XXVII by anneroig

índex BAR XXVII

COL·LECCIÓ XXVII

BRIAN JONES

JIMI HENDRIX

JANIS JOPLIN

JIM MORRISON

KURT COBAIN

AMY WINEHOUSE

CONJUNT D’IMATGES

COL·LABORACIONS

Arreu del món, hi ha persones que viuen constantment per a la música. Aquesta paraula engloba un gran sentiment i, a vegades dependència per alguns fanàtics. El llibre XXVII no només representa una petita demostració de tot el que van ser grans artistes com Brian Jones, Jimi Hendrix, Jim Morrison en una època passada. I tampoc no és simplement una representació visual d’algunes de les seves lletres musicals. Tota història, té els seus inicis però no sempre té un desenllaç. En aquest cas, tot començà amb la construcció d’un bar amb la única esperança què no desaparegués l’ànima de tots aquells cantants per molts anys que passessin. És un local destinat a tots els seguidors en el món de la música que vulguin desplaçarse als anys 70, 80 i 90, uns anys que van marcar un abans i un després. Un espai on simplement s’intenta unir a gent de diversos punts geogràfics per poder compartir i gaudir d’una experiència músical diferent a la d’avui en dia. Aquest local està ubicat a la gran ciutat de Londres, on realment hi ha el veritable esperit del rock&roll d’aquells anys. Després de poder comprovar l’èxit absolut, tant de la pròpia gent de la ciutat com la dels diversos turistes, va sorgir la idea de fer una col·lecció del tan cèlebre club dels vint-i-set. Aquesta col·lecció reuneix d’una petita part de cançons d’alguns dels artistes importants que van deixar una marca en la història del rock&roll, del blues i del pop.

XXVII Viu ràpid, mor jove Aquesta és la descripció més representativa per al conjunt d’estrelles del rock que varen liderar la història de la música dels anys setanta fins avui dia. Van destacar no tan sols per l’increïble talent sinó també pel seu magnetisme encisador. A aquests fets se’ls hauria d’afegir, l’inexplicable coincidència de ser trobats inesperadament morts a la mateixa edat, als vint-i-set anys, en la plenitud de les seves carreres professionals. Al darrera d’aquesta maledicció d’aquests monstres del Rock & Roll hi ha molts artistes, tot i que en aquesta col·lecció només hem seleccionat a sis membres ‘vip’ d’aquest gran club exclusiu. Aquests músics no s’han escollit a l’atzar, ni tampoc per una simple preferència personal. Durant tots aquests anys s’ha pogut veure poc a poc quins d’ells han seguit tenint una presència destacable a les emissores de ràdio, o han estat anomenats en nombrosos casos quan es parlava del veritable i genuí rock del present i del passat més recent. Per tot això, aquesta col·lecció ha volgut destacar única i exclusivament a Brian Jo-

nes, Jimi Hendrix, Janis Joplin, Jim Morrison, Kurt Cobain i per finalitzar la última incorporació més recent a aquest grup de la fama, Amy Winehouse. Encara que la seva mort s’hagi produït al segle XXI, no deixa de tenir idèntica importància i notorietat de la resta. La seva fascinant veu i trajectòria era si més no, equiparable als altres cinc membres. Per a aquests artistes l’alcohol, les drogues i el rock&roll va ser una mescla que va omplir i malauradament alhora va acabar amb les seves vides. Deixant de banda l’aspecte musical, el fet característic que els unia era la seva forma de viure fins al límit i la manera en què van deixar-nos. A tots sis la fama els va passar factura, fins al punt de conduir-los al suïcidi en alguns casos o jugar amb els estupefaents fins a extrems inesperats, arribant així a prendre una sobredosi que els va arrabassar la vida.

BRIAN JONES

LEWIS BRIAN HOPKIN-JONES 28.02.1942 · 3.07.1969

Va ser el primer guitarrista de la cèlebre banda The Rolling Stones. Una persona molt carismàtica i amb un excepcional talent musical. Des de ben petit es va centrar en el món de la música fins arribar a saber tocar la guitarra, piano, dulcimer, mellotron, harmònica, saxòfon, sitar, tambura i la percussió. Tot i ser el membre del grup amb més coneixements musicals, aviat es va començar a distanciar

dels Stones. Cada cop les seves aportacions dins del grup eren menors, a causa de la seva addicció a les drogues i al desacord que hi havia entre els membres del grup. Després que la seva parella el deixés per Keith Richards (guitarrista dels Stones) va entrar en una profunda depressió i al cap del poc temps va aparèixer ofegat a la piscina de casa seva.

(I CAN’T GET NOT) SATISFACTION I can’t get no satisfaction, I can’t get no satisfaction ‘cause I try and I try and I try and I try I can’t get no, I can’t get no When I’m drivin’ in my car, and the man come on the radio He’s tellin’ me more and more about some useless information Supposed to fire my imagination I can’t get no. oh, no, no, no. hey, hey, hey That’s what I say I can’t get no satisfaction, I can’t get no satisfaction ‘cause I try and I try and I try and I try I can’t get no, I can’t get no When I’m watchin’ my tv and a man comes on and tell me How white my shirts can be But, he can’t be a man ‘cause he doesn’t smoke The same cigarettes as me I can’t get no. oh, no, no, no. hey, hey, hey That’s what I say I can’t get no satisfaction, I can’t get no satisfaction

‘cause I try and I try and I try and I try I can’t get no, I can’t get no When I’m ridin’ round the world, and I’m doin’ this and I’m signin’ that And I’m tryin’ to make some girl, who tells me Baby, better come back maybe next week ‘cause you see I’m on a losing streak I can’t get no. oh, no, no, no. hey, hey, hey That’s what I say. I can’t get no, I can’t get no I can’t get no satisfaction, no satisfaction No satisfaction, no satisfaction

ANGIE Maybe Angie, Angie, when will those clouds all disappear? Angie, Angie, where will it lead us from here? With no loving in our souls and no money in our coats You can’t say we’re satisfied But Angie, Angie, you can’t say we never tried Angie, you’re beautiful, but ain’t it time we said good-bye? Angie, I still love you, remember all those nights we cried? All the dreams we held so close seemed to all go up in smoke Let me whisper in your ear: Angie, Angie, where will it lead us from here? Oh, Angie, don’t you weep, all your kisses still taste sweet I hate that sadness in your eyes But Angie, Angie, ain’t it time we said good-bye? With no loving in our souls and no money in our coats You can’t say we’re satisfied But Angie, I still love you, baby Ev’rywhere I look I see your eyes There ain’t a woman that comes close to you Come on Baby, dry your eyes But Angie, Angie, ain’t it good to be alive? Angie, Angie, they can’t say we never tried

SYMPATHY FOR THE DEVIL Sympathy for the devil: Please allow me to introduce myself I’m a man of wealth and taste I’ve been around for a long, long year Stole many a man’s soul and faith And I was ‘round when Jesus Christ Had his moment of doubt and pain Made damn sure that Pilate Washed his hands and sealed his fate Pleased to meet you Hope you guess my name But what’s puzzling you Is the nature of my game I stuck around St. Petersburg When I saw it was a time for a change Killed the Czar and his ministers Anastasia screamed in vain I rode a tank Held a general’s rank When the Blitzkrieg raged And the bodies stank Pleased to meet you Hope you guess my name, oh yeah Ah, what’s puzzling you Is the nature of my game, oh yeah (woo woo, woo woo)

Who get killed before they reached Bombay (woo woo, who who) Pleased to meet you Hope you guessed my name, oh yeah (who who) But what’s puzzling you Is the nature of my game, oh yeah, get down, baby (who who, who who)

name Tell me baby, what’s my name I tell you one time, you’re to blame Oh, who woo, woo Woo, who Woo, woo Woo, who, who Woo, who, who Oh, yeah

Pleased to meet you Hope you guessed my name, oh yeah But what’s confusing you Is just the nature of my game (woo woo, who who)

What’s my name Tell me, baby, what’s my name Tell me, sweetie, what’s my name

Just as every cop is a criminal And all the sinners saints As heads is tails Just call me Lucifer ‘Cause I’m in need of some restraint (who who, who who)

Woo, who, Woo, who, Woo, who, Woo, who, Woo, who, Woo, who, Oh, yeah Woo woo Woo woo

who who who who who who

So if you meet me Have some courtesy Have some sympathy, have some taste (woo woo) Use all your well-learned politesse Or I’ll lay your soul to waste, mmm yeah (woo woo, woo woo)

I watched with glee While your kings and queens Fought for ten decades For the gods they made (woo woo, woo woo)

Pleased to meet you Hope you guessed my name, mmm yeah (who who) But what’s puzzling you Is the nature of my game, mmm mean it, get down (woo woo, woo woo)

I shouted out, “Who killed the Kennedy’s?” When after all It was you and me (who who, who who)

Woo, who Oh yeah, get on down Oh yeah Oh yeah! (woo woo)

Let me please introduce myself I’m a man of wealth and taste And I laid traps for troubadours

Tell me baby, what’s my name Tell me honey, can ya guess my

“viure ràpid, morir jove i ser un bonic cadàver”

GIMME SHELTER Ooh, a storm is threatening my very life today if i don’t get some shelter, oh yeah i’m gonna fade away war, children, it’s just a shot away, it’s just a shot away war, children, it’s just a shot away, it’s just a shot away ooh, see the fire is sweepin, our very streets today burns like a red coal carpet, mad bull lost its way rape, murder, it’s just a shot away, it’s just a shot away

rape, murder, it’s just a shot away, it’s just a shot away rape, murder, it’s just a shot away, it’s just a shot away mmm, the flood is threatening, my very life today gimme, gimme shelter, or i’m gonna fade away war, children, it’s just a shot away, it’s just a shot away

it’s just a shot away, it’s just a thaught away, it’s just a shot away i said, love, sister, it’s just a kiss away, it’s just a kiss away it’s just a kiss away, it’s just a kiss away, kiss away, kiss away, yeah

STREET FIGHTING MAN Everywhere I hear the sound of marching, charging feet, boy ‘Cause summer’s here and the time is right for fighting in the street, boy But what can a poor boy do Except to sing for a rock ‘n’ roll band ‘Cause in sleepy London town There’s just no place for a street fighting man No Hey! Think the time is right for a violent revolution ‘Cause where I live the game to play is compromise solution Well, then what can a poor boy do Except to sing for a rock ‘n’ roll band ‘Cause in sleepy London town There’s just no place for a street fighting man No Hey! Said my name is called disturbance I’ll shout and scream, I’ll kill the king, I’ll rail at all his servants Well, what can a poor boy do Except to sing for a rock ‘n’ roll band ‘Cause in sleepy London town There’s just no place for a street fighting man No

JIMI HENDRIX

FREEMON

JAMES MARSHALL 27.11.1942 · 18.09.1970 De formació autodidacte, va començar a tocar la guitarra als 12 anys. Guitarrista estatunidenc de rock. El seu geni i originalitat han perdurat de tal manera que quaranta anys després de la seva mort segueix sent el principal referent dels grans guitarristes. Va desenvolupar la tècnica i els efectes de la guitarra elèctrica fins dotar-la d’una entitat pròpia, mitjançant la saturació de

sons en els amplificadors i l’ús del pedal wahwah per generar efectes sonors. Havent servit durant un temps en l’exèrcit nord-americà, va fer els seus primers passos en el blues a principis dels anys 60, i posteriorment va trobar l’èxit als Estats Units. Però la seva adició a les drogues, poc més tard, van ocasionar-li la mort prematura.

PURPLE HAZE cough purple haze all in my brain lately things just don’t seem the same actin’ funny, but i don’t know why ‘scuse me while i kiss the sky purple haze all around don’t know if i’m comin’ up or down am i happy or in misery? what ever it is, that girl put a spell on me help me help me oh, no, no [faint, spoken lyrics...all questionable] hammerin ’ talkin’ ‘bout heart ‘n’...s-soul i’m talkin’ about hard stuff if everbodys still around, fluff and ease, if so far out my mind somethings happening, somethings happening ooo, ahhh ooo, {click} ahhh, ooo, ahhh ooo, ahhh, yeah! purple haze all in my eyes, uhh don’t know if its day or night you got me blowin’, blowin’ my

“la història de la vida és més ràpida que un obrir i tancar d’ulls, la història de l’amor és hola i adéu. Fins que un es troba de nou”

mind is it tomorrow, or just the end of time? ooo help me ahh, yea-yeah, purple haze, yeah oh, no, oh oh, help me purple haze, tell me, baby, tell me i can’t go on like this purple haze you’re makin’ me blow my mind... mama purple haze, n-no, nooo purple haze, no, its painful, baby

You got my pride hanging out of my bed you’re messin’ around with my life so i bought my ... you even mess with my children and you’re screamin’ at my wife, baby get off my back, if you wanna get outta here alive freedom, give it to me that’s what i want now freedom, that’s what i need now freedom to live freedom, so i can give you got my heart speak electric water you got my soul screamin’ and howlin’ you know you hook my girlfriend you know the drugstore man but i don’t need it now i was trying to slap it out of her head freedom, so i can give freedom, yeah freedom, that’s what i need you don’t have to say that you love if you don’t mean it you’d better believe if you need me or you just wanna bleed me you’d better stickin’ your dagger in someone else so i can leave set me free (yeah) right on, straight ahead stay up and straight ahead freedom

“el coneixement parla però la saviesa escolta”

HEY JOE Hey joe, where you goin’ with that gun of your hand hey joe, i said where you goin’ with that gun in your hand, oh i’m goin’ down to shoot my old lady you know i caught her messin’ ‘round with another man yeah, i’m goin’ down to shoot my old lady you know i caught her messin’ ‘round with another man huh! and that ain’t cool huh hey hoe, i heard you shot your mamma down you shot her down now hey joe, i heard you shot your lady down you shot her down in the groud yeah! yeah! yes, i did, i shot her you know i caught her messin’ round messin’ round town huh, yes i did i shot her you know i caught my old lady messin’ ‘round town and i gave her the gun and i shot her alright shoot her one more time again baby! yeah! oh dig it oh alright hey joe, where you gonna run to now where you gonna go hey joe, i said where you gonna run to now where you gonna go i’m goin’ way down south way down to mexico way alright i’m goin’ way down south way down where i can be free ain’t no one gonna find me ain’t no hang-man gonna he ain’t gonna put a rope around me you better believe it right now i gotta go now hey, joe you better run on down goodbye everybody hey hey joe

“el blues és fàcil de tocar però difícil de sentir”

FIRE Alright, now listen, baby you don’t care for me i don’-a care about that gotta new fool, ha! i like it like that i have only one burning desire let me stand next to your fire let me stand next to your fire (repeat 4 times) listen here, baby and stop acting so crazy you say your mum ain’t home, it ain’t my concern,

just play with me and you won’t get burned i have only one itching desire let me stand next to your fire let me stand next to your fire (repeat 4 times) oh! move over, rover and let jimi take over yeah, you know what i’m talking ‘bout yeah, get on with it, baby that’s what i’m talking ‘bout

now dig this! ha! now listen, baby you try to gimme your money you better save it, babe save it for your rainy day i have only one burning desire let me stand next to your fire let me stand next to your fire

ALL ALONG THE WATCHTOWE There must be some kind of way outta here said the joker to the thief there’s too much confusion... i can’t get no relief Business men, they drink my wine plowman dig my earth none were level on the mind nobody up at his word hey, hey No reason to get excited the thief he kindly spoke there are many here among us who feel that life is but a joke but, uh...but you and i, we’ve been through that and this is not our fate so let us stop talkin’ falsely now the hour’s getting late, hey All along the watchtower princes kept the view while all the women came and went barefoot servants, too outside in the cold distance a wildcat did growl two riders were approaching and the wind began to howl

JANIS JOPLIN

MAYBE

JANIS LYN JOPLIN 19.01.1943 · 4.10.1970 Cantant de rock&roll i blues, amb una veu i un esperit rebel es va convertir en una de les artistes més estimades del moviment contracultural dels anys seixanta. Va ser un símbol femení i la primera dona a ser considerada una icona dins del rock&roll. Des de petita va començar a manifestar el seu amor per la música, amb un caràcter introvertit i solitari.

CRY BABY Cry baby, cry baby, cry baby, Honey, welcome back home. I know she told you, Honey I know she told you that she loved you Much more than I did, But all I know is that she left you, And you swear that you just don’t know why, But you know, honey I’ll always, I’ll always be around if you ever want me Come on and cry, cry baby, cry baby, cry baby, Oh honey, welcome back home. Don’t you know, honey, Ain’t nobody ever gonna love you The way I try to do ? Who’ll take all your pain, Honey, your heartache, too ? And if you need me, you know That I’ll always be around if you ever want me Come on and cry, cry baby, cry baby, cry baby, Oh daddy, like you always saying to do. And when you walk around the world, babe,

Per la seva forma de vestir i el rebuig al racisme, Janis va ser marginada pels seus companys. Al 1960, va començar la seva carrera cantant blues i després de tres anys va marxar cap a San Francisco, on va endinsarse en el món dels estupefaents. A mesura que la fama creixia, la seva addicció augmentava, junt amb una inseguretat afectiva i un sentiment de soledat. Tots aquests factors plegats van aconseguir que ens acabés deixant.

You said you’d try to look for the end of the road, You might find out later that the road’ll end in Detroit, Honey, the road’ll even end in Kathmandu. You can go all around the world Trying to find something to do with your life, baby, When you only gotta do one thing well, You only gotta do one thing well to make it in this world, babe. You got a woman waiting for you there, All you ever gotta do is be a good man one time to one woman And that’ll be the end of the road, babe, I know you got more tears to share, babe, So come on, come on, come on, come on, come on, And cry, cry baby, cry baby, cry baby. And if you ever feel a little lonely, dear, I want you to come on, come on to your mama now, And if you ever want a little love of a woman Come on and baby baby baby babe babe baby now Cry baby yeah.

Maybe Oh if I could pray and I try, dear, You might come back home, home to me. Maybe Whoa, if I could ever hold your little hand Oh you might understand. Maybe, maybe, maybe, maybe, yeah. Maybe, maybe, maybe, maybe, maybe dear I guess I might have done something wrong, Honey I’d be glad to admit it. Oh, come on home to me! Honey maybe, maybe, maybe, maybe yeah. Well I know that it just doesn’t ever seem to matter, baby, Oh honey, when I go out or what I’m trying to do, Can’t you see I’m still left here And I’m holding on in needing you. Please, please, please, please, Oh won’t you reconsider babe. Now come on, I said come back, Won’t you come back to me! Maybe dear, oh maybe, maybe, maybe, Let me help you show me how. Honey, maybe, maybe, maybe, maybe, Maybe, maybe, maybe, yeah, Maybe, maybe, maybe, yeah. Ooh!

“ser un intel·lectual crea un munt de preguntes i cap resposta”

“el que et fa sentir bé no et pot causar cap dany”

SUMMER TIME Summertime, time, time, Child, the living’s easy. Fish are jumping out And the cotton, Lord, Cotton’s high, Lord, so high. Your daddy’s rich And your ma is so good-looking, baby. She’s looking good now, Hush, baby, baby, baby, baby, baby, No, no, no, no, don’t you cry. Don’t you cry! One of these mornings You’re gonna rise, rise up singing, You’re gonna spread your wings, Child, and take, take to the sky, Lord, the sky. But until that morning Honey, n-n-nothing’s going to harm you now, No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no No, no, no, no, no, no, no, no, no, Don’t you cry, Cry.

“a l’escenari, li faig l’amor a 25.000 persones diferents, després m’en vaig a casa sola”

PIECE OF MY HEART Oh, come on, come on, come on, come on! Didn’t I make you feel like you were the only man —yeah! Didn’t I give you nearly everything that a woman possibly can ? Honey, you know I did! And each time I tell myself that I, well I think I’ve had enough, But I’m gonna show you, baby, that a woman can be tough. I want you to come on, come on, come on, come on and take it, Take it! Take another little piece of my heart now, baby! Oh, oh, break it! Break another little bit of my heart now, darling, yeah, yeah, yeah. Oh, oh, have a! Have another little piece of my heart now, baby, You know you got it if it makes you feel good, Oh, yes indeed. You’re out on the streets looking good, And baby deep down in your heart I guess you know that it ain’t right, Never, never, never, never, never, never hear me when I cry at night, Babe, I cry all the time! And each time I tell myself that I, well I can’t stand the pain, But when you hold me in your arms, I’ll sing it once again. I’ll say come on, come on, come on, come on and take it! Take it! Take another little piece of my heart now, baby. Oh, oh, break it! Break another little bit of my heart now, darling, yeah,

Oh, oh, have a! Have another little piece of my heart now, baby, You know you got it, child, if it makes you feel good. I need you to come on, come on, come on, come on and take it, Take it! Take another little piece of my heart now, baby! oh, oh, break it! Break another little bit of my heart, now darling, yeah, c’mon now. oh, oh, have a Have another little piece of my heart now, baby. You know you got it —whoahhhhh!! Take it! Take it! Take another little piece of my heart now, baby, Oh, oh, break it! Break another little bit of my heart, now darling, yeah, yeah, yeah, yeah, Oh, oh, have a Have another little piece of my heart now, baby, hey, You know you got it, child, if it makes you feel good.

“saps la raó per la qual es pensa que només les persones de color tenen ànima? perquè els blancs no es permeten sentir amb l’ànima”

KOZMIC BLUES Time keeps movin’ on, Friends they turn away. I keep movin’ on But I never found out why I keep pushing so hard the dream, I keep tryin’ to make it right Through another lonely day, whoaa. Dawn has come at last, Twenty-five years, honey just in one night, oh yeah. Well, I’m twenty-five years older now So I know we can’t be right And I’m no better, baby, And I can’t help you no more Than I did when just a girl. Aww, but it don’t make no difference, baby, no, no, And I know that I could always try. It don’t make no difference, baby, yeah, I better hold it now, I better need it, yeah, I better use it till the day I die, whoa. Don’t expect any answers, dear, For I know that they don’t come with age, no, no. Well, ain’t never gonna love you any better, babe. And I’m never gonna love you right, So you’d better take it now, right now. Oh! But it don’t make no difference, babe, hey, And I know that I could always try. There’s a fire inside everyone of us, You’d better need it now, I got to hold it, yeah, I better use it till the day I die. Don’t make no difference, babe,

no, no, no, And it never ever will, hey, I wanna talk about a little bit of loving, yeah, I got to hold it, baby, I’m gonna need it now, I’m gonna use it, say, aaaah, Don’t make no difference, babe, yeah, Ah honey, I’d hate to be the one. I said you’re gonna live your life And you’re gonna love your life Or babe, someday you’re gonna have to cry. Yes indeed, yes indeed, yes indeed, Ah, baby, yes indeed. I said you, you’re always gonna hurt me, I said you’re always gonna let me down, I said everywhere, every day, every day And every way, every way. Ah honey won’t you hold on to what’s gonna move. I said it’s gonna disappear when you turn your back. I said you know it ain’t gonna be there When you wanna reach out and grab on. Whoa babe,

Whoa babe, Whoa babe, Oh but keep truckin’ on. Whoa yeah, Whoa yeah, Whoa yeah, Whoa, Whoa, Whoa, Whoa, Whoa ...

JIM MORRISON

JAMES DOUGLAS MORRISON 8.12.1943 · 3.07.1971

El Rey Lagarto Les seves excentricitats, el seu amor i obsessió per la mort el van convertir en la icona de la luxúria, de la llibertat i del sexe. Després de desenvolupar la seva carrera artística com a líder de la banda The Doors, l’any 1971 va decidir deixar els Estats Units. Cansat pels judicis que van començar a sorgir en contra seva a partir d’una suposada pertorbació

de l’ordre públic, el cantant va decidir fugir a la ciutat de París. Va ser allà, on en pocs mesos va trobar la mort. La causa va ser el consum d’un còctel de barbitúrics i alcohol.

PEOPLE ARE STRANGE People are strange when youre a stranger Faces look ugly when youre alone Women seem wicked when youre unwanted Streets are uneven when youre down When youre strange Faces come out of the rain When youre strange No one remembers your name When youre strange x3 People are strange when youre a stranger Faces look ugly when youre alone Women seem wicked when youre unwanted Streets are uneven when youre down When youre strange Faces come out of the rain When youre strange No one remembers your name When youre strange x3

“prohibit prohibir. La llibertat comença per una prohibició”

THE CRYSTAL SHIP Before you slip into unconciousness I’d like to have another kiss, another flashing chance at bliss another kiss, another kiss. The days are bright and filled with pain. Enclose me in your gentle rain, The time to ran was to insane, We’ll meet again, we’ll meet again . Oh, tell me where your freedom lies, The streets are fields that never die, Deliver me from reasons Why you’d rather cry, I’d rather fly. The crystal ship is being filled, A thousand girls, a thousand thrills, A millon ways to spend your time; When we get back, I’ll drop a line.

“penso en mi mateix com un intel·ligent, sensible ésser humà amb l’ànima d’un pallasso que sempre m’obliga a volar en els moments més importants”

THE END

“cal portar en si mateix un caos per posar al món un estel dansaire”

This is the end Beautiful friend This is the end My only friend, the end Of our elaborate plans, the end Of everything that stands, the end No safety or surprise, the end I’ll never look into your eyes... again Can you picture what will be So limitless and free Desperately in need...of some... stranger’s hand In a...desperate land ? Lost in a roman...wilderness of pain And all the children are insane All the children are insane Waiting for the summer rain, yeah There’s danger on the edge of town Ride the king’s highway, baby Weird scenes inside the gold mine Ride the highway west, baby Ride the snake, ride the snake To the lake, the ancient lake, baby The snake is long, seven miles Ride the snake...he’s old, and his skin is cold The west is the best The west is the best Get here, and we’ll do the rest The blue bus is callin’ us The blue bus is callin’ us Driver, where you taken’ us ? The killer awoke before dawn, he put his boots on He took a face from the ancient gallery And he walked on down the hall He went into the room where his sister lived, and...then he Paid a visit to his brother, and then he He walked on down the hall, and And he came to a door...and he looked inside father ?, yes son, i want to kill

you mother...i want to...fuck you C’mon baby, take a chance with us x3 And meet me at the back of the blue bus Doin’ a blue rock, on a blue bus Doin’ a blue rock, c’mon, yeah Kill, kill, kill, kill, kill, kill This is the end, beautiful friend This is the end, my only friend, the end It hurts to set you free But you’ll never follow me The end of laughter and soft lies The end of nights we tried to die This is the end

“m’interessa qualsevol cosa que tingui a veure amb les revoltes, el desordre i el caos. Especialment les activitats que semblen no tenir cap sentit”

“la gent té més por a la mort que al dolor. És estrany que ells temin a la mort. La vida fa molt més mal que la mort. Quan la mort arriba, el dolor acaba”

RIDERS ON THE STORM Riders on the storm Riders on the storm Into this house we’re born Into this world we’re thrown Like a dog without a bone An actor out on loan Riders on the storm There’s a killer on the road His brain is squirmin’ like a toad Take a long holiday Let your children play If ya give this man a ride Sweet memory will die Killer on the road, yeah Girl ya gotta love your man Girl ya gotta love your man Take him by the hand Make him understand The world on you depends Our life will never end Gotta love your man, yeah

LIGHT MY FIRE! You know that it would be untrue You know that I would be a liar If I was to say to you Girl we coudn’t get much higher. Come on babe light my fire Come on babe light my fire Try to set the night on fire! The time to hesitate is through, No time to wallow in the mire, Try now we can only lose, And our love becomes a funeral pyre. Come on babe light my fire Come on babe light my fire Try to set the night on fire! The time to hesitate is through, No time to wallow in the mire, Try now we can only lose, And our love becomes a funeral pyre. Come on babe light my fire Come on babe light my fire Try to set the night on fire! You know that it would be untrue You know that I would be a liar If I was to say to you Girl we coudn’t get much higher. Come on babe light my fire Come on babe light my fire Try to set the night on fire, Try to set the night on fire, Try to set the night on fire, Try to set the night on fire!

Wow! Riders on the storm Riders on the storm Into this house we’re born Into this world we’re thrown Like a dog without a bone An actor out alone Riders on the storm Riders on the storm Riders on the storm Riders on the storm Riders on the storm Riders on the storm

“jo no sortiré allà fora, tu hauràs d’entrar dins meu”

KURT COBAIN

KURT DONALD COBAIN 20.02.1967 · 6.04.1994 Cantant, compositor i guitarrista estatunidenc, va ser el líder de la banda de grunge Nirvana. Grup el qual va donar impuls a la transformació de la música popular dels anys 90. A partir del 1981, comença a relacionar-se amb la música, expressant a través d’ella la seva personalitat tan complexa, ja fós per la dura infància que va haver de viure o per la seva sensibilitat i difícil immaduresa durant la

seva joventut. Juntament amb el naixement de la banda Nirvana l’any 1989, va començar la seva popularitat. La relació conflictiva que tenia amb la seva dona i l’excés d’estupefaents van acabar amb ell, suïcidantse amb un tir.

ABOUT A GIRL I need an easy friend I do... with an ear to lend I do... think you fit this shoe I do... but you have a clue

LITHIUM I’m so happy because today I’ve found my friends ... They’re in my head I’m so ugly, but that’s okay, cause so are you... We’ve broken our mirrors Sunday morning is everyday for all I care... And I’m not scared Light my candles in a daze... Cause I’ve found god - hey, hey, hey I’m so lonely but that’s okay I shaved my head... And I’m not sad And just maybe I’m to blame for all I’ve heard... But I’m not sure I’m so excited, I can’t wait to meet you there... But I don’t care I’m so horny but that’s okay... My will is good - hey, hey, hey I I I I

like miss love kill

it - I’m not gonna crack you - I’m not gonna crack you - I’m not gonna crack you - I’m not gonna crack

“un amic no és més que un enemic conegut”

I’ll take advantage while You hang me out to dry But I can’t see you every night Free I’m standing in your line I do... hope you have the time I do... pick a number too I do... keep a date with you

SMELLS LIKE TEEN SPIRIT Load up on guns and Bring your friends It’s fun to lose And to pretend She’s over bored And self assured Oh no, I know A dirty word Hello, hello, hello, how low?(x3) hello, hello, hello With the lights out it’s less dangerous Here we are now Entertain us I feel stupid and contagious Here we are now Entertain us A mulatto An albino A mosquito My Libido Yeah! I’m And Our And

worse at what I do best for this gift I feel blessed little group has always been always will until the end

Hello, hello, hello, how low? (x3) hello, hello, hello With the lights out it’s less dangerous Here we are now Entertain us I feel stupid and contagious Here we are now Entertain us A mulatto An albino A mosquito My Libido Yeah! And I forget Just why I taste Oh yeah, I guess it makes me smile I found it hard It was hard to find

Oh well, whatever, nevermind Hello, hello, hello, how low? (x3) hello, hello, hello With the lights out it’s less dangerous Here we are now Entertain us I feel stupid and contagious Here we are now Entertain us A mulatto An albino A mosquito My Libido A A A A A A

denial denial denial denial denial... denial...

THE MAN WHO SOLD THE WORLD

“la música és sinònim de llibertat, de tocar el que vulguis i com vulguis, sempre que sigui bo i tingui passió, que la música sigui l’aliment de l’amor”

made my way back home I searched for form and land,for years and years I roamed I gazed a gazley stare at all the millions here We must have died along,a long long time ago Who knows? not me We never lost control You’re face to face With the man who sold the world

We passed upon the stair,we spoke of was and when Although I wasn’t there,he said I was his friend Which came as some surprise I spoke into his eyes I thought you died alone,a long long time ago Oh no,not me I never lost control You’re face to face With the man who sold the world I laughed and shook his hand,and

“no tindrem dret a expressar una opinió fins que no coneguem totes les respostes”

COME AS YOU ARE Come as you are, as you were, As I want you to be As a friend, as a friend, as an old enemy Take your time, hurry up The choice is your, don’t be late Take a rest as a friend as an old memoria Come dowsed in mud, soaked in bleach As I want you to be As a trend, as a friend, as an old memoria And I swear that I don’t have a gun No I don’t have a gun

AMY WINEHOUSE

AMY JADE WINEHOUSE 14.09.1983 · 23.07.2011 Cantant i compositora britànica d’origen jueu, va ser reconeguda pel seu contralt, un registre vocal que va ser descrit com acústicament poderós i capaç d’expressar profundament les seves emocions. Va obtenir el rècord de ser la primera dona en guanyar la major quantitat de reconeixements en una sola nit. El seu estil distintiu, els seus tatuatges

i el seu pentinant beehive, la van convertir en motiu d’inspiració per molts dissenyadors de moda. Amy tenia constants problemes legals, addicció a les drogues, l’alcohol i complicacions mèdiques, la qual cosa va acabar amb la seva vida al patir un shock per un consum excessiu d’alcohol després d’un període d’abstinència.

“sé que ets un apostador, l’amor és una partida perduda”

LOVE IS A LOSING GAME For you Love is Five story Love is

I was a flame a losing game fire as you came a losing game

Why do I wish I never played Oh what a mess we made And now the final frame Love is a losing game Played out by the band Love is a losing hand More than I could stand Love is a losing hand Self professed... profound Till the chips were down ...know you’re a gambling man Love is a losing hand Though I’m rather blind Love is a fate resigned Memories mar my mind Love is a fate resigned Over futile odds And laughed at by the gods And now the final frame Love is a losing game

BACK TO BLACK He left no time to regret Kept his dick wet With his same old safe bet Me and my head high And my tears dry Get on without my guy You went back to what you knew So far removed from all that we went through And I tread a troubled track My odds are stacked I’ll go back to black We only said good-bye with words I died a hundred times You go back to her And I go back to..... I go back to us I love you much It’s not enough You love blow and I love puff And life is like a pipe And I’m a tiny penny rolling up the walls inside We only said goodbye with words I died a hundred times You go back to her And I go back to Black, black, black, black, black, black, black, I go back to I go back to We only said good-bye with words I died a hundred times You go back to her And I go back to We only said good-bye with words I died a hundred times You go back to her And I go back to black

“triaré l’home equivocat tan naturalment com canto, i guardaré les meves llàgrimes per ocultar les meves pors”

YOU KNOW I’M NO GOOD

“no crec que la teva capacitat de lluita tingui res a veure amb el gran que siguis. Té a veure amb quanta ràbia hi ha en tu”

Meet you downstairs in the bar and heard Your rolled up sleeves and your skull t-shirt You say why did you do it with him today? And sniff me out like I was Tanqueray Cause you’re my fella, my guy Hand me your stella and fly By the time I’m out the door You tear me down like roger moore I cheated myself Like I knew I would I told ya, I was troubled You know that I’m no good Upstairs in bed, with my ex boy, He’s in the place, but I cant get joy, T hinking of you in the final throws, this is when my buzzer goes Run out to meet your chicks and bitter You say when we’re married cause youre not bitter There’ll be none of him no more I cried for you on the kitchen floor

I cheated myself Like I knew I would I told ya, I was troubled You know that I’m no good Sweet reunion, jamaica and spain Were like how we were again I’m in the tub youre on the seat Lick your lips as I soak my feet Then you notice lickle carpet burn My stomach drops and my guts churn You shrug and it’s the worst To truly stuck the knife in first I cheated myself like I knew I would I told ya I was troubled, you know that I’m no good I cheated myself, like I knew I would I told ya I was troubled, yeah ya know that I’m no good

REHAB They tried to make me go to rehab but I said ‘no, no, no’ Yes I’ve been black but when I come back you’ll know know know I ain’t got the time and if my daddy thinks I’m fine He’s tried to make me go to rehab but I won’t go go go

but I said ‘no, no, no’ Yes I’ve been black but when I come back you’ll know know know I ain’t got the time and if my daddy thinks I’m fine He’s tried to make me go to rehab but I won’t go go go

I’d rather be at home with ray I ain’t got seventy days Cause there’s nothing There’s nothing you can teach me That I can’t learn from Mr Hathaway

The man said ‘why do you think you here’ I said ‘I got no idea I’m gonna, I’m gonna lose my baby so I always keep a bottle near’ He said ‘I just think your depressed, this me, yeah baby, and the rest’

I didn’t get a lot in class But I know it don’t come in a shot glass They tried to make me go to rehab

They tried to make me go to rehab but I said ‘no, no, no’ Yes I’ve been black but when I come back you’ll know know know

I don’t ever wanna drink again I just ooh I just need a friend I’m not gonna spend ten weeks have everyone think I’m on the mend It’s not just my pride It’s just ‘til these tears have dried They tried to make me go to rehab but I said ‘no, no, no’ Yes I’ve been black but when I come back you’ll know know know I ain’t got the time and if my daddy thinks I’m fine

VALERIE Well Sometimes I Go Out, By Myself, And I Look Across The Water. And I Think Of All The Things, Of What You’re Doing, And in my head I Paint A Picture. Since I’ve Come Home, Well My Body’s Been A Mess, And I Miss Your ginger Hair, And The Way You Like To Dress. Oh Wont You Come On Over, Stop Making A Fool Out Of Me, Why Dont You Come On Over, Valerie. Valerie Valerie Valerie Did You Have To Go To Jail, Put Your House Out Up For Sale, Did You Get A Good Lawyer. I Hope You Didnt Catch A Tan, I Hope You Find The Right Man, Who’ll Fix It For You. Are You Shopping Anywhere, Change The Color Of Your Hair, And Are You Busy. Did You Have To Pay That Fine, That You Were Dodging All The Time, Are You Still Dizzy. Well Since I Come Home, Well My Body’s Been A Mess, And I Miss Your Tender Hair, And The Way You Like To Dress.

Water. And I Think Of All The Things, What You’re Doing, And In My Head I Paint A Picture. Since I’ve Come Home, Well My Body’s Been A Mess, And I Miss Your Tender Hair, And The Way You Like To Dress.

Valerie Valerie Valerie

Valerie Valerie Valerie Valerie Valerie Valerie Valerie Valerie

Well Sometimes I Go Out, By Myself, And I Look Across The

Why Don’t You Come On Over Valerie...

Oh Wont You Come On Over, Stop Making A Fool Out Of Me, Oh Why Dont You Come On Over, Valerie.

agraïments Tots els objectius que volíem aconseguir amb aquesta col·lecció no haguessin sigut possibles, si no fos per la col·laboració de la discogràfica There is not colour. Gràcies a ella, hem pogut desenvolupar i obtenir aquesta gran treball. Ha sigut una feina conjunta amb el bar XXVII, feta únicament per a totes aquelles persones que es vulguin endinsar en petits moments del nostre passat. I per acabar, gràcies a totes aquelles persones que han fet possible aquesta col·lecció, agraïments que es fa extensiu a tots aquells que han confiat simplement en la música.