil. Being so shy and introverted about my life while living in Paris and then the first time we went for a vacation to the U.S. in Aspen followed by Miami, it just felt right. We stayed in a small art deco hotel on the beach. I remember having breakfast and looking at people walking. Somehow, I found myself walking around Ocean Drive with Martina, and here I am holding hands with her. I was like, “Oh, my God!” It was something I never ever did in Paris. I love Miami even more for that [laugh]. I’m crazy about it. I said, “Let’s move here.” It was wishful thinking, because back then same-sex marriage was not legal. We had to plan ahead and overcome quite a few challenges. GS: We’re very glad you like it here. You

Pictured: Julia Lemigova. Photo via Instagram.

“I WOULD NOT EVEN TRY TO PRETEND I AM A SPOKESPERSON FOR [THE LGBT COMMUNITY], BUT I’M SO HAPPY TO BE A SPOKESPERSON FOR MYSELF AND FOR MY FAMILY.” - Julia Lemigova CAST MEMBER PHOTO VIA INSTAGRAM

have the distinction of being the first openly lesbian cast member in the history of “Real Housewives.” What does that honor mean to you? JL: I feel so proud, and I never use this word lightly. Being a visible part of our LGBT community is quite new to me. I would not even try to pretend I am a spokesperson for it, but I’m so happy to be a spokesperson for myself and for my family. I hope that as a family we represent our LGBT community well. I’m thrilled and honored to shine a light on how we live; on our family, and share it with the world, and especially with those who may need it. GS: Episode three of the new season of “Real Housewives of Miami” includes scenes from

TURN THE PAGE TO CONTINUE READING.

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ENTERTAINMENT CONTINUED FROM THE PREVIOUS PAGE.

Wynwood Pride. Living in South Florida as we both do, we have multiple Pride festivals, including Miami Beach Pride, Fort Lauderdale Pride, Stonewall Pride in Wilton Manors, Pride of the Palm Beaches, and Key West Pride. Have you been able to partake in the myriad Pride festivals? JL: Because of COVID, and all the difficulties that come with it, I was not able to participate in that this year, unfortunately, in a lot of Prides that I would have wanted to. However, when I was pregnant with my daughter in 2001, I was there on the street [for Pride] in New York. That was a lot of fun. Then, with Martina, during some of our vacations, we participated in a lot of different LGBT events, and I was a part of Pride in Paris, which was so much fun. Actually, New York again just before COVID started, which was amazing. And then my first time in Miami Pride this year! GS: In addition to living with Martina in Miami Beach, you also have a farm in Broward County. What do you like best about the goats and chickens and all that goes with the farm? Julia Lemigova with Elvis the goat, one of her animals. Photo via Instagram.

JL: I grew up in Moscow. Every summer my parents would send me to this Russian dacha. Being around animals, farm animals I’m at the beach house in high-heeled shoes is part of my growing up. It’s who I am. Living and I have galoshes in my pickup truck in Europe, I could never make this dream for when I pick up my hay and feed for the happen. In Florida, when we decided to be in animals. Then I join Martina later for some Miami, it was such a natural fit. Not only did glamourous dinner in Miami Beach. I feel like I could be me here, be open about how I live, who I am, and my sexuality, but I GS: Initially in the first couple of episodes also realized my second dream, which is to of the new season, you are introduced in live among my four-legged the new season of “RHOM” as and two-legged creatures. I “Adriana’s friend.” Having only have an unusual farm. It is seen the first couple of episodes, a working farm — it keeps it’s obvious that Adriana is a me working [laughs], but little bit of a flirt. Do you think it’s more like a retreat. They that’s an accurate description of each have their habitat and your friend? I am I am just living with them. I’m part of their life. JL: It’s funny because at first I talk to them, all of them, people were saying that I was even my multiple numbers a flirt. I actually looked up of chickens. I love milking flirtation when people were my goats. Right now, three telling me, “Julia, you are little of them are pregnant, so I’ll bit of a flirt.” I hadn’t heard that have a lot of milk. I cannot about Adriana. But now that - Julia Lemigova wait to start showing my you’re saying so, I’ll ask her if CAST MEMBER cast-member friends how she was told that as well. When to make goat cheese. It gives I looked in the dictionary for the me a sense of kind of belonging, tranquility. exact definition of the word there are lots. What makes it even funnier is that I jiggle The one I found more accurate to me and flirt between high-heeled shoes and chicken is like a butterfly. You’re flying from flower to galoshes. I’m comfortable in both [laughs]. flower. That’s how I interact with people, in

“IN FLORIDA, WHEN WE DECIDED TO BE IN MIAMI, IT WAS SUCH A NATURAL FIT.”

42 | THE

| FEBRUARY 2022 - MARCH 2022

general. Men, women, my chickens. Flirt to me is just a way to say I enjoy talking to you. There is no sexual connotation to me at all. It’s just a happy exchange of energy. GS: Well said! In the first couple of episodes, we also learn about Martina’s talent for painting. How important do you think it is for people to have a creative outlet for expression such as painting? JL: I think it’s so important. Whether it’s painting or any kind of art or whatever other outlet they could have for their emotions, to balance how they feel. To turn the feelings, the avalanche of different emotions into something so beautiful like art or, in my case [laughs], interacting with the animals. After Martina finishes playing or commentating tennis, she spreads the canvas on the floor with paint and takes the tennis balls, smashing them all over my beautiful floor [laughs]. Creating with multi-colors, and me being grumpy because, “Oh, my God! How am I going to clean this?” An hour later, I come back, and those colors became a beautiful piece of art. I’m fascinated by how she can do that. Then she’s fascinated how I talk to my parrots and chickens and tortoises, and all of that.



CARS

THE 2022 AUDI A3 SPORTS SEDAN PROVES AN

OLD CLICHÉ TO BE TRUE // Larry Printz

Photos courtesy of Audi.

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| FEBRUARY 2022 - MARCH 2022


It makes no sense that the average size of American homes is shrinking, according to the National Association of Home Builders, yet the size of the vehicles we drive is getting larger. If this trend continues, our cars will soon dwarf our homes. If you’re a vehicular size queen, you might want to stop reading now. For the rest, let’s just say the redesigned 2022 Audi A3 is a bargain sports sedan, one that proves that good things come in small packages.

CARS

2022 AUDI A3 BASE PRICE:

FUEL REQUIRED:

$33,900

REGULAR UNLEADED

ENGINE:

2.0-LITER TURBOCHARGED DOHC 16-VALVE FOUR-CYLINDER HORSEPOWER/TORQUE:

201/221 POUND-FEET

EPA FUEL ECONOMY (CITY/HIGHWAY):

29/38 MPG

LENGTH/WIDTH/HEIGHT:

176.9/71.5 /56.2 INCHES CARGO CAPACITY:

10.9 CUBIC FEET

TOWING CAPACITY:

NOT RATED

You might not be used to hearing the words Audi and bargain in the same sentence, but consider this. A fully loaded mainstream midsize sedan, like the Toyota Camry or Honda Accord can easily sticker into the lowto-mid $30,00 range. Yet the A3 sells for less than $35k without options. Yes, you give up some cabin space, and the Audi costs slightly more, but it’s far more fun to drive — providing you’re not a size queen. Interested? Here’s the skinny. The 2022 A3’s good looks come from its tautly drawn sheet metal and large assertive grille flanked by LED headlights. The sexy face masks a 2.0-liter turbocharged four-cylinder engine mated to a mild-hybrid system that generates 201 horsepower and 221 pound-feet of torque through a seven-speed dual clutch automatic transmission. Front-wheel drive is standard, Quattro all-wheel drive is a $2,000 option. Audi offers a more powerful version of the same driveline in the S3, rated at 306 horsepower, but it will set you back an extra 10 grand, although Quattro is standard. That said, the less powerful driveline makes a compelling financial case. Its fuel economy is far more wallet-friendly, with an EPA estimate of 29 mpg city, and 38 mpg highway. Yet it doesn’t come at the expense of performance; reaching 60 mph takes 6.6 seconds with front-wheel drive, 6.3 seconds with Quattro. The S3 does the same trick in 5.4 seconds, but fuel economy is far lower, at 22 mpg city, 30 mpg highway. And the S3 requires premium fuel, while the A3 sips regular. So, how much is the S3’s 1.2 seconds worth? As you ponder that, consider the A3’s cabin, with a contemporary modernist vibe enhanced by a 10.3-inch digital instrument cluster and a 10.1-inch infotainment touchscreen (a larger 12.3-inch center screen is available). You’ll find that the A3’s front seat leg room is good, but rear seat leg room is dependent on front seat occupants. Toss the A3 around and you’ll find it to be responsive, with acceleration that’s fiercer than its numbers suggest. Its well-controlled body motions and strong brakes lend it a well-balanced demeanor. That said, you’ll be reminded that you chose a sports sedan when traversing rough pavement, although its ride is never harsh. Criticisms? Only that most driver-assistance safety systems are optional. Yet the 2022 Audi A3 is small gem of a sports sedan that provides daily driving pleasure that few overstuffed SUVs provide at this price. And as long as size is not an issue, you’ll find the A3 rates an A1. Larry Printz is an automotive journalist based in South Florida. He can be reached at TheDrivingPrintz@gmail.com. FEBRUARY 2022 - MARCH 2022 | THE

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ADVERTISING

PRE-WEDDING PLANNING: TO MARRY OR NOT TO MARRY?

Now that we have the right to marry in Florida, and you have chosen your husband or wife, there are legal issues to consider in addition to the when and where of your wedding plans. First, while there are over one thousand rights conferred by the act of legal marriage, your marriage also comes with a serious set of obligations - one way of pro-actively dealing with the obligation end of a marriage is to consider a pre-nuptial agreement. Next, contrary to popular belief, even after marriage, the “estate planning” documents we previously relied on to give us rights to inherit and act on behalf of our partners are still needed to assure that your assets and your care in event of disability and death are managed according to your wishes, and not by default under the law, which most often is NOT as you would have chosen. And finally, with the current excitement about Gay Marriage, for deeply personal, philosophical, political, and economic reasons, many, if not the majority of same-sex couples will choose to remain in unmarried committed relationships - our community will continue to benefit from the legal status conferred by “domestic partnership” legislation. PRENUPTIAL AND POSTNUPTIAL AGREEMENTS Most of us believe it won’t be us - but, statistics say approximately half of marriages end in divorce. In the absence of a legally binding pre-nuptial agreement, should your marriage end in divorce, your assets (real property, personal property, bank accounts, brokerage accounts, and retirement savings accounts) may be subject to being divided between you and your ex by Florida’s rule of equitable distribution. In order to avoid that potentially devastating outcome, many couples agree in writing to give up all or most of the rights to the other’s separately acquired assets, retirement plans, and assets earned during the marriage. The agreement can be entered into either before the wedding - a “pre-nuptial” agreement, or after the wedding - “post-nuptial” - but, should comply with some basic rules that ensure it won’t be overturned in a nasty divorce. For example, both parties should be represented by an attorney so that neither can assert that she didn’t realize the legal implications of signing the document, that the document wasn’t presented on the “eve” of the wedding, avoiding the argument that it was presented at the last minute and that it was signed under the pressure of the imminent nuptials.

Pre-nuptial Agreements are regarded by many as a very unromantic proposal to make upon the acceptance of the marriage proposal. However, the effect of entering into the agreement in advance of a possible divorce, is that your behavior when you are at your worst, that is, at the divorce settlement table, will be governed by your agreements made when you were feeling sane, in love and respectful of your spouse to be. Marriage shouldn’t be encumbered by a coerced financial liability to your spouse, but, should be a consensual union based upon mutual love and respect. That being said, the decision to create a “pre-nupt” should be jointly reached and not coerced and negotiated with love and mutual regard. For example, if you intend to be the working spouse and your betrothed the stay-at-home parent, then, your agreement should include provisions assuring that your partner who is forgoing advancing his or her career, etc., be compensated for his “sacrifice” to your joint marital plan. As for planning for disability and death, essential documents are still needed. First, a will and or a revocable living trust to ensure that your assets are managed according to your wishes upon your death. Marriage provides some inheritance rights, but, does not ensure that your spouse will inherit as you both might imagine. To assure that your

wishes be carried out in the event of disability, a Durable Power of Attorney (for finances), a Living Will, a Designation of Healthcare Surrogate, and a Preneed Guardian Designation, may be prepared. DOMESTIC PARTNERSHIP Domestic Partnership is a subject close to my heart: I worked on the Los Angeles County Domestic Partnership legislation with Tom Coleman in the 1980s and, with his blessings, I imported it to Broward County in 1997. The rise of the importance of domestic partnership as a status for unmarried committed couples reflects the sea change in the way people live and configure their families in the United States. In the fifties, 78% of households in the US were headed by married couples. Now more than 50% of all households in the US are headed by unmarried people. 42% of the workforce is unmarried. Across the US we have seen a trend towards inclusive domestic partnership benefit packages provided by employers, that is, gender-neutral, encompassing both gay and straight domestic partnerships. To say that “you must marry” in order to obtain equal treatment at work, including pay, family leave, insurance, taxation, is just wrong. I think the current debate over the demise of domestic


M.S.W., J.D.

partnership legislation in the wake of gay marriage is necessary and that ultimately, domestic partnership recognition in the corporate world will definitely continue to grow. It is necessary to stay competitive in an industry where almost half of the workforce chooses to remain unmarried. Gay Marriage is necessary, but the fact is that most gay couples are not married, and many will choose for personal, economic, political, and

philosophical reasons not to marry but live in committed relationships: they deserve equal rights to pay, and benefits that domestic partnership legislation offers. Planning your life as a couple should be undertaken as an act of love, the cost should be affordable, and your attorney should be chosen with an eye to experience and of course, respect for our LGBT community. Planning your life as a couple should be

undertaken as an act of love, the cost should be affordable, and your attorney should be chosen with an eye to experience and of course, respect for our LGBT community. - Robin Bodiford

Attorney Robin L. Bodiford is an estate planning, probate, and bankruptcy attorney in Fort Lauderdale, FL..


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