JANUARY 30 - FEBRUARY 5, 2018
SPORTS
UNIVERSITY OF ALASKA ANCHORAGE
OPINION
PAGE 11
Men’s basketball splits weekend at home
THENORTHERNLIGHT.ORG
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Op-Ed: The #MeToo movement doesn’t stop at Harvey Weinstein
Cha-cha into spring
Alaska remains No. 1 state for firearm deaths
PHOTO BY CHRISTIAN CIELO
Seth Venhaus and Michelle Holland demonstrating some salsa steps for the Latin dance night on Jan. 23 hosted by Student Activities.
By Malia Barto
arts2@thenorthernlight.org
No experience is needed for UAA Student Activities and Commuter Program’s upcoming Latin dance lessons, which will be held once a month until April in the Student Union cafeteria. Teresa Perez, an event planner for Student Activities, wanted an event that got students moving and learning something new. She was inspired by the Latino Student Union to start the Latin dance lessons since LSU
often goes out dancing. “[The classes] are all beginner, nothing too complicated. It’s all learning the basic steps and having fun with it,” Perez said. The classes will happen on the third Tuesday, once a month, taught by instructors at Alaska Dance Promotions. The first class was held Jan. 23, where participants learned the salsa. Perez said it went “really well” and that there were around 30 students who participated in the salsa lessons. The remaining classes are
Feb. 20 where they will learn the bachata, March 20 is the merengue and April 17 is the cha-cha. All lessons start at 7 p.m. and will run for one hour. UAA junior Svetlana Suvorova, finance major, is looking forward to possibly attending some of the lessons if they work with her schedule. Suvorova has some experience in choreography but said she has not practiced in a while,
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GRAPHIC BY JIAN BAUTISTA
By Marie Ries
news2@thenorthernlight.org
On Jan. 10, the Centers for Disease Control and Prevention finalized their most recent statistics on firearm mortality in the U.S. In Alaska, 177 firearm related deaths occurred in 2016. This is equivalent to about 23.3 deaths per 100,000 residents —
the highest rate in the nation. In Alaska, the number of deaths is rising. In comparison to 2014 statistics, the absolute number of victims grew by 27 while the rate increased by 4.1 deaths per 100,000 residents. Nationwide, similar trends
SEE FIREARMS
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Theatre students debut ‘Earthquake ‘64’
Upcoming play focuses on impacts Good Friday earthquake had on state and nation
PHOTO COURTESY OF UAA DEPARTMENT OF THEATRE AND DANCE
“Earthquake ‘64” was built from scratch, from the script to the set, by UAA’s theatre and dance department.
By Joseph Diaz
jdiaz@thenorthernlight.org
The 1964 Alaska earthquake was the second most powerful earthquake in recorded history. thenorthernlight.org
The 9.2 magnitude earthquake left a lasting impact not only on the land it destroyed, but the people who experienced the disaster first hand. The upcoming debut of the UAA Department of Theatre
and Dance’s “Earthquake ‘64” opens on Feb. 9, and will run until Feb. 18. The play will focus not only on Anchorage and Valdez, but also other areas affected by the earthquake, such as Oregon, Hawaii and Japan. “We are not just necessarily telling one person’s story and experience, it is very much a collage of stories, ideas and events,” Brian Cook, assistant professor of theatre and director of “Earthquake ‘64,” said. “This is a project we created from scratch, so there was never a script to start off with, like with most plays.” The show is meant to capture the stories of those who lived through the disaster, and it is bringing light to the stories of those who have survived other disasters.
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“It is funny, it is sad, you will laugh, you will feel mad about the things that happened, but you will also walk away with a new experience in your pocket,” Angela Colavecchio, theater major and production crew member, said. The inspiration behind the play came from an experience Cook had with his mother one Alaskan summer. “We went to Earthquake Park and we watched a documentary on the history and the science behind the 1964 earthquake. I thought that this would make an interesting show,” Cook said. “Earthquake ‘64” was devised in Cook’s ecology and dramaturgy course in spring 2017, and his theatrical devising class in the fall, and many of the 12 crew members were students in those two classes. Taran @tnl_updates
Haynes, theatre major, has been working on the play since its production began last year. “We spent a lot of time going to the library and digging through documents and finding people to interview, and figuring out how to fit it all into a play,” Haynes said. “We see the earthquake as a sort of catalyst for change; we wanted to show how much of a mark the earthquake left.” One of the first people the writers interviewed was Colavecchio’s grandmother, who lived through the 1964 earthquake, and her story was incorporated into the plot of the play. “I always remembered her telling me about the earthquake when I was a kid, but to actually
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