THERESA ANNA KJELLBERG - architectural portfolio -
2018
Theresa Anna Kjellberg 29.2.1988 / Gothenburg, Sweden e-mail
theresa.kjellberg@me.com
education 2014 - 2017
Architecture and urban design Chalmers University of Technology, Gothenburg, Sweden /master degree diploma project: Minimal Shelter / An investigation on architecture of diffuse boundaries tutors: arch. Morten Lund and Kengo Skorick
2013 - 2016
Architecture and urban design Technical University of Liberec, Czech Republic / master degree diploma project: Globcentrum tutor: Ing. arch. Jan Hendrych
2008 - 2014
Environmental design Technical University of Liberec, Czech Republic / bachelor of arts degree bachelor thesis: Territory / Tourism and public space tutor: prof. Dr. Ing. arch. Bořek Šípek
2009 - 2013
Architecture and urban design Technical University of Liberec, Czech Republic / bachelor degree bachelor thesis: Winery tutor: prof. Ing. arch. Zdeněk Fránek
2011 - 2012
PORTFOLIO | Theresa Kjellberg
Architecture and sustainability Sint-Lucas Ghent, LUCA School of Arts, Belgium / Erasmus programme tutors: Kris Scheerlinck and Wim Goes
work experience 2010 - 2018
Small Smart Architecture. Prague, Czech Republic / architect, co-founder complete realizations of interior projects, small scale projects, 1st prize in an open architectural competition for a kindergarten
2009 - 2018
HAGS Praha Prague, Czech Republic / drawings, advertisements, administrative work
feb - dec 2016
oct 2015
White Arkitekter Gothenburg, Sweden / continuous work on the project “Selma stad cultural center”, under construction, planned completion: spring 2019 Prague Institute of Planning and Development / Public space office Prague, Czech Republic / internship
autumn 2013
Studio Raketoplán Liberec, Czech Republic / internship
nov 2012
Edit! Architects Prague, Czech Republic / internship
other
experience in working on international conferences (Architecture out of centers, Fragile’s, HAGS)
workshops
exhibitions
2017
Landscape festival / realization of a bamboo pavilion Jaroslav Fragner gallery, Pilsen, Czech Republic
2016
Reconstructing the Stockholm exhibition 1930 Chalmers University of Technology, Gothenburg, Sweden
2014
Concrete masonry / developing and producing a concrete pavilion Chalmers University of Technology, Gothenburg, Sweden
2014
The crack Botanical gardens, Gothenburg, Sweden
2013
Streetscape territories research project / Gowanus workshop Dr. arch. Kris Scheerlinck, Pratt Institute, Brooklyn, New York, USA
2013
Architecture and wine in Central Europe Jaroslav Fragner gallery, Prague, Czech Republic
2012
Fragile’s / student conference Gent, Belgium
2012
Future development of Troja Troja, Prague, Czech Republic
2011
Osmose / rethinking Brussels’ metro stations LUCA School of Arts, Brussels, Belgium
2011
2010
Troja Meadow / designing and building small wooden objects arch. Sami Rintala, Ivan Kroupa and Radek Suchánek Prague, Czech Republic
360 degrees / Designblok students of Bořek Šípek and Jaroslav Brabec, New Town Hall, Karlovo náměstí, Prague, Czech Republic
2010
Photography & Film students of Jaroslav Brabec, Liberec, Czech Republic
competitions 2017
MŠ Vokovická / 1st prize an open architectural competition for a kindergarten, in cooperation with Ing. arch. Štěpán Matoušek, MSc.
2015
Werndstedt Sketch prize ‘15 / 2nd prize Auditorium Chalmers 2020, in cooperation with Ing. arch. Štěpán Matoušek, MSc. ArchDaily: The best student work worldwide 2015 The Crack selected by ArchDaily among the 26 best built student works worldwide, designed and built by Material & Detail studio 2014
skills 2D & 3D languages
field of interest
AutoCAD, Rhinoceros, V-ray for Rhinoceros, SketchUp, Revit, Adobe Photoshop, InDesign, Illustrator Czech / bilingual proficiency Swedish / bilingual proficiency English / full professional proficiency social and environmental sustainability in architecture and urban design
2013
Bydlení-iq / finalist
Environmental Sustainability (5 ETCS) Design for Sustainable development (7,5 ETCS) Zero Energy building
2012
Bydlení-iq / narrow selection
SDG academy - Planetary boundaries and human opportunities
2011
K-kontrol / 2nd prize Bydlení-iq / 5th prize
2010
JFK - category house / 2nd prize Bydlení-iq / narrow selection
curriculum vitae
- work experience -
Small Smart Architecture.
key words: year: co-founder:
interior design, small scale projects, reconstruction, custom furniture 2010 - 2018 Ing. arch. Štěpán Matoušek, MSc.
Small Smart Architecture was established in 2010 by me and Štěpán Matoušek as a side project to our architectural studies. Starting with small scale projects and clients involving mainly family and friends we learnt how to manage diverse interior projects from the first sketch to realization. We successfully continued to run our studio after finishing school. In 2017 we worked with a broader range of clients and projects involving several large scale studies of apartment buildings, a villa extention and a proposal for a wooden cabin. Last year we also won the architectural competition for a kindergarten in Vokovice, Prague. The project is currently in progress in cooperation with RA15 and is going to be built. 1 Selected projects:
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PORTFOLIO | Theresa Kjellberg
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2010
Student’s apartment / interior design Nábřeží apartment / total renovation of an art noveau apartment
2014
Brown-Forman office fitout / redesign of ca 700 m2 office space
2015
Villa Jinonice / exterior details, interior design, custom furniture Letná apartment / total renovation
2016
Villa Troja / exterior details, interior design and custom furniture of 3 apartments
2017
Vokovická kindergarten / 1st prize in an open architectural competition / in progress Černomořská apartment building / study of a conversion to student flats
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Nábřeží apartment, foto Jaroslav Hejzlar 4,5,6,7 Villa Jinonice, foto Theresa Kjellberg
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Small Smart Architecture.
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Villa Troja, foto Tobiáš Hrabec Villa Troja, foto Theresa Kjellberg Villa Troja, foto Štěpán Matoušek
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Small Smart Architecture.
Vokovická kindergarten / Under one roof key words: year: cooperation:
open competition, 1st prize, public building june 2017 Ing. arch. Štěpán Matoušek, MSc. Small Smart Architecture.
The main inspiration for our proposal came from the children’s world full of joy and adventure. We propose a space for knowledge, cooperation and understanding to flourish. Children are at the first place in our design and therefore we see the new kindergarten as a framework for the development of their personality in a safe and diverse environment. 1
The project “Under one roof” expresses this freedom with its openness to the garden and the inner generous spaces. It becomes the scene of games and learning in a close contact with the rich greenery around the building. The garden creates a barrier between the busy city and the relaxed atmosphere of the interior spaces. The ground footprint follows the existing structure, making full use of the current greenery. The trees and the large roof create a sense of privacy and protection from views from the surrounding apartment buildings.
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PORTFOLIO | Theresa Kjellberg
1 winter courtyard conceptual schemes 3 under one roof
The natural materials used are extensively exposed in the classrooms as well as in the exterior, thus creating an almost rural spirit of the place. Enough daylight and ventilation is ensured from two directions, allowing to choose between direct or diffused interior lighting. The windows on both sides of the rooms ventilate the air especially in the summer months with a chimney effect. The construction of the kindergarten does not attract attention with its architecture. The facade becomes a drawing board for the kids. It is a clear screen for their colorful life.
3 Small Smart Architecture. / Vokovickรก kindergarten
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1 entrance 2 classroom axonometry 3 groundplan, 1:250 2
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PORTFOLIO | Theresa Kjellberg
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storeroom / tech. kitchen
office
common room / staff
ceramics
storeroom
cargo elev. tech.
changing changing cleaning room room
zdravotní m. hall
archives
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entrance changing rooms
lavatory
classroom
wc
wc
wc
winter courtyard
lavatory
classroom
storeroom
playroom
lavatory
classroom
A’
lavatory
classroom
B’ Small Smart Architecture. / Vokovická kindergarten
- education -
Globcentrum
key words:
public building, competition assignment
year:
autumn semester 2015
tutor:
Ing. arch. akad. arch. Jan Hendrych
school:
Technical University of Liberec
How should a university building / scientific institution be communicating with its surroundings in the 21st century? What role is it playing in the public space and society? I see the university as an open space for ideas, a space for educating not only its own students, but also the wider public, an open door to communication. Extrovert. On the other hand as a scientific institution it consits of sets of intimate worlds submerged in itself. Introvert.
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Extrovert. Introvert. Between them is a living organism where thoughts are passed, a place for meeting and collaboration. The place where new ideas are born.
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PORTFOLIO | Theresa Kjellberg
1 auditorium conceptual schemes 3 siteplan 4 atrium
The building is designed around a central uncovered atrium, enclosed on three sides, and open on one side. This form originated from the program requirements for combining different functions. Scientific workplaces are located along the perimeter of the building as simple repeating rooms, which due to the nature of the surrounding streets are undisturbed and provide peace and concentration for work. Conversely, collaborative space and meeting rooms are located in the atrium and along with the staircases form a living organism on the inner facade of the building.
4 globcentrum
8.NP vědci (laboratoře, pracovny, společné prostory)
7.NP vědci (laboratoře, pracovny, společné prostory) střešní zahrada
6.NP vědci (laboratoře, pracovny, společné prostory)
5.NP vědci (laboratoře, pracovny, společné prostory)
4.NP vědci (laboratoře, pracovny, společné prostory)
3.NP vědci (laboratoře, pracovny, společné prostory)
2.NP menza seminární místnosti vědci (laboratoře, pracovny, společné prostory)
1.NP vstupní prostory, recepce kavárna knihovna / prodejna skript vědci (laboratoře, pracovny, společné prostory)
1.PP knihovna / studovna auditorium velké posluchárny kuchyň vědci (laboratoře, pracovny, společné prostory)
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2.PP herbářové a mapové sbírky technické zázemí automatický zakladač na auta
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PORTFOLIO | Theresa Kjellberg
1 axonometry groundplan, 1:500 collaborative spaces and meeting rooms 4 enclosed facade, introvert 5 the atrium 2
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globcentrum
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typical plan, 1:500 2 microatrium 3 auditorium 4 entrance, extrovert 1
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PORTFOLIO | Theresa Kjellberg
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Minimal Shelter / An Investigation on Architecture of Diffuse Boundaries key words:
conceptual, research
year:
autumn semester 2016
tutor:
Morten Lund, Kengo Skorick
school:
Chalmers University of Technology
Through investigations into the idea of diffuse boundaries, designed to question the way we perceive thresholds in architecture; I want to propose the notion of a softer interface between two environments rather than a solid boundary between spaces. Traditionaly the aim was to create an isolated space defined by a clear boundary that would protect the interior space from the surrounding environment. Today we tend to connect the interior with the exterior visually, but formally the focus is still very much on the solid shell of the building and its increasing impermeability, in doing so, this creates a nearly constant level of comfort that is dependent, very little, on the actual context. 1
The diffuse boundary is a tool to transform one environment into another by using it as a filter; no longer would one boundary protect us from all possible discomforts but rather individually from a specific one, for a limited extent of time.
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PORTFOLIO | Theresa Kjellberg
rain model, plexiglass, plaster, 100 x 100 x 100 mm 2 wind and rain scheme 3 conceptual model 4 RAIN wind scheme
This proposal for a minimal shelter illustrates the importance of creating an environment with a performative interface in the context of unique natural forces - rarely we experience nature’s darker facets, e.g. rain and wind. The minimal shelter allows one to embrace the weather and its inconveniences, offering an ambiguous moment of presence, refining the most significant discomfort and thus allowing the visitor to relinquish their body’s subconscious defenses to be present in the given environment. The moment of presence sharpens the senses and one is able to experience the sensations present in the environment (acoustic, visual, etc.). It’s an experience limited to a specific constellation. When returning to the original environment one’s mind is then focused.
4 minimal shelter
At the beginning of the project there was an aim to investigate architecture as something that doesn’t necessarily have to have clearly defined boundaries as we’re used to experience them. Is it possible to isolate some particular phenomenons in an abstract space to make a stronger connection with the present moment?
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environment 1
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Since the beginning of my studies I’ve felt a strong connection of architecture and nature. Architecture for me is being a part of the environment rather than an object that is superior to its context. This concern has led me towards a deep interest in sustainability issues. For me sustainability is a state of mind that has to permeate the architecture from the frst idea to the fnal result and even after. It’s not something we solve as the last thing, by adding some hightech solution. It’s a state of mind that affects the project in every step.
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diffuse boundary
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no shelter from above
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sound absorbing
environment 2
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1
transforming the size of droplets
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100 m
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a ch tly tan ry s n co unda bo
Mountain
10 m
Human 1m
Tree
1 dm
1 cm
1 mm
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PORTFOLIO | Theresa Kjellberg
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Fog
1 nm
Therefore I think it’s really important to have the chance to refect on things. In the daily life there is hardly a possibility to pause and feel the senses, the connection to the context on different scales. If we want to transit to a more sustainable world I believe we need to find this connection again, we need to fully experience the things that are happening around us. We need to hear, feel, see, touch and smell the natural cycles that are always changing around us and that we tend to forget about. We need to re-establish a connection.
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1 µm
In today’s world we are in every moment stimulated with an tremendous variety of impulses. It’s getting harder to live in the present and to really focus. The amount of various information we’re facing is so big that it’s hard to process and we’re therefore forced to largely flter it. The expectation of us as individuals are set high and the need to fulfll these anticipations are sometimes overwhelming. The interconnection of the global world we’re living in is hard to grasp. On one side we’re closer than ever, the information flow is faster than we could ever imagine, the distances are getting shorter, but on the other hand it also brings us the responsibilities for bigger things than we can take in. And that’s I think is the point where people tend to deny the presence of these impending facts.
wind and rain diagrams,Vrångö 2 wind and rain scheme 3 conceptual model 4 RAIN wind scheme 5 rain 6 wind
A change of mindset.
the site is located at the north-east side of the island, the natural context is already giving it at sheltered position, eliminating the strongest wind
the site is located at the south - west side of the island facing the strongest wind and the furthest view
the created environment does not have any sound impact on the existing context -by the usage of sound isolating materials and by sheltering out the rain droplets falling onto ones clothes - allows one to experience the present sounds
the shelter works with the smallest scale and the biggest number of particles, as a fog
a moment in time
It’s an experience limited to a specific constellation.
the shelter enhances the presence of different sounds depending on the existing materials (water, sound, cliffs, ...)
slowing down the wind using the turbulences created when passing the interface (created by the position of the particles)
a moment in time
the exact shape of the shelter is constantly changing
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> 13 m / s <
d 5 mm
droplets of a different size, angle and speed
droplets of a different size, angle and speed
3,5 m/s
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minimal shelter
It’s all about people / the Avancez auditorium key words:
competition, auditorium, public building
year:
spring semester 2015
tutor:
Gert Wingårdh, Sten Gromark
school: collaboration:
Chalmers University of Technology Štěpán Matoušek
1 The Avancez Auditorium reflects on the historical values of Chalmers University and it’s importance of concentrating knowledge and producing innovation by interactions of people of various backgrounds. It offers a space isolated from the disruptive external influences which allows to be fully focused on the present moment. The auditorium is designed as an intimate space that invites the audience to interact. The concrete core provides a silent lecture room that is surrounded by a lightweight structure that acts as a social hub and allows a fluid movement and blending of people and functions. 5
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PORTFOLIO | Theresa Kjellberg
1 the auditorium / the beehive 2 beehive: concentrating knowledge > producing innovation by intimate interactions sequences: suppressing the outside by providing a guidance through a set of extreme atmospheres 4 projecting: telling a story by projecting the inside-out to the public > engaging and inviting 5 sketching 6 projecting inside - out
+ 19,800
+ 15,840
+ 11,880
+ 7,920
+ 3,960
0,000
6 itâ&#x20AC;&#x2122;s all about people / the avancez auditorium
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PORTFOLIO | Theresa Kjellberg
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stage storage
ventilation
side stage backstage
ventilation
reception
wardrobe
stage ventilation
foyer
ventilation
wardrobe
auditorium
auditorium
cleaning
exhibition
ventilation
disposals loading / unloading area (cargo)
foyer
cafe
maintenance
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ventilation
ventilation
ventilation
ventilation
5, 6, 7 ventilation
auditorium
projecting outside - in sequences axonometry 4 plans, 1:400 5 concrete base - technical facilities 6 suspended auditorium - intimate transmission of knowledge 6 lightweight scaffolding - social interactions 1
auditorium
projector / control room
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ventilation
3
exhibition
cafe
itâ&#x20AC;&#x2122;s all about people / the avancez auditorium
Once
key words: year: team:
pavilion, concrete masonry winter semester 2014 Matthew Argent, Theresa Kjellberg, Unnar Kristmannsson, Štěpán Matoušek
tutors:
arch Daniel Norell, Jonas Lundberg, Klas Moberg, Karin Hedlund, Pedram Seddighzadeh
school:
Chalmers University of Technology
Concrete, unlike stone, is unique in the sense that involves matter undergoing a shift from liquid to solid state. It is liquid frozen in time. This uniqueness is something we wanted to express and forms the overall expression and intention of the kiosk.
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3 summer day 2 slit of light 3 video 4 winter night
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PORTFOLIO | Theresa Kjellberg
The kiosk embodies a sense of timelessness. It is not immediately recognisable, but appears to be something ancient; frozen in time and space. Only the natural elements that exist within the botanical gardens are alive in and around it. At the heart of the kiosk is an interior completely removed from its site, yet integrally part. It is a contemplative space that sits still, revealing the garden that encircles it in motion. Visitors are to become observers; their isolation heightens their senses. The kiosk is sculpted precisely to its purpose as a physical body and an object of emotional experience. It allows visitors of the botanical gardens to ‘see’. The northern entrance of the kiosk is not directly visible from the entrance of the botanical gardens but rather it has to be discovered. Visitors are drawn around the periphery of the kiosk. Guided only by the individual’s hand, visitors transition into the kiosk through a deep reveal subtracted from the solid mass. Visitors are forced to crouch and step into the space; it is tight and uncomfortable. The contrast between the exterior and interior is revealed, softened only by the untreated surface of the concrete blocks reveal, giving a strong degree of sidedness to each individual block. Having entered the space, the entrance becomes a seat.
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midsummer sunset
midsummer sunrise
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equinox sunrise
equinox sunset
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midwinter sunrise
midwinter sunset
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Intermittent streams of natural light seep into the space, projecting a play of light throughout the day, contrasting the otherwise â&#x20AC;&#x2DC;blacknessâ&#x20AC;&#x2122; of the interior. Release only comes from the oculus above, framing the sky and canopy above directly, allowing rain to pour in and echo as it hits the pond that is the floor. Orientation is only discovered at the moment of noon each day where light pours through a slit placed specifically on site.
everyday noon
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PORTFOLIO | Theresa Kjellberg
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1 plan 1:10 slit of light 3D printed model, 1:20 2
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5 The goal was to set up a system that allows us to create a variety of modular elements from the single mold. This mold was also to be constructed in such a way that allowed us to take it apart without destroying it after each cast, allowing us to use each mold including the foam repeatedly. The use of foam is therefore minimized in relation to the number of unique masonry unit to be manufactured.
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4 mold, 1:6 mold disassembled axonometry of mold
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once
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layer 5 (a) 66l / 151kg 600600
layer 4 (b) 87l / 200kg 600600
layer 3 (a) 108l / 248kg 600600
3000 3000
layer 2 (b)
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130l / 272kg 600600
layer 1 (a)
150l / 290kg
texture scale 1:2 3 detail of assembly 4 section, 1:20 5 interlocking 6 concrete mansonry 7 negative lock 8 slit 1 2
600600
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The Crack
key words: year: team:
concrete masonry, 1:1 scale, production winter semester 2014 Material & Detail Studio Unnar Kristmannsson, Emily Hamilton, Emil Poulsen, Yiwen Zhou, Arvid Söderholm, Stéphanie Amstutz, Oscar Gillkvist, Elisenda Planell, Pär Bratt, Vasiliki Panagiotidou, Marin Germain, Daniel Morales, Jens Lundin, Theresa Kjellberg, Francois Otten, Antoni Berga Mayol, Johannes Tsagarakis, Matthew Argent, Johan Berggren, Aysegul Taskin, Daniel Nordlund Hasseb, Hussein Chith, Štěpán Matoušek, Fiona Heieck, Neza Kravanja
tutors:
arch Daniel Norell, Jonas Lundberg, Klas Moberg, Karin Hedlund, Pedram Seddighzadeh
school:
Chalmers University of Technology
1 The Crack is a project realized by 25 international students of the architectural master programme at Chalmers in the Material & Detail Studio. This year the task of the studio was to investigate new possibilities of reinventing concrete masonry. Through a partnership with local firms specialized in concrete and formwork, and after two months of researching, experimenting and designing the production of a 1:1 kiosk started.
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4 material & detail 2 production 3 the crack 4 production video 5 the crack in winter 1
PORTFOLIO | Theresa Kjellberg
The Crack is constructed out of 67 unique pieces of concrete masonry units each weighting between 200 - 300 kg. The production and assembly process including construction of moulds took 3 weeks. On 16 th December 2014 we proudly opened the vernissage of The Crack in the Botanical Gardens of Gothenburg.
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Špania Dolina
key words:
social sustainability, community, restoration
year:
winter semester 2013
tutor:
Ing. arch. Radek Suchánek, PhD.
school:
Technical University of Liberec
As the essential part of living in a village, besides the proximity to the nature, I see the close relationships between its inhabitants. The improvement of those relationships is the foundation stone of creating a strong community that is concious and engaged. When those relations are non-existent or unconcerned there is the risk of that the village will become just a sleep-over place for people working in a nearby city. Špania Dolina is a small village situated in the Fatra mountains in the north of Slovakia. Its history has been strongly formed by copper mining. At the peak of its time it was the biggest copper mine in Europe and the village was blooming. Nowadays the number of inhabitants has dropped from over 5000 to only about 200. However thanks to its beautiful environment and the short distance to the biggest town in the region, Bánská Bystrica, its attracting young people and with small improvements it has the potential to become an attractive place to live.
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3 the village’s house 2 siteplan paper model 1:100 4 the square
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PORTFOLIO | Theresa Kjellberg
Špania Dolina is standing on the edge of a new era. There are a couple of buissness visions, that would propably just have a very short-term and narrow minded effect that would only gain a single person but could have a very fatal impact on the character of this almost completely preserved village. It’s very important that all the bigger interventions are based on the needs of the community and not the desire for quick profits. For the shaping of the vision of the community its important that the people of the village has a chance to meet, discuss and get to know each other. Nowadays that is not the case. Therefore, I decided to design spaces that allow different kinds of meetings in different scales and contexts. Both of the buildings are situated on the main intersection of all the routes through the village.
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PORTFOLIO | Theresa Kjellberg
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The frame A linear building that provides a roof for different functions and forms a transparent filter between the main square and the nature. There is a small kindergarten so the youngest inhabitants gets a chance to develop a relation to the village. Through the big windows they get a chance to observe both the life of the village and the nature. In the second part of the building there is a common room with a big bookcase and an open fire. It serves as a meeting place for the local chess club, a reading room or a library. Those two parts are connected by a covered area and a gallery. The whole building is elevated above the ground so it also provides a seating area for activities on the square.
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The village’s house A building that can transform with the seasons and the user’s requirements. In the winter it is a lighthouse in the snowy valley, that radiates warmth and invites you in. In the summer it opens up and serves as a podium for the activities outside. With a simple layout, sliding walls, different levels of space, roofed terraces and rotating slats it can be used for different actvities in different ways. It serves as a dance hall, sports hall, theather, cinema, market space, concert hall or exhibition space, etc.
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1. the village’s house entrance / wardrobe changing room / wardrobe 3 podium 4 hall 5 storage 6 terraces 1
A
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balcony storage tribune
2. the frame nursery 2 dining room 3 common room 1
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The square Those two structures have clearly divided the initially undefined area of the square into two different parts. They form a protected corner without cars where children can play safely, people can organize activites or just relax. There is a fountain here which restore the sound of running water which is a characteristic of a mountain village. Construction The construction systems of both of the buildings are made of concrete and wooden structures. The concrete solid cores supports the light wooden frames.
3. the square fountain waste sorting bus stop 4 fire station 1 2
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section A-A, 1:200 plan 1:200, first floor plan 1:200, second floor
špania dolina
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nursery siteplan model 1:5000 common room 3 cinema 4 multipurpose hall 6 axonometry 7 relaxation space 8 construction axonometry 1 2 2
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PORTFOLIO | Theresa Kjellberg
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ĹĄpania dolina
Housing Komín
key words:
social and environmental sustainability, housing
year:
summer semester 2014
tutor:
Ing. arch. Antonín Novák
school:
Technical University of Liberec
The narrow mass of the houses peeps above the trees as if there were two different worlds. A world above the treetops and below them. The houses are richly illuminated and they provide a direct contact with the trees on the south and north facades. On the east and west they open up for long views of the landscape. Among the houses there are remains of allotments in the form of fruit trees. Living in an orchard. People grow their own vegetables here, in the fall they harvest the fruits. Housing Komín provides an opportunity for families looking for an alternative to living in the city center, but do not want to move to suburban satellites. Komín has all the amenities, including a nursery and primary schools, gymnasiums and sports facilities, the location is easily accessible by public transport. The plot is a former allotments, located on the edge of the forest, not far from the river, a short distance from the boundary a stream flows.
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module axis long view
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PORTFOLIO | Theresa Kjellberg
core
long view
core
communication axis
transverse view
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interconnection of inside and outside 2 conceptual schemes 3 principles the layout 4 the view from a balcony
The mass of houses is narrow and elongated, due to this the maximum connection between the interior and exterior is achieved. The parterre in the two longer buildings have a public function - a cafe that warmly invites locals for a visit, and studio spaces that attract visitors from longer distances. Both of these features help to mix new residents with residents of the old neighborhood. It also serves as a social control during the day, when people are at work or at school. All the buildings have a common feature for residents. In addition to the facilities and saunas, these spaces are multifunctional and can be used as a space for various celebrations, movie screenings, or perhaps as a gym for organizing courses. The longer buildings have the social functions installed on the roof. In the southern part of the plot is a third type of dwelling – row houses that climbs the steep terrain.
3 komĂn
The mass of houses is narrow and elongated, due to this the maximum connection between the interior and exterior is achieved. The parterre in the two longer buildings have a public function - a cafe that warmly invites locals for a visit, and studio spaces that attract visitors from longer distances. Both of these features help to mix new residents with residents of the old neighborhood. It also serves as a social control during the day, when people are at work or at school. All the buildings have a common feature for residents. In addition to the facilities and saunas, these spaces are multifunctional and can be used as a space for various celebrations, movie screenings, or perhaps as a gym for organizing courses. The longer buildings have the social functions installed on the roof. In the southern part of the plot is a third type of dwelling â&#x20AC;&#x201C; row houses that climbs the steep terrain. The apartments are oriented to three sides. This allows for rich lighting and links the interior with the exterior. An important element of the dispositions are the concrete cores that have both a structural function, but is also creating spaces for functions (bathroom, kitchen, storage), thus allowing purity in the remaining spaces. At the same time these cores have a function of a clear division between different levels of intimacy in the apartment. The main communication axis is placed in the northern facade, it connects the living areas while providing long views through the whole apartment to the terrace. All apartments are equipped with large terraces. Terraces allows to expand the habitable area of the apartments during the warm months with life outside. The size of the terraces also allows cultivation of various crop. The disposition is planned freely as possible, with movable partitions, allowing connection and separation space as needed. The childrenâ&#x20AC;&#x2122;s rooms can be connected for smaller children, for example itâ&#x20AC;&#x2122;s possible to use one as a sleeping area and a second to play, for children to live in a world of their own. 1
1 2 3
2 PORTFOLIO | Theresa Kjellberg
axonometry section 1:500 plans 1:200
3 komĂn
Chlumčany winery
key words:
landscape, mix of functions, solitaire
year:
spring semester 2013
tutor:
Ing. arch. Zdeněk Fránek
school:
Technical University of Liberec
1 A linear building, like one of the rows in a vineyard, like grooves in boards that provides space, like the strength of the landscape that flows through the building. The winery as a phenomenon the existence of which is directly influenced by powers of nature was designed as a strong detached building that communicates with the surrounding. There is a tension and a balance between the building and the landscape. The shape is clearly defined by long slabs, however at the same time the borders are disturbed by the flow of the landscape. This way various spaces are created, which are defined by this relationship in various contexts. Light masses of specific functions, which symbolize the fragility of the coexistence, are inserted between the slabs. The design includes production, presentation and accommodation.
2
view from the west 2 schemes 3 context 3 the flow of the landscape 1
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PORTFOLIO | Theresa Kjellberg
3 winery
Půdorys 1NP
F
E
D
C
1.11 1.01
1.02
1.03 1.04
1.05 1.06
1.07
B
1.08
0,000
1.09
1.10
0,000
1.12 1.13 1.14
1.01 1.02 1.03 1.04 1.05 1.06 1.07 1.08 1.09 1.10 1.11 1.12 1.13 1.14 1.15 1.16 1.17 1.18 1.19 1.20
B’
0,000
+ 0,245
0,000
+ 0,245
0,000
Půdorys 1PP A’
A
+ 0,245
1.15
1.17
1.16
1.18
1.19
1.20
F’
E’
D’
C’
showroom / bar office bathroom kitchen degustation / meeting room corridor staircase press apartment / living and dining room, kitchen apartment / entrance apartment / home office apartment / wc apartment / bathroom bedroom terrace balcony degustation terrace apartment / atrium balcony terrace
1
0.06
0.07
0.08
0.09
1.08
1.06
vinotéka kancelář wc kuchyň degustační / zasedací místnost chodba
1.07
schodiště
60,0 m 15,3 m 2 14,8 m 2 14,8 m 2 2
- 3,425
-3,650
32,3 m 2 32 m 2 7,9 m 2
Byt :
F
0.05
E
0.04
Výroba:
B 1.01 1.02 1.03 1.04 A 1.05
D
C 0.01 0.02 0.03 Prezentační část:
0.10
0.11
0.12
0.13
Venkovní prostory: - 2,720
lisovna - 4,300
-2,800
46,0 m 2 - 4,300
1.NP:
-2,800
- 4,300
Prezentační část celkem: Výroba: Byt 1: Byt 2:
- 4,300
- 3,200
1.09 1.10 1.11 1.12 1.13 1.14
kuchyň + jídelna + obývací pokoj zádveří pracovna wc koupelna ložnice
1.15 1.16 1.17
38,7 m 7,6 m 2 10,9 m 2 1,8 m 2 6,3 m 2 16,3 m 2 2
- 4,300
terasa vinotéky pavlač terasa degustační místnosti atrium pavlač terasa
1.18 1.19 1.20
55,4 m 2 31,3 m 2
A’
- 3,200
22,3 m 2 13,4 m 2 115 m 2 21,0 m 2
- 3,200
Obytná plocha celkem:
F’
E’
D’
C’
10 m
0
0.15
0.14
B’
20 m
1:200
0.16
0.01 0.02 0.03 0.04 0.05 0.06 0.07 0.08 2 386, 3 m 0.09 0.10 0.11 09 0.12 0.13 0.14 0.15 0.16 169 m 2 46,0 m 2 81,6 m 2 81,6 m 2
technical room storage of finished wine bottles storage of machines despatch / filling of wine bottles bathroom / changing room production corridor production corridor laboratory / storage room laundry / technical room workshop garage terrace garage for machines
2
Výroba:
Ubytování:
+ 3,550
0.01 0.02 0.03 0.04 0.05 0.06
strojovna / tech. místnost sklad lahvových vín místnost na uskladnění plničky a etiketovačky expedice (lahvovna 200 h/rok) wc, šatna bariková místnost
3
PORTFOLIO | Theresa Kjellberg
22,8 m 2 32,9 m 2 0,000
14,2 m 2 48,4 m 17,0 m 2 35,0 m 2 2
- 3,650
0.07 0.08 0.09 0.13
chodba tanková hala laboratoř, sklad vinných potřeb dílna, sklad zahradního nářadí, prostor pro brigádníky + 0,245
19,0 m 2 95,0 m 2 17,6 m 2
- 4,300
48,7 m 2
0.08 0.11 0.12 0.15
1.PP:
chodba pokoj prádelna, tech. místnost lodžie
38 m 2 22 m 2 18,6 m 2 6,3 m 2
+ 4,750
+ 4,050
350 m 2 157,2 m 2
Výroba celkem: Ubytování celkem:
2 3
+ 0,245 0,000
Venkovní plochy: 0.14 0.16
kryté parkování pro majitele krytý prostor pro mechanizaci - 3,200
0,000
- 3,200
73 m
2
Obytná plocha celkem:
- 4,300
40 m 2
0
plan entrance floor / showroom, office, living plan underground / production, accomodation section A-A’ 4 north elevation 5 south elevation 6 west elevation 7 east elevation 1
10 m
20 m
1:200
507,2 m 2
10
4
5
6
7
winery
2
1 harvest of grapes degustation room 3 landscape 4 model 1:200 5 baclony 1 2
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PORTFOLIO | Theresa Kjellberg
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5
winery
Královská cesta
key words:
territory, urban environment, social sustainability
year:
autumn semester 2013
tutor:
prof. Dr. Ing. arch. Bořek Šípek
school:
Technical University of Liberec
1 “The Royal route has always been showcasing the abilities of people, what do we as a society want to showcase today, what is defining our era?”
2
3 the book / 238 pages / 135 x 180 mm 2 the impact of commercial tourism 3 3,7 km / 119 souvenir shops 4 the map gradually unfolds and tells a story 1
PORTFOLIO | Theresa Kjellberg
The interest of this project is the definition of territory in an urban environment. I am interested in the impact that commercial tourism has on the everyday environment we live in. Particularly in the transformation, alienation and redefinition of our known territory in to something we don’t feel familiar with. I am examining this phenomenon on a typical example of it, the Královská cesta (Royal route) in Prague. I am seeking parallels in the historical and contemporary meaning of the route. The Royal route has always been showcasing the abilities of people, what do we as a society want to showcase today, what is defining our era? I am presenting the current status of the Royal route in a book that is also the outcome of my work. This book should serve as a initiation impulse. Furthermore, I outline possible solutions for this situation.
2 krรกlovskรก cesta
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3
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the underground house / 2009 venalicium / 2011 troja meadow workshop / 2010 4 family house / 2010 5 diplomatic villa / 2011 6 folly / 2010 7 sustainable living center / 2012 8 guldheden housing / 2015 1 2 3
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PORTFOLIO | Theresa Kjellberg
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other projects
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PORTFOLIO | Theresa Kjellberg
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ĹĄpania dolina / plywood, paper, 1:100 layers cube / plaster the crack / concrete, 1:1 4 the crack / concrete, production 5 the spike Gent / paper, handcut, 1:500 6 once / plaster, 1:6 7 guldheden housing / paper, plaster, 1:100 8 the avancez auditorium / paper, 1:200 9 sustainable living center / paper 10 guldheden housing / paper, solid oak wood, 1:400 11 winery / plywood, plaster, 1:200 12 ĹĄpania dolina / landscape model 3 x 3 m / paper, foam, 1:5000 13 once / concrete, 1:2 14 3D printed model, 1:20 15 the stockholm exhibition 1930 Gunnar Asplund / Chalmers nordic architecture / photo by K. EngstrĂśm / plywood, lasercut, 1:100 16 the underground house / balsa wood, handcut, 1:10 17 minimal shelter / plaster, plexiglass 1 2 3
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models
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