Theatre Picks

Matt Trueman scours the programme and picks out the finest theatrical work it has to offer

Rich Kids: A History of Shopping Malls in Tehran

Traverse Theatre, 1–25 Aug, not 5, 12, 19, times vary

Javaad Alipoor is reshaping political theatre, pushing way past state-of-the-nation plays to examine the currents crisscrossing the globe. Having eavesdropped on online radicalisation in The Believers Are But Brothers, he’s turned his attention to the super-rich, specifically new money in the Middle East. Crazy Rich Iranians, if you prefer.

Musik

Assembly Rooms, 5–25 Aug, not 12, 9:40pm

Happy Hour

Pleasance Dome, 31 Jul–25 Aug, not 14, 10:15am

Cristian Ceresoli had a huge hit with La Merda a few years ago: a stomach-churning, head-spinning solo about anorexia spewed forth by performer Silvia Gallerano. Happy Hour reunites the pair with another trippy text: a tale of two dancing siblings in a totalitarian world where happiness is all.

Now onto their second musical the Pet Shop Boys might just be pop’s answer to Andrew Lloyd Webber. Musik is a spinoff from the lads’ first effort, Closer to Heaven, with a script written by Jonathan Harvey (Beautiful Thing). It brings Frances Barber back as its icon of the night – the drug-addled delight that is Billie Trix.

Mouthpiece

Traverse Theatre, 1–25 Aug, not 5, 12, 19, times vary

Edinburgh is two towns in one: old and new; rich and poor. They collide in Kieran Hurley’s knotty new play—his best since Beats—as a working-class teenager meets a well-todo writer atop Arthur’s Seat. Their tangled friendship is a touching yet troublesome thing, asking all sorts of questions about art, enlightenment and appropriation.

Typical

Pleasance Courtyard, 31 Jul–25 Aug, not 13, 4:30pm

Nouveau Riche and Ryan Calais Cameron return after last year’s cult hit, Queens of Sheba. That show spoke up for women of colour, attacking the assumptions and aggressions that accumulate day after day. Typical turns its gaze to black men. Richard Blackwood stars as an ex-serviceman battling the society he fought for.

The Hospital

Dance Base, 20–25 Aug, 7:20pm

Noir or nonsense? Both share a bedpan in this dark and deranged physical classic from the Icelandic outfit Jo Strømgren Kompani. Returning to the Fringe 14 years after its first outing, it finds three nurses killing time in a remote hospital with no patients. Weird sisters indeed.

La Reprise Histoire(s) du theatre (I)

The Lyceum (Edinburgh International Festival), 3–5 Aug, times vary

Right now, Milo Rau might be Europe’s most progressive director. The Swiss polymath is demanding theatre do more. In a festival full of true crime, La Reprise scrutinizes the reasons we represent real violence. Re-enacting a horrific homophobic killing—Ihsane Jarfi’s murder in 2012—it wrings that crime for its wider context to ask what we need to change.

The End

Summerhall, 15–25 Aug, not 19, 11:30am

British theatre’s odd couple are back – mercifully, this time, on better terms. Having bullied each other senseless in Eurohouse then broken plenty of plates in Palymra, Bertrand Lesca and Nasi Voutsas are dancing cheek-to-cheek in The End, a show about letting go. Sweet – but if you prefer this pair nasty, they’re trying to topple each other in One (Summerhall, 22–24 Aug, 10pm).

Black Holes

Zoo Southside, 19–25 Aug, 2:20pm

Where words stutter, bodies stand up. A cohort of black British artists are making their voices heard via dance. Among them, Alexandrina Hemsley (Project X) and Seke Chimutengwende (DV8) are a dream team. Their afrofuturist duet roves through space and time to ask what a white universe tends to eclipse.