A CELEBRATION OF TWINKIE CLARK
WITH KAREN CLARK SHEARD AND DAMIEN SNEED
WITH TRIBUTES BY FAITH EVANS
CAMILLE THURMAN
JUANDOLYN STOKES WITH CHENEE CAMPBELL
TIFFANY FREEMAN
MARKITA KNIGHT
ALICIA PETERS-JORDAN
ORCHESTRA OF TOMORROW
Orchestrators: Gabriel Michael Carter, Timothy Johnson, Damien Sneed, Yuqin “Strucky” Yi
@TownHallNYC | 1 THE TOWN HALL 123 WEST 43RD ST NYC 10036 THETOWNHALL.ORG | @TOWNHALLNYC FRIDAY, JANUARY 20, 2023 • 8PM THE TOWN HALL PRESENTS
Orchestra of Tomorrow
Founder & Artistic Director
Damien Sneed
Violin 1
* Ashley Horne
Orlando Wells
Keith Colon
Violin 2
Daniel Constant
Josh Henderson + David Burnett
Viola
Aundrey Mitchell
Richard Brice
Cameren Anai Williams
Cello
Boubacar Grimm Diallo
Ivan Luza
Miles Goosby
Flute - Brandon George
Oboe - Roy Beason
Clarinet - Mark Allen
Bassoon - Monica Ellis
French Horn - Eric Davis
Trumpet - Shawn Edmonds
Trombone - Jason Jackson
Percussion/Timpani - Donna Lee Thompson
Piano/Keys - Damien Sneed
Hammond Organ - Davaughn Screen
Bass Guitar (Electric) - Ronald “CJ” Alexander
Drums - Nathaniel Townsley
Audio and Recording Engineer - Daniel Shores
Publicity - Steven Swartz & Eileen McMahon
PR Consultant - Gwendolyn Quinn
* - Concertmaster + - Personnel manager
2 | @TownHallNYC ARTISTS
PRELUDE: Hallelujah Salvation & Glory + Alpha & Omega
OPENING MEDLEY: Now Is The Time, Ha Ya (Eternal Life)
LOVE MEDLEY: For The Love Of The People + Jesus Is A Love Song
GROOVE MEDLEY: Bless You Real Good/Jesus Saves
Pray For The USA
Pure Gold
Here With You (Damien Sneed) featuring Chenee Campbell
Balm In Gilead
Worship The King featuring Alicia Peters-Jordan
MINISTRY MEDLEY: Feed My Sheep/I Tried Him And I Know Him featuring Markita Knight
Wonderful Counselor
Praying Spirit featuring Tiffany Freeman
SPOKEN WORD: Praying Spirit Reprise featuring Juandolyn Stokes
Expect Your Miracle featuring Twinkie Clark, BGVs
Hammond B3 Organ Solo featuring Twinkie Clark
CLOSING MEDLEY: Nothing To Lose + Is My Living In Vain + You Brought The Sunshine featuring Karen Clark Sheard & Twinkie Clark
FINALE: Hallelujah
All songs’ words & music by Elbernita “Twinkie” Clark
Sony Music Publishing (US) LLC/Songs by Twinkie Music Publishing (BMI)
EXCEPT
“Revelation 19” (Hallelujah, Salvation & Glory) words & music by Jeffrey LaValley
Alpha & Omega
words & music by Erasmus Mutambira
Here With You
words & music by Damien Sneed (LeChateau Arts - ASCAP)
@TownHallNYC | 3 TONIGHT’S PROGRAM
The Black Voice
Presented in collaboration with Damien Sneed
The Town Hall, in collaboration with Damien Sneed, presents The Black Voice, a series that explores Black vocal performance across several genres. From gospel to the blues to R&B, Black vocal stylings have been a dominant and consistently influential force in the history of singing. Multi-instrumentalist, composer, and conductor Damien Sneed will curate shows that showcase the history of Black vocal performance as well as the new frontiers that Black singers are crossing. The series will provide the narrative and context that underpins the history of Black vocal performance, from the social history to the institutions like religious spaces where vocal techniques were developed and advanced. There is no better starting point for this series than the work of the “Queen of Contemporary Gospel,” Twinkie Clark.
In Praise of Twinkie Clark
Elbertina “Twinkie” Clark is known as the “Queen of the Hammond B-3 Organ.”She is that, plus an extraordinary singer, producer, arranger, and songwriter. Twinkie, alongside her mother, Dr. Mattie Moss Clark, and her sisters, the famed Clark Sisters have influenced gospel music at the highest levels for fifty years. Generations of church folk and gospel lovers found reverence in the Twinkie-penned tune, “Endow Me.” Countless souls found joy in her upbeat and infectious, “Jesus Brought the Sunshine.”
In recent years, younger R&B fans have come to know the genius of The Clark Sisters through samples of their classic repertoire including songs such as, “Ha Ya” and “Center of thy Will.” But regardless of if the songs live in the church pews or the streets, for Twinkie, her songwriting and performance are evidence of her deep and abiding faith and a rich inheritance of family music-making. Musicologist Guthrie Ramsey calls Twinkie, “one of the most important writers in the late 20th-century gospel music.” And indeed she is, her songs are in the heart of both the rich canon of gospel music and black popular music. Twinkie Clark expanded our musical possibilities while watering our spirits. And for that, we should all give thanks.
Fredara Mareva Hadley, Ph.D. , Ethnomusicology Professor Department of Music History, The Juilliard School
Hearing Twinkie Clark
Elbernita “Twinkie” Clark’s award-winning compositional practice is a model of what it means to experiment with the sonic and poetic histories of a genre. As a masterful, premiere composer in gospel music, her songs have been recognized for the way they embody many of the tried-and-true sounds from the American musical past. Her songs, in other words, are drenched in the now century’s long tradition of African American religious music. At the same time, Clark’s songs always absorb and respond to many contemporaneous musical styles from across the sonic spectrum. She has written in gospel music’s most familiar settings: soloist and accompaniment; soloist, choir, and accompaniment; small vocal ensembles and accompaniment, and more. Her work is remarkably durable and flexible. It has stood the test of time.
Clark’s melodic approach often moves between simplistic riff-based hooks to melismatic flourishes stocked with mesmerizing pentatonic runs and soulful, bluesy inflection points. Clark innovated an eclectic style of vocal writing in gospel music that elides strict homophonic harmonies that move in parallel motion to free-wheeling polyphony. Her accompaniments are rich in variety but typically driven by the Hammond B-3 in the center of tight instrumental ensembles that were popular in R&B, soul, and jazz fusion. Thick with call and response structures, Clark’s songs are designed, for the most part, in broad sectional forms with repeating harmonic patterns. Clark routinely deploys these minimalist forms as a staging for virtuoso, improvisational singing that traffics in elements of jazz, blues, funk, soul, and rock.
As an ecumenical musician who believes in challenging orthodoxies and reinventing convention, Clark wrote music that became so ubiquitous that her artistic leadership could not be denied. Her music circulated on well-received recordings and through the oral tradition networks that made it ripe for imitation. The direct communication style of her lyrics—often rendered verbatim from the King James translations of the bible and juxtaposed to Black vernacular expression—was made artful by her setting them in rich, groundbreaking sonic environments. Clark expressed her muse in emotive ballads, driving “in the pocket”
4 | @TownHallNYC ABOUT THE PROGRAM
rhythms, refined harmonically-advanced passages, complex melodic sequences, and with a command of timbral variance. She crafted music through which she could expertly lead huge fiery choirs and showcase unmatched vocal gifts of her sisters, Jackie, Denise, Dorinda, and Karen.
Her remarkable musical profile is a testament to the powerful matrilineal legacy of music making embodied by her mother, the late, great Mattie Moss Clark as well as other women of the Church of God in Christ. Indeed, they taught her what it took to be heard in an environment that sometimes muted the voices of talented women. Nurtured in relentless touring schedules since her youth and developed in church services, workshops, and conventions throughout the world, Clark’s compositions have become stables of the gospel music tradition. They continue to invite new generations of singers, producers, and arrangers to revisit (and sample) them and to explore the deep well of genius in the profound, experimental musical catalogue that the inimitable Twinkie Clark has contributed to the American musical landscape.
Guthrie P. Ramsey, Jr., Ph.D., Edmund J. and Louise W. Kahn Term Professor of Music Department of Music, University of Pennsylvania
ARTIST BIOS
Twinkie Clark
A virtuoso and four-time Grammy Award-winning Gospel legend, Twinkie Clark is one of the most prolific gospel composers in music history.
Born and raised in Detroit, Michigan, Dr. Elbertina “Twinkie” Clark has composed more than 350 songs. She has been awarded numerous awards including the Stellar Music Award and a recipient of its James Cleveland Lifetime Achievement Award, the GMA Dove, and the Soul Train Music Award, among many others. Clark was recently honored by the Church of God In Christ (COGIC) for her significant contributions to the music department and credited for helping to give the church-wide denomination its “COGIC Sound.”
Clark recorded several solo music projects including her debut studio album, Praise Belongs to God (1979), followed two years later by Ye Shall Receive Power (1981), Comin’ Home (1992), and The Masterpiece (1996). In 1996, she made her live debut in the collaborative album, Twinkie Clark-Terrell Presents the Florida A&M University Gospel Choir. In 2002, she released Twinkie Clark & Friends…Live in Charlotte and in 2014, she released Home Once Again: Live in Detroit, which was her highest-charting solo album to date. Clark also released With Humility (2011), Live & Unplugged (2013), and a collaborative album, The Generations (2020) with her nephew, Larry Clark.
Her new recording is the debut of her instrumental project, Maestra, released today, Friday, January 20th on Damien Sneed’s label, LeChateau Earl Records. Executive produced by Sneed, the EP features the “Opening Prayer,” “Miracle,” “Yes Lord,” “Nothing To Lose,” and “A Praying Spirit.”
Throughout her career, Clark has produced albums for several choirs. She has traveled abroad as an evangelist, music educator, and workshop facilitator. Her compositions have been recorded and sampled by some of Gospel’s greats as well as award-winning popular music recording artists.
A Howard University alumnus, Clark credits her musical gifts to God and her mother, the late Dr. Mattie Moss Clark as her greatest inspiration. In April 2020, Lifetime honored The Clark Sisters in a biopic titled The Clark Sisters: The First Ladies of Gospel to rave reviews.
@TownHallNYC | 5
The movie details their humble beginnings and struggles to find their place, to later becoming the best-selling Gospel group in music. The movie featured re-recordings of some of The Clark Sisters’ biggest hits like “You Brought The Sunshine,” among others.
Karen Clark Sheard
A four-time Grammy Award-winning recording artist and a multiple Stellar and GMA Dove Award winner, Karen Clark Sheard is a gospel music legend and a part of a musical dynasty, The Clark Sisters. Sheard is renowned internationally for her one-of-a-kind multi-octave vocal range and ability. Her musical style, both with the legendary Clark Sisters and as a solo artist has inspired a host of today’s brightest pop divas, including Queen Latifah, Beyoncé, Mariah Carey, Missy Elliott, and Faith Evans, among countless others. The Clark Sisters have recorded twenty albums, including Heart and Soul, Conqueror and Sincerely while crafting enduring gospel anthems such as “Endow Me,” “Pray for the USA,” “Name It Claim It,” and “Is My Living in Vain?” In 1997, Sheard launched a solo career with Finally Karen on Island Records. An instant hit, the album garnered four Stellar Awards and a Grammy nomination. She continued her solo career with other hit CDs, including 2nd Chance, The Heavens Are Telling and It’s Not Over. In 2007, she reunited with her sisters, The Clark Sisters, for their No. 1 comeback album, Live…One Last Time, for which The Clark Sisters won the 2008 Grammy Award for Best Gospel Album. The group also won a second Grammy for Best Gospel Performance for “Blessed and Highly Favored,” the lead single from that album. Sheard, who also wrote and led the song, won a third Grammy that year for Best Gospel Song (a Writer’s Award). In 2010, Sheard stepped away from her solo work to record “Wait On The Lord,” a duet with Donnie McClurkin from his album, We Are All One. The record won a Grammy Award for Best Gospel Performance, raising Sheard’s Grammy Award wins to four.
Damien Sneed
As a multi-genre recording artist and instrumentalist, Damien Sneed is a pianist, vocalist, organist, composer, conductor, arranger, producer, and arts educator whose work spans multiple genres. He has worked with opera, classical, jazz, pop, R&B, and gospel legends, including the late Aretha Franklin and Jessye Norman, which he is featured on Norman’s final recording, Bound For The Promised Land. He also worked with Wynton Marsalis, Stevie Wonder, Diana Ross, Ashford & Simpson, J’Nai Bridges, Lawrence Brownlee, Brandi Sutton, and many others. Sneed has served as music director for Grammy Award-winning gospel artists The Clark Sisters, Richard Smallwood, Donnie McClurkin, Hezekiah Walker, Marvin Sapp, Karen Clark Sheard, Dorinda Clark-Cole, and Kim Burrell, among others. Sneed’s latest studio album, Damien Sneed: Unplugged, an all-gospel collection of soulful and inspirational songs, was recorded in a spare studio setting with Sneed on piano and vocals alongside several acclaimed vocalists including Chenee Campbell, Linny Smith, Tiffany Stevenson, and Matia Washington. In 2020, Sneed released his debut classical album, Classically Harlem and We Shall Overcome Deluxe on his boutique label, LeChateau Earl Records to reflect his varied musical interests. Previous recordings also include Jazz In Manhattan, The Three Sides of Damien Sneed: Classical, Jazz and Sanctified Soul; Broken To Minister: The Deluxe Edition, Spiritual Sketches, and Introspections LIVE Sneed is a 2020 Dove Award winner for his work as a featured producer and writer on The Clark Sisters’ project, The Return
6 | @TownHallNYC
Faith Evans
Faith Renée Evans is a multi-platinum Grammy Award winning recording artist, songwriter, arranger and record producer. With a music career spanning over two decades, Faith has released eight studio albums, with over 18 million albums sold and spawning over 30 singles. Faith Evans is a seven-time Grammy nominee; winning “Best Rap Performance by a Duo or Group” in 1998 for “I’ll Be Missing You,” an homage to her late husband and hip-hop legend Notorious B.I.G.
Faith has three Platinum-certified albums under her belt, including: “Faith” (1995), “Keep The Faith” (1998) and “Faithfully” (2001); the Gold-certified “The First Lady” (2005), and the holiday staple, “A Faithful Christmas” (2005). In 2008, Faith penned her New York Times Best Selling Book, “Keep the Faith: A Memoir” with Aliya King. In 2010, Faith released her first independent album through her music imprint Prolific Music Group and E1 Music, titled “Something About Faith”. The lead single “Gone Already” was nominated for “Best Female R&B Vocal Performance” for the 2011 Grammy Awards. The “R&B Divas’’ album earned Faith her seventh Grammy nomination for “Best R&B Album” for the 2014 Grammy Awards.
Camille Thurman
Composer, multi-instrumentalist, vocalist, unique interpreter of the jazz tradition, jazz ambassador, and educator, Camille Thurman is quickly becoming one of the standard-bearers for the form, making a considerable and dynamic contribution to the legacy of jazz while paying tribute to its heroes. Fluid and powerful on the tenor saxophone and highly inventive as a vocalist, she also plays the clarinet, bass clarinet, flute, piccolo, and soprano saxophone. Her rich sax sound has been compared to Joe Henderson and Dexter Gordon, while her vocal approach— including an impressive scatting ability—has been classified alongside that of Ella Fitzgerald and Betty Carter. Thurman has shared stages with such jazz and R&B luminaries as George Coleman, Roy Haynes, Dianne Reeves, Wynton Marsalis, The Jazz at Lincoln Center Orchestra featuring Wynton Marsalis, Buster Williams, Charles Tolliver, Jack DeJohnette, Dr. Lonnie Smith, Terri Lyne Carrington, Jon Hendricks, Harry Connick Jr., Audra McDonald, Diana Krall, Patti LaBelle, Gladys Knight, Chaka Khan, Louis Hayes, Russell Malone, Nicholas Payton, Jacky Terrasson, Jon Batiste, Janelle Monáe, Alicia Keys, Lalah Hathaway, Jill Scott, and Erykah Badu, among others. She has toured internationally with the Jazz at Lincoln Center Orchestra; she is the first woman in more than 30 years to work full-time, for two seasons with the world-renowned orchestra (2018-2019 and 2019-2020).
Juandolyn Stokes
Juandolyn Stokes is a multi-vocational professional in the fields of media, academics, writing, ministry, and community leadership. She anchors a midday news and talk radio show called “On Point with Juandolyn Stokes” on WAOK Radio, an affiliate of Audacy Media. She is a television host on Atlanta Live, the Christian television network, WATC-TV 57. For years, her academic journey has garnered her professorship at Beulah Heights University and the Interdenominational Theological Center in Atlanta, Georgia. Stokes is currently a
@TownHallNYC | 7
part of the Spiritual Care Chaplaincy program at Johns Hopkins Medical Center in Baltimore, Maryland. She is a gospel music executive veteran with vast knowledge and experience in managing gospel record labels, publishing companies, and recording artists. She has authored and published several books, including The Closet: A Haven for Prayer, What Have I Been Called to Do, and Psalms: A Preparatory Study on the Psalms, just to name a few. She is the Senior Pastor of Deeper Life in Christ Ministries in Conyers, Georgia. Her community involvement includes working with community organizations like Hosea Helps and Second Helpings Atlanta, which regularly serves the poor, hungry, and homeless communities. This prolific speaker, preacher, educator, media personality, author, and voice artist enjoys serving others with her heart for people and love for God.
Chenee Campbell
A native of the Caribbean Island of Jamaica, Chenee Campbell grew up in New York City. In 2017, Campbell was a featured soloist for Kathleen Battle’s return to the Metropolitan Opera. She has recorded and performed with multiple award-winning recording artists including Damien Sneed, the Jazz at Lincoln Center Orchestra featuring Wynton Marsalis, Donald Lawrence, Lin-Manuel Miranda, Brian Courtney Wilson, and others. Campbell also recorded on Grammy nominated projects by Israel Houghton. Her television credits include “Saturday Night Live,” “The Tonight Show Starring Jimmy Fallon,” BET’s “Black Girls Rick,” the “Tamron Hall Show,” “Christmas in Rockefeller Center,” BET’s “Sunday Best” “Good Day New York,” and the PBS Network. Campbell received her bachelor’s degree in Vocal Performance from Nyack College, now renamed Alliance University in New York.
Tiffany Freeman
A native of New York City, Tiffany Freeman began her music industry ascension as a background vocalist at the age of fourteen. During her early years, she honed her skills in singing in the church choir and various Open Mic platforms around the city. She sang with various award-winning recording artists including Erica Campbell, Kirk Franklin, Faith Evans, Jessie J, and Kanye West, just to name a few. Freeman’s recording credits include the Grammy Award-winning albums IGOR (Tyler, the Creator) and Jesus Is King (Kanye West). She has also received multiple Grammy and Stellar Award nominations for her work with Cory Henry, Israel & New Breed. Freeman has toured with Jazmine Sullivan, Israel Houghton, and the Sunday Service Collective. She released her debut album, Sorry For The Wait, under the name Tréi Stella.
Alicia Peters-Jordan
A native of Richmond, Virginia, Alicia Peters-Jordan currently resides in Austin, Texas with her husband, Michael Jordan, where she serves as a worship leader and choir director. Throughout her career, she has shared the stage with a variety of recording artists including Steve Lawrence, Gaye Arbuckle, Damien Sneed, Kim Burrell, Erica Campbell, Karen Clark-Sheard, and Valerie Simpson. Peters-Jordan has also toured with Oscar Williams and the Band of Life performing and sharing the history of blues, gospel, jazz, and rhythm and blues music. She has toured internationally in Lagos, Nigeria; London, England; Port of Spain, Trinidad and Tobago; and Thailand. In 2007, she received her bachelor’s degree in Worship Studies from Liberty University, where she studied Vocal and Piano.
8 | @TownHallNYC
Markita Knight
A native of Los Angeles, California, Markita Knight has been singing in the church since she was a child. With a variety of styles, tones, and octaves, Knight loves to express her gift by creating and painting colors with her voice. Throughout her career as a featured and background vocalist, she has toured and shared the stage with world-renowned artists including the late Andraé Crouch, CeCe Winans, Wynton Marsalis, Valerie Simpson, Kurt Carr, Judith McAllister, and Damien Sneed, just to name a few. Knight is also an avid sports enthusiast. She was a track and field athlete with the L.A. Jets from the age of nine through her junior year in college. As she travels the globe, she stands strong on the mantra and biblical scripture Philippians 1:6: “Being confident of this, that he who began a good work in you will carry it on to completion until the day of Christ Jesus.”
A very special thank you to Farah Griffin, Erich McMillan-McCall and Janet Smith for their outreach support.
SAVE
The Town Hall Presents
@TownHallNYC | 9
THE DATE!
The 50th Anniversary of THE WIZ An
George
Damien
Featuring Dee Dee Bridgewater André De Shields Stephanie
Rashad Please stay tuned for more information.
80th Birthday Celebration of Tony Award-winning Composer Charlie Smalls Wednesday, October 25, 2023 at 8pm Directed by Tony Award-winning Choreographer
Faison Musical Director
Sneed
Mills Phylicia
| 11
THE TOWN HALL FOUNDATION
The Town Hall’s mission is to provide affordable world-class entertainment by new and established artists to a diverse audience; to inspire the youth of our community to appreciate and participate in the arts at The Town Hall and in schools through our Education Outreach Program; and to preserve and enhance The Town Hall as a historic landmark venue for the enjoyment and cultural enrichment of generations to come.
BOARD OF TRUSTEES
PRESIDENT
Tom Wirtshafter
PRESIDENT EMERITUS
Marvin Leffler
EXECUTIVE VICE PRESIDENT
Susan Zohn
GENERAL COUNSEL
Ellen Miller-Wachtel
TRUSTEES
Teniola Adedipe
Shauna Denkensohn
Anne Frank-Shapiro
John A. Jenkins
David F. McCarthy
Natalie Moreno
Ellen Miller-Wachtel
Rita Robbins
Madhu Southworth
Timothy Stambaugh
Nevin Steinberg
LIFE TRUSTEES
Leona Chanin
Mary Dettling-Wright
THE TOWN HALL STAFF
EXECUTIVE DIRECTOR
Ted Lambert
ARTISTIC DIRECTOR
Melay Araya
DIRECTOR OF MARKETING
Jeff Mann
DIRECTOR OF MEMBERSHIP
Helen Morris
DIRECTOR OF DEVELOPMENT
Donna Banks, PhD
DIRECTOR OF EDUCATION
Jocelyn Bonadio-de Freitas
TECHNICAL DIRECTOR
Bill Dehling
BOX OFFICE MANAGER
Angel Rodriguez
VICE PRESIDENT
Alfred H. Horowitz
VICE PRESIDENT
Bruce S. Leffler
TREASURER
Andrew T. Miltenberg
SECRETARY
Phyllis Putter Barasch
ADVISORY COUNCIL
Kathleen Rosenberg, Chair
Nancy Berman Sandy Horowitz
Elizabeth Iannizzi
Candace Leeds
Zita Rosenthal
Rhoda Rothkopf
ARTS IN EDUCATION
ADVISORY COUNCIL
Dr. Sharon Dunn
Michael Fram
Gary Hecht
Ernest Logan
Dr. Eloise Messineo
Dr. Lisa Mars
Dr. Pola Rosen
Leona Shapiro
George Young
ARTISTIC ADVISOR
Lawrence Zucker
DIGITAL MEDIA MANAGER
Alex Koveos
CHIEF ENGINEER
Steve Franqui
HOUSE MANAGER
Johnny Lee Green
PRODUCTION ASSOCIATE
Paul Cameron Hardy
ADMINISTRATIVE ASSISTANT
Britni Montalbano
PRODUCTION MANAGER
Carl Acampora
GRAPHIC DESIGNER
Dennis Rakauckas
WARNING
The photographing or sound recording of any performance or the possession of any device for such photographing or sound recording inside the theatre without the written permission of the management is prohibited by law. Violators may be punished by ejection and violations may render the offender liable for monetary damages.
FIRE NOTICE
The exit indicated by a red light and sign nearest to the seat you occupy is the shortest route to the street. In the event of fire or other emergency please do not run, WALK TO THAT EXIT.
Thoughtless persons annoy patrons and endanger the safety of others by lighting matches or smoking in prohibited areas during the performances and intermissions. This violates a city ordinance and is punishable by law.
-FIRE COMMISSIONER
DIRECTORY OF THEATRE SERVICES
ADMINISTRATIVE OFFICES: 212.997.1003
Mon-Fri 9:30 am to 5 pm, for rental & membership info
BOX OFFICE: 212.840.2824
Mon-Sat 12 noon to 6pm. 24/7 Recording
TICKETMASTER: 800.982.2787 to charge tickets by phone.online Ticketmaster.com
LOST AND FOUND: 212.997.0113
CELL PHONE POLICY
Cell phones should be silenced prior to the performance as a courtesy to the performers and audience.
LOBBY REFRESHMENT BY Theatre Refreshment Company of NY
12 | @TownHallNYC
123 WEST 43RD ST NYC 10036 THETOWNHALL.ORG
