THERESA KJELLBERG - architectural portfolio -
2015
Theresa Anna Kjellberg date of birth e-mail
29.2.1988 / Gothenburg, Sweden theresa.kjellberg@me.com
work experience
education 2014 - present
Architecture and urban design Chalmers University of Technology, Gothenburg, Sweden
2013 - present
Architecture and urban design Technical University of Liberec, Czech Republic
2010 - present
Small Smart Architecture. Prague, Czech Republic / freelance interior architect
2008 - 2014
Environmental design Technical University of Liberec, Czech Republic / bachelor of arts degree bachelor thesis: Territory / Tourism and public space
2009 - present
HAGS Praha Prague, Czech Republic / drawings, advertisements, administrative work
2009 - 2013
Architecture and urban design Technical University of Liberec, Czech Republic / bachelor degree bachelor thesis: Winery
2011 - 2012
PORTFOLIO | Theresa Kjellberg
Architecture - International master - focus on social sustainability Sint-Lucas Ghent, LUCA School of Arts, Belgium / Erasmus programme
october 2015
Prague Institute of Planning and Development / Public space office Prague, Czech Republic / internship
autumn 2013
Studio RaketoplĂĄn Liberec, Czech Republic / internship
november 2012
Edit! Architects Prague, Czech Republic / internship
other
experience in working on international conferences (Architecture out of centers, Fragile’s, HAGS)
exhibitions
workshops 2014
Concrete masonry - developing and producing a concrete pavilion Chalmers University of Technology, Gothenburg, Sweden
2014
The crack Botanical gardens, Gothenburg, Sweden
2013
Streetscape territories research project - Gowanus workshop Dr. arch. Kris Scheerlinck, Brooklyn, New York, USA
2013
Architecture and wine in Central Europe Jaroslav Fragner gallery, Prague, Czech Republic
2012
Fragile’s Gent, Belgium / student conference
2012
Future development of Troja Troja - Prague, Czech Republic
2011
Osmose - rethinking Brussels’ metro stations LUCA School of Arts, Brussels, Belgium
2011
2010
Troja Meadow - designing and building small wooden objects arch. Sami Rintala, arch. Ivan Kroupa and arch. Radek Suchánek Prague, Czech Republic
360 degrees, Design blok students of Bořek Šípek and Jaroslav Brabec, New Town Hall, Karlovo náměstí, Prague, Czech Republic
2010
Photography & Film students of Jaroslav Brabec, Liberec, Czech Republic
skills
competitions 2015
Werndstedt Sketch prize ‘15 / 2. prize project: Auditorium Chalmers 2020 ArchDaily: The best student work worldwide 2015 project: The Crack selected by ArchDaily among the 26 best built student works worldwide.
2013
Bydlení-iq / finalist
2012
Bydlení-iq / narrow selection
2011
K-kontrol / 2nd prize Bydlení-iq / 5th prize
2010
architectural programmes languages
field of interest
AutoCAD, Rhinoceros, V-ray for Rhinoceros, Adobe Photoshop, InDesign, Illustrator Czech / bilingual proficiency Swedish / bilingual proficiency English / full professional proficiency French / elementary proficiency social and environmental sustainability in architecture and urban design Environmental Sustainability (5 ETCS) Design for Sustainable development (7,5 ETCS) Zero Energy building
JFK - category house / 2nd prize Bydlení-iq / narrow selection
curriculum vitae
It’s all about people / the Avancez auditorium Werndstedt Sketch prize ‘15 / 2nd prize key words:
competition, auditorium, public building
year:
spring semester 2015
tutor:
Gert Wingårdh, Sten Gromark
school: collaboration:
Chalmers University of Technology Štěpán Matoušek
The Avancez Auditorium reflects on the historical values of Chalmers University and it’s importance of concentrating knowledge and producing innovation by interactions of people of various backgrounds. It offers a space isolated from the disruptive external influences which allows to be fully focused on the present moment. The auditorium is designed as an intimate space that invites the audience to interact. The concrete core provides a silent lecture room that is surrounded by a lightweight structure that acts as a social hub and allows a fluid movement and blending of people and functions. 1
the auditorium / the beehive beehive: concentrating knowledge > producing innovation by intimate interactions sequences: suppressing the outside by providing a guidance through a set of extreme atmospheres 4 projecting: telling a story by projecting the inside-out to the public > engaging and inviting 5 sketching 6 projecting inside - out 1 2 3
2, 3, 4
PORTFOLIO | Theresa Kjellberg
5
+ 19,800
+ 15,840
+ 11,880
+ 7,920
+ 3,960
0,000
6 it’s all about people / the avancez auditorium
1
2
PORTFOLIO | Theresa Kjellberg
3
stage storage
ventilation
side stage backstage
ventilation
reception
wardrobe
stage ventilation
foyer
ventilation
wardrobe
auditorium
auditorium
cleaning
exhibition
ventilation
disposals loading / unloading area (cargo)
foyer
cafe
maintenance
4
ventilation
ventilation
ventilation
ventilation
5, 6, 7 ventilation
auditorium
projecting outside - in sequences axonometry 4 plans, 1:400 5 concrete base - technical facilities 6 suspended auditorium - intimate transmission of knowledge 6 lightweight scaffolding - social interactions 1
auditorium
projector / control room
2
ventilation
3
exhibition
cafe
špania dolina
Guldheden housing
key words:
housing invention
year:
spring semester 2015
tutor:
Ola Nylander, Bjรถrn Gross
school:
Chalmers University of Technology
Environmental sustainability The buildings are designed to make the impact on both the direct surroundings and the environment in general as low as possible. Mainly the building materials are organic - the structure is made out of massive wood with narrow spans to minimaze the need of material. Concrete is used only as a base support for the wooden structure, providing a buffer zone that protect the wooden construction from the direct climatic impacts and also as fire protection. Both buildings types respects the surrounding environments and interact with it in its own way. The apartment building making a step to the street to make place for the rock and the villas by floating over the landscape on piles, that also minimaze the impact during the construction work. 1
situational plan model 1:400 - paper, foam, oak wood section model 1:100 - plaster, paper, plywood 4 a diverse ground floor enriches the streetscape, allows for interaction and adapts over time 1 2 3
2
PORTFOLIO | Theresa Kjellberg
3
4 Guldheden housing
Concept 1 the site faces two different environments and therefore require two different scales and types of buildings. On one site there is the “Landala Egna hem” with it’s almost village like atmosphere and on the other is the urban city of the 50’s. Along the main street I propose a long object with a strong fasade, while on the other side I designed 3 soft edged volumes that are climbing up the landscape, floating above the terrain. 2 the long volume is placed on a resctangular concrete base that provides a buffer zone from the street. The tree smaller volumes are placed on a slab with columns allowing the houses to float on the landscape with the minimal impact to the ground.
1
3 two different environments also requires different interactions. The long building is providing public and private spaces on the ground floor. It’s divided into modules that can be used in various ways depending on the need, this allows flexibility in its use. It can be used for private garages or offices, commercial spaces, community spaces, etc. The middle house is providing the small square / park with a new function. The cafe will invite people from the Guldheden to experience the special atmosphere of Landalaplatsen. In this house there is also the main community space of the project, hosting events, dinners, gym activities, etc.
2
facing two different environments meeting the landscape flexibility 4 framing the views 5 plans 1:400 1 2 3
3
PORTFOLIO | Theresa Kjellberg
4
3rd floor
1st & 2nd floor
ground floor
5 Guldheden housing
Social sustainability Both building types are designed to accomodate a variety of inhabitants. This is provided by 7 different types of apartments that varies in sizes and also in the typology - from minimal 25 m2 apartments suitable for example for students to 2 floors apartments that gives the feeling of living in an own house in the city. The bigger flats also gives possibilities in its flexibility, so that it can adapt to the current situation of the family. The divisions of spaces are in some cases made out of light weight partitions or furniture, so that it can be easily moved or removed. The city context & residents own dwelling The houses gives opportunities for its inhabitants to interact in the common space where dinners and parties can be organized or it could serve as a gym space for both the inhabitants as other people from the neighborhood. By providing public and semi-public functions the project also invites the neighbors to interact. The cafe at Landalaplatsen attract people from Guldheden to have a fika at the terrace or at the small lake while the flexible spaces on the ground floor of the appartment building gives opportunity to local commercial activities or as a start-up offices for young citizens.
1
2
the entrance the kitchen connecting the inside and the outside 4 framing the view 1 2 3
3
PORTFOLIO | Theresa Kjellberg
4
1
2
1 2
house A (ground, 1st and 2nd floor), 1:400 house B (ground, 1st and 2nd floor), 1:400
Guldheden housing
Špania Dolina
key words:
social sustainability, community, restoration
year:
winter semester 2013
tutor:
Ing. arch. Radek Suchánek, PhD.
school:
Technical University of Liberec
The question of how to reinvent villages so they won’t become just suburban areas of bigger cities is a general questions that can be asked almost all over Europe. As the essential part of living in a village, besides the proximity to the nature, I see the close relationships between its inhabitants. The improvement of those relationships is the foundation stone of creating a strong community that is concious and engaged. When those relations are non-existent or unconcerned there is the risk of that the village will become just a sleep over place for people working in the nearby city. 1
Špania Dolina topography 3 analysis / schemes 1 2
2
PORTFOLIO | Theresa Kjellberg
_ domy _ domy jsou umístěny podél hlavních cest, uprostřed obce vzniká hluchý prostor
Špania Dolina
_ domy _ domy jsou umístěny podél hlavních cest, uprostřed obce vzniká hluchý prostor
Špania Dolina
_cesty _všechny cesty vedou přes náměstí
_ domy _ domy jsou umístěny podél hlavních cest, uprostřed obce vzniká hluchý prostor
_cesty _všechny cesty vedou přes náměstí
_cesty _všechny cesty vedou přes náměstí
_veřejné funkce _ nejsou centralizovány na náměstí _ krčma, park, dětské hřiště, smetiště, městský úřad, kostel
_veřejné funkce _ nejsou centralizovány na náměstí _ krčma, park, dětské hřiště, smetiště, městský úřad, kostel
_voda _ ze 2 údolí stéká na náměstí kde mizí pod povrchem a objevuje se znovu pod náměstím
_veřejné funkce _ nejsou ce na náměstí _ krčma, park, d smetiště, městský úřad, kostel
_veřejné funkce _ nejsou centralizovány na náměstí _ krčma, park, dětské hřiště, smetiště, městský úřad, kostel
_voda _ ze 2 údolí stéká na mizí pod povrchem a objevu pod náměstím
_náměstí _ nedefinovaný prázd _veřejné funkce _ nejsou centralizovány na náměstí _ krčma, park, dětské hřiště, smetiště, městský úřad, kostel
?
?
_cesty _všechny cesty vedou přes náměstí
_voda _ ze 2 údolí stéká na náměstí kde mizí pod povrchem a objevuje se znovu pod náměstím
?
_náměstí _ nedefinovaný prázdný prostor _voda _ ze 2 údolí stéká na náměstí kde mizí pod povrchem a objevuje se znovu pod náměstím
_náměstí _ nedefinovaný prázdný prostor
?
_náměstí _ nedefinovaný prázdný prostor _voda _ ze 2 údolí stéká na náměstí kde mizí pod povrchem a objevuje se znovu pod náměstím
_náměstí _ nedefinovaný prázdný prostor
3 špania dolina
Špania Dolina is a small village situated in the Fatra mountains in the north of Slovakia. Its history has been strongly formed by copper mining. At the peak of its time it was the biggest copper mine in Europe and the village was blooming. Now the only thing reminding of this period are huge mountains formed by stones that were waste from the mining. The number of inhabitants has dropped from over 5000 to only about 200. However thanks to its beautiful environment and the short distance to the biggest town in the region, Bánská Bystrica, its attracting young people and with small improvements it has the potential to become an attractive place to live. Špania Dolina is standing on the edge of a new era. There are a couple of buissness visions, that would propably just have a very short-term and narrow minded effect that would only gain a single person but could have a very fatal impact on the character of this almost completely preserved village. It’s very important that all the bigger interventions are based on the needs of the community and not the desire for quick profits. For the shaping of the vision of the community its important that the people of the village has a chance to meet, discuss and get to know each other. Nowadays that is not the case. Therefore, I decided to design spaces that allow different kinds of meetings in different scales and contexts. Both of the buildings are situated on the main intersection of all the routes through the village.
1
the village’s house paper model 1:100 3 the square 1 2
2
PORTFOLIO | Theresa Kjellberg
3 špania dolina
1
2
PORTFOLIO | Theresa Kjellberg
špania dolina
shingle roof
facade cladding
wooden structure
3
concrete solid core
siteplan section A-A, 1:200 siteplan model 1:5000 4 construction axonometry 1 2 3
4
špania dolina
1.6
3.1 1.1
1.2
3.2
1.3
1.4
3.3
1.5
A
2.1
2.2
3.4
2.3 1.6
PORTFOLIO | Theresa Kjellberg
A
The frame A linear building that provides a roof for different functions and forms a transparent filter between the main square and the nature. There is a small kindergarten so the youngest inhabitants gets a chance to develop a relation to the village. Through the big windows they get a chance to observe both the life of the village and the nature. In the second part of the building there is a common room with a big bookcase and an open fire. It serves as a meeting place for the local chess club, a reading room or a library. Those two parts are connected by a covered area and a gallery. The whole building is elevated above the ground so it also provides a seating area for activities on the square.
1.7
1. the village’s house entrance / wardrobe changing room / wardrobe 3 podium 4 hall 5 storage 6 terraces 1 2
7 8 9
1.8
A
balcony storage tribune
2. the frame 1 2 3
nursery dining room common room
3. the square fountain waste sorting bus stop 4 fire station 1 2 3
1.9
A
The village’s house A building that can transform with the seasons and the user’s requirements. In the winter it is a lighthouse in the snowy valley, that radiates warmth and invites you in. In the summer it opens up and serves as a podium for the activities outside. With a simple layout, sliding walls, different levels of space, roofed terraces and rotating slats it can be used for different actvities in different ways. It serves as a dance hall, sports hall, theather, cinema, market space, concert hall or exhibition space, etc. The square Those two structures have clearly divided the initially undefined area of the square into two different parts. They form a protected corner without cars where children can play safely, people can organize activites or just relax. There is a fountain here which restore the sound of running water which is a characteristic of a mountain village. Construction The construction systems of both of the buildings are made of concrete and wooden structures. The concrete solid cores supports the light wooden frames.
1 2
plan 1:200, first floor plan 1:200, second floor
špania dolina / plans
3
1
nursery common room cinema 4 multipurpose hall 6 axonometry 7 relaxation space 1 2 3
2
PORTFOLIO | Theresa Kjellberg
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4
5
6
špania dolina
Housing Komín
key words:
social and environmental sustainability, housing
year:
summer semester 2014
tutor:
Ing. arch. Antonín Novák
school:
Technical University of Liberec
The narrow mass of the houses peeps above the trees as if there were two different worlds. A world above the treetops and below them. The houses are richly illuminated and they provide a direct contact with the trees on the south and north facades. On the east and west they open up for long views of the landscape. Among the houses there are remains of allotments in the form of fruit trees. Living in an orchard. People grow their own vegetables here, in the fall they harvest the fruits.
1
KOMÍN
BRNO
Housing Komín provides an opportunity for families looking for an alternative to living in the city center, but do not want to move to suburban satellites. Komín has all the amenities, including a nursery and primary schools, gymnasiums and sports facilities, the location is easily accessible by public transport. The plot is a former allotments, located on the edge of the forest, not far from the river, a short distance from the boundary a stream flows.
interconnection of inside and outside location - Brno, Czech Republic 3 the view from a balcony 1 2
2
PORTFOLIO | Theresa Kjellberg
3 komĂn
module axis long view
2
1
core
core
transverse view communication axis
The mass of houses is narrow and elongated, due to this the maximum connection between the interior and exterior is achieved. The parterre in the two longer buildings have a public function - a cafe that warmly invites locals for a visit, and studio spaces that attract visitors from longer distances. Both of these features help to mix new residents with residents of the old neighborhood. It also serves as a social control during the day, when people are at work or at school. All the buildings have a common feature for residents. In addition to the facilities and saunas, these spaces are multifunctional and can be used as a space for various celebrations, movie screenings, or perhaps as a gym for organizing courses. The longer buildings have the social functions installed on the roof. In the southern part of the plot is a third type of dwelling – row houses that climbs the steep terrain. The apartments are oriented to three sides. This allows for rich lighting and links the interior with the exterior. An important element of the dispositions are the concrete cores that have both a structural function, but is also creating spaces for functions (bathroom, kitchen, storage), thus allowing purity in the remaining spaces. At the same time these cores have a function of a clear division between different levels of intimacy in the apartment. The main communication axis is placed in the northern facade, it connects the living areas while providing long views through the whole apartment to the terrace. All apartments are equipped with large terraces. Terraces allows to expand the habitable area of the apartments during the warm months with life outside. The size of the terraces also allows cultivation of various crop. The disposition is planned freely as possible, with movable partitions, allowing connection and separation space as needed. The children’s rooms can be connected for smaller children, for example it’s possible to use one as a sleeping area and a second to play, for children to live in a world of their own.
3 conceptual schemes principles of designing apartments urban context 4 siteplan 1 2 3
PORTFOLIO | Theresa Kjellberg
4 komĂn
Window openings are designed as two types of modules. On the north they’re aligned with the facade, creating a wide parapet in the interior, which can also be used for seating, while in the south the window is inset, thus providing space for ventilation through the french windows and creating space for movable outdoor shading blinds. The north - south orientation allows to maintain a comfortable temperature even on hot summer days. It is a reinforced concrete structure, which thanks to the stiffness of cores allows the largest possible window openings. Material solution of these cores is granted in the form of exposed concrete. The interior is granted transverse beams. Window openings are inserted as wooden modular elements.
1
2 PORTFOLIO | Theresa Kjellberg
6 th floor
5 th floor
axonometry section 1:500 3 plans 1:200 1 2
3 komĂn
4 th floor
3 rd floor
PORTFOLIO | Theresa Kjellberg
2 nd floor
1 st floor
komĂn
2
1 PORTFOLIO | Theresa Kjellberg
3
2
4 courtyard duplex apartment the presence of nature 4 long view through the apartment 1 2 3
komĂn
4 th floor
3 rd floor
PORTFOLIO | Theresa Kjellberg
2 nd floor
1 st floor
komĂn
Once
key words: year: team:
pavilion, concrete masonry winter semester 2014 Matthew Argent, Theresa Kjellberg, Unnar Kristmannsson, Štěpán Matoušek
tutors:
arch Daniel Norell, Jonas Lundberg, Klas Moberg, Karin Hedlund, Pedram Seddighzadeh
school:
Chalmers University of Technology
Concrete, unlike stone, is unique in the sense that involves matter undergoing a shift from liquid to solid state. It is liquid frozen in time. This uniqueness is something we wanted to express and forms the overall expression and intention of the kiosk. The kiosk embodies a sense of timelessness. It is not immediately recognisable, but appears to be something ancient; frozen in time and space. Only the natural elements that exist within the botanical gardens are alive in and around it. 2
1 2
PORTFOLIO | Theresa Kjellberg
summer day winter night
2 once
1
PORTFOLIO | Theresa Kjellberg
a
n b
midsummer sunset
2
midsummer sunrise
e
w
equinox sunrise
equinox sunset
midwinter sunrise
midwinter sunset
b 3
s siteplan 2 3D printed model 1:20 3 plaster model 1:6 4 plan 1:20 1
everyday noon
4
a
once
1 PORTFOLIO | Theresa Kjellberg
At the heart of the kiosk is an interior completely removed from its site, yet integrally part. It is a contemplative space that sits still, revealing the garden that encircles it in motion. Visitors are to become observers; their isolation heightens their senses.
340
340
layer 5 (a) 66l / 151kg
The kiosk is sculpted precisely to its purpose as a physical body and an object of emotional experience. It allows visitors of the botanical gardens to ‘see’.
600
layer 4 (b) 87l / 200kg
The northern entrance of the kiosk is not directly visible from the entrance of the botanical gardens but rather it has to be discovered. Visitors are drawn around the periphery of the kiosk.
600
108l / 248kg 600
600
3000
130l / 272kg 600
600
layer 1 (a) 150l / 290kg 600
210
2
3000
layer 2 (b)
Intermittent streams of natural light seep into the space, projecting a play of light throughout the day, contrasting the otherwise ‘blackness’ of the interior. Release only comes from the oculus above, framing the sky and canopy above directly, allowing rain to pour in and echo as it hits the pond that is the floor.
1
600
layer 3 (a)
Guided only by the individual’s hand, visitors transition into the kiosk through a deep reveal subtracted from the solid mass. Visitors are forced to crouch and step into the space; it is tight and uncomfortable. The contrast between the exterior and interior is revealed, softened only by the untreated surface of the concrete blocks reveal, giving a strong degree of sidedness to each individual block. Having entered the space, the entrance becomes a seat.
Orientation is only discovered at the moment of noon each day where light pours through a slit placed specifically on site.
600
210
1400
1400
1820
1820
210
600
210
plaster model 1:6 sections 1:10
once
1 PORTFOLIO | Theresa Kjellberg
2
3 slit of light mould model 1:6 mould model 1:6, disassembled 4 axonometry of mould 1 2 3
4
komĂn
2
4
1
texture interlocking negative lock 4 texture 5 positive lock 6 scale 1:2 7 detail of assembly 1 2 3
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PORTFOLIO | Theresa Kjellberg
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6
7
once / concrete model
The Crack
key words: year: team:
concrete masonry, 1:1 scale, production winter semester 2014 Material & Detail Studio Unnar Kristmannsson, Emily Hamilton, Emil Poulsen, Yiwen Zhou, Arvid Söderholm, Stéphanie Amstutz, Oscar Gillkvist, Elisenda Planell, Pär Bratt, Vasiliki Panagiotidou, Marin Germain, Daniel Morales, Jens Lundin, Theresa Kjellberg, Francois Otten, Antoni Berga Mayol, Johannes Tsagarakis, Matthew Argent, Johan Berggren, Aysegul Taskin, Daniel Nordlund Hasseb, Hussein Chith, Štěpán Matoušek, Fiona Heieck, Neza Kravanja
tutors:
arch Daniel Norell, Jonas Lundberg, Klas Moberg, Karin Hedlund, Pedram Seddighzadeh
school:
Chalmers University of Technology
The Crack is a project realized by 25 international students of the architectural master programme at Chalmers in the Material & Detail Studio. This year the task of the studio was to investigate new possibilities of reinventing concrete masonry. Through a partnership with local firms specialized in concrete and formwork, and after two months of researching, experimenting and designing the production of a 1:1 kiosk started.
1
The Crack is constructed out of 67 unique pieces of concrete masonry units each weighting between 200 - 300 kg. The production and assembly process including construction of moulds took 3 weeks. On 16 th December 2014 we proudly opened the vernissage of The Crack in the Botanical Gardens of Gothenburg. material & detail production 3 the crack 1 2
2
PORTFOLIO | Theresa Kjellberg
2 the crack
Winery
key words:
landscape, mix of functions, solitaire
year:
spring semester 2013
tutor:
Ing. arch. Zdeněk Frånek
school:
Technical University of Liberec
A linear building, like one of the rows in a vineyard, like grooves in boards that provides space, like the strength of the landscape that flows through the building.
1
The winery as a phenomenon the existence of which is directly influenced by powers of nature was designed as a strong detached building that communicates with the surrounding. There is a tension and a balance between the building and the landscape. The shape is clearly defined by long slabs, however at the same time the borders are disturbed by the flow of the landscape. This way various spaces are created, which are defined by this relationship in various contexts. Light masses of specific functions, which symbolize the fragility of the coexistence, are inserted between the slabs. The design includes production, presentation and accommodation.
1 2 3
2
PORTFOLIO | Theresa Kjellberg
context schemes the flow of the landscape
3 winery
1 PORTFOLIO | Theresa Kjellberg
1NP
press
storage of wine bottles
production
production
laboratory
workshop / storage
storage technical room
umístění plničky a etiketovačky zpevněná plocha
1PP
garage for machines
filling the bottles
wc / changing rooms expedice
2
seating
degustation / meeting room
office
wc
1NP
kitchen
entrance
terrace
bar / reception
balcony
terrace
1PP
room
room
room
room
3
view into the showroom functional schemes / production 3 functional schemes / showroom 1 2
winery
F
E
D
C
1.11 1.01
1.02
1.03 1.04
1.05 1.06
1.07
B
1.08
0,000
1.09
1.10
0,000
1.12 1.13 1.14
1.01 1.02 1.03 1.04 1.05 1.06 1.07 1.08 1.09 1.10 1.11 1.12 1.13 1.14 1.15 1.16 1.17 1.18 1.19 1.20
B’
0,000
+ 0,245
0,000
+ 0,245
0,000
Půdorys 1PP A’
A
+ 0,245
1.15
1.17
1.16
1.18
1.19
1.20
F’
E’
D’
C’
showroom / bar office bathroom kitchen degustation / meeting room corridor staircase press apartment / living and dining room, kitchen apartment / entrance apartment / home office apartment / wc apartment / bathroom bedroom terrace balcony degustation terrace apartment / atrium balcony terrace
1
0.06
0.07
0.08
0.09
1.08
1.06
vinotéka kancelář wc kuchyň degustační / zasedací místnost chodba
1.07
schodiště
60,0 m 2 15,3 m 2 14,8 m 2 14,8 m 2
- 3,425
-3,650
32,3 m 2 32 m 2 7,9 m 2
Byt :
F
0.05
E
0.04
Výroba:
B 1.01 1.02 1.03 1.04 A 1.05
D
C 0.01 0.02 0.03 Prezentační část:
0.10
0.11
0.12
0.13
Venkovní prostory: - 2,720
lisovna - 4,300
-2,800
46,0 m 2 - 4,300
1.NP:
-2,800
- 4,300
Prezentační část celkem: Výroba: Byt 1: Byt 2:
- 4,300
- 3,200
1.09 1.10 1.11 1.12 1.13 1.14
kuchyň + jídelna + obývací pokoj zádveří pracovna wc koupelna ložnice
1.15 1.16 1.17
38,7 m 2 7,6 m 2 10,9 m 2 1,8 m 2 6,3 m 2 16,3 m 2
- 4,300
terasa vinotéky pavlač terasa degustační místnosti atrium pavlač terasa
1.18 1.19 1.20
55,4 m 2 31,3 m 2
A’
- 3,200
22,3 m 2 13,4 m 2 115 m 2 21,0 m 2
- 3,200
Obytná plocha celkem:
F’
E’
D’
C’
10 m
0
0.15
0.14
B’
20 m
1:200
0.16
0.01 0.02 0.03 0.04 0.05 0.06 0.07 0.08 386, 3 m 2 0.09 0.10 0.11 09 0.12 0.13 0.14 0.15 0.16 169 m 2 46,0 m 2 81,6 m 2 81,6 m 2
technical room storage of finished wine bottles storage of machines despatch / filling of wine bottles bathroom / changing room production corridor production corridor laboratory / storage room laundry / technical room workshop garage terrace garage for machines
2
Výroba:
Ubytování:
+ 3,550
0.01 0.02 0.03 0.04 0.05 0.06
strojovna / tech. místnost sklad lahvových vín místnost na uskladnění plničky a etiketovačky expedice (lahvovna 200 h/rok) wc, šatna bariková místnost
3
PORTFOLIO | Theresa Kjellberg
22,8 m 2 32,9 m 2 0,000
14,2 m 2
- 3,650
48,4 m 2 17,0 m 2 35,0 m 2
0.07 0.08 0.09 0.13
chodba tanková hala laboratoř, sklad vinných potřeb dílna, sklad zahradního nářadí, prostor pro brigádníky + 0,245
19,0 m 2 95,0 m 2 17,6 m 2
- 4,300
48,7 m 2
0.08 0.11 0.12 0.15
1.PP:
chodba pokoj prádelna, tech. místnost lodžie
38 m 2 22 m 2 18,6 m 2 6,3 m 2
+ 4,750
+ 4,050
350 m 2 157,2 m 2
Výroba celkem: Ubytování celkem:
2 3
+ 0,245 0,000
Venkovní plochy: 0.14 0.16
kryté parkování pro majitele krytý prostor pro mechanizaci - 3,200
0,000
- 3,200
73 m 2
Obytná plocha celkem:
- 4,300
40 m 2
0
plan entrance floor / showroom, office, living plan underground / production, accomodation section A-A’ 4 north elevation 5 south elevation 6 west elevation 7 east elevation 1
10 m
20 m
1:200
507,2 m 2
10
4
5
6
7
winery
2
1 harvest of grapes degustation room landscape 4 model 1:200 5 baclony 1 2 3
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PORTFOLIO | Theresa Kjellberg
4
5
winery
Sustainable living center
key words:
environmental sustainability, education, housing
year:
autumn semester 2012
tutor:
arch. John O’Reilly
school:
Technical University of Liberec
The sustainable living center is a place for people to come and a have a second thought on principles in our modern society, a place to learn and to refresh our minds. Lean long walls are a typical space-element in the Irish countryside. The same horizontal element is present on the given site and is enhanced by the long narrow mass of the existing buildings. This distinction has become crucial for the new intervention. When going through the center you’ll experience different kind of views, long and short, panoramatic and framed.
1
The given program can be divided into three categories: work, eat, relax. Those functions are all connected through the nature. We work in the garden, we eat the food it provides us and we relax by the views it offers us. Therefore the garden is treated equally in the project as the buildings are. The usual solution of the public / private gradient is turned around. When going for a lecture the visitor pass all the different functions, seeing glimpses of the life in the center. When reaching the multi purpose room they’ll already feel like being a part of the community and they’ll listen more openly. The buildings are designed on a modular system that allows flexibility but can still be prefabricated so that the impact on the environment of the site as small as possible.
1 2
PORTFOLIO | Theresa Kjellberg
HUB space / working entrance / long views
2 sustainable living center
wild garden
entrance
shop
guest rooms storage
entrance space
meeting room
meeting garden
HUB space
micro brewery relaxing space
dining room
secret garden
event space kitchen
dining terrace
herbs garden
event terrace
multi purpose space
compost
storage
greenhouse
multi purpose space
fireplace
orchard
N
plan 1:250
1 PORTFOLIO | Theresa Kjellberg
meeting garden
HUB space
micro brewery relaxing space
dining room
secret garden
event space kitchen
dining terrace
herbs garden
event terrace
multi purpose space
compost
storage
greenhouse
multi purpose space
fireplace
orchard
N
plan garden space model 4 section 1 2 3
2
3
plan 1:250
section 1:250
4 sustainable living center
Královská cesta
key words:
territory, urban environment, social sustainability
year:
autumn semester 2013
tutor:
prof. Dr. Ing. arch. Bořek Šípek
school:
Technical University of Liberec
“The Royal route has always been showcasing the abilities of people, what do we as a society want to showcase today, what is defining our era?”
1
The interest of this project is the definition of territory in an urban environment. I am interested in the impact that commercial tourism has on the everyday environment we live in. Particularly in the transformation, alienation and redefinition of our known territory in to something we don’t feel familiar with. I am examining this phenomenon on a typical example of it, the Královská cesta (Royal route) in Prague. I am seeking parallels in the historical and contemporary meaning of the route. The Royal route has always been showcasing the abilities of people, what do we as a society want to showcase today, what is defining our era? I am presenting the current status of the Royal route in a book that is also the outcome of my work. This book should serve as a initiation impulse. Furthermore, I outline possible solutions for this situation.
1 2
PORTFOLIO | Theresa Kjellberg
the book / 238 pages / 135 x 180 mm the map gradually unfolds and tells a story
2 krรกlovskรก cesta
2
1 the impact of commercial tourism the definition of a territory the map is complementing the images 4 3,7 km / 119 souvenir shops 5 the book was printed on 2 copies 1 2 3
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PORTFOLIO | Theresa Kjellberg
4
5
6
krรกlovskรก cesta
Venalicium
key words:
social sustainability, renovation, reuse, housing
year:
autumn semester 2011
tutor:
Dr. arch. Kris Scheerlinck
school:
Sint-Lucas Gent / LUCA School of Arts
The global strategy of the project is to enhance the waterways and the neglected areas of Ghent as well as the farmer’s production. This is done by implementing floating market sites in the city. One of them is right in the city center, at Graslei.
1
The strategy on a smaller scale is to try to find a new function to the old post office building of Ghent. It’s done by adding a new “skin” to the building. The “skin” is helping the old building to function again, it’s providing social housing units with a variations of sizes and inhabitants. The units are just offering the very basic and compact space and function to enhance the social collectivity. To find more generous spaces and functions the inhabitants has to use the collective space located in the old building.
a view from Korenlei schemes: units / porosity / galleries / connections 3 plans 1:200 1 2
2
PORTFOLIO | Theresa Kjellberg
3 venalicium
2
1 the underground house / 2009 folly / 2010 family house / 2010 4 diplomatic villa / 2011 5 troja meadow workshop / 2010 1 2 3
3
PORTFOLIO | Theresa Kjellberg
4
5
other projects
1
4
7
5
8
2
3
6
9
PORTFOLIO | Theresa Kjellberg
13
10
16
11
17
14
ĹĄpania dolina / plywood, paper, 1:100 layers cube / plaster the crack / concrete, 1:1 4 the crack / concrete, production 5 the spike Gent / paper, handcut, 1:500 6 once / plaster, 1:6 7 guldheden housing / paper, plaster, 1:100 8 the avancez auditorium / paper, 1:200 9 sustainable living center / paper 10 guldheden housing / paper, solid oak wood, 1:400 11 once / plaster, 1:6 12 ĹĄpania dolina / landscape model 3 x 3 m / paper, foam, 1:5000 13 once / concrete, 1:2 14 3D printed model, 1:20 15 the stockholm exhibition 1930 Gunnar Asplund / Chalmers nordic architecture / photo by K. EngstrĂśm / plywood, lasercut, 1:100 16 the underground house / balsa wood, handcut, 1:10 17 winery / plywood, plaster, 1:200 1 2 3
15
12
models
- 2015 -