Vindicator Cleveland State University’s Arts and Culture Magazine
OCT 2018
BRINGING THE VINDI TO LIFE PAGE 25
INFINITY MIRRORS REVIEW PAGE 19
YOUR MENTAL HEALTH MATTERS PAGE 21
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what’s in this issue? 3
Want to See More?
4
Calendar
5
Letter from the Editor
6
Staff
VINDI ALUMNI
ARTS 7
BY BRENDA CASTAÑEDA YUPANQUI & TYISHA BLADE
Spooky Reads with Rep BY JESSICA LYNN NICHOLS
9
Record Releases to Get You Into Fall BY TABITHA TIMMS
11
CULTURE
Horror Film Remake Syndrome BY GREGORY ELEK
13
Culture Is Not A Costume BY MEGAN BARANUK
15
Content You Never Knew You Needed BY RESHAE DAVENPORT
17
21
Crazy Rich Love In A New Light BY DOROTHY ZHAO
BEAUTY & WELLNESS
YOUR MIND MATTERS
31
There’s No Perfect Skin, From the Runway to Home BY IMANI STEPHENS
33
Crystal Healing BY CHAU TANG
BY GRACE ROBERSON
19
POETRY SOCIAL
41
35
43
Criminal Justice or Criminal Injustice?
BY V
The Fight Against Human Trafficking
44
After the Vows BY DARLENE MOORMAN
Life Passes BY CHAU TANG
BY THYRA CHANEY 39
Petrichor BY NICK CHMURA
BY AYDEN ROMER 37
Un. Lighter
45
Carry BY TYISHA BLADE
INFINITY MIRRORS BY ALANA WHELAN
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“I would encourage exploration for others who are genuinely interested in this kind of spooky
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history—especially since the House of Wills is so close. Hopefully you have more luck with
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w h a t’s h a p p e n i n g i n
OCTOBER 10/9 Concert
Listen to the wide–ranging styles of Columbus–native rock band, Saintseneca, when they come to Mahall’s this October. Their newest album, “Pillar of Na,” is a fusion of folk and punk rock. You’ll want to make sure not to miss this iconic band’s individualistic performance.
10/13 Writers & Readers: Jose Antonio Vargas
As part of Cleveland Public Library and Lit Cleveland’s Writers and Readers series, Jose Antonio Vargas, writer and founder of Define American, will be speaking about his work. He will address his experiences as an undocumented immigrant, as well as the changing demographics of America.
10/20 Witches Ball
2PM, 525 SUPERIOR AVE, CLEVELAND, OHIO
8PM, 13200 MADISON AVE, LAKEWOOD, OHIO
10/18 “The Rebound” Film Night
Get in the mood for Halloween by attending the Witches Ball, where food, dancing, vendors, live entertainment and even a psychic will be waiting to draw you in. The event will be 18+ and costumes are preferred. 7PM, 7001 DENISON AVE, CLEVELAND, OHIO
10/27 Design
As part of the Reelabilities film festival, “The Rebound” is a film about wheelchair basketball, and is meant to bring awareness to different disabilities and motivate people to stick together despite difficult odds. This is the second event of the festival in Cleveland and two more events will take place on October 25, and again on November 15.
Come watch the most artistic college students in Cleveland as they battle to create the perfect shoe design for Vans. 1PM, 500 SOUTHPARK CENTER, STRONGSVILLE, OHIO
6PM, 800 SHARON DR, WESTLAKE, OHIO
THEVINDI.COM | 4
EDITOR’S LETTER
A
ON CONTINUING
s a young girl, and even still today, I have
experience at the Infinity Mirror exhibit this summer;
always had a more reserved nature that
returning writer, Chau Tang, writes an introduction
often had me turning to the written word
to the spiritual power of crystals. Another new voice,
to express myself. And while I never really
Ayden Romer, talks about the realities of the criminal
believed that I could be a writer, it was through
justice system in our country following an alarming
the Vindicator that I first allowed myself to take
experience here on campus.
ownership of my voice. It was even more meaningful
We also want to welcome our new staff: Managing
to me knowing the history of this magazine: one of
Editor Tyisha Blade, Copy Editor Grace Roberson,
resistance, justice and artistry.
Culture Editor Renee Betterson, and our Assistant
In this October issue, we reflect on our recent past
Art Director Alexia Carcelli. We also want to welcome
through our cover story on Vindicator alumni who
all the other new writers, photographers, designers,
have gone on to explore and develop their own voices
and creatives that are contributing to the Vindicator.
and talents in different ways. We also have some new
As Editor–in–Chief, I am inspired by our staff,
and returning writers, each with their own interesting
contributors and readers to preserve the powerful
articles. Our returning film writer, Greg Elek, reflects
and necessary tradition of the Vindicator. Thankfully,
on the quality of horror movie remakes; new writer,
there are many voices with us this year, who share in
Megan Baranuk, shares a timely reminder of the
this mission: to encourage our audience to be critical,
harm of cultural appropriation during Halloween.
analytical and open–minded of the world we live in.
Our Arts Editor, Alana Whelan, shares her personal
BRENDA CASTAÑEDA YUPANQUI
5 | VINDICATOR
OCTOBER 2018
Faculty Advisor Julie Burrell Web Specialist Daniel Lenhart
MEET OUR
CONTRIBUTORS STAFF HEADS Brenda Castañeda Yupanqui Editor–in–Chief
Tyisha Blade Managing Editor
Andriana Akrap Art Director
Alexia Carcelli Asst. Art Director
Michella Dilworth Online Content Editor
Alana Whelan Arts Editor
Renee Betterson Culture Editor
Imani Stephens Beauty/Junior Editor
Dorothy Zhao Social/Junior Editor
Grace Roberson Copy Editor
WRITERS
JUNIOR DESIGNERS
Jessica Nichols Greg Elek Tabitha Timms Megan Baranuk ReShae Davenport Alana Whelan Grace Roberson
Shannah Byrnes Samra Karamustafic Tyisha Blade Chau Tang Imani Stephens Ayden Romer Thyra Chaney
Liv Wilson
Darlene Moorman
Michella Dilworth Gia Frankovich Jillian VanDyke
Austin DiLorenzo Anna Oprisch
ARTISTS Elizabeth Elliot Zavier McLean
Mikayla Colston
POETS V
Nick Chmura
Chau Tang
Tyisha Blade
Disclaimer The content of the Vindicator does not necessarily represent the opinions of Cleveland State University, its students, faculty, or staff: nor does it represent the members of the Vindicator staff or our advisors unless otherwise stated. The editor reserves the right to comment on any issue that affects the student body in general as well as the multicultural community at large. Letters to the editors and other submissions are accepted, however they must have the authors name, address, major if applicable, and telephone number. All submissions become property of the Vindicator and the Vindicator reserves the right to edit submissions as deemed necessary. Magazine and newspaper theft is a crime; limit one per person. 2121 Euclid Ave, MC 471, Cleveland, OH 44115 216–687–2118 THEVINDI.COM | 6
S POOK Y
READS WITH REP! WRITTEN BY
Jessica Lynn Nichols PHOTO BY
Andriana Akrap
POC and LGBTQ+ in Horror, Fantasy, and Sci-Fi. “Labyrinth Lost” by Zoraida Cordova is a witchcraft
ranging from quirky to terrifying. The book’s main and
fantasy novel. The main character, Alex, comes from
supporting cast has great representation of people of
a long line of brujas. “Bruja” is the Spanish word for
color, especially characters of Latin American descent.
witch, and just one of the many ideas from Latin
It also features a bisexual young Latina as the lead
American tradition which Cordova incorporates into
while avoiding common negative portrayals of bi
her book. Alex is almost sixteen by the time her magic
characters. Of particular interest to readers seeking
awakens, but when it does, it’s too powerful—so
spooky tales with roots in folklore and culture might
powerful that on her Deathday, during the traditional
be the Deathday ceremony. Cordova writes that the
coming–of–age celebration for brujas, she decides
ceremony was inspired by elements of El Día de Los
to perform a “canto” (a spell, in bruja terms) to take
Muertos, the Mexican holiday honoring deceased
her powers away. But instead, the canto sends her
loved ones, and Santeria, a religion with African
entire family to Los Lagos, an alternate dimension
influences that is practiced in the Caribbean. This is
which combines elements of Wonderland and the
the first book in the “Brooklyn Brujas” series, with
Underworld. Alex’s quest to find her family leads
forthcoming books focused on each of Alex’s sisters.
her through encounters with creatures and beings
OCTOBER 2018
of the novel is full of surprises, so readers can look
“Reign of the Fallen” by Sarah Glenn Marsh is a fantasy
forward to its sequel, “Wayward Son.”
about necromancers, mages who can bring people back from the dead. It’s set in Karthia, where everyone has potential for a different kind of magic based on their eye
“This Monstrous Thing” by Mackenzi Lee is a science
color. People with blue eyes can see to enter the Deadlands
fiction thriller that reimagines “Frankenstein.” A young
and guide spirits back to their bodies. But there are two
mechanic named Alisdair is Victor Frankenstein’s
catches to this power: only the nobility can afford to
parallel and the protagonist. But unlike his classic
raise their loved ones, and the Dead who are brought
counterpart, Alisdair did not create a monster out
back have to wear masks when they return. If a living
of corpses for scientific curiosity; instead, he used
person sees their face, they turn into a Shade—Marsh’s
clockwork parts to bring his brother Oliver back from
identity, and humanity of being alive (and, of course, eats people). Odessa is an orphan who just became a full-fledged necromancer, working with her partner, Evander, to raise royalty. However, raisings begin to go wrong, with the Dead becoming Shades more than ever, and Odessa’s fellow necromancers are dying. As Odessa faces growing chaos in Karthia, she is grappling with her own grief and struggling with addiction, which will be appreciated by readers seeking a well-handled depiction of those battles in addition to this novel’s more literal combat scenes. Odessa, the main character, is a woman of color, and LGBTQ+ relationships are central to the story. Marsh has announced a sequel, “Song of the Dead,” which promises to develop those relationships further.
“Carry On” by Rainbow Rowell is a wizarding fantasy with a variety of twists on the genre. It begins at the start of Simon Snow’s eighth and final year at his magic school, Watford. Since the start of school, he’s been fighting the Insidious Humdrum, a dark force that steals magic—and his roommate, Baz, who probably wants to kill him. Initially, the book has many elements in common with “Harry Potter”, but Rowell has a good reason: fans of the author will recognize the characters of Simon and Baz as the subjects of her protagonist Cath’s fanfiction, featured in Rowell’s best–known novel “Fangirl”. Within the first few chapters, the novel’s tone is established as very different from Rowling’s books, and a totally
“
the dead. In Lee’s version, Mary Shelley knew these brothers and their lives inspired her to write her iconic novel. Many readers will enjoy the thoughtful incorporation of steampunk elements, while fans of
The book
the original will appreciate the appearance of Shelley
features
detailed portrayal of 1818 Geneva. The book features
as an important supporting character, as well as the
several other
several other interesting supporting characters,
interesting
thankfully, does not die!
supporting characters,
including Clémence, a well–written lesbian who,
“Every Heart a Doorway” by Seanan McGuire is a murder mystery with elements of horror and fantasy. The blending of genres arises from the concept of
including
the story, in which children are transported to new
Clémence, a
the Pevensies of Narnia. Every world is described
well–written lesbian who, thankfully,
“
interpretation of a zombie that has lost all the memory,
does not die!
worlds in the same vein as Alice in Wonderland or on continuums from Logic to Nonsense and Virtue to Wicked, and the intersection of these alignments creates all kinds of worlds. Each one is made of different magic and laws which alter a child forever, sometimes by giving them gifts and other times by traumatizing them. Inevitably, the children are returned to their families in the “real world,” and their concerned parents send them to Eleanor West’s Home for Wayward Children to recover from the trauma. The story is told through Nancy, a girl who just returned from the Underworld, but features an ensemble cast of many such children, most of them
independent plot is set in emotion. This interpretation
now teenagers—one of them a murderer. The book
of a wizarding world focuses more on its supernatural
is short at a little less than 200 pages, but packs
aspects—ghosts appear as “Visitings” from Watford
intriguing plot and interesting characters into all
students’ ancestors, and vampire characters are depicted
of them. The characters represent groups not often
as villains and heroes. The 500 pages of complex story
featured positively or at all in the genres: Nancy is
incorporate diverse characters as well. Several chapters
asexual; her roommate, Sumi, is a girl of Asian descent;
are narrated from the perspective of Penny, Simon’s best
and one of their peers, Kade, is a trans boy. Readers
friend who is British–Indian. Penny is smart, funny,
who enjoy portal fantasy and murder mystery classics
independent, and developed well beyond stereotypical
as well as series like Riggs’ “Miss Peregrine’s Home”
representations of women of South Asian descent. Perhaps most notable in “Carry On” is the compelling central romance between two young men. The last half
may want to check out this novella and others in the “Wayward Children” series.
ARTS
RECORD RELEASES TO GET YOU INTO FALL WRITTEN BY
Tabitha Timms
W
hile summer is winding down sometimes it helps to have some tunes to get you back into your school grind. Here’s a short list of some recently released records to have your creative side entertained while keeping your mind in the books.
Honorable Mention Swimming Mac Miller Only about a month after releasing “Swimming,” rapper Mac Miller passed away. Whether you’ve been around since Miller’s “K.I.D.S” mixtape, his debut album “Blue Slide Park,” or just really enjoyed his hit songs—“Donald Trump” and “Wake Up”— losing him is tragic and all music communities felt it. “Swimming” is made up of singles such as “Small Worlds,” “Self Care,” and “What’s The Use.” The record is mellow throughout, showing the rapper’s vocal talents intertwined with raps. It’s a great recognition of Miller’s talents. Highlighted tracks: “Hurt Feelings” & “Ladders”
The American Dream Trophy Eyes Punk band, Trophy Eyes, pushed boundaries with their release of “The American Dream” in the first week of August. While the band’s music usually consists of continuous screaming vocals and hard music with underlying melodies, “The American Dream” brings something unique to the table. The record shocked fans while showcasing a poppier sound and cleaner vocals in single “Friday Forever,” meanwhile, “ You Can Count On Me” is honest with a trace of their recent sound. “The American Dream” is a groundbreaking album, flirting with the idea of being different and embodying it without caring what another person has to say about it. Highlighted tracks: “Autumn” & “Something Bigger Than This”
9 | VINDICATOR
OCTOBER 2018
Pray For The Wicked Panic! At The Disco Although this album was also released back in June, it’s still an anthem for any time of the year. Pop– rock band Panic! At The Disco never fails to amaze listeners with upbeat melodies while simultaneously sticking to their rock roots. Singles such as “Say Amen (Saturday Night)” and “Hey Look Ma, I Made It,” exude a celebratory atmosphere. Meanwhile, “High Hopes” reminds you to keep going to reach your goals, even when it’s more appealing to stray away from the hard world of your academic path. Highlighted tracks: “Dancing’s Not A Crime” & “Roaring 20s”
Crown Shyness Trash Boat At the end of July, “Crown Shyness” was dropped. Trash Boat produces records with a strong pop– punk presence, and with this new album the band seemed to lean more on their punk influences to create a harder sound. The vocals are distressed throughout the record while the music contains callow melodies. Singles like “Old Soul” carry out as solemn yet abrasively passionate. Trash Boat delivers an inspiring new sound, keeping listeners on their toes. Highlighted tracks: “Don’t Open Your Eyes” & “Love, Hate, React, Relate”
Composure Real Friends Creeping up on the middle of July, pop–punk band Real Friends dropped “Composure.” The record is raw and honest, tackling issues of mental health and self–worth, just to name a few. Singles “From The Outside” and “Smiling On The Surface” have a gritty sense of putting on a fake front to acquaintances while really feeling like a mess on the inside. These tracks are just a hint into the rare
Go to thevindi.com for more record releases to get you into fall!
quality that “Composure” manifests. Highlighted tracks: “Me First” & “Take A Hint”
THEVINDI.COM | 10
WRITTEN BY
Gregory Elek ILLUSTRATION BY
Austin DiLorenzo
he rebooting and remaking of films is
Project” (1999) is pretty decisive among audiences, so
currently one of the most talked about
one would think that it’s recent sequel, “Blair Witch”
things when it comes to mainstream
(2016)—which felt like a reboot in a lot of ways—could
cinema. Remade films tend to have a
improve on the source material—but no—it was
negative connotation just because they’re
terrible. The most offensive example of this has to
remakes. This isn’t fair—the sheer idea of remakes
be Bulmhouse’s atrociously bad remake of the 2008
isn’t at fault here. When filmmakers remake their
French-Canadian film, “Martyrs.” “Martyrs” (2008)
own films it almost always ends up with notable
is a great example of a film that has room to improve.
improvements like Alfred Hitchcock’s “The Man Who
It’s reviews are incredibly mixed among audiences
Knew Too Much” (1934 & 1956) and Michael Haneke’s
and critics. The complete and utter incompetence
“Funny Games” (1997 & 2008). Both of these films
in this 2015 remake of the same name shows how
were notably improved to the point where I couldn’t
these remakes, reboots, and sequels don’t have any
imagine myself watching either of the original versions
artistic intent to them whatsoever.
at all anymore. Even though directors remaking their
“Martyrs” (2008) isn’t a masterpiece, but it’s a
own films is an extreme rarity, this should show that
competent film—it does the bare minimum (and in
remakes can have significant value.
my opinion does much more than that). One thing that
One issue that’s commonly brought up in the film
the original “Martyrs” is pretty consistently great at
community is how almost all of the films being remade
is subverting expectations. It starts off like a typical
and rebooted are mostly beloved classics. It’s a semi-
horror movie, where we see the “monster” kill some
popular belief that we should be remaking movies
“random characters,” and then we transition to the
that didn’t work the first time, but had potential.
new characters, which the audience presumes we’ll
This is a great idea. A film like Lars von Trier’s
be following for the remainder of the film. Anyone
“Dogville” (2003) had a world of potential, but fell
who’s seen the original “Martyrs” knows that this
flat. Unfortunately, a remake of this film will never
isn’t actually how things play out, but in the 2015
happen because the film only made $16.7 million on
Blumhouse version they completely get this wrong.
its $10 million budget, and there isn’t a huge market
I won’t explain how they get it wrong here because
right now for experimental period pieces. That’s
that would spoil both versions. But they do it in a way
why only universally acclaimed movies are getting
where it seems as if they didn’t realize how smart the
remade—money. It doesn’t take a rocket scientist
first film was when it came to playing with audience
to figure out that it’s easier to market something
expectations. This isn’t saying when stories are being
to people that they already know they like. If we’re
adapted that the adaptation should follow the original
including reboots in this discussion, imagine how
to a T, but if the source material did something well,
much money films have made just because it’s in the
and if instead of expanding upon that it’s just made
“Star Wars” or “Jurassic Park” universe. There is one
What could potentially be the most intriguing
that’s already happening, and it’s not going well—the
about the abundance of horror remakes and reboots
T h i s i s relat ively topica l con sider i ng Luca “Call Me by Your Name”) new film that’s coming out
six percent on Rotten Tomatoes and a 22 on Metacritic.
later this month, “Suspiria” (2018), is a remake of
These numbers aren’t just bad, they’re abysmal. On
the 1977 film of same name. This is a remake that
top of that it made just under $400,000 at the box
I’m actually excited for, not only because I’m a fan
office, which is also horrible. “Martyrs” (2015) might
of Guadagnino’s work, but because the original
be a bit of an extreme example, but when other horror
“Suspiria” wasn’t all that great. Almost all of the
remakes such as “Quarantine” (2008), “Carrie” (2013),
performances were pretty bad, and it was a perfect
“Texas Chainsaw 3D” (2013), or “Halloween” (2007)
example of style over substance. It’s gorgeous, and
are looked at, these films aren’t doing much better
the concept has a world of potential, but overall it fell
financially or critically. It will probably always be a mystery as to why we
perfect candidate for a remake—great concept, but
keep getting reboots and remakes of horror films
not great execution. The fact that “Suspiria” (1977) is
that turn little to no profit, and get slammed by
a horror film gave it a greater chance of being remade
critics. It’s easy to throw small budgets at projects
all along—Hollywood loves rebooting horror films.
and hope they’ll do well, but you’d think at some
If there was one genre that could get not-great films
point the studios would get bored and try to make
remade, it’s horror.
unoriginal projects another way. For now, we’ll just
movies hasn’t been going well at all, regardless of
scientist to figure out that it’s easier to market something to people that they already know they like.
is that on top of them almost always being bad, they example, the remake currently has a four on IMDB, a
Unfortunately, remaking and rebooting horror
take a rocket
rarely do well financially. To bring back the “Martyrs”
Guadagnino’s (“I Am Love,” “A Bigger Splash,” and
flat. All of these things make “Suspiria” (1977) the
It doesn’t
it worse, there’s a bigger problem at hand.
genre that could provide remakes of bad movies, but horror genre.
“
“
T
OCTOBER 2018
have to deal with these subpar remakes, or, we could
It 1986 & 2017 FUNNY GAMES 1997 & 2008 SUSPIRIA 1977 & 2018 MARTYRS 2008 & 2015 HALLOWEEN 1978 & 2018 THE MAN WHO KNEW TOO MUCH 1934 & 1956
just watch the originals.
the quality of the source material. “The Blair Witch THEVINDI.COM | 12
WRITTEN BY
Megan Baranuk ILLUSTRATIONS BY
Beth Elliott
With Halloween fast–approaching, it is time to address the age old problem of culture appropriation via costumes.
A
ppropriation of culture has been a
become so carried away that they lose sight of what’s
problem for many decades, and is
fun and expressive versus what can be offensive.
apparent through many outlets, and
Offensive costumes that have been problematic for
one of these are woven into a beloved
ages are just now beginning to be recognized as a
A m e r i c a n h o l i d a y–
has many traditions attached to it.
t o n e s of c u lt u r e a p pr o pi at i o n
Going from door to door, trick or
throughout. This problem is finally
treating, dressing up, and Halloween
being acknowledged as something
parties and get togethers. Though it
that needs to be addressed and
may seem as though most costumes
worked on. What makes a costume
a re pa r t of t he f u n a nd g a mes,
offensive is discussed, as well as
unfortunately culture appropriation
possible ways to prevent this from
has inadvertently become one of
happening in the future.
these traditions. Many costumes are
The air becomes cooler, nights grow longer, and leaves twirl to the ground, crunching underfoot. As fall approaches, thousands of college students prepare for Halloween and the festivities to come. Costumes, candy, and nights out are in the forefront of minds, and there is much to prepare for, but college students
13 | VINDICATOR
problem. Picture this: Halloween
Halloween. Many costumes have
objectifying and belittling people across all walks of life, and society is finally opening their eyes to the fact that this is indeed a problem that must be brought to light. The attention that this problem really needs is finally being given, and is being addressed through many platforms.
may be forgetting an important
In today’s society, appropriation
detail: W hat does their costume
of women, people of color, those
say? Dressing to express themselves,
with mental illnesses and other
empower themselves, or show their
minorities has become commonplace,
inner creativity, college students
often without second thought. With
use costumes as an important piece of art central
an effort, this particular issue is
to the spirit of Halloween. Intentional or not, every
slowly being brought to the spotlight. Unfortunately,
costume sends out a message. Students can often
society often turns a blind eye to the offensiveness
OCTOBER 2018
of appropriating culture through costumes. This is
make,that it isportraying importantyourself to realize alize asthat suchportraycontributes to
problematic because it enables people to continue
ing idea yourself such contributes to the idea the that as minorities are unimportant andthat easy to
using minorities as costume opportunities, while
minorities are unimportant andperspective, easy to categocategorize. To put this idea into every-
facing little to no consequence under the excuse
rize. To put this idea into perspective, everybody body (regardless of minority or majority) is a human
of “just having fun/getting in the halloween spirit”.
(regardless of minority or majority) is a quirks, human and being with unique personality traits and
Halloween should not be a stressful time, but stress
being with unique personality traits and seeing someone trivialize something thatquirks, is a part
is often hard to avoid when someone does not feel
and seeing someone trivialize something that is a of their identity can be very hurtful and offensive.
welcome. This can lead to several issues, all of which
part oflesson their identity The to be learned in the face of this is to be
can be avoided simply if students take a moment to
The lesson to costumes be learned in the face of this is to more aware of the being surrounding parties
evaluate whether their costume is in good taste. Does
be more aware beingcostumes surrounding and events. How of canthe wecostumes avoid offensive this
it offend any group? Is it in any way categorizing a
parties and events. we avoid Halloween? Being awareHow that can something is offensive offensive
group? If the answer to either question is yes, it’s
costumes Halloween? Being aware that to groups of peoplethis is the first step to initiate change.
time to find a new costume.
something is offensive to groups of people is the Opening discussion on the topic of
How Much is Too Much? Cultural appropriation has been problematic throughout history. Over the years, costumes including blackface, Native American attire, hijabs, or any stereotypical traits of any race or minority have been utilized as costumes. What specifically makes a costume offensive? A costume becomes offensive when someone utilizes a part of somebody’s everyday life as a gimmick, or a part of a costume; such as a hijab, traditional headgear, outfits, even stereotypes of a minority or race is offensive, as it puts out an idea that all people of this particular minority fall into
an offensive costume could help. Instead of appropriating culture for selfish purposes, perhaps it would be beneficial to learn about the culture behind the costume. As human beings, it is essential to respect and celebrate one another, and appropriating culture in any way hinders this ability. Taking the time to learn about the culture behind any costume is important and can help pave the way to learning about and embracing minorities that aren’t discussed enough. It helps opening friendly discussion in helping others understand why cultural appropriation through costumes is wrong,and how it can be resolved.
the same category. Using a part of someone else’s everyday life so casually as entertainment is disrespectful to those people belonging in a minority, as well as friends or family to anyone belonging in a minority. These costumes communicate an uncaring front that that makes makesothers othersconnected connectedtotooror minority feel feel ostracized ostracized and and left leftout, belonging to aa minority out, feeling as though do not belong. Using feeling as though theythey do not belong. Using these these traditional or pieces from minorities traditional outfitsoutfits or pieces from minorities for atfor attention and laughs in a casual way is de- to tention and laughs in a casual way is degrading grading to their a whole. Whileasporting their culture as aculture whole.as While sporting costume a costume appropriating any sort of culture, the is appropriating any sort of culture, the student student is sending that a message thatnot s/he does not the sending a message s/he does care about care aboutand thesees minority, and sees it asor simply a minority, it as simply a joke, something joke, or something too small care about.the While too small to care about. While to this is rarely point this is rarely point student was trying toto rea student wasthe trying toamake, it is important
THEVINDI.COM | 14
CULTURE
CONTENT YOU NEVER
KNEW YOU NEEDED H
WRITTEN BY
ere I introduce to you, for your viewing
small their content is inspiring, engaging, fresh,
Reshae Davenport
pleasure, and in no particular order, eight
and deserving of a larger audience. Also, all of these
lesser–known YouTube channels to add to
channels post videos that are generally between 2–25
your subscription list. From art, culture,
minutes long. So, enjoy one of these hidden gems while
social justice, and college life these channels are sure
on the go, in a waiting room, or during a study break
to pique your interest. Although these channels are
and share them with your friends.
GIRL SHIP TV Describes itself as “content made for queer women by queer women. Run by Amanda Holland.” Amanda Holland is a former BuzzFeed employee who branched out to create her own content. She involves other YouTube personalities and her former coworkers from BuzzFeed in her creative projects. Together, they make video series about queer female characters. They also drink together while they watch and react to movies/ music videos featuring queer female characters. The reactions are always funny and entertaining, regardless of the quality of the film or video they are reacting to. It’s fun to see how their reactions align with your own. Additionally, their original series is quirky and lighthearted with clever comedic dialogue.
CLOTHESNBITS A channel run by a twenty–something university student for anyone interested in fashion. The editing in her videos is top–notch. Also, many of the videos feature lo–fi hip–hop, electronic, and R&B remixes which make for a very relaxed tone. Clothesnbits typically models the clothing herself. She chooses a theme, then features several outfits that match the theme in each video. The fashions are often relaxed fit, androgynous and/or feminine streetwear looks.
15 | VINDICATOR
OCTOBER 2018
JOHN FISH On this channel, you’ll find a series of videos created by a young Harvard student studying computer science. John creates vlogs where he discusses and documents his college experiences and the things that motivate him. He also gives advice on studying for exams, taking notes, mental health, and other topics relevant to university students. This channel is great for any student who’s looking for relatable content and a bit of encouragement.
“
The reactions are always funny and entertaining regardless of the quality of the film or video. they’re
LILY C READS
“
reacting to.
Funny, bold, outspoken, and cheeky are all words that describe this next YouTube channel. Those characteristics make it unique in the subset of the YouTube community known as BookTube, where content creators analyze and recommend literature to their viewers. Lily’s criticisms are sound, her love of reading is obvious, and the candid style of her videos makes you feel like you’re sharing a reading experience with a friend. This channel is perfect for anyone who loves books, especially young adults. She is currently reading “Harry Potter” for the first time, without spoilers, and vlogging her reactions.
AJ+ This channel describes itself in the following words: “AJ+ is a global news community for the connected generation. We highlight human struggles and achievements, empower impassioned voices, and challenge the status quo.” AJ+ is great for anyone interested in learning more about various cultures and news happening both in the United States and around the world. I especially enjoyed a short documentary series they made which used the history of Americanized Chinese food to tell the history of Chinese Americans.
XXYUNGLORDXX This channel is run by brothers XXYungLordXX and AK Da Cannon who are both underground hip–hop artists. They review hip–hop music and music videos. They stay current and upload regularly as new music comes out. Subscribing to this channel is a great way to discover a lot of mainstream and underground artists across various subgenres of hip–hop. The brothers who run this channel have an obvious passion for music, and their hyped energy is infectious. I’m always excited to see their excitement about a new release.
Go to thevindi.com for a full list of YouTubers to watch! THEVINDI.COM | 16
CULTURE
CRAZY RICH LOVE
IN A NEW LIGHT WRITTEN BY
Dorothy Zhao
The recent film “Crazy Rich Asians” takes a movie adaption of the original novel by Kevin Kwan to portray Asian Americans in non–stereotypical ways with a diverse cast and lighthearted, relatable romantic plotline.
is yellow on the outside, white on the inside, to when male lead Nick Young (played by Henry Golding) and his family interacted in the tension–filled dumpling making scene, I related to so many scenes and cried my heart out in this romantic comedy. Despite my initial fear that this movie would just be another basic romantic comedy that would bore me, I was
W 17 | VINDICATOR
proved wrong. In my eyes, “Crazy Rich Asians” is hen I first heard about “Crazy Rich
a film that will truly inspire Asian–Americans and
Asians,” I didn’t think much of it.
Hollywood to create and support diversity across all
When I learned it was a Hollywood film
forms of entertainment.
with an all–Asian cast, I didn’t even
believe it. But, when I watched “Crazy Rich Asians”
Movie Review
on opening day, August 15, I became an instant
As an American Born Chinese (ABC) like Rachel Chu,
fan. From when Awkwafina, the actress who plays
I found myself relating to what she went through,
sidekick Peik–lin, described how female lead Rachel
from meeting your boyfriend’s family to traveling
Chu (portrayed by Constance Wu) is a banana as she
to a foreign country of people who look like you but
OCTOBER 2018
“Searching” is filmed from the perspective of a sole
representation has not been lost on me, a resolute
laptop, which took some getting used to when I
non–admirer of rom coms and fan of adrenaline
watched in theaters. Despite that, I watched with
rushes from jump scares. Growing up, I wished more
captivation and emotion when I saw faces similar to
than anything to be blonde–haired and blue–eyed
mine and my family going through turmoil.
and for my name to be Nicole, not Yiyuan, my “real” Chinese name. Actress Kelly Marie Tran summarized
A recent study by sociologist Nancy Wang Yuen showed that “sixty–four percent of television series
it best when responding to online hate from her
in the 2015–16 season didn’t have a single Asian–
role as Rose Tico in Star Wars—“I started blaming
American regular; another report revealed that...
myself... I had been brainwashed into believing that
nearly two–thirds [of the top one hundred films of
my existence was limited to the boundaries of another
2017] didn’t include a single Asian or Asian–American
person’s approval.” This approval I sought was what
female character.” From actors and actresses of all
I saw in social media and Hollywood movies starring
backgrounds, Constance Wu from “Fresh Off the Boat,”
every single kind of white girl and no other version
legendary Michelle Yeoh, first–time actor Henry
of a female lead. With “Crazy Rich Asians,” I see a
Golding, and rapper–actress Awkwafina, the cast was
slow-growing yet momentous shift in the positive
extraordinary in every part of the movie. Even though
results of Asian representation—just seeing my
some claimed whitewashing and betrayal in casting
mother’s reaction to the movie was proof enough.
male lead Henry Golding, biracial with a Malaysian
When she learned of “Crazy Rich Asians” and the
Iban indigenous group mother and a white British
galvanizing movement for Asian–Americans to make
father, any improvement is better than nothing. We
opening weekend a success, known as #GoldOpen,
have to start somewhere. Kevin Kwan, the author
she practically ran the entire way to the theater, got
of “Crazy Rich Asians,” has two more novels in the
tickets, and made sure we got there early enough
trilogy, and from the success of this first movie,
that we were only the second family in the theater
Netflix offered creative control, guaranteed trilogy,
to watch on opening day.
and an immediate payout to be able to produce the
However, not every member of the audience was
“
I found myself relating to what she went through, from meeting your boyfriend’s family to traveling to a foreign country of people who look like you but who are
“
are not like you. Furthermore, the importance of
not like you.
film. Both Kwan and movie director Jon Chu declined
satisfied. Critics argued that despite having an all-
the amazing opportunity, instead, choosing to portray
Asian cast, “Crazy Rich Asians” was not representative
Westernized–Asians in a theatrical film release form
enough by ignoring Singaporean minorities. Noting
and reaching audiences of all kinds.
Chinese privilege, as the Chinese in Singapore are
All in all, as one of many in the audience of “Crazy
the dominant ethnic majority, some Asian viewers
Rich Asians,” I watched in awe of the aesthetics and
disagreed with Asian–American moviegoers. Sensibly,
soaked in all the Asian aspects incorporated into a
Constance Wu acknowledged on Twitter that the
cheesy romantic comedy. With stunning visuals of
movie would not represent every Asian–American.
skyscraper skylines, beautiful displays of couture and
For those of non–East Asian descent, the fact that a
fashion, food so resplendent I could smell it, and family
few cast members were able to represent them was a
discussions tense enough for me to recall my own,
welcome change in Asian cinema. As it is a different
I encourage everyone to watch “Crazy Rich Asians.”
dynamic in Eastern and Western popular culture, varying views and opinions of the successful film both carry weight. Industry leaders, affluent fans, and rich Asians in general aimed to turn “Crazy Rich Asians” into a cultural phenomenon by renting out theaters for special screenings and increasing interest in a unique film (by Hollywood standards). The goal was to top the box office by selling $26 million in tickets for opening weekend. This target was thoroughly exceeded, as $34 million was made over the course of the first five days.
Photos from Google Images
Continued Success For ardent Netflix fans, it is worth adding that “To All the Boys I’ve Loved Before” is also a popular film that can be found on the streaming service. Looking towards the big screen once more in Asian representation, “Searching” is another recent thriller featuring John Cho as the main character—an Asian father desperate to find his missing teenage daughter. THEVINDI.COM | 18
SECTION
INFINITY MIRRORS WRITTEN & PHOTO BY
Alana Whelan
Yayoi Kusama’s Infinity Mirrors exhibit came to Cleveland and it was an experience that defied space and time, demanding our understanding of nature, humans and infinity.
T
he first time I heard about the Infinity
glowing white lights. We only had 10 seconds in this
Mirrors exhibit put on by artist Yayoi
room, but it felt as though I could have spent a couple
Kusama, I thought the concept of rooms
hours in there.
full of never–ending mirrors sounded
As we moved through the exhibit I noticed that
fascinating, but I had no idea that
it was laid out like most art exhibits with long
I would have the chance to experience it, or what
descriptions on the walls before entering a new
it would feel like if I did. At that time, it was a few
room, and short summaries next to each artwork. I
years before the exhibit was even announced to be
was not sure what there would be in addition to the
coming to Cleveland.
but b et we en eac h,
it wo u ld b e at t he
something dazzling
Cleveland Museum of
was waiting for our
Art this past summer,
e ye s t o l a t c h o n t o.
I k new it was an
Statues and paintings
opportunity I needed
were scattered in
to take advantage of.
different places
After arriving at the
throughout the exhibit.
museum one minute
One set of statues that
before our time slot,
I found particularly
we got in line to enter
19 | VINDICATOR
infinity mirror rooms,
W hen I fou nd out
intriguing looked like
the exhibit with the other patrons who had been able
a bunch of octopus tentacles springing out of the
to snag tickets for 12:30 p.m. The first room we entered
ground. Others were oddly shaped and placed in front
was tiny on the outside, but once inside, it looked vast
of a patchwork–like backdrop. They reminded me of
and was saturated with what looked like millions of
something from a Dr. Seuss story.
OCTOBER 2018
Ever y thing in the ex hibit made me think of
scene when she moved to New York City in 1958.
something otherworldly, or out of the norm. In
Kusama’s work started getting a lot of attention in the
each infinity mirror room, it felt like I was stepping
late 1960s when she staged a series of events where
into another dimension, which was especially true
naked people were covered with brightly painted polka
in a room where it appeared that millions of golden
dots. Since then her work has consisted primarily
lanterns were illuminating the darkness, floating in
of sculptures and installations, but she has also
space. My favorite part of the entire exhibit was a
worked with painting, fiction, fashion, performance
room called “The Obliteration Room,” which was an
art and poetry. Kusama’s “Infinity Mirrors” exhibit
interactive space where we received stickers at the
incorporates much of her older works, including a
entrance. The room, white at its base, was covered
starkly bright room where sculptures of white tubers
in millions of different–sized, colorful polka–dots,
saturated in red polka dots seem to stretch for miles.
which were placed on the walls and constructed
The sculptures were made separate from the infinity
furniture by patrons who came before us. The name
mirrors at first. Photographs, posters, cards and
evokes the idea that gradually, the room will be
other artifacts from previous exhibitions lined the
covered—or obliterated—as visitors envelope the
walls and sat in glass cases for visitors to admire.
room with their stickers in whatever way they feel
These artifacts helped to show how Kusama’s work
fit. Nearing the end, we stepped into a giant, pink
has progressed and changed throughout her life.
polka–dotted blow–up ball only to find more smaller
Kusama’s art has largely been a reflection of the
ones inside. This room was very appealing to the
experiences and influences she had as a child and
eyes and carried on a consistent theme of polka-dots
then throughout her life. At the age of 10, Kusama
throughout the exhibit.
started to have realistic hallucinations that were
I was fascinated by the idea behind each room,
comprised of bunches of dots and light. She decided
which had names like, “All the Eternal Love I Have for
to turn these hallucinations into art by painting
the Pumpkins”—a room full of yellow, polka–dotted
and constructing them into physical forms. The
pumpkins—and “Where the Lights in My Heart Go”—a
endless fields of polka–dots—seen in so many of the
room with tiny holes in the ceiling and walls that
works in the Infinity Mirrors exhibit—were drawn
allow natural light to penetrate inside, which was
straight from Kusama’s hallucinations. Similarly,
actually the first room we entered, and was placed in
some of her earlier work—such as the painted, naked
the museum’s atrium. Polka dots were a fundamental
people—was outrightly sexual and materialized
theme that was carried throughout the exhibit, and
from her obsessive anxieties surrounding sex and
Yayoi Kusama noted this in a quote that reads, “Our
men. The Infinity Mirrors has, in many ways, been
Earth is only one polka dot among a million stars in
influenced by all the different aspects of Kusama’s
the cosmos. Polka dots are a way to infinity.”
mind and thoughts. Her interest in the mystery of the earth and the human psyche played a huge role
About the Artist
in the development of the Infinity Mirrors exhibit.
Yayoi Kusama is an 89–year–old contemporary artist
Kusama has lived in a psychiatric ward in Tokyo
from Japan who began creating art when she was very
since 1975, and still creates art for eight hours each
young, and went on to be a part of the avant–garde
day, while also receiving medical treatment. She is currently known as one of the most distinguished living artists in the world. So far, her Infinity Mirrors exhibit has been displayed in five cities, including Washington D.C., Seattle, Los Angeles, Toronto and, of course, Cleveland. Observing Kusama’s mysteriously appealing works in person, and learning about her life and influences, makes me infinitely grateful that I was able to attend the exhibit. I know I will continue to reflect on what I experienced for a
TITLE PHOTO BY GOOGLE IMAGES
long time to come.
THEVINDI.COM | 20
FEATURE
YOUR MIND MATTERS
WRITTEN BY
Grace Roberson ILLUSTRATIONS BY
Andriana Akrap 21 | VINDICATOR
Social media has paved the way for more inclusive discussion in the mental health community.
W
OCTOBER 2018
hi le some l i ke to t hi n k t hat
resources. While Netflix did start displaying content
the month of October is
advisory messages for season 2 of “13 Reasons Why,”
reserved for spookiness and the
the show’s creative team are still part of the problem
romanticization of autumn, there
regarding the stigma that surrounds mental health
is a day weeks before Halloween
and the general public’s apprehensiveness with
that should be given more attention. Every year,
talking about it.
World Mental Health Day falls on October 10th, and
The World Health Organization reported that half
this year’s focus, according to the World Health
of all mental illnesses begin by the age of 14, and that
Organization, is the “investment by governments and
suicide is the second leading cause of death among
the involvement of the social, health and education
15–to–29–year-olds. Most cases of depression and
sectors in comprehensive, integrated, evidence–based
other mental illnesses go untreated. This is partly
programmes for the mental health of young people.”
because mental illnesses fall under the category of
Recent representation of mental health in the media
chronic, or “invisible” illnesses—conditions whose
has been controversial and even toxic to Millennials
effects aren’t physically manifested, thus making
and Generation Z. The release of “13 Reasons Why”
one’s pain difficult to validate, especially by peers
in 2017 and its graphic portrayal of Hannah Baker’s
and loved ones. There is a problematic line of thinking
suicide sparked a national outcry from educators,
that associates the way we look with the way we
health professionals, religious communities, and
feel—if someone looks put–together or falls under
parents alike, yet it was still renewed for a second
someone else’s idea of healthy, then there is no pain
and third season due to high viewership. There is a
or contrasting emotion to detect. This only adds more
degree of responsibility to consider when dealing with
pressure not to talk about what’s under the surface for
such emotionally heavy and triggering subject matter,
the sake of eliminating another person’s discomfort.
regarding accuracy and providing informational
Sometimes it’s unintentional and other times it’s not, Grace’s story continued on next page
I Know There’s An Answer: The Beach Boys’ Brian Wilson & His Struggle With Mental Illness & Addiction
WRITTEN BY
Liv Wilson
C
alifornia, 1964. Lyndon B. Johnson is in the
Brian chose to numb that pain was so powerful that
White House, gas is 30 cents a gallon, the
it exacerbated his already intense anxiety.
Beach Boys have eight hit albums out, and
Using alcohol and drugs to subdue the excruciating
a 22–year–old Brian Wilson has just tried
pain of living with mental illness is one of the worst
LSD for the first time.
courses of action that can be taken. Unfortunately,
The intended effect is a creative kickstart, and it
it is also one of the most common courses of action
somewhat works in that sense—he pens the intro
people take. Substance abuse and mental illness have
to one of the most memorable Beach Boys singles,
a positive correlation where they both worsen the
“California Girls.” But the trip comes with some
other condition, making recovery much more diffi-
devastating, long-term side effects. Bodiless voices
cult than it needs to be.
will start speaking in Wilson’s head about a week
Wilson made an attempt to overcome his addic-
later, and they will continue to haunt him for the
tion, depression, and anxiety by attending therapy,
rest of his life.
but encountered yet another obstacle in the conniv-
Substance abuse followed Wilson for the next two
ing and overbearing Dr. Eugene Landy, who charged
decades. He stopped taking acid after the first inci-
Wilson an exorbitant amount and used brutish ther-
dent involving the voices, but three years later, the
apy tactics.
psychedelic siren song called to him again and he gave into it.
This experience is not one commonly shared by those looking to beat mental illness. When seek-
Of the voices that tormented Wilson throughout
ing treatment, therapy is the best first step to take.
his life, the loudest was that of his abusive father. He
Talking to a trained professional about your thoughts
wrote about the voices in his memoirs: “Lots of the
and impulses is a healthier and more direct option
music I’ve made has been my way of trying to get rid
than temporarily numbing your pain with alcohol
of those voices. Other strategies didn’t really work.
or drugs.
Alcohol didn’t work, and never sleeping didn’t work...
With the support of his family and friends, Brian
Those are the voices that people call mental illness...
Wilson eventually overcame life’s greatest battle to
It’s a part of my brain that doesn’t change, so what
find love, rejoin his band, and reclaim his role as one
has to change is the way I deal with it.”
of the most influential and gifted songwriters of his
Mental illness is not always brought about by
generation. Mental illness and addiction do not have
substance abuse, but the deadly combination of
to be the closing chapter on a person’s life; they can
post–traumatic stress disorder brought about by his
instead be the imposing foe whose defeat leads to a
father’s abuse and the subsequent self-medicating
happy ending. THEVINDI.COM | 22
FEATURE
but in order to move forward, we all must have more willingness to be more empathetic, and realistic. It’s not healthy to ignore what your body is telling you, and it’s unacceptable to invalidate someone’s struggles just because it makes you uncomfortable to hear them talk about it. There are a variety of external factors that contribute to a person’s overall mental state—including (but not limited to) trauma, loss, physical and emotional abuse, past or current toxic relationships, addiction, financial and/or academic stress, and effects from other illnesses. Seeking professional help for mental illnesses is a privilege in the United States—most health insurance providers don’t cover mental health, or have expensive co-pays for therapy sessions. In Mental Health America’s Access to Care rankings for 2017, Vermont was #1, while Ohio fell at #29, and Alabama placed #50. These numbers indicate how much access to mental health resources exist
Ending The Dramatization of Mental Illness... What A Concept!
WRITTEN BY
Shannah Byrnes
I
n 1979, Robin Williams received a Grammy award
Williams “look–alike” to dramatize and recreate
for Best Comedy Album for his stand–up tour,
those grim and intimate final hours of the come-
“Reality…What A Concept,” featuring memora-
dian’s life.
ble critiques on life through comedy. As Williams
In reference to stigma surrounding mental illness
poked fun at the absurdity of reality, his fans laughed
and suicide, this film choice is reckless with the care
along with him. However, as time has progressed the
in which such a subject should be properly dealt. This
media has taken hold of this laughable reality and
dramatic reenactment not only urges “copy–cat”
skewed it for financial gain. That is, media outlets
replications of this situation to occur, but also shares
have profited off of offering audiences insight to
intimate details of events which only William’s
Williams’ crippling reality and demise, rather than
family needs to know. The onset of media and the
promoting substantial and life–saving commentary
constant flow of celebrity gossip has conditioned
on the subject of mental illness through his life.
fans and onlookers to expect access into personal
In a society becoming more vocal about mental
and undisclosed details of celebrity lives—people
health and the stigma surrounding it, it is offsetting
of whom they are only strangers. This infringement
to hear of media outlets who have not yet caught up
of privacy stems from personal profit, rather than
with the conversation. There are prominent exam-
true empathy.
ples of how to address mental illness in relation to
The documentary on Robin aired in 2015, yet media
celebrities, including Dave Itzkoff’s 2018 biography
outlets are still reaping the benefits of the dramati-
“Robin,” telling the tumultuous and infamous life of
zation of intimate circumstances such as this. We saw
Robin Williams. This biography brings to light the
this recently in the death of Kate Spade, when media
highs and lows of Williams’ career, without roman-
outlets chose to focus heavily on Spade’s daughter
ticizing the pain, addiction, and disease he endured
and her mention in Spade’s suicide note. In that same
which was revealed to the entire world after his
week, we heard of Anthony Bourdain’s suicide, with
suicide in 2014. This shock continues to reverber-
such influential sources as E! News publishing arti-
ate to his fans, colleagues, and most definitely, his
cles titled “Inside Anthony Bourdain’s Final Days
family. Why then, is it that media outlets still attempt
Before His Death.”
to profit off of his heartbreaking situation, by offer-
Such blatant disregard for mourning of family and
ing viewers a glimpse into his “final hours” and thus
friends has led to a skewed view of suicide and an
attempting to desecrate his memory? This tactic was
even more dramatized view of mental illness that
evident in the 2015 UK documentary series, “Autopsy:
may have contributed to it. Instead of peering into
The Last Hours of [Robin Williams].” According to
scenes of personal turmoil, we should promote an
San Francisco’s local CBS News, friends of Williams
open discussion of mental illness and suicide aware-
pleaded with producers not to air this documentary,
ness in order to prevent these calamitous situations
as it attempted to reconstruct the final hours of his
form occurring, and thus celebrate life in all forms.
life. In order to leave a bitter taste in the viewer’s mouth, this documentary enlisted the help of a Robin 23 | VINDICATOR
OCTOBER 2018
from state to state. The rankings are based on nine
Do you think that there is a degree of responsibility to
measures, ranging from adults with a mental illness
be taken when talking about mental health?
(AMI) who did not receive treatment to mental health
SN: Yes. It’s important to be mindful of potential
workforce availability.
triggers. For example, I try not to talk viscerally about
Generationally speaking, the rise of social media has
issues I’ve dealt with in the past, like self-harm or
made it possible for those with anxiety, depression, and
eating disorders, without providing an ample trigger
other illnesses to discuss their thoughts, feelings, and
warning. It’s also essential to never cross the line
struggles more openly. Someone who has been using
from mental health advocate to mental health expert/
their platform to combat the stigmatization of mental
therapist/doctor unless you have actual medical
illnesses is Sammy Nickalls (@sammynickalls), a writer
experience/training. Armchair diagnosing is harmful
and editor who created the hashtag #talkingaboutit,
and can ruin lives.
which has been gaining momentum on Twitter and other social media outlets.
What do you think are the best ways to go about fighting the stigma that surrounds discussing mental health?
What inspired you to start #talkingaboutit?
SN: Keep on talking about it. Surround yourself with
SN: I had a really hard time when I was living in
people who are accepting of you talking about it.
Lancaster, PA in a one–bedroom by myself. I was
Maintain your own support system so that you can
so anxious I could barely leave my bed. After days
keep feeling comfortable and loved enough to share
of this, with the laundry piling up and my workload
your experiences. The only way we can fight it is to
growing higher, I was scrolling through Twitter from
constantly keep mental health at the forefront of
my bed and saw a half-joking tweet from someone
the conversation.
about how she’s been lying on her couch all day with a cold. I thought, why can’t I talk about my mental health as openly as I’d talk about my physical health? And what would happen if I tried?
We often react to things that we don’t understand with fear. If something is going on inside of you that isn’t making you feel like yourself, vocalize it. Your
What is the goal of #talkingaboutit?
mind matters, and it’s important to take the necessary
SN: To make everyone feel as comfortable talking
steps to take care of it. But that doesn’t necessarily
about their mental health as they do talking about
mean going straight to a medical professional and
their physical health (disclaimer: not referencing
seeking a diagnosis, especially if proper healthcare
chronic pain/invisible illness here, but headaches,
isn’t a feasible option. It’s okay to start small, because
common colds, etc). In an ideal world, this would
even a few acts of self–awareness produce significant
destigmatize mental health issues and make it easier
results. In this day and age, solutions can be found
for people to reach out to get help (and also make it
at your fingertips—if you’re having a bad day, use
easier to share resources and feel a little less alone).
#talkingaboutit and you may find a community of
Did you/did you not grow up in an environment that
you and can provide you with resources that aren’t
people who are going through the same thing as allowed you to discuss mental health (depression, anxiety, etc) with ease? SN: My family has always been fairly open—I’ve been an anxious person ever since I can remember, and my parents always did their best to be understanding and kind about it. However, the area I grew up (rural Pennsylvania) was very conservative and tended to consider any mental illness to be “crazy” or “loony.” GR: Have you noticed a significant change in mental health awareness / representation of mental health in the media? SN: Absolutely. We’re in a mental health revolution. Social media has been a big part of this, but also, celebrities, television, films, other pop culture staples have started to discuss mental health more openly. Of course, this is in part because the public demands it and they follow the money, but it’s still a much more positive representation than I’ve ever seen before.
unattainable. Most importantly, keep the conversation going—by fighting the stigma, you’re shining a light on those who think they’re being left in the dark.
PODCASTS FOR YOUR MENTAL HEALTH BY
Samra Karamustafic
Savvy Psychologist: Quick & Dirty Tips for Better Mental Health With a title as specific as that, it’s no surprise that this podcast is the first on the list! Host Dr. Ellen Hendriksen tackles both day–to–day problems as well as more deeply– rooted issues, using her caring nature and lighthearted humor to make this podcast a favorite for learning more about how to take care of your mind and yourself in general. Kalyn’s Coffee Talk A podcast produced by lifestyle Youtuber Kalyn Nicholson, KCT is here to address all kinds of obstacles we all may run into from time to time. She is here to assure you that everything will be okay and to help you get through it all! Plus, there’s a reason it’s named “Coffee Talk”, Kalyn makes it feel as if she is right there with you on a coffee date, sippin’ on whatever she has that day. Oprah’s SuperSoul Conversations Oprah takes a different approach to talking about mental health; she interviews some of the most prominent figures in the fields of spirituality, lifestyle, and mindfulness today. She doesn’t just interview your typical “spiritual–gurus,” but she wants to get a take from all kinds of people. Listening to her podcasts will help you get into the right mindset, shifting your perspective on a variety of issues and topics.
THEVINDI.COM | 24
FEATURE
BRINGING THE VINDI TO LIFE WRITTEN BY
Brenda Castañeda Yupanqui Tyisha Blade
We caught up with some of our past staff members, who reflected on the Vindicator and its impact on their lives.
PHOTOS BY
Andriana Akrap
T
he Vindicator has incredibly deep roots at Cleveland State. With almost 50 years as a publication, this magazine’s history is as rich as it is complex. Starting out as the university’s Black newspaper, the reac-
tionary and necessary counterpart to other student media on campus, it has since grown into the arts and culture magazine that it is today. While it has not remained solely a place for Black voices, the Vindicator’s mission is one of multiculturalism and social justice, one that it’s staff—past, present and future— strive to preserve and amplify through their work. Like all forms of media, this magazine affects not only its audience, but its staff and contributing creatives, as well. We decided to check up on a few of our past staff members, who shared their experience with the Vindi and how it made an impact on their lives and careers.
OCTOBER 2018
ROBERT GATEWOOD
What was your role in the Vindicator? I was brought in as the Art Director. I changed it to Director of Art and Communication, because our communication was lacking at that point; there wasn’t a lot of structure. I was the art director and comm guy for two years. My Editor–in–Chief, CJ [Phifer], we both came in as the previous administration was on the rocks. She brought me in; neither of us knew what our role would be. She was a really strong leader, so she took the Editor–in–Chief role and I was in design so that worked for me. I did that for a full year. We came in, I wouldn’t say on a whim, but we weren’t planning on doing this. How did the Vindi influence your experience at CSU? Pretty dramatically. I was an adult adult when I started school; I was 25 and I wasn’t interested in being a part of the whole undergraduate experience. I ended up being able to meet tons of people; I got an internship at the marketing department because of my experience there [at the magazine]. It made me a more public person, which was a road I didn’t know I was going to be on, but I need to be. Learning how to work with a significant variety of people. That was a big goal of CJ’s and mine, to let it represent the history of the Vindi, but also acknowledging the changes and the new people that CSU touched. Working with tons of people, hitting deadlines, working with bad vendors, learning how to react to people who disagree with you. We tried to have a lot fire–starter features and we started a couple fires, which was great. What do you do now? I run Full Spectrum: Gamer Haven, it’s a creative coworking space… we center games, culture and technology. You can make video games here, and since you can make games, you can make everything. We’ve got audio–visual production,
photography, programming, graphic design, apparel, now. Creating this network of stuff and people so that everyone can do their creative thing in my neighborhood, because I’m from Collinwood. Apart from that, I’m a graphic designer. It’s a lot; everyday is legitimately different. Do you have any advice for student journalists, reporters, photographers, and creatives? I would suggest, as hard as it is to hear, actually listening to your professors. Specifically in the design area… Listen to them, then trust your own gut when it disagrees and do what you want anyways. They know what they’re talking about in terms of how things work now. If you’re trying to change stuff, recognize that that’s not the world they live in; you’re making it. What is your most vivid memory of working with the Vindi? I have many vivid memories. Our first meeting was fun because CJ’s personality is dramatically different from mine; she loves process. It was a room full of “no one knows what’s happening” people. We had an argument about a feature, if I’m not mistaken, on marriage equality. That was an amazing conversation at the Vindi office, I remember that. And the talent shows we did—wild. Running the SC with art, a big band person and live poetry. Smashing my toe with the DJ equipment, I remember that. It was fun. Do you have a favorite issue? I could be cheap and lazy and say the first one because it was the first one. But, probably when TEDx came to CSU. Watching them, it was a really professional operation for that issue. Photographers and writers going out to different things, reviewing them. That whole process was probably my favorite.
Go visit Robert at his creative co–working space, Full Spectrum: GamerHaven! Located at 818 E. 185th Street, Cleveland, Ohio Instagram @officialgamerhaven
THEVINDI.COM | 26
FEATURE
EVAN PRUNTY
anymore. I liked working with different writers and going to protests. Covering events video–wise and talking to people around campus definitely made me more well rounded. It was definitely a very valuable experience. What was your favorite issue? It’s hard to choose, but one of my favorites was about my roommate, Dallas. She is trans and we did a photoshoot with her because she was on the cover. It was kind of scary to put that issue out there. Singling her out as trans, I am very proud of her for doing that. It was beautiful to do that. That was pretty cool. There was some nervousness about it, but everything went according to plan as far as I know. There were many great issues, but that one, to me, was particularly impressive. It was good to know that people aren’t totally horrible. The sexual assault issue was also interesting. I helped compile people’s stories anonymously. It was interesting. There were many people reaching out to me saying thank you. Do you have any advice for student journalists, reporters, photographers, and creatives? Don’t be afraid to come out of your comfort zone. Don’t be afraid to ruffle some feathers. If you feel like it’s important and will have an impact, I think it’s worth giving it a shot. I think that the Vindicator is a place where you can do that and be creative. I think that it is very powerful to put something in print. So use that power to help people out and spread the right messages. What is your most vivid memory of working with the Vindicator? I was walking downtown and there was a group of Native Americans protesting about Standing Rock and Clean Water. I pulled my camera out. Just to know that I would have a place to put that was great. It wasn’t planned or anything. I have my camera, I can interview and have a place to share things with people. Another vivid moment was when someone put up that poster [featuring hate speech targeting LGBTQ+ students] last semester. I was able to take photos of the conversation at the meeting in Dr. Berkman’s office. I was working with Cleveland Magazine, but I also used some of the photos for the Vindicator. It feels great to be able to stand up to the people in power not take every word they say as the truth. Being there to hold them accountable and show different perspectives is important.
What was your involvement with the Vindi? I was the Multi–Media Manager. My freshman year was 2014. CJ [Phifer] was the EIC and she was looking for a person to do photo and video for the magazine. So, the Vindicator had a party in the common area. They also had music and artists from CSU. I filmed that and did a good job. So, that’s how I started working, I’m so thankful for CJ. What do you do now? I have my own business with my cousin. It’s a video production business where we do photos and record music. We have a studio on E. 36th street. That’s pretty fun in Tyler Village. I do freelance stuff. We work with people locally and people that come into town. We’ve done things with HBO, Fox Sports, and ESPN, and Great Lakes Publishing. The business is called Black Valve Media. How did the Vindi influence your experience at CSU? The Vindicator helped me meet different people. It helped understand different people’s perspectives. I am a more well–rounded person. It also gave me an opportunity to show Cleveland Magazine my work, and I got an internship with them. I still do work with them to this day. So, that was important. It’s always cool to see your work and art in print form because we don’t get to see much of that 27 | VINDICATOR
Follow Evan’s media production company, Black Valve, on social media to see all the cool things he gets to work on! Website www.blackvalvemedia.com
ELISABETH WEEMS What was your role in the Vindicator? As Culture Editor, I worked alongside our writers to craft and edit articles, providing guidance and feedback to help curate well–written, meaningful pieces. I also produced and hosted our short–lived, though poignant and powerful radio talk show, The Vindicator Hour.
Instagram @blackvalve
How did the Vindi influence your experience at CSU? While I was with The Vindicator I felt more connected to the university as a torchbearer of truth and an advocate for the student body. Writing with this influential magazine helped me to understand how impactful and powerful student voices are, and reaffirmed the need for a platform like The
OCTOBER 2018
“
The Vindicator gave me an outlet to write, let things out and really be passionate about something…
“
— ARBELA CAPAS
Vindicator to elevate their perspectives. It also granted me the space to observe and criticize both bureaucracy and power dynamics embedded in educational institutions. My experiences as a writer and editor helped me to expand my horizons, to look deep within myself and to reject limitations. It became a springboard for exploration, critical thinking and a healthy dose of skepticism. What do you do now? Presently I live in the city of Leipzig, Germany and am completing two master's degrees in Journalism and Global Mass Communication as part of a foreign exchange program at Leipzig University. I study critical theory, conduct social– psychological research and engage in conscious discussions about social, cultural and epistemological issues. Do you have a favorite issue? The March 2017 issue was my favorite—we focused on Women's rights and liberation, and as a mostly female staff, it felt empowering during such a politically charged time in our nation. Myself and another writer traveled to D.C. for the Women's March on Washington in late January for the issue, and we were in the midst of a palpable social move-
ment. It nearly engulfed us, and it was our task to relay to our readers just what people are raising their voices for. My time with the Vindicator taught me that even and especially when your perspective is that of a minority, it is utterly important to stand up and speak up. What is your most vivid memory of working with the Vindi? Perhaps my most vivid memories were vibrant debates held during editorial staff meetings, in which we would discuss what worked well, what didn't, and how we could grow and learn from our mistakes. So much happens behinds the scenes to bring this magazine to life, and there's a locomotive energy generated through the passion of the staff itself. Do you have any advice for student journalists, reporters, photographers, and creatives? Embrace the full spectrum of your creative self and reject any imposed labels and limitations. You need not succumb to pressures to know right now exactly what you're going to do with your life—just be who you are and love every aspect of your marvelous, colorful self.
ARBELA CAPAS Check out Arbela’s blog and follow her on Instagram to stay updated on her new and upcoming podcast! Blog www.battleofarbela.com Instagram @thebattleofarbela
What was your involvement with the Vindi? I started my sophomore year… I just went to the first meeting. It was so scary. So, I pitched a story about this girl who went to my high school… It was about how the dress codes treat girls and boys differently. It was the cover story for that October issue. After that, I wrote one piece per issue because I liked it so much… I was Editor–in–Chief my junior and senior year. What do you do now? Currently, I am doing freelance and contract work wherever I can. The only consistent place I am doing work at is Cleveland Magazine. I do a bit at Ohio Magazine whenever they need me. I had a couple stories that I wrote freelance for [Cleveland Magazine’s] Doctors issue. I also have some stories for the Lakes issue as well. I have my blog, The Battle of Arbela, where I write about lifestyle and fashion. I post there once a week. I’m doing work wherever I can and I’m
happy with it. I like working from home. Unless, they call me into the office. I need the structure sometime. How did the Vindi influence your experience at CSU? The Vindicator was an avenue for me to explore writing, reporting and journalism… It was only after I wrote my first story did I declare myself a Journalism major… I thought to myself, even if it is bad, which it isn’t, I will still have the Vindicator… So, the Vindicator influenced me a lot. It changed the course of my life. I was also struggling with the death of my dad at the time. The Vindicator gave me an outlet to write, let things out and really be passionate about something… It helped me get my internship. I was able to have magazine clips to show for my experience. The Vindicator also helped me get a job that I had briefly after graduation. So, not only did it help me personally with building my confidence, but it also helped me directly professionally.
THEVINDI.COM | 28
FEATURE
What was your favorite issue? The Black Girl Magic issue for sure… All the different aspects of our magazine that make the Vindicator such a great magazine came together. It was an awesome story that was half creative writing and half journalistic… I think it was a really important issue. We did an awesome photo shoot for it. We worked with an illustrator… I think we were at one of those times when the Vindicator started getting noticed again. We have had our ups and downs where people didn’t even know we existed. When that issue came out, maybe we distributed better, but people just really loved it.
How did the Vindi influence your experience at CSU? Being a part of the Vindi was one of the best decisions I made while in school. It introduced me to amazing humans who inspired me every day (and still do!) It made me self– critical in a positive way. It forced me to prioritize. It taught me to deal with conflict. Overall, it built a foundation that I’ve used in every job, internship, and fellowship I've ever had.
What is your most vivid memory of working with the Vindicator? I remember different moments with different people sharing and being so genuine with me about how they love the work that we are doing… A really vivid memory was when I talked to this guy that runs an arts incubator… [it] really opened my eyes on how much the Vindicator has changed over time and what the Vindicator meant to him… Times were different. It served a different purpose. It was a community building space. It was almost specifically for Black students, and it was their safe space… I had this really weird moment where I realized that this affected so many people. It gave me that confidence to really push us forward. To push us to talk about the people that are misrepresented or underrepresented.
Do you have any advice for student journalists, reporters, photographers, and creatives? Don’t take things personally and always do your best. I stole those from The Four Agreements (an awesome book), but for a creative, it’s true. This industry isn’t as tough as it seems—absorb everything, self–motivate, stay inspired, and you’ll get somewhere. Oh, and surround yourself with other creatives! Collaboration has fueled a lot of my success. People are the best when you’re in a rut (or when you’re not).
“
The one thing about the unknown is that you have to convince yourself more than anyone that you’re worthy of succeeding. — REESE SHEBEL
REESE SHEBEL What was your role in the Vindicator? I started off as a Managing Editor and contributor, then became Editor–in–Chief. How has the Vindi helped you progress after graduation? Being EIC of the Vindicator was one of the first big risks I took in school. I had no idea what I was doing, which in a sense, has transcended far beyond my collegiate career. When I signed up, I had no intention of becoming the Editor–in– Chief, and when it happened, it made me believe in myself almost out of necessity. The one thing about the unknown is that you have to convince yourself more than anyone that you’re worthy of succeeding. I’ve learned that a vital part of my own personal progression is taking healthy, constructive risks, whether it be traveling through foreign countries or competing in sprint triathlons (or taking a job even when you don’t exactly know what you’re doing at first). You learn to trust and challenge yourself in ways you otherwise wouldn't. 29 | VINDICATOR
“
Do you have any advice for student journalists, reporters, photographers and creatives? My best advice would be just to take care of yourself. That’s something that I lost sight of many times. This is a very fastpaced business when you’re on deadline. Whether you’re an editor, writer or photographer, it’s very fast paced. I am glad that the Vindicator prepared me for that… I really learned the power of being vulnerable with people that you work with. You make each other stronger. If you have an idea just do it. I was really able to do that with the Vindicator… I know that I’m thrown into the real world I have to take my advice and have that same confidence.
What do you do now? Graphic design at Function of Beauty (a beauty startup) in NYC.
What is your most vivid memory of working with the Vindi? I loved when we’d get the new issues in. Seeing all of the ideas and stories together in their beautiful layouts after such a long period of development was always a great feeling. Like phew, we did it. Something about print will always be special. Do you have a favorite issue? I’ll always love our first issue. I remember shooting it in the art building and it’s still one of my favorite covers.
CARISSA WOYTACH What was your role in the Vindicator? I was a staff writer to begin with and then Managing Editor for 2 years, a year and a half or something. I think that my parents and I saw them at one of the freshman things and I liked their social justice stuff. At the time, I was looking to do non–profit work and thought that would align pretty well. I went to one meeting and I met Robert [Gatewood] and all of them. I just immediately fell in love with all of them because they were lovely; CJ was a bit intimidating, but she knew that. How did the Vindi influence your experience at CSU? It was nice because I got leadership experience with the Managing Editor position and in a different way—I was also Editor–in–Chief of The Cleveland Stater, which is the capstone for journalism majors. But managing the Vindicator is a little different because it’s contributor–based and there’s a lot of people to keep track of. There’s a lot more moving parts. It gave me access to people that I wouldn’t normally talk to, people that were outside of my graduating class. Since I work at a daily newspaper, you miss the aspects of working on a magazine. I think it was maybe a creative way to look at things. It’s a different way to look at things, which I try to do at my daily work, like “this is a different angle” or “how can I look at this differently.”
OCTOBER 2018
What do you do now? I am a reporter for The Chronicle Telegram out of Lorain County, so we cover the county. It’s a daily newspaper, I’ve been there about six months. Before that, I was a paginator up in St. Joseph, Michigan. That kind of brought in a little bit of the graphic design. Before that, I was a staff writer for the United Way of Greater Cleveland, which actually tied in more with what I did at the Vindicator. Do you have any advice for student journalists, reporters, photographers and creatives? Ask a lot of questions, even if they sound asinine it’s better to understand something fully than try and make it up as you go along. This is especially true for interviews, even when you know what someone is going to say, or how they will explain something, give them the chance to put it in their own words. What is your most vivid memory of working with the Vindi? When I interviewed the folks from INDECLINE. They were the art collective that put the naked Trump statues up, including the one in Coventry—part of their “The Emperor Has No Balls” installations. I loved that story and I remember it because I forgot the huge time difference between here and California because I thought I was talking to a representative from Ohio. So I called them at the completely wrong time, and they still went with it. (And I still follow their collective because of how cool they were to work with, even though we were just a student publication and they were getting calls from national outlets). Do you have a favorite issue? Not really, I think they all had their moments.
READ THE FULL INTERVIEWS AND MEET MORE ALUMNI AT THEVINDI.COM!
BEAUTY & WELLNESS
WRITTEN BY
Imani Stephens
How the beauty industry is reshaping their old standards of beauty.
S “
It is important to be able to look in the mirror and feel confident with oneself.
31 | VINDICATOR
ubconsciously, the media, with its perfectly
Vitiligo is a disease that causes the loss of skin color
bronzed skinned models on the runway and
in blotches. If your skin tone is one solid color, with this
in television, tends to set the standard of
skin condition,you lose the color in certain areas of the
what people think normal skin should look
body—certain areas can be bigger than others, and it is
like. Even
not location specific,
in adolescence we try
affecting the skin, hair
hundreds of facial
or mouth. Treatments
creams and sk in
for this condition
products to zap away
include ultraviolet light
the imperfections of
therapy, surgery, or
acne, a common skin
steroid drugs. However,
condition. This normal
these can be expensive
chem ica l behav ior
when added up, costing
t hat a l mo st e ver y
way more than the acne
teen goes t hroug h
creams people spend so
h a s b e e n pl a g u e d
much on during their
by society as being
adolescence. The prices
wrong, simultaneous-
can start at $200 and
ly creating some of
continue to rise into
the worst years for
the thousands. In the
teenagers based on
fashion industry, one
bullying and embarr-
model in particular by
assment alone. There
the name of Winnie
is no guidebook to
Harlow went viral
good skin and there
for having vitiligo
is no straight defini-
after she appeared on
t ion of what go o d
“America’s Next Top
skin really is anyway.
Model” in 2014. On
Societal norms should
this popular reality
not label someone
television show hosted
as acceptable or un-
by former model Tyra
acceptable based off
Banks, who is known
of their appearance or
for breaking barriers
skin differences. Other
when it comes to
skin dissimilarities,
diversity in the fashion
such as vitiligo or albinism, have previously been looked
world, Harlow instantly became a highlight of attention.
at as taboo. Now they have emerged into the world of
Before Harlow, no one had seen a woman proudly owning
fashion at a rapid pace, erasing the limiting idea of the
her truth and having vitiligo in the spotlight. From that
perfect skin.
season of the show onwards, Harlow has made quite a
OCTOBER 2018
name for herself. The importance of her emergence on the fashion and modeling scene was more than money or glamour. It led to the confidence of many people who share her similar skin condition, and it became a new norm in today’s society. Now strange stares can begin to decrease since more people actually are used to and more informed about what vitiligo is. It is important to be able to look in the mirror and be comfortable with oneself. It is even more important
and eye color. There are many different forms of albinism, however, most of them are caused by the mutation of one gene. Ross is a model who has now worked with many popular brands and magazines including Vogue and GQ. He started modeling when he was 16 years old after being discovered through YouTube fame. Now he advocates for his skin condition and makes an effort to spread his story with the world. One thing that Harlow and Ross have in common is their ability to overcome
that companies
the mean jokes,
are putting way
nicknames and
more than just
con-stant ridicule.
look–a–likes into
The bravery on
their campaigns
behalf of these
to help eliminate
two has not only
the impossible
remov-ed limits
standards of
w hen i t comes
beauty they create
to the beauty
by using all of
industry but also
the same looking
positively changed
models and put all
how people view
over the media, so
themselves.
more people can
Harlow and Ross
be informed that
both identify as
not everyone looks
black and continue
like their idea of
to set the tone for
perfect. Recently, in
people of color
an interview with
as well. They
Vogue, Beyoncé
have forged a gap
spoke briefly about
between what
the importance of
is common and
hiring and working
what we need to
with people who
see in the industry.
do not fall under
Fashion and beauty
the category of
should be about
traditional beauty
making everyone
standards, saying
feel beautiful and
“They will hire
such a thing would
the same models,
be impossible to
curate the same
do if there was
art, cast the same
not representation
actors over and
of every kind
over again, and
of human being.
we will all lose.”
Everyone should
The progression
have someone to
of the fashion
look up to, who
industry and the
looks similar to
creative aspect of
them. Continuing
the world needs to be powered by
PHOTOS BY GOOGLE IMAGES
change and bringing together people from all walks of life, regardless of what they look like or come from. Another model who is breaking barriers inside of the fashion/model world with their skin condition is model
to open our minds and removing the filters that have already been placed over our eyes when it comes to the general standard of beauty is how the industry will have more impact, and continue to grow.
Shaun Ross. Ross has albinism, which is when your body lacks the ability to create melanin for the skin. Melanin is a darker brown pigment that produces your skin, hair THEVINDI.COM | 32
OCTOBER 2018 WRITTEN BY
Chau Tang ILLUSTRATION BY
Gia Paulovich
An open mind and heart leads to new experiences and knowledge.
M
any people might be hesitant when it comes to buying crystals. They are only objects that look pretty on display, right? Crystals can’t actually have healing power, can they?
Crystals can be similar to religion and other
spiritual beliefs, in the sense that it is personal.
There are so many crystals that bring different meaning and each can be used for a variety of reasons. Crystals are not for the non–believers. With crystals, you have to have an open heart to take in information about them. Their use can vary depending on what a person needs and they have various methods of use: during meditation, gardening, and holistic healing. You can even turn it into a necklace, put it in your pocket and take it everywhere you go. Or you can put it on your nightstand, take it into your hands, breathe in and out slowly as you close your eyes. Anyone can meditate with this, but it doesn’t automatically work with one try. People often use it daily or every once in a while. Crystals operate on the belief that those with an open heart can accept the love from within themselves. The ancient Egyptians used it for protection and health. “They believe the crystal lapis lazuli could lead a soul into the afterlife and recognize it’s immortality,” as exemplore.com explains. As Earthbound store manager, Tony Hill, spoke about crystals, he wore an apache gold crystal that he wired into a necklace. The crystal is a mixture of quartz, black tourmaline and pyrite. When he was in Elyria, Ohio, opening a store for a company he worked for, he was an atheist but found himself in deep conversation with one of the maintenance workers there. The worker said he had, “the perfect crystal for [him].” The next day, when he held this crystal above Hill’s hand, he felt the middle of his palm pulsing. Coincidentally, Hill’s mother was going through thyroid issues and she had been in pain. He gave
MORE INFORMATION Tony Hill–Girard @orphicjewelrydesign Cleveland base Wire– Artist + Reiki Master Around Cleveland, people can check out Daystar Boutique in Lakewood, Goddess Elite in North Olmsted and Earthbound.
his mother the crystal he was gifted and then she started crying; a few minutes later, she told him she didn’t believe in crystals but this was the first time in two and a half months where her stomach didn’t feel too painful. From then on, he was curious about crystals and the different effects they can have. Now, he has over one hundred crystals and stores them in different parts of his house. He found all of them while traveling and in the nearest metaphysical shops. Hill would ask crystal non–believers to touch them: “When you can get someone to be still, and feel what their body is telling them, there’s a difference when that person touches the crystal.” He also shared that
on how he is feeling. If he’s asleep and would like to find the cause of his actions, he will use a quartz crystal and have it heal him during the night. One of his favorite crystals to work with is aquamarine because it is a soothing water stone, which can help calm the fire within your body. He advises people who need a little pick–me–up to use a topaz to help motivate and bring passion into whatever they are doing. They can also use smoky quartz to help transmute negative thoughts and energies into positive ones. As a wire artist, he even wires the crystals into necklaces from his home. One of the books he recommends for those who are interested in learning more about crystals are “The Crystal Bible: A Definitive Guide to Crystals” by Judy Hall. Since crystals are made from the earth, they can give off energy. They can be used as a medical technique where crystals and other stones can be used to “cure ailments and protect against disease,” as stated in livescience.com. Some crystals like smoky quartz, amethyst, eye agate and black obsidian, can allow positive energy into the body to drive out the negative, disease–causing energy. Like magic, there needs to be a belief that their powers are real in order for their mind and body to trust in them as well. Kunzite can be pink, violet or even colorless. It can open and connect the heart to the mind that stimulates a healing communication between the two. Rose quartz is a lovely pink crystal and is said to help emotional well–being because it opens and realigns the heart chakra. Others include lapis lazuli, which stimulates a higher mind and consciousness, and citrine, which is a yellow crystal that exudes sunshine and happiness, and is said to be the most powerful for manifestation. It can inspire someone to achieve their goals and can bring joy and energy. There are so many more crystals that are beautifully magical and unique in their own way. It’s fascinating to explore different crystals and all their attached meanings. I’ve recently bought a rose quartz, clear quartz and amethyst. I mediate with one crystal per day or every other day. It helps to remind myself of the emotions I would like to leave my body while gaining some positive energy. When I first held each of the crystals in Earthbound, I instantly felt a positive vibe. I thought to myself, “Would I feel this way with every other crystal?” I held up another crystal from the same family but I didn’t feel as I did with the one I originally picked up. I am still researching more about crystals and their meanings and I am looking forward to purchasing more in the future. There are so many that can fit anybody’s needs. It’s important to remember that they aren’t meant to heal you instantly—you need to work at it and take care of yourself. More than anything, crystals are a reminder of how you would like to feel.
he uses a specific crystal to meditate with, depending
THEVINDI.COM | 34
SOCIAL
CRIMINAL JUSTICE OR CRIMINAL INJUSTICE?
WRITTEN BY
Ayden Romer ILLUSTRATION BY
Andriana Akrap
35 | VINDICATOR
A deeper look into the history and the statistics of the criminal justice system in the United States of America.
O
that prove just how common they are, and have been for centuries. In the United States of America, the penal system is a prime example of how discriminatory the criminal justice system is today and has been for centuries. Although African Americans make
n Thursday August 30, 2018, 3 young,
up only 13.4 percent of the population of the United
seemingly unarmed African American
States, they make up 34 percent of the country’s
men were arrested at gunpoint outside
prison population. While examining the history
of Euclid Commons. This occurred in an
of discrimination in the criminal justice system in
excruciatingly public manner where other students
the United States, the reason why these issues exist
in the area would have witnessed it just by looking
today becomes apparent. The issue is not that African
out their windows after hearing the commotion.
Americans commit crimes at higher rates, the issue
Unfortunately, incidents of this nature are not
is that the system was built to disadvantage them,
uncommon. In fact there are many staggering statistics
which it continues to do every day.
OCTOBER 2018
Not much has changed since the establishment of
According to the Huffing ton Post, “A frican
this inexhaustible institution. In 1865, the Thirteenth
Americans, who are 13 percent of the population
Amendment to the Constitution had just been ratified,
and 14 percent of drug users, are not only 37 percent
outlawing slavery in every case… except one. This
of the people arrested for drugs but 56 percent of
amendment clearly states that no slavery, except as
the people in state prisons for drug offenses.” The
a punishment for a crime, should exist in the United
Huffpost also mentions that the chance of a black male
States. Immediately after this amendment was
born in 2001 of going to jail is 32 percent (or one in
ratified, systems were put in place to continue the
three) and that the African American juvenile youth
oppression of African Americans, including Jim Crow
is 16 percent of the population, but they account for
laws, sharecropping, and prisons like Parchman Farm
28% of juvenile arrests, 37 percent of the youth in
in Mississippi, where there was a lot more going on
juvenile jails, and 58 percent of youth sent to adult
than the Delta blues. The prisoners were commonly
prisons. Some may confuse the reality of what is
to pay fines and therefore owed labor, and in other cases prisoners were simply unfairly leased and subleased to wealthy owners who were in search of cheap labor. The system was essentially an extension of slavery, but in a form that also happened to be legal under the amended Constitution of the United States. Flash forward to 1971. The Civil Rights movement made prolific strides in regards to African American rights. Segregation was deemed unconstitutional, voting rights had been protected, progress seemed to be en route. It appeared that the shadow of slavery had finally begun to lift, until President Nixon declared a “war on drugs.” He claims that drugs are the United States’ “public enemy number 1.” There are conflicting arguments about whether this war on drugs was entirely based on racial oppression, but according to the Drug Policy Alliance, “the drug war has produced profoundly unequal outcomes across racial groups, manifested through racial discrimination by law enforcement and disproportionate drug war misery suffered by communities of color.” They emphasized that the high number of arrests and high incarceration rates were a result of law enforcement disproportionately targeting urban areas, low income areas, and communities of color. According to the Drug Policy Alliance, over 60 percent of people in prison for drug offenses are people of color. Flash forward again to 2013. Once again it seems that momentum has been shifted in the right direction, with the election of the first black president, Barack Obama. That came to a crashing halt after the murder
“
happening today with the misguided argument that African Americans simply commit more crimes, when in fact white people are equally or more likely to use
The issue
drugs and sell drugs, there’s a smaller likelihood
is not that
they’ll have better representation.
African
a reflection of the history and the statistics of the
that they’ll be punished, and a higher likelihood that In 2018, we live in a world that’s in pain, undoubtedly
Americans commit crimes
systematic racism plaguing our penal system. A world where, even on our safe college campus, unarmed African American men are arrested at gunpoint. A world where, by the age of 14, somewhere around 25 percent of African American children have experienced
at higher
the imprisonment of a parent. A world where those
rates, it is the reality that the system was built to disadvantage
25 percent are more likely to drop out of school, misbehave, develop learning disabilities, suffer from migraines, mental health disorders, post–traumatic stress disorder, and experience homelessness. Some of us are those 25 percent and have been living with this issue our whole lives and some of use may only be becoming aware of it now, but as long as we recognize it and stand together, we can make a change. The question now is how can we, as the next
them, which it
generation, respond to these statistics? How can we
continues to
and how to combat it? For starters, it’s as easy as
do today.
“
picked up for minor charges and were required to do grueling labor. In some cases, prisoners were unable
create an understanding of why this problem exists turning on Netflix to get educated about the history of the racial discrimination of law and order by watching “13th,” a documentary about “intersection of race, justice, and mass incarceration in the United States.” We won’t be able to change anything if we don’t understand why it’s happening and why the history of the discrimination is linked to the
of unarmed 17–year–old Trayvon Martin by George
present. As far as changing these statistics, we are
Zimmerman with no retribution, sparking the Black
responsible for voting in representation who will
Lives Matter movement. Since then, the public has
make this issue a priority and hold our government
witnessed this happen over and over and over again,
accountable, and it’s our job to never let them forget
to Tony Robinson, Sandra Bland, Jordan Edwards,
how much this affects people everyday. Dr. Martin
Timothy Russell and Malissa Williams right here
Luther King Jr. once said that, “Human progress is
in Cleveland, and many more. As a response to this,
neither automatic nor inevitable… Every step toward
players in the NFL have turned to nonviolent protests
the goal of justice requires sacrifice, suffering, and
to bring national attention to this issue by taking a
struggle; the tireless exertions and passionate concern
knee during the national anthem. We hear about this,
of dedicated individuals.” Change is possible and it
see this, and even participate in this form of protest
is up to the next generation to make it happen, one
frequently, but it is still important to understand and
step at a time.
recognize the invisible statistics beneath the surface THEVINDI.COM | 36
SOCIAL
THE FIGHT AGAINST
HUMAN TRAFFICKING WRITTEN BY
Thrya Chaney
The Renee Jones Empowerment Center combats the ever present issue of human trafficking in the Northeast Ohio area in a unique way, offering countless resources for those affected by human trafficking
A
t a first glance, the flowerbedded facade
boxes of Dunkin Donuts. The building is without air
of t he Renee Jones Empower ment
conditioning, so strategically placed box fans blew
Center, at 1340 West 65th Street in
on high all summer long. The heat was no large
Cleveland, does not give much away as
sacrifice when one considers the work being done
to what goes on behind it. Within the
in this space everyday.
building’s four colorfully painted walls, decorated
Renee Jones founded the RJEC in 2002, inspired
with uplifting and empowering artwork, is a place
by the success of The Mastermind Alliance, her first
where people who have undergone unspeakable
endeavor in 1998 which succeeded in empowering
cruelty, abuse, and manipulation are able to feel
78 people to transition from homelessness to self
safe, respected, and understood—which is no small
sufficiency. She has devoted her time, energy, and
feat. The artwork is from art therapy sessions, one
tireless focus into becoming a leader in the fight
of the many forms of holistic rehabilitation that the
against human trafficking in Northeast Ohio. What
Renee Jones Empowerment Center offers victims of
makes the RJEC a place that victims and survivors
human trafficking and sexual abuse. I have been
of human trafficking can trust enough to come back
lucky enough to have had the opportunity to work
to is the personal aspect of everything that goes on
with this organization as a youth advocate and to
there. To everyone who walks in that door, Renee
see, firsthand, how the hard work and dedication
Jones is a friend. Renee understands how important
of the people in this space have been a strong and
trust is to people affected by trafficking situations,
positive force in the fight against human trafficking
and utilizes every method she can think of to reach
in Northeast Ohio.
anyone who is in need of the services that the center
Renee Jones tirelessly oversees the entire operation
37 | VINDICATOR
is able to provide.
from a small office in the back of the building. Traci
Renee Jones is a strong believer in the idea that
Grasso, the only employee of the RJEC, works out of a
not everything works for everyone, but everyone has
small makeshift cubicle just a couple feet away from
something that works for them. The RJEC provides
the conference table. The conference table has been
a wide range of holistic treatments for victims of
host to countless support groups, therapy sessions,
trafficking or assault such as art therapy, dance
meetings with organizations and delegations, and
therapy, journaling, and horse therapy. Those in
OCTOBER 2018
treatment get to experience activities ranging from
During one Youth Ambassador meeting this past
nature retreats to spa days. Survivors are given the
summer, a suburban dad type came to the door of
opportunity to become certified peer counselors, which
the RJEC, asking if he could drop off a few boxes of
gives them the opportunity to be a part of someone
towels he was looking to donate. Renee Jones gave
else’s empowerment journey and to be a part of the
him directions to the Salvation Army Harbor Light
greater struggle to end the cycle of human trafficking.
Complex on Prospect Avenue which as of July, in
With the recently formed Northeast Ohio Human
collaboration with the Hue Jackson Foundation, is
Trafficking Law Clinic, directed by Maureen Guirguis,
equipped to house up to twelve victims of human
the RJEC is able to connect victims and survivors
trafficking; a number which seems small, but in
of human trafficking with legal services. Outreach
consideration of the fact that there are only 1,000
events at strips clubs, truck stops, and notorious
beds in the US designated for survivors of human
street corners, where Renee enlists volunteers to
trafficking, it is a significant one. “They probably
come and present women with gifts such as roses
need them more than we do,” Renee tells the man.
and empowering messages, serve as a reminder to
She is right. The RJEC building has piles and piles of
the community of the RJEC’s powerful presence, and
boxes of donated goods, which we give away at the
the endless support, care, and resources available to
Red Cord Night Out street outreach event.
victims of human trafficking.
The RJEC is a force for good in a community that
I am a member of
needs it, fighting an issue which few people talk
the Youth Ambassador
about, but many are affected by. I look forward to the
Training Academy, a pilot
future of the RJEC, as they are planning on moving
program recently put into
into a larger space and are constantly updating and
The RJEC is
effect with support from
expanding their reach to effectively serve as many
UPS. The purpose of the
victims of human trafficking as possible. I have been
a force for
prog r a m i s to enable
incredibly lucky to have had Renee Jones as a role
yout h aged si x teen
model, and to see the many ways in which positive
“
good in a community
to t went y–four to be
social change can be enacted by anyone with the
effective advocates, able
determination, the creativity, and the motivation
to spread information and
to make a difference for a cause about which they
awareness about the issue
are passionate.
that needs
of human trafficking at
it, fighting an
and community events.
s cho ol s, con ferences,
topics ra ng i ng from
few people
e n f o r c e m e n t , Yo u t h
are currently the victims of human trafficking
75% ARE WOMEN
With trainings in specific
issue which
40.3 M. PEOPLE
public speaking to law Ambassadors are given
talk about,
countless opportunities
but many are
any informed and aware
affected by.
enact significant social
to develop the skills that young person needs to c h a n g e . R e n e e Jo n e s ensures that our skills are utilized at every possible opportunity. I have, since joining the program, met
“
with the Hue Jackson foundation and a UN delegation from Liberia, spoken at the NEO Human Trafficking Symposium at Notre Dame College, and participated in events such as the Collinwood Community Resource
The Renee Jones Empowerment Center is looking for more youth ambassadors! Please contact them if you are interested in helping.
25% ARE CHILDREN
and Empowerment Fair and Red Cord Night Out, the monthly street outreach event. Over the course of all of these undertakings, I have had the uniquely satisfying experience of gaining and training new skills, learning more about the cause, and being able to make a difference.
1340 W. 65th Street (Front), Cleveland, OH 44102 Call them at: 216–651–9601
THEVINDI.COM | 38
SOCIAL
AFTER THE VOWS Lesbians in a relationship, compared to gay individuals, are more likely to marry; at the same time, those newlyweds will confront certain challenges that they would not face as a straight or gay couple.
WRITTEN BY
Darlene Nichole Moorman
39 | VINDICATOR
OCTOBER 2018
I
t is October; that means looking for the perfect Halloween
some interesting terms such as “U–Haul Lesbian.” The concept
costume and, now apparently, wedding dress. According to
originates from the stereotype of lesbians, or at least a particular
studies done by websites such as The Knot or Zola, October has
type of lesbian, being extremely open to commitment even early
recently become the most popular month for weddings. When
in a relationship (the “U–Haul” showing a willingness and
one thinks about a wedding, usually joyous celebration and the
preparation to move in together). If there is accuracy to this
thought of unconditional, everlasting companionship comes to
stereotype, it would make sense why more lesbians marry than
mind. However, almost half of marriages in the United States (as
gay ones—they were eager to commit. Women are more likely to
well as in similarly developed nations) end in divorce. Real bummer,
marry younger then men, again suggesting they might be more
right? “Until death do us part” ends up being about 8 years. Even
impulsive while entering a marriage (marriages made in early
so, it is critical to consider how divorce has impacted different
twenties are less likely to last).
groups of people in different ways. The unions of minorities and economically–disadvantaged individuals are more likely to fall through. One group that seems to be the exception is LGBTQ+ couples, with homosexual U.S. divorce rates even being slightly lower than heterosexual ones. However, it is not that simple—as shown by the discrepancy between gay and lesbian marriages. Since the summer of 2013, homosexual couples nationwide were finally ensured the same right as their hetero–counterparts: the right to marry. Since then, as reported by a study by M. V. Lee Badgett and Christy
The Upsides Although lesbian marriages may end in divorce and face certain struggles other couples don’t, there are significant benefits associated with such a marriage. First of all, there are generally no accidental pregnancies for lesbian spouses; couples may be more confident/prepared in entering parenthood than certain straight couples. In the topic of parenthood, lesbian (and other LGBTQ+) couples may also raise children with a better understanding of tolerance considering sexuality/gender. Furthermore, lesbians are less likely to be limited by cultural norms and gender roles in a marriage. In such a marriage, there is less pressure to be a housewife or
Mallory from the Williams Institute, the “Windsor
to face unequal workloads. According to
Effect” has led to more LGBTQ+ individuals getting
the research of UCLA sociologist Suzanne
hitched (even in states where they could already
Bianchi, even when both spouses of a
marry, a spike in same–sex weddings occured).
heterosexual marriage worked full-time,
Among these newly wedded couples emerges an
women spent over 10 more hours on
interesting trend; there is a similar amount of
unpaid labor (family–oriented work).
lesbian and gay couples, but almost two thirds
In families where the husband worked
of those who marry are women. Additionally,
more than the wife, he still had much
most divorces are generally induced initially by
more free time (around 6 more hours).
women; this is also true in same–sex marriages. Which means, lesbian marriages are more likely to end in divorce papers. What kind of factors lead to more lesbians marrying, and divorce? And, what kind of pressures or struggles do married lesbians face than other couples may not or not in the same extent? The Dough in “I Do” It is in the vows—“for better, for worse, for richer, for poorer, in sickness and in health” —money and status are supposed to be trivial to
The research of both Pepper Schwartz and Philip Blumstein supported that homosexual and cohabitating relationships tended to be much more egalitarian and fair, especially lesbian ones. Additionally, lesbian relationships are least likely to divide power/influence by income. Finally, they are more likely to communicate with each other and to approach conflict amiably, according to a 2003 study from the University of Washington and the University of California at Berkeley. The higher divorce rate may also mean that lesbians are more aware of and find value in being given fair workloads and treatment; maybe an increasing divorce
love birds tying the knot. Well, a couple years later the bills are
rate does not mean more people are unsatisfied with
coming in and the honeymoon period has been long over. A
their marriages but they are more empowered to leave
Ramsey Solutions survey attributes finances as the number two
harmful/unfair marriages (especially among lesbians). So
major contributor (after cheating) to divorces. Money is a burden to
even if that wedding you have later in the month does last “for
pretty much every marriage, but it weighs especially on marriages
so long as you both shall live,” hopefully you can still appreciate
between two women. Women in the American workforce often face
that bond, even temporary, between a man and a women, two
a plethora of obstacles. They are less likely to be promoted, given
men, or two women.
raises, and paid the same as a male employee. Unlike other couples, both lesbian spouses will face these challenges. If lesbians are more likely to be paid less and have financial troubles, it might contribute to the stress of a marriage and increase the chance of divorce. Early Commitment and Impulsiveness You do not need to dig far into LGBTQ+ pop culture before hearing THEVINDI.COM | 40
Un. Lighter WRITTEN BY
PHOTO BY
V
Mikayla Colston I wish you all the best that life is willing to give.
I was told if you want to kill someone kiss them once and never again and so I did, yet I’m the one who died from the inside it’s when the moon came close to the sun So close, that the galaxy itself collapsed
that’s how I picture it your affection yet when I see my reflection I gaze at you perfection, if it even exists.
you look right back at me, with your beautiful eyes starving eyes they scare me your hug chokes me love, your kiss tastes like death yet you are the most alive person I have ever met.
I talk about your starving eyes yet I’m the one feeding on your lies for my loneliness on Friday nights for the sake of my writings so love, don’t love me
Don’t pull me in because my legs won’t be able to lift me for the love of Saturday mornings.. love please don’t love me I tend to break myself and others and I love you way too much to do that. “there is no such thing” I told you as I looked into your pearly brown eyes You gazed into my soul and realized that you are taking way too long to fathom the idea of me not loving you back The idea of me not being able to love you back.
you ran, as I collected what was left of me. it was never me falling, me loving It was never me loving
You see, one of my fears is to be that piece of poetry that you just can’t manage to finish that piece that a poet never gets to preform that remains in a notebook of notebooks.
One of my fears, is to be that canvas that is way too hard to understand. too complicated too fragile that canvas that never gets to be hanged on a wall of a museum
One of my fears, is to be that cup of tea that cup of tea that was forgotten on the kitchen counter
I never thought I would feel fear towards myself But yet again, I never thought I would understand why Vincent Van Gogh cut his ear off and shot himself in a field But I get it now, my ultimate fear is everything I made you feel.
SECTION
PETRICHOR WRITTEN BY
ILLUSTRATION BY
Nick Chmura
Zavier McLean
I told you I thought the world was ending.The poor can barely eat yet spend all their money on cell phone payments.Every government is sick and corrupt and people are fucked.There’s lead in the water, hurricanes in the south and a madman in office.There’s poison in the air we breathe. And you— your eye was on a leaf falling and a butterfly, you were watching life happening. You told me, you said, “Eleanor, there’s a man around the corner with beehives, he’s had them for a year now. He told me that his buckeye tree had never made buckeyes until this year and that this was the first year his Dogwood bloomed. The bees are coming back Eleanor and we can too.”
27 | VINDICATOR
OCTOBER 2018
LIFE PASSES WRITTEN BY
Chau Tang ILLUSTRATION BY
Mikayla Colston You hurt me Were the last words written Before you died I was mortified because I didn’t even say goodbye I was angry at the way you treated me My soul wanted to kill you myself but I couldn’t Because I had some self control You told me you’d marry him I remember I was lying in bed while I was looking up at the sky The stars shined brightly back but your news turned my eyes to dust I wanted to leave you behind I prayed, hoping you’d leave me alone I don’t need you in my life My heart couldn’t block you because I wanted to see your name I needed to… But plans change So did I I’d rather stand in the middle of the ocean Then spend another night with you I picked up a call It was a Tuesday night It was your parents They said you were in an accident Then…. My phone screen shattered into a million pieces So did my heart I didn’t realize I dropped it until I was sobbing on the floor in the middle of the mall I looked like a crying lunatic But I couldn’t help it I guess life has a funny way of showing how people come and ho You literally left this earth Your soul slept one night Didn’t realize you’d lose your life the next day A minute passed and I bet your shadow looked at you Kissed your lifeless body and soared into the sky
THEVINDI.COM | 28
SECTION
CARRY WRITTEN BY
Tyisha Blade
I carry the courage of a lion. Bravery is my middle name. I possess the poise of a princess. Royalty runs through my veins. My statue is a stallion. My hooves grace the ground. My title is Queen. My shield is my crown. I have seen things you will never see. To fly upon clouds is to walk with me. I been ripped and torn. Up my head will stay. Understand me you may not, But feel me yes, you may.
27 | VINDICATOR
OCTOBER 2018
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