The Reader May 2016

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I SIOUX CITY, IA 51101 I HARDROCKCASINOSIOUXCITY.COM | THE READER |

MAY 2016

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MAY 2016

| THE READER |

omaha jobs

Show Your Love for Your City: It’s About More than Reporting Potholes

I

BY JULIE SMITH

ts mission is direct – to enhance South Omaha neighborhoods. Its methods are practical and proven – using communication and collaboration to empower its members and promote positive perceptions of South Omaha locally and throughout the city.

The Show Your Love for Your City - It’s About More than Reporting Potholes I love Omaha. It’s where I grew up, it’s full of family and friends, and it’s where my husband and I are raising Driver, our six-year-old son.

(Driver currently loves his nerf gun, going to the park and playing with his cousins.)

I’ve always been interested in how communities work, and I organized my first peace rally at age 19. I picked a location, invited friends who were in bands to play for free and asked others to give speeches. I had no idea what I was doing, but there I was, doing it. Whenever I ran into an obstacle and needed help resolving it, people were willing – even happy - to give it (yet another reason I love this city).

On rally day, I thought about 30 people would show up. When hundreds of people came to the Elmwood Park Grotto to listen to music and speeches about peace, it blew my mind. This one-time event, which grew out my personal opposition to and frustration with the war in Iraq, turned into an annual music festival.

Do you have to be a community organizer to love your city? Of course not. But if you love your city, which I think many of you do, you’ve got to be willing to show it.

If I could give everyone who loves Omaha a present, it would be a copy of Peter Kageyama’s Love Where You Live (Creating Emotionally Engaging Places). The author is a community development consultant and grassroots engagement guru who speaks all over the world about bottom-up community development and the amazing people who are making change happen.

Spoiler alert – those amazing people are you.

I’ve had the chance to hear him speak twice, and he’s the real deal – the kind who you think about long after the speech is over. If I had to sum up all the valuable learnings from his book into one sentence, it’s the last line in his introduction, which reads as follows: We can all be city builders on some scale, but the first step in the process for most of us is to believe that we are capable of doing it and that we cannot and should not wait for permission to act.

You are capable, Omaha – I see it every day in my work with neighborhood groups across the city. And, as Kageyama suggests, you don’t need a ton of money and authorization from Congress to move forward.

It helps to start with a sense of humor and an understanding of what Kageyama calls the

importance of “small, hyper-local and fun interventions” to the health and progress of communities. Take, for example, one of my favorite stories from Love Where You Live, which begins with a high school student who had a little idea and did something about it.

In 2000, Jim Ryan approached the mayor of Greenville, South Carolina, with an idea – Mice on Main, a scavenger hunt that encouraged the

about the Tiny Mural Project that’s about to begin in the alleys of downtown Benson? Loving your city means more than calling the mayor’s hotline and reporting potholes on your street.

I wonder what would happen if I asked every local high school student for one little idea on how to make Omaha more emotionally engaging. How many Mice on Main would I get?

Maybe I need to create a Show Omaha Your

public to explore the city on foot. Ryan wanted to create nine tiny bronze mice and place them in the downtown core on Main Street. The total cost of the project: $2,000. The end result? The mayor loved the idea, and people from all over continue to seek out those little mice close to two decades later.

(Google Mice on Main for the whole story.)

Emotions are contagious – if you pump love into your city, others will feel it. You can’t legislate it.

Do you remember the Gary Coleman Has A Posse stickers that sprung up around Omaha in the nineties? Have you ever taken a seat on crO!ak in Gene Leahy Mall? Have you heard

ONE Omaha, a public/private partnership funded in part by the City of Omaha, is dedicated to actively facilitating the development of neighborhoods in Omaha through communication, education and advocacy. It is housed with Nebraskans for Civic Reform (NCR) in the Barbara Weitz Community Engagement Center at the University of Nebraska at Omaha. NCR is a group of dedicated and politically diverse Nebraska professionals committed to making civic institutions more inclusive among youth and historically disadvantaged and disengaged populations. It acts as One Omaha’s fiscal agent and oversees its daily operations.

Love Week and set up a process for collecting those ideas.

But I hope they don’t wait for me.

Julie Smith is the program manager at ONE Omaha. She received her master of science in urban studies from the University of Nebraska at Omaha and was named ONE Omaha’s first program manager last February. She can be reached at 402.547.7473 or Julie.smith@oneomaha.org.

| THE READER |

MAY 2016

5

s p e c t a c u l a r

S e a s on

LOST BOY FOUND IN WHOLE FOODS

MAY 6– JUNE 5, 2016

By Tammy Ryan

Gabriel, one of the Lost Boys of Sudan, has started a new life in America. While working in Whole Foods, he meets Christine, a middle-aged, single mother. Their connection, and Christine’s quest to help him, changes both of their lives. Lost Boy Found in Whole Foods is an impactful and heartbreaking play that spotlights social responsibility and compassion for humanity.

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Swan Lake OCTOBER 22, 2016 • ORPHEUM THEATER

The Nutcracker NOVEMBER 20, 2016 • IOWA WESTERN ARTS CENTER DECEMBER 3 & 4, 2016 • ORPHEUM THEATER

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Contains strong language and explores challenging subject matter.

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MAY 2016

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balletnebraska.org

MAY 2016VOLUM E 23N UM BER1 4 08 COVER STORY AMERICAN TRADE 14 PICKS COOL EVENTS IN MAY 19 GREEN PROFIT MOTIVE 20 HEALING HOLY CHAKRAS 22 ELECTION 2016 THE IMPORTANT STUFF 28 THEATER THROUGH MILDRED’S EYES 36 ART ABCs OF ART APPRECIATION 42 EAT STRAIGHT FROM THE FARM 50 MUSIC BREAKING B AND MAHA 54 HOODOO MAY HIGHLIGHTS 56 OVER THE EDGE IT’S ALL OVER 58 FILM TWEET THIS, TWUTTER 62 MYSTERIAN DOCTOR IS IN

Publisher John Heaston john@thereader.com Creative Director Eric Stoakes eric@thereader.com Assistant Editor Mara Wilson mara@thereader.com Assistant Editor Tara Spencer tara@thereader.com CONTRIBUTING EDITORS heartland healing: Michael Braunstein info@heartlandhealing.com arts/visual: Mike Krainak mixedmedia@thereader.com dish: Sarah Locke crumbs@thereader.com film: Ryan Syrek cuttingroom@thereader.com hoodoo: B.J. Huchtemann bjhuchtemann@gmail.com music: Wayne Brekke backbeat@thereader.com over the edge: Tim McMahan tim.mcmahan@gmail.com theater: William Grennan coldcream@thereader.com SALES & MARKETING Dinah Gomez dinah@thereader.com Kati Falk kati@thereader.com DISTRIBUTION/DIGITAL

Clay Seaman clay@thereader.com OPERATIONS AND BUSINESS MANAGER Kerry Olson kerry@thereader.com PHOTO BY DEBRA S. KAPLAN

MOREINFO:WWW.THEREADER.COM

contents

| THE READER |

MAY 2016

7

Rebuilding America, Renewing Careers

The trades offer higher-income, stable, long-term careers and they need people now STORY BY KARA SCHWEISS | PHOTOGRAPHY BY DEBRA S. KAPLAN

Trades careers are among the earliest professions in human history, but new technologies and materials emerge, and the need for the expertise of craftsmen/craftswoman, artisans and tradespeople endures in modern times. After all, humans need shelter; communities need various structures; and everyone lives better when electricity, water and other utilities are safe and reliable.

The Reader surveyed experienced professionals representing five different skilled trades unions to engage in a conversation about the continuing viability of this employment sector and the lasting industries they serve: Jesse Gregerson

Pat Leddy

Ron Kaminski

Justin Rozmus

Representative, North Central States Regional Council of Carpenters 13 years Political Outreach Director, Laborers’ Local #1 15 years

C

Business Manager, Plumbers Local Union 16 24 years

MAY 2016

Business Manager, Sheet Metal Workers International Association Local #3 36 years

Membership Development Coordinator, International Brotherhood of Electrical Workers I.B.E.W. Local 22 17 years

lassifications within the skilled industrial and construction trades sector range from the very broad, like laborers, to highly specialized subcategories such as pump and irrigation specialty plumbers. However, skilled trades professionals in all specialties are quick to cite some universal benefits to their sector: “You make a good living.” “No student loan debt.” “Great benefits.” “A great alternative to college.” “Earn as you learn.”

But one advantage that rises above the others is the fact that an ongoing need for their work exists.

“Skilled trades will always be in demand,” Gregerson says.

“You can’t offshore construction like you can factories.”

Waugh agrees. “The trades have been around forever…It’s an employment sector that will always be around.” He adds that the trades have come a long way since the ancient practice of indentured apprenticeship. Thanks to such factors as bureaucratic regulation and unions, a person can enter the trades knowing he or she will begin earning wages as soon as training begins. “There’s a little out-of-pocket money, but you’re earning the whole time,” Waugh explains. “You walk away with no debt.”

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Jim Waugh

| THE READER |

The opportunities for work are diverse and numerous, Kaminski says. “The employment sector leads to different types of jobs and opportunities; our local union and our members do everything from building buildings, to building highways, to building schools, to weatherizing homes, to building ethanol and biodiesel plants, maintaining power plants, doing shutdowns for power plants to make sure that they’re running smoothly. We build wind turbines, we weatherize homes, do a lot of clean energy work,” he says. “There’s a wide range within our employment. It entails a lot of things. Our trade is one that’s not really specific to one type of work.”

Entering a trade field is easy when the demand for workers is high, Gregerson says. “We are actively recruiting apprentices to replace an aging workforce that’s getting ready to retire.

And working in the trades is appealing to many because of the opportunity to earn as you learn and avoid that crippling student debt that we hear about. There’s no cost to the contractor and no cost to the student.”

An analysis of license holders in Omaha from just two of the trades – plumbers and HVAC techs -- bears this out. More than half of city license holders in these trades are older than 45

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years of age. The median income for all these license holders is over $60,000.

Most training and virtually all apprenticeship programs require a high school diploma or GED, Kaminski says, but workers of all ages are welcome. “It’s always great to have some type of experience in the field and a basic knowledge of tools,” he says, adding that math skills are especially important, a fact that surprises some applicants.

“We still require math, it is a must. We have an entry-level test you must take if you choose to advance in the program,” Gregerson says.

“It is a little bit of physics,” Waugh adds.

“A big thing with electricians is math,” Rozmus agrees. “17 years in, math is still a day-to-day thing for me.”

Fortunately, classes and refresher courses are available that promising candidates can take advantage of on their own or through the recommendation of the apprenticeship or training program they’re interested in.

Leddy emphasizes that although training is comprehensive, the trades sector is seeking quality candidates. “We have an application process,” he points out. “We’re looking for mechanically-inclined people. And somebody who’s not afraid of getting a little dirt under their nails.”

And to ensure safety as much as productivity, individuals have to physically be able to handle the demands of the job: manual dexterity, carrying heavy equipment, navigating uneven surfaces.

“A lot of what we look for is a good attitude and a willingness to work hard,” Gregerson says. “Skills are taught through our apprenticeship program and on-the-job experience.”

Applicants of all ages, both genders and representing a diverse population are welcome, Rozmus says, adding that he’s glad to see more women entering the electrical field. Candidates can choose from the three avenues available—commercial, low-voltage, and residential—which appeals to a wider group, too.

“If you’re willing to do the work and know that it’s a hands-on trade—you’re going to be out in the elements, it’s going to be cold one day and hot the next. We’re the first on the job, usually, and the last to leave. Sometimes you’re out on the job freezing your butt off doing some strenuous task. But it can be done,” he says. “It’s pretty intense sometimes, but it’s rewarding” “During the winter you may be doing work inside, during the summer you may be doing work outside,” Kaminski says. continued on page 10 y

ELECTRICAL TRAININERS TRICIA MUNCH AND CHERILYN LUND

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| THE READER |

MAY 2016

9

JESSE GREGERSON

JIM WAUGH

y continued from page 8

“But that’s one good thing about our trade, it’s always viable.

There’s always work.”

What kind of candidate doesn’t work out? ” If they don’t want to get their hands dirty,” Waugh says, pointing out that a paid training program is a binding commitment. Otherwise, “Will they show up every day on time? Can they pass a drug test? Do they have the math aptitude? The rest can be taught.”

“We don’t base entry into our training program on age or sex or any of those things; that doesn’t weigh into our decision at all,” Kaminski says. “We’re looking for hardworking people who show up to work on time and are dependable, and we’ll provide the training to get them where they need to be.”

“We don’t discriminate,” Leddy says. “We offer a career in a licensed, skilled trade…It’s an excellent opportunity for an individual to earn a good living for their family. If you’re willing to stick with it, the rewards are good.”

Nevertheless, Waugh says his union struggles to bring in more women and more minorities through a variety of recruitment efforts, he says. “We’re doing everything we can to entice them to come in.”

And to make candidates feel welcome, too.

“We’re always actively seeking veterans. And women. Anyone looking for a career, not just a job,” Gregerson says. “We have an open-door policy. The unions are one of the few places where women can make equal pay for equal work. They have the same position as a man, same pay. We also have a ‘sisters in the Brotherhood’ committee and they offer a mentoring program for all women coming in.”

A career in the trades can start early, says Rozmus, who at age 35 already has 17 years of experience under his belt and no regrets. “It’s a great alternative to college; I can’t stress that enough. I tell my own kids the same thing: if you don’t want

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MAY 2016

| THE READER |

to go to college there are good opportunities to make a good living wage,” he explains. “Plus, there’s the benefits side of it.”

“The trades are a viable option to college,” Leddy agrees, adding that the work itself is meaningful. “Everybody needs plumbing. Plumbers protect the health of the nation.”

The trades sector even provides opportunities to get involved in the community, Kaminski says. “Not only do our members go out there and build these great buildings and highways and schools and things like that, but our members are also actively involved in the community and help with fundraising,” he explains. “We do a lot in the community for nonprofits, and that’s another benefit of being in the unions and having unions.”

“We have good community outreach. Talk about brotherhood—we’re one big family, so there’s the social networking side of it,” Rozmus says.

Ongoing educational opportunities means marketability stays high for tradespeople at all stages.

“We train our members to be multifaceted,” Kaminski says.

“There are many opportunities to keep learning and growing as a tradesperson, which means increased job opportunities and potential for leadership positions,” Gregerson says.

People who enter the trades sector at a young age start earning a substantial wage sooner than if they were to spend four years or more in a traditional college program. In fact, Gregerson says, “Apprentices start to earn a good wage when they start the program.” Rozmus adds: “You go to school and it’s paid; you don’t owe anything for school.”

Benefits including a retirement plan and health insurance start early, too, although it’s not always appreciated at a young age, Kaminski says. He actually entered the trades as a second career after working in the technology field and at this stage of his life says he more clearly sees the advantage of starting retirement planning at a young age.

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“If I would have started maybe ten years before, I would have built up my pension a lot sooner, and I would be able to retire a bit sooner as well,” he says.

“Now, I’m not all that old, but you definitely start thinking, ‘If I didn’t get into this, what would I actually have (for retirement)?” Rozmus agrees.

People can start a career the trade sector at any age, Waugh says. “One who came in later in life won’t have as much pension, but that’s the only disadvantage I can see.”

Kaminski says training programs include a mix of young adults and more experienced workers, so it’s not exclusive to the fresh-out-of-high-school crowd. Rozmus adds that a second-career trainee probably has a greater appreciation for the value of the training he or she is receiving.

“For somebody who wants to change careers, you obviously earn money as you’re learning. You learn on the job, and you don’t have that burden of ‘How do I pay my student loans?’” he explains.

Experienced workers may also more highly appreciate the relative greater stability of trades careers, Gregerson says. “As they progress in the apprenticeship program, apprentices know exactly when to expect raises, and they have access to health and retirement benefits for themselves and their families.”

Leddy points out that not only is the cost of education covered, trainees keep their books as useful on-the-job reference tools for later. Plus, classroom and on-the-job training includes specialty skills and certifications that are useful for the long run.

“You get a pocketful of licenses,” he says.

Continuing education is accessible, too. Articulation agreements with community colleges are becoming commonplace, so a journeyman certificate can go toward an associate degree, increasing future opportunities, Gregerson said. continued on page 12 y

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National Research Hospital | THE READER |

MAY 2016

SM

11

PAT LEDDY

JUSTIN ROZMUS y continued from page 10

As alternative energy sources gain traction, tradespeople must adapt, too, but the industry supports PAT ongoing education LEDDY so workers are ready for smart homes, wind turbines, the demand for weatherization services, and the consumer’s desire for greener practices, and other advances, Rozmus says.

Despite its deep roots, the trades sector, like all others, evolves. One positive change is better safety equipment and procedures being put into practice. On the other hand, new technology and faster communication have created a demand for shorter turnaround times.

“The (timelines for) jobs are more aggressive, and jobs run year-round,” Leddy says.

Waugh agrees that job timeframes have become shorter, but workers have the means to be more efficient. Tools and techniques are regularly improving, he says. Leddy says that although plumbing basics remain the same, materials have changed, different means of assembling are available, and more cost-cutting and expediting measures are in place.

Despite all the obvious pros of a career in the trades sector, workers say there can still be misconceptions on the part of the general public and there are points they still have to work hard to get across.

“We’re still here,” Rozmus says. “It’s a great opportunity to earn a good wage.”

Kaminski emphasizes that using skilled trades professionals ensures that work is done to the highest standards. The initial cost may be greater, but quality is superior and long-lasting.

“All the big projects in Omaha and the surrounding area are done by trained craftsmen and craftswomen,” he says. “It’s better to have trained and experienced workers.” ,

RON KAMINSKI

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MAY 2016

| THE READER |

cover story

E M U T S CO TEST! CON

SATURDAY

MAY 28 7:30 PM l

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| THE READER |

MAY 2016

13

Through June 12

ART

A Hex, A Hoax, A Guest, A Ghost Darger HQ, 1804 Vinton Street Gallery Hours: Sataturday: 12:00-5:00 p.m.

Sunday: 12:00-3:00 p.m. www.dargerhq.org

Darger HQ, has opened its new space at 1804 Vinton Street with it first show, A Hex, A Hoax, A Guest, A Ghost. Managed and curated by Launa Bacon, the venue features a two-person show by Lincoln artist/educator

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MAY 2016

| THE READER |

Anthony Hawley and Rhode Island artist Kirstin Lamb. Their common fascination with narrative as well as pictorial cliché in painting seems a logical result of educational backgrounds for both artists in literature as well as in art. They see the “Hex” as a talisman, referring to good luck as well as mystery—a strange, magical spell occurring when the “Hex” and ghosts meet each other, while “Hoax” means it’s all made up, or artificial—an absurd arrangement of parts that just might come together in a poetic relationship which makes a sort of everyday magic. Hawkins works with large-scale multimedia projects using painting and drawing, short film and contemporary art research with the goal of addressing the current human need for both artistic and social change. After growing up in Massachusetts, he earned his undergraduate degree in Italian Literature and Japanese Literature and Film. Hawkins graduated with an MFA in the Art Practices Program at the School of Visual Arts, Columbia, and has been teaching art at UNL for four

picks

years. Lamb’s side of the exhibit is based on a large collection of photographs, paper ephemera and fabric, which the artist has hand-painted, making pictures within pictures, which are staged, and arranged in space.

Based on traditional lap-crafted original works, the result becomes a billboard for handmade and intimate craft, which has been restaged in paint.

Her goal is to “overwhelm and overfeed with sweetness, as well as chastise its attendant guilt. My gendered role was not all I’d hoped for or all that I was promised.” Lamb sees art making as a way to bring something new into being—a “specific beauty.” She sees the resulting “portrait” as one that might represent every woman—an echo of artist Kiki Smith’s goal of having women stand for humans. Lamb did both her undergraduate and graduate work in both art and English at Rhode Island School of Design.

She currently lives and works in Providence, Rhode Island.

— Eddith Buis

MONA2omaha

Including works by Albert Bierstadt, Augustus Dunbier, Jessie Nebraska Gifford, Dan Howard, Keith Jacobshagen, Wright Morris, John Spence, Thomas Worthington Whittredge, and more!

A SELECTION OF NEBRASKA LANDSCAPES from the Museum of Nebraska Art

GALLERY 1516 1516 Leavenworth, Omaha Phone 402-305-1510 Hours: Friday Saturday Sunday 11 am - 5 pm First Friday 11 am - 8 pm

Terra Firma On view through June 12, 2016

Detail: Larry Ferguson, #131-96-6 - Black Angus, Holt County, Nebraska, silver print (9/25), 2002 Gift of Nebraska Arts Council, Governor’s Arts Award - 2008, Museum of Nebraska Art Collection

| THE READER |

MAY 2016

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JAMES TORMÉ

On display now OLD MARKET BANNER PROJECT Corner of 11th and Howard www.oldmarket.com/artproject Omahans and tourists alike in the Old Market have something more to see at the site of a devastating fire last January that destroyed the Mercer Building housing the former iconic M’s Pub and Nouvelle Eve as well as

Bart Vargas, Paula Wallace, and Judith Welk. Judges Vera and Mark Mercer, Jo Anderson, Roger DuRand, Steve Joy, and Kathy Nevins made their selection from nearly 300 entries in all sorts of mediums. Artists will receive a $100 stipend as well as a credit on their banner, which includes the name of sponsors who donated to the cause on the projects behalf.

— Michael J. Krainak

Friday, May 6 JAMES TORMÉ Holland Performing Arts Center, 1200 Douglas Street 8:00 p.m., $30 www.omahaperformingarts.org

WORK BY JUDITH WELK INCLUDED IN OLD MARKET ART PROJECT

several condos. sBanners displaying the work of 37 area artists now adorn the chain link fence surrounding the shell of the building as work continues on its restoration.

The art will be displayed for approximately one year.

The artists were selected by a judging panel on behalf of the beautifying art project organized by the Old Market Business Association. Artists include: Gary Allen, Sandy Aquila,Lori Elliott-Bartle, Elisa Benn, Erin Blayney, Andy Boonstra, Joseph, Broghammer, Alyssa Busse, Frank Costanzo, Lisa J. Gill, Austin Hall, Chelsea Hall, Keri Hedrick, Rebecca Hermann, David Hernandez, Jack Hooley, Bill Hoover, Steve Joy, Diane Johnson, Christina,, Kepler, Karen Kunc, Michael Lavelle, Kari Lewis, Thomas D. Mangelsen, Julia Mason, Kat Moser, Christina Narwicz, Helen Patane, Ilaamen Pelshaw, Duane Pieper, Kristin Pluhacek, Susan Puelz, Daniela Juan Rojas, Ken Smith,

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Jazz singer, James Tormé, travels through time celebrating the greats in the Scott Recital Hall as part of the 1200 Club Series. Tormé adds a twist to the legendary singers of the ages as he Celebrates the Greats. With songs from Ella Fitzgerald, Ray Charles, Peggy Lee, Nat “King” Cole, Miles Davis, Frank Sinatra and, his father, Mel Tormé also known as, “The Velvet Fog.” This award-winning singer was born after his father met his British actress mother, Janette Scott in 1965 in a club called the Cool Elephant in London. This show draws from his parent’s story and is said to represent his past, present and future.

From his life growing up to what it is like being on the road now and what is to come. Tormé has performed with the BBC Concert Orchestra, Ronnie Scott’s Orchestra and Les Paul Trio. His 2011 debut album “Love for Sale” topped both the iTunes and Amazon Jazz Charts.

more than five decades. During the performance the audience will hear classic hits and newer songs from this man who has been called, “Mr. Romance.” From romantic ballads with eternal themes of love and longing, to dance music, Humperdinck’s classics include “Release Me,” “After the Lovin’,” “Spanish Eyes,” “The Last Waltz,” and many, many more. At this performance you will also hear about his life as a major pop star and the friendships and rivalries he made along the way to stardom. To name a few of Humperdinck’s accomplishments, he was named the Golden Globe Entertainer of the Year in 1988, has a star on the Hollywood Walk of Fame, and 63 gold and 24 platinum records.

bands have known their fair share of drama, they’re also known for putting their, (forgive me), heart into their shows. They are, after all, Rock and Roll Hall of Famers.

Fans can expect Heart to play all their classics, from their earlier, folksier, acoustic stuff, to their more electric power-driven songs, such as “Crazy On You.” Joan Jett & The Blackhearts can also be expected to play their hits, including all the best from Jett’s days with The Runaways.

There will also be performances of their newer stuff, including some songs that came from her collaborations with Dave Grohl. And if dreams come true, maybe Joan Jett will join Nancy and Ann Wilson for a rocking rendition of “Barracuda.” (Please, please, please?!)

Wednesday, May 18 HEART WITH JOAN JETT & THE BLACKHEARTS CenturyLink Center, 455 North 10th Street 7:30 p.m., $33-$93 www.centurylinkcenteromaha.com

Through May 29 GINSBURG, HATFIELD AND SMITH Artists’ Cooperative Gallery, 405 South 11th Street Opens Tuesday, May 3 Opening Reception: Friday, May 6, 6:00-9:00 p.m.

Gallery Hours: Sun. and Tues.-Thurs. 12:006:00 p.m., and Fri.-Sat. 11:00 a.m.-10:00 p.m. www.artistscoopomaha.com

— Mara Wilson

If there has ever been a show exhibiting the real, raw power of women in rock, this is it. Both groups have been around for decades, proving time and again that they’re not about to give up without a fight. But while both

— Mara Wilson

Thursday, May 12 ENGELBERT HUMPERDINCK Holland Performing Arts Center, 1200 Douglas Street 7:30 p.m., $29-$59 www.omahaperformingarts.org International musical legend Engelbert Humperdinck with his remarkable voice and talent is coming to the Holland for a one-night show. Humperdinck has sold more than 150 million records over a career spanning

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ENGELBERT HUMPERDINCK

— Tara Spencer

Cheri Ginsburg, Linda Hatfield, and Alan Smith will have their work displayed at the Artists’ Cooperative Gallery during the month of May. Ginsburg travels extensively capturing images with her camera, then she works in her studio with the images. In addition to exhibiting work at the Artists’ Co-op, Ginsburg shows work in Santa Fe, N.M., on the East Coast and internationally.

Hatfield portrays her distinctive impressions of everyday life through the use of acrylic paints on wood panels and highlights with word-burning, pyrography. In this exhibit she will display images from her long-running dog series, as well as pieces from “Talk” and her “Friends with Hats” series. “These are new explorations and are a bit different from my past work,” she says. “I am still fascinated with faces, both human and canine, and this show is proof of that.” Smith is a photographer who believes there is a lot to appreciate in Nebraska that many of the residents do not realize. Although the landscape is not filled with mountains or coastlines, Smith says there is

words of their unquestioning faith, giving Mormonism the texture and nourishment of bubble gum. So, yeah, this is a satire. Life in that part of darkest Africa is not so much nasty, short and brutish as it is more an Oz-like version of a corner of the Third World and a fraction of Utah. The whole thing sort of celebrates innocence, that of the boys, that of the natives. The book, music and lyrics by Trey Parker, Robert Lopez and Matt Stone are right in line with their earlier successes, the show Avenue Q and the animated TV series South Park. Since then, Lopez and his wife Kristen Anderson-Lopez wrote the songs for Disney’s Frozen. The three guys are, at present, spending more time with their families, counting their blessings. Christ almighty has a walk-on, by the way. Deal with it. still much to enjoy and experience. “I find that capturing the beauty and uniqueness of Nebraska is both challenging and rewarding.” Enjoy the works of these three talented artists while they are available.

— Mara Wilson

Through June 3 CHRISTINA NARWICZ Anderson O’Brien Fine Art, 108 Jackson Street Gallery Hours: Mon.-Sat. 10:00 a.m.-5:30 p.m., Sun. 11:00 a.m.-3:00 p.m. www.aobfineart.com Narwicz’s colorful paintings-all abstracted patterns and organic forms-are concerned with an ephemeral and unspoken language that exists in our natural environment

“PILLOW TALK,” BY LINDA HATFIELD

according to the show statement. The artist’s evolving work continues to emphasize the elements “that we all react to without any conscious knowledge; the semiotics of our biological programming that is connected to all other things both living and inert in our universe.”

‘Treasure Island’ is Narwicz’s attempt at manifesting the idea that the “treasure” exists within us all. Narwicz has exhibited nationally and internationally in both solo and group shows. Her paintings have been featured in publications such as The Reader, Metropolitan Home, Omaha Magazine, The Briar Cliff Review and The Omaha World Herald. The former awarded artist-inresidence at the Bemis Center for Contemporary Arts

has received grants from the National Endowment for the Arts and the Mid-America Arts Alliance as well as three individual Artist Fellowship awards from the Nebraska Arts Council. In 2012 she was nominated for the Joan Mitchell Foundation award and earned her BFA from Alfred University, New York State College of Ceramics and currently resides in Omaha, Nebraska.

— Michael J. Krainak

Through June 5 LOST BOY FOUND IN WHOLE FOODS Omaha Community Playhouse, 6915 Cass Street Opens Friday, May 6 Thurs.-Sat. 7:30 p.m., Sun. 2:00 p.m., $18-$36 www.OmahaPlayhouse.org The title Lost Boy Found in Whole Foods may suggest something jocular or whimsical. But Tammy Ryan’s 2010 play of that name aims to be deeper and emotional.

In it, a white American middle-aged, clearly affluent single mom connects with a Sudanese Moslem immigrant working in the market and decides to make his life more meaningful, having him live with her and her teenage daughter. Social responsibility and compassion are the motivations. To make such intentions manifest cannot come easily. The woman, inevitably, finds that she had been losing something of her own. She may find a path to clarity. Ryan not only explores both people’s internal journeys but also reveals much about which few of us are knowledgeable. The background is Sudan’s 12-year-long second civil war that preceded the genocide in Darfur.

During that war, countless young men were orphaned or separated from families and, despite being severely traumatized, walked to international relief camps. This was, of course, not a unique event. Widespread brutality, deaths, terror-stricken migrations and escapes to refugee camps have gone on over and over in many parts of Africa and other parts of the world. The story is alive today, as you know, along Europe’s borders, and deep in tumultuous Middle Eastern Arab lands. This drama, although in Ryan’s hometown of Pittsburgh, could take place elsewhere. She hopes to delve into the vast divide between our own prosperous ways of life and the struggle to survive in far-away Third World societies. And to explore the communality of family ties and diverse senses of self, especially in portraying beliefs and rituals of a culture alien to average Americans. Alert from The Playhouse: “Contains strong language and explores challenging subject matter.” Nourishment flourishes along market aisles. Food for thought resides there, too.

Through June 5 THE BOOK OF MORMON Orpheum Theater, 409 South 16th Street Opens Tuesday, May 31 Tues.-Thurs. 7:30 p.m., Fri. 8:00 p.m., Sat. 2:00 & 8:00 p.m., Sun, 1:30 & 7:00 p.m., $40-$125. www.omahaperformingarts.org All right, everyone, turn to Chapter 11 in The Book of Mormon wherein it is written “Behold, I speak unto you as if ye were present.” Oh, wait. Hasn’t Chapter 11 something to do with bankruptcy? That can’t be right. The Book of Mormon is a musical, right? And the people who produced it are in financial heaven. Tony Moronis up the wazoo. Nine of those glittery buggers. What?

Ye want to be present again? What the hey? Ye want to laugh yourself silly, brethren? Well, nab some seats and sit your bottoms down at The Orpheum. Warning.

Warning. This five-year-old zinger contains “explicit language” and damn straight you better like it or, sure as #z*n, you’ll need earmuffs. Unless those raucous folks next to you are howling so loudly you can’t hear anything anyway. This super-decorated, goofy cartoon with some clever lyrics and easy-on-the ears music hit out of the ballpark, just like its cousins Spamalot and The Producers. It heads off to darkest, AIDS-infested Uganda where the natives aren’t restless. Rather, they sing and dance their way through famine, warlord oppression, misery, poverty and disease. They mock and mix it up with a couple of lily-whites who’ve just arrived from Salt Lake City, where the hills are alive with sound of praying.

The story sends those young Elders to spread the good

— Gordon Spencer

Through June 12 HEATHERS: THE MUSICAL Bluebarn Theatre, 1106 South 10th Street Opens Thursday, May 19 Thurs.-Sat. 7:30 p.m., Sun. June 5 & 12, 6:00 p.m., $25-$30 www.bluebarn.org In 1988 a dark, cynical, off-beat and comic movie about high school kids behaving badly garnered rave reviews from critics but was a floperoo at box offices.

Then Heathers became a cult smash. Hey, gang, what about adding some songs and dancing and stuff? Zoom forward to 2014. Off-Broadway-goers think a musical version is swell. Da Da. Heathers: The Musical takes the stage. It rocks. You might wanna check this out at Bluebarn Theatre. Word has it that this new take ain’t quite as dark as the source, even if kinda far-out. More innocent. Sorta. Basics: High school kings and queens think they rule. But worms will turn. Yeah, there’s bullying and sucking up. Fantasies of revenge might hover in the youngsters’ preoccupied brains, worn-out from hitting the books, but in the long run, everyone lives on to give adulthood a shot. Zero in on Veronica Sawyer. Girl doesn’t fit in right. But, with enough looks and brains, she hooks up with Westerburg High’s big-deal clique, the Heathers. Then she gets messed up messing with new guy on the block, J.D., who’s got plans to wreck the Heathers.

— Gordon Spencer

CHRISTINA NARWICZ PAINTINGS ARE FEATURED IN THE EXHIBIT, ‘TREASURE ISLAND’

— Gordon Spencer

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Through June 19 SEVEN HOMELESS MAMMOTHS WANDER NEW ENGLAND SNAP! Productions, 3225 California Street Opens Thursday, May 26 Thurs.-Sat. 8:00 p.m., Sun. 6:00 p.m. and Sunday, Mar. 27 2:00 p.m., $10-$15 www.snapproductions.com

Through June 19 JAR SCHEPERS: REPETITION Garden of the Zodiac, 1042 Howard Street Opening Reception Thursday, May 12, 7:009:00 p.m.

Gallery hour: Tues.-Sat. Noon-8:00 p.m, Sun. noon-6:00 p.m. www.facebook.com/TheGardenOfTheZodiac Lincoln artist Jar Schepers brings his inimitable brand of macabre magic to the Garden of the Zodiac for his second solo exhibition there, where Repetition, a new exhibition of his sculptures. Schepers works primarily with found objects—items of industrial and consumer function that have since achieved thrift or junk status. From them, he creates a variety of polymorphous creatures, often hybrids of human, animal, insect and machine.

While there may be a touch of whimsy, Schepers more frequently endows his chimeras with serious portent, creating metaphors about the contemporary human condition. As with his previous Moving Gallery exhibition, this one features freestanding and wall-mounted sculptural groupings, as well as an interactive, handcranked, zodiac-figured Ferris wheel whose spinning action is a fragmentary representation of our planet’s eonslong rotational cycles. Throughout, Schepers hopes to remind viewers that repeated human interventions have variable and meaningful consequences.

— Janet L. Farber

‘FROM HERE TO THERE’ BY SHEA WILKINSON FROM HER ANDROIDS SERIES

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With a play title of Seven Homeless Mammoths Wander New England you might expect a trek into science fiction or echoes of Thornton Wilder’s The Skin of Our Teeth. But rather, as you’ll learn in SNAP Productions’ staging of Madeleine George’s script, it has something to do with a questionable exhibition in a small college town’s natural history museum, subject of an emerging local crisis. Most on exhibit, though, is a different display involving evolving human relationships. A love triangle among three women. Lesbians, yes. An issue?

No. The university’s fiftyish Dean Wreen, having split with equally aged mate, Greer, lives instead with a young former student, Andromeda, who claims that they have an “alternative kinship relationship.” But Greer, suffering from cancer, is offered solace by being invited to move back in. Shades and shadows of mortality hover.

In this six-character dramedy from 2013, the tight little community is in a state of shock. Not only about the domestic arrangement, but also about university plans to save money by closing the run-down museum. A natural history, sure. Age old.

— Gordon Spencer

Through June 24 SHEA WILKINSON: HOMO ROBOTICUS Fred Simon Gallery, 1004 Farnam St. Opens Monday, May 16 Opening Reception: Friday, May 20, 5:00-7:00 p.m.

Gallery Hours: Mon.-Fri. 8:00 a.m.-5:00 p.m. www.artscouncil.nebraska.gov Shea Wilkinson is a fabric artist from Nebraska. After receiving a Bachelor of Arts from the UNO in International Studies and German Language she traveled to Mexico to teach English. Here is where she discovered her passion for art. She has had her art exhibited near and far and won the James Renwick Alliance’s Chrysalis Award for a distinguished emerging artist in 2016. The Fred Simon Gallery will be displaying her new solo exhibition, Homo roboticus, which explores the interplay between biology and technology and will be displayed at the Fred Simon Gallery.

Found on the gallery’s website is a statement about the exhibition

by Wilkinson, “I have always enjoyed the ubiquity of androids

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in the fictional work of Philip K. Dick and decided to explore the topic’s relevance to the modern day. The idea that someday the human body and mind is going to be integrated with technology is no longer science fiction, and neither is the fact that it will be increasingly harder for us to even tell the difference.” Wilkinson discusses the ideas of advancing technology to mimic biology through her artwork in this exhibit. “After the convergence of robot and human biotech- ‘CENTIPEDE,’ BY JAR SCHEPERS nology, how much longer will Goldsmith into She Shtupps to Conquer? Who found it be before we arrive at homo roboticus?” Find out in the form of Wilkinson’s free mo- the road to success aboard A Streetcar Named Murray”? Answer: Max Bialystock, one of the biggest names tion quilting.

— Mara Wilson on Broadway: 13 letters. One of The Producers. Mel Brooks is the man behind the curtain. The whiz of raucousness. The prince of outrageousness. Here sending Through June 24 up gays, old ladies, ditzy blondes, and, natürlich, Hitler.

SHAWN TESEO BALLARIN This is the guy who gave us a preview for the sci-fi film Petshop Gallery, 2725 North 62nd Street Opening Reception: Benson First Friday, May epic Jews In Space featuring a six-pointed starship. Or, at The Last Supper having the waiter ask “Which one of 6, 7:00 p.m.

Gallery Hours: By appointment, petshopgal- you ordered the fish?” Remember Blazing Saddles? Or what about Young Frankenstein? Of course, you recall lery@gmail.com the latter. Omaha Community Playhouse vivified it a www.shawn.theplasticfactory.us couple of years ago. Same site for this item. You probably “Every Direction is North,” is a multi-media exhibit with know that The Producers, the 2001 Mel Brooks musivideo, artist books, paintings, drawings, & sculpture by cal, re-works the 1968 movie. This smash hit collected a Lincoln, Neb. artist Shawn Teseo Ballarin. He has worked bunch of Tony Awards and packed Broadway houses for in two print shops, printing and exhibiting work at Chi- years, aided and abetted by Susan Stroman’s directorial cago Print Collaborative in Chicago and at Constellation concepts and choreography. Brooks created the friendly Studios in Lincoln. His work includes album art that ap- music and snappy lyrics. Thomas Meehan co-wrote the peared in both Rolling Stone and Spin magazines and book, which much resembles the movie. Refresher: Max several murals, including one that spans 250 feet near teams up with previously shy accountant Leo Bloom to Wrigley Field in Chicago. The artist’s primary form of produce the world’s worst show so that, when it quickly expression is painting, though Ballarin says elements of tanks, they can keep all the investments. They discover printmaking are incorporated in most of his work. “My process is a combination of painting and printmaking,” he said. “Before I start painting, I spend hours meticulously cutting stencils, which I later print into the paintings, often in many layers. When I paint, I never start by making sketches. Rather, I paint in a loose manner allowing layering, accidents and surprises to occur as each painting develops. Ballarin’s paintings explore the themes of travel, isolation and change through simple, sometimes primal subject matter in a style that leaves much to viewer interpretation and engagement. “I am interested in straddling the line between abstraction and representation. I hope the layers in my paintings, particularly the deepest ones that are often barely visible, inspire viewers to look carefully at the work and to reflect on what else might lie underneath.”

— Michael J. Krainak

Through June 26 THE PRODUCERS Omaha Community Playhouse, 6915 Cass Street Opens Friday, May 27 Weds.-Sat. 7:30 p.m., Sun. 2:00 p.m., $20-$40 www.OmahaPlayhouse.org You might ask yourself “Self? Who came up with the musical version of Hamlet called Funny Boy? Who struck gold, titillating the public by re-working Oliver

‘DIVERS,’ BY SHAWN TESEO BALLARIN

Franz Liebkind’s dictator-love-fest Springtime for Hitler (“There was a painter! He could paint an entire apartment in one afternoon! Two coats!”). And they hire crossdressing, disaster-prone director Roger DeBris, who revels in wearing lots of leather as Hitler. But the best-laid men’s plan falls on its tush. Oh. This also sends up show biz e.g.: Bloom: Actors are not animals! They’re human beings! Bialystock: They are? Have you ever eaten with one?

Not a dry seat in the house.

— Gordon Spencer

profITMOTIVE

The scientist that helped lead the discovery of climate change has an answer - Fee and Dividend - that Republicans should like but Democrats might not

green

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BY CHERIL LEE

nternationally renowned climate scientist and area native Dr. James Hansen is on a mission.

Thirty-five years after he and other scientists first reported that burning fossil fuels was creating a greenhouse effect that was warming the planet, the former head of NASA’s Goddard Institute for Space Studies and current professor at Columbia University is pressing for an immediate solution.

The only solution that will work, he’s convinced, is one that would put a check in every person’s pocket.

Hansen came to Omaha to publicly support the Nebraska Peace Foundation’s shareholder resolution at the annual Berkshire Hathaway shareholder meeting in a April 30 rally with Nebraskans for Peace and BOLD Nebraska that ran outside the CenturyLink Center where BH’s annual meeting is held. Hansen also gave a free lecture at Creighton University’s Harper Center on Friday, titled “Energy and Climate Change: How Can Justice Be Achieved for Young People?”

Chairman Warren Buffett had urged shareholders to vote against the resolution, despite stating in his annual letter to shareholders, “[I]f there is only a 1% chance the planet is heading toward a truly major disaster and delay means passing a point of no return, inaction now is foolhardy. Call this Noah’s Law: If an ark may be essential for survival, begin building it today, no matter how cloudless the skies appear.”

Hansen believes the “ark” can be quite simple, what he calls Fee & Dividend.

“The fundamental thing that is needed is to make the price of fossil fuels honest, to reflect their costs to society,” Hansen explained in an interview. “Presently the external costs of burning fossil fuels -- the effect of air pollution, water pollution and climate change -- are all presently born by the public and they are not included in the price [of fossil fuels].

“Fossil fuel companies are allowed to sell their product and to use the atmosphere as a free waste dump without any charge.”

The collection of the fee would be straightforward and would create a cascading effect if the world’s two biggest economies participated.

“The way to deal with that in an economically appropriate way would be to add a gradually rising fee,” said Hansen, “which is very simple in the sense that it would just be some dollars per pound of carbon, which you could collect at the source or at the domestic port of entry.” “[Every country] will have to accept a carbon fee if China and the U.S. would agree to do it. They would put border duties on products from countries that don’t have an equivalent carbon fee and that would induce almost every nation. They would rather collect the money themselves than have us collect it at the border.”

Rather than use the fees collected to subsidize renewable energy or otherwise fight climate change, Hansen insists the revenues should be directly distributed back to the public, dollar for dollar.

“If you put that money back in to the economy immediately by distributing it to the public, it actually stimulates the economy . . . The best way to fight climate change is to move to clean energies and . . . the best way to do that most efficiently is to let private industry do it. The last thing you want to do is give the money to the government and let them invest it. They have proven time and again that the private sector is a much more efficient use of money. I worked for the government for decades in one of the better agencies and that’s not what you want to do.

“Let the market decide the role of renewables.”

Though Hansen highlighted the support of this idea from Republicans like former Secretary of State George Schulz and, albeit for only a day, Grover Norquist, he has always insisted he has no political affiliation.

“I’m politically independent,” said Hansen. “I’d say that I am a typical midwesterner with suspicions of government, but I’m not a Republican. I’m neither a Democrat nor a Republican. It is true that the solution to climate change is very consistent with conservative principals.”

Hansen first wrote about this solution in 2009 and it was prominent in his 2014 Ted Talk. Calling the Paris Agreement “wishful thinking,” he says we need to learn from the failed cap-and-trade solution previously offered and mostly supported by congressional Democrats.

“The cap-and-trade bill in the Senate was 3500 pages long because every lobbyist who could raise his arm to write a paragraph got it stapled into the bill,” said Hansen. “What you actually want is for it to be around one page. You want a very simple, honest system, where you don’t let the fossil fuel industry and every lobbyist get involved.

“It allows you to pay off various industries, including the fossil fuel industry, and it brings big banks into the solution. They have skilled trading units and they make money off fluctuating markets. The energy industry is trillions of dollars, so there’s no way to keep banks out of this. They would make money and every dime that they make comes out of the publics’ hide in increased energy prices. So that makes absolutely no sense to use this approach, but it’s what politicians do.”

Now that the argument over climate changes is ending around the world in all but the most conservative Republican circles in the U.S., Hansen is trying to move past that minor skepticism to a real solution. “[Skeptics] are not going to change their mind, even though the last year has been the warmest in recorded history and the last few months even warmer on a global average, but you can’t change the minds of people’s whose positions are based on ideology, not on scientific data.

“It’s important that the policies are the appropriate ones and that’s why I’m coming to this meeting, because I think that Bill Gates and Warren Buffett can understand that you need to, if you want to phase down fossil fuels, you need to do it in a way that is not economically damaging to the country.” ,

green beat

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heartlandhealing HEARTLAND HEALING is a metaphysically-based polemic describing alternatives to conventional methods of healing the body, mind and planet by MICHAEL BRAUNSTEIN. It is provided as information and entertainment, certainly not medical advice. Important to remember and pass on to others: for a weekly dose of Heartland Healing, visit HeartlandHealing.com. .

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chakras

Portals to Energy

BY MICHAEL BRAUNSTEIN

G

oogle Albert Einstein and you’ll draw about 93 million hits. That’s understandable for such a popular intellectual of the early 20th century. Google someone named “Charles W. Leadbeater” and you’ll get some hits; about 92.7 million fewer. Leadbeater would never be trending on Twitter or news on CNN compared to Einstein. Yet, his contributions to the enlightenment of the era were no less significant at the time they both lived.

In fact, Leadbeater would have been much more likely to command headlines in the London papers.

As a former Anglican priest turned spiritualist and metaphysician, Leadbeater was a leading figure in the relatively new Theosophical Society, a movement headed by Madame Helena Blavatsky. As Western culture explored the ancient rituals and philosophies of India and the Far East, interest in spirituality and the occult soared. Trade between India and the West wasn’t limited to tea, silk and exotic spices. The thought and spiritualism indigenous to the region became its greatest intellectual export.

Leadbeater made his way to India in 1884 to study under the guidance of Master Kuthumi at Adyar. Diving deep into the pool of knowledge evidenced in the Vedic texts and lore of the ancient rishis or wise men of ayurvedic wisdom, Leadbeater came to understand physics and energy along a path parallel to Einstein’s but from the exact opposite side of cognition.

Both men provided illuminating and thought-provoking quotes: “Not everything that counts can be counted,” from Einstein and “It is a mistake to consider that the limit of our power of perception is also the limit of all there is to perceive,” from Leadbeater. Same idea, different theaters.

Einstein was one of the brilliant breed of physicists working on the formative Western-science concepts of relativity and quantum physics. Leadbeater studied what was already known about atomic physics but on a much subtler level.

While Albert was entrenched in Western empirical observation, C.W. was deep into the recently revealed ancient Vedic texts. Leadbeater didn’t explore the outer reaches of space and time but instead took the course of the rishis: understanding the universe by understanding within.

Einstein was known for E=mc2; Leadbeater for his 69 published works, including his short book describing the chakras. Both Einstein’s equation and Leadbeater’s teachings describe energy.

Ancient knowledge for modern times. Thousands of years ago, the wisest of the Indian scientists understood quantum physics and atomic theory in their own way. Without the technical tools to measure energy in the same ways we do today, they measured or experienced it in other, more subtle, ways. Their science was a combination of sensible observation of nature and intuited knowing. Thousands of years later, Einstein, the scientist of our age, would often credit the value of the intuitive mind when it comes to knowledge.

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The rishis’ works were eventually written down in texts known as the Vedas.

Leadbeater studied the texts in the late 1800s and interviewed yogis who were still knowledgeable in the science of ayurveda. In 1927, Leadbeater published The Chakras.

All things are energy. What appears to be solid is really a coalescence of energy; that singular energy Einstein called the Unified Field, ancient rishis called prana and Chinese call chi.

Just as a cup has points of contact where it rests on a table, humans have points of contact with the energy of the universe. Existing in a sea of energy, we must have points of interface with it. These specific intersections connecting individual energy with universal energy are called chakras in the Vedic texts.

Big wheel keep on turning. Chakra means “wheel” in Sanskrit. If form and function are related, imagine that a chakra is a wheel-shaped vortex or channel between the body’s energy field and the universal energy. In appearance, and there are those who have seen them to describe them, a chakra looks like the aperture of a camera. Like an iris can open or close, so too can a chakra. An iris regulates light. A chakra regulates energy.

Like the cup on the table, there are many points of contact. The body has seven main chakras.

Each is specifically located and has its own characteristics. As the main chakras progress from numbers one through seven, they grow more complex, often compared to a flower’s bloom; the simplest with four petals, the highest with 1000.

The Magnificent Seven. The first chakra, in Sanskrit Muladhara, is located at the base of the spine. It is the Root chakra, attendant and attuned to the most base energies.

The second chakra is controversial.

Some sources call it the spleen chakra. It is not. The second chakra is actually the Svadhishthana and is in the area of the reproductive organs. Victorian prudishness of the late 1800s prompted Westerners to adopt sexual denial. The third chakra is the navel chakra, Manipura. The fourth chakra, Anahata, is the reddish heart chakra, emerging in the area of the heart and solar plexus. Fifth is the throat chakra of communication, Vishshuddha. Next is the brow chakra, Ajna and then finally, at the very top of the head is the crystal white and complex crown chakra, Sahasrara.

Physiologically, each of these areas is specially innervated. You can find them easily, intuitively. Press on your solar plexus, navel, base of your throat or between your eyebrows. There is no mistaking that those areas feel totally different from just a few inches to either side. The chakras are sensitive to energy even more so than to touch. When chakras become blocked, constricted or otherwise compromised, energy does not move through them easily. Resisting energy causes disease, as surely as plaque blocking our arteries or thought limiting our awareness, the result is the same.

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MAY 2016

21

PRIMARY 2016

What You Need to Know

The Primar y Races That Matter Most EDITOR’S NOTE: It’s that time again! First off, we highly recommend hearing from the candidates directly about the key issues in each race by grabbing their Primary Voters Guide printed in last month’s The Reader or available online by going to the League of Women Voters website: omahalwv.org. The LWV is the authoritative, nonpartisan source for election information. Second, we tried to hit the most important notes on this primary election. Third, get out and vote on May 10 or contact your election commissioner for early voting or in person voting details!

CONGRESS

by Jim Esch, BallotHero.com

The Republican primary will pit a political newcomer in retired Brigadier General Don Bacon with well known political figure in former State Senator and County Commissioner Chip Maxwell.

Bacon, 52, was born on a farm in Illinois and attended Northern Illinois University. Bacon served in the Air Force for nearly 30 years. He was stationed at Offutt Air Force Base on three separate assignments during his career, most recently as Commander of the 55th Wing.

After retirement from the Air Force, Bacon worked as an aide to Congressman Jeff Fortenberry, advising on military and veteran’s issues. Currently, Bacon is an Assistant Professor at Bellevue University teaching undergraduate leadership courses and a course on American values and vision.

Bacon and his wife Angie, his high school sweetheart, live in Papillion and have three sons and a daughter.

Maxwell, 53, is an Omaha native and son of local humorist Mary Maxwell. Maxwell graduated from Creighton Preparatory School and attended Boston College earning a B.A. in political science. Maxwell also holds a M.S. in American History from Oxford University and a law degree from the University of Nebraska - Lincoln. Maxwell has worked as an attorney, teacher, nonprofit executive director, and radio host.

Maxwell was a State Senator from 2001-2005 and a Douglas County Commissioner from 2005-2009. In 2014, Maxwell considered running against incumbent Republican Lee Terry as a Tea Party challenger. After choosing not to run in the primary, he decided to run in the general election as an independent.

However, Maxwell withdrew from the race in July, saying that he had been asked by high-profile Republicans not to run and didn’t want to create a “permanent rift” in the district’s Republican Party.

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Maxwell and his wife Pam reside in Omaha with their four children, two boys and two girls, whom they adopted from Guatemala.

The two candidates disagree on few issues. Both state defeating ISIS and radical Islam as a top priority. They both advocate lowering taxes, reeling in government spending, and eliminating the federal debt. Both men are socially conservative, opposing abortion rights and are in favor defunding Planned Parenthood. They would repeal Obamacare, strongly support Second Amendment rights and believe taking care of our veterans should be a top priority of the federal government.

The biggest difference between the two candidates may be who supports them. While Bacon is new to politics, he has the endorsements of many current and former elected Republican officials, including Former Governor Kay Orr, United States Senator Deb Fischer, Omaha City Council members Aimee Melton and Franklin Thompson as well as the Mayors of Bellevue, Papillion and La Vista. Maxwell, while having been elected twice to office, is running much more as an outsider with strong Tea Party support.

The winner will face United States Representative Brad Ashford, who is unopposed in the Democratic primary, and the winner of the Libertarian party primary between Jeffrey Lynn Stein, Andy Shambaugh, and Steven Laird.

NEBRASKA LEGISLATIVE DISTRICT 7

by Liz Codina

Just last fall Republican Governor Pete Rickets appointed local nutrition therapist and registered Republican Nicole Fox to represent Nebraska Legislative District 7 after former state senator Jeremy Nordquist resigned to become chief of staff for U.S Rep. Brad Ashford.

Two Democrats have joined the race for the seat. John Synowicki, who was appointed to represent District 7 in 2002 by then

election 2016

Governor Mike Johanns, is out to reclaim his seat. Omaha Public School board member Tony Vargas has also joined the race to represent the heavily Democratic district.

Vargas, who serves more than 52,000 students and 86 schools across the City of Omaha, says his current role is preparing him to represent District 7 if elected. “I currently represent relatively the same district with the same number of citizens on the Omaha Public School Board. I have been doing that the last two and a half years,” says Vargas.

According to Vargas as an OPS school board member he has been tasked with ensuring that OPS has policies and programs that are meeting the needs of kids and families in his district. “I have a particular focus on trying to make sure we are trying to meet the needs of our highest needs families,” he says. In his current role Vargas points out he has had the opportunity to have a lot of conversations with people in his district. “I talked to a grandmother that reminded me a lot of my own grandmother, talking about why they came here and why they wanted to raise their kids here,” says Vargas, adding “they wanted their children to have a better life than they had, it really resonated with me being that my parents are from Peru and my immigrant background.”

Vargas says he could hear in this grandmother’s voice that they “wanted a really good education for their children, they wanted their families to have good jobs, they wanted people to be healthy and happy and have a really good, strong quality of life.” Vargas says he realized he loves his current role on the OPS school board but there are many issues in his community that are not meeting the needs of people in his own backyard and that is why he joined the District 7 race.

“I realized there are real issues that are affecting us including health care and making sure we are taking care of our people, expanding and supporting our small businesses, having a continued on page 24 y

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MAY 2016

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stronger hand in community development at a local and state level and making sure that we are improving our education system not only in Omaha but across the entire state.” Vargas is currently focusing on two major campaign issues, these include education and youth development and jobs. If elected, Vargas says a top priority for him as a new legislator will be Medicaid expansion.

“We have to figure out what is going to have the biggest impact. We have the largest number of people in District 7 that are currently not covered that would be if we expanded Medicaid,” says Vargas, adding, “we have this ongoing conversation about how we make sure that people have a strong quality of life, it’s when we remove barriers they face, barriers that increase the impact of poverty, and one of them is health care.”

Synowieck, who did not respond to requests for an interview, is focusing on prioritizing property tax relief for working families, supporting a strong community-based behavioral health service network and ensuring a quality education for all children in the state. According to Synowiecki’s campaign webpage “education is the key to economic prosperity for individuals and to local economic development. In order for us to grow our economy and bring good jobs to the South Omaha community, we need to make sure education and property tax relief are top priorities for the state.”

Synowiecki, who serves as Director of Resource Development for Catholic Charities, is active in the South Omaha community. He currently serves as vice-president of the Deer Park Neighborhood Association and is a former board member of the South Omaha Business Association. Synowiecki plans on using his experience as a former probation officer and experience from his current role with Catholic Charities to represent children and families in District 7 if elected.

Currently, Synowiecki has support from various groups that include the International Brotherhood of Electric Workers-IBEW Local 1483 and the Boilmakers Local Lodge No 83. Vargas has been endorsed by well-known names in the community that include MCC Board of Governors District 4 Representative Roger Garcia, Douglas County Treasurer John Ewing and

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Nebraska Public Service Commission District 2 Representative Crystal Rhoades, among others.

NEBRASKA LEGISLATIVE DISTRICT 13

by Jim Esch, BallotHero.com

Four candidates are seeking to be the next state senator representing Legislative District 13. The district includes Florence, Eppley Airfield, Ponca Hills, and Cunningham Lake. The district’s borders are the Missouri River on the east, the Douglas county line on the north, 72nd and 84th Streets on the west, and Pratt Street, Redick Avenue and Carter Lake on the south.

State Sen. Tanya Cook, a Democrat, currently represents the district and is term limited.

Jill Brown, 42, is a Democrat and an associate professor of developmental psychology at Creighton University. Brown grew up on her family’s farm in Minden, Nebraska and attended the University of Nebraska - Lincoln. Brown served in the Peace Corp in Namibia, Southern Africa and received a Fulbright Scholarship to study the plight of disenfranchised widows in Varanasi, India. She went on to graduate school at UNL and received her PhD in Developmental Psychology.

Her priorities are greater economic opportunities through wage equality and job creation, improved educational outcomes through enhanced pre-kindergarten education and strengthening public schools through teacher driven curriculum reform. Brown wants to see increased access to affordable health care through Medicaid expansion and dramatic improvements in community mental health services.

Brown and her husband, Jim, have five children.

Democrat Justin Wayne, 36, is a lawyer and small business owner. His Trailblazers Constructors company is an outgrowth of the Midwest Trailblazers youth program. His company provides jobs for young men on small concrete projects. Wayne is lifelong District 13 resident and attended Creighton University for both undergrad and law school. Wayne served on the Learning Community Coordinating Committee from 2008-2010, and has been elected twice to the Omaha Public School Board.

Wayne is committed to increasing education funding and accountability, creating more economic development and job

election 2016

opportunities in the district, and ensuring that our neighborhoods are safe and secure.

Wayne and wife, Katie, have one daughter.

Mark G. Elworth Jr., 39, a Republican, is a native Omahan. Legalizing medical marijuana and hemp farming are among his top issues. Elworth is Nebraska State Chairman for Legal Marijuana Now. He believes taxes, wasteful spending and unneeded bureaucracy are the biggest barriers to bringing jobs to Nebraska. Elworth ran as a Libertarian candidate for Governor in 2014.

Elworth is single and has one child.

Jake Seeman, 28, a Democrat, is trial preparation manager at Domina Law. Seeman is a lifelong Omaha. He wants to see increased publicly funding for healthcare coverage for more low-income Nebraskans. Seeman supports ending mandatory minimum sentencing as a way to ease prison overcrowding. He is committed to defending worker’s rights, and stopping Voter ID laws and other measures he believes are meant to discourage minorities from voting.

The State Legislature is officially nonpartisan. The top two vote getters will face off in the general election in November.

OMAHA PUBLIC POWER DISTRICT – SUBDISTRICT 5

By Patricia Chamberlain

A recent opening on the Omaha Public Power District board just happens to coincide with public outcry over the utility’s controversial rate restructure. Six candidates have thrown in their bids for the vacancy created by OPPD Subdistrict 5’s 30year veteran John K. Green choosing not to run for re-election.

On Monday evening, April 18th, five of them met for a question and answer forum at St. Leo Catholic Church. The “accountability session” was organized by Omaha Together One Community, a group of leaders from local churches and other community groups. Republican Brad Ashby was the only candidate not present.

Candidates answered a litany of questions. If the topic wasn’t the rate restructuring itself, it was issues created by it.

The utility’s per-kilowatt hour fee increased as of January 1,

2016. Beginning in June 2016, the fixed fee will periodically increase, going from the current $10.25 to $30 by June 2019.

This makes the fixed fee among the highest in the nation for similar-sized utilities. OPPD does plan to decrease the per-kilowatt hour rate as the fixed fee increases. A major pain point is that the new rate structure still puts more strain on lower-income customers. Those who conserve or use little electricity will be hit the hardest by the high fixed fee.

OTOC’s April 18th accountability session kicked off with some brief welcoming statements from OTOC and opening comments from the candidates. Then it got down to business with a question on how the candidates would reduce greenhouse gases and if they planned on phasing out coal-fired plants.

All five candidates agreed that greenhouse gases needed to be reduced. Most of them pointed to Nebraska’s neighbor to the east, Iowa, which has a burgeoning wind turbine program.

But one candidate voiced an opposing opinion on the reduction of coal fired plants. Republican Paul Anderson said that while he would ensure the plants complied with Environmental Protection Agency requirements, he would not phase out OPPD’s coal fired plants. Anderson worked many years for the BNSF railroad, and in his answer, claimed that the railroads were declining because they no longer hauled the amount of coal they once did, mostly because the power plants were not burning as much coal.

In an interview before the session, Anderson said, “I’m conservative. I’m very conservative. I had a 35- year career with the railroad. I’m middle class. I’ve lived in Omaha for 35 years, but I also bring an outsider’s perspective from living in the panhandle, from Scottsbluff to Lincoln. I love this state.”

Two OTOC questions focused on the future of the utility – one asking candidates how they would improve the 20-year generation plan, and one asked for the candidates’ vision for the utility in 20 years. Answers ranged from focus on renewable energy to keeping costs down, but the consensus was that OPPD’s future is changing. Democrat Collin Cavanaugh said “It’s great to be able to have a plan since the field changes so rapidly. We have to watch for new technology and regulations. We have to get away from coal, and we have to be careful with fracking.”

Finally, however, roads led back to the OPPD rate restructure.

OTOC pointedly asked the candidates if they would work to reverse or significantly reduce the increased fixed service charges that come with the rate restructure. Republican Don Kroupa made no bones about his feelings. “I am totally against the rate hike,” he said. “I was on the MUD board for 18 years and I looked out for the rate payers. I will meet with management. …

If I’m there, we will get it done.” At times, Kroupa also said the higher fixed fee is “disgusting” and “sickened” him.

All board members agreed the rate restructure had to be opened back up for discussion at the very least. Candidate Craig Moody, a Democrat, laid out some hard truth. “I’m involved in working against it,” he said of the rate restructure.

“The problem is, no single board member can undo it at this point. It’s been voted in. The question then becomes, what is the alternative?”

Another aspect that made the rate restructure so controversial was the quick and almost dismissive way in which the motion passed the OPPD board with a 6-to-2 vote in December 2015. Despite public requests to rethink the plan, or at least delay the vote, the motion passed. This, in turn, led to OTOC asking candidates if they would allow the public at least one month to understand and comment on significant changes to utility policies, and what other plans candidates have to make board decisions more transparent.

Former City Council member Tom Mulligan, a Republican, highlighted his experience taking issues to the public. “The public should be engaged for months and months,” he said.

“As a board member, I would go to public events, or host pop up events any time there are major changes. There should be no surprise to the public. In fact, in some cases, they should have more than a month.”

While candidates in Subdivision 5 are campaigning, another seat on the OPPD board, from Subdivision 4, is also up in the May 10 primary, although that race has half the candidates as Subdivision 5. The two dissenting votes from the rate restructure motion are still on the board, so there is a chance that two more members who oppose the restructure could join the board after the November vote. It’s a deafening election

year, with noise from the presidential race overpowering most voters’ thoughts. But few things affect Omahan’s pockets quite as much as the OPPD board election.

METROPLITAN UTILITY DISTRICT

by Jim Esch, BallotHero.com

Eight candidates are vying for two spots on the nonpartisan Metropolitan Utility District board. The primary will narrow the field to four.

Jack Frost, 84, is a Republican and retired real estate agent.

He is Chairman of MUD’s board and has served on the board since 1987. He says additional revenue sources, such as selling compressed natural gas, and increased emergency training, especially in light of the M’s Pub fire, need to be top priorities.

Krystal Gabel, 31, a technical software writer, is running as an independent. She is Co-Chair of Legal Marijuana Now. She is also running for the Omaha Public Schools board. Serving on both those boards is allowed under Nebraska law.

Todd Heyne, 44, a U.S. Postal Service carrier and ramp agent for Delta Airlines is a Republican. His major concern is fully funding MUD’s pension plan.

Jim Kusek, 68, is a Republican and former Omaha Public Power District employee. Ensuring the safety and security of MUD’s operations is his main issue.

Tom Wurtz, 66, is a Democrat and former president of MUD. While president he fought selling the utility and taking it private. He believes continued public ownership of MUD is the best way to provide low rates.

Tom McGowan, 67, is a Republican and previous MUD board member. McGowan spent 36 years at Northern Natural Gas. Keeping MUD a public entity is also priority as well as ensuring the safe delivery of natural gas.

Bert Mehrer, 69, is a Democrat and retired government attorney. He believes the board’s first priority should be to hold management accountable.

Pat McPherson, 70, is a Republican and retired banking executive. McPherson sits on the Nebraska State Board of Education. He stirred controversy last year over a post on his

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blog many viewed as racist. McPherson apologized, stating the comments were written by another author. His fellow education board members, Governor Ricketts, and many others called for his resignation. Overhauling MUD’s rate structure is his top priority.

If elected, McPherson would choose to serve on MUD’s board.

DOUGLAS COUNTY BOARD DISTRICT 3

by Jim Esch, BallotHero.com

The race for Douglas County Commissioner of District 3 matches two Democratic officeholders, incumbent Chris Rodgers and Omaha Public School board member Marque Snow. There are no Republican candidates running, so the winner of the primary election will become Commissioner.

Rodgers, a native of East St. Louis, played basketball for Creighton University graduating with a BS in journalism. Later, he earned an MBA from Creighton and a Masters of Public Administration from UNO. He served as an assistant to Mayor Mike Fahey and was member of the Metropolitan Community College Board of Governors. Rodgers is a senior community service associate at UNO and director of its Transformation Project, a privately funded initiative to reduce recidivism.

Rodgers has represented North Omaha on the County Board since 2005. His priorities are improving the public health system, strengthening community corrections programs, reforming the juvenile justice system and being a good steward of taxpayer’s dollars.

Rodgers and his wife Sharlon have two sons.

Marque Snow, 28, is the executive director of the South Omaha YMCA. Born into a military family, he graduated from Seoul American High School in South Korea. Snow earned his bachelor’s degree in political science and history from the University of South Dakota. He has served on the Omaha Public School board since 2013, representing eastcentral Omaha.

Snow’s priorities include fighting for increased mental health services and improving conditions for youth in the juvenile justice system. He believes the most vulnerable members of our community are being underrepresented and underprotected.

Snow would like human services to be provided in the Douglas County jail and for the creation of Mental Health Courts in Douglas County.

DOUGLAS COUNTY BOARD DISTRICT 7

by Jim Esch, BallotHero.com

Douglas County Board’s District 7 seat will be a race between three Republicans: incumbent Clare Duda and first time candidates Nic Chestnut and Cameron Gales. There are no Democrats running for this seat.

Clare Duda, 61, is a farmer and has served on the Douglas County Board since 1993. Duda has a BA in Math and Physics from Augustana College and completed the Paramedic Program at Creighton University. He has also been a Ponca Hills volunteer firefighter for forty years.

Duda believes the most urgent needs for the County are balancing this year’s budget, reforming the Guardian Ad Litem services, and managing the County and City crime labs merger.

Duda would like to improve the financial management of the Douglas County Health Center and maintain its three campus concept. He also advocates for maintaining and updating the County’s 104-year-old courthouse as well as the jail to meet today’s greatly increased volume and security demands.

Cameron Gales, 34, is owner of Gala Painting, a commercial and residential painting business. Gales also worked in the Office of Juvenile Services under DHHS, was a Youth Attendance Navigator in the Omaha Public Schools and served as Assistant Director of Community Relations in Mayor Jean Stothert’s administration.

Gales has stated he will vote against any tax increases and proposes the County move to a zero-based budgeting system. Gales also advocates for the creation of Mental Health Courts to reduce the number of persons with mental illnesses in the criminal justice system.

Nic Chestnut graduated in Banking and Finance from the University of Nebraska - Omaha. He is a small business owner with a background in Medicare Government Enrollment and Consulting Hospital Providers.

Chestnut’s goals are to keep taxes low and reduce wasteful spending. He supports local control of schools, traditional family values and pro-life policies, and wants a probusiness climate in Douglas County. ,

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MAY 2016

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THROUGHMILDRED’SEYES Denise Chapman portrays the Omaha Star icon in pivotal night in 1969

theater

A

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MAY 2016

s North Omaha Neighborhood Tapestries returns for the Great Plains Theatre Conference’s free PlayFest bill, two community icons take center stage as subject and setting.

En route to making her Omaha Star newspaper an institution in the African-American community, the late publisher Mildred Brown became one herself. Through the advocacy role she and her paper played, Brown intersected with every current affecting black life here from the 1930s on. That makes her an apt prism through which to view a slice of life in North Omaha in the new one-woman play Northside Carnation.

This work of historical fiction written by Omaha theater artist Denise Chapman will premiere Sunday, May 29 at the Elks Lodge, 2420 Lake Street. The private social club just north of the historic Star building was a familiar spot for Brown. It also has resonance for Chapman as two generations of her family have been members. Chapman will portray Brown in the piece.

Directing the 7:30 p.m. production will be Nebraska Theatre Caravan general manger Lara Marsh.

An exhibition of historic North Omaha images will be on display next door at the Carver Bank. A Union for Contemporary Art show featuring work

by North Omaha youth will also be on view at the nearby Wanda D. Ewing Gallery, 2520 North 24th Street.

Two nights later another play, Leftovers, by Josh Wilder of Philadelphia, explores the dynamics of an inner city black family in a outdoor production at the site of the home of the late Omaha activist journalist Charles B. Washington. The Tuesday, May 31 performance outside the vacant, soon-to-be-razed house, 2402 North 25th Street, will star locals D. Kevin Williams, Echelle Childers and others. Levy Lee Simon of Los Angeles will direct.

Just as Washington was a surrogate father and mentor to many in North O, Brown was that community’s symbolic matriarch.

Chapman says she grew up with “an awareness” of Brown’s larger-than-life imprint and of the paper’s vital voice in the community but it was only until she researched the play she realized their full impact.

“She was definitely a very important figure. She had a very strong presence in North Omaha and on 24th Street. I was not aware of how strong that pres-

| THE READER |

theater

BY LEO ADAM BIGA

ence was and how deep that influence ran. She was really savvy and reserved all of her resources to hold space and to make space for people in her community – fighting for justice. insisting on basic human rights, providing jobs, putting people through school.

“She really was a force that could not be denied. The thing I most admire was her let’s-make-it-happen approach and her figuring out how to be a black woman in a very white, male-dominated world.”

Brown was one of only a few black female publishers in the nation. Even after her 1989 death, the Star remained a black woman enterprise under her niece, Marguerita Washington, who succeeded her as publisher. Washington ran it until falling ill last year. She died in February. The paper continues printing with a mostly black female editorial and advertising staff.

Chapman’s play is set at a pivot point in North O history. The 1969 fatal police shooting of Vivian Strong sparked rioting that destroyed much of North’s 24th “Street of Dreams.”

As civil unrest breaks out, Brown is torn over what to put on the front page of the next edition.

“She’s trying her best to find positive things to say even in times of toil,” Chapman says. “She speaks out reminders of what’s good to help reground and recenter when everything feels like it’s upside down.

It’s this moment in time and it’s really about what happens when a community implodes but never fully heals.

“All the parallels between what was going on then and what we see happening now were so strong it felt like a compelling moment in time to tell this story. It’s scary and sad but also currently repeating itself. I feel like there are blocks of 24th Street with vacant lots and buildings irectly connected to that last implosion.”

During the course of the evening, Chapman has Brown recall her support of the 1950s civil rights group the De Porres Club and a battle it waged for equal job opportunities. Chapman, as Brown, remembers touchstone figures and places from North O’s past, including Whitney Young, Preston Love Sr., Charles B. Washington, the Dreamland Ballroom and the once teeming North 24th Street corridor. continued on page 30y

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Great Plains Theatre Conference

OMAHA’S FREE CONTEMPOR ARY THE ATRE FES TIVAL

PLAYFEST

2016 OMAHA, NEBRASKA

May 29 - June 3

David Neumann in I Understand Everything Better

Northside Carnation

Leftovers

6:30 pm, Sunday, May 29 Art Gallery Showing, Carver Bank Building, 2416 Lake St.

7:30 pm, Tuesday May 31 Outdoors, a vacant house 2402 N. 25th St.

by Denise Chapman

7:30 pm, Performance, Elks Lodge, 2420 Lake St.

by Josh Wilder

I Understand Everything Better With Advanced Beginner Group Direction & Choreography: David Neumann Text: Sibyl Kempson

The Retreating World: An Evening Honoring the Work of Naomi Wallace

7:30 pm, Wednesday, June 1 Creighton University Lied Education Center for the Arts 2500 California Plaza

7:30 pm, Friday, June 3 Gallery 1516 1516 Leavenworth St

Directed by Elena Araoz

Photo: Maria Baranova MORE INFORMATION: webapps.mccneb.edu/gptc

| THE READER |

MAY 2016

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y continued from page 28

“There’s a thing she says in the play that questions all the work they did in the ‘50s and yet in ‘69 we’re still at this place of implosion,” Chapman says. “That’s the space that the play lives in.”

To facilitate this flood of memories Chapman hit upon the device of a fictional young woman with Brown that pivotal night.

“I have imagined a young lady with her this evening Mildred is finalizing the front page of the paper and their conversations take us to different points in time. The piece is really about using her life and her work as a lens and as a way to look at 24th Street and some of the cultural history and struggle the district has gone through.”

Chapman has been studying mannerisms of Brown. But she’s not as concerned with duplicating

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the way Brown spoke or walked, for instance, as she is capturing the essence of her impassioned nature.

“Her spirit, her drive, her energy and her tenacity are the things I’m tapping into as an actor to create this version of her. I think you will feel her force when I speak the actual words she said in support of the Omaha and Council Bluffs Railway and Bridge Company boycott. She did not pull punches.”

Chapman acknowledges taking on a character who represented so much to so many intimidated her until she found her way into Brown.

“When I first approached this piece I was a little hesitant because she was this strong figure whose work has a strong legacy in the community. I was almost a little afraid to dive in. But during the research and what-if process of sitting with her and in her I found this human being who had really big dreams

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theater

and passions. But her efforts were never just about her. The work she did was always about uplifting her people and fighting for justice and making pathways for young people towards education and doing better and celebrating every beautiful accomplishment that happened along the way.”

Chapman found appealing Brown’s policy to not print crime news. “Because of that the Star has kept for us all of these beautiful every day moments of black life – from model families to young people getting their degrees and coming back home for jobs to social clubs. All of these every day kind of reminders that we’re just people.” , For the complete theater conference schedule, visit https://webapps.mccneb.edu/gptc/. Read more of Leo Adam Biga’s work at leoadambiga.com.

YACHT ROCK REVUE

GREGG ALLMAN

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dward Sharpe and the Magnetic Zeros is a 10-piece musical ensemble founded in 2007 during the yearlong recording of their first album, Up From Below. Disillusionment with his major label experience with Ima Robot drove founding singersongwriter Alex Ebert to maintain a DIY recording ethos.

“Un-professionalizing professionalism is my profession,” he recently quipped at a show. Considered pioneers of the folk-pop revival, the band’s self-produced albums have experienced some popular success (plus one platinum song, “Home”). It is the band’s live shows, however, that have seen them celebrated by fans and critics alike. The Preservation Hall Jazz Band is known for performing traditional New Orleans-style jazz.

BRET MICHAELS W/

aron Lewis is the lead vocalist, rhythm guitarist, and founding member of the rock group Staind, with whom he has released seven studio albums. With Staind, he crafted the most-played rock song of the decade, “It’s Been Awhile,” sold 13 million albums worldwide, had four consecutive top 3 debuts on the Billboard 200, and released multiple cross-format radio hits. However, listeners haven’t heard him like this until now Lewis has ventured into country music with his debut solo EP “Town Line.” Lewis’ first fulllength solo release, “The Road,” was released

by Blaster Records on November 13, 2012.

Blackberry Smoke is an American Southern rock/country rock band from Atlanta.

ret Michaels is a multi-platinum global superstar who has turned his passion for music into a multi-faceted brand that encompasses record breaking touring sales, Reality TV stardom, legendary songs that have sold over 32 million records, product endorsements as well as being a devoted philanthropist, all supported and followed by three generations of loyal fans. He is the lead singer in the glam-metal band Poison, whose hits include “Talk Dirty to Me” and “Every Rose Has Its Thorn.” In 2007 Michaels emerged as a reality TV star on VH1’s “Rock of Love.” Dokken is an American metal band formed in 1979. The group accumulated numerous charting singles and has sold more than 10 million albums worldwide.

LEE BRICE

TEARS FOR FEARS

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hart toppers Tears for Fears’ most recent studio album, 2004’s critically acclaimed Everybody Loves A Happy Ending, signaled a welcome return for one of the biggest and best-loved bands of the postMTV age, as well as one of the most eagerly anticipated reunions in pop music history. “This is the album that should have followed Seeds Of Love in many ways,” said singer-songwriter Roland Orzabal, who for the first time since the album’s 1989 release was rejoined by TFF cofounder Curt Smith. The results were standout tracks like “Closest Thing To Heaven,” “Call Me Mellow” and “Who Killed Tangerine.”

They spent the next year and half on a world wide tour supporting the album playing to sold out crowds and enthusiastic fans.

JUNE 11

ee Brice is a craftsman, the kind whose boundless desire to hone his skills and relentless pursuit of perfection are matched only by his humility about the entire process. His latest album, ‘I Don’t Dance,’ is a showcase for his painstaking approach to writing and recording, with his distinctive fingerprints clearly emblazoned on every element of the album. Released Sept. 9, 2014, ‘I Don’t Dance’ debuted at #1 on the Billboard Top Country Albums chart and #5 on the Billboard 200, setting the stage for Brice’s meteoric rise in the country music world. He celebrated the album’s massive release week with performances on the Today Show and Letterman. He also teamed up with Luke Bryan for two sold-out shows in New York: a performance at Madison Square Garden.

WARRANT, DOKKEN & FIREHOUSE

JUNE 3

MAY 27

W/ PRESERVATION HALL JAZZ BAND

AARON LEWIS W/SPECIAL GUEST BLACKBERRY SMOKE

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EDWARD SHARPE AND THE MAGNETIC ZEROS MAY 21

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regg Allman is truly among rock’n’roll’s greatest and most influential artists, his soulfired and still utterly distinctive voice one of the defining sounds in all of American music. From his founding role in the one and only Allman Brothers Band to his long and storied solo career, Allman has consistently proven himself to be an iconic singer/ songwriter and exceptional practitioner of the American blues tradition, both aspects masterfully represented on 2011’s GRAMMY Award-nominated solo landmark, “LOW COUNTRY BLUES.” Allman has accrued a remarkable list of honors over his five decade career, including the ABB’s 1995 induction into the Rock and Roll Hall of Fame and 2012 Lifetime Achievement Award at the 54th Annual GRAMMY Awards. Allman detailed his brilliant career in 2012’s acclaimed memoir, My Cross To Bear.

FREE SHOW MAY 13

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he Yacht Rock Revue is the Greatest Show on Surf and the finest tribute to ‘70s light rock to ever perform anywhere.

Their spot-on renditions of Hall & Oates, Michael McDonald, Steely Dan, and the rest of the TimeLife Infomercial Catalog have enthralled fans across the United States. It goes without saying they have taken their act to the high seas, performing showcase sets on music cruises with Weezer, Kid Rock, Train, Zac Brown Band, Sister Hazel, and fitness guru Jillian Michaels.

By blurring the lines between a tribute, an original act, and a comedic troupe, the Yacht Rock Revue has forged a unique niche market and a special bond with their fans, who will have a chance to see them perform live this May at Stir.

RANDY HOUSER

eleased in May on Mercury Records Nashville, Chris Stapleton’s “Traveller” initially debuted at No. 2 on the Billboard Country Albums chart with more than 27,000 albums sold, making it the best-selling first week by a debut country artist in 2015. The album also received immediate and extensive critical acclaim and landed him bookings on “Late Show with David Letterman,” “The View,” “Late Night with Seth Meyers” and “The Late Show with Stephen Colbert” among others. Following a historic turn on the CMA Awards — Stapleton is the first artist to win Album of the Year, Male Vocalist of the Year and New Artist of the Year.

DEATH CAB FOR CUTIE

HUNTER HAYES

eath Cab For Cutie’s rise from smalltime solo project to Grammy-nominated rock band is one of indie rock’s greatest success stories. Launched in the bayside college town of Bellingham, Washington, the group was originally a side project for singer/ guitarist Ben Gibbard, an engineering student at Western Washington University who split his time between school and music. After their 5th studio album, (their first with Atlantic Records) “Plans,” was released in 2005, guitarist Chris Walla was already predicting “the next record’s going to be the prog-rock record.”

2008’s Narrow Stairs wasn’t quite that, but the Grammy-nominated, chart-topping set had the hallmarks of Death Cab for Cutie’s most ambitious, polarizing outing.

unter Hayes is a multi-talented musician, writer, producer and performer. And he’s just getting started. That fact holds the promise of Hunter Hayes becoming one of the most significant musical talents to emerge, not just from Nashville, but from anywhere. Already, he has accomplishments beyond most musicians wildest dreams: Singing “Jambalaya” with Hank Williams Jr. in front of 200,000 people (15 million YouTube views) at the age of four; appearing with Robert Duvall (who gave Hunter his first guitar) in “The Apostle” at the age of six; playing with Johnny and June Cash, and Charlie Daniels at a BBQ; performing for a US President and many more. You might say that he’s lived a charmed life. But those experiences are simply the natural result of Hunter’s natural talent.

FOREIGNER

ustin Moore hit Nashville in 2009 with a ready-made image. He was the good kid from a small town with a rowdy heart of gold who just happened to be able to sing about it. He’s always had a thing about doing it his way.

Call it stubborn redneck mettle, a well-developed case of “who I am” or just the fierce commitment to blaze a trail inherent to people from his home of Poyen, Arkansas. It doesn’t matter why, just that the blazing sense of off the beaten path drives his album of the same name.Moore signed with Big Machine Records, part of Valory Music Company in mid-2008. He assembled a pretty solid band, which led to some opening spots on tours by Trace Adkins, Luke Bryan, Brooks & Dunn, ZZ Top, and the Rowdy Frynds Tour with Lynyrd Skynyrd and Hank Williams, Jr.

ounded in 1976, Foreigner’s debut album produced the hits “Feels Like The First Time,” “Cold As Ice” and “Long, Long Way From Home.” The album Double Vision followed, as did a string of hits like “Urgent,” “Juke Box Hero” and “Waiting For A Girl Like You.” Those songs helped give Foreigner’s next album, 4, its impressive run at #1 on the Billboard chart. At the zenith of 80’s sound, Foreigner’s fifth album, Agent Provocateur, gave the world the incredible #1 global hit, “I Want To Know What Love Is.” This musical milestone followed the record-breaking song “Waiting For A Girl Like You.” With 10 multi-platinum albums and sixteen Top 30 hits, Foreigner is universally hailed as one of the most popular rock acts in the world with a formidable musical arsenal.

CAGE THE ELEPHANT

HANK WILLIAMS JR.

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ank Williams Jr.’s extremely impressive resume has spawned 70 million albums sold worldwide, six PLATINUM albums, 20 GOLD albums, 13 No. 1 albums and 10 No. 1 singles. Marking 52 years since his first album in 1964, Hank Jr. released IT’S ABOUT TIME (Nash Icon Records) on January 15. In addition to the history-making “Are You Ready for the Country,” the project includes new tunes such as “Dress Like an Icon,” “Just Call Me Hank,” “It’s About Time,” and “The Party’s On” as well as rerecorded versions of classics “Mental Revenge” and “Born to Boogie” with Brantley Gilbert, Justin Moore and Brad Paisley on guitar. IT’S ABOUT TIME is Hank Jr.’s 37th album in his five-decade career. He continues to add accolades to an extremely impressive resume.

JULY 16

lthough chart success in England was an unlikely first step to fame for a band from Bowling Green, Kentucky, mainstream rock band Cage the Elephant achieved just that. Formed by Matt Shultz, Brad Shultz, Jared Champion, Lincoln Parish, and Daniel Tichenor, the group earned a contract with the Relentless label and released the “Free Love” single late in 2007. Their follow-up single “Ain’t No Rest for the Wicked” reached the Top 40 in June. The group’s self-titled debut followed soon after, becoming a respectable commercial and critical success. In late 2015, the band released their fourth album, “Tell Me I’m Pretty.”

The band is notorious for their live performances and stage presence creating an unforgettable experience that is not to be missed.

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JUSTIN MOORE

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CHRIS STAPLETON W/ SAM LEWIS

andy Houser, the country singer and songwriter, first found success in 2008 with the album “Anything Goes,” which included his first top 5 hit, “Boots On.” The song “Goodnight Kiss,” recently became Houser’s first No. 1 as a songwriter, though he has written numerous hits for artists over the years. “How Country Feels” was his first-ever No. 1 at radio, and both it and “Runnin’ Outta Moonlight” earned RIAA Platinum certifications. All three songs are from Houser’s Stoney Creek Records debut, How Country Feels, which was released in early 2013. Upon release, the title track and lead single sparked a wildfire of accolades and media appearances including: CONAN, NBC Nightly News, NBC Weekend Today, CBS’s “On The Couch,” FOX & Friends, Better TV and many more.

BRIAN WILSON PRESENTS

PET SOUNDS

JULY 23

WEEZER AND PANIC! AT THE DISCO

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s one of the most popular groups to emerge in the post-grunge alternative rock aftermath, Weezer received equal amounts of criticism and praise21qw for their hook-heavy guitar pop. Their music was infused with a quirky sense of humor and an endearing awkwardness that made songs from their debut 1994 “Weezer,” like “Undone (The Sweater Song),” “Buddy Holly,” and “Say It Ain’t So” into big modern rock hits during the mid-’90s. Most recently the band released their tenth studio album, the third self-titled one, aka the white album. Panic! at the Disco is an American pop/rock band from Las Vegas, Nevada, formed in 2004 and featuring the current lineup of vocalist Brendon Urie, accompanied on tour by bassist Dallon Weekes, guitarist Kenneth Harris, and drummer Dan Pawlovich.

Panic At The Disco

SLIGHTY STOOPID W/ SOJA,

oming on the scene with a throwback style that betrayed his years, Pittsburghbased rapper Mac Miller had just turned 18 when he spent 2010 making his name through mixtapes and video-sharing websites.

Born Malcolm McCormick, Miller first used the alias “Easy Mac,” a name referenced on his debut mixtape, 2007’s But My Mackin’ Ain’t Easy. His K.I.D.S. mixtape became his breakthrough when it was released in August of 2010, earning plenty of attention from hip-hop blogs and landing Miller a recording contract with Rostrum Records. Rostrum released his debut EP, On and on and Beyond, and his debut album, Blue Slide Park, in 2011. Kevin Pouya, the 18-year-old rapper known simply as Pouya, has built a strong following on social media.

an Diego, CA’s Slightly Stoopid has announced the dates for their 9th annual coast-to-coast summer tour.

The Return Of The Red Eye Summer Tour will hit amphitheaters and pavilions throughout North America with SOJA announced as direct support for most dates. Zion I, The Grouch & Eligh and Fortunate Youth will also perform on select portions of the tour.

Stoopid’s newest release Meanwhile Back At The Lab plus cuts from albums released over the group’s two-decade spanning career.

This summer’s tour will sweep the Pacific Northwest and West Coast with destinations including Sleep Train Amphitheatre in the band’s hometown of San Diego.

BOYZ II MEN & EN VOGUE

TOUR DE COMPADRES

oyz II Men remains one of the most truly iconic R&B groups in music history.

The geroup redefined popular R&B and continues to create timeless hits that appeal to fans across all generations. Recently celebrating their 20th anniversary this year, the band has penned and performed some of the most celebrated classics of the past two decades. The group’s 4 Grammy Awards are just the tip of the iceberg: throughout their 20year career. En Vogue is an American R&B/Pop vocal group whose original line–up consisted of Terry Ellis, Dawn Robinson, Cindy Herron, and Maxine Jones.[1] Formed in Oakland, California in 1989, they reached number two on the US Hot 100 with the single “Hold On.”, which was taken from their 1990 debut album “Born to Sing.”

EEDTOBREATHE is a Grammy-nominated, rock band from South Carolina, effortlessly woven from the musical traditions of their upbringing in the Deep South. Comprised of brothers Bear Rinehart (vocals, guitar) and Bo Rinehart (guitar, vocals), Seth Bolt (bass, vocals), and Josh Lovelace (keys, vocals), the band quickly achieved cross-genre success via five studio albums and innumerable headline tours. In addition, NEEDTOBREATHE received wide ranging attention from the national media, highlighted by performances on such high profile TV outlets. American musician Mat Kearney has received critical acclaim and widespread recognition for his debut, Nothing Left to Lose.

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FEATURING NEEDTOBREATHE, MAT KEARNEY, JOHN MARK MCMILLAN, AND WELSHLY ARMS

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ZION I AND THE GROUCH AND ELIGH

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83 is one Anthony Gonzalez, hailing from Antibes France, residing in Los Angeles for the last 6 years.

His sixth album, 2011’s Hurry Up Were Dreaming, placed M83 in the direct current of the mainstream, gaining acclaim as Gonzalez’s masterpiece summation of all the elements and influences of his epic space-age future pop. It would also become the record that cemented M83’s mainstream breakout, driven by the global hit single “Midnight City.” Other standout tracks like “Outro” and “Wait” from Hurry Up also became popculturally ubiquitous, taking on a life of their own as musical accompaniment for numerous TV shows and Hollywood blockbuster trailers.

MAC MILLER W/ POUYA

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ast year, Goo Goo Dolls singer and guitarist John Rzeznik was thinking a lot about change. “I was listening to a lot of David Bowie and thinking about how he went from writing ‘Scary Monsters’ to ‘Let’s Dance’ and what an insane, radical change that was. He totally reinvented himself every time. And it dawned on me that that’s what you always have to do.

You have to change.” So when it came time to think about making a new Goo Goo Dolls album, Rzeznik realized that he didn’t want to sit in a room by himself and try to write songs. “When you’ve been doing this as long as I have, you need outside input.” Collective Soul broke into mainstream popularity with their first hit single, “Shine.” They have recorded seven No. 1 rock hits.

JULY 27

SOLD OUT

SPECIAL GUEST COLLECTIVE SOUL

usic legend Brian Wilson has announced a 2016 world tour to celebrate and perform the iconic album Pet Sounds for a final time, in honor of its 50th anniversary. Originally released on May 16, 1966, Pet Sounds is universally hailed as one of the greatest albums of all time. With more than 70 dates confirmed, Wilson and his band will be joined by former bandmates Al Jardine and Blondie Chaplin when they kick off the tour this Spring. Concert stops include dates in Australia, Japan, United Kingdom, Spain, Israel, and Portugal followed by a full U.S. tour later this summer and fall. Fans can expect a live performance of Pet Sounds in its entirety, as well as top hits and fan favorites,

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FRIDAY

MAY 6 6-9 PM First Friday is a free event celebrating local creativity in Omaha's most historic neighborhood.

Ride Ollie The Trolley No Charge!

Visit galleries to explore fresh perspectives and meet the artists.

For event information, go to FirstFridayOldMarket.com or email: mmgmetalsmith@cox.net

MONDAY, MAY 2 Gooch & His Las Vegas Big Band TUESDAY, MAY 3 UNO Jazz Ensemble WEDNESDAY, MAY 4 Bozak & Morrissey THURSDAY, MAY 5 Bob Fields & Swing Time FRIDAY, MAY 6 D*Funk SATURDAY, MAY 7 Taxi Driver MONDAY, MAY 9 Gooch & His Las Vegas Big Band TUESDAY, MAY 10 Billy Troy

WEDNESDAY, MAY 11 The Brits

SATURDAY, MAY 21 The Six

THURSDAY, MAY 12 Finest Hour

MONDAY, MAY 23 Gooch & His Las Vegas Big Band

FRIDAY, MAY 13 MoSynth SATURDAY, MAY 14 Waiting For Weekend

TUESDAY, MAY 24 Billy Troy WEDNESDAY, MAY 25 The Grease Band

MONDAY, MAY 16 Gooch & His Las Vegas Big Band

THURSDAY, MAY 26 Daddy Mac & the Flak

TUESDAY, MAY 17 Spontaneous Combustion

FRIDAY, MAY 27 Hi-Fi Hangover

WEDNESDAY, MAY 18 Bill Chrastil

SATURDAY, MAY 28 Eckophonic

THURSDAY, MAY 19 Hegg Brothers

MONDAY, MAY 30 Gooch & His Las Vegas Big Band

FRIDAY, MAY 20 Charm School Dropouts

TUESDAY, MAY 24 Scott Evans

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art

PHOTOGRAPHY BY DEBRA S. KAPLAN

artbytheletter

BY MELINDA KOZEL

Letters of Recommendations: Learning the ABCs of Art Appreciation in the Metro

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hether you’re intimidated, overwhelmed, out of the loop or just plain don’t know, Omaha’s growing visual art scenes can be challenging to navigate. We’re going to take you through an alphabetic journey to learn about the hidden gems, with helpful tips, and easy ventures to get you out to the galleries and part of the art world.

Adopt Art Omaha “Please Adopt Me,” the tag says on a wooden dog cutout sitting on a park bench. This dog is one of dozens painted by Omaha artists for a project created by art lovers Laura Vranes & John McIntyre. They give notice of a drop-off location on Facebook & a new original artwork can be yours for the taking.

Buying Building an art collection doesn’t have to be scary or expensive!

The first rule is: buy what you like. Don’t worry if it will be valuable. The next rule is: get out and look at art. Different galleries & venues tend to specialize in certain types of art/artists. If you venture to places you aren’t used to-especially if you don’t think you’ll like it--you’ll discover new things to catch your eye. If cost is an issue, look at prints and check out student shows. You’ll usually find a lower price point but good quality.

C(ommunity) S(upported) Art-Membership in Omaha Creative Institute’s newest program includes nine pieces of original artwork from emerging and established Omaha metro artists. As a $300 shareholder in CSArt, you can continued on page 38 y

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MAY SHOWS MAY 5-8

JOE MACHI

MAY 12-15

GREG MORTON

MAY 19-22

MIKE MALONE

MAY 26-29

MIDNIGHT SWINGER

Since moving to New York City to pursue comedy, Joe Machi has; finished 4th on season 8 of NBC’s Last Comic Standing, performed stand up on Late Night with Jimmy Fallon, became a regular on Red Eye with Greg Gutfeld on Fox News, & won the 2013 NY Comedy Festival’s Funniest Comedian Competition as well as the 2010 NY Underground Comedy Festival’s Emerging Comics Competition.

Is it cheesy to say that Greg Morton is an “animated presence” when performing? It isn’t, if his many cartoon credits are taken into account. He has worked for Hanna-Barbera on The New Flintstones & The Scooby and Scrappy Doo Show & directed ABC’s Hammerman. Greg mixes a vast array of voices & facial reactions with content that can be a bit risqué. He’s been known to impersonate Mick Jagger, Tina Turner, Prince, & even Madonna!

Michael Malone is a performer who delivers heavy-hitting punchlines with the weight of a veteran. Best known for his Top-10 selling comedy album and his “rubber face,” Malone is a force to reckon with. His blistering humor and irreverent views on life, love and personal tragedy have earned him recognitions such as Campus Activities Magazine’s Top Comedy Performer of 2013 and “Hot Comic to Watch in 2013,” and winner of the prestigious 33rd Annual Seattle International Comedy Competition in 2012.

Call him cocky, call him confident, but never call him dull. The Midnight Swinger erupts onto the stage like the volcano in front of the Mirage Hotel in a fresh & original, over the top event that has been called “sharp-witted,” “clever” & “classy.” Putting the show back in showman, The Midnight Swinger combines the style and cool of a 60’s Las Vegas performer with the flash and excitement of a 21st century Super Bowl halftime extravaganza.

JUN 2-5

ROB LITTLE

JUN 10-11

JOEY DIAZ SPECIAL ENGAGEMENT

Omaha Performing Arts Presents

Having established himself as one of the funniest, most progressive, new comedians in the country, it’s easy to understand why bookers call him “The Future of comedy with more contagious energy than the Energizer Bunny.” The Detroit Free press selected him as Michigan’s “Best Up & Coming Comedian,” & he earned the title of “finalist” in both the Seattle & San Francisco International Comedy Competitions. Rob was also selected as a feature performer at the Chicago Comedy Festival along with the Boston Comedy & Movie Festival.

Joey Diaz got his start in comedy while serving a short stint at a correctional facility in 1988. While there, if the movie projector wasn’t working, he would do stand up to fill the time.

Learning he had skills to make an audience laugh, he pursued comedy after his release & begun performing at an assortment of comedy clubs. Diaz continues to tour & perform at the biggest comedy clubs in the country. Diaz’s raw style of comedy is highlighted with recurring sketch roles on Stand Up Revolution & Jimmy Kimmel Live.

“Not your grandmother’s Tupperware Party!”

- NBC Today Show

June 2 - 5, 2016 Holland Center | Scott Recital Hall

TicketOmaha.com | 402.345.0606 ADULT CONTENT WARNING: Contains strong adult content and language. For mature audiences only.

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build your collection and support artists directly. This year’s first go at this sold out in an hour, so be ready for next spring’s new group.

Drink & Draw This group holds monthly events open to people at all levels. They provide live figure models and an opportunity to meet and get feedback from other artists. Sometimes there’s even a theme to keep it interesting.

Often held at the Apollon Art Space; you can find their events on Facebook.

Economic Impact Did you know that Omaha’s arts community contributes $90 million in direct expenditures, affecting 3,431 full time jobs, and contributes $9.1 million to local and state government- approximately half of the state’s arts economic activity. For every arts job created in America in 2012, an additional 1.62 positions outside of the arts were created as a result.

Artists are job creators and every time you attend shows and enjoy what your city has to offer, you help support a tremendous component to our economy.

Fashion Step away from the khakis! Talented designers are abundant in Omaha-many are graduates from local colleges & universities. Omaha Fashion Week has boasted nine years of introducing local talent and you can find their unique and affordable products in stores like Curbside, Hello Holiday, True Blue and online at Etsy.

Giving Omaha Gives is an annual online fundraising event hosted by the Omaha Community Foundation. There are 28 visual arts nonprofits alone that you can donate as little as $10 to. It’s amazing how dollars add up to help these organizations carry out their missions. Take part on May 25!

Hundred Dollar Auction If you’re still sad about being outbid for Rothko’s No 6 (sold for $186 million), then maybe this isn’t for you. But if you like collecting local art at an unbelievable price, then checking out one of the $100 art auctions at The Union for Contemporary Art or Project Project may be right up your alley. These fundraiser events draw work from both emerging and well-known area artists, so it’s the best opportunity to snag something really special. Be prepared and go early, though; pieces can go quick.

Independent Curators You may think of the curator as a mastermind who pulls the strings and produces the exhibits you love. Well, that’s true but

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a curator’s job involves a lot of support, a lot of labor and a lot of love for art.

Outside of galleries & museums, independent curators are working with venues to put on exhibits that may not have a home in a traditional space or within a traditional schedule.

Jobs in the Arts The idea of a starving artist is really outdated. Arts organizations are growing every day and jobs in the arts are as numerous as ever before. You can create art & sell it through galleries and commissions. You can support artists by being in administrator for a nonprofit. You can teach, organize programs, fundraise, design marketing materials and more.

Kent Bellows Studio This mentor program works with about 50 high school students each semester to build technical skills & build their portfolio.

Student exhibitions run every April/May (ends May 14!), August and December. Their annual fundraiser, Wishbone, takes place in March and is a great opportunity to support this program while interacting with the students.

Lake & 24th Streets A visit to this ever-growing corner in North Omaha lets you in on a mixture of art and spoken word with the residencies at Carver Bank, a night of music and performance by African American artists at Love’s Jazz & Art Center, and an abundance of youth and community programs at the Union for Contemporary Art. Memberships Want to really support artistic endeavors and get access to all the best stuff? Buy memberships to your favorite nonprofits. Benefits can range from free parking to class and ticket discounts to party invites all the while helping them put on programs that keep art going in Omaha. The Union for Contemporary Art’s unique Co-Op membership lets you have access to their dark room, screen print and ceramic studios, and wood shop with assistance from their staff.

New Media It’s not a painting or sculpture or photograph. New Media tends to be a catchall of any art form that doesn’t fall into a traditional category. You might find video & digital work, sound or performance here. Next time you’re viewing one of Jamie Hardy’s light installations, for example, think continued on page 40 y

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about the experience you are having with the medium-not necessarily what you are seeing.

Openings If you’re intimidated by galleries, opening night for exhibits is one of the best opportunities to check out new art. The movies always depict them as snooty but they’re fun, free and usually offer up good snacks. Plus you can talk to the artists & hear their own words or blend in to the crowd if you want. Look for openings on First Fridays in Benson, Old Market and some Midtown locations. Friday 2 (2nd Fridays) on Vinton Street. Other galleries have openings throughout the month.

Pop Ups You may have heard about pop ups for children’s books & ramen noodles, but pop ups have their place in visual arts, too. Shows can be as short as two hours to two days, like the May 20 1-night only event at Cali Commons hosted by Random Arts Omaha.

Questions They always tell you art is subjective-and it’s true-but your opinions and knowledge can get a boost when you approach it asking these questions: How does it make me feel? What does it make you think of? Why do I think the artist did that? Have your kids go at it with the same approach, too!

Re-Installing What’s old is new again. The Joslyn Art Museum’s European Collection is getting a new look this year thanks to curator Dana Cowen.

By bringing up items from storage and adding in new pieces, this collection of 16th & 17th century master works will give a fresh look to the European wing.

Studios Seeing into artists’ studio spaces gives you a chance to see how they work and an opportunity to get to know them better. Individual artists and organizations that support often hold open studios where you are welcome to come in and have a look. Hot Shops Art Center is 3 floors of artist studios that you can wonder through. Building relationships with artists is the best way to follow their career, have access to their new work, and support their efforts.

Try it Yourself Need some baby steps to get into art making? Take a sketchbook and head to your favorite places. Go ahead and copy that Rembrandt at the Joslyn, take photos at the zoo. When you’re feeling a little more confident, you can find beginner-level classes at the Union Co-op, Omaha Creative Institute and even through Metro Community College.

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art

Underground A plethora of talent is popping up in non-traditional venues using non-traditional mediums. Underground art emerges outside of traditional galleries and museums and supports new artists with opportunities for shows, mural work and graphic projects. The annual Abstract Concrete Graffiti Throwdown is held in the parking lot of the Bancroft Street Market in August and has teams of spray artists competing against the clock to create original work on concrete traffic barriers.

Volunteering here are lots of ways to support art organizations by being a volunteer. Find your favorite nonprofit and learn about ways you can help.

You can do anything from provide snacks to Kent Bellows sessions to taking tickets at Film Streams to helping set up Bemis’ big fundraiser.

Walking Tours Public Arts Omaha has supported art projects across our city since 2009. You can stay informed of organized tours or do one on your own. A 22-piece tour is designed and available on their website or download the Public Art Omaha mobile app. waX This unassuming product is finding its way into several Omaha artists’ portfolios. Used with pigment in Encaustic painting or to create a surface for mixed media, the textural result can create complex and beautiful works. Look for Lori Elliott-Bartle in her studio at Hot Shops, Jody Boyer teaching at UNO, Metro or at Norris Middle School and Margaret Berry who offers workshops to the public.

Young Art Patrons Joslyn Art Museum offers a membership level designed for those in the 20-40(ish) range. The $100 (for 2 people) membership gets you free and reduced access to the YAP Field Trip, Art Crawl, Art Class and Glow in the Garden party in addition to all of Joslyn’s member benefits.

It’s a great way to experience Omaha art and meet new people.

Zen & the Art of Art Appreciation It’s why you doodle when you’re on the phone; it’s why you get lost in a Jackson Pollock; it’s why you show off your newest purchase to your friends. A happiness, a satisfaction, a distraction, a way of communicating — art is all of those things and more.

“Art washes away from the soul the dust of everyday life.” Pablo Picasso you the best. ,

E OLIBA Welcomes New Member

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Think of us as your sales, marketing, and advertising partner that offers the highest quality business and consumer data, and marketing services (like email and direct mail campaigns, search engine marketing, and more) that turn that data into new customers for your business. For more information about Infogroup please visit www. infogroup.com.

| THE READER |

MAY 2016

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eat CHISHOLM FAMILY FARMS AND ORCHARD HILL CREAMERY

PHOTOGRAPHY BY DEBRA S. KAPLAN

meetyourmarketers

Farm Focus: The Reader Introduces a Few Farmer’s Market Favorites

W

arm Omaha weekends will always include a trip to either the Old Market or Aksarben Farmer’s Market. Strolling along the stands, meeting old and new friends, and finding fun ways to use unfamiliar produce is all part of the sweetest summer memories for me. In addition to the superior flavor of sun-ripened heirloom food, it is an adventure to learn more about the people responsible for growing and nurturing the food that nurtures you. Learning that the purchase of local tomatoes directly funds a child’s ballet lessons, pays health insurance for the farmer’s families, and ensures next season’s crop, makes salad so much more gratifying! This month, The Reader would like to introduce you to a few of the producers you will meet at this year’s Farmer’s Market.

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eat

BY SARA LOCKE

Chisholm Family Farms and Orchard Hill Creamery 1875 D Road in Unadilla, Neb, www.orchardhillcreamery.com Saturdays at The Old Market Farmers Market Sundays at Aksarben Farmers Market

Laura Chisholm wakes early every day to tend to the cows lazily grazing out in the pasture of the family farm just this side of Lincoln. Nestled on 160 acres, the Chisholm’s property is home to a herd of Jersey cows which consume legumes, clover, and native grasses, resulting in a nutrient dense, certified natural, rich milk continued on page 44 y

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MAY 2016

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SHADOWBROOK FARM

GENE’S GREEN THUMB y continued from page 42

product. The flavor and consistency of their dairy items are the byproduct of healthy, low stress cows. Laura dons a hairnet and a dynamite pair of dimples as she slaves over large pots, concocting cheeses for the family’s other venture, Orchard Hill Creamery. She chats as she hand cuts and marinates cheese, churns fresh ingredients into her ice cream, and carefully crafts and cultures yogurts to sell online and at their country store, which is open from 10-4 on weekends. In addition to their dairy items, the store sells Up-cycled items, natural skincare, bath products, healing salves, Young Living Essential Oils, crafts, art, and more.

ShadowBrook Farm

2201 West Denton Road www.shadowbrk.com Saturdays at The Old Market Farmer’s Market Sundays at Aksarben Farmer’s Market

On a 34 acre vegetable farm in Lincoln, Charuth (Charlotte Ruth) Loth cuddles close to her kids. Her smile beams as she lovingly strokes the back of one, as another hops up onto her knee and gently headbutts her. It’s easy to believe that love is the secret ingredient to the delicious goat’s milk products they sell under the Dutch Girl Creamery Artisan Cheese label. 12 of their 34 acres are dedicated to growing alfalfa for their precious goats, who graze happily and

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produce a superior product under the care of the Loth family. Certified Organic from 1998 until this year, when late paperwork was tantamount to a lost certification, the Loth family maintain the same procedures as they did in years when they were successfully certified. 100% non-gmo, the family uses only natural methods for growing and producing their exceptional wares.

Gene’s Green Thumb

903 Cedar Creek in Louisville, Neb. www.facebook.com/ggthumb Wednesdays at The Papillion Farmer’s Market Saturdays at The Old Market Farmer’s Market Sundays at Aksarben Farmer’s Market

Gene Sivard has a relationship with the soil where he plants green onions, kale, kohlrabi, corn, cabbage, and whatever else turns him on at the moment.

A trip to his Louisville farm will find the gregarious man on his knees, literally thumbs deep in dirt. He connects with his land like it’s family, and the lush fields of green are testament to this level of devotion. A trip with the family to pick radishes in the spring, broccoli in the summer, or pumpkins in the fall will give you a new sense of appreciation for the love and labor that brings your tomatoes to your table. continued on page 44 y

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| THE READER |

MAY 2016

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RHIZOSPHERE

URBAN FARMER

GRANDPA’S FARM y continued from page 44

Grandpa’s Farm

3672 168th S.t in Honey Creek, Iowa www.grandpasfarmllc.com Order online or at Saturday’s Old Market Farmer’s Market

Located on 150 acres in Honeycreek, Iowa, Grandpa’s is the epitome of family farming. Children rest against giant, wooly Katahdin sheep as they laze in the warm afternoon sun. Strong women in muddy jeans and strapping men in flannel walk the vast property, tending the flock. Cows graze peacefully as chickens roam the property like it belongs to them. A lamb born early is not left in the barn to fight for its life, it’s brought into the family’s home for bottle feedings and the tlc it needs to pull through. When you patronize Grandpa’s, you’re treated almost as well as their beloved animals, and it’s enough to feel like a member of the family.

Urban Farmer

1616 N St. Sundays at Aksarben Farmer’s Market

When you think of a successful farm, acres of lush green surely spring to mind.

Urban Farmer Gary Sheller bucks this trend with his local (read: just down the

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street) growing operation. The self-proclaimed “old hippie” grows his wares in a Mylar hothouse he built himself on 16th and N st. His long white beard blows in the breeze as he quietly focuses on the tender seedlings in his homemade greenhouse. Friendly and relaxed, Sheller proves that getting back to the roots of the matter doesn’t have to be a gargantuan undertaking.

Rhizosphere

3306 Lima Trail in Missouri Valley, Iowa www.rhizospherefarm.org Saturdays at The Old Market Farmer’s Market Sundays at Aksarben Farmer’s Market

Ask the owners of Le Bouillon, Dante, Grey Plume, La Buvette, Boiler Room, Kitchen Table, Over Easy, V.Mertz and Localmotive about their successes and they will instantly credit the quality of their ingredients. With 35 varieties of heirloom and organic vegetables to supply these amazing eateries, Matt and Terra Hall remain humble about their incredible contribution to the Omaha food scene. Their focus is on healing the land and healing bodies through clean practices and clean products. Beyond your standard farm fare, the Halls have visions of fruit trees, chickens, ducks, berries, beehives, and much more.

Their model includes nurturing and building the soil, crop rotation and divercontinued on page 48 y

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MAY 2016

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MELIA VALLEY GARDENS

y continued from page 46

sity, and educating others about sustainable and organic farming practices. A visit to the farm may find the adorable couple spreading fertilizer by hand, a Terrapowered tilling machine, and the two basking in the beauty of their silent partner.

Located in beautiful Loess Hills in Missouri Valley, Iowa, the Halls have planted roots and are ready to see a real-food revolution take place.

Melia Valley Gardens

15101 S. 234th St. Saturdays at The Old Market Farmer’s Market Sundays at Aksarben Farmer’s Market

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Known widely for their generous food donations to worthy causes, the Andersons of Melia Valley Gardens are fond of getting their hands dirty. Matt and Linda have spent the last 19 years focusing on their produce grown just north of Highway 6 on 234th st. The handsome couple use their free time seeking more opportunities to serve their community, and lace all of their actions, from digging dirt to preparing a meal at a local church, with deep love for feeding their neighbors.

When you shop at any of Omaha’s incredible Farmer’s Markets, join a CSA, or order from any of the vendors online, you’re not buying some CEO a 4th yacht to name after his 4th wife, or fueling a private jet whose owner pays his pickers slave wages. You’re buying sustainability, health, and you’re keeping the lights on for a family who only wants to bring you the best. ,

PRESENTED BY

| THE READER |

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music

BreakingBenjaminisback And Benjamin Burnley isn’t sorry

B

en Burnley, lead singer of Breaking Benjamin, is sitting in his tour bus on a Friday afternoon during an unseasonably cloudy day in Orlando, Florida. As he answers questions, he’s watching small lizards run around outside the window. “There’s another one,” he said, somewhat excitedly, as he waited for the sound of the typing to stop. “They’re all over here.”

The day before we spoke, the sad news of Prince’s death had resounded across the internet. Burnley said that while he wasn’t the biggest of fans, the news was incredibly sad.

“When I hear things like that, the first thing that pops into my mind is, ‘Was it avoidable? Is there anything that could have stopped it?’”

He said it reminded him of being in the studio working on “Dear Agony” when Michael Jackson died.

“It’s reminiscent of that, kind of ‘gone too soon’ type of thing,” he said. “Both of them, I’m sure, could have been avoided.”

Those words seemed prescient as more details came out about Prince’s death.

For Burnley, though, the death of Prince didn’t have nearly the impact as the death of some other legends.

“David Bowie, I think, of all of the recent artists that passed, has influenced me in some way or other.”

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B Y TA R A S P E N C E R

But Burnley said Freddie Mercury and Kurt Cobain had the greatest impacts on him, both personally and musically.

“Those are like, my top two influences and they’re both deceased.”

He said he feels like he’s a part of the “offshoot” generation that wasn’t really counted. Influenced by bands like Nirvana, Korn and Tool, but too late to be considered a part of that era.

“I basically idolized Kurt Cobain,” he said. “Like, I would wear his clothes if I had them.”

When he was a teenager, Burnley said, he dressed like Cobain, he learned all of his songs, trying to sing and play just like him. And that was where he really started to get into music more.

Though in a rather roundabout way.

“There was a big cover scene happening in Northeastern Pennsylvania, where a cover band could make a lot of money playing on the weekdays and on the weekends,” he said.

Burnley said that’s how the first incarnation of Breaking Benjamin got started, just playing cover songs in local clubs. As they got more popular, Burnley started adding some of their original songs to the sets. He said people would come up after sets to tell him they really liked “that one song” but they didn’t know who it was.

“It got to the point where people wanted to hear my own original music more than they wanted to

hear the covers, so it just transitioned into an original band, really, by what the fans wanted to hear.”

There have been a couple different lineups of Breaking Benjamin over the years, but the biggest change took place in 2011, when Burnley fired the rest of the band. As the primary songwriter, he was able to do that without really being afraid of what might happen. He said he would guess we wrote “about 95 percent” of the music, so he knew the sound wouldn’t be different, because the writing process didn’t change. Clearly, the effect hasn’t been too negative, considering their new album, “Dark Before Dawn,” is almost gold.

As far as touring goes, Burnley said they’ve been having a great time, even adding dates as they go.

“With the old members, it wasn’t an enjoyable experience for me,” he said. “I don’t really care if people disagree with things I say, and every time I talk about the old members, there’s always someone who disagrees with what I’m saying,” he said.

“It’s not that my way is better, or anything like that,” Burnley said. “It’s just that I can’t put my heart and my soul and my voice to things that I don’t believe in.” , You can hear Breaking Benjamin’s new album when they come to Omaha’s Sokol Auditorium, 2234 S 13th St. Friday, May 6. Show starts at 8 p.m. Tickets are $39.50 ADV/$40 DOS.

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MahaMusicFestival A

few people have asked what I think of this year’s Maha Music Festival line-up, which was announced last month. The bottom line: It doesn’t matter what I or anyone else thinks of the line-up as long as it

sells tickets.

This isn’t an art show, it’s a rock concert, and the decisions made by the talented board of Maha, while taking into consideration the quality of the bands and their music, very likely also considered how well the bands would draw. What are the bands’ “metrics”? How well does the band do in Spotify? How many Facebook fans does it have? What is its track record at other festivals? How big is its YouTube presence? Does the band have strong “buzz” — whatever that means? And so on.

Add to all that this very important question: How much will it cost to book the bands?

If someone were to ask me to curate a music festival, two things would happen: 1) Either virtually no one would show up, or 2) The bands would cost well north of a million dollars.

In the first instance, while I’d select bands respected in the indie community, they would likely be unknown beyond the 300 or so who are ensconced in the local indie music scene, or I’d select bands like Beck or Arcade Fire or LCD Soundsystem that demand a bazillion-dollar contract. Either way, my festival would lose money.

So, no it doesn’t matter what I think of the line-up. Or what some snobby guy or gal who’s really into garage rock or ’80s ambient bands or obscure Euro-dance acts or ancient glam bands thinks, especially if that guy or gal has never bought a ticket to past Maha festivals. What matters is that the thing sells tickets. And this line-up looks like it’ll (probably) sell a lot of them.

Passion Pit is this year’s headliner. I saw them perform at South by Southwest early in their careers, back when frontman Michael Angelakos and his band were still lost in the blur of acts that sound like Vampire Weekend and Phoenix and MGMT. I didn’t keep up with them, other than noticing their song “Take a Walk,” was turned into a Taco Bell commercial. I

Younger, Dancier and Headed for a Sell Out?

BY TIM MCMAHAN

couldn’t tell you the name of their last album or if a local radio station plays their music.

But I assume they have very strong “metrics” or they wouldn’t be the headliner, and lo and behold, taking a look at their Spotify numbers, their 10 “popular” tracks in Spotify have a total of just under 300 million plays.

Grimes, who is sort of a co-headliner at Maha this year, has a lot fewer Spotify plays. Her top-10 tracks have a total of just under 100 million plays. I also seen Grimes perform at SXSW a few years ago, right around the release of Visions, her 2012 breakthrough album. She played on top of a parking garage a few blocks north of 6th St., a performance that consisted of her standing behind a laptop computer with a guy playing guitar.

I assume she’s picked things up a bit since then.

Passion Pit, who started out on Frenchkiss Records, is now a major-label (Columbia) pop act that plays a glossy style of dance music. Grimes’ last album came out on respected largeindie 4AD Records. I personally wouldn’t consider either of them dance bands, but that’s what they’re being marketed as, and clearly more people will be dancing to them then, say, Deathcab for Cutie, last year’s Maha headliner.

Matthew Sweet and Jay Farrar appear to be nods toward the older Maha fan. Sweet has a rich back catalog and is from Lincoln. Farrar, a former member of Uncle Tupelo, is known for his work in Son Volt, and will be playing that band’s album, Trace, which came out more than 20 years ago (Matthew Sweet’s Girlfriend album was released 25 years ago).

I literally heard the name Vince Staples for the first time in conjunction with Maha. I’ve heard not a single note of his music, but when it comes to modern hip-hop, the only games in town for me are Kendrick and Kanye. Part of the fun of festivals is being introduced to new music. I’d never heard of Matisyahu prior to his appearance at Maha a few years ago (and, honestly, haven’t listened to him since).

Then there’s The Joy Formidable, a London-based alt rock band that records on major labels Atlantic and Warner Bros.

What can I say, I’ve only seen or heard them on TV. As an

indie music fan, they’re out of my wheelhouse, but I’m looking forward to hearing them live.

Then we come to the festival’s sweet spot, for me, anyway.

Car Seat Headrest, Diet Cig and See Through Dresses are young, important indie rock bands, all of whom have played before in small clubs in Omaha. CSH recently played at Lookout Lounge. Diet Cig was scheduled to play The Slowdown the first week of May and STD is, of course, local heroes who are breaking nationally. These are the bands I’m most excited to see. Combined, they probably couldn’t sell out The Waiting Room, so hats off to Maha for taking a chance on them.

The other locals, Josh Hoyer & Soul Colossal and CJ Mills, uphold Maha’s fine tradition of booking quality local acts, though it seems Maha books fewer and fewer local bands as the festival grows.

Finally, Diarrhea Planet is band I’ve seen perform in Austin, years ago. Back then they were sort of a power-pop-punk act. Their novelty-flavored name will raise eyebrows among the Maha sponsors, but, let’s face it, their name is their most offensive attribute.

The buzz before yesterday’s announcement was that Maha is reaching toward a younger, more dance-loving audience.

Maybe, maybe… I don’t view any of the bands on the bill to be dance-focused acts, though they certainly have a more lively beat to their music than some of the previous Maha acts.

As for skewing “younger,” how is this line-up skewing any younger than last year’s bands like Alvvays, Speedy Ortiz or Purity Ring?

Will it sell out? We’ll have to wait and see, though if it does, demand for tickets likely won’t be much higher than last year’s sell out. Maha seems to be settling in on Stinson Park and a sub10,000-sized audience. And there’s nothing wrong with that. , The Maha Music Festival is Saturday, August 20, noon to midnight at Stinson Park in Aksarben Village. Tickets are $55 for general admission; $185 for VIP packages. For more information go to mahamusicfestival.com.

PASSION PIT

SEE THROUGH DRESSES

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53

ing an annual stop in Omaha. Catch The Cate Brothers Thursday, May 26. Harmonica virtuoso Jason Ricci and his band The Bad Kind are another important act to catch, Saturday, May 28.

Thursday shows are 6-8 p.m. and Saturday shows are 8-11 p.m.

arkansasentertainershalloffame.com

Zoo Bar Blues

hoodoo soulfulbros: The

CHIP DUDEN

soulful, chart-topping Cate Brothers make a rare live appearance at The 21st Saloon Thursday, May 26, 6-9 p.m.

Earl Cate (L) and Ernie Cate (R) lead one of the most phenomenal roots bands you’ll see live.

HOODOO focuses on blues, roots, Americana and occasional other music styles with an emphasis on live music performances. Hoodoo columnist B.J. Huchtemann is a senior contributing writer and veteran music journalist who received the Blues Foundation’s 2015 Keeping the Blues Alive Award for Journalism.

Follow her blog at hoodoorootsblues.blogspot.com and on www.thereader.com.

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getonup&Out M

ay kicks off what looks to be an abundant summer of live music. Lincoln’s Bourbon Theatre has a bunch of cool shows recently announced including J.J. Grey & Mofro Sunday, May 8, 8 p.m., plus Buckwheat Zydeco June 3 and Tab Benoit July 13. Lincoln’s Rococo Theatre presents the always-phenomenal Lyle Lovett & His Large Band Saturday, July 16.

One Percent Productions is delivering great shows nightly. Some roots highlights coming up include Lukas Nelson & The Promise of the Real Tuesday, May 17, 8 p.m., and The Devil Makes Three Wednesday, May 25, both shows at the Waiting Room. Also notably on the horizon.

Omaha Performing Arts hosts Harry Connick Jr. Tuesday, May 10, 7:30 at the Orpheum. They also have James Torme, performing jazz in the tradition of his father Mel Torme, Friday, May 6, at The 1200 Club. Music icon Diana Ross performs Friday, July 22, at the Orpheum.

Of course there will be plenty of outdoor shows to enjoy, including two great Playing With Fire shows Saturday, July 2, with headliners Sugaray Rayford and Nick Schnebelen and Saturday, Aug. 27, with headliner Walter Trout. The Pinewood Bowl and Stransky Park series in Lincoln offer lots of great entertainment as does Omaha’s annual Jazz on the Green series.

MAY 2016

| THE READER |

Lincoln’s Zoo Bar keeps on delivering great artists also, including the great multi-instrumentalist David Lindley Tuesday, May 3, 6-9 p.m., Shawn Holt & The Teardrops Wednesday, May 4, 6-9 p.m., and Toronzo Cannon Friday, May 6, 5-7 p.m. Josh Hoyer & Soul Colossal funk it up Wednesday, May 11, 6-9 p.m., and Earl & Them are back Friday and Saturday, May 13 (5 p.m.) and 14 (6-9 p.m.). Earl is Earl Cate of the Cate Brothers. Gracie Curran & her High Falutin’ Band play Wednesday, May 18, 6-9 p.m.

Billy Bacon is back Friday, May 27, 5-7 p.m.

Hot Notes

Don’t forget Lippy’s BBQ in Malcolm, near Lincoln, hosts their annual blues fest Saturday, May 28, with some top local talent including Hector Anchondo Band, Tijuana Gigolos, Kris Lager Band, Josh Hoyer & Soul Colossal and Tim Budig Band plus Billy Bacon & his Porkestra.

Kris Lager Band’s annual HullabaCruise on the River City Star sets sail Friday and Saturday, May 13 and 14. Get details and tickets at krislagerband.com. ,

Club shows, theatre shows & outdoor shows bring sensational live music to savor & shake your hips

BY B.J. HUCHTEMANN

21st Saloon Blues

So while all the outdoor opportunities to take in live music and bigger shows are available, don’t forget that the clubs that bring you live roots music week in and week out are still bringing great music to town in the best place to see it: up close and personal.

The 21st Saloon hosts the long-anticipated return to the metro of the incredible soul-blues vocalist Curtis Salgado, the singer-songwriter-bandleader is touring in support of his April-release, The Beautiful Lowdown (Alligator). Mark your calendar now for Tuesday, June 7, and Salgado’s always-transcendent appearance. It’s a co-production with the Blues Society of Omaha, see omahablues.com for details.

Meanwhile the rest of The 21st schedule shapes up with Shawn Holt & The Teardrops Thursday, May 5. The head-turning soul vocals and guitar style of Chicago’s Toronzo Cannon, one of Alligator Records’ new artists, is up Saturday, May 7. Eric Steckel is continuing the electric blues-rock guitar tradition, see him Thursday, May 12. Homegrown soul-funk-blues heroes Josh Hoyer & Soul Colossal hit the stage Saturday, May 14. Gracie Curran & her High Falutin’ Band are back Thursday, May 19. Mark your calendar now for the return of one of the most stellar bands you’ll have the chance to see all year: The Cate Brothers, who have wowed audiences with what is becom-

hoodoo

breakingout: Chicago bluesman

Toronzo Cannon hits Omaha and Lincoln with his soulful vocals and fiery guitar in support of his first Alligator Records CD, The Chicago Way.

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| THE READER |

MAY 2016

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4/7/16 2:48 PM

overtheedge

Home Sweet...Move?

The Reluctant Expatriates

BY TIM MCMAHAN

I

was all set to write yet another flaming political diatribe about the current presidential primary cycle, but my heart just ain’t in it.

Prince’s death last week has thrown a pall over politics. Or maybe I’m just getting bored by the whole thing. After months of primaries, we pretty much know who the candidates are going to be, barring any historical actions at the GOP convention.

Bernie Sanders yesterday (AprWil 25) began to sound like he’s about to concede, and his people are saying that his “movement” will make its mark on the convention platform. And while Donald Trump could get a taste of his own bullying by being pushed off the ticket at a contested convention, it seems unlikely (at least to me) that the Republicans would commit political hara-kiri by placing anyone else on the ticket but Trump, who has enjoyed massive victories in primaries and caucuses throughout the country, not the least being a landslide in New York. As of this writing, he’s poised to sweep the remainder of the Eastern Seaboard states that will be voting on another Super Tuesday.

So the whole thing is getting boring. Especially since Trump has been muzzled by handlers and his family, who are desperately trying to get The Donald to sound “presidential.” Gone are the daily verbal landmines Trump either casually or purposely stepped on only weeks ago. I haven’t even heard him say anything about The Wall since March. Trump’s only heated rhetoric these days is boasting that the primary system is “rigged” and Ted Cruz is bribing delegates to come to his dark side.

And no one cares about that, right? I figured people were finally settling in on an inevitable Hillary Clinton vs. Trump contest when I overheard the following recently in a Benson bar while the delegate count was flashed on an overhead TV: “Where are you moving to once Trump becomes president?”

“I don’t know. Sherri and I are looking at Calgary, right along the border. We’d like to move to Vancouver but we’d never be able to afford it on teachers’ salaries.”

“I hear ya. We’re thinking Mexico. With the whole border thing happening, we figure their economy will go even further into the tank, and with the devalued peso, our savings will allow us to live like kings…”

I know what you’re thinking: Didn’t we hear all this before when George W. Bush ran for president in 2000? I distinctly remember film director Robert Altman (M.A.S.H., Nashville, The Player) boast that if Gee Dubya won the election, he was high-tailing it to France. I quietly laughed to myself, but at the same time understood what he was feeling. We were coming off eight years of Bill Clinton high times with Al Gore waiting on the doorstep of the White House, and here was Bush Jr. about to sneak in through the back door.

It was shortly after baby Bush easily won his second term that I had a chance to conduct a one-on-one interview with former Sen. Bob Kerrey, in town for one reason or another. We met at a North Omaha grade school surrounded by tiny desks and tiny chairs. At the time, Kerrey, who had suffered his own failed run for the Oval Office back in ’92, had left Washington.

We talked for 15 minutes about one policy or another. I still have the cassette tape of the interview around here somewhere. When it came times to wrap things up, I confessed that I was losing all hope in the system. How could someone as inane as Bush get the nod for a second term? Wasn’t Kerrey as frustrated as the rest of us?

Kerrey just laughed and said something about how politics were like a pendulum and how eventually that pendulum would swing back in the Democratic direction.

And that we shouldn’t give up on the system and blah-blah-blah. He was right, of course. Bush and the Republicans would eventually leave the White House, but not until after the country had been crippled in the wake of two wars and a Wall Street scandal that would drive the economy into a very long, deep recession.

Now people are talking again about leaving the country, this time if Trump wins the election, and while it’s easy to laugh it off as hyperbole, over the years I’ve known a few people who moved out of Nebraska partially due to the state’s ultraconservative political climate. They headed to Portland or Los Angeles or New York City — places where they could surround themselves with like-minded people.

Their decision to escape Nebraska wasn’t driven by the politicians — it was driven by the people who put those politicians in office. “I’m not one of you,” they said. The same attitude applies to the current state of national affairs.

Those liberal idealists with their big talk about moving to Canada or Mexico or Europe aren’t being driven out by Trump. Instead they’re questioning if they belong in a country where the majority of voters would agree to putting a person like Trump in charge of their country — a person whose core ideas about race, gender and war goes so completely counter to their own ideas.

Maybe they’re not so crazy after all, but we all know that in the end, none of them will make the move if Trump gets elected. Just like Altman. He never moved to France. Instead, he ended up dying in West Hollywood surrounded by his people. I guess he realized, no matter who’s in charge, there’s no place like home. , Over The Edge is a monthly column by Reader senior contributing writer Tim McMahan focused on culture, society, music, the media and the arts. Email Tim at tim.mcmahan@gmail.com

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| THE READER |

over the edge

| THE READER |

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TwitterWars Why Hollywood screenwriter Max Landis hates me

B Y R YA N S Y R E K

O

n two separate occasions, I was called a troll by screenwriter Max Landis, the son of legendary director John Landis (Animal House, The Blues Brothers). Before we get to the “why” of that, and why I’m just so incredibly proud that it happened, we have to (potentially legally) start with a caveat.

What follows here is my personal recollection and reaction to a series of events that unfolded on Twitter. At no point and time was I representing The Reader as a publication during those events. Even now, while you’re reading this on The Reader’s site or in one of those…weird whatchamacallit things with the paper and ink, this is just my personal thoughts, views and recollections.

See, I’m a critic, not a journalist. There’s a major difference. I’m a semi-professional “opinion-haver,” not someone meticulously researching factual claims. Honestly, Max Landis could shit rainbows for all I know. Actually, that might literally be a thing… Look him up on YouTube. In real life, he could be everything good and right in this world. I very, very strongly doubt that, but it’s possible. However, the interactions we had on two separate occasions speak to larger culture issues that are unfolding and point to deeper conversation that’s happening about inclusivity, intellect and art. And it’s happening on Twitter. So it’s happening in real time, a fact that makes it very difficult to catalogue, research and store for future discussion. All that said, I believe what went down (twice) is so illustrative and important, I’d really like to talk about it.

But, Max, if you’re reading this (which I know you’re not): I was serious the many, many times I invited you to contact me on a more personal level. I will literally pay good money to sit down in a room with you so that we can talk while staring at each other in the eye parts. I want to know what that conversation would look and feel like. Because all I know right now is how the dialogues we had online looked and felt (again, not objectively

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were, but how they looked and felt to me). So let’s talk about those.

Shortly after Star Wars: The Force Awakens came out, Max (I’m calling him that to distinguish him from his much more well-recognized father, who has earned the reputation associated with the last name Landis) called the lead character, Rey (Daisy Ridley), a “Mary Sue.” For those who don’t know, the simplest and most objective explanation for that term is that it refers to a female character in fan fiction who is, basically, “too good to be true.”

There’s a shitpile of subjectivity that goes into understanding the dense and loaded term, but everyone generally agrees that it is used to refer to a woman in fanfic who is “over-skilled” or “over-idealized.” Max repeatedly reiterated that the term is not inherently derogatory…

Literally, the first line in the description on TVTropes.org is “Mary Sue is a derogatory term primarily used in Fan Fic circles.” To many, including myself, Max’s claims that the term is not offensive by nature bore a good comparison to people who proclaim “I’m not racist, but…” and then say something completely and horribly racist. Whether or not he believes the term to be loaded, the overwhelming consensus is that it is. And for good reason.

The reason so many “Mary Sues” appear in fanfic is that very few actual women appear in the kind of content that inspires fanfic. That is to say, if you are a fan and want to see powerful, intelligent women represented abundantly in science-fiction and other genre work, you’re probably going to have to write it yourself. The male hero is the standard, the default. Even in intellectually progressive fiction, even in fantasies that take place either in “galaxies far, far away” or in alternate realities with green tentacled people, the default is “man = hero, woman = boobs.” That’s just how it is. It’s a waste of time, space and word count to have to prove such an overwhelmingly well-recognized fact. Please don’t make me.

When the first picture of the table read for The Force Awakens came out, Twitter noted it was pretty much a sausage-fest.

| THE READER |

film

FILM When it turned out Rey was the lead, it was pretty great. But for some, like Max, something wasn’t so great. Now, this is my space to write, so I don’t want to spend a ton of time sifting through evidence after evidence, going back and forth over what he claims made Rey a “Mary Sue” and why it’s wrong. And it is wrong. Provably wrong. Easily provably wrong. And literally dozens of people did a better job of showing why than I could because they have patients for disproving ignorant bullshit that I don’t have. I liked Erik Kain’s from Forbes because it was so direct.

Regardless, the point isn’t really whether Rey is or isn’t a “Mary Sue.” It’s not even really how profoundly messed up it is that there’s even a heated debate when there’s finally an inclusive bit of mainstream science fiction. For the love of God, they used a person of color, Finn (John Boyega), as the audience stand-in “everyman.” It was glorious! So when Max shit on it, people like me got mad. I can’t say why the others got mad, but I did because it felt like a gut punch to those who had been patient for so long.

So many of my friends do not see themselves reflected in the fiction they love. Be they biracial, queer or simply cis women. They want so badly to see themselves on screen, to feel that connection. It’s something we dude nerds take for granted all the time. And here comes Max, who is rich, Max the beneficiary of Hollywood nepotism shitting all over this moment. Maybe that wouldn’t have been enough to set me off.

Probably, but maybe not. But you see, Max

claims everywhere, in interviews, personal videos, essays, social media, that he is an ally.

He claims to be an ally to women, to people of color and to the queer community. And his first reaction was to be pissed that Rey was good with a light saber so fast that she must be a “Mary Sue?” She must be a poorly written, amateurish, fanfic character undeserving of her lead role because how could a woman be so competent and heroic!

So I tweeted at Max. I’m sure it was something eloquent and well worded that briefly and succinctly exposed the implicit, systemic misogyny I thought was subconsciously or intentionally operating behind his opinion. You know, something like “Go screw yourself you dumb butt.” The fact is, with 140 characters, sophistication is a luxury Twitter doesn’t afford.

On the one hand it’s nice. You get right to it.

Pleasantries are for everything past 141 characters. On the other… Things get heated fast.

As I walked around a toy store, unable to find a single figure of Rey, the lead in the single biggest movie in years, I tweeted at Max. And out of nowhere, he tweeted back. To his credit, he was polite at first from what I recall. He wanted to discuss his points. I wanted him to understand that it was unnecessary to make them. He wanted to go through each complaint. I wanted him to see that this was a scrutiny not leveraged against any of the literally thousands of men who are the heroes in almost all the rest of the genre and exhibit the same behaviors and characteristics as Rey. continued on page 60y

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FILM y continued from page 58

Within a few heated back and forths, what was a conversation became an argument.

And then he called me a troll.

You have to know what a troll is by this point in the Internet’s existence. A troll is someone provoking another person for the pleasure of upsetting them. It’s the old adage about wrestling a pig: You get messy and it’s fun for the pig. I’m not a troll. I wasn’t having fun for no reason. I wanted very badly to see Max walk back his statement or at the very least see why his stubborn resistance to understanding why simply making the comments represented a problem. But he didn’t. I said some very mean, bad, not nice things to the rich Hollywood screenwriter (who at the time had I believe two movies in theaters). Why the opinion of some guy Max had never met from Twitter who lived in Omaha mattered to him is beyond me. He has more than 73,000 followers. I scrape beneath 1500. I should have been insignificant to him, easily ignored. I was not.

Okay, now, here’s where I admit I was a dick even further. I wished him syphilis on Twitter. Actually, that’s not true. I wished him ALL the syphilis since time began. Having given up on reason, I resorted to humor to express frustration. Now, unless technology has progressed that I don’t know about, you can’t actually give someone “all the syphilis.”

I thought it was a mean, but completely nonthreatening, way to show how irritated I was that a white cis man born into privilege like Max would spend days refusing to see how calling a character who meant something to women a derogatory term.

He retweeted my comment to his 73,000 followers and, in my opinion, sicced them on me. Admittedly, he didn’t say “go get em.” But Twitter etiquette and the fact he’s a prolific user lead me to truly believe he knew what he was doing. Suddenly, I was besieged by a tide of Men’s Rights Activists and dudebros savagely attacking me. For me? It was easy to shake off.

But I can’t fathom the abuse women, people of color and queer Twitter users must face if this is all it took for this to happen to me. I never felt worried or threatened. JockBroBigDick69 telling me to jump off a bridge is not only something that doesn’t make me a victim, it makes me laugh. But, see, I’m not a woman.

I’m not a person of color. I’m not queer. I’m not someone for whom threats are a routine part of moving through the world.

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That night, when Max came after German/ Palestinian director and personal hero Lexi Alexander, I lost my ever-loving shit. Do you know what Alexander had the audacity to do?

Block Max on Twitter. That’s all. Block him. In the most nonthreatening, nonaggressive, safe, protective fashion, she simply made it so he could not have a clearly unwanted conversation with her. And Max lost his goddamn mind. Again, that’s not a medical opinion, that’s just a personal one. He made a video.

It was a video addressed to Alexander. Stop for a second. Just stop and think this through.

A woman says in the clearest language possible “I do not wish to talk to you.” And Max’s first reaction was to make a video talking to her. Knowing he couldn’t send it to her (remember, he’s blocked), he encouraged his followers to do so. How could Alexander possibly block all of them? She couldn’t. For a brief period, a deluge of a recorded conversation Alexander specifically and explicitly asked not to have was relentlessly coming at her from all directions.

Now, Alexander can’t simply “take care of herself.” I’m fairly confident she could mentally, physically and emotionally cripple entire nations if needed. She’s that bad ass. One time, someone suggested that we needed an “army of Lexi Alexanders” to which Alexander replied “I am an army.” While she is always kind in expressing her gratitude for support, she is beyond strong enough to deal with this and probably, I don’t know, ISIS all by herself.

But that action of Max’s, sending his legion of douchebros after her, was inexcusable to me. He claimed he was just “trying to understand” why she blocked him. As though he is owed that right. As though anyone in this world is owed an explanation for someone choosing to no longer engage with them.

What Alexander (and I through her) realized in that moment was that Max is the embodiment of privilege. He believes himself to be owed things, ranging from success to a simple explanation of why Alexander wanted nothing to do with him.

Things died down. Months passed. I figured this was all over. In fact, I figured it all worked out for the best because I got to learn how much Alexander puts out there. Her fierce honesty about the treatment of women and people of color in film and television would have totally missed me had Max not done what he did. She seemed to have moved past it all. I would read day after day as she would make blisteringly brilliant points about what she and others like her face just trying to do what they love. She referred several times to being either explicitly or implicitly “blacklisted” for her honesty. A woman lauded with praise early on in her career found little work simply because she was brave enough to speak. Again,

| THE READER |

film

that’s at least how I read it. If you go back and watch Punisher: War Zone and don’t see how the supremely hyped version of that character on Netflix’s “Daredevil” was lifted heavily from Alexander’s film…

After time passed, something else happened. Without using his name (remember, he’s blocked from her Tweets anyway), Alexander used a story about Max to prove hypocrisy in Hollywood. Max wrote American Ultra and Victor Frankenstein. Two movies widely considered to range in quality from “bad” to “oh God, kill it with fire.” Regardless of whether studios ruined them (as Max claimed) or directors botched them (again, another suggestion of Max’s), they were commercial flops. In the entirety of his “career,” the start of which almost certainly has to have had some relation to his father’s connections, he has had just one successful film.

One. Chronicle, which was a found-footage film light on dialogue and plot. That’s it.

When, after two consecutive, relatively large, financial disasters, Max was given a $3 million payout by Netflix for a movie, Alexander used the situation to prove that meritocracy in Hollywood is a myth. How could anyone claim that if you “do good work” and “earn” the shot at success it will come, if a man with back-to-back crap tacos scores a huge contract? Her point was simply made: A woman screws up once, she goes from director to unemployed. A person of color writes one bad movie, they better learn how to be a chef or something. A straight, cis, white man who writes two baskets of feces that cost millions of dollars has an armored car pull up and dump money on his lawn. It’s a beautiful synopsis of the problem.

It’s how “Oscars So White” happens every year. It’s why there is such a thing as “Mary Sue” in fanfic. Max is the system. Knowingly or unknowingly, he embodies all of it.

And it outrages him. His need to believe that his success is deserved is so extreme, when he caught wind (again, he’s blocked from seeing Alexander’s tweets), he went cruel again.

He implied that he heard “damaging rumors” about her as a person. He suggested she was mentally unwell. He once more pointed his legion of douchebros at her. And that made me mad. Again, not because I think Alexander is a damsel in distress, but because when a piece of shit acts like a piece of shit, we should all point at that piece of shit and say “You’re a piece of shit.” So I did. About 3-4 months after Max and I sparred about Rey and he called me a troll, he saw me Tweeting about Alexander at him. And he remembered me.

Me. A guy in Omaha he talked to one day months previous. A guy with little to no influence. A guy who should mean absolutely nothing to him. Within minutes he remem-

bered me as “that troll.” So I, obviously, immediately updated my Twitter bio to reflect my pride in being called a troll by Max Landis twice. But I also laughed. Because in that moment, I knew I won. I had gotten to him. Some part of him in there was bothered enough by my comments that they lodged in his subconscious. Was I classy about this revelation?

Please. I’m the guy who wished Max “all the syphilis.” He told me I was still a troll, so I told him that even though I may always be a troll, I could sleep well knowing I will never be the guy who wrote American Ultra or Victor Frankenstein. We haven’t talked much since.

I sent him another flurry of messages the other day, some he responded to secondhand but not directly. It was in response to him, once again, trying to justify a horrible position. This time, he took to a video to explain how people who are mad about Scarlett Johansson being cast in a role written for an Asian woman are “mad about the wrong things.” Don’t worry, he prefaced it by saying he was neither “mansplaining” nor “whitesplaining” the situation before mansplaining and whitesplaining the situation. The classic “I’m not racist, but…”

So what does this all mean? Why does this all matter? 10 years ago, people in Hollywood making $3 million script deals didn’t talk to dudes from Omaha who were pissed off. 5 years ago, Lexi Alexander was struggling to find work after speaking out about the systemic injustices in a field she loves.

She just directed two incredible episodes of popular TV shows. I don’t know that you call this “progress” but you can call it an “evolution.” There is a dialogue. In the same way that #BlackLivesMatter grew from a hashtag to having a full-on mayoral candidate in Baltimore, so too can Twitter work to make popular culture, specifically cinema, better.

In the weeks that followed the bitching about the sausagefest Star Wars photo, one of the characters that had yet to be cast was gender flipped. Captain Phasma went from (allegedly) being played by Benedict Cumberbatch to actually being played by Gwendolyn Christie.

It wasn’t some back-patting, self-congratulatory movement for the Twitterverse who complained. But it was proof the echo chamber may have a crack in it.

Follow Alexander on Twitter. Learn from her. She speaks truth. Follow Max on Twitter.

Tweet at him when he spews vile bullshit. If film matters to you, join us on the frontlines. It seems impossible, but dialogue with people in studio boardrooms, writers’ rooms and editorial collectives is now possible. If you love film and want it better, understand the world that Alexander lives in. Try to make Max change the world he has some control over. Stay silent but watch or get vocal and engage. But get in here. Shit’s going down, y’all. ,

| THE READER |

MAY 2016

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The Time of Toothlessness

A terrible prediction: There is a bacteria that is even now beginning to emerge, and it’s primary target will be human teeth. This bacteria will cause teeth to become infected and rot quickly, and it will be easily spread. Within a decade, 50 percent of humanity will have lost all their teeth, and the remainder will suffer from some degree of tooth loss. We will, of course, soldier on, with implants or dentures. But for the very poor, theirs is a future of toothlessness, of soft food and aching gums. For other, wealthier people, this will be a chance at self-expression, as they choose replacement teeth of unnatural colors, or surprising shapes (vampire teeth will be especially popular.)

The Digital Graveyard

The strangest funerary custom to come will be the memorializing of the dead online. It has already started with little monuments and the like left in online games that have persistent worlds, such as Eve and Second Life. But in the future there will be gamers who donate money to online spaces to build structures named FOUND VIA WWW.PLAYBUZZ.COM after them, which will remain long into the future, as we do with earthly monuments now. There will be online graveyards, where the bereaved can visit a virtual memorial for the dead. There will even be social media memorials, where dead people’s profiles live on, interacting with the world in ways that are preprogrammed, such as showing old photos or republishing old posts on meaningful days, so that the friends and loved ones of the dead can revisit them. This will be especially meaningful for many who felt close to the person who passed, but only knew them in the digital world, never having met them in life.

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| THE READER |

There Will Be Blood

Our blood will no longer be recognizable in the future. It will be filled with man-made products, designed to indefinitely extend our lives. There will be synthetic blood, which will heal wounds faster than real blood. There will be genetically engineered bio-organisms designed to battle specific diseases and infections, injected into us in the way that vaccines are now. There will be nanobots, built to do things like scrape plaque off the side of arteries. People will even have messages encoded on specially designed DNA, used for things like identifying a body and for keeping a permanent copy of your will embedded in the proteins of the DNA. We will be a river of technology, passing through us constantly, unnoticed but always affecting us.

The Year the Music Died

2016 is going to be infamous as The Year the Music Died. We have already lost a number of important musicians, including David Bowie and Prince, but the march of death will continue onward. By the end of the year, over 300 musicians and singers, many considered among the most important in rock and roll history, will have passed away.

Some will be older performers, most will be in their 60s, and some will be very young. There will be no real reason for this, except that the average life span of a pop artist is somewhere in the area of 65, and quite a few musicians from the 60s are now that age or older. But the number of them will be statistically unlikely, and, as a result, there will be wild rumors about assassinations, or occult conspiracies, or deals with the devil that came true. All we will know is that by 2017, there will be a lot less great music in this world.

For more on these predictions and others by Dr. Mysterian visit www.thereader.com.

Saturday, May 28 RUN LOESS 8 am

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RIVERFRONT BLOCK PARTY 5 pm

featuring Disney Junior’s IMAGINATION MOVERS live in concert and MOVIE IN THE PARK: Inside Out

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Tuesday, May 31 BIKE THE BLUFFS 6 pm

Wednesday, June 1 MOVIE IN THE PARK 9 pm Raiders of the Lost Ark

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May 28 Loessfest is proudly presented by:

Thursday, June 2 #THROWBACK THURSDAY 7 pm

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Friday-Sunday, June 3-5 TASTE OF OMAHA on the Riverfront

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GOLFFEST Golf Tournament — Entrance fee required

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It means working to preserve it.

Baxter Subaru was a proud sponsor of Earth Day Omaha 2016.

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