The Spectrum Volume 61 Issue 16 by The Spectrum Student Periodical

Vol. 61 NO. 16

ubspectrum.com

Wednesday, October 5, 2011

Rebuilding the Lines of Communication: Post Fall Fest Announcement Student Association reaching out to students

The Student Association hopes students will fill Alumni Arena to watch The Fray at Fall Fest.

REBECCA BRATEK News Editor UB wanted Drake. Instead, it gets The Fray. According to survey results from the Student Association, Drake should be the student choice for Fall Fest after he gained 1,285, or 42.8 percent, of about 3,000 undergraduate votes.

Matthew parrino /// the spectrum

Among the questions, SA asked what genre of show students preferred (a mixed show of hip-hop and rock, with 25.4 percent of votes), how many artists the show should feature (three, according to 41.7 percent of votes), and if students would attend an off-site Fall Fest (41.4 percent of students said yes and 37.7 percent said yes, if transportation was provided). But, the main question remained: who to bring as a headliner?

The Fray, on the other hand, was eighth on the list of 19 acts, after receiving 565, or 18.3 percent, of student votes. Even though the band wasn’t the top choice, it became the “student choice” for this year’s Fall Fest, along with The White Panda and 2AM Club. The Survey

“I transferred from Brockport and what they do is put out a survey [for their concerts] and whoever is number one is who you go after,” said Monique Mattes, the entertainment director for SA. “And that’s something I want to implement here but because of the timing of all this, I wanted to see how it worked for Fall Fest and at least get ideas.”

As The Spectrum reported on Monday, 75 percent of students that posted on SA’s Facebook after the announcement responded negatively to the decision.

The list was compiled by Brandon Davis, SA’s former talent coordinator, and he looked at what acts were possible budget-wise, and whether or not they were touring at the time. Davis left his position at SA on the first day of the fall semester, for unrelated reasons. Cory Riskin, the assistant talent coordinator, has worked to fill the gap and works with the talent SA signs.

Yet, only 3,000 out of UB’s nearly 18,000 undergraduate students took the time to vote – only 16 percent in fact. The survey for Fall Fest was sent out via email to all undergraduate students on June 22 and was made available to all students on SA’s Facebook page.

The list included 19 acts for students to choose from and asked students to rank acts from their top choice

to their fourth choice – a total of four votes per student in the headliner category. The top eight choices, according to student votes, respectively: Drake, Nicki Minaj, Maroon 5, MGMT, Deadmau5, Snoop Dogg, Trey Songz, and The Fray. The results and the actions According to Mattes, Drake was attainable and within SA’s budget – he just wasn’t available on the Fest dates given to the SA by university officials. “The problem was that we knew we weren’t having an outside concert [open to the public] – it was going to be limited to 6,000 students,” Mattes said. “We didn’t think it was fair for the amount of money that we would be paying [Drake] to limit it to only 6,000 students.” Nicki Minaj, after more research, was out of SA’s budget range. Mattes recognized the error, and conceded that the female performer shouldn’t have been on the list. Maroon 5, MGMT, Deadmau5, and Trey Songz were all artists that were unavailable to perform once dates were finalized. Snoop Dogg, the No. 6 choice, played at a fest in 2007 – something that was problematic for the event planning: he was crossed off as a potential act.

Kress Saves Volleyball Program BRIAN JOSEPHS Sports Editor

Kress accepted the position and immediately fell in love with his new job.

Todd Kress’ mission was clear when he was hired as Buffalo’s coach in 2009: save a dying volleyball program.

“I absolutely loved working with studentathletes and helping them get better in all aspects and I haven’t looked back since,” Kress said. “I have no regrets and couldn’t imagine doing anything else.”

Toward the end of last season, that mission was set off course: his mother was diagnosed with stage IV breast cancer. Despite this and other challenges, obstacles, and tribulations, Kress – as well as his devoted players – have stuck to their mission. It is this sort of perseverance that has taken Kress to where he is now – the respected, nononsense coach of an up-and-coming Division I volleyball team – from his humble beginnings. Journey to Buffalo Despite his current achievements, a coaching job wasn’t originally Kress’ aspiration. Although he played club volleyball during college, Kress wanted to work in the television and broadcasting fields after he graduated from the University of Cincinnati. He was already being interviewed for jobs in the profession when he received a call from Darrell McLean, former head coach of Thomas More College’s Division III volleyball team. McLean offered Kress an assistant coaching job after seeing him play for the Bearcats.

Weather for the Week: Wednesday: Sunny - H: 64, L: 42 Thursday: Sunny - H: 64 L: 46 Friday: Sunny - H: 71, L: 55

“There’s probably a dozen to two dozen departments, at UB and outside companies, involved in throwing every fest,” said Chris Noll, senior production manager for SA. “To most students on campus, Fest is a one-day show. To production guys it’s two to three months lead-up work and the show is actually three days.” Noll went on to explain the three days of the show – load in day, the day of the show, and move out day. This three-day period allows leeway and time for all those involved to get the things done that make the show run smoothly. The university controls the date of the show – SA uses university facilities for the show and, in turn, must comply with the dates offered to it. Unfortunately, Alumni Arena, the location reserved usually for rain dates for the event, was being renovated at the beginning of the semester. The projected end

Continued on Page 5

SSAA Battles Against Domestic Violence The prevention of domestic violence has become a major theme across the United States. At UB, one group looks to combat rape and domestic violence. The Student Survivor Advocacy Alliance (SSAA) was formed in 2006 with the goal of educating the public about domestic abuse issues and preventing future instances of domestic abuse. By teaming with Wellness Education Services, the two programs have made progress toward that goal. “We know that the numbers can change, but they’re not going to change by themselves,” said Anna Peryea, a violence prevention specialist with Wellness Education Services.

“They never gave up and they worked hard for everything that they got,” Kress said. “I realized that I could put those same core values in my life and in my coaching.

Previous groups dealing with domestic violence have focused more on aiding those who were abused. There were no groups on campus and only a few groups around the country that dealt with the activism side of the issue.

After a stint working beneath McLean as an assistant, Kress landed his first job as a head coach in 1995 with a struggling Fairfield University team. By the time Kress left in 1998, the once-lowly squad had won two conference championships.

“[Previous groups] weren’t a good way for survivors to get involved,” Peryea said, “[They] weren’t tailored to [a survivors] needs.” SSAA is not only geared toward women or survivors of domestic violence; it is open to all of UB. Melissa Piciulo, a graduate student interning in the Wellness Education Services, joined the group a few weeks. Although she has never been abused, she is no stranger to the issue. Both of Piciulo’s sisters were abused by their boyfriends, and her

Kress moved on to coach at Northern Illinois, and his three years with the program yielded similar results: in 2001, he led the Huskies to a MAC championship and coached the MAC player of the year.

Continued on Page 5

After SA pursued the first seven options, The Fray was next in line and was the first act that was able to comply Fall Fest – according to the university

MARCENE ROBINSON Staff Writer

Kress’ emphasis on hard work developed from his childhood in Dayton, Ohio. He grew up in a low-income household and watched as his parents struggled. Their endurance through those tough times inspires Kress’ coaching philosophy to this day.

Kress’ longest tenured coaching job came at

SA doesn’t want to feature the same artists more than one time in a four-year period because students are generally here for four years, according to SA President JoAnna Datz.

Head coach Todd Kress has led the Bulls to the MAC Quarterfinals in his last two seasons. Nyeri Moulterie /// The Spectrum

Continued on Page 5

I N S I D E News * 2 Opinion * 3 Arts & Life * 6 Classifieds / Daily Delights * 7 Sports * 8

News Page 2

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Not Your Average Summer Vacation ERIN MAYNARD Staff Writer

The Honors College may have found a new home in Capen Hall, but its students have kept their mentality. Throughout the summer, many Honors College students have participated in research, internships, and study abroad programs that add depth to their coursework. In a recent survey, 52 percent of Honors College students reported that they had spent part of their summer engaged in either an internship or a research project. “We know our students are doing awesome and amazing things over the summer,” said Megan Bragdon, program director of the Honors College. Students in the Honors College are required to participate in 16 credits worth of projects known as “honors experiences,” a main tenet of the college. These credits can be fulfilled through undergraduate research, internships and study abroad. Students work in the Buffalo-Niagara community as well as abroad in nations such as Japan, Rwanda, and Finland. “It’s not just an extra set of courses,” Bragdon said. “Our goal is to really push students to have a rich undergraduate experience.” More than 1,000 students from around the globe are enrolled in the Honors College. One such student is Andrew Hunt, a senior theatre design and technology major who spent his summer in Delaware Park as the assistant technical director for productions of “The Merchant of Venice” and “As You Like It.” The two plays were the 2010 selections for the annual Shakespeare in Delaware Park festival, which has brought free performances to the Queen City for the past 36 years. As the assistant technical director, it was Hunt’s job to assist in all areas of set production, from initial assembly to changeover to striking the set. He called the process of finding his summer position “unremarkable but serendipitous.” He noted that being part of the Honors College pushed him to find opportunities that suited his educational goals. “[The Honors College] gives us opportunities to do great things: teach for America, become Fulbright Scholars. It’s all about how you can make your education perfect for you,” Hunt said. “The Honors College offers us opportunities, but we’re not puppets; we’re not controlled by the various requirements. The requirements just help us do great things.”

who have opportunities handed to us; rather, we are a family of students joined by our motivation to have the most enriching academic experiences possible. That mindset, more than any particular benefit of being in Honors, is what allowed me to have this opportunity,” Blank said in reference to her work over the summer at the University of Washington.

Blank spent her summer participating in the Environmental Health Research Experience Program, studying the negative effects of air pollution on cardiovascular health. She hopes to bring her knowledge and experience back to Western New York. “The population [of the West Side of Buffalo] suffers from staggering rates of asthma and other chronic respiratory diseases, likely due to their proximity to the Peace Bridge and its relentless diesel truck traffic,” Blank said. Blank initially became interested in this health issue specific to Buffalo after interning with the Clean Air Coalition of Western New York, which qualified as one of her honors experiences. Andrea Schneider, a sophomore biochemistry major, also spent her summer exploring health issues. Schneider worked at Roswell Park Cancer Institute researching the mechanisms and pathways of apoptosis, also known as cell death or cell suicide. She hopes to help develop a drug that will cause cancer cells to go into apoptosis without affecting a patient’s normal cells. Schneider intends to spend more time in the lab this winter, hoping to determine her professional goals. “This internship actually made it harder for me to decide my future academic goals. I definitely like science and won’t be changing my major. But I am no longer positive about which direction I want to take after my undergraduate education,” Schneider said. Schneider credits the Honors College with encouraging her to look for her internships so early in her academic career. “I found the internship on my own however I definitely would [say] they are the reason I looked so early. I like how the Honors College gives you a small school feel even though UB is so big,” Schneider said. That small, interpersonal feel is just the sort of environment Bragdon hopes the Honors College’s new location in Capen Hall will foster. “We want to create a small, liberal arts college feel within the larger university setting,” Bragdon said. “One with a closeness to faculty and space for continued bonding between students of different grade levels.”

Kristina Blank, a senior environmental studies major, shares Hunt’s perspective.

The relocation of the Honors College has placed it in the “heart of the campus,” as the strategic plan for UB 2020 calls the renovations to Capen and Lockwood Library.

“Honors College isn’t some elite group of privileged students

Email: news@ubspectrum.com

‫בס“ד‬

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Saturday, Oct. 8th

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12:00 PM: Yizkor 6:00 PM: Neilah 7:30 PM: Break the Fast (Bagels & Lox)

Traditional services in a welcoming atmosphere. No membership fees. No experience needed. Prayer books in English and Hebrew.

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For more info: 688-1642 or chabad@buffalo.edu

Interested in studying abroad? Come to a general info session!

Group Advising Session with

Olga Crombie, Study Abroad Advisor

Wednesday, October 5th 110 Capen Hall 3:00-4:00pm UB Study Abroad 210 Talbert Hall  645-3912  studyabroad@buffalo.edu www.buffalo.edu/studyabroad

Wednesday, October 5, 2011

police blotter 9/27 – A marijuana complaint was made on Frontier Rd. 9/27 – A hit and run was reported on White Rd. 9/27 – Larceny was reported in Baldy Hall. 9/28 – A subject was charged with harassment in Red Jacket Quad. 9/28 – Larceny was reported in Cooke Hall. 9/28 – A subject was charged with aggravated harassment in Fargo Quad. 9/29 – A drug complaint was made on Frontier Rd. 9/30 – A hit and run was reported on Main St. 9/30 – A subject was charged with harassment in Richmond Quad. 9/30 – Larceny was reported in the Millard Fillmore Academic Center. 10/1 – A subject was charged with driving while intoxicated on Frontier Rd. 10/1 – An animal complaint was made in the Student Union. 10/2 – A marijuana complaint was made in Dewey Hall. 10/2 – A subject was charged with driving while intoxicated on Main St. 10/3 – Larceny was reported in Alumni Arena. 10/3 – A hit and run was reported on Saint Ritas Lance. 10/3 – A subject was arrested for criminal mischief on Putnam Way.**

**Inside the Police Report: Oct. 3, 2011 Call Received at 6:45 p.m. A male student called University Police Department saying that a male subject was vandalizing the “Cemetery of Innocence” display that UB Students of Life had set up on the grounds between the Student Union and Bell Hall. Patrols were dispatched at 6:50 p.m. and UB Student Jake M. DiVeronica, 20, a senior history major, was detained and transported to UPD Headquarters, arrested, and charged with criminal mischief. He was given a ticket to appear before the Student-Wide Judiciary Committee.

Opinion ubspectrum.com

Wednesday, October 5, 2011

Fall To Pieces

EDITORIAL BOARD EDITOR IN CHIEF Matthew Parrino SENIOR MANAGING EDITOR James Twigg EDITORIAL EDITOR James Bowe NEWS EDITORS Madeleine Burns, senior Rebecca Bratek Sara DiNatale, asst. ARTS EDITORS Jameson Butler, senior Vanessa Frith Nicolas Pino Edward Benoit, asst. LIFE EDITORS Akari Iburi, senior Steven Wrobel Veronica Ritter Keren Baruch, asst. SPORTS EDITORS Aaron Mansfield, senior Brian Josephs Scott Resnick, asst. Andreius Coleman, asst. PHOTO EDITORS Meg Kinsley, senior Troi Williams Nyeri Moulterie Alexa Strudler Satsuki Aoi COPY EDITOR Edward Benoit CARTOONIST Patrick Boyle WEB EDITOR Matthew Parrino James Twigg

PROFESSIONAL STAFF OFFICE ADMINISTRATOR Helene Polley ADVERTISING MANAGER Andrew Angeles CREATIVE DESIGNERS Nicole Manzo Aline Kobayashi ADVERTISING DESIGNER Aline Kobayashi The views expressed – both written and graphic – in the Feedback, Opinion, and Perspectives sections of The Spectrum do not necessarily reflect the views of the editorial board. Submit contributions for these pages to The Spectrum office at Suite 132 Student Union or news@ubspectrum.com. The Spectrum reserves the right to edit these pieces for style and length. If a letter is not meant for publication please mark it as such. All submissions must include the author’s name, daytime phone number, and email address. The Spectrum is provided free in part by the Undergraduate Mandatory Activity Fee. October 5, 2011 VOLUME 61 NUMBER 16 CIRCULATION: 7,000 The Spectrum is represented for national advertising by both Alloy Media and Marketing, and MediaMate.

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A perfect storm brought Fall Fest tumbling

Last issue, we reported on the powerful rage that overcame the student body after the announcement of the Fall Fest lineup. We felt that the huge backlash warranted immediate investigation, and that our immediate reaction and opinion on the matter should be known. SA was not made available for comment before the Oct. 3 issue, but the organization did sit down for an interview on Monday to speak out and try to clear some misconceptions. It should be noted that this is the first time SA has even done a survey to gauge what bands the students would want, and it does deserve credit for trying to put the ball in our court. We would never try to suggest that the SA is not working hard, but they do need to take this as a learning lesson. One of the major concerns that students voiced was the fact that they didn’t think their opinions were fairly taken into account. According to Entertainment Director Monique Mattes, The Fray ranked eight of 19 on their survey for possible acts. Hip-hop star Drake turned out to be first in the survey, and his price range was within what the SA was willing to pay. The SA said the major problem with booking Drake was with the rain location. Alumni Arena is the alternate location for Fall Fest, and can only hold 6,000 people. SA felt that it only having that many people go to the concert would not make it worth the money to bring Drake, and would not be fair to all the students turned away at the door. This issue split our editorial board nearly in half. On one side, we felt like it doesn’t matter how many people would have been able to attend. If Drake was available and had a reasonable price tag, then the fact that he was voted as the top choice for Fall Fest should have been enough. Does this render Fall Fest an impotent festival that has to have bands that aren’t that popular?

On the other side, we recognized SA’s point and accepted it. We noted that if more students were going to be turned away by bringing Drake than would be turned away by bringing The Fray, then that might be the more fair decision. Alumni Arena also was a problem because it is under construction. It was impossible to organize a concert early in the semester when the place needed for a rainout was unusable. All this became a moot point when the date had to be changed to a Thursday. Many students expressed anger about Fall Fest being held on a school night where some students would have class or have to get up in the morning. Chalk that up to the University Police Department. They told the SA that they wouldn’t provide security for the event on a Friday because the next day they would have to provide security for the football game. This threw a wrench in the entire process. Bands that would have been available for a Friday were rendered unavailable for a Thursday show. This changed the availability of the opening acts and forced SA to book different acts, 2AM Club and The White Panda. This really shouldn’t have been a last minute issue. UPD obviously knew that there was going to be a football game, and SA was planning on having the event on a Friday, so why wasn’t there more communication early in the process? UB needs to be more accommodating to events like this. You can’t simultaneously tout the school as being a school for the students and then blackball our attempts to host our events on a reasonable day of the week for a big name concert. Maybe it’s time for UB to consider building a large arts center for performances and bands like this. It would give SA more leeway when it is planning for events, so

that you wouldn’t have any worry about the venue seating too few people. It also provides the university with a potential income source. Opening a new venue up to bands could bring in money for the school and generate more interest in the school to draw new students. Our publication and we as students share some of the blame. We waited until we received news of the act, and then became angry. We should be more proactive in the process and demand more transparency from SA; something that SA is now offering. Even though it’s not possible to release the names of bands that they’re in negotiations with, we should have been at the forefront demanding as much information from SA as we could possibly get before this occurred. Communication is the key. SA should communicate to us what exactly is going on with the money we give them. If you decide to release a big piece of news to the general public, you should be ready with facts to release to the campus showing exactly what happened. According to SA, the contracts to play at Fall Fest came in around 2 or 3 p.m. on Friday, and they released the final lineup as soon as possible that same day. If the entire organization was not going to be available for comment for the entire weekend after, they should have released it on Monday instead, so that representatives could be immediately available for comment. This is our money we are handing to SA, and we all need to ensure that it’s spent in a way that’s transparent and fair. Spring Fest will be here before we know it, and we will work diligently to ensure the information gets out, but you need to help us demand better from UB and SA. Without your help, things will never change.

Where Are You, Alex? Scott Resnick Asst. Sports Editor

Alex Rodriguez in pinstripes and October. Except for one unforeseen miracle (see: Alex’s 2009 postseason), they go together just about as well as a Budweiser and breakfast. It’s quite an anomaly, really. In 13 playoff games with the Seattle Mariners, Rodriguez managed to hit an impressive .343 with three home runs and eight RBIs. Compare that to Alex’s career .249 batting average with the Yankees in the postseason, and you can begin to comprehend just how underwhelming Rodriguez’s October performance has been since being traded from the Texas Rangers to the Yankees in 2004. Couple his postseason shortcomings with his $275 million contract, and it becomes quite clear why Rodriguez turns into public enemy No. 1 when the Yankees’ playoff runs go sour. So now with Alex hitless thus far in the Division Series and the Yankees one loss away from elimination, the Yankees need their third baseman to revert to his 2009 postseason form. They need their highest paid player to, well, perform the way the highest paid player on the New York Yankees should. But this year is different. This year Alex has an excuse – a crutch, if you will. A-Rod missed 38 games this season after July, as he had knee surgery to repair a torn meniscus. Upon his return, Alex saw his average decrease steadily, bottoming out at .276 on the regular season’s final day. Rodriguez was hitting .295 before suffering the injury. So where does that leave Rodriguez? Does he get a pass for this year’s atrocious October performance due to his “physical limitations?” In this columnist’s humble opinion, absolutely not. The bottom line is: Alex declared himself fit and ready to return to action following his surgery and the subsequent rehabilitation. Not to mention that it’s quite obvious Alex is hardly battling any lingering effects as his defensive range has looked as good as ever thus far in the series. Unfortunately for the Yankees, that quality performance with the glove hasn’t translated to Alex’s bat. As a result, the Yankees find themselves staring elimination dead in the eye. And it isn’t a result of their shallow pitching staff, believe it or not. Sure, Freddy Garcia was less-than-stellar in his game 2 outing, surrendering three earned runs over 5.1 innings of work. But the Yankees’ vaunted offensive arsenal should be able to scratch out more than two hits over six innings against a run-of-the-mill pitcher such as the Tigers’ Max Scherzer. The Yankees need their clean up hitter to step up. The NY offense goes as Alex goes. Look no further than 2009, the only year since Alex has been in pinstripes that the Yankees have reached the pinnacle of the baseball world. Rodriguez hit .378 during that postseason run, resulting in World Series title No. 27 for the Yankees. Coincidence? I think not. So with the season on the line and his reputation once again hanging in the balance, it’s time for Alex Rodriguez to show up. This isn’t a reality that Alex can escape from. He’s under contract with the Yankees until 2017, meaning you can bet he’ll appear in the postseason quite a few more times in pinstripes.

For information on adverstising with The Spectrum visit www.ubspectrum. com/ads or call us directly. The Spectrum offices are located in 132 Student Union, UB North Campus, Buffalo, NY 14260-2100

It’s time to finally shut the naysayers up (myself included) and produce the way the clean up hitter for the New York Yankees should. He needs to finally get the monkey off of his back, and prove that 2009 was no fluke.

Telephone: (716) 645-2468 Fax: (716) 645-2766

If not, Alex will have a long list of questions to answer over this offseason.

Sex Positions 101 KEREN BARUCH Asst. Life Editor Many sexual partners reach a point in their relationship where they’re ready to steer away from their boring positions and try out something more exhilarating and unique. If you’ve managed to make it this far in a relationship, first of all, props to you. Second, chances are the sex didn’t turn out the way you expected it to. Don’t lie. You weren’t flexible enough, you got a cramp right between your thigh and butt cheek, or a really awkward noise came out of your vagina and you pretended like you didn’t hear it. Yes, I’m talking about a queef. There is no need to turn bright red after this happens to you girls, because you’re not the only ones. When a penis moves in and out of you too quickly it is bound to create so much air pressure that it eventually needs to escape your vagina. If you feel too uncomfortable to continue your intercourse after the technical difficulty – don’t. Just change up the position and I guarantee comfort.

advertise with the spectrum call 716.645.2152

The loud, wet, queefy noise usually occurs when the girl gets down on her arms and knees for doggy style. If you’re really into the action from behind, try standing up with your hands against a bed or a wall, leaning forward at a 70-degree angle, and let him enter you from behind. This way you can ditch

the rug burn on your knees and elbows, and the distracting noise will disappear. When he tries to transition from missionary to putting your legs on his shoulders and your legs just won’t straighten, what do you do? Laugh about it. You couldn’t do it in your high school physical education classes, so why would you be able to do it now? Not flexible enough for that? Just grab your lasso and try cowgirl. As he lies down on his back, let him slip inside of you while you sit on top of him. Thrust your hips from front to back slowly, and get quicker until he reaches his climax. Make sure you’re not a sucker for the selfish boys though, because your orgasm will come from him using his hands. If you missed that hour at the gym to stay in and study, this position is the one for you. Squat on top of him as he lies down on his back, and bounce your body up and down with your feet on the bed and your knees bent. Your thighs will begin to burn and you may sweat profusely, but it’s a workout you’ll never forget. Better yet, a workout he’ll never forget. Since most of the time the sex isn’t good enough for you to make noises, fake it. To all you boys in denial that think, ‘they don’t fake it with me, I’m too great’ – you’re wrong. We know how much pleasure you get from our light moans and when

At the top of that list will beg the most pertinent inquiry: “Where were you, Alex?”

you get more into it we get more stimulation, it’s a win-win. If you feel uncomfortable faking noises, then try some heavy breathing and massage or scratch his back. But don’t forget that you’re not a cat. Don’t break skin; nothing is less attractive than making your boy bleed during intercourse. It’s impossible for every girl to be as flexible as a soft pretzel, and if anyone’s ever seen me attempt to stretch at the gym you know I’m the first to understand how impossible it is to bend. However, the awkward moment when you cramp up and can no longer thrust does not have to be so awkward if you just realize that you’re not the only unbreakable pretzel rod. According to Isabella Snow, a former sex education correspondent, the most popular and well-liked position by women is missionary. This is because many women love displays of dominance in the bedroom. Missionary does not take any extravagant body movements or gymnastic talent, so don’t be afraid to keep the position simple while utilizing your hands and moans for extra tang. Change up your style and try out some new moves, you won’t regret it. Most of all, be safe, be smart, and be sexual.

Email: keren.baruch @ubspectrum.com

Email: scott.resnick@ubspectrum.com Note: The Spectrum went to print before the end of the Yankees-Tigers game 4.

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Wednesday, October 5, 2011

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Wednesday, October 5, 2011

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Continued from Page 1: Rebuilding the Lines of Communication date for the project was the beginning of October and until the end date, the main gym—where the concert would be held—was unusable.

Top 19 Artist - Headliners

“A lot of students have asked why aren’t we doing it at Baird Point? You need a rain location. Baird Point, I don’t know if you guys have walked through after it’s rained a tiny bit, but it becomes a mud pit,” Noll said. “If they say the beginning of October [for the end of the renovations] and the project overruns slightly, we have all these artists booked and the show can’t happen. No one wins. So we had to hold off and now you’re in the main gym that athletics uses.”

1. Drake 2. Nicki Minaj 3. Maroon 5 4. MGMT 5. Deadmau5 6. Snoop Dogg 7. Trey Songz 8. The Fray 9. Paramore 10. 30 Seconds to Mars 11. Rick Ross 12. Taking Back Sunday 13. Vampire Weekend 14. Death Cab for Cutie 15. OAR 16. My Chemical Romance 17. Phoenix 18. Lady Antebellum 19. Janelle Monae

Not only does SA struggle with getting dates from University Facilities, it also struggles with making each sect of a 14-part event planning board agree on a date, according to Datz. This board includes the University Police Department, Campus Dining and Shops, Parking and Transportation Services – just to name a few. Without the unanimous agreement of all parties, planning stages for fests and other events cannot even begin to take place.

by Student Votes

1,285 1,082 864 821 809 626 606 565 549 475 461 457 450 413 375 352 343 340 86

“It was a late notice for us and we have a football

Continued from Page 1: SSAA Battles Against Domesitc Violence involvement in SSAA proves that domestic violence affects more than just those directly harmed. “There is definitely a personal connection for all of us [with domestic violence],” Peryea said. In addition to Peryea, group leaders Ashley Bennett, a graduate student in the school of social work, and Kara Fitzpatrick, a graduate student in the Social Sciences Interdisciplinary Degree Program, work with a small group of dedicated members to achieve remarkable amounts. The group held a letter writing campaign against Amazon for selling a videogame that featured a character whose main objective was to rape women and children. The game was banned in the U.S., but somehow was still available on Amazon. SSAA succeeded in having the game removed from the site. “[People] try to trivialize and minimalize [violence] and make it more accepted,” Bennett said, “Culture change can happen so easily.” Peryea and Bennett will be traveling to Orlando, Fla. on Oct. 21 to present on domestic violence prevention at a conference put on by the School and College Organization for Prevention Educators (SCOPE). The mission of SCOPE is to effectively promote the aims of the prevention community, to examine the causes of violence, health and safety risks within society. One way the group is promoting positive community awareness is the Walk With Me walkathon being held Wednesday in the Student Union. Participants can join by picking up a free purple bandanna to symbolize Domestic Violence Awareness Month. Participants are also collecting donations for Haven House, a shelter for abused victims. Haven House strengthens the community through programs that produce positive practices for youth and their families, according to its mission statement. Email: features@ubspectrum.com

$404,000

400000

300000

200000

$110,268

$139,732

100000

Leftover

SA was in negotiations with the supporting acts until 3 p.m. last Friday, according to Kahn, and officials made the decision to hold off the announcement until those negotiations were final.

The SA received a list of possible event dates from the university in early July, which really limited the timeframe officials had to plan the event, according to Mattes. She went on to say that it’s impossible to start booking artists without having dates.

According to Mattes, UPD was the one department that had a problem with the original projected date of Friday, Oct. 21. Because a football game falls on the Saturday directly after the original date, that Friday was not feasible.

500000

Noll went on to elaborate that because SA cannot announce an act before having a signed contract in hand, SA officials chose that day and time as the best possible timeframe for the announcement.

game at 12 o’clock in the morning on the next day,” said Gerald W. Schoenle, chief of police. “We would have a hard time trying to staff something when we have to give our officers eight hours off for rest. As you can imagine, for a major event, we have lots of people that are working, and our policy requires us to give them a rest in between shifts, unless there is an emergency.” Announcements—too late or too soon?

“Out of those fourteen departments that we sat down with, one person said no,” said Sikander Khan, SA’s treasurer. “So we had to move [Fall Fest] to Oct. 20. Otherwise we could’ve had fest on a different day.”

Production & Personnel in control of fest announcements, he made the decision to announce Fall Fest acts on Friday, Sept. 30 at 5 p.m., based on all the many factors that play into the planning of the event. “Working with the production managers of the band, we have certain things we’re allowed to do and certain things we’re not allowed to do,” Solomon said. “So from a strategic stand point, that’s when I, as a marketing director, and my team thought it was the best time to release it. I still feel good about it.”

SA planners are unable to pitch the event to potential performers unless they have an exact date and time; this eliminates any potential artists from agreeing to perform and then having to back out due to conflict because the date wasn’t concrete.

“We had the headliner; we actually had confirmation that week that we could announce the day, but we wanted the supporting acts as well,” Mattes said. “JoAnna [Datz] actually made a good point of what’s the point of announcing a date and the headliner when that’s kind of basically the hype.” How your student activity fee funds Fest Each year, a portion of the student activity fee each student pays as a part of his or her tuition, goes directly to funding both Fall and Spring Fests. The budget for SA events, including Fests, is posted in its entirety on SA’s website. This year, SA is spending $150,000 on its headliner. According to Solomon, due to contractual reasons, SA cannot release individual artist budgets and lists only “fall fest-artist” on the line allocated in budget charts. The supporting acts are receiving a total of $20,000 – altogether $170,000 is spent on talent for this year.

Money Spent on Talent

Once Mattes had dates in hand, she and her team began to go after what artists were listed as the top choices by student votes.

Headliner $150,000

According to Matt Solomon, marketing director for SA and the person

Drake, for example, was a little bit more expensive than SA’s budget, but Mattes and her team were willing to pay that Supporting cost because he brings supporting acts $20,000 with him as part of a package deal. Drake costs $172,021 per show, according to Pollstar, the entertainment company SA uses to contact potential artists. Production costs add up to $139,732

Spent

Personnel

out of a possible budget of $250,000 – SA will have $110,268 left over after this fest to spend on other events, such as Spring Fest next semester. “Our budget for talent, for Fall Fest and Spring Fest, is in one line,” Datz said. “We could have split it down the middle and equated it equally. We did not use the full 50 percent for Fall Fest, close to it, but there still is now some spillover that we can allocate to Spring Fest to make it a big show.”

Another sect of Fest budget is the Fest “personnel” budget. SA sets aside money to pay for unexpected personnel costs – quite simply, a “rainy day” fund regardless of the event, according to Kahn. This $404,000 that is set aside is used throughout the year, whenever need arises, and has no specific target end.

Without personnel costs, Fall Fest would cost roughly $16.56 per undergraduate student. Fests in the future Mattes and her team plan to take the survey used for Fall Fest to the next level for future Fests and events. Improved contact with students, more rules and regulations governing the survey, and increased attention to who is available, are all aspects that Mattes and SA started working on for future surveys. “I don’t know the best way to work out a survey with the university, but once I work out the best way to make it so that students can actually log in, it will get sent out to you,” Mattes said. “Whoever you guys pick as number one, that’s who we’re going after. Obviously we’re going to do our research and make sure it’s within our budget range and we can see if their dates are right around when our Fest is, and that was the goal of this.” Mattes went on to stress that the student voices, in line with the VOICE party’s mantra, fuels everything she and her team does. The more students that fill out the surveys the better, and SA can work more effectively to meet the needs and desires of the student population. “That’s our main goal, to make sure the students are happy and not everybody is going to be happy,” Solomon said. “But by communicating with us, talking to us on Facebook, and complaining to us, that’s perfect because now we can move things.” Additional reporting by Jameson Butler, Madeleine Burns, Matthew Parrino, and Steven Wrobel.

Continued from Page 1: Kress Saves Volleyball Program Florida State, where he spent six years and found even more success: he took the Seminoles to the NCAA tournament in his first season as head coach, and mentored NCAA All-Americans for three seasons.

The Match Against Cancer

Despite his on-court success and impressive résumé, Kress was ousted from Florida State in 2007 by the incoming athletics administration. Kress characteristically persevered, though, and he took his reputation – and, eventually, loyal senior blocker Abby Niekamp, who transferred to join Kress after just one semester without him – to Buffalo. A New Direction

He was used to having all the answers, at least on the court. He shielded what he believed to be his personal problem from most of his players, but he had no choice but to turn to those close to him to help deal with the news. Hornbaker was working at UB’s Cancer Research Center at the time.

The volleyball team before the Kress era was a mess: the team had back-to-back last-place finishes in the Mid-American Conference, and was without a head coach following the 2007 season. Then Kress stepped in.

Kress was in disbelief.

“Todd pulled me aside before a match to tell me about his mother,” Hornbaker said. “I had just returned from a medical school interview, so I thought he was going to make sure my mind was on volleyball. I was initially a little bit shocked that he trusted me with that information. I knew I could trust him, but I didn’t realize until that point that he also trusted me and valued my opinion, especially on such a sensitive issue.”

Kress immediately changed the team’s culture with his passion for volleyball and his contagious work ethic. He had over a decade of coaching experience under his belt, and his passion had never been greater.

Kress had to make frequent trips back to his hometown to help care for his mother. Hornbaker informed him of the recovery process for cancer to reduce his uncertainty, but ultimately it was Joanne’s courage that helped Kress to remain focused on his job.

Kress’ love of the sport stood out immediately to the Bulls. Senior Associate Athletic Director Anucha Browne Sanders reached out to him to fill the vacant coaching spot. Kress was well aware of Buffalo’s losing tradition, but was willing to take the new position.

“She just decided that she wasn’t going to let cancer beat her,” Kress said. “It was just her demeanor and the way that she’s taken on this whole fight with cancer…she decided that there were worse things that could happen to her, and she was going to beat it.”

“I came because of the opportunity to rebuild a program and take something that didn’t have a winning tradition and establish it,” Kress said. “I also liked the leadership that was in place [with Warde Manuel, UB Athletics Director], Anucha, and their staff. I like their direction and their vision for the volleyball program. Combining those things, I think it was a great fit.”

Kress was still there for his team, as he led the Bulls to their second straight trip to the MAC quarterfinals.

But the final decision lay with the team itself. The players were given the opportunity to interview three finalists for the coaching position. Kress easily stood out from his competition – the team had found its man. “I knew Todd had most recently been [a head coach] at Florida State,” said Marissa Hornbaker, a former Bulls hitter. “Anything that I heard about Todd prior to the interview and prior to his hiring as UB’s head coach became irrelevant, because Todd repeatedly proved himself as a confident, hardworking man with integrity – a man who would push our program to new levels and challenge us all to be the best players and people we could be.” Things started to change immediately when Kress was announced as the volleyball team’s new head coach in February of 2009. The team found itself spending more time preparing for matches, setting higher standards in practice, and expecting greater results as a team. The team quickly discovered how passionately Kress prides himself on hard work. “Without exception, Todd puts his heart and soul into everything he does,” Hornbaker said. “Whether that is taking care of Trevor and Trajan [his children], preparing scouting reports, recruiting, or planning every minute of practice. He demands 100 percent effort 100 percent of the time, and he’s not kidding about that.” Kress’ strong values guided him when the unthinkable happened last year. Toward the end of last season, Kress discovered that his mother, Joanne, had been diagnosed with breast cancer, and it had spread throughout her body.

Joanne is currently recovering from the illness after undergoing treatment at the Cancer Institute of Ohio State. Fruits of Labor Kress has coached two of Buffalo’s most successful volleyball teams, and he currently has a 43-41 record with the Bulls. Although such success is new for the volleyball program, Kress is no stranger to success, as he is the second youngest coach to reach 200 wins (298-200). After graduating from high school early, Niekamp played one spring semester under Kress at Florida State, but was dissatisfied with what the volleyball program had become after he left. She decided to follow him to Buffalo, and has flourished under his leadership. “He has a great effect on this program,” Niekamp said. “He turned it around drastically since he’s been here and I think he’s a great coach.” Niekamp is just one of the pieces Kress believes he has in place to continue building a successful program. With the added help of powerhouse hitter Dana Musil, nine talented recruits, the efforts of four other sophomores, and his staff, Kress believes Buffalo has what it takes to become an upper-echelon program. “We have to continue to raise the bar,” Kress said. “We’re becoming a new program. We’ve still got a long way to go…You have to keep pushing until you’re [at the top], and once you’re there you have to sustain.” Email: sports@ubspectrum.com

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Arts & Life

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Wednesday, October 5, 2011

The Illustration of Dance VILONA TRACHTENBERG Staff Writer

Beyond artistic expression, dance can serve as a means of storytelling. In 2007, dancer and choreographer Jon Lehrer contrived his dance visions and founded LehrerDance, a modern dance company that entertains audiences and broadens the horizons of dance aesthetics. The dance company performed at the CFA on Saturday and Sunday to the delight of many attendees. The modern dance that was presented infused expressive storytelling with a wide range of emotions to the audience. The familiar experiences and themes depicted in the dances are Courtesy of HBO portrayed both artistically and athletically, allowing the audience to interpret the perforCudi), to plan a pop-up shop event. It is then, mances in light of their own life experiences. unfortunately, that the show loses its charm. LehrerDance took the stage with “Alliance,” a The storyline of Rene (Luis Guzman, Rise of the piece whose heavily percussive music invoked Damned) and his Rasta-Monsta energy drinks, a tribal feel and allowed for hard-hitting moveas well as Rachel’s (Lake Bell, Children’s Hospital) ments. return to New York appear and take a long time, particularly for a show with a 30-minute run After the dynamic start to the show, the comtime. Although Renee and Rachel were pivotal pany took turns dancing in pairs, encircling during the show’s first season, their storylines felt the spotlight that shone on stage. Working in more like fillers than necessities for this episode. silence, the duos maintained the rhythmic pulse that the beginning of the number instilled, The show picks up when Ben takes a hit from adding powerful lifts to show the strength of the what seems to be a laced blunt to help him relax. performance. Instead, he ends up paranoid, escaping a stopped subway, and submerging his head in a fountain. The storytelling aspect was brought to life The pop-up shop, sans Ben and Cam, turns out to intrinsically in the number “SuperZeroes,” be a hit, featuring a Tokyo-inspired fetish show where two dancers appeared on stage in bright, as well as an awkward encounter between Ben’s neon spandex outfits representing superheroes. current girlfriend and Rachel. The piece portrayed sibling rivalry between the “superzeroes” through arguments and All in all, the episode is enough to leave loyal fans stage fighting. Amongst all the commotion, the happy and wanting more. Viewers hooked by last mother of the family appeared on stage to break season will be at the edge of their seats to see up the confrontations. Throughout the dance what life has in store for Crisp, Cam, Ben, Rene she bore another child, adding another sibling and their friends. The show has the potential to into the contention. be the next Entourage with a grittier twist, or it could just be gritty. Slow motion fighting provided the aspect of a dysfunctional superhero family through humor. The athleticism that the dancers maintained Email: arts@ubspectrum.com to perform the intensive lifts and stances impressed the audience.

Entertainment in 30 Minutes or Less How To Make It In America is back for its second season.

ELVA AGUILAR Staff Writer Cam (Victor Rasuk, The War Boys) and Ben (Bryan Greenberg, Friends With Benefits) are back off hiatus, back from Japan, and back to pushing their street wear brand Crisp. HBO’s How To Make It In America carries on into its second season showing the still-struggling New York City duo trying to make their fashion brand a household name. The real struggle during this episode, however, was waiting for this season’s premiere to get exciting. The show, which had a short first season, has been constantly heralded as the new Entourage, a good comparison considering they share executive producers in Mark Wahlberg, Stephen Levinson, Rob Weiss and Julian Farino. The season opens with a montage of Ben and Cam’s adventures in Tokyo, from finding fabrics to premiering their new line. When they return to New York they are faced with the reality of the harsh competition that inhabits the Big Apple fashion world. To thwart any more barriers, Cam and Ben team up with their business partner, Domingo (Kid

The remarkable dexterity aside, LehrerDance provided a wide variety of elements and creativity to the eight dances, imbuing different themes and stories throughout. The company premiered newer dances and returned with classic creations, bringing Jon Lehrer’s constantly evolving vision to the stage. Set to the music of Paul Simon, “Bridge and Tunnel” presented a light-hearted, carefree feel, evoking childhood nostalgia throughout the audience. A colorful portrayal of a schoolyard atmosphere was presented as the cheerful music was reflected in the dance, and childhood camaraderie was represented on stage. The schoolyard vibes were complete with a dance battle on stage with different groups cheering on their friends. “It was just serenity and strength,” said Bonnie Ross-Stefanie, 59, of Amherst. “It was magnificent. I just love the whole thing; it flowed, it was beautiful.” The dance spectacular ended with “A Ritual Dynamic.” The entire dance company came together in an act of unity through dance, and the passion provided a memorable last impression of the show.

Email: arts@ubspectrum.com

courtesy of jon leher

A Week in Ink: Issue No. 31 NICOLAS PINO Arts Editor

Superman No. 1

Brilliant No. 1

Captain America & Bucky No. 622

America’s red and blue boy scout has gotten a major facelift. While the Man of Steel now sports classy Kryptonian armor and an attitude to match, beyond all of Supes’ latest upgrades his heart still beats the same old distinctive DC blood.

Ed Brubaker and Marc Andreyko’s Captain America run has been riding on the cusp of the year’s best comics, and the Eisner award winning writer and his partner don’t show any signs of letting up.

After tireless analysis, the issue’s greatest triumph is also its most spectacular flaw: “Superman No. 1” has survived the relaunch unscathed, and nearly unaltered.

The team manages to outdo themselves, paying homage to Marvel’s heroes of the Second World War, The Invaders. Utilizing a dated film reel to open this issue, Brubaker leads in strongly – the comic’s vastly satisfying conclusion (in this case, a quick quip from The Submariner) finishes the issue even more strongly.

Though admittedly, while there has been little variation for Earth’s invulnerable defender, his more susceptible alter-ego is experiencing more change than an Obama campaign. From a more powerful and distant Louis Lane to a completely redesigned Daily Planet, Clark Kent’s professional life is sure to be full of more relatable trials and tribulations than years past. George Perez’s prolific pen and Jesus Merino’s artistic ability synchronize in incredible ways, placing the Man of Steel back on a pedestal in the direct center of the comic book stage. Merino, most of all, has the challenge of uniting past and present, and he illustrates the iconic Metropolis in stunning detail. From the newly erected Daily Planet building to Superman’s billowing cape and armor ensemble, each panel ushers in an artistic evolution through the Kryptonian’s fresh coat of ink. Coming to terms with change is never easy, and while the team’s diligent reimagining of Supes’ tried and true heroic formula lessens the blow, Metropolis will just never be the same.

Cap and Bucky’s relationship is highlighted in a magnificent tone throughout the series, and this issue adds to the ongoing theme with a few exceptional panels that demonstrate exactly why the duo was so good at beating back the Nazi offensive. Artist Chris Samnee manages to maneuver between a style reminiscent of the original Invader issues and a more contemporary comic approach. That being said, readers unfamiliar with the antiquated mid-’70s Marvel art style may want to stray away from the series, if only for its relatively understated (and for some, uninteresting) illustrations. The tension between a young, inexperienced Bucky Barnes and a disappointed Invaders is palpable. Brubaker and co. manage to take a team-up decades old and breathe new life into it, making this comic an absolute must-read in a week all too saturated with the remaining shreds of DC’s The New 52 event.

Courtesy of Marvel

In the pantheon of great comic names, the ones best remembered are those that are just as catchy as they are thought provoking. Action Comics, Watchmen, and Hellblazer are each just as memorable as the characters contained within them. Ironically, Brilliant just can’t live up to its name. Convoluted and long-winded, if Brilliant were a play, the first issue wouldn’t have even set the stage – it’s still out casting. Writer Brian Michael Bendis devotes so much time in his initial character development that there is little room left in the issue to really go anywhere, a trait very atypical of his other work. Brilliant is the brainchild of long-time collaborators and highly regarded comic veterans Bendis and Mark Bagley. Individually, these writers represent a solid proportion of Marvel’s leading projects, and create some of the industry’s widest read issues (Ultimate Spider-Man sound familiar?). Unfortunately, with the premise of the series sounding so gripping, it’s a shame that the execution is so flawed. A group of college students that essentially create super-powers could have made for an absolutely unforgettable issue, but instead it will be written off as a weak attempt to ship Bendis and Bagley’s halfbaked pet project. While Brilliant isn’t exactly brilliant, the comic is bright and full of potential but far from the star of its class.

Email: arts@ubspectrum.com

to defend himself and gauge the consequences of his actions.

eastern martial arts are oriented towards letting it come,” Monolopolus said.

Today, Cobb is able to take the negative energy that stemmed from his bullied childhood and focus it into more positive things. This is practiced through conveying the humanities of brotherhood, and imparting that philosophy into anyone willing to learn his path and master their own.

It is this feature of martial arts that has had the most profound effects on practically all aspects of his life. According to Monolopolus and other club members, it is an art form that teaches one to let go.

Cobb’s message is one inherent in the experience of many others who joined looking for a way to be stronger, a path that eventually led them to themselves. For Mayar Hassid, UB CMAC treasurer and sophomore business major, the discipline he has attained since joining the club has paved his way along the path to learning martial arts.

UB Martial Arts: Mastering Your Path UB CMAC promotes brotherhood and discipline.

JOHAN MATTHEWS Staff Writer To its many devotees, Martial Arts is not simply a path of self-defense, rather it is one of self-awareness and determination, capable of both uniting and enlightening people from all walks of life. Through the UB Combined Martial Arts Club (CMAC), many have found the path to inner peace and discipline, though they did not always start their journey with this goal in mind. That was the case for senior international relations major David Cobb. Having been beaten down and picked on by bullies for most of the earlier part of

Nyeri Moulterie /// The Spectrum his life, Cobb sought an outlet that allowed him to express his intensifying frustrations and learn to defend himself. “I was tired of being afraid,” Cobb said. He quickly learned, as most who follow the path do, that the reasons he joined were not the reasons that kept him practicing. “It’s not about violence,” Cobb said. “It’s about learning how to defend yourself and learning how to teach others…giving them the confidence to go out in life.” To Cobb, the club also fostered a sense of brotherhood. Through martial arts, he has gained the ability

Courtesy of DC Comics

When he entered UB, Hassid doubted his capabilities for surviving the potential bar fights that might arise during his college experience. But today, one year after joining UB CMAC, Hassid has found the confidence to push past his limits and maintain the composure of his path. “[Martial arts] is not about fighting…it’s really about disciplining yourself, avoiding those fights, but when need be, you can defend yourself…pushing past those limits when the little voice in your head says ‘I’m tired and I need to stop right now’…it’s calming and that’s what I really enjoy about it,” Hassid said. The same sentiment is shared by UB CMAC President, junior media studies major Ryan Monolopolus. He has been practicing martial arts for 15 years, and took home a first place title in the 2006-2007 World Championship tournaments. To Monolopolus, martial arts is about “breaking free of that linear style of thinking.” “There’s a lot of Eastern methodology that comes into it, which is why we differ a lot of the times from wrestling or boxing…[those kinds of practices are] very ‘let’s make this happen’ oriented, whereas

This concept has been thoroughly applied by Monolopolus, turning the almost disbanded club into one voted most improved by the Student Association in just a year, and moving its members closer towards physical, mental and spiritual unity and further away from self-doubt and restrictive thinking. To each of the UB CMAC members, martial art signifies something personal and distinct, but one thing they all have in common is the concept of brotherhood, which can be well inferred from their club motto, “Unity through Martial Arts.” This brotherhood is not just restricted to the male members of the club but is extended to the entire UB community including its female counterparts. Amanda Martin, sophomore psychology major, is a proud member of UB CMAC whose favorite aspect of the club is the people. Martin, like the rest of the club members, enjoys the feeling of belonging to a vast multicultural community of people who genuinely connect through the shared interest of Martial Arts, learning together, growing together and even just hanging out together. Now, over a thousand members strong under the leadership of Monolopolus, the UB CMAC members look forward to the club growing and expanding its reach. Offering over 12 different martial arts classes for free, the members and instructors are all ready to donate their time to all aspiring Martial Artists, hoping to disperse its teachings of unity and selfdetermination throughout campus. Email: features@ubspectrum.com

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Wednesday, October 5, 2011

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Page 7

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four of area locations. Send resumes to schuelehr@yahoo.com, or apply in person at 1405 Niagara Falls Bvd Amherst.

BAILEY AVE., near UB South Campus. 2-bdrm apt. $600, includes all utilities. Avaiable now. 716-835-9000.

LASERTRON INTERACTIVE Entertainment Center has immediate parttime openings. Candidates should love people of all ages, enjoy a fast paced work environment and the reward of a job well done. Starting at approximately $10.50/ hr., must be available nights and weekends. Stop in and complete an application at LASERTRON, 5101 North Bailey Avenue, Amherst, NY.

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ROOM-MATE(S) WANTED FOR REMODELED APPARTMENTS located at UB at Main Street Campus – off Englewood Avenue. $275-$333 plus utilities per tenant. Washing machine and dryers in basement. Off street parking. Contact Shawn (Property Manager) at sengel1@roadrunner. com or 716-984-7813.

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