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September 21, 2011
Volume 63 | Issue 2
THE PACE PRESS
FASHION WEEK 2012
Serving Pace University’s Manhattan Campus Since 1948
University students making strides in the fashion industry cRAIG heLD Style Director
Spring / Summer
Classic Art Inspires Fall Fashion
page 8
Fashion Week Wrap Up page 9
J.Crew Debut at Fashion Week page 10
INSIDE Follow us Online !
NEWS Protesters begin their two month project to “Occupy Wall Street” page 3
NYC has long prided itself on its status as one of the main fashion capitals of the world. The experiences that students create for themselves in this city pale in comparison to other schools around the country. For a school that has no major in fashion though, some University students are making their mark on the fashion industry. Communication studies student Arianna Gross always knew she wanted to be in fashion. “I’ve always been drawn to fashion between watching countless shows all throughout school [and] purchasing books and magazines to stay up to date on what was going on in the fashion world,” Gross said. She was finally given a chance to pursue her dream when was given the opportunity to intern for Models.com, which she called, “an unforgettable experience.” Luckily for Gross, while she was with Models.com, a new opportunity arose. After attending a casting for ACW, one of the largest model casting companies in the country, Gross was referred to work for the company and has been there ever since. Gross said, “working at ACW has so many great moments but I genuinely enjoy soaking in every bit that I can…We work with some amazing designers and I just enjoy the entire process of putting together a brilliant cast of models.” Kelsey O’Hara, a recent University graduate with a Bachelor of Fine Arts in painting and a minor in film, is a buyer for Tani shoes that had a different reason for getting into fashion. “I was drawn to fashion because it’s not only versatile but distinct,” O’Hara said. “It’s changing within seasons, and then changing with years… Everything develops and changes often… You get to be a new someone everyday. Everyone has a style, or at least everyone should.”
As a buyer, O’Hara gets to spend her days among a great deal of designer shows. O’Hara cites Rachel Comey, Bass, Vintage, and Jeffrey Campbell among her favorite brands. While many would kill for a job that deals with designer shoes, O’Hara’s ultimate goal is to be an apparel buyer for a company like Barneys New York. O’Hara didn’t start off with such an ideal job. She worked her way up from retail fashion jobs to a position with Campbell as an assistant to the east coast sales office. To get one’s dream job, O’Hara advises students to, “get an internship and be real. It’s not what you know, it’s who you know.” Biology student Nadine Nanji got her start in modeling but after wearing everyone else’s designs for so long, Nanji realized that her, “sense of style was different [than] others.” She decided to start designing dresses for herself and began with her prom dress and any dresses she needed for special occasions. “People used to compliment me on my sense of style, which I would describe as vintage with a modern twist, so I started designing custom made dresses which so many people loved,” Nanji said. Nanji’s upbringing certainly influenced her designs. After living in five different countries, she is inspired by international designs. She also cites Jean Paul Gaultier and Christian Lacroix as design influences. When asked what drew her to fashion, Nanji said, “Fashion…is an art that has given me an incredible way to express myself in everyday life. The fact that it has no rules or boundaries is what makes it so exciting to me. It will always be an important part of my life because to make other people feel beautiful can be the best gift.”
ARTS Pace student makes top 12 finalists on “The Glee Project” page 5
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Student Marius Agica places third in Bridge competition jeff whitney Contributor Senior Marius Agica and his partner Radu Nistor won third place in Junior Pairs playing the card game Bridge at the second World Youth Congress in Croatia. Agica and Nistor represented the country of Romania at the event. Bridge is a trick taking, tactical game consisting of players and pairs. With cards dealt at random, the game is achieved through various scoring on tricks, bidding, and points gained by players. Agica is a dual computer science and economics major hoping to graduate with honors in December. He first began playing Bridge at the age of 12 and it all started, he says, as a matter of family tradition. Spending summers in Romania, he would watch his father compete in the country’s largest Bridge tournament. “Of course seeing my father play made me curious to see what it was all about,” Agica said. It was a few years later that he began taking it more seriously. At the age of 16, he became a member of the Romanian Junior Team, beginning a new stage of Agica’s life of competitive Bridge. The game of Bridge has taken Agica to many U.S. cities such as Boston, San Diego, New Orleans and cities worldwide. Agica speaks highly of these visits and future possibilities. “Washington D.C. was a gorgeous city that I was happy to be able to see,” Agica said. “I am very excited to go see Seattle this fall.” While the novelties and perks of being recognized as a top competitor have offered Agica experiences otherwise difficult to obtain, he seems to be most appreciative of the game itself. Among the motivation to succeed and climb to the top positions that international Bridge has to offer, Agica says that he still finds great amusement and thrill in each and every game. He states that the game has great value beyond what it is recognized for and has more dimensions to it than other card games. It involves chance and skills such as memory and communication in order to win. “The most important thing to me is that there is a lot of strategy involved,” Agica said. “You can always learn something new and it never stops being interesting if you start loving the game. What makes it different than other games is the partnership component. Having a good relationship with your partner makes it more fun and it makes you more successful” Agica also cites his competitive spirit as an aspect of his Bridge game, and the results speak for him on that component. The World Bridge Federation uses a ranking system called master points for successful players. The points are awarded to players at the end of competitions based on a player’s success against similarly ranked players and final placing. In this competition, Marius and his partner won 75 master points. Opinions of this system are mixed among players. “I don’t really keep track of master points because I think they are a bad way to measure one’s Bridge achievements,” Agica said. “On the other hand, I am glad that I have won over 150 World Bridge Federation master points”The recent competition where Agica and Nistor took third place concluded with a game interesting enough to be highlighted by The New York Times. Ultimately, the pair lost the game, but left the tournament with their fair share of success. As stimulating as the game was, Agica says that he has participated in even more invigorating games. As far as his future goes, whether it holds graduate school in Europe, going home to Romania, or taking more classes here, Agica simply lists each option as “possible.”
NEWS
September 21, 2011
Shootings increase in NYC Labor Day Weekend
Mayor Bloomberg calls on Congress after recent violence ashley overson Contributor A series of 52 shootings in NYC throughout Labor Day weekend resulted in 67 injuries and 13 deaths. The shootings took place all over the city including street corners, stoops, parade routes and at house parties. Prior to Labor Day, the average number of shootings barely fluctuated. As a result, the crime rate had risen by .01 percent by the end of the weekend. The number of shootings in NYC has gradually increased since Mayor Michael Bloomberg directed his main focus on gun violence. In 2010, there were 1,473 shootings resulting in 309 deaths, compared to 1,443 shootings in 2007 with six less deaths according to The New York Times article, “Bloody Weekend Shows Intractable Gun Problem,” by Al Baker and Joseph Goldstein. There is some controversy over whether Mayor Bloomberg’s heightened efforts on gun prevention triggered the violence. It has been five years since the Mayor declared unlicensed guns as NYC’s “Public Enemy No. 1.” Mayor Bloomberg’s new polices have yielded over 7,000 guns from being purchased. In addition, the Mayor’s policy has also added 160,000 names of city residents to the national database of violent crime offenders, which prohibits those named from purchasing guns. He has also generated a national coalition that now includes over 550 other Mayors who use lawsuits and undercover strings to bring attention to the fact that most guns in criminal cases were purchased out of state. In relation, Mayor Bloomberg and his staff have been urging new legislative proposals. One proposal would create a law for which gun traffickers would be held responsible for murders
committed within five years of a gun sale according to The New York Times. The Mayor believes that gun violence through gun control as a whole must first be resolved through the federal system before it can be effective in the state and local systems.
Our security has always taken all possible precautions to keep students safe on campus. -Daniel Botting,
Assistant Director & Events Coordinator of CCAR Daniel Botting, Assistant Director and Events Coordinator for the Center of Community Action and Research, (CCAR) does not think that University students should feel threatened. “There has been violence in the past surrounding Pace students but our security has always taken all possible precautions to keep the students
safe and to prevent any violence on campus,” Botting said. University students are well informed of security precautions and how to avoid being involved with violence. Each incoming freshman class attends a mandatory security meeting that includes the discussion of gun safety and how to avoid or deal with a conflict regarding guns. “When my family came to visit last weekend my 13-year-old brother was not initially allowed to visit my dorm because he didn’t have any identification with him. We had to go through three different levels of security just so he could go see my dorm for ten minutes,” freshman Grant Crawford said. “If the front security wouldn’t let my brother pass through there’s no way that any guns will ever enter this building.” Due to the University’s proactive security system, students should not feel threatened while at school. Since many students also spend time off campus, it is important for them to be aware of the current statistics on gun control and any potential dangers.
nydailynews.com Mayor Bloomberg holds press conference regarding gun violence in NYC
Homeless rates soar among NYC students nneka maginley Contributor Homeless rates among NYC public school students have risen from 10,209 in Oct. 2008 to 42,980 in Oct. 2010, according to reports by the New York Post from the NYC Department of Education (DOE). This noted increase, whether due to the currently stunted state of the U.S economy or the improvement of record keeping between the Department of Homeless Services and DOE, has brought attention to the children and youth in crisis in NYC. With the current NYC unemployment rate at eight percent, according to the New York State Department of Labor website and the increased cost of living in NYC, the number of displaced students is on the rise. In regards to schooling the DOE’s website states that, “The McKinney-Vento Homeless Assistance Act and Chancellor’s Regulation A-780 ensures that students residing in temporary living situations have access to the same public education and services that are available to
permanently housed students.” The ability to take advantage of these services can be severely hindered without a place to study or sleep when school has ended. Students in NYC without fixed housing includes students in shelters, temporary housing and those awaiting foster care placement—which all fall under the category of “Homeless” when collecting demographic data. A study done by the Institute for Children Poverty and Homelessness states that “Homeless students often face multiple barriers to academic success. Even though federal law requires the immediate enrollment of homeless students regardless of their documentation status, residential and guardianship requirements, as well as immunization records, can still be barriers to starting in a new school.” When a homeless student without housing graduates high school and chooses to attend college, they are presented with a new set of challenges. Students who were
HOMELESS STUDENTS continued on PAGE 4
NEWS
September 21, 2011
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“Occupy Wall Street” attracts activists, celebrities and NYPD Hundreds gather in Lower Manhattan in efforts to protest Corporate America Fotini sachpatzidis News Editor Hundreds of activists from the “Occupy Wall Street” movement flooded the streets of the Financial District on Sept. 17 to protest what they view as corporate greed and its effects on our economy. After the news broke out about the protest, the New York City Police Department (NYPD) barricaded Wall Street and the iconic Bull statue, the focal point for the demonstration, in order to protect the area. Approximately 100 officers, including riot cops, stood guard on the sidewalks from Wall Street to the center of Liberty Plaza, which became the center of the rally due to Wall Street being closed off.
The movement has no official leader however, but was inspired by the democratic uprising in the Middle East and hopes to achieve the same outcome of governmental and economic reform.
Get out in the street and fight for jobs. -Caleb Maupin,
Works World Party Activist The protest called for 20,000 people to participate and camp out for months if needed, according to Occupywallst.org. Although it did not reach its targeted num-
ber of activists, enough showed up to attract attention. “Get out in the street and fight for jobs,” Workers World Party activist Caleb Maupin said. Maupin held a sign that read, “Capitalism doesn’t work.” He, along with many others expressed their antiWall Street views as nightfall approached. Around 6 p.m. the crowd of a few hundred multiplied to over 500, increasing the amount of security around the park. Social media played a large role in gathering people for the anti-Wall Street effort. A Facebook event and Twitter account were created to reach audiences over the internet. It even attracted the interest of rapper Lupe Fiasco and Immortal Technique, who both made public appearances at Liberty Park to show their support.
Fiasco later tweeted, “Occupy your mind with Wall Street today. Use this day to start understanding the system that runs your life!” At the center of the park were six young members who called themselves the “facilitators.” The group gave out directions throughout the night and allowed participants to share any proposals they had for the protest. A collective group called Food Not Bombs distributed free vegetarian meals that included water and sandwiches. The protest was comprised of mostly students and young members of the work force, but it was not limited the NYC area. Many people traveled from distances as far as upstate New York and even Maine to gather for the protest.
above photos from flickr.com/greenelent
flickr.com/david_shankbone
flickr.com/pweiskel08
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September 21, 2011
THE PACE PRESS Editorial Board Kim Bui Editor-in-Chief Kaitlynn Blyth Associate Editor Ivonna Thompson Managing Editor Hilda Adeniji Creative Director Fotini Sachpatzidis News Editor Stephanie Hansen Arts Editor Craig Held Features Editor Kate Hamzik Copy Editor Leucepe Martinez Advertising Manager Brian Rentas Web Editor Nazary Nebeluk Circulation Manager Michael Oricchio Faculty Consultant
Staff Abby Beatson Betty Fermin Joanna Gonzalez Bethany O’Grady Ruveena Rossitto
The Pace Press is the student newspaper of Pace University’s New York City Campus. It is managed and operated entirely by members of the student body as it appears above. The Pace Press welcomes guest editorials and letters from students, faculty, administration and staff. The Pace Press reserves the right to not publish any submitted material, both solicited and unsolicited. All submissions must include the author’s full name and contact information. The Pace Press 41 Park Row, Rm. 902 New York, NY 10038 www.pacepress.org editor@pacepress.org Copyright 2011
NEWS
Will Americans act on the “American Job Act?” Joanna gonzalez Staff Writer President Obama delivered a 155 page speech entitled “The American Jobs Act” to Congress on Sept. 8 regarding a $447 billion dollar job plan that will stimulate economic growth by providing and increasing employment opportunities for American citizens. The plan consists of 5 major focal points: create incentives for small businesses to hire and grow, make investments that will prevent layoffs of as many as 280,000 teachers, provide opportunities for long-term unemployed veterans and implement reforms to the unemployment insurance system to help those without jobs transition to the workplace. Included in the plan is an expansion of the payroll tax cut, while cutting workers’ payroll taxes in half next year. This provision will provide a tax cut of $1,500 to the typical family. Few of Pres. Obama’s ideas have been supported by both Democrats and Republicans, though not entirely. “I’m also well aware that there are
many Republicans who don’t believe we should raise taxes on those who are most fortunate and can best afford it,” Pres. Obama said during his speech. Though the GOP has blatantly pointed out that our president does not fit nor meet the requirements to economically run this country, not many have reacted to the president’s proposal except for Republican Representative Louie Gohmert. Gohmert is a Texas lawmaker, who after President Obama, initiated his own jobs bill that bore the same title of, “American Jobs Act of 2011.” The question of when Congress will pass or reject the president’s proposal still remains undisclosed, as many other acts have been presented regarding this situation bearing similar names: “American Job Protection Act,” “New Jobs for America Act,” and “Keep American Jobs from Going Down the Drain Act,” simply leaving the president’s dreams in the pile of many. “You should pass it right away,” was President Obama’s most repeated phrase throughout the speech, pleading
Congress to adhere and take hold. Not only must Pres. Obama appeal to Congress for approval, but to the many Americans who have contributed to his lowest recorded approval rating since the president has taken office. Many polls have been taken since last May, and according to the latest Bloomberg poll, as many as 51 percent of Americans doubt that Pres. Obama’s promise will be fulfilled; that his plan will not help reduce the country’s 9.1 percent unemployment rate. An ABC and The Washington Post poll also revealed that 60 percent of Americans are not in accordance with Obama’s recent management of the country’s economy. A Politico and George Washington University poll by Nationaljournal.com disclosed that 72 percent of Americans feel that Obama is leading this country in the wrong direction. The U.S. awaits Congress’ decision on Pres. Obama’s “Amercican Jobs Act,” while citizens can only hope that the plan will succeed if approved.
Housing offers to help displaced students in need continued from PAGE 2 previously housed become displaced due to the cost of housing or personal issues. According to the University’s Director of Housing and Residential Life, Andrew Patrick Roger-Gordon, “We [the University] are extremely receptive and open to students who have a genuine and critical housing need.” The Dean for Students and the Office of Housing and Residential Life will help any student who indicates that they are displaced and in need of University help with housing. This aid would also involve OSA, Financial Aid, and other campus resources.
There are several other resources to help students who have been displaced. The New York State Technical and Education Assistance Center for Homeless Students provides help and guidance to students who are homeless, as well as educating them on the laws that can protect and aid, like the Mckinney Vento. The Coalition for the Homeless can be another resource for students seeking aid and assistance. As the number of displaced students continues to increase, new solutions and aid programs will need to be implemented to accommodate these rising numbers.
Contact A. Patrick Roger-Gordon Director of Housing and Residential Life (212) 346-1295 arogergordon@pace.edu Marijo Russell-O’Grady Dean for Students (212) 364-1306 mrussellogrady@pace.edu
September 21, 2011
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ARTS
University theater major Marissa von Bleicken stars in reality show The Pace Press was able to talk with Bleicken about her experience on the show and her time spent at the University.
Kim Bui Editor-in-Chief This summer, the reality show “The Glee Project,” filled the musical void for Gleeks everywhere as the world watched 12 young contestants compete for a featured role on the upcoming season of the cult favorite show, “Glee.” One of those contestants was theatre major student Marissa von Bleicken, who took a leave of absence from the University during her sophomore year to be a part of the show. Out of the thousands who auditioned, Bleicken made her way to the final 12 and onto the show. Each episode of “The Glee Project” began with a weekly “homework assignment,” where individual contestants had to make themselves stand out of the crowd in a group performance for “Glee” casting director Robert Ulrich and a surprise guest judge. The winner of the homework assignment would then get the opportunity to have a one-on-one lesson with the guest judge of the week, being one of the original cast members of “Glee.” Next, the contestants experienced the rigorous production cycle as they would while working a real episode of the show. The performers went through recording in the studio with vocal mentor Nikki Anders, learning choreography with choreographer Zach Woodlee, and lastly, acting and filming with music video producer Erik White. Through the pressure and long hours of performing, Ulrich, Woodlee and creator and head writer of “Glee,” Ryan Murphy served as judges for final callbacks as they got closer and closer to choosing their next “Glee” star. One phrase frequently heard from Murphy was “I can write for that,” referring to each contestants’ unique personality that they brought to the stage. As the show continued, Bleicken was shockingly eliminated after the sixth show, having won the homework assignment earlier in the same episode. Many fans were surprised, as the elimination had no real precedent to Bleicken not moving forward in the competition. In the live finale on Aug. 21, contestants Damian McGinty and Samuel Larsen were both awarded the prize of starring in seven upcoming episodes of “Glee,” as runner-ups Alex Newell and Lindsay Pearce both earned roles on two episodes for the upcoming season.
The Pace Press (TPP): The third episode, ‘Vulnerability,’ was a big episode for you personally. Can you expand on what this particular episode meant to you? Marissa von Bleicken (MVB): The challenge of vulnerability I think was very essential for the acting portion of it, but it was also very difficult because so much of what we endured was [sic] real pain and struggles. It was very challenging but I do think I grew as a person from it. TPP: What pushed you to change your board at the last minute, and how did that feel to you to really open up and share that about yourself and with your cast mates? MVB: It was a very scary decision but I’m glad I made it because for one, the word I had before was essentially the point of the entire assignment. It was “flawed,” and everyone’s flawed. The point is picking out those distinct flaws and utilizing them. It was difficult to open myself up more, but watching Alex (Newell) be so brave with his board, it gave me the courage to change it. TPP: You were very brave in doing that. What do you think viewers took from what you did and how they would be able to relate? MVB: I was terrified about how the view ers would react. I was certain that it was going to shock and hurt a lot of people and I tried to put that thought aside, honestly, in order to just stay true to myself…whether it was going to be on national television or not and [I did not want to be] emotionally dishonest because that would also have rightfully sent me home. I just think it was the right thing to do for both myself and the competition, and I’m glad the viewers didn’t condemn me for it; rather they have been very supportive. TPP: I see that you made a Twitter account after starting “The Glee Project” and by being on television your personal life has been on display for the public eye, where you’ve developed your own following and support from fans. How has your life changed since the show started? MVB: I’m definitely more connected. I have so much more communication with people — not just on a broad scale — but I think it’s brought me a lot closer to the people who I already had in my life. It’s made me cherish those who love me for just me beforehand and it’s not like I walk around everyday and someone’s like “Oh! It’s you from ‘The Glee Project!’” It’s not to that extent or anything. I still lead a very normal life…I’m trying to best to respond to everything and handle it all. TPP: And one of the interesting things is that you attended Pace.
MVB: Yeah, I did for a year and a half. I’m still on a leave of absence, technically. I just have to get all of that stuff sorted out. TPP: Was it that you started your sophomore year and then started “The Glee Project?” MVB: Midway through my sophomore year was when all the “Glee” stuff started. I finished my first semester of sophomore year and then I had to go on a leave of absence for the second semester. TPP: Can you talk about your interests in acting and singing, and how that led to attending Pace?
also don’t have a redhead in the show choir group yet. TPP: What does “Glee” mean to you and what do you want viewers to take from you experience? MVB: “Glee” is a very unique show. It represents the underdog. It really showcases people you would never think would be performers and I like what it stands for. I like the dialogue; I think it’s very witty. And of course you can’t beat having a musical score to a TV show. I think “Glee” has a very groundbreaking cult TV series and to earn a part on that, honestly, would be the best job in the world.
MVB: I grew up in New York City and for high school my family moved out to Massachusetts. While I was up there, in terms of looking for colleges, one of the biggest requirements was for it to be in the city because I ended up moving back in the apartment where we used to live, so I am a commuter. But also the fact that Pace was one of the only schools that seemed to have a very open theatre department in terms of if someone gets a job — such as what happened to me. It’s not as if you’re just booted from the program and chastised for not continuing with the curriculum, it’s more celebrated I think. And I appreciate that. TPP: Is there anything specifically that you felt your experience at Pace helped you achieve performance wise and what your experience here meant? MVB: One of the biggest things that helped me was just building up confidence, honestly. Learning that so much of acting is teamwork and learning from your peers, so honestly that’s probably what helped me the most — building up my confidence to perform and in front of others in general. TPP: From the show, the writers of “Glee” really wanted to embrace your originality: What do you think it is that you would have brought to “Glee” and what would your character have brought to the cast? MVB: Since I grew up in New York City and then I moved for high school to the small town in Massachusetts, it was very difficult to fit in at first. I was the “weird city girl” but then of course who accepted [me] but the music department, so I’d like to think I had my very own real life “Glee” experience and I think I could bring some sort of parallel to “Glee.” I could bring some kind city girl flavor, kind of mysterious...and they
Oxygen.com TPP: Being from a large performing arts school, do you have any advice for students who are interested in pursing careers in the arts? MVB: I can hardly give advice because any one of them could have been in my position…the chances of getting this opportunity are through the roof. I know that a lot of people auditioned, I think some Pace students [did] too, and any one of them could be where I am. I know a lot of them are great performers from experience and I don’t think I could really offer any words of advice. I’m just lucky, that’s really all it is. Keep doing what they’re doing is all I [can] say.
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September 21, 2011
A Tribute to Women Artists at Cheim & Read Gallery
“Marxist Girl (1972).” Katherine Morales Contributor John Cheim and Howard Read, founders of the Cheim & Read Gallery pay homage to exceptional women in our lives with the showcase, “The Women in Our Life: A Fifteen Year Anniversary Exhibition.” In celebration of their 15 year trajectory, the gallery hosted an exhibition that beautifully compiled the work of 10 women artists with whom they’ve worked with. These artists include: Ghada Amer, Diane Arbus, Louise Bourgeois, Lynda Benglis, Loise Fishman, Jenny Holzer, Chantal Joffe, Joan Mitchell, Alice Neel and Pat Steir. Artists like Bourgeois and Neel have worked with Cheim and Read since the ‘80s. The showcase honored the women artists that Cheim & Read champion and support. In some cases, the exhibition shines light upon the artwork, especially certain pieces which have not been available for public view in the past. Even
so, the overall goal of the exhibition was not only to highlight the artwork, but also the women who created them. It was clear that the show was both a celebration of Cheim & Read’s 15th anniversary and also an homage to the tenacity, free spirit and perseverance with which these women successfully became a part of an art world that favored men. Upon entering the Cheim & Read Gallery, one’s attention is immediately stolen by Bourgeois’ “Nature Study No. 5 (1995).” A sculpture that at first sight looks to be a pink colored marble and steel encasement, but is far from that. The odd collection of breast shaped figures can only be seen when one stands above the encasement. The sculpture, which sits in the center of the first exhibition room, is surrounded by four other pieces: Amer’s “Unfriending Camelia (2011),” Steir’s “Moment (1974),” Benglis’ beeswax sculpture and Fishman’s tightly entwined strings on canvas. The use of colors like pink, yellow, nude and materials such as fabric, yarns and beeswax set a feminine tone while introducing bold topics such as sexuality and gender. Neel’s painting entitled, “Marxist Girl (1972)” was hung in the center wall of the second exhibition room. The woman who is featured in the painting sits in a very masculine manner, as if welcoming visitors with a defiant stance. Steir’s painting, “Winter Group 5: Dark Green, Red And Silver (2009-11)” and Mitchell’s colossal painting entitled, “Minnesota (1980),” were hung opposite each other. The dark colors used in Steir’s painting seemed to contradict the bright and lively colors featured in Mitchell’s piece. The showcase comes to an end with a compilation of artwork that seems to highlight the topics of vulnerability and identity. Holzer’s piece entitled, “The Living Series: Someone Wants to Cut a Hole in You… (1980-1982)” seems innocent until one actually reads the sign. The rather small enamel-on-metal, written by Holzer, reads, “Someone wants
to cut a hole in you and fuck you through it, Buddy.” The red letters are written on a plain white background, making it nearly impossible for an observer to ignore the sign. The use of bold colors and aggressive language exposes Holzer’s defiant approach to publicizing her control of the male language. The theme of defiance is also found in Joffe’s large self-portrait. In the painting, the artist stands with her back to the observer, half dressed. The fact that her blue underwear is visible through her black stockings symbolizes the artists’ defiance in revealing her body through a self-portrait. Lastly, a series of photographs by Arbus features a woman, a nudist couple and a transvestite. These photographs combine the themes of vulnerability and identity with the topic of sexuality, which was introduced in the first room, bringing the exhibition full circle. Even though a male-dominated art world failed to recognize the talent of women artists in the past, it is evident that their artistic talent and perseverance has led artists like Bourgeois to become an icon of our contemporary art world. Whether it is events such as, “Women in Our Life: A Fifteen Year Anniversary Exhibition” or a tribute to women artists at the Museum of Modern Art (MoMA), these women have become leading voices in the art world. In the words of Bourgeois, “Art is about the need and right to self-expression.”
Visit Chein & Read Gallery is located at 547 W. 25th St. Gallery hours are Tuesday-Saturday, 10 a.m.-6 p.m.
Self-portrait by artist Chantal Joffe all photos from artnet.com
Heaven is a Punk Show: Japanther rocks Brooklyn venue Stephanie Hansen Arts Editor
Today’s music world is dominated by electronic, auto-tuned hip-hop and pop. It seems that rock music has fallen by the wayside, especially punk rock. The NYC punk scene has been hanging on by a thread since the closing of iconic clubs like CBGB, but punk rock lives on in the form of a band named Japanther. The Lower East Side used to be a utopia for punk rockers, but over the years has become more of a bar and club scene. The utopia isn’t gone—it just relocated. In Williamsburg, Brooklyn venues like Glasslands Gallery and 285 Kent have become homes to classic punk shows. Japanther played an amazing set at 285 Kent on Sept. 11. The venue itself is very minimal. There are a few arcade games, a bathroom, small stage and a “bar” which is essentially a counter at the back of the room. The bar is stocked with cheap beer and drinks in tubs of ice.
hemlocktavern.com
Japanther rocking out at Hemlock Tavern in San Fransisco
After bartenders served the slew of punk rockers and hipsters, Japanther began to play, restoring faith in punk rock. The crowd began to form a mosh pit and crowd surf. One person even had a boogie board, literally becoming a crowd surfer. It was infectious and not a single person in the room was standing still. Since dancing at a show nowadays can easily be put on the “endangered” list, it was an amazing sight. The punk rock antics didn’t stop there. As the set continued, more and more people ended up on stage and dancing behind the band. The music, venue, drinks and people all contributed to a true punk rock experience. Every song kept the energy going. Even though it was hard to hear the lyrics, the music was loud, lively and infectious. Punk rock is more than just jumping around in a dingy renovated warehouse, it’s about being a part of the music, feeling it and letting it move you. Punk rock isn’t just a show—it’s an experience. Rock music is dwindling but it definitely isn’t dead.
September 21, 2011
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Record label Fueled By Ramen celebrates 15 years in music Paramore, Gym Class Heroes, Cobra Starship and more celebrate their humble roots Kim Bui Editor-in-Chief Fueled By Ramen (FBR), an indie record label founded by John Janick and Vinnie Fiorello in 1996, celebrated their 15th anniversary in the music industry with a two-day concert lineup at Terminal 5 on Sept. 7 and 9. Chances are, one of your favorite artists are or were signed to Fueled By Ramen at some point. From bands like Paramore, Cobra Starship and Gym Class Heroes taking over the air waves to Jimmy Eat World, Less Than Jake and Fall Out Boy, the label has made a name for itself in signing some of the biggest names in music over the past few years. Franklin, Tenn. trio Paramore headlined the first night of the FBR 15th anniversary show, giving respect to the label that gave rise to the band’s meteoric success story. Playing a set that consisted of many of their singles, the band surprised the sold out crowd by playing two new songs: “In The Mourning,” which was teased by lead singer Hayley Williams as the first new song released by the band after the departure of previous guitarist and drummer Josh and Zac Farro, as well as and “Renegade,” which the band played live for the first time. Though dedicated fans of the band expressed mixed emotions after the Farros’ departure, Paramore’s set showed that the band were able to continue on without being too handicapped. Some songs, like live show mainstay “My Heart” did sound almost hollow without Josh’s input, but besides a handful of songs, Paramore proved that they still had the same talent and dedication that allowed them to accrue such daunting popularity in the first place. In anticipation of the second night, Chicago, Ill. band The Academy Is… performed their debut album Almost Here from start to finish, a set that any die-hard FBR fan could only dream of hearing live.
KIM BUI | The Pace Press Cobra Starship’s Vicky Asher and Gym Class Heroes’ Travie McCoy celebrate FBR’s 15th Anniversary. Staying true to their roots that evening, drummer Andy “The Butcher” Mrotek, who recently left his role in the band came back and performed to the crowded venue, which clearly expressed their excitement to have “The Butcher,” back. Highlights of the evening included “Classifieds” with a guest appearance by Cobra Starship’s Gabe Saporta and “Checkmarks.” Being the last track on the self-titled album, “Almost Here,” was carried by singer William Beckett’s voice until the very end, leaving fans wanting to hit “repeat” on their set list if they could FBR’s hip-hop child Gym Class Heroes gave loyal label fans a night of nostalgia, picking out songs to perform such as “Taxi Driver” and “Papercuts,” with fans spitting rhymes and lyrics as quick and swift as frontman Travie McCoy. The band also performed hits such as “Cupid’s Chokehold,” “Live A Little” and their latest single “Stereo Hearts,” working
from past to present with their songs for the night. With the talk of releasing The Papercut Chronicles II later this year, the band is sure to add more to their everexpanding music with FBR. Bringing the party with them wherever they go, Cobra Starship wasted no time, playing songs from all three of their albums: While the City Sleeps, We Rule the Streets, ¡Viva La Cobra! and Hot Mess, while throwing in a few songs from their anticipated album Night Shades. With their cheeky lyrics and catchy hooks, it was hard for anyone not to get into the band’s performance. Between their lengthy set and even lengthier song titles at times: “Send My Love To The Dancefloor I’ll See You In Hell (Hey Mister DJ)” and “The World Has Its Shine (But I Would Drop It On A Dime)” not a single complaint could be heard about the band’s headlining set, which left the crowd only wanting more.
The idea of an encore echoed throughout the crowd, as everyone wondered how the night could possibly end with it being a celebration of 15 years for FBR, the little label that could. With Beckett, McCoy and Saporta under one roof, it was inevitable that the viral “Snakes on a Plane,” would serve as the final “kiss goodbye” for the night. For a record label, 15 years in music is a feat for many in the industry. With countless award winning artists, platinum records and hit singles under their belt, the family FBR has created not only highlights some of the most talented artists and bands today, but also reminds music lovers of what music was, where it’s been and where it’s going. One can look forward to the amazing artists, records and songs FBR will bring in years to come as we await to celebrate with another anniversary show.
Mates of State climbs Mountaintops with their latest album release Olivia BetEta Contributor Mates of State is easily one of the most underrated indie bands out there today. They often get lumped in with similar bands like Animal Collective or Neon Indian and their uniqueness is not fully appreciated. However, their new album helps further separate them from the pack and helps others understand why they’ve been around for so long. After 14 years, seven albums, three EPs and two kids, the duo is still going strong. Their newest album, Mountaintops, released on Sept. 13 proves just that. For those who don’t know, Mates of State consist of the married couple Kori Gardner and Jason Hammel. The two met in 1998 and have been virtually inseparable since. From then on, the band has been making their infectious, electro-pop music.
The 10 tracks are a brilliant return to their previous electric sound. On their last album, Re-Arrange Us, the two traded in their signature electric organ for a piano, which sadly paled in comparison. However, on their newest release, they brought back the beloved organ and introduced horns, more guitar and drums. The two utilized the harmonies they have spent years perfecting in this long awaited album. It begins with one of the best songs the couple has released to date, “Palomino.” The song starts off with a soft, slow beat and then the pair burst out onto the track with beautiful harmonization. As the song continues and picks up a bit of speed, the drums begin to become a focal point that really complements the vocals. As “Palomino” ends, a few simple notes continue to resonate and they are carried into the next track. “Maracas”
can best be describes as a classic Mates of State song. It is an upbeat, synth infused track that in just over three minutes gives fans exactly what they were waiting for. It is definitely the track that gives listeners insight into the album and band as a whole. In the fourth track, the band mixes a gospel-esque melody and blaring horns to give you “Total Serendipity.” It is another love song featured on the album that emanates fun and is simply serendipitous. If one thing can be said about the couple, it is their unwavering honesty. The track “Basement Money” describes the woes of many indie recording artists in today’s economy. Throughout the song, the band chronicles their struggles of trying to make ends meet, while still remaining cheerful and “not giving up.” The listener is granted further insight into the couple’s private life with the final
track, “Mistakes.” It centers on a feuding couple that can’t seem to compromise. It’s a slower song and is definitely a lot cleaner than the previous tracks, with just a simple drumbeat that acts as the heartbeat. The ballad not only tells of the duos need to be together, but also their desire to be alone. With the track, the two seem to be expressing a desire to have their own identity outside of the band. It’s a mellow tune that perfectly accompanies the lyrics while acting as the ideal ending to the album. It is obvious the duo utilized the three years they had to make the album to their advantage and really produced something to be proud of. The band will spend the next few months promoting their new record. On Oct. 12, the pair will be making their way to NYC for a show at Webster Hall with fellow indie group Other Lives. For $25 you can’t ask for more fun on a Wednesday night.
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September 21, 2011
The Pace Press Spring/Summer 2012 Fashion Week Coverage
How Starry Night, pop art, and architecture influenced fall fashion Designers show art inspired collections during New York’s Fall Fashion Week
Designer Rodarte Inspired by Van Gogh’s Starry Night Stephanie Hansen Arts Editor
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cRAIG heLD Style Director
The concepts behind fashion, the care that goes into making each piece and the final product can be considered an art form. NY’s Fall Fashion Week stayed true to these notions, not only by presenting fashion as art on its own, but also by having fashion that is inspired by art. Designers like Rodarte, Timo Weiland, Kimberly Ovitz and Barbara Tfank all premiered art inspired collections during Fall Fashion Week. Roadarte’s collection is inspired by Van Gogh’s starry night, mixed with Sleeping Beauty. According to Style. com, “They [designers Kate and Laura Mulleavy] explained that they fell for the greens and purples of the 1959 animated Disney classic, and asked themselves who else uses colors like that. They found their answer in
the Dutch postimpressionist painter beloved by millions.” Andy Warhol’s silk screens and pop art gave Tfank something to imbue into her fall collection. Her model’s looks were reminiscent of Elizabeth Taylor and her clothes had a retro feel mixed with a hint of pop art. Weiland’s collection is a combination of demure pieces and bold colors. The line is a reflection of American artist Jean-Michel Basquiat, who got his start doing graffiti. Weiland told Style.com, “It’s Basquiat goes to Hawaii, goes surfing, and invites all his cool downtown city girls as guests” when describing the collection. Ovitz drew inspiration from architecture when creating her fall line, specifically from Japanese architect Shigeru Ban. After the earthquake in Japan last March, Ban created temporary cardboard structures to house refugees. Ovitz’s collection features lots of flowing fabrics because the structures had drapes instead of plaster for walls.
Designer Timo Weiland Inspired by Jean-Michel Basquiat
Designer Barbara Tfank Inspired by Pop Art
Designer Kimberly Ovitz Inspired by Architecture
She even used Japanese paper as a fabric. These designers, and many others, take art and recreate it into something
wearable and beautiful. Fashion will always inspire art and art will always inspire fashion.
All Photos Courtesy of Style.com
features
September 21, 2011
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The Pace Press Spring/Summer 2012 Fashion Week Coverage
Fashion Week Spring/Summer 2012 Wrap-Up Another year of fashionable hits and misses kicks off in Lincoln Center cRAIG heLD Style Director
Ashes to ashes, dust to dust, and the lights dim on another Fashion Week in NYC. While the rest of the world waits until January to sing Auld Lang Syne, Spring/Summer 2012 Fashion Week marks the start of 2012’s fashion year. Of course, this season is no different than any other. We saw nearly flawless collections and we saw some abysmal displays of fashion car-wrecks, but therein lies the beauty of Fashion Week. However, this week brought more evolutions than revolutions in terms of style. In a post-recession world, designers can’t afford to take too many risks. Editors, buyers and celebrities from all over descended upon Lincoln Center to find a completely new layout with-
Costello Tagliapietra All Photos Courtesy of Style.com
in the tents. IMG, the company behind the tents at Lincoln Center, have finally embraced the growing digital media community that covers the shows and dedicated far more space than they have before to them. American Express, a notable sponsor of the tents, increased their presence in the center of the lobby with a massive display and lounge for AmEx customers. This, coupled with American Express’ sky-box, which allowed American Express customers to view shows within the confines of a luxurious hideaway separate from the madness in the tents, brought a new level of accessibility to this Fashion Week. In fact, AmEx customers were also eligible to buy tickets to a Donna Karan fashion show, an opportunity not easily afforded to fashion outsiders. Along with a new layout came the crushing news that Starbucks would not return as a sponsor, creating a major decaffeinated void, much to the chagrin of editor and blogger alike. Attendees were instead invited to nosh on frozen Kefir, a fermented milk drink similar to yogurt, and quench their thirsts with Fiji water or Arizona Iced Tea. Yet, these are just minor details compared to the true focus of the week — the clothes. As with most spring collections, color was on the forefront. Neon brights walked the runway thanks to Josie Natori, Jeremy Scott and Norma Kamali while bold, symmetrical prints, almost Rorschach-like, were the core of Costello Tagliapietra, Kaelan, and Prabal Gurung’s collections. The prints were an interesting departure for Costello and Gurung, who usually dwell in the land of solids. Fortunately, both mastered the trend beautifully. Not all trends were as vivacious as neons and print though. Pleated skirts made a massive comeback this season with Mandy Coon, Doo.Ri and Zac Posen, but these designers aren’t making clothes for the first day of kindergarten. For instance, Coon’s pleats appeared on panels along the hem of the dress, never being the focus of the entire garment. As in every spring, a hint of skin is always en vogue, but many designers took this in their own direction. Max Az-
Alexander Wang
ria’s Hervé Léger and BCBG lines both used cutouts to create sensual looks for spring while Alexander Wang and Helmut Lang used mesh panels to create their sheer illusions. Perhaps the most interesting trend, and possibly the most popular, is the mixing of hem length on the same garment. Known colloquially as the “mullet dress,” these pieces dominated spring collections by DKNY, Carlos Miele, Nicholas K, Jason Wu, Mara Hoffman, Lacoste, Jenny Packham, Rebecca Minkoff, Ohne Titel, Betsey Johnson and Rag and Bone. These dresses are fun and a welcome departure from the monotony of singular hems. We wish this was it but there are still many fashion weeks to come. London is next, followed by Milan and then Paris. By the time November rolls around, we’ll be filled to the brim with fashion, yet eagerly awaiting the cycle all over again in February. The mere thought is exhausting but we always manage to push through for our love of fashion.
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September 21, 2011
The Pace Press Spring/Summer 2012 Fashion Week Coverage
The fashion world finally gets its money’s worth cRAIG heLD Style Director
Fashion Week is far from being known as a venue for affordable clothing, and while many luxury brands have posted profit gains since the initial economic downturn, the majority of Americans are still apprehensive to spend thousands on a Dior handbag or Chanel shoes. This Fashion Week seemed to fully embrace that notion with J. Crew’s first ever presentation in the tents. J. Crew has certainly had an interesting journey on its way to Lincoln Center. The company, started in 1947 as Popular Merchandise Inc., sought to sell reasonably priced women’s clothing through in-home demonstrations. During the ‘80s, the company transitioned to catalog sales, an incredibly booming area for the apparel sales industry. At this point, Popular Merchandise became J. Crew and sales increased astronomically. The success allowed J. Crew to open its first brick and mortar store at the South Street Seaport in 1989. 30 stores followed around the country and the company continues to grow even today. As J. Crew has grown, so has its influence on the fashion world. The company has collaborated with fashion darlings Prabal Gurung and Billy Reid and J. Crew’s Madewell brand has collaborated twice with modelmogul Alexa Chung. J. Crew now includes Madewell, a women’s
spin-off that caters to a trendier crowd and Crewcuts for children. Yet, J. Crew wasn’t the only mass-market store making its mark on this season’s Fashion Week. Gap, a store that has experienced its own share of ups and downs the past few years, held a laid-back presentation at a studio in Chelsea. This is the chain’s first showing since the firing of Executive VicePresident of Design for Gap Adult and Gap Body, Patrick Robinson, in May. Although it’s never a singular effort to launch a collection, the lack of some kind of creative director at the helm always manages to hurt the ultimate vision, i.e. Dior’s first couture show sans John Galliano. Gap certainly has a lot more to prove today, especially after the firing of Robinson. After all, Robinson was responsible for Gap’s incredibly successful 1969 denim line and steered the brand during one of the most tumultuous economic times that Gap has seen. Unlike J. Crew, Gap doesn’t seem to be raking in as many designer collaborations. Pierre Hardy, the mastermind behind the shoes of such brands as Dior, Hermes and Balenciaga, entered into a partnership with Gap to create a capsule shoe collection available in select stores. Although Hardy’s collaboration lasted longer than Gurung or Reid’s at Gap, it wasn’t as widely successful and was riddled with production problems. It was a long trek for these brands to achieve this recognition and it remains to be seen how they will progress in the long run. J. Crew was incredibly wellreceived and even got Beyoncé to stop by before taking her seat at the Vera Wang show. In the mean time, Gap is staying afloat while it finds a new director but there is no doubt that this brand will be around for quite a while.
Thick colorblocked stripes at J. Crew
Utilitarian coats for women and laidback prep for men at Gap All Photos Courtesy of Style.com
September 21, 2011
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OSA consolidation ushers in new era of student assistance amanda baker Contributor The endless line at the Office of Student Assistance (OSA) has become the signature of a new semester at the University. No one likes waiting at OSA, but students may not be aware of the ways that OSA is improving and the different ways they are addressing any inefficiencies. Assistant Vice President of OSA, Matthew Bonilla, shared that when OSA first realized the system was not working, they administered a Student Satisfaction Survey to identify what students thought were the biggest challenges about the overall experience. Based on the survey, they created an action plan over the course of the summer to address all of these issues that were brought up in the survey. The greatest initiative that OSA took was to combine the Financial Aid office with OSA in order to minimize students being bounced around between offices. They then created a centralized call center on both campuses to ensure a convenient system to address any problems. Bonilla continued that they have eliminated single departments in OSA and combined them into one department. Now that offices are integrated, counselors are cross-trained in all procedures in order to understand every aspect of the system. Going forward, all employees can help each student with any particular problem. Along with this centralization, OSA is also transitioning 95% of its paper processes online, giving students options in addressing anything OSA related. Bonilla also shared his visions for OSA and how he played a role in making the changes happen. To him, the most important things are to “monitor, measure, and hold people accountable.” Now, if there’s a problem it is able to be traced back to where it originated, and who to hold responsible so that it can be addressed right away. He strongly believes that as students of the University, we
deserve an OSA that provides us with a “fast, courteous, and knowledgeable” experience. Having previously attended the University himself, Bonilla advises students, “Be vocal, engage yourself in student government…talk about things good and bad.” If we can do those things, he says that OSA will continue to improve. Bonilla also wants to create a “culture where we put
students first.” His last piece of advice for students is to “Get involved...If you get involved, you have a voice,” Bonilla said. He added, “Do it the right way, use the system.” It is time for students to start taking advantage of OSA and its resources. OSA is now one place, one department and one system that will hopefully benefit students in making these processes run more efficiently.
HILDA ADENIJI | The Pace Press
Public’s reluctance to embrace transgender brought to forefront Is America moving backwards in terms of transgender acceptance? Sarah aires Contributor Taking into consideration how far the U.S. has come in terms of gender equality and sexual expression, it’s difficult to conceive the controversy surrounding Lesbian Gay Bisexual Transgender Questioning Ally (LGBTQA) activist and transgender male Chaz Bono’s participation in the upcoming season of “Dancing with the Stars.” Bono, the only child of Cher and Sonny Bono, was announced last week as one of the 12 upcoming celebrity cast members to join the hit ABC show for its 13th season which begins on Sept. 19. Bono underwent his final gender transition surgery in 2008 and has been extremely open about the ordeal. This year, a documentary chronicling Bono’s journey through the final stages of his sex change entitled Becoming Chaz debuted at the Sundance Film Festival and then again on the Oprah Winfrey Network (OWN) to rave reviews. He has appeared on numerous television talk shows to discuss his transformation including “The Oprah Winfrey Show,” “The Wendy Williams Show” and “Late Show with David Letterman,” all with little negative feedback from the press. Despite Bono’s openness about his sexual transition, his participation on “Dancing With the Stars” has caused an uproar in some conservative fundamentalist communities. Some groups have called for a boycott of the show, claiming that Bono’s presence is inappropriate for the show, while scantily clad dancers and sexual choreography are considered appropriate for the family show. Even with the growing acceptance and support of the LGBTQ community, it seems that transgender people are still treated as second-class citizens.
University LGBTQA & Social Justice Center Coordinator Kelly Herbert discussed the media’s negativity regarding Bono’s casting. “There is always going to be backlash when there is progress in mainstream media outlets that validate individuals who are different,” Herbert said. “The backlash in relation to Chaz is demonstrative of the extreme need for increased education, support services and protections for transgender individuals.”
Chaz’s activism around gender justice, and willingness to serve as a role model regarding his gender transition are acts of courage and love.
-Kelly Herbert,
Chairperson of the LGBTQA & Social Justice Center Herbert goes on to support Bono’s decision to participate in the show saying, “Chaz’s activism around gender justice, and willingness to serve as a role model regarding his gender transition are acts of courage and love.” Transgender people do garner more negative attention than the average gay man or woman with transphobia, being a very sad reality for the LGBTQA community. According to the Transgender Day of Remembrance and the FBI, one out of every 1,000 homicides is the result of an anti-transgender hate crime. It is suspected that hundreds of hate crimes against transgender people go unreported because of doubt that their case will
be thoroughly investigated or because of the shame sometimes associated with these crimes. University Professor Stephanie Hsu is an English department faculty member with an expertise in queer studies and is teaching a course on Transgender Studies with the Women’s and Gender Studies department. She is working to help the University do their part with the transgender community. “There could always be more resources for any minority population! I’m teaching the first Transgender Studies class at Pace University now and the class is part of a Queer Studies minor that we’re working on. The LGBTQA Center at Pace is also focused on transgender awareness, so we’re doing our best here at Pace,” Hsu said. When asked if ‘Dancing With the Stars” will help or hurt the causes working to support transgender Americans, Professor Hsu responded, “Most people have to face all kinds of discrimination without the aid of lawyers, publicists, and the ability to put out their own memoirs and documentary film. However, he [Chaz Bono] has forced people to talk about transgender/transsexual existence, and that is an opportunity for educators and activists to seize.” Perhaps Bono said it best himself on ABC News when commenting on the backlash by stating, “It’s made me realize I’m really glad I’m doing this, because America really needs to see this.” Hopefully Bono’s efforts can prove that transgender people deserve the same exposure and respect as anyone else. Regardless of how far the dance competition may take him, it cannot be disputed that Bono is an invaluable resource for the LGBTQA community.
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September 21, 2011
Features
Looking back on summer trends Nicole morales Contributor The chilly weather and shorter days mark the beginning of a new season, and with a new season comes new trends. While some trends will carry over from summer, some will fade away like the higher temperatures. In celebration of the Royal Wedding, designers and departments stores alike got caught up with Anglomania fever. John Galliano featured a Union Jack on casual tees while Topshop put everything and anything British themed on sale with free shipping the entire week leading up to the Royal Wedding. Conversely, in the weeks leading up to the Fourth of July, Americana prints were everywhere. H&M included satin Americana print shirts and distressed jean shorts bearing the American flag, Converse released Chucks with an American flag design and even Swedish online shop Modekungen featured an over-sized acid washed Americana print jacket. It was a very patriotic summer all around the world and while it seems that only the Americans and British seem to wear their flags decoratively, other cultures were represented in a more general manner. Prints from all over were the trend this summer, such as Aztec and tribal prints from Allsaints and Gwen Stefani’s L.A.M.B collection. Their prints served as the inspiration for the global prints mass produced in Forever 21, Topshop and H&M. While floral prints have come in and out of style for years, designers have opted for variations in fabric this time around. Instead of casual jersey floral dresses, there was a resurgence of watercolor-esque floral patterns printed on sheer silk and chiffon. The chiffon and silk were a part of the larger trend of sheer fabrics taking the forefront of many outfits. These fabrics helped create a flowy romantic, yet casual silhouette. Ivory lace tops and rosy sheer skirts helped to complete the look. Perhaps the world never truly got over the glory of Woodstock ‘69, but it’s clear the fashion world has not either. Since Woodstock’s 40th anniversary,
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designers have paid tribute to the iconic fashions donned at the historical festival. Designer Anna Sui captured the denim, embroidery, tawny leathers and Lennon sunglasses of the time with pieces in her Spring/Summer 2011 collection. Topshop and ASOS recreated the looks for less and were well-represented at Coachella, Bonnaroo and Lollapalooza. Ombré hair became the hottest beauty trend this summer. The illusion is achieved by keeping one’s roots dark while graduated to a lighter color towards the tips. Alexa Chung fearlessly rocked a more extreme version than Drew Barrymore’s take on the ombré look. Menswear experienced its own influx of seasonal trends this summer. Men saw a pop of color added to their wardrobes with cotton pants in green, coral and almost any color that comes in a standard Crayola crayons box. As the color of men’s pants became more extreme, so did the hemlines. Instead of the rolled up pants Ryan Gosling sported last year, designers took it upon themselves to have the pants slim-fitted and cropped. The look is more preppymod than casual and better suited for the most part. The cropped pants were paired with the summer staple—madras shirts. The prints are bold and can be paired with a bowtie for a fun and quirky twist. The finishing touch is the growing popularity of fashionable men’s oxfords in solid colors in any texture. Of course, an outfit isn’t complete without accessories. One of the most significant accessories of the summer was western-inspired turquoise accents in rings, chokers and bracelets. Feather earrings also made a large splash this summer, made famous by the Strokes front man Julian Casablanca. Summer 2011 was a great season to experiment with different styles while mixing and matching between genres. As with each trend season we tend to take away a classic staple and try to forget the laughable trends. It remains to be seen what will carry us through fall or end up in the back the closet with all your white clothing. It is however, always important as New York socialite Nan Kempner once said, “…to stay with the fads. You keep young.”
Style.com Gwen Stefani’s L.A.M.B collection showcased tribal prints perfect for the summer sun.
Orvis.com Madras shirts were often paired with bowties this summer season.
What summer fashion trends did you like or were a part of your wardrobe?
Florals and cute sandals. -Arielle Kaufman, Senior
Johnny Cupcakes, Gap jeans, and snapback hats. -Jose Torres, Freshman
Flowy dresses and Toms shoes. -Alex Scardapane, Senior
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Boardshort and muscle tees. -Renzo Severino, Freshman