The Pedestal | Fine & Decorative Interiors inc. Jewellery | Bidding closes from 5pm Tues 24 Sept. 24

Ending from 5pm Tuesday 24th September

Fine & Decorative Interiors including Jewellery

Online bidding exclusively on the-saleroom.com

Ending from 5pm Tuesday 24th September 2024

Sale number: 240924

Cover image: lot 10 / Back cover image: lot 88

The Dairy Stonor Park Henley-on-Thames Oxfordshire RG9 6HF

020 7281 2790 | info@thepedestal.com | www.thepedestal.com

Viewing: BY APPOINTMENT ONLY

Monday 23rd September & Tuesday 24th September, 10am-4pm

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IMPORTANT INFORMATION: BUYER’S PREMIUM AND CHARGES

A successful bidder at this sale will be required to pay The Pedestal Ltd (The Pedestal) a buyer’s premium of 25% of the hammer price plus VAT.

Please note that in addition to The Pedestal’s standard buyer’s premium charge as outlined above there will be an additional online commission charge payable to the-saleroom.com of 4.95% plus VAT charged on the hammer price.

Location

The Dairy is located between the M4 and the M40 (J6) on the B480 Henley-onThames – Watlington Road. On entering the Stonor Park Estate, through the main gates, keep to the right as the driveway divides, once you reach the parking area

The Dairy in on the left. Stonor is a 10 minute drive North of Henley, an hour from London, 40 minutes from Oxford and Heathrow, and 30 minutes from Reading. The nearest railway station is Henley-onThames and taxis are available from the station.

Please note:

Lots subject to CITES regulations will be marked with λ. For more information, please consult Clause 17. in the Terms & Conditions at the back of this catalogue.

Lots subject to the Artists Resale Rights

Regulations 2006 will be marked with †. For the applicable fees please consult Clause 17. in the Terms & Conditions at the back of this catalogue.

Please note that VAT will not be charged on the buyer’s premium for lot 29 and lot 30.

Post Sale Collections & Storage

All auction purchases should be collected within 7 days of auction from: The Dairy, Stonor Park, Henley-on-Thames, Oxfordshire, RG9 6HF.

Collection of lots is by appointment only, and appointments must be booked in advance. Slots are available between the hours of 10am-4pm. Access is restricted to vehicles under 7.5 tonnes.

Goods not collected within the 7 day period may be subject to an admin. charge of £10, plus storage of £3/day for small items/paintings and £6/day for furniture/larger pictures/objects.

Please contact us if you need assistance with transport or cannot make collection within the 7 day period. We reserve the right to send lots not collected in a timely manner to third party storage, the fees for which will be passed to the purchaser.

Loss

and

Damage

: Full value protection cover to the value of the hammer price is charged at 0.6%, not to exceed the total value of all other transfer and storage charges. VAT: will be applied at the current rate on all charges levied.

1

Stan Natchez (Shoshone/Paiute, b.1954) Navajo and a train Mixed media on canvas Signed 112cm x 75cm

Provenance: Property from a Private Collection, Berkshire Acquired from a proposed decorative scheme for a London restaurant. Artist Resale Right may apply

Stan Natchez (Shoshone/Paiute, b.1954) Navajo girl on gold Mixed media on canvas Signed 102cm x 76cm

Provenance: Property from a Private Collection, Berkshire Acquired from a proposed decorative scheme for a London restaurant. Artist Resale Right may apply

Stan Natchez (Shoshone/Paiute, b.1954) An eighteen part collage of a figure on horseback Mixed media on canvas Unsigned 276cm x 184cm, each panel 61cm x 46cm (18) Provenance: Property from a Private Collection, Berkshire Acquired from a proposed decorative scheme for a London restaurant. Artist Resale Right may apply

4 † Stan Natchez (Shoshone/Paiute, b.1954) 'Campbells Soups, 6 Plates for 10c' Mixed media on canvas

£400-£600

Signed 122cm x 152cm Provenance: Property from a Private Collection, Berkshire Acquired from a proposed decorative scheme for a London restaurant. Artist Resale Right may apply £600-£800

5

Stan Natchez (Shoshone/Paiute, b.1954) Navajo in head dress against gold wearing a one dollar blanket Mixed media on canvas (detached from stretcher) Signed 186cm x 156cm Provenance: Property from a Private Collection, Berkshire Acquired from a proposed decorative scheme for a London restaurant. Artist Resale Right may apply

6 † Stan Natchez (Shoshone/Paiute, b.1954) Buffalo against gold Mixed media on canvas (detached from stretcher) Signed on the reverse 158cm x 207cm Provenance: Property from a Private Collection, Berkshire Acquired from a proposed decorative scheme for a London restaurant. Artist Resale Right may apply

7 † Stan Natchez (Shoshone/Paiute, b.1954) Navajo with a tomahawk on a USA postal stamp Mixed media on canvas (detached from stretcher) Unsigned 122cm x 200cm Provenance: Property from a Private Collection, Berkshire Acquired from a proposed decorative scheme for a London restaurant. Artist Resale Right may apply

£700-£900

£800-£1,200

£1,000-£1,500

† - Artist Resale Rights charge applies to this lot

λ - This lot is marked as Cites

8

Stan Natchez (Shoshone/Paiute, b.1954) Navajo with Birds against one dollar bills Mixed media on canvas

Signed 153cm x 122cm Provenance: Property from a Private Collection, Berkshire Acquired from a proposed decorative scheme for a London restaurant. Artist Resale Right may apply

£600-£800

Stan Natchez (Shoshone/Paiute, b.1954) Crow (Apsáalooke) chief Medicine Crow (Peelatchiwaaxpáash) on gold Mixed media on canvas (detached from stretcher) Unsigned 187cm x 158cm Provenance: Property from a Private Collection, Berkshire Acquired from a proposed decorative scheme for a London restaurant. Artist Resale Right may apply £800-£1,200

Stan Natchez (Shoshone/Paiute, b. 1954) Navajo against a phone directory Mixed media on canvas

Unsigned 123cm x 22cm Provenance: Property from a Private Collection, Berkshire Acquired from a proposed decorative scheme for a London restaurant. Artist Resale Right may apply

£500-£800 11 † Stan Natchez (Shoshone/Paiute, b.1954) Horses and Navajos on a 5 dollar bill Mixed media on canvas (detached from stretcher) Signed 236cm x 111cm

Provenance: Property from a Private Collection, Berkshire Acquired from a proposed decorative scheme for a London restaurant. Artist Resale Right may apply

Stan Natchez (Shoshone/Paiute, b.1954) Navajo horse and car Mixed media on canvas Unsigned 82cm x 77cm Provenance: Property from a Private Collection, Berkshire Acquired from a proposed decorative scheme for a London restaurant. Artist Resale Right may apply

£300-£500 13 † Stan Natchez (Shoshone/Paiute, b.1954) Seated Navajo against bonds Mixed media on canvas (detached from stretcher) Unsigned 212cm x 162cm

£800-£1,200 14 A wool hanging portrait of a Navajo girl 112cm x 98cm.

Provenance: Property from a Private Collection, Berkshire Acquired from a proposed decorative scheme for a London restaurant. Artist Resale Right may apply

Provenance: Property from a Private Collection, Berkshire Acquired from a proposed decorative scheme for a London restaurant.

£60-£80

15 An 18th century Thai gilt bronze seated figure of Buddha Shakyamuni Seated in dhyanasana with hands in Bhumisparsha mudra wearing a sanghati draped over his left shoulder, the serene face with heavylidded downcast eyes, 80cm high, 52cm wide.

16 A mid 19th century Chinese export lacquer tea caddy Of shaped sarcophagus form, decorated with chinoiseries, the hinged lid enclosing two engraved lidded metal caddies; on dragon carved feet, 22cm wide. Provenance: Arthur Clarke Edwards (1859-1916) and thence by descent Private family collection, Berkshire

17 A late 19th century Chinese yellow Peking glass bowl on hardwood lobed stand 17cm diameter. Provenance: Property from an historic family collection, Henley-onThames

18 A 19th century Chinese blue and white slender baluster vase With trumpet flared neck, foliate decorated with elephant mask handles to the sides, with six character mark to the underside of the base, 28cm high.

19 A large quantity of early 19th century Chinese motherof-pearl gaming counters Circular and rectangular, pierced and engraved. (qty) Provenance: Property from an historic family collection, Henley-on-Thames

20 A large 19th century large Chinese porcelain famille verte vase Of baluster form with trumpet neck and pierced dragon handles, painted with prunus and chrysanthemums, with exotic birds, (restored), 61cm high.

21 A group of Chinese and Japanese small works of art including netsuke and scent bottles Including a hardwood carved puzzle ball, a carved figure of Ebisu, a carved swan, a rabbit, a frog, a pair of turtles and a pair of monkeys. (15)

£1,000-£15,000

£200-£300

£100-£200

£120-£180

£200-£300

£200-£300

£200-£300

† - Artist Resale Rights charge applies to this lot

λ - This lot is marked as Cites

22 Description

A small early 20th century Japanese Satsuma baluster vase, Kinkōzan factory With flared trumpet neck, polychrome decorated with exotic birds, flowers and leaves, on a deep blue ground, with Kinkōzan factory seal mark to the base, 18cm high

23 A pair of late 19th century Meiji period bronze and damascene silver vases, Japan, Kyoto, possibly by Mitsunobu, Kuroda studio Of slender flaring form, decorated with a bamboo design, on hardwood turned bases, signed by Kyoto Kuroda, with six character marks to underside, each 24cm high. (2) Provenance: Arthur Clarke Edwards (1859-1916) and thence by descent Private family collection, Berkshire

A pair of small Japanese Meiji Period Komai metal lidded vases Of baluster form, decorated with buildings, landscapes and flowers, with domed knopped covers, each 16cm high. (2) Provenance: Arthur Clarke Edwards (1859-1916) and thence by descent Private family collection, Berkshire

25 A 20th century Japanese Satsuma hand painted baluster vase Decorated in blue, orange and gold flowers on a white ground, 30cm high.

Estimate £350-£450

£200-£300

£200-£300

£30-£50

26 A pair of 20th century Chinese porcelain table lamps Of squared baluster form, decorated with orange dragons, chrysanthemums a white ground and square hardwood bases, together with a pair of white shades, fitted for electricity, each 51cm high including fittings. (2) Provenance: Thomas Goode & Sons, London Private Collection, London.

A pair of 20th century Imari style porcelain table lamp bases Of faceted baluster form, on turned wood bases, together with a pair of peach shades, fitted for electricity, each 46cm high. (2) Provenance: Thomas Goode & Sons, London Private Collection, London.

28 Two late 19th century Persian tinned copper items Comprising of an engraved tiered candlestick on a circular base, 33cm high, and a coffee pot, 21cm high. (2)

£200-£300

£100-£200 27

£60-£80

† - Artist Resale Rights charge applies to this lot

λ - This lot is marked as Cites

29 Description A collection of catalogues of Book Collections Christie's The Estelle Doheny Collection (Index & Price Lists, Volumes II, IV & V (4 Volumes), 1987-1989 Librairie Sourget Librairie Sourget. Manuscrits et livres precieux. 1230-1957. Catalogue Nos. XXI, XXII, XXIII, XXIV, XXV (5 Volumes), 2000-2002 Klepikov, S.A. Watermarks and Stamps on paper of Russian and foreign production of the XVII - XX Centuries, 1959 Forbes, David W. Hawaiian National Bibliography, 1780 -1900: Volume 1: 1780-1830, 1999 Heribert Tenschert Funfzig Unica - 50 Unique Books - 50 Livres Uniques, 1472-1949, Katalog XL, 1998 Sotheby's Collection Fred Feinsilber, Itineraire d'un Cllectionneur 1460-1960 (Livres, manuscrits, gravures, photographies), Auction Catalogues, 2 Volumes, 2006 Sotheby's The Library of Henry M. Blackmer II, Sale Catalogue, 1989 Sotheby's The George Abrams Collection, 16 & 17 November, 1989 Sotheby's Magnificent Collection of Botanical Books, being the finest colour-plate books from the Celebrated Library formed by Robert de Belder, Consigned for Sale by Bernard Quaritch Ltd, 1987 Sotheby's Magnificent Scientific Library of Joseph Freilich, Auction Catalogue, 2001 Sotheby's The Continental Library of Archibald, 5th Earl of Rosebery and Midlothian, K.G., K.T., Auction Catalogue, 1995 Sotheby Parke Bernet The Honeyman Collection of Scientific Books and Manuscripts, Part 1, Auction Catalogue, 1978 Sotheby's The Library of H. Bradley Martin. Highly Important Illustrated and Scientific Ornithology, December 12 and 13, 1989 Bernard Quaritch A catalogue of illuminated and other manuscripts together with some works on palaeography. 1931 Delaisse, L.M.J., Marrow, James & John de Wit. General Editor, Blunt, Anthony Illuminated Manuscripts, The James A. de Rothschild Collection at Waddesdon Manor, 1977 Buchenau, Siegfried Imprimatur, Ein Jahrbuch fur Bucherfreunde [A yearbook for book lovers] , 1934 Baur-Heinhold, Margarete Schone alte Bibliotheken,, Ein Buch vom Zauber ihrer Raume [Beautiful old libraries, A book of the magic of their rooms], 1972 Bibliographical Society Index to Selected Bibliographical Journals, 1933-1970 1982, 77 Various Authors Greece Books and Writers (Published by National Book Centre Of Greece, Ministry Of Culture) (27)

Archer, W. G. Paintings of the Sikhs, Victoria & Albert Museum, London, 1966 and Visions of Courtly India : The Archer Collection of Pahari Miniatures, International Exhibitions Foundation, 1976 (2)

Estimate £50-£80

31 Description

A cased complete collection of all 70 British butterflies arranged by The National Butterfly Museum 46cm x 46cm Estimate

32 A pair of 17th century stripped beech side chairs in the Carolean style The high pierced backs decorated with foliate scroll-work flanked by baluster turned uprights, above caned seats on block and baluster turned legs joined by carved stretchers, previously decorated,49cm wide, 39cm deep,120cm high. (2) Provenance: Property from an estate, Henley on Thames, formerly at The Dower House, Stonor.

33

A late 17th century oak carved mule chest The hinged moulded lid above a 'S' scroll and paterae carved frieze, similarly carved triple panelled front and sides above a frieze drawers on later feet, 138cm wide, 59cm deep, 82cm high. Provenance: Property from an historic family collection, Henley-on-Thames

34 A set of four early 20th century continental oak ladderback dining chairs including a pair of open armchairs The turned finials above ladder splats above rectangular rush seats on turned legs joined by stretchers on turned feet, the arms 60cm wide, 43cm deep, 114cm high, seat height 46cm. (4)

35 A Charles II oak gate-leg table The hinged oval top above a drawer to each end; on bobbin turned legs joined by stretchers, 150cm wide (extended), 117cm deep. 72cm high. Provenance: Private Collection, Henley-on-Thames

36 A matched set of six ash and elm Windsor armchairs, Thames Valley, circa 1850 The bowed spindle backs with pierced splats above spindle arms and shaped seats, on ring turned baluster legs joined by crinoline stretchers, each approximately 48cm wide, 40cm deep, 89cm high, seat height 46cm high. (6) Provenance: Private Collection, Henley-on-Thames

37

A 18th century oak carved clerk's desk The rectangular top with undulating superstructure above a sloping fall carved with the initials 'A.W' and dated 1737 with a stylise flowerhead, 66cm wide, 48cm deep, 39cm high.

† - Artist Resale Rights charge applies to this lot λ - This lot is marked as Cites

£50-£70

£200-£300

£300-£500

£100-£200

£200-£300

£800-£1,200

£40-£60

38 Description

A carved stone figure of a man playing the bagpipe 25cm wide.

39 A Queen Anne walnut stool Upholstered and closenailed in floral needlework, the rectangular padded seat on cabriole lappet carved legs and pad feet, 53cm wide, 42cm deep, 43cm high. Provenance: Private Collection, Hampshire

40 A small William and Mary walnut, crossbanded and featherbanded tripod writing table The rectangular ratcheted divided top enclosing a velvet lined interior; above a frieze drawer, enclosing a 'secret drawer'; on a turned tapering shaft and octagonal platform with braganza scroll legs, 48cm wide, 33cm deep, 74cm high. Provenance: Private Collection, Hampshire

A pair of William and Mary walnut stools Upholstered, piped and braided in yellow and green patterned cotton; the rectangular seats on baluster turned legs joined by wavy stretchers, on turned feet, slight differences in the turnings, with restorations, each 46cm wide, 35cm deep, 48cm high. (2) Provenance: Private Collection, Hampshire

A George I walnut, crossbanded and featherbanded secretaire kneehole desk The rounded rectangular quarter veneered top above a fall front secretaire drawer enclosing a central cupboard door, with 'secret sliding well compartment', six pigeonholes and four short drawers; above an apron drawer and recessed kneehole with cupboard door enclosing a shelf; flanked by three drawers to each side, on shaped bracket feet, with gilt brass carrying handles to the sides, 84cm wide, 49cm deep, 82cm high. Provenance: Private Collection, Hampshire

A George I walnut crossbanded and featherbanded chest on chest The rectangular ogee moulded cornice above two short and three long drawer; the lower part with two short and two long drawers on shaped bracket feet, 99cm wide, 50cm deep, 185cm high. Provenance: Private Collection, London.

Estimate £80-£120

£1,000-£1,500

£2,000-£3,000

44 A George I burr walnut, crossbanded and featherbanded bureau cabinet In three parts, the rectangular ogee moulded cornice above a pair of moulded panelled doors enclosing three shelves; above a pair of candle-sides and sloping fall enclosing a central cupboard door enclosing three short drawer, eleven drawers and eight pigeon holes; above a two short and three long graduated drawers on bracket feet, with brass carrying handles to the sides, 103cm wide, 64cm deep, 215cm high. Provenance: Private Collection, London.

45 A small George I style walnut, crossbanded and featherbanded chest The quarter-veneered rectangular top with re-entrant corners above a slide and four long graduated drawers, on shaped bracket feet, 68cm wide, 45cm deep, 76cm high.

46 A 19th century George I style walnut double chairback settee The shaped moulded padded back above outswept arms with eagle's head terminals, above a shaped rectangular drop-in seat on cabriole leaf and cabochon carved legs with claw and ball feet, one back leg replaced, 116cm wide, 51cm deep, 112cm high, seat height 47cm high. Provenance: Private Collection, London.

47 A George II carved walnut card table The rectangular top with square projecting corners enclosing a replaced baize and four candle stands; above a frieze drawer on cabriole acanthus leaf and bellflower carved legs and claw and ball feet, 83cm wide, 41cm deep, 72cm high.

Provenance: Private Collection, Hampshire

48 A George II mahogany tripod table The circular tilt-top above a birdcage action on ring turned shaft above cabriole legs and pad feet, 90cm diameter, 70cm high. Provenance: Private Collection, London.

49 A George II walnut and parcel gilt mirror The rectangular bevelled plate surmounted by a swan-neck pediment with central carved acanthus leaf; within an egg and dart carved outer frame with trailing leaves and acorns, with undulating apron below, 125cm high, 82cm wide. Provenance: Private Collection, London.

£2,500-£3,500

£1,000-£1,500

£400-£600

£3,000-£5,000

£200-£300

£1,000-£1,500 † - Artist Resale Rights charge applies to this lot λ - This lot is marked as Cites

50 Description A close pair of George III Irish carved mahogany dining chairs The serpentine top-rails carved with scrolling acanthus and paterae, above interlaced vase splats and drop in needlework seats, on cabriole acanthus carved legs and claw and ball feet, slight difference to the uprights, each 60cm wide, 48cm deep, 98cm high, seat height 46cm. (2)

A Chippendale style mahogany three tier hanging shelf With pierced Gothic arched sides, 92cm wide, 21cm deep, 92cm high.

52 A George III mahogany bureau The rectangular top above a sloping fall enclosing a sliding central cupboard, six pigeonholes and six short drawers; above two short and three long graduated drawers on shaped bracket feet, 92cm wide, 51cm deep, 100cm high. Provenance: Property from an estate, Henley on Thames, formerly at The Dower House, Stonor.

53 A pair of George III style mahogany spider leg tables Joining together to form one table, each with rectangular hinged tops with single flaps and a drawer, on ring turned legs joined by wavy stretchers, each 66cm wide extended, 81cm deep, 74cm high. (2)

54 λ A George III mahogany secretaire bookcase Inlaid with boxwood and ebonised lines, the rectangular moulded cornice above a pair of neo-classical style astragal glazed doors enclosing a green water silk interior and later glass shelves; the lower part with secretaire drawer simulating two drawers enclosing a later leather surface, four pigeonholes and nine drawer; above three long graduated drawers on slender outswept bracket feet, with ivory escutcheons, 103cm wide, 55cm deep, 230cm high. Provenance: Private Collection, London. N.B: This lot is subject to CITES regulations. vory Act Submission Reference CLHWVBRC

55 A George III mahogany fret carved and parcel gilt mirror The later rectangular bevelled plate with leaf moulded slip, surmounted by a pierced leaf cresting; with shaped apron below, 94cm high, 51cm wide. Provenance: Private Collection, London.

Estimate

£200-£300

£100-£200

£1,000-£1,500

£1,000-£1,500

£80-£120

† - Artist Resale Rights charge applies to this lot

λ - This lot is marked as Cites

56 A George III mahogany serpentine window seat In the Hepplewhite taste, upholstered and braided in blue, with scroll arms above a moulded seat-rail; on slender cabriole moulded legs and scroll feet, 121cm wide, 27cm deep, 66cm high, seat height 41cm. Provenance: Property from a private collection of decorative arts, Warwickshire.

57 A George III mahogany quadruple chair back settee

The serpentine top-rails above wheatsheaf and paterae carved and pierced horizontal splats, above outswept arms and drop in seat on square tapering legs, 180cm wide, 46cm deep, 93cm high, seat height 44cm.

58 A late 19th century George III style sabicu low serpentine open bookcase The shaped rectangular moulded top above two frieze drawers, above a shelf; with carrying handles to the sides; on slender cabriole legs with sabots, 72cm wide, 33cm deep, 70cm high.

59 A George III carved mahogany urn table or kettle stand

The octagonal top with pierced fret gallery above a leaf carved and wreathed turned shaft; on cabriole acanthus carved legs and claw and ball feet, 26cm diameter, 67cm high. Provenance: Private Collection, Hampshire

60 A George III mahogany bookcase cabinet The ogee dentil moulded cornice above a pair of astragal glazed doors enclosing a red watered silk interior and two later glass shelves; the lower part with two panelled doors enclosing a shelf, on bracket feet, fitted for electricity, 122cm wide, 39cm deep, 212cm high. Provenance: Private Collection, London.

61 A 19th century George III style mahogany corner cupboard The upper part with swan-neck pediment above an astragal glazed door enclosing two shelves, the lower part of similar form; on cabriole legs, fitted for electricity, 68cm wide, 41cm deep, 228cm high. Provenance: Private Collection, London.

62 A pair of Georgian style stripped pine alcove cupboards

Each with leaf carved and dentil moulded cornice, above a domed recess enclosing three shaped shelves flanked by reeded pilasters above a panelled cupboard door enclosing a shelf on a plinth base, fitted for electricity, each 86cm wide, 30cm deep, 202cm high. (2) Provenance: Property from an estate, Henley on Thames, formerly at The Dower House, Stonor.

† - Artist Resale Rights charge applies to this lot

λ - This lot is marked as Cites

£700-£900

£100-£150

£400-£600

£2,000-£3,000

£800-£1,200

£60-£80

£600-£800

63

A pair of 19th century Renaissance style stripped pine carved console tables With trapezoidal brescia marble tops above grotesque mask trussed scrolling supports and floral filled cornucopia, each 77cm wide, 28cm deep, 68cm high. (2) Provenance: Property from an estate, Henley on Thames, formerly at The Dower House, Stonor.

An 18th century and later carved pine breakfront side cabinet The rectangular top above a riband tied and fluted frieze, applied with paterae; above a pair of panelled doors enclosing a shelf, flanked by grille doors enclosing two shelves; on bracket feet, 158cm wide, 42cm deep, 106cm high. Provenance: Property from an estate, Henley on Thames, formerly at The Dower House, Stonor.

An early 20th century limed oak X-framed stool 59cm wide, 33cm deep, 65cm high.

66 A 19th century oval rope-twist gilt mirror in the manner of Fournier The later plate surmounted by tied bow and crown cresting, 68cm high, 53cm wide.

£800-£1,200

£250-£350

67 A Regency Irish mahogany triple pedestal dining table

The rounded rectangular moulded top including two later leaves on a ring turned shaft and hipped quadripartite reeded legs with brass paw cappings and castors, 390cm wide, 121cm deep, 74cm high. Provenance: Private Collection, London.

68 A matched set of fourteen Regency mahogany dining chairs Comprising of a set of eight chairs including a pair of open armchairs, a further set of four and a pair of chairs, with panelled backs and rope twist cross bars, on stuff over seats and turned tapering legs and spoon feet, each approximately, 55cm wide, 44cm deep, 82cm high, seat height 48cm. Provenance: Private Collection, London.

69

An unusual Regency twin pedestal mahogany and parcel gilt dining table In the manner of Morel & Seddon, the rounded rectangular moulded tilting tops, with narrow ends to create two breakfast tables together with an additional central leaf; on octagonal spreading shafts and shaped quadripartite platform bases with gilt stiff leaf mouldings; on scroll feet and recessed castors, 231cm wide, 121cm deep, 73cm high. Provenance: Private Collection, Hampshire

† - Artist Resale Rights charge applies to this lot

λ - This lot is marked as Cites

£3,000-£5,000

£800-£1,200

£2,000-£3,000

70

λ A Regency rosewood sofa table retailed by James Minter The rounded rectangular hinged top with lotus carved supports, two frieze drawers and two simulated frieze drawers; on twin turned standard end supports and downswept legs with square cappings and castors, stamped to the drawer JAMES MINTER, SECOND HAND FURNITURE WAREHOUSE, 101 WARDOUR

ST, 151cm wide, 71cm deep, 74cm high. Provenance: Property from a private collection of decorative arts, Warwickshire. N.B: This lot is subject to CITES regulations

£300-£500

71

λ A Regency rosewood and penwork games / work table

The rounded rectangular top with hinged ends and gilt pierced brass galleries, with hinged central lid inlaid with a boxwood and ebony inlaid chequerboard, each enclosing green watered silk interiors; the sides, cabriole legs and platform base all profusely decorated with scrolling leaf and floral penwork, on downswept legs with brass cappings and castors, 75cm wide, 42cm deep, 75cm high. Provenance: Private Collection, Hampshire N.B: This lot is subject to CITES regulations

72 λ A set of six Regency rosewood and brass marquetry dining chairs in the manner of Gillows The anthemion and scrolling top-rails above pierced bar backs and caned seats, on downswept legs, each 46cm wide, 41cm deep, 86cm high, seat height 40cm. (6)

Provenance: Property from a private collection of decorative arts, Warwickshire. N.B: This lot is subject to CITES regulations

73 λ A Regency rosewood and satinwood crossbanded circular centre table Applied with gilt brass, the circular tilt top above a ring turned shaft on downswept quadripartite legs with brass acanthus leaf cast cappings and castors, 120cm wide, 74cm high. Provenance: Property from a private collection of decorative arts, Warwickshire. N.B: This lot is subject to CITES regulations

£1,500-£2,000

£400-£600

£700-£900

74 A Regency mahogany bergere attributed to Gillows and £3,000-£5,000 another to match of later date The rectangular caned backs, padded and close-nailed caned arms and caned seats buttoned in red leather, each with two squab cushions, on downswept reeded legs, with brass square cappings and castors, each 60cm wide, 67cm deep, 96cm high, seat height 45cm. (2) Provenance: Private Collection, Hampshire

† - Artist Resale Rights charge applies to this lot

λ - This lot is marked as Cites

75 λ A Regency rosewood and brass inlaid tea table The rounded rectangular swivel top above a beaded and tablet applied frieze; above a spreading shaft on quadripartite platform base and downswept legs with leaf and scroll cast cappings and castors, 92cm wide, 45cm deep, 73cm high. Provenance: Property from a private collection of decorative arts, Warwickshire. N.B: This lot is subject to CITES regulations

76

λ A Regency rosewood work table attributed to Gillows

The rounded rectangular hinged top above a frieze drawers, a fitted drawer and a slide for a work bag (lacking), with opposing simulated drawers; on turned fluted tapering legs with brass cappings and castors, 92cm wide (extended), 48cm deep, 73cm high.

Provenance: Property from a private collection of decorative arts, Warwickshire. N.B: This lot is subject to CITES regulations

£400-£600

£500-£700

77

λ A Regency rosewood and brass inlaid card table The rectangular hinged swivel top enclosing a replaced baize; on dual ring turned lotus leaf carved end supports joined by a stretcher; on downswept legs with leaf cast cappings and castors, 91cm wide, 46cm deep, 74cm high. Provenance: Property from a private collection of decorative arts, Warwickshire. N.B: This lot is subject to CITES regulations

78 λ A Regency rosewood, crossbanded and yew wood banded sofa table The rounded rectangular top above a pair of frieze drawers, with opposing simulated drawers on four turned columns and quadripartite platform base, with lion paw cappings and castors, 49cm wide (extended), 71cm deep, 71cm high.

Provenance: Private Collection, Hampshire Purchased: Godson & Coles, 1996 (£14,500) N.B: This lot is subject to CITES regulations

79 λ A Regency rosewood teapoy Inlaid with boxwood lines, the rectangular hinged lid enclosing two lidded containers and a cut glass missing bowl (a.f), on a spreading beaded shaft and shaped quadripartite platform base and turned feet, 40cm wide, 23cm deep, 84cm high. Provenance: Private Collection, Henley-onThames N.B: This lot is subject to CITES regulations

80 A late Victorian satinwood, tulipwood and sycamore marquetry centre table In the manner of Edwards and Roberts The shaped rectangular top quarter-veneered and inlaid with scrolling leaves, paterae and bellflowers, on turned fluted tapering legs joined by a wavy platform stretcher, 76cm wide, 44cm deep, 76cm high.

£600-£800

£1,500-£2,000

£150-£200

£200-£300

† - Artist Resale Rights charge applies to this lot

λ - This lot is marked as Cites

81 Description A pair of Victorian scarlet tortoiseshell and brass marquetry side cabinets retailed by Wilkinson & Son

Applied with gilt bronze mounts, the rectangular black slate tops with canted angles above shaped mirror doors enclosing two shelves; flanked by male caryatid, on leaf cast plinth bases, each stamped WILKINSON & SON/ 8 OLD. BOND.STREET/ 5421, each 80cm wide, 44cm deep, 110cm high. (2) Provenance: Sold Bonhams, Knightsbridge 9 February 2010, lot 11 (£6000 including premium). Wilkinsons were founded around 1766 in Moorfields in the City of London. The firm moved to 8 Old Bond Street after 1855 and remained there until 1909. Like most major London furniture-making businesses, they had links with Parisian factories, one of which probably supplied the boulle style inlay and gilt brass mounts for the present pair of cabinets.

A 1920's George I style walnut japanned kneehole dressing table possibly by Waring & Gillows

Heightened with gilt, green and red chinoiseries, the rectangular moulded top above a frieze drawer above a kneehole, flanked by four short drawers to each side, on shaped oak bracket feet, 121cm wide, 58cm deep, 77cm high.

An antique Kurdish rug 154cm x 122cm (reduced, a.f)

Estimate

£3,000-£5,000

£300-£500

£60-£80

84 A late 19th century Kuba, East Caucasus carpet 346cm £1,500-£2,000 x 190cm Provenance: Christies, London 6 April 2006, lot 15.

85 Kirman Carpet, South East Persia, circa 1890 576cm x 371cm.

86 A George III silver salver with a later inscription, Ebenezer Coker, London, 1772 With pie-crust lobed edge, with bellflowers chains and paterae, engraved to the centre with a basket of flowers within a shield and riband tied floral swags on claw and ball feet, 34cm diameter, (1088g). Provenance: Property from an historic family collection, Henley-on-Thames

† - Artist Resale Rights charge applies to this lot λ - This lot is marked as Cites

£700-£900

£200-£300

Description

A good and unusual George III silver cream jug by Thomas Heming, London, 1774 The scroll handle terminating in a female head with ruff at neck, inside of rim engraved with trailing leafage, gilt interior, on pedestal foot, front engraved with crested oval cartouche within leafy surround, crest a pheasant with olive sprig in beak below motto scroll ‘Spero’, 15cm high, 7oz (217 gm) Provenance: Property from a private collection of decorative arts, Warwickshire.

A heavy Victorian silver copy of the Warwick vase, John Newton Mappin, (Mappin & Webb), London, 1896 With silver plated liner, on an ebonised rectangular plinth base inset with commemorative silver plaques, London 1897, 37cm wide, 29cm deep, 44cm high, (the vase 5067g) Provenance: Property from an historic family collection, Henley-on-Thames The Warwick Vase is a renowned ancient Roman marble vase that has captivated the attention of art collectors, historians, and connoisseurs since its discovery in the late 18th century. Discovered in 1771 at the bottom of a lake at Hadrian's Villa near Tivoli, Italy. The villa, built by the Roman Emperor Hadrian in the 2nd century AD, was a sprawling complex of palaces, gardens, and baths. The vase was found in fragments, buried under centuries of silt and debris. Sir William Hamilton, a British diplomat and antiquarian stationed in Naples, acquired the fragments and later sold them to his nephew, George Greville, the 2nd Earl of Warwick. Greville, an avid art collector, had the vase meticulously restored by the sculptor James Byres in Rome. The reconstruction brought the vase back to its original grandeur, with its intricate carvings of Bacchic scenes—depicting Bacchus (Dionysus), the god of wine, and his followers. The Warwick Vase gained considerable fame in the 18th and 19th centuries, becoming a symbol of classical antiquity and aristocratic taste. Its design was widely admired and replicated in various forms, including smaller vases, silverware, and even as motifs in furniture and ceramics. The vase’s influence extended beyond Europe, inspiring neoclassical designs in America as well. In the early 20th century, due to financial difficulties, the Greville family sold the Warwick Vase. It was purchased by the Metropolitan Museum of Art in New York, but the British government intervened to keep the vase in the United Kingdom. Eventually, it was bought by the Scottish National Gallery, where it remains today. The Warwick Vase is now housed at the Burrell Collection in Glasgow.

† - Artist Resale Rights charge applies to this lot λ - This lot is marked as Cites

£400-£600

£8,000-£12,000

89 A good matched pair of George III Irish silver sauceboats, one by George Hall, the other probably by William Homer (WH in double-lobed punch), Dublin, circa 1770 With gadroon rims, spirally fluted sides, leafcapped scroll handles, each on three rococo feet, both engraved with a dragon’s head crest coronet, 34.5 oz (1070 gm). Provenance: Property from a private collection of decorative arts, Warwickshire.

90 A set of three George III vase-shaped silver tea caddies, maker's mark indistinct, London, 1769 Of ovoid, part spirally fluted form, applied above the fluting with masks and ribbon-tied laurel swags below upright ring handles, on pedestal foot with gadroon borders, conforming domed covers with knop finials, each engraved with a fox statant crest, the larger example 20cm high, the smaller pair 17.5cm high, 39.5 oz. (1224 gm.) (3) Provenance: Property from a private collection of decorative arts, Warwickshire.

91 A good set of four Victorian parcel-gilt silver salts by Messrs. Barnard, London, 1848 With bifurcated handles under lily pad borders, on scroll-fluted pedestal bases, 9.5cm wide, 7.3cm high, 21oz (651gm). (4)

Provenance: Property from a private collection of decorative arts, Warwickshire.

92 An impressive late Victorian silver gilt steeple cup and cover in the Renaissance style, Goldsmiths & Silversmiths Co. Ltd, London, 1899 Decorated with Bacchanalian figures, strapwork, fruiting swags, flowers, female masks and cartouches, one engraved with a monogram, the other with a basket of fruit, the tiered cover above a cup and pierced scrolling turned stem on circular stepped base, 65cm high, (3530g).

Provenance: Property from an historic family collection, Henley-on-Thames

93 λ A French Art Deco silver travelling kettle set probably by Gustave Keller Comprising of a kettle, detachable ivory ring handle, a burner and stand and lidded pot, (weighable silver 566g), 7cm high (when compact).

Provenance: Property from an historic family collection, Henley-on-Thames N.B: This lot is subject to CITES regulations

£1,500-£2,000

£800-£1,200

£400-£600

£2,000-£3,000

£100-£150

† - Artist Resale Rights charge applies to this lot

λ - This lot is marked as Cites

94

An extensive composite canteen of mostly silver plated £1,000-£1,500

Marly pattern cutlery by Christofle, Paris Comprising: 12 dinner knives 11 dinner forks 12 table spoons 30 dessert forks 12 dessert spoons 12 dessert knives 12 egg spoons Six smaller fish knives 12 cake forks 5 cake forks 12 fish knives 12 tea spoons 12 tea spoons A salad server fork and spoon A soup ladle A sauce ladle A fish fork and server A cake server A large fork A bread knife and another large knife A pair of oval serving spoons A pair of serving spoons 6 similar silver plated tea spoons A similar silver plated pickle fork A similar silver plated meat fork Together with a similar pattern set of silver plated continental cutlery comprising: 11 spoons 7 forks 6 knives (qty)

95 A late Victorian silver plated leaf shaped dish by Hukin & Heath With scrolling leaf and flowerhead cast handles, 22cm wide.

£20-£30

96 Attributed to Frederick Calvert (Irish, circa 1785-1845)

Shipping off Cowes Oil on canvas 24cm x 35cm

Provenance: Private Collection, London.

97 Reinagle (G. P.), A set of twelve views of the Battle of Navarino, circa 1828, hand coloured lithographs of the sea battle, by Hullmandel after Reinagle Identifying key below each image, each approximately 25cm x 37cm including margins, framed and glazed. (12)

Provenance: Property from an historic family collection, Henley-on-Thames The Battle of Navarino was fought on the 20th October 1827, during the Greek War of Independence (1821–32). Allied forces from Britain, France, and Russia decisively defeated Ottoman and Egyptian forces trying to suppress the Greeks, thereby making Greek independence much more likely. An Ottoman armada was destroyed by an Allied force of British, French and Russian warships. It was the last major naval battle in history to be fought entirely with sailing ships, although most ships fought at anchor.

£200-£400

£100-£200

98

Attibuted to John Linnell (British, 1792–1882) Rural landscape with farmhouse and sheep Watercolour Unsigned 17cm x 25cm Provenance: Property from an historic family collection, Henley-on-Thames

† - Artist Resale Rights charge applies to this lot λ - This lot is marked as Cites

£80-£120

99 Description

James Burrell Smith (British, 1822-1897) Dolgelly, North Wales Watercolour Signed and dated 1890 49cm x 33cm Provenance: Arthur Clarke Edwards (18591916) and thence by descent Private family collection, Berkshire

100 Anthony Devis (British, 1729–1816) Pair of pastoral scenes Pen and wash One monogrammed A.J.D and dated 1806 Framed and glazed 31cm high x 43cm wide (2) Provenance: Property of a Titled Gentleman

101 G.Gillow (British, 19th century) Evening, North Wales, 1866 Oil on canvas, in an elaborate giltwood frame Signed 49cm x 75cm Provenance: Private Collection, London.

102 † William Conor (Irish, 1881-1968) Scrabo Tower, County Down Crayon on paper Signed 38cm x 30cm Provenance: Dyson Art, 2017 Private Collection, London. Artist Resale Right may apply

103 19th century British School Watermill Oil on boarded canvas Signed with initials WGS 34cm x 15cm Provenance: Private Collection, London.

Estimate

£200-£300

£200-£300

£500-£800

£500-£800

£100-£200

104 After Edwin Henry Landseer (British, 1802-1873), 20th century School The Cavalier’s Pets Oil on canvas Unsigned 30cm x 39cm

£200-£300

† - Artist Resale Rights charge applies to this lot

λ - This lot is marked as Cites

105

Attributed to Sir William Ross R.A (British, 1794-1860)

A pair of portraits of the young Queen Victoria and Prince Albert Watercolour Unsigned Each approximately 11cm x 8cm (2) Provenance: The Estate of Cherry Barker. Sir William Charles Ross (1794-1860) was a distinguished British artist particularly renowned for his miniature portraits, which captivated the 19thcentury art world. Born in London, Ross displayed a prodigious talent from a young age, studying at the Royal Academy schools. His early work included larger historical and genre paintings, but he soon found his niche in portrait miniatures, a genre that brought him significant acclaim. Ross's career blossomed in the 1820s when he began to secure commissions from British nobility and royalty. His ability to capture the delicate features and refined elegance of his subjects earned him widespread recognition. In 1837, his reputation was solidified when Queen Victoria and Prince Albert commissioned him to create numerous miniature portraits of their family, establishing Ross as a favoured artist of the royal household. Throughout his career, Ross exhibited regularly at the Royal Academy, where his works were lauded for their meticulous detail, vibrant coloration, and the lifelike presence of the sitters. His skill in rendering texture and fabric, combined with an acute sensitivity to his subjects' expressions, set him apart from his contemporaries. In 1842, Ross was appointed as a member of the Royal Academy and continued to work prolifically, receiving commissions from prominent figures across Europe.

W.Cruikshank (British, 1848-1922) Still life of dead game in a larder with a cat chasing mice Watercolour Signed 12.5cm x 20cm N.B: This lot is subject to CITES regulations

107 19th century School in the manner of George Armfield Foxes hunting A pair of oil on canvas Signed indistinctly Each 19cm x 24cm (2)

Estimate

£800-£1,200

£600-£800

108 19th century British School in the manner of George Armfield (British, 1810-1893) Spaniels Flushing Oil on canvas Unsigned 15cm x 22cm

£250-£350 † - Artist Resale Rights charge applies to this lot

λ - This lot is marked as Cites

109

Thomas Faed RA, HSRA (British, 1826-1900) Portrait of lady with a basket of flowers Watercolour Signed In an elaborated gilt wood frame contained within a glazed box frame, 43cm x 38cm. I/s 27cm x 23cm

110 A set of six 19th century framed hand coloured aquatints of Oxford Colleges and one of Eton College by John Bluck after A.C. Pugin Published London 1814 & 1816 for Ackermann's History of Oxford and Eton, framed 50cm x 45cm, together with an engraving by T & G Hollis of St Alban Hall, Oxford, i/s 15cm x 19cm.

(7) Provenance: Property from an historic family collection, Henley-on-Thames

111

Alfred Parkman (British, 1852-1930) South Transcept

Westminster Watercolour Signed and dated 1909 (?)

44cm x 28cm Provenance: Private Collection, Henleyon-Thames

£550-£650

£100-£200

£100-£150

112

Alfred Parkman (British 1852-1930) Priory Brecon

Watercolour Signed and dated 1904 35cm x 23cm

Provenance: Private Collection, Henley-on-Thames

113

Alfred Parkman (British 1852-1930) Ely Watercolour

Signed and dated 1924 18cm x 28cm Provenance: Private Collection, Henley-on-Thames

114

Alfred Parkman (British, 1852-1930) Durham

Watercolour Signed and dated 1923 18cm x 28cm

Provenance: Private Collection, Henley-on-Thames

£60-£80

£60-£80

£80-£120

115 John Carlisle (British, fl.1866–1916) Highland Cattle

Watercolour Signed and dated 1891 49cm x 74cm

Provenance: Arthur Clarke Edwards (1859-1916) and thence by descent Private family collection, Berkshire

† - Artist Resale Rights charge applies to this lot

λ - This lot is marked as Cites

£200-£300

116 Harry Sutton Palmer (British, 1854- 1933) 'Natures Mirror' Watercolour Signed 41cm x 60cm Provenance: Arthur Clarke Edwards (1859-1916) and thence by descent Private family collection, Berkshire

117 Eleanor Fortescue-Brickdale, (British, 1872- 1945) The Undiscovered Country Watercolour Signed with monogram 52cm x 37cm Provenance: Property from an historic family collection, Henley-on-Thames

118 F.A.Tillyer? (early 20th century British School) Hunting Scene Watercolour Signed 55cm x 90cm

£800-£1,200

£500-£800

£300-£500

119 † Marion Broom (British 1878-1962) Flowers in a bowl Watercolour Signed 46cm x 58cm Provenance: Private Collection, Henley-on-Thames Artist Resale Right may apply

120 † Sarah Davidson (Irish b.1946) Strawberries and a Chinese bowl, 2007 Oil on board Signed 18cm x 18cm Provenance: Private Collection, London. Artist Resale Right may apply

121 William Nicholson (1872-1949) St John's Gate, Oxford Coloured lithograph, blind stamped PUBLISHED Nov 1905 AT THE STAFFORD GALLERY, 34 OLD BOND STREET. W 38cm x 17.5cm, overall 48cm x 40cm

£120-£180

£250-£350

£60-£80

† - Artist Resale Rights charge applies to this lot

λ - This lot is marked as Cites

122 Countess Nora Purtscher-Wydenbruck (b.1894) Still Life with Pineapple and Fruit in Glass Bowl Ink and watercolour 32cm x 41cm and 31cm x 40cm, overall sizes 50cm x 60cm. (2) Provenance: Exhbited London 1930 With a clipping from The Times pasted to the reverse of one picture mentioning the two works offered above: THE TIMES, THURSDAY, FEBRUARY 13, 1930 "Countess Wydenbruck is a very versatile artist, feeling intensely and expressing herself with vigour. Most of her paintings are of Irish landscapes, in which the ancient richness of the vegetation is fully realised. In The Lough Derg, Castle MacGarrett with dark reflections in the water, is an impressive composition, and there are some paintings of luxuriant Irish gardens. But perhaps the paintings which more fully express the personality of the artist are the Flowers and Fruit, which approximate in their forms to the very spirit of the Austrian Baroque. Still more impressive is her Fruit in Glass Bowl, an excellent drawing in black and white, and there are further evidences of versatility in a gros point tapestry of a hunting subject and monotype prints in colour from wood blocks. What impresses in the work of both artists is the fine adaptation of style and the success of execution to a romantic impulse. Everything is done with pace and energy".

123 An early 18th century pressed horn oval tobacco box commemorating Sir Francis Drake by John O'Brisset (fl. 1705-1728) The lid pressed with the armorial device for Drake, 10cm wide. Provenance: Property from an historic family collection, Henley-on-Thames For a similar example see C. le Corbeiller, 'the Book of European and American Snuff Boxes', plate 647.

124 An early 18th century pressed horn tobacco box by John O'Brisset (fl. 1705-1728) Of shaped rounded rectangular form, the lid pressed with a family crest, labelled to the inside, 'Executed by O'Brisset, the metal silver smith and engraver', 13cm wide. Provenance: Property from an historic family collection, Henley-onThames

125 λ An 18th century oval ivory portrait miniature of a lady wearing a black hood with fan The reverse engraved with leaves and green berries with red enamelled beads, 10cm wide. Provenance: Property from an historic family collection, Henley-on-Thames N.B: This lot is subject to CITES regulations. Ivory Act Submission Reference PM6YT63J

£150-£200

£80-£120

£80-£120

£120-£180

† - Artist Resale Rights charge applies to this lot

λ - This lot is marked as Cites

126 λ A Regency tortoiseshell and gilt bronze standish or inkstand with ivory banding Of shaped rectangular form, with carrying handles and two cut glass ink pots; on winged eagle feet, 27cm wide. Ivory Act Submission Reference 5BGSUHXR N.B: This lot is subject to CITES regulations

127 λ Three items of 19th century brass and scarlet tortoiseshell marquetry including a stationery casket by Briggs of Piccadilly The stationery casket with hinged domed lid, enclosing eight divisions and a drawer, 21cm wide, together with a blotter, 29cm x 22cm and an inkstand, with two cut glass bottles and a carrying handle, 24cm wide. (3) N.B: This lot is subject to CITES regulations

128 A pair of 19th century Derbyshire Ashford black marble floral inlaid vases Of cylindrical form, both with white flowers, one with malachite leaves, on octagonal bases, 15cm high. (2)

129 A Victorian Derbyshire pietre dure press papier and two similar plates The press papier of rectangular form inlaid with lily of the valley, 14.5cm wide, one circular plate with similar decoration, 18cm diameter, the other circular plate inlaid with white and blue flowers, 14cm diameter. (3)

130 Two pairs of 19th century pietre dure and brass postal scales The circular weighting plates inlaid with flowers, each with a set of weights, one retailed by H.Rodriguez, 42 Piccadilly, W, the other by Rhodes & Son, Bradford, 17cm and 14cm wide respectively. (2)

131 A Victorian Derbyshire pietre dure rectangular press papier Inlaid with a cross of white jasmine flowers and malachite leaves, 15cm wide.

£200-£300

£500-£700

£60-£80

£100-£150

£120-£180

£50-£80

132 A pair of Victorian Derbyshire oval pietre dure panels with damascened frames One with a white rose and jasmine flower, the other with a white rose and lily of the valley, each 14cm high. (2)

£150-£200

† - Artist Resale Rights charge applies to this lot

λ - This lot is marked as Cites

133 An Edwardian silver and tortoiseshell desk time-piece, Horton & Allday, Birmingham and a tortoiseshell and white metal page turner The time-piece with arched case, above a white enamelled dial with Arabic numerals with a subsidiary seconds dial and a Swiss made movement, date letter rubbed, possibly 1909, 10cm wide, the late 19th century page turner unmarked with repoussé handle decorated with a dragonfly, scrolling leaves and a shepherd, 43cm wide. (2) Provenance: Property from an historic family collection, Henley-on-Thames N.B: This lot is subject to CITES regulations

134 A pair of Regency cut glass lustre twin-light candelabra With gilt brass nozzles with square and rectangular drops, with central acorn finials, on hob-nail cut stems and square bases, each 32cm high, 27cm wide. (2) Provenance: Property from a private collection of decorative arts, Warwickshire.

135 A pair of 19th century Regency style gilt bronze and bronze candlesticks The turned nozzles above grape and vine leaf cast hooks for lustres (now lacking), on ram's head triform stems and turned bases, each 20cm high. (2) Provenance: Property from a private collection of decorative arts, Warwickshire.

136 A late 19th century Worcester porcelain tazza, painted by Richard Sebright (d.1913) Heightened with gilt, on a green ground with pink reserves, the shaped circular plate with central panel of a still life of fruits, marked to the underside, with restorations, 24cm diameter.

137 λ A 19th century sampler of Genesis 22 by Hannah Sunderland, age 9 In a rectangular rosewood frame, 52cm x 38cm. Provenance: Property from an historic family collection, Henley-on-Thames N.B: This lot is subject to CITES regulations

138 A late 19th century walnut and gilt bronze mounted ting -tang quarter striking bracket clock by Lenzkirch The domed leaf carved top with flame finials above an arched glazed door flanked by stiff leaves, trailing bellflowers and flutes, on a stepped base and scroll feet, the 6" inch dial matted gilded with silvered chapter ring and Roman numerals below a rise fall regulation; with pierced foliate spandrels; the movement with anchor escapement and ting tang quarter striking on two gongs, stamped LENZKIRCH and numbered 405515, 27cm wide, 20cm deep, 39cm high.

£80-£120

† - Artist Resale Rights charge applies to this lot

λ - This lot is marked as Cites

£500-£700

£800-£1,200

£40-£60

£150-£200

£450-£550

139 A set of three George III steel fire tools Comprising a poker, shovel and tongs with turned terminals, the shovel 75cm long. (3) Provenance: Private Collection, Hampshire

140 A set of three early Victorian steel fire tools Comprising a poker, shovel and tongs with ball terminals, the shovel 74cm long. (3) Provenance: Private Collection, London

141 A set of four Victorian steel and brass fire tools Comprising a light and a heavy poker, a shovel and tongs with gilt brass terminals, the shovel 78cm long. (3) Provenance: Private Collection, Hampshire

£500-£800

£300-£500

£500-£800

143

142 A 19th century Louis XVI style white and eau-de-nil painted duchesse en bateau / day bed Upholstered in Claremont Armure Cannele pale green fabric, the arched padded ends within moulded and floral carved frames, with scroll arms on stop-fluted turned legs headed by paterae, together with two loose squab cushions, 193cm wide, 70cm deep, 99cm high. A 19th century French grey painted and parcel gilt mirror The rectangular plate within a leaf carved frame on an eau-de-nil painted panel, 125cm high, 110cm wide. Provenance: Private Collection, London.

144 A Louis XVI style carved pine caned bed Carved with leaves and flowerheads on turned supports with finials, 107cm wide, 102cm deep, 128cm high. Provenance: Property from an estate, Henley on Thames, formerly at The Dower House, Stonor.

£700-£900

£400-£600

£100-£200

† - Artist Resale Rights charge applies to this lot

λ - This lot is marked as Cites

145

A late 18th century French Directoire period mahogany and brass bound secrétaire à abbatant The rectangular white marble top with pierced brass three-quarter gallery and rounded projecting corners, above a frieze drawer and fall front enclosing a leather lined writing surface, a central recess, two long and seven short drawers; above a pair of panelled doors enclosing a coffre fort; flanked by pilasters on toupie feet, 95cm wide, 39cm deep, 146cm high. Provenance: Property from an historic family collection, Henley-on-Thames With a label to the reverse for Perrin, Rue Beccaria, Paris Recorded in the inventory of the dining room of 45 Hyde Park Gardens Mews, London, W2, December 1946.

A 19th century French Directoire style painted and gilt mirror The rectangular plate surmounted by an acanthus leaf and foliate shaped cresting, with 'C' scrolls and leaf carved sides, with shell carved apron below, 123cm high, 79cm wide. Provenance: Private Collection, London. Estimate

147 A 19th century French Louis Phillipe mahogany and applied brass table ambulante The rectangular grey and white St Anne marble top with three quarter pierced brass gallery above three drawers; on turned legs and castors, joined by an under-tier, 49cm wide, 33cm deep, 77cm high. Provenance: Property from an historic family collection, Henley-on-Thames

£60-£80 148

A Louis Phillipe mahogany and brass tambour fronted pot cupboard The rectangular white marble top with pierced brass three-quarter gallery above two drawers and a tambour enclosing a white marble base; above a drawer on turned reeded legs joined by a shaped undertier, on turned feet, 40cm wide, 18cm deep, 98cm high. Provenance: Property from an historic family collection, Henley-on-Thames Recorded in the inventory of the dining room of 45 Hyde Park Gardens Mews, London, W2, December 1946.

A 19th century French white painted pine bookcase In the Louis XVI style, heightened in blue, in two parts, the rectangular ogee moulded cornice above a military trophy carved frieze and and two adjustable shelves, the lower part above a pair of panelled doors enclosing a shelf on a moulded plinth base, fitted for electricity, 127cm wide, 36cm deep, 222cm high. Provenance: Property from an estate, Henley on Thames, formerly at The Dower House, Stonor.

λ - This lot is marked as Cites

£150-£200

£500-£800

150

A pair of early 18th century French Louis XIV walnut carved side chairs With shell carved and pierced toprails above panelled à chassis rectangular splats and drop in seats on square cabriole legs joined by turned side stretchers, each 49cm wide, 39cm deep, 112cm deep, seat height 47cm. (2)

151 A 19th century walnut French Provincial desk / bureau plat In the Louis XV style, the rectangular cleated top above a frieze drawer and a kneehole, flanked by two short drawers to each side, the panelled reverse carved with flower filled urns and scrolling leaves and flowers; on shaped moulded legs and pad feet, 166cm wide, 66cm deep, 74cm high. Provenance: Property from an estate, Henley on Thames, formerly at The Dower House, Stonor.

A 19th century ebonised table with associated pietre dure top Applied with gilt metal mounts, the dished top with pierced three-quarter gallery inset with pebble shaped specimen marbles, including lapis lazuli and malachite, on a baluster shaft and tripod scrolled legs, 44cm diameter, 75cm high.

153 A 19th century French Louis Phillipe mahogany and applied brass bowfront corner cupboard With tiered superstructure above a panelled door enclosing a shelf on shaped bracket feet, 63cm wide, 41cm deep, 200cm high. Provenance: Property from an historic family collection, Henley-on-Thames

154 A 19th century French Louis Phillipe mahogany and brass meuble d'appui or side cabinet The rectangular grey moulded marble top with projecting corners above two frieze drawers and two panelled doors enclosing a shelf; flanked by stop-fluted pilasters, on turned feet, 114cm wide, 51cm deep, 105cm high. Provenance: Property from an historic family collection, Henley-onThames With a partial label for Perrin, Rue Beccaria, Paris. Recorded in the inventory of the dining room of 45 Hyde Park Gardens Mews, London, W2, December 1946.

155

A pair of brass Corinthian column table lamps and a pair of cut glass and brass table lamps The column lamps on square applied laurel leaf bases, each 53cm high including fittings, the cut glass lamps on turned walnut bases, together with a pair of cream shades, each 43cm high including fittings. (4)

† - Artist Resale Rights charge applies to this lot

λ - This lot is marked as Cites

Estimate

£100-£150

£300-£500

£200-£300

£60-£80

156 Description

A vintage white painted carved console table in the form of a bunch of roses With later glass top, the roses tied with a riband, previously gilt, 66cm wide, 39cm deep, 72cm high. Provenance: Property from an estate, Henley on Thames, formerly at The Dower House, Stonor.

157 A mid 19th century European pine cupboard In the form of an escritoire, the shaped moulded cornice above a hinged door, enclosing a rail on shaped feet, 112cm wide, 58cm deep, 167cm high. Provenance: Private Collection, London.

158 An 18th century style Dutch pine bombé bureau The shaped rectangular top above a shaped fall enclosing a central cupboard door, two secret drawers, eight short drawers and a sliding well; above three long graduated drawers on claw and ball feet, with restorations, 110cm wide, 49cm deep, 112cm high. Provenance: Property from an estate, Henley on Thames, formerly at The Dower House, Stonor.

159

A Renaissance style terracotta globular flagon With lion mask spout; on a circular footed base, (a.f), 36cm high.

160 A pair of early 19th century Colombian brass stirrups Each 20cm wide. (2)

Estimate £200-£300

£50-£80

£300-£400

£50-£80

£40-£60

161 A pair of large 19th century French ormolu candlesticks in the manner of Corneille Van Cleve (French, 16461732) With male and female figural stems each holding a child aloft; on swirling circular bases, each 40cm high. (2) See Christies, London, 9 December 1993, lot 97 for a pair of the same model previously sold by the late Mrs Tritton, Godmersham Park, Kent at Christie's house sale, 6-9 June 1983, lot 319.

162

An Empire gilt bronze and patinated bronze surtout de table The circular inset verde antico marble top on female caryatids supports, on a circular base, 21cm diameter, 27cm high.

† - Artist Resale Rights charge applies to this lot

λ - This lot is marked as Cites

£500-£700

£300-£500

163 Description

A 19th century French gilt bronze and Sèvres style porcelain mounted mantel clock by Phillipe Mourey the movement by Japy Frères With twin handled urn finial above a 3 1/2in dial with Roman numerals above a plaque painted with two young lovers, flanked by cornucopia and turned urns on a stepped base and turned feet, the twin train movement striking on a bell, stamped for Japy Frères and numbered 226, the case stamped on the reverse, 'P H. MOUREY', 28cm wide.

A 19th century Italian pietra dura inlaid ebonised box and a 19th century pietra dura press papier The rectangular box with panel in the lid of a white single rose, 23cm wide, the rectangular moulded press papier inlaid with Lily of the Valley, 12cm wide. (2)

165 A small late 19th century French gilt metal perfume casket and bottles Engraved with classical buildings, figures, 'C' scrolls and exotic birds, enclosing two clear glass bottles, with applied garnet cabochon to the front catch, 8cm high.

166 A pair of 19th century Italian Florentine pietre dure framed panels One of a serving maid with pitcher and ale, the other of a soldier drinking from a flagon, each 24cm high (including frames). (2)

167 A pair of late 19th century French gilt metal five light candleabra With foliate drip pans, stiff leaves, flowers and buds on triform leaf cast bases, each 56cm high. (2) Provenance: Property from an estate, Henley on Thames, formerly at The Dower House, Stonor.

168 A pair of late 19th century continental white porcelain and gilt bronze lustre candlesticks Hung with crystal drops, the stems in the form of male putti swathed in drapes, on circular bases, each 37cm high. (2)

Provenance: Property from an estate, Henley on Thames, formerly at The Dower House, Stonor.

169 A pair of late 19th century French gilt metal and opaline glass chimney ornaments With white flowerheads, stiff leaves and buds, on triform grotesque monopodiae supports, pierced domed bases and paw feet, each 96cm high. (2) Provenance: Property from an estate, Henley on Thames, formerly at The Dower House, Stonor.

Estimate

£200-£300

£100-£150

£60-£80

£200-£300

£100-£200

£100-£150

£250-£350

† - Artist Resale Rights charge applies to this lot

λ - This lot is marked as Cites

170 Description A pair of late 19th century Japanese Imari style porcelain baluster vases and covers Applied with gilt bronze mounts in the Louis XVI style, the domed fixed covers with pineapple finials, the bodies with ring tamed lion cast handles, on octagonal bases, each 45cm high. (2) Provenance: Private Collection, London.

171 A pair of late 19th / early 20th century German porcelain Japanese style simulated tusk vases, possibly Rudolstadt Decorated with figures in a mountainous landscape, on pierced green glazed bases, marked and numbered 1012, each 32cm high. (2)

172 A German Scheibe-Alsbach porcelain group of Napoleon, 'Chut! Papa Dort!' Napoleon sleeping in a chair whilst his child leans on a table where a toy soldier has fallen from his horse, marked, 20cm wide.

173 A 19th century French faïence and ormolu mounted vase attributed to François Laurin (1827-1901) of Bourg-la-Reine Of baluster form, polychrome decorated with playful putti within a landscape, on a socle base, with lion paw feet, 41cm high. For further information see Slitine Florence, La faïencerie Laurin à Bourg-la-Reine. In: Sèvres. Revue de la Société des Amis du musée national de Céramique, n°19, 2010. pp. 117-124.

Estimate

£600-£800

£150-£200

£200-£200

£100-£150

174 Jules Edmond Masson (1871-1932) A patinated bronze £1,500-£2,000 figure of Napoleon Bonaparte on horseback Signed 46cm high. Provenance: Private Collection, London.

† - Artist Resale Rights charge applies to this lot

λ - This lot is marked as Cites

175 Description A patinated bronze German WWI propaganda medal for the sinking of the Lusitania by Karl Goetz, dated 5 May 1915 5.5cm diameter. In August 1915, German artist Karl Goetz cast a commemorative medal depicting the May 7, 1915 sinking of the Lusitania. He intended it to be a metallic political cartoon, but it became a propaganda tool. On one side the Lusitania was shown sinking by its stern (it sunk bow first) with artillery pieces and airplanes on the deck. The caption translates as 'No Contraband Goods – The Liner Lusitania Sunk by a German Submarine – 5 May 1915'. The reverse shows a skeleton selling tickets to long lines of unwary passengers, the caption translates as 'Business Above All. A newspaper headline warns: UBoat Danger. It was the May 5 date on the medal that verified to the British that the Germans pre-meditated the sinking, a cowardly act. In fact, artist Goetz simply got the date wrong from using an erroneous newspaper report. About 430 medals of the first version with the May 5 date were minted in Goetz’s home. He soon corrected the date to May 7, which is the Goetz-minted coin in the War at Sea exhibit case in the Main Gallery at the Museum and Memorial. Apparently there were between 41 to 45 medals of this version made.

176

In the manner of George Morland 'The Beggar Man' Oil on canvas Unsigned 132cm x 112cm

Estimate

£30-£40

177 Early 19th century Continental School Portrait of a lady with lace bonnet Oil on canvas Unsigned 51cm x 44cm

£100-£150

178 Louis Dubois (Belgian, 1830-1880) 'An Interesting Letter' Oil on panel Signed 31cm x 23cm

£150-£200

£500-£700

179 † Roelef Dozeman (Dutch, 1917-1996) Sunset on the Canal Oil on canvas Signed 39cm x 79cm Artist Resale Right may apply

£200-£300

† - Artist Resale Rights charge applies to this lot

λ - This lot is marked as Cites

180 A set of seven large 19th century French architectural framed drawings by Jack Monod Pencil pastel and ink wash on paper Signed 61cm x 46cm, frames 85cm x 72cm (7) Jack Monod during a period from 1902-1909 was at the workshop of Godefroy and Freynet in Paris. While not as famous as the renowned Ecole Nationale Superieure des Beaux-Arts in Paris, the workshop of Godefroy and Freynet was very popular and highly regarded in its own right. Often students at the ENSBA would self-study further at Godefroy and Freynet. The workshop was located on Rue de Dragon on the left bank in Paris, only a few streets from the ENSBA.

181 † Derek Carruthers (British, 1935 - 2021) 'Composition with red- blue figures' Mixed media canvas with fret carved applied artist mannequins Dated March / April 1998-2003 122cm x 92cm

182 A Victorian part tea set by George Jones with a Henley retailer and three other part tea sets The George Jones set retailed by John Hawkins, Henley on Thames. (qty)

£1,000-£1,500

183 A vintage green leather playing card box and a cocobolo circular box 21cm and 7cm wide respectively. (2) Provenance: Property from an historic family collection, Henley-on-Thames

184 A red tooled leather boxed golfing themed bar set by Asprey Comprising of a cork screw, bottle opener, a stopper in the form of golf balls and a pair of stirrers in the form of golf clubs, 21cm wide. Provenance: Property from an historic family collection, Henley-onThames

185 A pair of vintage gilt metal twin-light table lamps With pineapple finials on rectangular pedestal and stepped bases, with shades, fitted for electricity, each 56cm high. (2) Provenance: Property from an estate, Henley on Thames, formerly at The Dower House, Stonor.

186 A large David Leach foxglove pattern studio pottery stoneware bowl The brown and blue /grey decoration depicting a stylised foliate spray to each side, above two concentric brown bands, the oatmeal ground with brown speckles throughout, with impressed Lowerdown pottery seal mark, 25cm diameter.

† - Artist Resale Rights charge applies to this lot

λ - This lot is marked as Cites

£200-£300

£60-£100

£30-£50

£120-£180

£200-£300

£150-£200

187 Description Christine Hall 'Henley Regatta' A vintage decorated charger plate Signed and dated 2002 41cm diameter.

Provenance: Property from an historic family collection, Henley-on-Thames

188 A set of four Herend hand painted porcelain rabbit and leaf place card holders Two with pink and two with blue polka dots, with gilt ears, 8cm wide. (4)

Estimate

£60-£80

£50-£70

189 A pair of vintage storm lanterns The shades of trumpet form decorated with leaves and stellar, with blue rims; on turned stems and bases, each 48cm high. (2)

Provenance: Property from an estate, Henley on Thames, formerly at The Dower House, Stonor.

190 A 1960's Spanish Boomerang 64 grey desk lamp designed by Luis Perez de la Olivia for Fase, 1965 With circular adjustable shade and diffuser, with switch on the circular base, fitted for electricity, 40cm high.

191 A commemorative Dalvey's hip flask and spirit cup by Grants of Dalvey, Scotland For Haddo House, Dunbar Inauguration, May 17 1995, the flask of circular form in stainless steel, with a removable folding spirit cup fitted to the centre, with a commemorative medallion to the reverse side, with original box, unused, 14cm diam.

192 Longchamp, Paris, a Boxford Briefcase In brown leather and green recycled canvas, with a detachable shoulder strap, 42cm wide, 12cm deep, 31cm high.

£80-£120

£150-£200

£60-£80

£100-£150

193 A vintage Delbana gentleman's automatic wrist watch Case width 30mm, the round dial with Arabic numerals, on a later brown leather strap, recently serviced.

£80-£120

† - Artist Resale Rights charge applies to this lot

λ - This lot is marked as Cites

194 Description Favre-leuba, a vintage gentleman's manual wind wrist watch Case width 35mm, the round dial with baton markers, on a later black leather strap.

195 Raymond Weil, Geneve, a gold plated gentleman's wrist watch The case width 30mm, the circular dial vacant with an inset white stone to 12 o'clock, numbered 5508-2, on a later black leather strap,

196 Accurist, a vintage gentleman's wrist watch Case width 32mm, the circular dial with Arabic numerals, the case numbered 40600, on a later brown leather strap.

Estimate £150-£200

£100-£150

£50-£70

197 A Vintage Girard-Perregaux Gyromatic Chronometer H F gentleman's wristwatch, circa 1968 Case width 35mm, the tonneau-form dial with Roman numerals and centre seconds, with date aperture, on a elasticated steel bracelet. Provenance: Property from an historic family collection, Henley-on-Thames

198 Sekonda, a vintage gentleman's wrist watch Case width 35mm, the circular dial with baton markers, numbered 638267, on a later brown leather strap.

£100-£200

£40-£60

199 Girard-Perregaux, a vintage Gyromatic gentleman's wrist watch Case width 33mm, the round dial with baton markers, on a later black leather strap, recently serviced.

200 A Raymond Weil, Geneve, A gentleman's gold plated wrist watch Case width 30mm, the round dial with Roman numerals, the reverse numbered 5549 and engraved 'Eric', on an articulated bracelet strap.

£350-£450

£150-£200

† - Artist Resale Rights charge applies to this lot

λ - This lot is marked as Cites

201 Description

An Art Deco 9ct gold wristwatch With tonneau shaped case on expanding 9ct gold bracelet, engine turned silvered dial, Arabic numerals, the case with decorated detail, Swiss made movement with 15 jewels, mark for 9/375, serial number 362654, tests as 9ct. Case 26 x 16mm, bracelet approx. 15cm / 6’’ minimum, 13g gross.

202 Two lady's vintage unworn fashion wristwatches One example by Pierre Cardin, case width 27mm, the square dial with quarter hour baton markers, on a black patent leather strap, in original case with papers, the other example by Grovana, case width 24mm, the circular dial with Roman numerals, on a blue leather reptile skin style leather strap with original box (2)

203

Certina, A vintage lady's wrist watch and another The Certina watch, case width 22mm, the circular dial with baton markers, on a later black leather strap together with a ladies wrist watch, case width 24mm, the circular dial with baton markers on a two colour integral metal strap. (2)

204 A vintage Lotos lady's silver enamel lapel watch and an Art Deco silver, enamel and marcasite cigarette case The watch decorated with pink roses with green leaves on a white ground, with similar enamelled bow pin, marked 0.925, 2.5cm wide, the cigarette case in cream and pink applied with a floral basket, makers mark A.J.P, import mark and stamped 925, date letter for 1929, 7cm wide. (2)

205

Tissot, a lady's PR50 wrist watch The case width 24mm, with date aperture, numbered 11606, on a factory black leather stap.

206 Rotary, A lady's gold plated wrist watch Cased width 25mm, the round dial with baton markers, the case numbered 4468, on an expandable bracelet strap.

Estimate

£80-£120

£50-£70

£30-£50

£100-£150

£50-£70

£30-£50

207 An early 20th century 18ct gold cased wristwatch on a 9ct gold mesh strap bracelet The case with circular white enamel dial missing its glass, Roman numerals in black and red at the 12, winder in base metal, Swiss made jewelled movement, inside case stamped 33603 and with London marks, the bracelet with a buckle style clasp. Case 25mm, 28.5g gross. Provenance: Property from an historic family collection, Henley-on-Thames

£150-£200

† - Artist Resale Rights charge applies to this lot

λ - This lot is marked as Cites

208

A diamond set white metal lady’s oval dress wristwatch

£1,000-£1,500 signed Bergana Baton numerals, silvered dial, quartz movement, onyx cabochon winder, round brilliant cut diamond set bezel, a marquise diamond and scalloped cluster to each shoulder lug, upon a woven four row ropetwist bracelet, case and bracelet testing as 18ct white gold, marked to case back ‘18K 750’, numbered 535338, clasp stamped ‘0.750’, approx. 0.90cts of diamonds. Case 21 x 17mm, Length along bracelet 15.5cm / 6¼’’. (23g)

209 An early 20th century gold, opal and stone set bar and scroll brooch With central sugarloaf cabochon water opal approximately 12.4 x 11.7 x 5.2mm, flanked by two cushion cut stones of approx. 3.3 x 3.1mm probably early synthetic rubies, stamped 9CT. 59 x 20mm, 9.5g.

210 A small group of jewellery Comprising a pair of yellow metal cufflinks testing as 18ct, each side with brushed matt cushion panel 17 x 17mm opposite hinged reeded baton 18 x 6mm, marked 750, 14g; a late 19th century gold navette brooch with turquoise and seed pearl detail, tests as 9ct, marked ‘9CT’, 41 x 15mm, 3g; and three gilt metal studs. Provenance: Property from an historic family collection, Henley-on-Thames

211

£200-£300

£200-£300

A 14ct rose gold bar pin brooch Set with a well painted crystal depicting a jockey on horseback surrounded by diamonds, 40mm wide.

£1,500-£2,000

212 A large silver-gilt bird of paradise brooch pendant Set with a large oval cabochon amethyst, rose and roundcut diamonds and a ruby. Amethyst 12.30ct. Diamonds 1.17ct. 60mm wide.

213 A late 19th century ruby, sapphire, diamond and pearl butterfly brooch Mount tests as silver and 14ct gold topped, brooch fittings as 9ct gold, approx 0.60cts of rubies and 0.30cts of sapphires, wingspan 35mm, height 25mm, 8.08g.

214 A late 19th century sapphire, ruby, diamond and pearl butterfly brooch Mount tests as silver and 9ct gold. Approx. 2.20cts of sapphires and 0.75cts rubies. Wingspan 41mm, height 33mm, 14.85g.

£600-£800

£400-£600

£600-£800

† - Artist Resale Rights charge applies to this lot

λ - This lot is marked as Cites

215 Description

Three antique brooches Comprising: a later 19th century sugarloaf amethyst and paste cluster brooch, collet set in silver and gold backed mount and fitting, tests as 9ct to back, 17 x 17mm, 3.98g, amethyst approx. 12.0 x 12.0 x 8.3mm, an antique vari-coloured gem five stone bar brooch, with a peridot, orange stone probably a topaz, a sapphire, ruby and amethyst, mount tests as silver, 40mm long, 4.00g, central sapphire approx. 5 x 4mm and a late 19th century red, green and white enamel and pearl scroll bar brooch mounted in silver, length 30mm, 3.33g. (3)

Estimate

£150-£250

216

An antique diamond cluster star pendant-brooch With twelve rays, cushion, old brilliant and single cut diamonds, approximately 1.75cts in all, approx. H VS, mount tests as silver with gold to back and fittings in gold (18 and 9ct in places), width 36mm, 8.60g

217 A three stone pearl and diamond bar brooch Bouton shaped creamy pearl, old brilliant cut diamonds, on a yellow metal bar testing as 14ct gold. Pearl 4.2mm, diamonds approx. 0.45cts in all. Length along 4.5cm / 1¾’’. (3g)

218 Late 19th century oval orangey-brown paste brooch Gilt metal mounted. 47 x 38mm. 27.5g

£600-£800

£150-£200

£30-£50

219 A Queen’s Royal Surrey Regimental Insignia badge in rose cut diamond, cabochon ruby and enamel The Paschal lamb with halo and bearing a St George flag, mounted in white metal testing as platinum and white gold. 3.0 x 2.2cm / 1¼ x 7/8’’. (6g)

220 A late 19th century pink shell cameo profile of a lady with flowers dressing her hair, allegoric of Flora Collet gold mount testing as 9ct, chain element testing as 14ct, pin of base metal. 36 x 29mm, 8.5g.

221 An 18ct white gold ring Set with an emerald cut emerald and halo of diamonds. Emerald 2.82ct. Diamonds 1.05ct. Size N.

£500-£700

£150-£200

£1,600-£1,800

† - Artist Resale Rights charge applies to this lot

λ - This lot is marked as Cites

222

An 18ct yellow and white gold square cluster dress ring

£1,000-£1,500 (8.5g), set with white and yellow diamonds (assumed treated) totalling 1.00ct. Size S 1/2

223 A large dress ring in white metal Set with an oval carved morganite, surrounded by oval apatites and diamonds. Morganite 19.18ct. Apatites 10.26ct. Diamonds 1.18ct. Size N.

£800-£1,200

224 A navette cluster ring Set with diamonds and calibré cut £1,000-£1,500 spinel with scroll patterned shoulders. Diamonds 0.55ct. Spinel 0.60ct approx. Rose yellow metal tested as gold of unknown ct. 5g. Size O.

225 An oval cut diamond halo cluster ring With split diamond line shoulders to half hoop, claw set with a 0.87ct D VS1 diamond, facetted girdle, photocopy of GIA report no. 2286131799 accompanies, white metal mount tests as platinum. Cluster 11.5 x 9.5mm. Size O. (7g)

226 A diamond princess-cut eternity ring Diamonds 4.50ct approx. Size S.

£2,000-£3,000

£3,000-£5,000

227 An 18ct white gold emerald and diamond dress ring Oval emerald 1.70ct. Diamonds 0.60ct. Size Q.

228 An 18ct white gold oval tanzanite and diamond cluster ring Tanzanite 1.29ct. Diamonds 0.57ct (tapered baquette 0.15ct; 0.42ct). Size N.

£2,000-£3,000

£1,200-£1,800

† - Artist Resale Rights charge applies to this lot

λ - This lot is marked as Cites

229 Description A single stone old European cut diamond engagement ring Four claw set in 18ct yellow gold, Edinburgh hallmarked, marked to shank back ‘18K 750 DIA’, diamond approx. 1.30ct. Size J. (3g)

230 A 9ct yellow and white gold ring Set with a 0.50ct diamond, four rubies (0.15ct) and two sapphires. Size N.

Estimate

£1,400-£1,600

£700-£900

231 An 18ct rose gold trilogy ring set with diamonds Diamonds 2.25ct. Size M.

232 An 18ct white gold emerald and diamond trilogy ring Emerald 0.66ct. Diamonds 0.37ct. Size N 1/2.

£1,800-£2,200

£1,500-£2,000

233 A five stone diamond and sapphire ring Mount tests as 18ct gold and platinum claws, approx. 1.50cts diamonds, H/G, 12-I3, approx. 2cts of oval cut sapphires, 4.40g.

234 A solitaire round brilliant cut diamond ring with diamond set half hoop Four claw set in white metal testing as 18ct white gold, stamped ‘750’. Main diamond approx. 0.62ct, six graduated small diamonds to each shoulder. Size L 1/2. (2g)

235 A single stone square sapphire and 18ct white gold ring Of Princess cut approximately 0.85ct, broad slightly tapering shank, Sheffield hallmarked 750 with EMJ sponsor mark. Sapphire 5.08 x 5.05 x approx. 3.5mm, 4.22g

£1,200-£1,800

£800-£1,200

£200-£300

† - Artist Resale Rights charge applies to this lot

λ - This lot is marked as Cites

236 Description A platinum dress ring Set with a central large oval aquamarine surrounded by diamonds. Aquamarine 5.61ct. Diamonds 0.78ct. Size L.

Estimate

£2,200-£2,500

237 An 18ct white gold oval kyanite and diamond cluster ring Kyanite 1.77ct. Diamonds 0.52ct. Size N.

238 A platinum ring Set with a cabochon opal and a halo of diamonds. Opal 1.05ct approx. Diamonds 0.49ct approx. Size H.

£1,000-£1,500

£1,000-£1,500

239 A single stone diamond ring Round brilliant cut of approx. 1.00ct, claw set in platinum, Birmingham hallmarks. Size I. (5g)

240 A 14ct white gold channel set diamond line bracelet With an open box clasp and safety catch. Round brilliant cut diamonds 5.00ct.

£2,500-£3,500

£3,000-£5,000

241 An 18ct yellow gold step-cut sapphire and diamond panel bracelet Sapphires 2.50ct. Diamonds 0.40ct.

242 An onyx, corallium rubrum and diamond bracelet, of Art Deco style Onyx torpedo beads alternating carved corallium rubrum tonneau and diamond jointed links, diamond collets in between, white metal testing as 18ct gold, stamped ‘18K and ‘750’. Approx 0.60cts diamonds. Length max. 20cm / 8''. (12g)

£2,000-£3,000

£800-£1,200

† - Artist Resale Rights charge applies to this lot

λ - This lot is marked as Cites

243 Description A pair of silver gilt diamond-set skull pendants Diamonds 1.00ct total approx.

244 An Art Deco period tassel-tied string pendant with a single butterscotch type amber-look bead, probably Chinese Of squat cylinder shape, flanked by decorative white metalwork with florettes and dotted black beads. Principal bead approx. 33 x 28mm wide, overall length 18.5cm approx. (32g)

245 An Art Deco period tassel-tied string of butterscotch type amber-look beads Squat cylinder shape, each 14 x 13mm wide. Length of beads laid end to end approx. 22cm / 8½’’, 39g.

246 A pair of 18ct white gold five claw set diamond solitaire studs Diamonds 0.93ct

Estimate

£500-£700

£50-£70

£30-£50

£900-£1,200

247 A pair of oval drop earrings Set with eight cut diamonds £1,200-£1,800 and calibré cut sapphires with hook fastenings. Sapphires 0.45ct approx. Diamonds 0.95ct approx. Rose yellow metal tested as gold of unknown ct. 11g.

248 A pair of 18ct white gold droplet earrings Set with suspended round white cultured pearls and sapphire and diamond cluster bales. Oval cut sapphires 2.17ct and baguette-cut diamonds 1.00ct. 10mm diameter approx.

249 A pair of oval peridot and diamond halo stud earrings Peridots 3.00ct. Diamonds 0.60ct

£3,000-£5,000

£1,000-£1,500

† - Artist Resale Rights charge applies to this lot

λ - This lot is marked as Cites

250 Description A heavy pair of 14ct white gold half loop earrings Set with natural black and white diamonds. Black diamonds 2.00ct. White diamonds 0.88ct.

251 A pair of 18ct yellow gold drop earrings Set with champagne baroque cultured pearls

252 An 18ct white and yellow gold pendant Set with a pear shaped emerald surrounded by diamonds in a beaded setting, with diamond bale, on a silver chain. Emerald 2.85ct. Diamonds 0.66ct.

253 A pair of coloured South Sea cultured pearl and diamond stud earrings Bronze-brown, 12.6 & 12.2mm, diamond approx. 0.50cts total, white metal mounts test as 18ct gold. Length overall 1.7cm / 11/16’’. (8g)

254 A late 19th / early 20th century 18ct gold spiral baton coil and chain link necklace (chain tests as 18ct, later clasp testing as 9ct). 62cm / 24½’’ long. 25.5g.

Estimate

£1,000-£1,500

£500-£700

£2,500-£3,500

£500-£700

£600-£800

255 A 19th century turquoise and pearl scroll pendant, c.1880, and chain necklace Pendant set with split pearls and cabochon turquoise, yellow metal mounts test as 18ct, chain tests as 14, bolt ring clasp tests as 9ct, (together with 2 base metal clasps). Pendant: Length 57mm, 9.84g. Chain: Length 39.5cm / 15?’’, 8.31g.

256

A 14ct white gold cross pendant Set with pear-shaped rubies and a single diamond, with silver chain. Rubies 2.51ct. Diamond 0.07ct.

£200-£300

£500-£700

† - Artist Resale Rights charge applies to this lot

λ - This lot is marked as Cites

257 Description

An 18ct white gold solitaire pendant set with a diamond on a silver chain Diamond 0.71ct.

258 A 9ct gold heart shaped pendant locket with applied rose cut diamond and gem fly motif Glazed compartment within, stamped within ‘9CT’, London import mark for 1976 (possibly import later, pendant looks earlier), Pendant length including loop 51mm x 39 across, 16.71g, together with a yellow chain necklace of 70cm / 27½’’

259

An 18ct white gold necklace and pendant Set with a suspended champagne cultured pearl and natural yellow and white diamonds in a bale. Diamonds 0.50ct. Pearl 10mm diameter approx.

260 A large and impressive silver necklace Set with cabochon opals, each surrounded by diamonds with a diamond-encrusted clasp. Opals 93.52ct. Diamonds 7.17ct.

261 A single row coloured South Sea cultured pearl necklace 36 pearls slightly graduated 11.9-11.1mm, various hues of grey, black and brown-grey and largely rosé overtones some also with green, white metal clasp testing as 18ct, stamped ‘750’. Length 46cm / 18’’. (79g)

Estimate

£700-£900

£200-£300

£1,200-£1,800

£3,000-£5,000

£700-£1,000

† - Artist Resale Rights charge applies to this lot λ - This lot is marked as Cites

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Explanation of catalogue terms

The following wording used in the catalogue have the following meanings:

• “Richard Brachenburgh”: in our opinion a work by the artist;

• “Attributed to Richard Brachenburgh”: in our opinion probably a work by the artist;

• “Studio/Workshop of Richard Brachenburgh”: in our opinion a work by an unknown hand in a studio of the artist which may or may not have been executed under the artist’s direction;

• “Circle of Richard Brachenburgh”: in our opinion a work by a hand closely associated with a named artist but not necessarily his pupil;

• “Follower of Richard Brachenburgh”: in our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil;

• “Manner of Richard Brachenburgh”: in our opinion a work in the style of the artist and of a later date;

• “After Richard Brachenburgh”: in our opinion, a copy of a known work of the artist;

 “Signed and/or dated and/or inscribed”: in our opinion the signature and/or date and/or inscription are from the hand of the artist;

 “Bears a signature and/or date and/or inscription”: in our opinion the signature and/or date and/or inscription have been added by another hand

4. All measurements provided are approximate. Colours of any image depicted in any printed catalogue, on our website or otherwise may not appear the same as colours perceived on physical inspection.

5. You have the opportunity to inspect the lot or by making an appointment to view at The Dairy, Stonor Park, RG9 6HF. Please call us to arrange your viewing appointment: 0207 281 2790. We always recommend inspection of a lot in person so you can form your own opinion of it. We strongly advise you to examine any lot or to have it examined on your behalf before you bid in the auction.

6. We aim to approve bidders as soon as possible however we advise bidders to register online with our third party platform well in advance of intending to bid as approval to bid cannot always be actioned immediately.

A separate online buyers commission fee will be levied and separate registration will be required for online bidding on the third party platform. When bidding on the third party platform we recommend you familiarise yourself with the additional commission fees payable before placing your bid.

7. Some bidders may experience technical problems in bidding for a lot which are beyond our reasonable control, such as firewalls, loss of internet connection or other technical issues to do with the third party bidding software or their own device.

We will not be responsible to you for any errors or failures to execute bids, or for any errors or omissions in online bidding, including without limitation, errors or failures caused by any loss of connection or faults with the third party software.

8. In the event of a successful purchase or purchase/s your invoice will be sent to your registered email address when bidding on the last lot in the auction has closed. Buyers will be able to settle their invoice online by accessing the payment link provided.

9. The Pedestal will charge a buyer’s fee of 25% on the hammer price of each lot, plus VAT.

10. Payment for each lot which you have purchased including all associated fees, charges and taxes is due no later than 7 calendar days after the auction.

Payment can be made only by the registered bidder.

Payment instructions will be given on the relevant invoice or invoices. Please note that we do not accept payment by credit card or in cash.

Payment for the lot or lots must be made in full as set out in the invoice or invoices sent out either after the auction or at the completion of the post-sale transaction.

We do not accept payment made in instalments over a period of time.

For late paid invoices, we draw your attention to provisions in the Late Payment of Commercial Debts (Interest) Act 1998. We reserve the right to charge interest on late paid invoices at the rate of 8% above the bank base rate.

You warrant that the funds to be used for settlement are not connected with any criminal activity, including tax evasion, and you are neither under investigation, nor have you been charged with or convicted of money laundering, terrorist activities or other crimes.

The Pedestal is committed to the fight against money laundering and terrorist funding and compliance with relevant sanctions law. You will comply with our requests for source of funds, and other documentation fully, accurately and promptly. We may require such information and documentation from you at our sole discretion in order to comply with our obligations under domestic and international law. If in our absolute discretion you do not satisfy our bidder identification and registration procedures, we may refuse you to register to bid, and if you make a successful bid we may cancel the sale.

11. No lot will be released and legal title will not pass to you until we have received due payment in full of all sums owed to us by you. Risk in any lot for which you are the successful bidder will pass to you on the earlier of collection of the lot by you or on your behalf, or the due date for payment for such lot.

Our duty to you while your lot is at your risk and your property and in our custody is to exercise reasonable care in relation to it. We will however not be responsible for damage to the lot or to other persons or things as a result of it being affected for example by woodworm. Please consult clause 13, which covers the 7 day post auction collection period and the storage charges payable thereafter.

12. If you fail to make due payment for any lot we may, at our discretion and without limitation to other available remedies, bring legal proceedings against you for the unpaid sum and all associated fees and costs including professional fees (“Unpaid Sums”); retain and sell ourselves or otherwise any other lots held by us which are your property or any sums otherwise payable by us to you and use such proceeds or sums to defray the Unpaid Sums; cancel the sale, re-offer the lot and claim any shortfall and any associated costs from you; and/or pass your identity and contact details to the seller so that they can pursue legal remedies against you directly. Additionally, if you are a business customer, interest on late payments may be charged at 8% above our bank’s base rate from time to time.

13. All lots must be collected from our premises as notified to you in the auction catalogue and otherwise, within 7 days after the auction. Storage and handling fees will be charged in relation to lots left uncollected after that date.

Our storage charges are as follows:

- Administration fee: £10 | Storage: £3/day for pictures and small items; £6/day for furniture, larger pictures and objects

Full value protection cover for the value of the hammer price will be charged at 0.6% but will not exceed the total value of all other transfer and storage charges.

VAT will be applied at the current rate on any charges levied.

Any lots not collected within 90 days after the auction may be sold by us at our discretion, with the proceeds applied to cover all Unpaid Sums including storage and handling charges. In this event any surplus will be paid over to you, and we will claim any shortfall from you as an Unpaid Sum.

14. A lot which has been collected from our premises by you or a shipper acting on your behalf is deemed to have been delivered to you by us at the time of such collection.

15. If within 21 days of the auction the buyer gives us written notice to us that the lot is a forgery and demonstrates to our satisfaction that the lot is a forgery, provided that the lot is returned to us in the same condition as when it was sold and within a reasonable timescale notified by us, we will cancel the sale, refund the purchase price and the cost of reasonable return.

A ‘forgery’ is defined as a work created with the intent to deceive.

We may request that the buyer provides two written opinions (produced at the buyer’s cost) or recognised independent experts to evidence the assertion that the lot is a forgery. The lot should not be returned to us until we have requested the return, and the buyer does so at their own risk. We shall be entitled to investigate and consider the allegations that the lot is a forgery and to arrange inspections of the lot either at our premises or third party controlled premises if the lot has been exported from the UK. We shall endeavour to resolve the matter within a reasonable period of time and the buyer agrees to act in good faith whilst we carry out this assessment.

16. Where lots cannot be inspected in person, if you reside mostly in the UK or the European Union and in respect of the EU Consumer Rights Directive, you have the right to cancel the purchase of a lot without cause at any time in the 14 calendar days after the lot is available for collection from The Pedestal.

We request that you notify us of your decision to cancel the purchase in the 14 calendar day period which should be sent either by post to:

The Pedestal, The Dairy, Stonor Park, Henley-on-Thames, Oxfordshire RG9 6HF or by email to: info@thepedestal.com

We will refund the purchase price using the same method as that used for the original purchase following our receipt of the lot and assuming it is received by us without damage.

In addition, the lot must be returned to us within the 14 calendar day period after the lot was available for

If the lot is damaged as a result of any investigations into the nature of the lot by you or others you will account for this loss. If the lot is returned damaged, we will deduct a sum from the refund to cover the cost of repair or the loss in value which results from this damage.

Condition reports and additional images may be available to assist you in evaluating the lot. They are provided free of charge to our buyers and are for guidance only. Before bidding it is your responsibility to ensure you have requested, received and reviewed any condition report.

17. Lots which we believe to be covered by the CITES regulations will be accompanied by text advising bidders accordingly. Please note that we are not responsible for advising you on any import/export issues including without limitation CITES or the like, and customs and import fees and the like. We recommend that you acquaint yourself with any relevant issues before bidding, as we cannot accept liability for any information which we may provide for you in this regard. If you purchase a lot requiring an export licence it is your responsibility to obtain it, and we cannot accept rescission of the sale or offer a refund if you are unable to so obtain a permit.

In certain countries local laws entitle an artist or the artist’s estate to receive a royalty when a lot created by the artist is sold, this royalty is known as ‘artist’s re-sale right’ or ARR.

If these laws apply to the lot you must pay us an additional amount equivalent to the royalty due to the artist. We will pay the royalty to the appropriate authority on the seller’s behalf.

The royalty applies if the hammer price is equal to or greater than Euro 1,000.

The total royalty for any lot cannot exceed Euro 12,500.

The amount owed is calculated as follows:

Royalty for the portion of the hammer price (in Euros):

4% up to 50,000

3% between 50,000.01 and 200,000

1% between 200,000.01 and 350,000

0.50% between 350,000.01 and 500,000

over 500,000 the lower of 0.25% and 12,500 euro

We will calculate the artist’s resale royalty using the Euro to GBP£ rate of exchange of the European Central Bank on the day of the auction.

18. Each seller warrants that they are the legal owner of the lot and/or have the unencumbered right to sell the lot at auction and to pass title to the successful bidder. The seller shall not be liable in the event of breach of this warranty for any amount greater than the hammer price of the lot in question.

We are not liable for any statements, data, information and the opinions of others nor any deterioration of the lot after collection. Our total liability for negligence, breach of statutory duty, misrepresentation or otherwise shall be limited to the hammer price of the lot in question.

We shall not be liable for any loss of profits, loss of business, goodwill, loss of anticipated savings or for any special, indirect, incidental or consequential loss, costs, damages, charges or expenses to the fullest extent permitted by law.

We shall not be liable for any loss or damage that is not foreseeable; loss or damage is foreseeable if it is an obvious consequence of our breach or if it was contemplated by you and us at the time this contract was formed.

We may be liable only to the successful bidder in the event of fraud or fraudulent misrepresentation by us and exclude all other liability to such bidder and all third parties to the fullest extent permitted by law.

Nothing herein shall limit your rights, if any, under the Consumer Contracts Regulations, or exclude our liability for death or personal injury caused by our negligence.

19. General Terms:

a. These terms are made and must be construed under English law and any disputes arising from them or from the Contract will be subject to the exclusive jurisdiction of the courts of England and Wales.

b. All charges, fees, premiums and any other sums referred to herein or arising here from are stated net of Value Added Tax but are subject to VAT or the like at the rate or rates prevailing at the time of any transaction. VAT is not chargeable on the hammer price unless otherwise stated.

c. We will hold and process your personal data according to the conditions, for the reasons and on the bases set out in our Privacy Policy which you may access here, and as envisaged by these terms and conditions.

d. We retain copyright in all images and written and other materials prepared by us, which may not be used by you without our prior written consent.

Updated: January 8, 2024