WAG Magazine April 2014

Scott Hakim The tale of Old Salem Farm

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On track with the Rooney family Woman of steel: Marcia Spivak the sky-high career of Terry Callaghan Sabrina Forsythe’s drive to inspire The Iron Horse (of baseball and restaurants) The big round-up Chic Choices

april 2014 | wagmag.com

HORSE POWER

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april 2014

Wag - a perfect love • 12 The year of the horse – of course • 14 Steely resolve • 16 All in the (Rooney) family • 20 Equine Kinship • 24 loving the little critters, too! • 28 another star turn • 30 Two paths to healing spinal cord injuries • 32 Horse and buggied • 36 onward and upward • 38 Captain courageous • 40 Driven to give back • 42 Alfa male • 45 lord of the (equestrian) ring • 47 a comfortable fit • 55 chic choices • 79

Giambologna’s “Pacing Horse,” cast circa 1573-77, bronze, collection of Mr. and Mrs. J. Tomilson Hill. Photograph by Maggie Nimkin. Courtesy of The Frick Collection, where it is on view through June 15 as part of “Renaissance and Baroque Bronzes.”

april 2014

51 way

Features

For the love of horses

58 wear

Mixing it up

61 wear

Day to dinner

64 wear

If the shoe fits...

66 wear

Road shades

68 where are they now?

Dita in Bloom(ingdale’s)

71 wanders

Bhutan – ‘land of the thunder dragon’

74 wonderful dining New rein for Iron Horse

76 wine&dine Ready to gallop

78 w’reel deal

Why Ryan Gosling can drive us anywhere

82 what’s new Making waves

84 when&where Upcoming events

86 pet of the month Plus pet portraits

88 watch

We’re out and about

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96 wit

We wonder: What drives you?

8 Waggers 10 Editor’s letter Cover photograph by Bob Rozycki.

Lisa Cash, Anne Jordan Duffy, Barbara Hanlon, Marcia Pflug, Pat Renz and Patrice Sullivan

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PUBLISHER/CREATIVE DIRECTOR Dee DelBello MANAGING EDITOR Bob Rozycki EDITOR Georgette Gouveia SENIOR ART DIRECTOR Caitlin Nurge Harrison STAFF PHOTOGRAPHERS Anthony Carboni • Bill Fallon • Bob Rozycki MEDICAL COLUMNIST Erika Schwartz, MD

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FEATURES WRITER Audrey Ronning Topping FEATURES ADVISER David Hochberg CONTRIBUTING WRITERS Sam Barron • Jennifer Bissell • Nikki Davidson • Cappy Devlin • Ronni Diamondstein Jane Dove • Patricia Espinosa • Andrea Kennedy • Mark Lungariello Doug Paulding • Catherine Portman-Laux • Heather Salerno • Mary Shustack ART DIRECTOR Dan Viteri

Audience Development ADMINISTRATIVE MANAGER Robin Costello EVENTS MANAGER Holly DeBartolo Director, promotions and sponsors Marcia Pflug CIRCULATION SALES Marcia Rudy • Sylvia Sikoutris

Advertising Sales ACCOUNT EXECUTIVES Lisa Cash • Anne Jordan Duffy • Barbara Hanlon Marcia Pflug • Pat Renz • Patrice Sullivan

What is WAG? Some readers think WAG stands for “Westchester and Greenwich.” We certainly cover both. But mostly, a wag is a wit and that’s how we think of ourselves, serving up piquant stories and photos to set your own tongues wagging.

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WAG A division of Westfair Communications Inc. 3 Westchester Park Drive, White Plains, NY 10604 Telephone: (914) 358-0746 • Facsimile: (914) 694-3699 Website: wagmag.com • Email: ggouveia@westfairinc.com All news, comments, opinions, findings, conclusions or recommendations in WAG are those of the authors and do not constitute opinions, findings, conclusions or recommendations of the publication, its publisher and its editorial staff. No portion of WAG may be reproduced without permission.WAG is distributed at select locations, mailed directly and is available at $24 a year for home or office delivery. To subscribe, call (914) 694-3600, ext. 3020. All advertising inquiries should be directed to Anne Jordan at (914) 694-3600, ext. 3032 or email anne@westfairinc.com. Advertisements are subject to review by the publisher and acceptance for WAG does not constitute an endorsement of the product or service. WAG (Issn: 1931-6364) is published monthly and is owned and published by Westfair Communications Inc. Dee DelBello, CEO, dee@westfairinc.com

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waggers

Sam Barron

Jennifer Bissell

anthony carboni

Robin Costello

holly debartolo

Cappy Devlin

ronni diamondstein

jane dove

PATRICIA ESPINOSA

bill fallon

Andrea kennedy

mark lungariello

doug paulding

Bob Rozycki

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ERIKA SCHWARTZ

Mary Shustack

Audrey topping

new waggers Nikki Davidson

Subscribe to our WAGweekly e-newsletter for the latest in fashion, beauty, dining, entertainment and more – featuring exclusive content not seen in print.

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graduated with honors from New York University. She loves to read, research and write. She also freelances for various publications and is a contributing author to multiple sports blogs.

Nikki is also a keen social media enthusiast who has perfected the art of fitting what she has to say into 140 characters.

catherine portmanlaux

began her career as women’s editor of The Daily Argus in Mount Vernon, which was absorbed into The Journal News. She next became feature writer and veterans affairs specialist with Newhouse Newspapers in New Jersey. She currently writes the “Challenging Careers” column for The Westchester County Business Journal/HVBiz.

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Once again, we’re proud to present our annual horse issue, but – also once again – with a twist. Since this is our power year, we’re calling it “Horse Power,” which allows us to play with wheels, driven people and all kinds of metaphors.

The horse and the automobile haven’t always gotten along. We can think of no better way to crystallize this than to look back at “The Magnificent Ambersons,” Orson Welles’ flawed, controversial masterwork based on the Booth Tarkington novel of a wealthy turn-of-the-20th-century family done in by the machine age and false pride. Though the film may seem nostalgic to us – as the horse-and-buggy era was for Welles himself – its lessons on the limits of technology remain fresh in the Age of the Internet.

So, too, does the example of “The Iron Horse” himself, New Rochelle favorite son Lou Gehrig. At a time when sports are often associated with scandal (and maybe it was ever thus), the former New York Yankee first baseman and captain still shines as a man driven by his compassionate inner values, who exemplified them on and off the field, even in the face of a terrifying death from ALS. There are lots of driven people in this issue, people spurred to success who came early to their calling, like Sarah Jessica Parker, who has a new shoe collection available at Nordstrom; and IBM pilot Terry Callaghan, who’s one of the few women in the world who can fly choppers and planes; and those who found their mission later like equestrian sculptor Marcia Spivak of Wilton.

But mostly you’ll meet people, as you’ll see on the WAGwit page, who are driven by a complex array of desires – personal, professional, familial and humanitarian – like Jane Fonda; Sabrina Forsythe of the

With Cyrus at Old Salem Farm

Pray Achievement Center in Greenwich; Timothy J. Rooney of Empire City Casino at Yonkers Raceway; and our cover guy Scott Hakim of Old Salem Farm in North Salem. These are scions of prominent families who continue to write their own chapters in those families’ histories.

As I look back over this issue, two stories haunt me. One is Audrey’s piece on Bhutan – land of the horse, the thunder dragon, the dakini tigress, the blacknecked crane and the hungry goat. Orson Welles – who saw technology as a mixed blessing – would’ve loved Bhutan, a country where the environment takes precedence over the economy, which is measured in “Gross National Happiness.”

The other is Mary’s piece on Mitchell Gold and Bob Williams, who are on a silver-anniversary tour of their home design stores, like the one in Greenwich. But the two are about a lot more than sconces.

Former lovers, they remain business partners who continue to socialize with each other, together with their new partners.

They’ve been cited not only for their work with the LGBT community but for establishing a company, based in North Carolina, that’s a model for the workplace.

Seems they measure success in terms of “Gross National Happiness,” too.

OOPS We didn’t properly credit a work by Susan Dorazio that appeared on our website. So a big Scarlet C to us (for correction, clarification) and since we liked it so much, here is the work with the proper credit – “Goldensbridge Hounds, NY,” 20 x 24, oil on linen, © susandorazio, susandorazio.com.

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Wag a perfect love

By Patricia Espinosa Photograph by Bob Rozycki

Our “Horse Power” issue would not be complete without a visit to our very own mascot and namesake, Wag, who captured our imagination and hearts when he made his debut back in 2012 in our “Triple Crown” issue with Georgina Bloomberg on the cover.

As you might expect, the miniature pony with the big personality is still living the life of Riley at Field View Farm in Greenwich, thanks to his devoted owner and horse-whisperer, Adie Von Gontard Jr., who patrols his Round Hill estate in a golf cart with Wag by his side as he checks on the menagerie of animals that are his life.

While they abound on the 20 rolling acres, it’s Wag who remains best in show when a bus filled with Boys & Girls Club kids come to visit. He brings joy to everyone he meets, especially Adie, Greenwich Rotary Club’s 2012 Citizen of The Year, who honored WAG with, well, Wag when the foal was born just hours after our interview.

“He gives me life and inspiration,” says Adie about the 32-inch-tall gelding, who keeps the 89-year-old outdoors and invigorated. “The invisible command we have over (animals), to me, is unbelievable. They’re there for you to enjoy. They don’t ever talk back. You can caress them and it’s just a part of life to know that someone loves you so much without giving you any criticism.”

What could be more perfect than that? n

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The year of the horse – of course Story and photographs by Audrey Topping

This flying horse was discovered in a Han Dynasty tomb (212 B.C.) in 1972. Inset, Chinese paper-cut horses copied from the paintings of the classical artist Xu Beihung.

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The Year of the Horse has arrived on the global scene just in time. It comes around every 12 years and in Chinese astrology is considered a year of luck, which is what the world obviously needs now. The Chinese Goddess of Mercy, Kwan Yin, has a magical Celestial Cloud Horse who, like Pegasus, can fly and has supernatural powers. Cloud flies through the heavens, bringing blessings and good tidings. White Cloud is a hero in China because many crucial battles were won due to the power, strength and bravery of the horse.

The Year of The Horse is also a time of unexpected adventure, victories and romance. It’s about freedom, returning to nature and enjoying life’s explorations.

According to astrologers, we can expect some world economies to become stronger while others will experience economic chaos and collapse. But in general, the Year of the Horse brings peace, prosperity and all good things. Energy is high and production rewarded. Astrologers predict it will be a good year for travel. But our

world and its events are moving at such a fast pace that we must be careful not to gallop off in the wrong direction. Decisive, thoughtful action brings victory.

Those born in the Year of The Horse – 2014; 2002; 1990;1978, which saw the last Triple Crown champion, Affirmed; 1966; 1954; 1942; 1930; 1918; 1906 are lucky people. They have sunny dispositions and are bright, cheerful, popular and fun-loving.

The horse is a highly intuitive animal, so people born in Horse years often follow their hunches.

They also have natural charm and keen judgment that lead to the right decisions.

Horses have carefree natures and need room to run and play for self-expression.

When contained by rules, watch out.

Proud horse people will rebel. Those born in horse years say exactly what’s on their minds. They are honest and dislike hidden agendas. The time for secrecy was last year, 2013, in the Year of the Snake. Horse people – and others – are being easily distracted by fun, good times and parties in the sexy horse year.

The origin of the Chinese Zodiac is associated with both astronomy and astrology. Astologers claim that back in the mists of time, the Jade Emperor chose the 12 animals to represent the months of the year.

During the Han Dynasty (202 B.C.220) astronomers actually observed and recorded that there were 12 full moons in one year. Therefore, the number 12 was used to divide years and times of

the day so the zodiac was based on a 12-year cycle. Each year in that cycle is related to an animal sign that some believe subliminally influences people’s lives. These animal signs are the rat, ox, tiger, rabbit, dragon, snake, horse, sheep, monkey, rooster, dog and pig.

The selection and order of the animals in the zodiac were based upon each animal’s worthy character and living habits, which in turn shape the characters of humans born in those respective years.

Each animal is also associated with an “earthly branch,” such as fire, water, metal or wood. The horse is associated with wood so the Chinese call it the Year of the Wood Horse.

Horse energy can be wild, willful and free-spirited. The horse acts fast, unlike the rat, which is the opposite. The rat thinks and plans, while the horse follows its instinct and takes a leap. Even if they miss the mark, horse people will have next year, 2015, the Year of the Sheep, to slow down and enjoy life’s comforts in all their artistic forms. n

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Marcia Spivak working on “Qianli Ma.”

Steely resolve The medium is the message for equestrian sculptor Marcia Spivak

T

By Georgette Gouveia

ime is another country: It can make you think differently about your passions and pursuits, as Marcia Spivak has discovered.

“I loved art, but I didn’t have the confidence to pursue it when I was younger.”

And so this University of WisconsinMadison graduate, with a degree in communications arts, set out on a related path, as a videographer and TV reporter.

A friend and the Jacob’s Pillow Dance Festival in Becket, Mass., brought her east more than 30 years ago. She put down roots in Wilton (“I love this area. It’s so gorgeous”); married (husband Burton is now an adjunct professor of history at Sacred Heart University in Fairfield); and had a son (Ben, now in college).

“Once I did all the things that I felt I

should be doing, I found the purpose to do what I also really wanted to do.”

Or maybe things just occur in their own time. As Spivak says, “It happens when it happens.”

In any event, lovers of equestrian art are the richer for it. Indeed, to see her work last fall in ArtsWestchester’s “A Horse, Of Course” exhibit was to be electrified by sculpture that evokes both Leonardo’s epic equine statuary and the poignant life-size puppets in the play “War Horse.”

Part of what makes Spivak’s sculpture – which she began making 16 years ago – so unusual and moving is the way it’s constructed, with bands of carbon or stainless steel that give it a haunting, dynamic musculoskeletal quality.

“I always sort of dabbled in art. A friend

“Grazing Bay” by Marcia Spivak, steel, 36” x 36” x 12,” 2012.

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“Spring Fling” by Marcia Spivak, found steel, 50” x 60” x 12,” 2012. Photograph courtesy of the artist.

of mine did printmaking classes and said, ‘You’re going to love (working in metal).’… I’m in love with the medium and the process.”

Spivak often uses pieces of steel discarded by other artists as well as those found in junkyards in Stamford and Norwalk and recycling centers in Wilton and Essex. “Their negative space I work with as positive space.” Among the spectacular examples is the big commission she recently completed in six intense weeks for the Aria Resort & Casino in Las Vegas to 18

celebrate the Chinese Year of the Horse.

It’s 1,100 pounds of 12-gauge steel – 8 feet tall and 10 feet long – made of recycled material. The horse is called “Qianli Ma,” the ancient Chinese term for an able steed that can cover 1,000 li, or about 310 miles, in a day.

“Since that was a commission, they had very specific ideas of what they wanted.

It was all about the temperament of the horse. It couldn’t be aggressive, but at the same time it couldn’t be shy.”

The result is a work that has the nobil-

ity of Renaissance equestrian statuary.

Whether Spivak is working on a commission like “Qianli Ma” or one of her own ideas, the process is the same. She begins in her Ridgefield studio with what might be described as ribbons of steel, which she cuts with a plasma cutter, or nibbler, then cold-rolls – sometimes in a vise if the pieces are small enough. She welds the pieces together and cleans the welds.

Does she have arms of steel to work with heavy metal?

“I don’t go to the gym anymore. I don’t

know if I’m strong. I have a certain perseverance.”

Unlike some sculptors, Spivak doesn’t begin with a scale model.

“Once I’m into a work, I’ll photograph it, look at it on a digital screen and draw on it. … I use my small works as a jumping off point for larger works.” Spivak’s sculptures, most of which are sold, can range from a tabletop piece costing $475 to something like “Qianli Ma,” for which the casino paid $52,000.

“Regardless of the size … they have a

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majestic quality which commands your attention,” says Kathleen Reckling, gallery director at ArtsWestchester in White Plains. “They capture all that is elegant about the horse – its regal lines, athletic physique and quiet strength.”

Just as Spivak has always loved art, she loves horses, too.

“The first picture I have is of myself at age 3 with my grandfather on a horse.”

She started riding lessons at age 6 and at 16 had her own horse. In college, she took a hiatus. But time has brought her full

circle to her early loves.

She points to the equestrian work of such artists as Deborah Butterfield and Mary Frank.

“This is all I want to be doing. I feel so fortunate. The more I do it, the more I love to do it.”

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Marcia Spivak will be participating in The Greenwich Arts Council’s Art to the Avenue in May. For more examples of her work, visit the C. Parker Gallery at 17 E. Putnam Ave. in Greenwich and marciaspivak.artspan.com. n 19

All in the (Rooney) family Horse racing and football, sure, but also public service

By Georgette Gouveia

Timothy J. Rooney, president and CEO of Empire City Casino at Yonkers Raceway. Photograph courtesy of Empire City Casino at Yonkers Raceway.

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Timothy J. Rooney was destined to be president and CEO of Empire City Casino at Yonkers Raceway. Indeed, he owes his very name to horse racing.

One of the stories told about the legendary Rooneys – his father, Art, founded the Pittsburgh Steelers, which the family still owns – concerns a bet that Art made around the time the third of his five sons was about to be born.

“In those days, you placed your bet with a bookie, like they do in England and Ireland,” Timothy Rooney says.

Art placed this one with a friend and leading bookmaker – Tim Mara, who was also owner of the New York Giants. The bet paid off big, thanks in part to a tip Tim had given him, so Art honored him by naming his third son Timothy.

It was the beginning of what we might call Six Degrees of Timothy: Tim Mara had a son named Wellington Timothy Mara, who succeeded his father. Wellington had a Timothy, too – Timothy Christopher “Chris” Mara, the Giants’ vice president of player evaluation, who married Timothy Rooney’s daughter Kathleen. Among Chris and Kathleen’s children are the actresses Kate Mara, who appeared in the acclaimed series “House of Cards,” and Rooney Mara, who broke through in “The Girl with the Dragon Tattoo.”

“I see most of their films,” says their proud grandfather, who’s looking forward to catching Rooney Mara’s turn in the Oscar-winning “Her” when it comes to DVD. “I enjoy them very much. They’re very talented and they’re interested in working with all the great producers and directors to learn as much as they can.

They’re diligent. And that’s absolutely essential no matter what field you’re in.”

Family is key to Rooney.

“I really think our successful background comes from our parents. You learned respect for others, honesty, loyalty.”

The late Art Rooney – founder of the Pittsburgh Steelers – with middle son It wasn’t just his father who instilled Timothy. Photograph courtesy of Empire City Casino at Yonkers Raceway. these values but his mother, Kathleen.

“She was very funny and quick-witted with a lot of old age kid so in love with horses that he’d sneak under a Irish sayings.” She would say, for instance, that someone fence or hang out by a barn to catch the racing action. was “so proper he’d wear a riding hat to eat horseradish.” When the Rooney family bought the raceway in 1972, he Timothy Rooney has his mother’s silver tongue. He’s was a natural to run it. (Timothy Rooney no longer has an easy conversationalist, who can flow from Triple any stake in the Steelers as the NFL stipulates that team Crown winners to pizza parlors (try Johnny’s Pizzeria in owners cannot have gambling interests.)

Mount Vernon, he says) and conjure images of an underBy then the raceway had seen a lot of history. A Yon-

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Empire City Trotting Club – now Yonkers Raceway – in 1904. Inset, Art Rooney Sr. Photographs courtesy of Empire City Casino at Yonkers Raceway.

kers landmark, the track began with harness racing when William H. Clark opened it as the Empire City Trotting Club in 1899. When he died a year later, the track went dark except for events like the 1902 car race in which Barney Oldfield, driving the Ford “999,” set a one-mile record with a time of 55:54 seconds.

New York grocery titan James Butler would return the other kind of horse power to Yonkers, reopening the venue in 1907, this time for Thoroughbreds like Seabiscuit, who took the Scarsdale Handicap in 1936 on his way to his eventual victory over War Admiral.

The track returned to harness racing in 1942. Eight years later, the Algam Corp., headed by William H. Cane, turned the site into Yonkers Raceway.

The turbulent ’60s saw a decline in harness racing’s popularity and in the raceway, though the diehard fans still came. Rooney can remember looking up at the bank of TVs on the pillars of the grandstand the day in August 1974 that President Richard Nixon resigned. Every TV carried Nixon’s image. And every bettor had his eyeballs glued to his program.

Rooney is not like that. “I very seldom make a bet, except for the Breeders’ Cup and the Ascot, which I go to every year.”

But he is fascinated by breeding, bloodlines and equine evolution.

“The interesting thing is that Thoroughbreds’ speed has not dramatically changed, although they are faster now. But the speed of the harness horses has evolved in the past 50 years.”

Back then, Rooney says, a good harness horse, or Standardbred, might run the raceway’s one-half-mile dirt track in 2:05. “If a harness horse did 2:05 today, you’d be giving him away to the Amish or maybe to Mayor (Bill) de Blasio” – a reference to the New York City mayor’s plan to do away with horse-drawn carriages in Central Park.

22

Faster turns and lighter bikes (the carts the drivers sit in) are among the contributors to the greater speed. But the evolution of the harness horse is probably nothing compared to the change Yonkers Raceway has undergone. The track moseyed along in the 1990s, welcoming flea markets and the annual Westchester County Fair. There were cosmetic effects as well. The finish line was moved in 1996 to the end of the stretch, increasing the length of the stretch from 440 to 660 feet. A year later, the grandstand was demolished.

Then in 2001, New York state authorized slot machines at eight racetracks, including Yonkers Raceway, paving the way for a $225 million renovation by EwingCole. The original six-story clubhouse was refurbished to accommodate slots and restaurants on the first two floors.

A one-story building was added to hold additional video gaming machines, a food court, bars and an entertainment lounge. (Under state lottery laws, you must be at least 18 to play any of the 5,380 slots at Empire City, not to mention video roulette, electronic craps, Sic Bo and the holographic baccarat games that are expected to go live at the end of May.) Rooney calls the state’s decision “the most dramatic effect. Without the slots, Yonkers Raceway would’ve become a shopping center.” The proof of the turnaround: During the first week of its October 2006 opening, the raceway netted $3.8 million, streaking by its nearest competitor, Saratoga Casino and Raceway, by twothirds.

A year ago, Empire City Casino unveiled a $50 million, 66,000-square-foot expansion that relocates 700 slots and video table games; includes two new restaurants – Dan Rooney’s Bar and Café and Pinch; and features a new, high-tech entrance, a 300-foot curved glass wall

and a 30,000-square-foot modern gaming floor crowned by artwork of the Manhattan skyline.

The raceway remains home to the Messenger Stakes, one leg of the Triple Crown of Harness Racing for Pacers; the Yonkers Trot, a leg of the Triple Crown for Trotters; and the Art Rooney Pace. But when Hurricane Sandy hit, it was transformed into a hub for Con Edison to distribute dry ice and blankets.

Meanwhile, Timothy Rooney dispatched the Empire City culinary team to serve hot meals to first responders and residents in hard-hit areas, donated $500,000 to the Catholic Charities Hurricane Sandy Relief and Recovery Fund and a $100,000 matching grant to the Empire State Relief Fund.

Rooney, who divides his time between Westchester and Florida, says at first he wasn’t aware of the depth of the tragedy. When it hit him, he hit the ground running.

“With so many people devastated,” he says, “anyone in a position to help had to help.”

Art and Kathleen would’ve expected nothing less. n

Equine Kinship

By Catherine Portman-Laux

Carrie’s 2014 filly goes for a walk with mom at Blue Chip Farms in Wallkill.

Photograph by Bob Rozycki.

24

A horse is more than a pet to its owner; it is a partner.

It has been said that when a person rides a horse, the two become one.

The bond grows closer over the years – even decades – as a horse can live into its 30s and 40s.

In the mid-Hudson Valley, horse lovers can select from a wide variety of facilities for boarding, breeding and riding as well as helping people and horses to heal.

Hal and Beverly Eisenberg of the 21acre Run Free Farm in Brewster offer clients 100-plus acres of trails thanks to an agreement with a neighbor.

The Eisenbergs are beneficiaries of another neighbor’s endeavors. “The City of New York, to protect its watershed, paid to build us a composting pad,” Hal says. “Periodically the compost is transported to farmers to use on soils.”

The Eisenbergs take pride in knowing that the horses they board bed down on straw, not wood shavings. “The straw composts more easily. It is mucked out every day,” Hal adds.

Also in Brewster you’ll find Pleasant View Farm, 90 acres of open land and trails managed by Ervin Raboy. He contrasts the horse industry in eastern United States with that in the Midwest and West: “Here it’s mostly English riding for pleasure or entertainment. There are still working horses out west.”

Raboy is impressed with the pluck shown by riders who have fallen on his and other farms. A retired emergency medical technician, he can provide first aid to fallen riders.

“Even with permanent disabilities, they want to get back on that horse,” he says.

“I see fewer children riding now,” he laments.” “Many are tied up with school team sports and activities and find no time to care for a horse. If there aren’t children growing up riding, in the future there won’t be adult riders,” he says with a grimace.

Raboy devotes a day a month to the future of agriculture, volunteering on boards and lobbying legislators.

Erica Albrecht of Pond View Farm in LaGrangeville owes her career to her mother’s catering at the Poughquag,

N.Y., home of Franklin Delano Roosevelt Jr. Ten-year-old Erica had tagged along with Betty Albrecht to help and caught FDR Jr.’s attention.

“He was seeking a young rider to exercise and show his four ponies,” she recalls.

Horsemanship was no stranger to Albrecht. Her father, Richard, is a farrier, shoeing horses.

When FDR Jr. gave her a pony, she commuted the several miles from her home to his on her pony. “I could not do that today. The open space is gone,” she says wistfully.

The 42-acre Pond View Farm is owned by her parents and operated by Albrecht.

“We are fortunate,” Albrecht says.

“Many horse farms are landlocked by development, but 500 acres of an adjacent retired dairy farm was donated to Union Vale, becoming Tymor Park.

Our clients ride trails there.”

The 25 to 30 child clients ride in a noncompetitive environment.

“It’s an oasis in which kids can just be kids,” Erica says. The farm is open Saturdays and Sundays so that children do not have to be torn from after-school activities.

Leslie Heanue is founder and executive director of the Therapeutic Equestrian Center in Cold Spring, which serves mentally and physically challenged individuals.

Heanue owns and trains the horses, selected to fulfill their specialized mission. The center, with 65 clients, serves children and adults with autism, Down syndrome, head trauma, cerebral palsy, multiple sclerosis and other disabling conditions.

“The horses are matched with the riders,” Heanue says. “We have horses with bigger barrels (rib cages) for clients with balance issues and horses with narrow shoulders for those with less mobility in the hips and spread of legs.”

Two instructors are certified by the Professional Association of Therapeutic Horsemanship International.

The farm boasts 35 core volunteers who receive training to serve as leads and side walkers. “Each client starts off with one lead and two side walkers,” Heanue explains. “As clients progress,

“I see fewer children riding now. Many are tied up with school team sports and activities and find no time to care for a horse. If there aren’t children growing up riding, in the future there won’t be adult riders.”

— Ervin Raboy

A horse at Run Free Farm in Brewster.

Photograph by Anthony Carboni.

25

One volunteer with a 22-year history at Pegasus observes, “When a child with cerebral palsy takes his first step on the ground because of the motion he learned from his horse or when a blind rider finds the confidence to let his horse help him move safely in space – these are miracles.”

they ride independently.” Other volunteers clean stalls and paddocks, groom horses, repair fences and work in the office.

Putnam County Legislator Barbara Scuccimarra, a former horse farm manager, is among the volunteers. Observing the physically challenged, she notes, “Every week I see improvement in these individuals when they get off the horses.”

The farm has embarked on a project to help disabled veterans, working in cooperation with the Team Red, White and Blue chapter at West Point and Hearts for Heroes in Bedford.

Individuals with special needs also find a variety of therapeutic horses to partner with at Pegasus Therapeutic Riding in Brewster and its chapter affiliates – Fox Hill Farms in Pleasantville, Kelsey Farm in Greenwich and Ox Ridge Hunt Club in Darien.

At Fox Hill, a child might have a love affair with Cinnamon, a large Appaloosa pony; at Kelsey, maybe Frankly and Elmo, a pair of look-a-like Welsh cross geldings; at Ox Ridge, perhaps Classico, a Canadian-born Tobiano/Warmblood gelding, and at Pegasus Farm, maybe Pi, a former racing Thoroughbred.

Participants at the four farms include individuals with special needs, military veterans and at-risk individuals, including disadvantaged youth and abuse survivors.

Directing operations at the Brewster headquarters is Todd Gibbs, who was in management with nonprofits when therapeutic horseback-riding was recommended for his two daughters with special needs. Approached by Pegasus, Gibbs now serves as executive director.

Parents and volunteers cheer riders on. One mother says, “Seeing our son always just a spectator was difficult.”

Now he’s the one in the ring, she says, adding with pride, “When he gives a 26

A child embraces a horse at Pegasus Therapeutic Riding in Brewster. Photograph courtesy of Pegasus Therapeutic Riding.

high five, we know he feels like the most valuable player of the World Series.”

One volunteer with a 22-year history at Pegasus observes, “When a child with cerebral palsy takes his first step on the ground because of the motion he learned from his horse or when a blind rider finds the confidence to let his horse help him move safely in space – these are miracles.”

Hot To Trot Stables is a neighborhood horse farm in Cold Spring. Laurie Yodice, its owner, counts 30 to 40 riders who traverse its seven-plus acres on their mounts.

Yodice and her daughter Rachel run the operation, including care of five horses and ponies. Zoning regulations prohibit more, but careful scheduling gives all an opportunity to ride.

“Children arrive from school and are hands-on, learning to groom, and then begin the lesson,” she says.

Not all Hot To Trot riders are young.

“We had this 50-year-old woman who never rode a horse,” Yodice says. “She ran into the woods when one came down the road. She didn’t want to be afraid any more. She broke in slowly with just grooming and touching, had a

couple of lessons and got over her fear.”

The stable’s owner formerly worked in the retail field. Upon marrying, she looked to move to a country setting and 18 years ago settled on the plot where the stables are now situated.

“I bought my first horse at age 42,” Yodice recalls. “Horses are herd animals. This horse needed a companion.

I went to a rescue farm and was drawn to a horse that had been locked in a stall on an abandoned farm, left for weeks without food or water. He was up to his knees in his own manure, which is all he had to eat. He had bruised and cut his body banging it against the stall trying to escape. He was 600 pounds and should have been 1,000. He had such a look in his eyes. I went home and cried.

I couldn’t get him off my mind.”

The rescue farm ultimately called, reporting that the horse had responded to care and could be adopted. “He was still not fully recovered. We had a long road to go,” she recalls. “Sundance, as I named him, became hardy enough to compete and was in a show with very expensive well-trained horses. When he won the grand championship, I asked the announcer to mention that he was a

rescue horse and for people to consider adoption.”

Horse fanciers have a continuing source of horses to ride and race thanks to breeding operations like Wallkill’s Blue Chip Farms.

The farm is owned by Thomas Grossman. Assisted by Michael Kimelman, president, and Jean Brown, vice president of operations, the farm breeds both Standardbred racehorses and Warmbloods.

The mares are artificially inseminated. The stallion takes his inspiration from a mare in heat, with sperm collected and prepared with an extender, the goal being to impregnate three or more mares from one collection. “At present we have nine commercially active stallions,” Brown reports. “The oldest stallion here is age 30 and no longer services mares.

“A veterinarian determines through ultrasound when mares are coming into heat and should be inseminated. Gestation time is 11 months.

“We foal out about 150 mares a year.

About 50 return to their owners’ farms.

We raise about 100 foals per year here until they are ready for auction.” n

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loving the little critters, too!

By Mark Lungariello

Nicole Chillemi had already worked part time at Valley Cottage Animal Hospital for six years by 2004, when she graduated Mercy College. With a bachelor of science degree in her hands, she increased her hours to fulltime. When she could find time, she’d take side jobs bringing live animals to children’s birthday parties.

Then came the shortness of breath, a tightness in her chest and eventually a few major asthma attacks.

Her doctor told her the problem was severe allergies. Get rid of your pets, the doctor said, and find a new career path that didn’t involve animals.

“That just doesn’t work for me,” Chillemi says.

She was 22 and for the first time in her life felt she didn’t have a direction.

Working with animals had always been the goal and even before she thought of career prospects, she related to them.

She refused to give up most of her pets – the dogs, chinchillas and reptiles.

But, she left her job at the hospital, gave away her two goats because the hay was irritating her bronchial tubes and started contemplating jobs that didn’t involve working indoors with animals all day.

The waitressing gig didn’t last long.

She started studying massage therapy and briefly toyed with the idea of turning canine massages into a career. But it was the birthday party side gig that had her imagination running, educating children about animals and how to be a responsible pet owner.

Today Chillemi lives in Pine Bush, N.Y., at the Happy Tales Animal Sanctuary, which she co-founded in 2005 after a year of soul-searching. She worked with therapists to ease her symptoms and handle her allergies. Now she has two cats, three dogs and two turtles in the house. Outside, there are five horses, two pigs that live under a deck, two foxes and a converted garage where exotic nondomestic animals rescued by the sanctuary live when it gets too cold 28

Nicole Chillemi and a friend. Photograph courtesy of Happy Tales Animal Sanctuary.

for them outdoors.

The sanctuary is looking to raise money through donations to relocate, preferably from Ulster County to Putnam County on the other side of the Hudson River, where it would be accessible to a larger population and closer to Chillemi’s alma mater. She’s an adjunct faculty member there, teaching a restraint and handling class and co-teaching surgical nursing and small animal diseases classes. She plans to earn certification for horseback-riding to administer a new therapeutic riding program for children.

“The way the horse moves is similar to the way a human moves. It’s actually triggering muscles in the child to stay on,” she says.

A goal of hers is to make one aspect of her job a moot point. Many animals just do not make good pets, and Chillemi hopes that through education, potential owners think twice about making a commitment to an exotic or wild animal that they can’t properly raise. If there were no demand for animals like foxes, for example, they would not be sold by pet stores, she says.

“I tell people what it’s actually like

to have them as a pet. Rule 1: If it has thumbs, it’s not a good pet.”

Chillemi’s work with children is not just about educating them to be responsible pet owners, but about developing a child’s strengths and sense of self, she says. In introducing animals to children, she actually has children relate stories to the animals or speak to them directly.

The nonconfrontational, one-way discussion allows children a unique outlet to express themselves.

For more on Chillemi’s work, the sanctuary or to make a donation visit animalexperiences.com. n

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another star turn Fonda embraces latest role

By Nikki Davidson Photographs by Elaine Ubina, courtesy Family Centers

T

he name Jane Fonda generally draws associations with fitness, Oscar-winning performances (“Klute,” “Coming Home”) and political activism. But Fonda has another great passion – helping teens.

The already best-selling fitness author and memoirist has written another book, “Being a Teen.” It’s geared to instructing teenagers, as well as their parents, in everything they need to know about relationships, love, sex, health, self-esteem and identity, during what Fonda describes to be those inherently awkward formative years.

At a recent luncheon at the Hyatt Regency in Greenwich, organized by Family Centers, a nonprofit social services agency there, Fonda spoke to a ballroom full of parents about her new book.

“How many of you have adolescent children?” Fonda opened her address, and quite a few hands in the room went up.

“How many of you have been an adolescent?” she continued, and everybody laughed. But there is no escaping the message Fonda was trying to impart: Everyone has been there. Everyone has gone through the trials that adolescence presents.

Stylish and energetic as always, Fonda was candid, engaging and even humorous in discussing her own challenging childhood. (Her mother, Frances, committed suicide when Fonda was 12, and she had for a time a distant, somewhat fractious relationship with her father, screen and stage star Henry Fonda.)

Fonda’s interest in helping teenagers, then, stems in part from her own difficult experience as an adolescent, a time in which she said she felt confused, scared and insecure, with nowhere to turn.

“I have a real soft spot for teenagers and one of my goals in life is for that to become contagious,” said Fonda, who attended Greenwich Academy and the Emma Willard School in Troy, N.Y., before going on to Vassar College in Poughkeepsie. “They act like they don’t want to listen to what you have to say. … But the fact is they really need us to be there for them.”

Fonda acknowledged that she remembers needing someone with whom she could talk about feelings, image and self-esteem and therefore, “tried to write a book that is very holistic.” That result comes from two years of research as well as things she wishes she knew while raising her own children. As she says, “You teach what you need to learn.”

There is a strong link between the nearly 30 years Fonda has spent advocating for adolescents and the Family Centers’ services. The organization provides health, counseling, support and education services for more than 23,500 clients per year, including children,

30

Jane Fonda

adolescents, adults and families in 14 licensed facilities throughout lower Fairfield County. An umbrella to 30 separate social services programs, Family Centers also has four school-based clinics in Stamford that offer free medical, dental and mental-health care for students.

This year, the organization will be opening its fifth clinic there.

During the 1970s and ’80s, Fonda and her second husband, Tom Hayden, ran the Laurel Springs Performing Arts Children’s Camp in California, serving disadvantaged youngsters. After marrying Ted Turner and moving to Georgia in 1991, she started the Georgia Campaign for Adolescent Pregnancy Prevention, which has grown to encompass healthy relationships, nutrition and physical fitness as the Georgia Campaign for Adolescent Power & Potential. She also founded the Jane Fonda Center for Adolescent Reproductive Health at Emory University, which partners with the teen clinic at Grady Memorial Hospital in Atlanta.

Following Fonda’s talk, there was a Q & A, including advice on how to remain appropriately involved in teenagers’ lives, crucial parenting mistakes to avoid (“Don’t wait too long to have the Big Talk… show you’re an approachable parent”) and how to engage the challenges of the Internet and social media.

One woman posed her concern about the danger of girls losing their voices. “Yet we see you today as having one of the strongest voices of women and female role models out there. Can you talk about how you

Pam Caffray of Greenwich and Terri Walker of Rowayton.

developed your voice?” she asked.

“I was lucky that I was born resilient,” Fonda said of what might’ve been a mixed blessing. “I grew up in a troubled family but my resilience meant that …any warm body that could bring me love and nurture and could teach me something, I would latch onto. … I learned from my mistakes.”

Fonda continued, “I cannot speak highly enough of the value of researching your life and what that includes – who your parents were and who your grandparents were.

“It’s very, very empowering.” n

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Two paths to healing spinal cord injuries

By Jane K. Dove

With its magnificent animals, highly skilled riders and intense international competition, show jumping enjoys its place as one of the most popular and most recognizable equestrian events.

At its highest levels, the sport is breathtakingly beautiful and a thrill to behold but also presents certain dangers to horses and riders. The United States Equestrian Federation has said that what pole vaulting, high jump and hurdles are to track and field, show jumping is to equestrian sport.

Each year, some riders experience falls that lead to injuries of varying degrees, none more serious than those that affect the brain and spinal cord, as we have seen in the cases of three riders with strong ties to Westchester County’s horse country. Actor Christopher Reeve, philanthropist Anne Heyman and Debby Malloy Winkler – daughter of Vivien Malloy, two-time New York Thoroughbred Breeder of the Year – all suffered falls while riding that ultimately led to their deaths.

Two Westchester researchers – Richard Zeman, a scientist in the cell biology department at New York Medical College in Valhalla, and Dr. Jason B. Carmel, director of the Motor Recovery Laboratory at the Burke Medical Research Institute in White Plains – are conducting studies they hope will eventually help victims of serious spinal cord injury regain their mobility. But their approaches are quite different. Zeman is working with stem cells and drugs; Carmel, who specializes in electrical stimulation, also works with patients to retrain their bodies after spinal cord damage.

Brain to body

Richard J. Zeman, Ph.D. Photograph by William Taufic.

32

The spinal cord carries nerve fibers traveling both from the brain to the rest of the body and from the body back to the brain. Those impulses coming from the brain are responsible for the voluntary control of muscles. Those traveling toward the brain carry sensation.

In recent years, stem cell research has raised the possibility of repairing spinal cord damage. Zeman says he is working in his laboratory on injecting stem cells from the nervous systems of adult rats into the spinal columns of others that have been injured, “My stem cell work is still in the animal stage,” he says. “I am using stem cells plus an anti-inflammatory agent. The combination of the two appears to produce a beneficial effect in reversing paralysis.”

Zeman says there is a lot of promise in stem cell research. “But the spinal cord is extremely complex,” he added. “Stem cells can be transplanted into the spinal cords of rats and it has worked, but physicians have done this type of trial with humans on an extremely limited and very cautious basis. Some stem cell injections cause pain that can’t be treated, which is a very big concern.

Other problems can also arise.”

Aside from stem cell research, he has found the testing of drugs like clenbuterol, which build muscle lost to paralysis, to be a promising avenue for spinal cord injuries.

“Using lab animals with injuries, we administer clenContinued on page 34

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buterol and determine how well they recover. We have found the drug to be potent in reducing muscle atrophy.

We have also found that it prevents the loss of the spinal cord tissues themselves, and on average see an improvement in locomotor function.”

Zeman’s research also includes success in using clenbuterol as an anti-inflammatory agent on spinal tissues.

And clenbuterol has yet another use: “When the spinal cord is injured, blood circulation is impaired,” he says.

“We have found that when animals receive an injection of clenbuterol, blood circulation improved significantly.

Loss of blood flow causes tissue to die, so finding a way to restore it on a permanent basis is very important.”

Administration of antioxidants also spares spinal cord tissue as does X-radiation. “We irradiated the rats and saw an improvement in the injured portion of the spinal cord,” he says. “We target the radiation to the spinal cord very carefully to get the best results. A few human patients have received this X-radiation therapy and there is a plan to begin clinical trials in the future.”

Zeman says he believes the combination of treatments he is exploring will yield results. “All of these things taken together give hope that, stem cell research aside, there are other effective ways to help patients with serious spinal cord injuries.”

Getting patients moving again

Meanwhile, at the Burke Medical Research Institute, Carmel conducts research on the repair of spinal cord injuries as director of its Motor Recovery Laboratory.

Independent studies have shown that about half are from motor vehicle accidents while the other half result from sports, falls and gunshot wounds.

“About 50 percent of the patients we see have some function, but the others have no residual function. At Burke, we have 16 different laboratories that focus on different aspects of nerve injury and repair. Our goal is to repair the brain and spinal cord so that we can restore as much function as possible.”

Carmel had a personal experience with spinal cord injury in 1999, when his twin brother suffered a serious injury that left him partially paralyzed. “Now we are seeing the fruits of the decades of research since then.

“In my laboratory at Burke, we study recovery of motor function after injury to the brain and spinal cord. Paralysis is caused when the connections between the brain and the spinal cord beyond the injury site are disconnected.

We attempt to repair brain-spinal cord connections using activity-based therapies, including electrical stimulation and motor training.

“We have found that rats with injury and electrical stimulation fully recover walking, while those with injury only do not. We find that electrical stimulation acts like a Miracle-Gro for the nerve fibers in the spinal cord, causing them to sprout and form functional connections.”

Burke is a rehabilitation center with both a hospital and a research institute. In the hospital, Carmel said a 34

Dr. Jason B. Carmel

large part of the work involves teaching patients how to make do with the function they are left with after injury.

“We teach everything from wheelchair use to catheterization to proper breathing techniques. Increasingly, the interventions target recovery of function and not just making do with limited movement. We use an array of different methods to help patients get function back.

Paralyzed limbs can actually be trained to work again.”

After first pursuing an M.D. at the Columbia University College of Physicians and Surgeons, Carmel decided also to obtain a Ph.D. at Rutgers University with the aim of devising a better treatment for spinal cord injuries.

Carmel says there are many nuances to spinal cord stimulation. “We believe that this promising therapy will be most successful if we know the proper timing, intensity and duration of the therapy. We are testing combinations of brain and spinal cord stimulation. I believe that my research will help us design safe and effective treatments for people with spinal cord injury.” n

Carmel had a personal experience with spinal cord injury in 1999, when his twin brother suffered a serious injury that left him partially paralyzed.

“Now we are seeing the fruits of the decades of research since then.”

Horse and

buggied

The shifting fortunes of America and one of its greatest filmmakers

By Georgette Gouveia

I

f Orson Welles’ “Citizen Kane” (1941) is considered one of the best films ever made, then his follow-up, “The Magnificent Ambersons,” can be regarded as his spectacular “what if.”

The movie – based on Booth Tarkington’s Pulitzer Prize-winning 1918 novel about a great American family’s reversal of fortune as America herself segued from the horse-and-buggy era to an automotive culture – was cut and re-edited without Welles’ approval. It would become in the minds of some Hollywood critics a metaphor for Welles’ own trajectory from boy wonder to difficult has-been.

When production commenced on “The Magnificent Ambersons” at RKO in Los Angeles in the autumn of 1941, Welles was still the enfant terrible who had held a nation spellbound with his 1938 “War of the Worlds” radio broadcast and dazzled critics (if not the box office) with the haunting, controversial “Citizen Kane.”

Welles constructed an actual house – albeit one with removable walls so the camera could roam its rooms – and filled it with actors from The Mercury Theatre like Joseph Cotten, Agnes Moorehead, Anne Baxter and Ray Collins to tell the story of a proud, affluent family in turn-of-the-20thcentury Indianapolis brought low by the rise of the newfangled automobile.

But the catalyst for the Ambersons’ ruin is scion George Amberson Minafer (Tim Holt), the spoiled, clueless son of the doting Isabel (Dolores Costello), who had loved but rejected the ambitious Eugene Morgan (Joseph Cotten). When the widowed Eugene, a successful auto manufacturer, returns to town 20 years later with lovely daughter Lucy (Anne Baxter) in tow, George courts her while vowing to keep Eugene away from his mother. (In this he is spurred by his spiteful Aunt Fanny, played by Agnes Moorehead, who fancies Eugene for herself.)

In a key scene, George tries to discredit Eugene by describing the automobile as a “useless nuisance.” Eugene doesn’t disagree, adding that the automobile is going to change civilization – and not necessarily for the better. Here you have to wonder how much Welles the screenwriter drew

36

on his own Midwestern background as the son of the successful inventor of a bicycle lamp, who became an alcoholic and went bust.

“You see, the basic intention was to portray a golden world – almost one of memory – and then show what it turns into,” Welles would tell director Peter Bogdanovich in a series of conversations (1969-75) that make up the book “This Is Orson Welles.” “Having set up this dream town of the ‘good old days,’ the whole point was to show the automobile wrecking it – not only the family but the town.”

To conjure this “golden world of memory,” Welles sought out cinematographer Gregg Toland, who contributed immeasurably to the chiaroscuro of “Citizen Kane.” When he proved unavailable, Welles hired the meticulous Stanley Cortez to create the shadowy, elegiac atmosphere of “Ambersons.” Together, they devised the continuous crane shot that sweeps up the stairs of the mansion to the third-floor ballroom.

Cast and crew repaired to the Union Ice Co., an icehouse in downtown L.A., for the nostalgic scene in which Welles juxtaposes a sleigh ride out of Currier and Ives – complete with sleigh bells – with one in a horseless carriage. (Sleighing would hold a similar nostalgia for Welles in “Citizen Kane.” Rosebud, anyone?)

Welles would playfully reference “Kane” in “Ambersons” by including a story on an increase in auto accidents on the front page of the Indianapolis Daily Inquirer, one of the newspapers owned by the fictional Charles Foster Kane. The front page contains the Stage News column written by critic Jed Leland (played in “Kane” by Joseph Cotten.)

It was all punctuated by a score by Bernard Herrmann, who would later provide the irresistible undertow in some of Alfred Hitchcock’s most haunting films, including “Vertigo.”

But perhaps Welles didn’t pay enough attention to his own script or Tarkington’s novel, for “Ambersons” isn’t just a lament for the horse-and-buggy days. It’s the cautionary tale of a family done in by its own inability to adapt to changing times.

In a sense, George’s lack of self-awareness

Portrait of Orson Welles by Carl Van Vechten, 1937. Photograph courtesy Library of Congress.

would mirror Welles’ own. In renegotiating his contract with RKO, Welles had given up his right to the final cut of “Ambersons.” That would prove a critical mistake when Welles took off for South America to make a good-neighbor wartime documentary at the behest of Nelson A. Rockefeller.

Back home, RKO was busy cutting 40 minutes from the film, which had not tested well with a preview audience, and reshooting the ending. The studio shortened the long, seamless shot leading up to the ballroom – in which the viewer feels as if he’s a guest making his way from room to room at the Amberson mansion; softened the self-centered Ambersons; and created a happier ending in keeping with Tarkington’s novel.

In the rough cut, George wanders disoriented around an increasingly industrialized city and is hit by an auto – so ironic, or maybe just so fitting. In the film’s final scene, Eugene visits the forlorn Fanny in a boardinghouse to tell her he has reconciled with the injured George and in so doing, was “true at last to my true love” – George’s departed mother, Isabel. In the final cut, Eugene and Fanny leave the hospital together after seeing George. Fanny smiles as Eugene notes that in reconciling with George, he was “true at last to my true love.”

Ironically, Welles had offered to provide

a happy ending with closing credits that showed the Ambersons in their golden youth and George and Lucy driving off together. But it was not to be, and the effect was devastating for the “Ambersons” auteur: “They destroyed ‘Ambersons,’ and it destroyed me.”

Nor was Welles the only one who was crushed. Herrmann threatened a lawsuit if his name was not removed from the credits after his score was shredded. (The film soundtrack is a mix of Herrmann’s work, that of Roy Webb and other music.)

With the excised footage destroyed and the rough cut lost, Welles considered reshooting the ending in the 1970s with the surviving cast members, but financing fell through. Yet ironically, whatever story Welles was trying to tell still shines.

Though the film was a box-office disappointment in its day, it received an Academy Award nomination for Best Picture.

The Library of Congress has selected it for its National Film Registry, and it has appeared on Sight & Sound magazine’s lists of top-10 movies.

And while the 2002 A&E remake has its pleasures – a scene of the Ambersons dancing in the snow, Jonathan Rhys Meyers as the obnoxious but ultimately courageous George – it can’t compare to the original.

So you see, like Eugene, Welles was true at last to his true love. n

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Terry Callaghan, captain with IBM Flight Operations.

Captain Terry Callaghan takes to the air

By Mary Shustack Photograph by Bob Rozycki

If the words “corporate life” summon thoughts of sitting in a tiny cubicle, a schedule filled with endless meetings in bland conference rooms and always looking for the chance to sneak away for gossip over the watercooler, then Terry Callaghan’s story will shatter those preconceptions.

The Brookfield woman is indeed a corporate employee – with IBM for some 18 years, to be precise – but when she reports for work, she focuses her attention skyward.

Callaghan is a captain with IBM Flight Operations, a job with the computer multinational that finds her flying corporate aircraft out of the Westchester County Airport.

Sure, she has her share of paperwork, dealing with supervisors and yes, chatting with colleagues, but Callaghan is far from the proverbial nine-to-fiver.

On call 24-7 for IBM flights that might see her piloting a helicopter for a quick jaunt within the Northeast or a jet to locales including Canada and South America, Callaghan is ever ready to take to the skies.

And it’s always been that way for the woman who got her first taste of flying at age 14.

LEARNING TO FLY

Callaghan clearly remembers a 1970s trip from her Rockland County hometown of Stony Point to John F. Kennedy International Airport where she would visit her older cousin, then a chief pilot for Eastern Air Lines.

“It was exciting for me,” she says. All she could think was, “Oh, I want to be like him.”

As part of a “hard-working, Irish family,” Callaghan says her parents were also impressed.

“They saw an opportunity,” she says. “They worked hard, with overtime, and got me my first flight lesson.”

Callaghan was soon taking to the air with lessons out of the now-defunct Spring Valley Airport.

It was a time, she says, when young girls were challenging traditional expectations. She clearly remembers her father encouraging her: “Don’t marry a pilot. Be a pilot.”

And she did, going on to earn her private pilot license by 17. She would graduate from North Rockland High School in three and a half years, get ahead with a semester at Rockland Community College and then attend

Nathaniel Hawthorne College in Antrim, N.H., to study aviation.

At 18, she earned a flight-instructor certificate, and, as Callaghan says, “With that, I was able to teach my fellow classmates.”

Both teaching and working on her own studies, Callaghan was, she admits, “pretty driven.”

Her students, many of them older than she, didn’t always appreciate it.

“They didn’t like me very much because I was getting them up at 4 a.m.,” she says with a wry laugh. But many have kept in touch, she says, and now thank her for helping them toward aviation careers.

Callaghan would herself earn bachelor’s degrees in both aeronautical science and business administration – in three years and with flight honors also coming into play.

“They asked me to stay on, since I was Instructor of the Year, to start a helicopter program,” she says of the next step that would earn her the title of chief pilot.

“Once I started flying helicopters then I found my passion,” she says. “With the helicopter, you’re near the ground all the time.”

She likes not only the ever-changing scenery but also the numerous takeoffs and landings.

“That’s where your skill comes in,” she says.

“I love that challenge.”

STEADY ASCENT

Callaghan was ready to enter the corporate world – where helicopters join jets in the flying fleet – and took her first job with New York Airways, a helicopter company.

In the early 1980s, Callaghan was one of the pioneering women who were flying the Sikorsky 76 helicopter. She would go on to fly for two large insurance companies in Hartford for more than a decade before landing at IBM. Throughout, she says, challenges are what one might expect, primarily weather conditions and keeping up with new technologies.

“We do flight safety recurrent training twice a year,” she says.

Earlier in her career, her challenges also included proving herself to the mostly male colleagues.

“In the early days I was put to the test, very much. First of all I was a girl, and I was short.”

She says she had respect for the male pilots, many of them Vietnam veterans, but was, in

fact, once told “I do not want a woman in that other seat.”

She wasn’t about to say, “I’m 23. I got the job” and deal with it.

“I figure I’m going to have to handle it. You can’t yell and scream.”

Instead, she let her training and skills speak for themselves.

“I’m still doing it today,” she says. “Then you make your mark.”

Callaghan says her biggest reward is having the skills to do her job – and do it well.

“A reward would be if you’re faced with an emergency that you handle it well,” she says.

RARE AIR

Callaghan has the rare distinction of having dual certification as an Airline Transport Pilot, which authorizes her to fly both helicopters and airplanes.

“Less than 1 percent of women are dual rated,” she says.

With 29 years in the profession, she says there is also an ease that comes with her tenure.

“It becomes second nature,” she says. “You train so much.”

But, she says, there is no complacency. Safety is always at the forefront of both captain and his or her co-pilot, one of the things she loves at IBM. “We have great professionalism here,” she says. “They’re sharp pilots, and we try to have each others’ backs. That’s what we’re proud about here, what we can do for each other.”

While her schedule is unpredictable, Callaghan says the job has taken her far – even if she can’t always enjoy the destinations.

After all, she is not a tourist but rather a pilot taking care of post-flight protocol and preflight prep.

“It can be lunch in L.A., but to see the sights, no,” she says.

Coming home, she adds, is always welcome.

“There’s nothing better (than) to see the skyline of New York City at night.”

And when not at work, don’t expect to see Callaghan piloting a little two-seater for pleasure. No, the woman who has been called fearless more than once instead prefers to take to the road with her custom-carpenter husband, Jeff deJong.

“My husband and I ride the Harleys.” n

39

Captain courageous Lou Gehrig brought poise and power to life … and death

By Georgette Gouveia

Lou Gehrig during his collegiate days. Photograph courtesy of Columbia University.

40

When the news came that Derek Jeter, the New York Yankees shortstop and team captain, would retire at the end of the season, our thoughts turned to another Yankee captain who carried himself with quiet grace – “The Iron Horse” and onetime New Rochelle resident Lou Gehrig.

“Jeter has always struck me as the heir to Gehrig,” says Jonathan Eig, the former Spring Valley resident who is the author of “Luckiest Man: The Life and Death of Lou Gehrig” (Simon & Schuster, 2005).

What Jeter and Gehrig (1903-41) have in common, Eig says, is that both let their considerable professional accomplishments and charitable work do the talking for them, rather than their personal lives, which remained scandal-free.

“We forget that the Yankees were this wild, Rabelaisian team,” says Eig, who got his journalistic start as a paperboy for the Rockland Journal-News and later an intern for the then Gannett Westchester Rockland Newspapers in White Plains.

“Gehrig made them upstanding.”

Similarly, Eig says, “Jeter has taken a corporate approach to managing his image, and that’s a smart thing to do.”

Today, however, Gehrig is perhaps best known to the public for the disease that bears his name, technically called amyotrophic lateral sclerosis, or ALS. In recent years, research has suggested that Gehrig may not have died of ALS but of a similar degenerative motor-neuron disorder like chronic traumatic encephalopathy (CTE), which is caused by concussions and repeated sub-concussive experiences that occur in such sports as boxing, football, soccer and steeplechase.

Unlike ALS, CTE affects the mind as well as the body. It’s characterized by high levels of certain proteins in the brain and spinal cord that would not have been detected in the days of Gehrig, who sustained any number of concussions and sub-concussions first as a Manhattan youth and Columbia University engineering student playing baseball and football and then as a Hartford minor leaguer and Bronx Bomber (1923-39).

Eig remains skeptical of the cause of death. “Gehrig’s symptoms are classic ALS, and he was examined by the leading authorities of the time, including those at the Mayo Clinic. If his disease was mim-

icking something else, it was a hell of a mimicking.”

But Eig notes that we will never be 100 percent certain of Gehrig’s cause of death.

He was cremated and buried in Kensico Cemetery in Valhalla. He and his wife – the former Eleanor Grace Twitchell, daughter of Chicago parks commissioner Frank Twitchell – had no children. And Gehrig’s siblings died young.

“It’s interesting to consider the possibility of whether his ALS resulted from the concussions he sustained playing baseball and football,” Eig says. It’s an observation given credence by the April 2012 death of semi-pro soccer player Patrick Grange, who died from ALS at age 29 and suffered a number of concussions over his years of playing the sport.

Every man’s strength is, in a sense, his weakness. What made Gehrig ripe for taking hits and being beaned was his raw power and speed, the sheer durability that earned him the nickname “The Iron Horse.” Indeed, his record of most consecutive games played (2,130) stood for 56 years before being broken by Baltimore Orioles’ shortstop and third baseman Cal Ripken Jr. in 1995.

But Gehrig’s strength was as much psychological as physical. Shy by nature,

he was devoted to his mother, Christina, a hard-working, disciplined German immigrant. “If there were a hall of fame of mama’s boys,” Eig says, “he would’ve been elected on the first ballot.”

Yet Gehrig was still very much his own man. When he joined the Yankees, Eig says, “he knew he didn’t fit in, but he was secure enough in himself to find his own way.”

that. There was a brotherly relationship … but it was complicated by Eleanor.”

She and Gehrig married in 1933 in New Rochelle and set up house at 5 Circuit Road after an uncomfortable stay at the Gehrig family home on Meadow Lane. A sophisticated socialite, Eleanor had a reputation for dating Yankees, including the Babe. And that, Eig says, is what led to the rift. (In her

“Fans, for the past two weeks you have been reading about the bad break I got. Yet today I consider myself the luckiest man on the face of the earth.”

That way led to teammate and megastar Babe Ruth, who was as outgoing and roguish as Gehrig was reserved, particularly with the ladies. Still, they managed to form a one-two punch that was at the heart of what many consider the greatest lineup ever – the 1927 Yanks, known as “Murderers’ Row.” The Babe batted third; Lou, fourth. (Hence their uniform numbers.)

Perhaps because they were so complementary, Ruth and Gehrig got along well.

“I think they were genuinely friends,” Eig says. “Gehrig idolized the Babe in the beginning, even if he didn’t want to be like

book “My Luke and I,” Eleanor attributes the fallout to Ma Gehrig, with whom she didn’t get along, and her interference in the way Ruth and wife Claire brought up daughter Dorothy.)

But when Gehrig died June 2, 1941, at the couple’s new home in Riverdale, Babe and Claire were among the first to console Eleanor. The Babe was, after all, Eig says, a big kid who couldn’t hold a grudge.

For Gehrig, death arrived 16 years to the day that he famously replaced the declining Wally Pipp at first base and almost two years to the day he retired, on the Fourth of

July. It remains one of the most famous retirement days in American history with an embrace by old teammate Ruth, tributes by New York City Mayor Fiorello La Guardia and Postmaster General James Farley, an emotional address by fatherly team manager Joe McCarthy and choked-back tears from sportswriters and fans alike.

Gehrig’s graceful farewell – filled with gratitude and optimism in the face of a terrifying prospect – is familiar to anyone who has seen the poignant “The Pride of the Yankees” (1942), a film that Eig says is not without its flaws.

“My biggest criticism is that Eleanor took over. She became the hero and Lou was made into a wimp, when he was no pushover.”

The film’s farewell uses portions of Gehrig’s speech that bear repeating.

“Fans, for the past two weeks you have been reading about the bad break I got.

Yet today I consider myself the luckiest man on the face of the earth.”

Gehrig went on to acknowledge everyone from the ground crew to his wife before adding, “So I close in saying that I might have been given a bad break, but I’ve got an awful lot to live for. Thank you.” n

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Sabrina Forsythe

42

1937 Delahaye 135 Competition Court Torpedo Roadster.

Driven to give back

By Patricia Espinosa Photographs by Bob Rozycki

Sabrina Forsythe is carrying on a legacy of her father, the late Malcolm Pray Jr,. at the Pray Achievement Center in Bedford, where she uses his extraordinary car collection to inspire thousands of underprivileged kids to realize their potential by working hard and daring to dream.

It was a year and a half ago that I had the pleasure of

interviewing the man behind the mission and the impressive car collection for WAG’s “Men We Love” issue (August 2012). Pray, a longtime Greenwich icon known as much for his business success as for his philanthropy, told me how the tragic death of his only son, Malcolm III, in a car crash inspired him to establish the Pray Achieve-

ment Center in 2000 with the purpose of teaching young people how to be entrepreneurs.

“The cars are a way for me to prove to these kids that I have become an achiever on my own and they can, too,” he told me.

Through his cars he delivered a message that anything

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1937 Bugatti Type 57C Roadster.

can be accomplished through hard work and a positive attitude. Pray used many of the guiding principles he learned as a Boy Scout in a booklet he handed out to young visitors titled “How to Be a Millionaire,” which teaches such concepts as valuing your reputation, trustworthiness and pride in your conduct.

On Aug. 25 of last year, the man who left an indelible mark on his community sadly passed away.

“I promised him I would continue to spread his message, but with my own spin on it,” says Forsythe, who is intent on honoring her father’s legacy at the Achievement Center with the help of her two daughters, Courtney and Nicole Fischer. The girls are students at Babson College, which, interestingly enough, is the only college to be devoted entirely to business and entrepreneurial studies.

Forsythe admits the apple doesn’t fall far from the tree.

“They’ve picked up on what their grandfather said and they’ve learned from his message and it’s the reason he set up this foundation so that they would specifically be involved.”

Being her father’s daughter, Forsythe is direct and very much her own person who brings with her fresh ideas.

“I don’t want to change his message, but I want to add to it,” she says about the 18 points of inspiration that are detailed in the Pray Achievement Center booklet, including “Don’t be a bully.” That point in particular, is a message that resonates deeply with the Greenwich YWCA board member, who has learned firsthand through her work at the Y how bullying begins at home. (The YWCA has the largest domestic abuse program in the country.)

“I really want to get some anti-bullying campaigns up here so that’s why I plan to work together with the YWCA.” She also plans to partner with USTA Serves, which has developed programs to enrich the lives of at-risk children and individuals with disabilities through tennis and education.

44

Unlike her father, who welcomed mostly Christian schools to the center, Forsythe plans to cast an even wider net by partnering with different organization as well as continuing to work with established groups.

“I’m open to any organization who thinks this will be beneficial to kids.”

Visitors to the car museum can now expect to see celebrity guest speakers, self-made men and women who will help deliver the message, like financier David Darst, who appears regularly on CNBC. There will also be car aficionados who will share their enthusiasm and knowledge as they lead guided garage tours.

Many who have offered to help are friends, because the philanthropist has spent years giving her time and money to countless charitable organizations.

As part of the estate, each of Pray’s five grandchildren (he was also father to daughters Lilly and Tina) were given five cars, with the stipulation that they remain in the museum until each grandchild turns 25. Pray also arranged to have a portion of the collection sold at auction to benefit the estate and to purchase new cars. “Because in his opinion, kids don’t know the difference between a DeLorean and a Delahaye,” says Forsythe about the extremely rare Delahaye that was Pray’s crown jewel and would go on to fetch a record-setting $6.6 million.

In all, 16 automobiles from Pray’s one-of-kind car collection were sold at the prestigious RM Auctions in Amelia Island, Fla. They included that rare 1937 Delahaye 135 Competition Court Torpedo Roadster by Figoni et Falaschi, a stunning 1961 Ferrari 250 GT Series II Cabriolet by Pininfarina and a 1957 BMW 507 Series II Roadster. Held in association with the Amelia Island Concours d’Elegance, collectors from across the world met at The Ritz-Carlton there to celebrate the automobile and bid on some of the world’s finest marques.

“I’m going to ‘re-jiggle’ the cars,” Forsythe says about the automobiles she plans to buy after the auction, cars

that kids can relate to.

Forsythe has always been a socialite with a cause. She was presented at three debutante balls, a tradition that she was glad to see her daughters continue when they were among six women from Greenwich at the 58th International Debutante Ball held in December of 2012 at the Waldorf Astoria in Manhattan.

While Forsythe remembers her experience as a round of great parties, she told the Greenwich Time that there is more to being a debutante than having fun. The International Debutante Ball supports numerous charities.

“I want (my daughters) to understand the value of volunteering. For all its pomp and circumstance, it is a fundraiser.”

Indeed, supporting charities has been a way of life for Forsythe and her family.

“Not only was my dad extremely patriotic, he really believed the American dream included giving back to the organizations that help people better their lives. It’s what I was brought up to do.

“It started years ago when my brother passed away,” she recalls about the time she first cut her teeth fundraising when her dad enlisted her help to build The Malcolm S. Pray III Memorial Building, a meeting hall at the Boy Scouts’ Seton Reservation on Riversville Road.

“We started out doing polo matches and we had a ball out in the backyard to benefit the Boys Scouts and then we went into a letter-writing campaign,” she says.

It wasn’t long before the American Red Cross came calling. (Forsythe is one of Greenwich’s longest-standing Red Cross volunteers). Other organizations soon followed, including the YWCA, Greenwich Adult Day Care, the Greenwich Historical Society and the Bruce Museum.

Now, Forsythe plans to rev things up at the Achievement Center as she shifts her fundraising into high gear.

For more, visit prayachievementcenter.com. n

Alfa male Nick Soprano gives the classic car a second life Story and photographs by Andrea Kennedy The breeze of the Pacific swept between her seats as she cruised the California coastline. A 1950s Italian stunner in white and chrome, her twin cam 1300 cc motor purred as she hugged the curves with a finesse fit for the Amalfi Coast. Was she headed north or south?

Monterey or Malibu? Or destined for the bright lights of Hollywood?

Not much is known of this vintage beauty, a 1956 Alfa Romeo Giulietta Spider, but that until recently she lived in California. And after nearly 60 years – the most recent spent in neglect – she found her way to a second life with Nick Soprano.

“She’s a survivor,” Soprano says. “We did some upholstery work, some chrome work and some paint work. I gave her a good tune-up and a thorough detailing and brought it up to the very high level that you see today.”

Completely restored and in model running condition, the Giulietta is just one of the vintage vehicles to benefit from Soprano’s decades of expertise at Motor Clas-

passion. It’s an art form.”

Though he could talk technical specs all day, Soprano fervently praises the “self-evident” purity of design among classic cars such as the revived Giulietta. Like a sculpture by the masters – or a flawless human form – every side is her best side.

“They are a timeless, pure form,” he says. “It flows. One line flows into the other and you can’t take your eyes off it.

You keep walking around the car, because there are so many beautiful angles.”

The roadster

sic & Competition Corp. Part club, part clearinghouse, his Bedford Hills company specializes in sports, racing and GT cars of the 1950s, ’60s and ’70s.

“We buy and sell, trade, repair and restore,” he says. “People come in looking for cars and if I don’t have them, we’ll find

the car for them. If they have a car to sell, we will either buy it or take it on consignment.”

But enough talk about business. To Soprano, cars aren’t business. They’re life.

“There’s a deep philosophy here. It’s not just buying and selling cars. It’s a thing of

Almost instinctively, I found myself doing just that – circling the Giulietta with camera in hand repeatedly spotting shot after elegant shot.

“People come in and are fascinated by the shapes and don’t know why. It’s because they have the essential art appreciation deep within themselves so when they see these forms, they are just mesmerized, fascinated and intrigued by them.”

As he acclaims the autos’ allure, he equally commends their creators.

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A 1956 Alfa Romeo Giulietta Spider at Motor Classic & Competition Corp. in Bedford Hills.

“The cars of that era were built by passionate and enthusiastic men, men who wanted to express themselves in metal,” he says.

The makers of Italian sports cars specifically showed artisanship, craftsmanship and ingenuity that were “very technologically outstanding to the competition at the time,” Soprano says. “They effectively and efficiently used the resources that they had. So it’s not a big engine displacementwise, but it puts out a lot of power for its size, especially in terms of the period it was built in.”

Under the hood, the petite Giulietta holds a 1300 cc motor that today rivals some motorcycle engines. But designers opted for aluminum casting instead of iron – the coarser, weightier, cheaper metal of choice in that day – which kept her light, gas-efficient, and able to reach speeds of 110 mph. Indeed, she strikes the ideal balance of the beautiful and the practical.

“Here’s a little two-seater car that doesn’t weigh much more than 2,100 pounds that can carry two people, be a lot of fun to drive and still have enough room for a spare tire and more than a weekend’s worth of luggage to be stored in the trunk.”

Her original owner surely benefitted from sophisticated taste as well as deep pockets, so the notion that a notable name piloted this Giulietta isn’t far-fetched.

“A lot of very celebrated people did buy Alfa Romeo, because especially pre-war they were an intriguing mark that won all kinds of races,” including Le Mans.

Alfa Romeo made just 1,000 of the Gi46

ulietta, which by ’50s standards indicated mass production. But speaking to value by contemporary standards, Soprano says “they’ve proven to be quite an investment.”

The racer

Like art collectors, Soprano says many of his club’s classic car enthusiasts collect “four-wheeled art” simply to gaze upon its exquisite lines. Other members – patrons may be a better term – take their art to the track and enlist Soprano as pilot.

“I’ve been entrusted by clients and friends to drive some extraordinary vintage racing machinery due to my track experience and racing know-how.”

That’s putting it humbly (and he emanates humility). In fact, Soprano has been well-acquainted with podium finishes during his decades-long racing career that includes Formula Atlantic, or Formula 2, as well as illustrious international vintage sports car events.

“There are a lot of events worldwide where all these old cars get together and run the same races in the same classes as they did back then. So you get to experience the history that you were perhaps too young to experience at the time,” he says.

“I had the good fortune to participate in a lot of those racing events.”

His record of race cars reads like a dream sequence of any kid who hand-selected their Hot Wheels. Nick raced a Maserati 450S, Ford GT40 and Ferrari 250 GTO on courses like Lime Rock Park in Litchfield County’s Salisbury, where Paul Newman used to race; the Mazda Raceway Laguna Seca; the former Moroso Mo-

torsports Park (now once again the Palm Beach International Raceway); Watkins Glen International; Nelson Ledges Road Course; and Elkhart Lake’s Road America Inc. He even took the Maserati along the 1,000-mile Italian course where once was held the nefarious Mille Miglia.

“It’s a transcendent experience, especially for an old-car guy.”

Soprano knows he’s lived the dream.

“I was born with the dream. Even as a very young person, I was fascinated with machines and cars. The dream developed as I read about what the all-time racing greats did when I was a very young boy – Stirling Moss, Fangio and all the great names. I made it my life’s work to experience to the best degree that I was able what those men did back in the ’50s and ’60s.”

And he did. Today, his showroom features photos of Soprano – “once upon a time,” he says – alongside icon Stirling Moss and another with Carroll Shelby, creator of the Shelby Cobra, who raced in Soprano’s Maserati. He even met Fangio.

And in a hallowed spot behind his desk hangs an oversize framed photo of Soprano with Enzo Ferrari.

“That’s the man who made Ferrari cars,” he says in almost a whisper.

To his clients across the globe, Soprano is a portal to their own dreams. They live vicariously on the track with Soprano behind the wheel, rooting for their cars – as well as their buddy – and experiencing the thrill of the race in sight and sound.

“The cars are extraordinary visual forms, but then when you hear them, their engines going by at full tilt down the straightaway, a Ferrari at 9000 rpm pro-

duces an aria and a symphony of sound that will awaken the senses to levels beyond anything you’ve experienced before.”

But as a racer, like as a businessman, Soprano has a deeper agenda – rebuilding the relationship between man and machine.

“Today so many people look at a car like an appliance. It’s built by robots, you look at the motor you don’t know what you’re looking at because it’s filled with all this technology, which is good, but it’s another way to isolate you from being one with the car. The old cars are more of a visceral art form that you could interact with and learn from.”

But the art of racing, of course, is highly competitive and highly dangerous.

“Vintage racing allows us to hit the same top speeds and face the same road challenges on the same tracks that racers did back in period.”

One race left him with a broken back.

But, as Soprano contends, the heart of a racer is stronger than mangled bones.

“Racing is something that I think comes from within the self. If you have the desire, it goes beyond the consideration of the risk. The drive of the racer overwhelms all that. It’s greater than all that. You do it because it’s really an emotion that’s rooted in love.”

For Soprano, that love kept his dream of the drive alive. The Giulietta, I think, feels the same.

Motor Classic & Competition Corp. is at 350 Adams St. in Bedford Hills.

For more, call (914) 997-9133 or email sales@motorclassiccorp.com. n

Lord of the (equestrian) rings Scott Hakim’s quiet leadership drives Old Salem Farm

By Georgette Gouveia Photographs by Bob Rozycki

Scott Hakim in the lounge at Old Salem Farm.

47

Scott Hakim talks with assistant trainer Heather Hays.

cott Hakim is a man who loves to keep fit – mentally as well as physically.

“The gym is my meditation,” says Scott, who has the trim, broad-shouldered physique of a man who knows how to balance weights with cardio. “I come out of there an hour later a different person.”

But perhaps no activity has challenged him the way horseback riding has. Growing up in Chappaqua with a horse-loving sister, Pam – and their two equine-terrified siblings – Scott began riding at camp around age 7 and went on to places such as Shannon Stables in Bedford, becoming a competitive rider.

“I love the animals,” Scott says of riding. “Mentally, you’re trying to mesh with your horse. But it also uses your entire body – your core, your shoulders and your legs. When you get into riding properly, it’s the best fitness in the world.”

Though he rides only recreationally now – he says he’d like to get back into it competitively – the equestrian world is never far from Scott’s thoughts. He and his father, Kamran, both real estate developers, own Old Salem Farm in North Salem, which they have transformed into one of the top-ranked horse farms in the nation – refurbishing it thoroughly and putting in on the media map with such sparkling events as the Spring Horse Shows in May and the American Gold Cup in September.

When Scott and his father bought the farm in the 1990s, the property – which once belonged to actor-

48

philanthropist Paul Newman – was long past its glory days.

“We looked over the farm and it was in shambles,” he says. “But underpinning it all was this jewel box.”

The Hakims set out to restore the jewel box, which sits on 120 verdant, rolling acres in North Salem, part of Westchester County’s horse country. They raised the roof; renewed the walls; added windows, installed new lighting, ventilation and fire and smoke detection; upgraded the offices, lounge and gym; introduced firegrade wood in the barn; and redid the landscaping.

Nothing escaped their attention, from the 68 stalls to the paddocks to the sand-based footing on the floor of the rings and connecting areas that are tested to ensure the horses don’t misstep.

The result of the multimillion-dollar renovation is a handsome, rustic facility with a casually elegant lodgestyle lounge. “It’s a completely new farm,” Scott says.

And yet with everything the Hakims have done, he adds that Old Salem is “only 80 percent of the idea of what it could be.” Bringing them a little closer to their ideal – plans for a new barn that would add 24 more stalls.

Last November, Old Salem Farm made headlines when it bought neighboring Grand Central Farm, a 286-acre site that straddles North Salem and Southeast in Putnam County, for $14.9 million. The Hakims are in the process of sprucing it up.

“Grand Central doesn’t need a renovation the way Old Salem did. Right now the plan is to bring it back to the

Westbound

49

A rider takes a horse through its paces at Old Salem Farm.

quality it had and use it for high-end private clients.”

For the public, the focus will remain on Old Salem.

There the Spring Horse Shows have increased their attendance and number of competitors and sponsors, while the nationally televised Gold Cup has doubled its advertisers, more than doubled its competitors and more than tripled its spectators.

Scott credits Michael Morrissey, president of Stadium Jumping and Cup organizer, for the event’s success as well as his own staff of 30 to 35. The Old Salem staff includes facilities manager Alan Bietsch, who started out in construction on the site and stayed on, learning the horse business to become Scott’s right-hand man; head trainer Frank Madden, one of the most respected developers of young show-jumping talent in the field; and barn manager/rider Sarah Natale, whom Scott cites for her industry and kind heart.

Scott is a reserved, protective man. But he is particularly voluble in discussing his staff, also mentioning assistant trainers Heather Hays and Stella Manship; Spring Horse Shows manager Allen Rheinheimer; and 50

Spring Horse Shows coordinator Vandy Lipman.

Sterling staffers like these, he says, are key not only to effective management but to a happy environment for riders and horses.

Still much of the credit must also go to Scott himself – a man who values the old-fashioned virtues of hard work, honesty and honor. He would deflect such praise. But then he has a quiet nature that is refreshing in our confessional culture. His qualities suit him in his leadership role not only at Old Salem but in his own company, City Sites Real Estate Group. Based in Manhattan, where Scott also lives, City Sites employs 60 people. (Scott – who attended a boarding school in Princeton, N.J. and Wheaton College – earned a master’s degree in business with an emphasis on real-estate development at New York University.)

His early experience in the ring has also prepared him for his business career, for it has taught him “discipline and fortitude. You find your face in the ground in riding. And you just have to pick yourself up, get back on the horse and canter on.” n

Coming to Old Salem Farm

The winter season at Old Salem Farm wraps up April 5 and 6, with the Spring Horse Shows set for May 6 to 11 and 13 to 18. Once again there will be amateur and professional, junior and adult competitors in the categories of hunter, jumper and equitation. Hunter focuses on the form of the horse; equitation, on the form of the rider, says Sarah Natale, Old Salem’s barn manager. Jumper is similar to hunter in that horse and rider must go over obstacles but it is a timed discipline.

This summer, Old Salem Farm will start a new riding academy with head trainer Frank Madden and assistant trainer Heather Hays. The international riding program will continue as well.

The summer season culminates once again with the American Gold Cup FEI CSI 4*-W, a qualifier for the World Cup, Sept. 10-14.

For more, visit oldsalemfarm.net and theamericangoldcup.com.

way for the

love of horses

World-class equestrian estate fills nearly 150 Millbrook acres

Presented by Houlihan Lawrence

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GRACE HILL FARM at a Glance • Millbrook • 4,800 square feet • 149.02 acres • Bedrooms: 3 • Baths: 4 full, one half • Amenities: Barn, fireplace, guest/caretaker cottage, horse property, pond, pool, riding ring, stable/paddock, view • Price: $14.95 million

Story by Houlihan Lawrence Photographs by Tim Lee Total privacy. Astounding natural beauty.

Professional-caliber equestrian facilities.

These are just a few of the remarkable amenities offered at Grace Hill Farm, a distinguished country property ensconced in one of Millbrook’s premier locales.

Set quietly off a winding country lane, the beautifully designed 150-acre setting provides a sense of privacy and serenity that is becoming increasingly hard to find.

Wondrous vistas that reach to the Catskill Mountains unfold across the gently rolling landscape whose many special highlights include shimmering ponds, lovely gardens, age-old orchards and a surround of fragrant woodland laced with miles of hiking and riding trails.

Elegant and immensely inviting, the classic English country house perched high on a hill takes full advantage of the breathtaking setting with tall windows and surrounding terraces that showcase the blissful prospects. Exemplary craftsmanship and rich character are displayed throughout the home, perfectly orchestrated for comfortable country living with stylish entertaining spaces and a charming country kitchen, certain to become a favored gathering place

for family and friends.

A stunning pool, poolhouse, carriage house and several substantial outbuildings also share the verdant setting providing ample facilities for guests and staff alike.

For the equestrian, there is a newly added 14-stall barn, a true showplace fitted with state-of-the-art systems, an indoor ring and a memorable viewing and entertaining space designed for competitions and large gatherings. A dressage ring, outdoor ring, Grand Prix field and another five-stall barn are other standout features of this expansive and meticulously maintained equestrian estate.

•G ated equestrian estate set on 150 private acres.

•C entered by an enchanting circa 1928 English-style country home.

•P ond with dock, pool and poolhouse with full kitchen, changing room, bath and sauna.

• Spacious three-bedroom guesthouse.

• One-bedroom guest cottage.

•C arriage house with two-bay garage, yoga studio/gym, one-bedroom apartment and recording studio.

•A ntique staff/guesthouse with four bedrooms, greenhouse, two-bay 53

garage and separate one-bedroom apartment.

• Main barn, built in 2008, features 14 stalls, two tack rooms, two grooming/ wash stalls and office.

• 100’ by 200’ indoor arena with expansive viewing lounge that doubles as an entertaining/media room with a full kitchen and retractable screen.

• Dressage ring, 150’ by 300’ outdoor arena, Grand Prix jumping field and seven paddocks.

• Five-stall barn /three-bay equipment garage.

• Extensive trail-riding network throughout property.

• Close to the charming Millbrook village and only 90 miles from New York City.

For more information, contact Adam Hade at Houlihan Lawrence (914) 8041754, (845) 6776161, ext. 309, or ahade@houlihanlawrence.com. n 54

a comfortable fit Mitchell Gold and Bob Williams celebrate 25 years of home design

By Mary Shustack Photographs courtesy Mitchell Gold + Bob Williams

Bob Williams, left, and Mitchell Gold on the factory floor in North Carolina.

It’s impressive to have a room filled with stylish furnishings that look amazing.

It’s even more impressive to have a room filled with stylish furnishings that not only look amazing but are also incredibly comfortable.

Mitchell Gold + Bob Williams’ furnishings have been making the latter possible for a quarter century.

As the North Carolina-based company marks its silver anniversary this year, it is celebrating what the company likes to call a “journey to make the world a more comfortable place for everyone.”

The festivities include a commemorative book, a silver-anniversary collection and a tour that has the namesake founders making personal appearances at their Signature Stores across the country.

The yearlong victory lap just under way has brought Gold and Williams to Greenwich late on a recent afternoon, where they have settled into the super-stylish surroundings to reflect on the milestone.

It’s been quite the ride for the two, who met in 1980s New York and would go on to create a company that has not only

grown with the times but also managed to thrive in today’s competitive, designoriented climate.

It’s never been, it seems, about following the pack.

“The kind of trends we follow are more the way people live,” Gold says, with Williams adding that lately, it’s “a little more sophisticated, not so much country casual.”

And, as has been noted throughout the industry, the Mitchell Gold + Bob Williams reputation has been built on concepts that complement the designs that are favorites of not only savvy homeowners but also interior and set designers and shelter magazine editors. Let’s not forget, as well, that Mitchell Gold + Bob Williams furniture was tapped as part of the 2008 redecoration of the Obama White House.

EARLY DAYS

Back in 1989, the plan – after the pair decided to go into furniture rather than operating a Christmas tree farm – was to introduce a line of dining chairs and tables. A $60,000 investment and a goal of cultivating a customer list of 25 would 55

allow both a profit and a four-day workweek.

Then reality hit. Pre-sales of more than 5,000 pieces, before the factory was even opened, were swiftly followed by a rapidly expanding collection that had the company reaching $1 million in sales in its first full year.

Clearly, what they were offering had struck a chord.

“In 1989, a furniture company did not use the word ‘comfort,’” Gold says.

As Williams adds, “Comfort doesn’t always represent style.”

Comfort needed to combine with stellar design and craftsmanship for Gold and Williams to make the venture reflect their concept.

Williams, a Texan raised across the country thanks to his father’s military career, had graduated from Parsons School of Design in 1985. While working as promotions art director for Seventeen magazine, he met Gold, a New Jersey native already in the furniture business. The pair would be a couple for some 14 years before separating but remain business partners to this day.

“Bob heads up design, and I head up most of the other things,” Gold says.

From 23 employees to a roster now topping 600, Mitchell Gold + Bob Williams has made its mark selling upholstered furniture, case goods (storage and tables), lighting, rugs, wall art, pillows, bedding and accessories.

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The $100-million international brand is carried in a growing chain of 18 Signature Stores and boutique shops within other stores around the world, while also serving private-label customers ranging from Pottery Barn to Restoration Hardware. Its hospitality division works with clients as varied as the Ritz-Carlton hotels and Starbucks coffee bars.

But, as Gold says, “We want to be more than just a company making money.”

That is clearly reflected in the company’s commitment to eco-friendly practices, social causes and its employees and their work environment. The corporate culture respects diversity, supports education and is all about being environmentally responsible.

A sustaining member of the Sustainable Furnishings Council, Mitchell Gold + Bob Williams operates out of a 600,000-square-foot, state-of-the-art factory in Taylorsville, N.C. There, the company hosts the Lulu’s Childhood Enrichment Center, an awardwinning nonprofit on-site day care center named after Gold and Williams’ late English bull dog, the company mascot. Other perks include an on-call nurse and health fairs, a café offering healthy gourmet fare, a concierge service and a scholarship program for employees’ children.

The company was also ahead of the curve with its advertising, which has often featured same-sex couples, alternative

families and provocative models, efforts that earned the Public Visibility Award at the inaugural GLAAD Media Awards in Advertising in 2009.

Lauded for both style and business practices, the company has been featured in publications such as Elle Décor, Time and Health.

The furniture has also been spotted on such TV shows as “Friends,” “Sex and the City” and “Two and A Half Men.” But the most celebrated collaboration is with “The Good Wife,” the CBS series that has filmed in Westchester. The last credit sparked the design of a collection with set decorator Beth Kushnick, said to be the first furniture license in TV history.

THE DESIGNS

The Mitchell Gold + Bob Williams customers, the founders share, run the gamut from mature downsizers to those just starting out.

“We also have a lot of customers who are collecting,” Gold says.

Everyone, it seems, finds something to like in the range that showcases a decidedly glamorous edge.

Catching the eye might be the midcentury modern sensibility of the Major chair, the iconic polished stainless steel base now upholstered with silver metallic leather. Or perhaps it’s the flair of the Lawson bar, a white lacquered wood case with bronze-mirrored doors and hand-

cut white wood fretwork. The Greenwich showroom is dotted with an array of textures and finishes, materials and silhouettes. Open a random dresser drawer and the company’s signature red interior offers a touch of flair and whimsy.

Upholstered bookcases – how unique – are accented with nailheads, a look both industrial and chic.

This year’s direction, the founders say, is a nod to 1970s pop culture combined with that signature, classic comfort.

You can settle into a comfortably chic sectional – a study in sleek gray accented with white-fur and black throw pillows – beneath a vintage photograph of Mick Jagger in concert.

As the afternoon wanes and the celebration is about to get under way on East Putnam Avenue, Gold and Williams share that this Greenwich stop is near the start of a blockbuster year.

“Through our research we know there are 60 to 70 really great markets to be in,” Gold says. Plans are under way to add Signature Stores in cities ranging from Miami to Beverly Hills.

Touring the country, seeing the progress has been rewarding already, again on more than one front.

Charitable efforts are entwined with the company’s anniversary plans.

The stop in Greenwich, for example, would not only draw style fans but also serve as a benefit for The Hole in the Wall

got damage?

Call the experts.

Horticultural Solutions The Mitchell Gold + Bob Williams idea of modern sophistication includes extensive attention to detail, from the perfect taupe leather on the sofa to the right shade of emerald on the velvet chairs to the artwork that brings it all together.

40 Stories Revealing the Personal, Social, and Religious Pain and Trauma of Growing Up Gay in America.”

Gold and Williams’ anniversary book, “Who We Are,” published by Assouline duo’s third Enrolland by the March 15thtitle, offers a true celTHE ROAD AHEAD ebration of the founders, what they stand Keeping on top of advances in the field for, what they have created – and is even and staying committed to a meticulous part playful handbook on how to enterproduction method have been keys to the tain with understated charm. (Who’s up move ever forward, the founders agree. for pan-roasted monkfish with spring “Part of our model is we don’t have high peas?) returns,” Gold says. “We have a lot of inTaking a virtual journey through the spections.” company’s “Who We Are” statement, In addition, a single piece of each style which also appears in each of the Signais taken completely through the process ture Stores, the book gives a true sense before mass production begins. of the duo’s approach and includes: “We An early misstep led to realizing the love to laugh.” “We obsess over minutiae.” importance of that, Williams says, noting “We are actively in pursuit of equality.” an early creation of a “big, beautiful” col- And “We never miss a meal. Ever.”

Having their career (and lives) so elolection. quently summed up gives Gold and Wil“Big would be a good way to describe it, liams a moment to reflect on the partnerbecause they couldn’t fit through doors,” ship – and they do credit their personal he says with a laugh. synergy as a source of the company’s sucEqual to their satisfaction with their cess. careers, the founders say, is the ability Former lovers don’t often make the best to contribute to social causes, especially business partners, but in this case, they those that affect the LGBT community.

Gold started Faith in America, a nonprofit seem to have struck a fine balance.

As Williams says with a laugh, glancing organization dedicated to educating people about religious-based bigotry and how over at Gold, “The only thing that we reit is used to justify discrimination against ally ever fight about is his driving.”

LGBT Americans.

For more, visit Mitchell Gold + Bob “Unfortunately, it still continues to be Williams at 45 E. Putnam Ave. in a struggle,” says Gold, who edited “Crisis: Greenwich or at mgbwhome.com. n Gang Camp. Actor-philanthropist Paul Newman founded the Fairfield Countybased nonprofit organization dedicated to serving children with serious medical conditions and their families in 1988.

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All images courtesy Polo Ralph Lauren.

mixing it up

58

“For spring 2014, Polo Ralph Lauren presents naturalshouldered suits and preppy ties, colorful striped sportswear with exciting new crests and logos and a rugged mix of safari-inspired khaki and camo looks,” the company says. “Unexpected combinations of tailored clothing and sportswear pieces – a double-breasted pinstripe blazer worn with white linen trousers, sports coats paired with slim-fitting colored jeans – demonstrate a new way of dressing for the modern man.”

Also trending – skinny blue dress shirts; club collars for that classic, collegiate look; vintage-inspired color-block and club-stripe silk neckwear; rumpled linen suiting; new nautical crests and monogrammed logos; lots of denim; military references everywhere; and Ivy League looks in seductive navy and white that will have you saying, “Permission to come aboard.”

It’s a collection that is crisp yet casual, polished yet ready to go – as any man should be. n

Knollwood Country Club 200 Knollwood Road Extension | Elmsford, New York 10523 (914) 592-7411 www.kccclub.org

CELEBRATING 120 YEARS…

JOIN THE TRADITION NOW. Established in 1894, Knollwood Country Club has successfully stood the test of time with a full service facility that features a 6,500 yard championship golf course, located in Westchester County less than thirty minutes from Manhattan.

Knollwood has hosted numerous prestigious tournaments including US Open qualifiers and LPGA events and in 2014 with Knollwood will host both the MGA IKE & Westchester Amateur tournaments and 10th Annual ESPN “Tee It Up” Golf Classic benefitting the Jimmy V Foundation.

In addition to is history and championship golf course, Knollwood is known for its family friendly environment fine dining and entertainment functions. The club has recently undergone significant renovations to both the clubhouse and golf course geared towards further enhancing our Member experience. Our upgrade program will continue to deliver in 2014 with the planned addition of new Har-Tru tennis courts.

Become part of our history.

For 2014 Membership information please contact our General Manager Mauro Piccininni at (914) 592-7411 or at maurop@knollwoodcc.com. You can also visit our website at www.kccclub.org

The Knollwood facility includes the following Member amenities: Golf • Historic 19th hole that provides a unique finish to your round • Unrestricted grass and mat driving range • Two-tiered short game area • Full service caddy program • Golf instruction led by PGA Professional Bob Miller, Jr. and staff Clubhouse • Recently renovated main dining room • Wood panelled Grill Room with two fireplaces • Outdoor dining on our covered patio or stone porch • Newly constructed Men’s locker room lounge Pool and Play Area • Fully enclosed pool area with king sized pool, kiddie pool and playground • Locker facilities • Full Service snack bar • Video and table games • Tiki Bar and shaded lounge areas Sports • Fully equipped 24/7 fitness facility with separate lockers and showers • New Har-Tru tennis courts planned for 2014

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wear Day to dinner Lela Rose shines on all occasions

By Georgette Gouveia Looking at her, you get the sense that day, but I do attend many events in the Lela Rose is the kind of woman who evening. I find it fits my day-to-dinner works hard and plays hard. The attractive lifestyle.”

Suffice it to say that the Neiman Marblonde sports a blunt-cut bob and one cus shopper is also the woman for her of her own irresistible creations – a fullcollection, which is why Rose is talking skirt, short-sleeve black dress with thin to WAG after a fashion show/luncheon horizontal white stripes and a black bolero at the store in The Westchester, White that evokes the ladylike ’50s and hints at Plains.

Neiman Marcus fits Rose in ana nautical spring. Fashionably, she’s paired other way.

Both hail from Dallas and her outfit with powder-blue pumps, blue you can still hear the Texas lilt in her in almost any shade being the color of the voice and see the Texas hospitality in moment. her gracious smile and manner. Though “I always wear color with black,” she Rose has long been ensconced in Tribesays. ca, she divides her time between New And she always embraces what she creYork and the Lone Star State, where she ates. Some fashion designers make clothes opened her flagship boutique in Dallas for others that they themselves could never wear. But Rose says, “I am truly in 2011. The bistate lifestyle suits her who’d be happy to live in Texas full the woman for this collection.

I work all PMson, HalfHorizontial9x6:Layout 1 3/13/14 3:56 Page 1

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Sleeve dress with tulle insets, $1,695.

time, she says with another smile.

Rose actually grew up in Colorado, where she drew inspiration from the myriad colors of nature. Another big inspiration – art.

“I love color,” she says. “I love textures and patterns.”

After graduating from Parsons The New School for Design in 1993, she designed textiles for Richard Tyler and 62

Strapless dress, $2,995.

Christian Francis Roth before striking out in 1998 with her own brand, which features resort, wedding and shoe collections as well. She’s still designing fabrics, spun in mills in France, Italy and Switzerland.

Everything Rose is about can be seen in her feminine, fluid spring collection. The fabrics feel soft, forgiving and yet substantial against the skin. The artful patterns –

Embroidered full-skirt sheath, $2,495. All looks are available at lelarose.com and neimanmarcus.com.

Images courtesy of Lela Rose.

in which boldly colored shapes or florals might explode at the waist or contrasting styles of lace might create an hourglass silhouette – are traditional yet modern.

A favorite is a satiny, peachy-pink sheath framed in black lace with a black lace border. It’s a favorite of Rose, too, who loves the color contrast.

Look for more color in the fall collection, though jeweled tones, including “a

gorgeous magenta” and lots of feathers, she says. But don’t be surprised to see some ivory-silver hues and even florals as well.

Adds Rose with another smile: “You’re going to see pieces you’ll want to be wearing.”

Day to night.

For more, visit lelarose.com and neimanmarcus.com. n

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RACKET SPORTS INJURY PREVENTION FOR WOMEN Tuesday, May 13, at 6:30 p.m. Orthopedic surgeon Katie Vadasdi, MD, sports medicine physician Gloria Cohan, MD of ONS and a physical therapist from the ONS Women’s Sports Medicine Center will talk about how

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UNCOVERING THE TRUTH ABOUT BACK PAIN: Separating fact from fiction about back pain and spinal disorders. Tuesday June 3, at 1:30 p.m. Neurosurgeon Scott Simon, MD of ONS and Greenwich Hospital will speak about the most common reasons for back pain as well as disorders of the spine. The talk will include the importance of proper diagnostics, how to know when back pain is serious or not, the latest treatment options, and expose the myth of “laser spine surgery.”

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wear

if the shoe fits...

‘Carrie’ introduces line to fans

By Heather Salerno

It could have been a scene straight out of “Sex and the City.” Sarah Jessica Parker was fluttering around a shoe store like a well-dressed butterfly, admiring emerald green peep-toes, cobalt slingbacks and fierce purple T-straps before moving on to gush over a pair of lipstick-red pumps.

As Carrie Bradshaw, Parker would have had boxes piled sky high at the register.

After all, the iconic character was so addicted to fabulous footwear that she once wryly remarked – after learning that she couldn’t afford a down payment on an apartment – that she might “literally be

Photographs courtesy of Nordstrom.

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the old woman who lived in her shoes.”

But on this recent day, the actress didn’t purchase a single stiletto. Instead, she’d taken on the reverse role of shop girl (albeit a glamorous one) for the debut of her namesake SJP Collection, created with Manolo Blahnik CEO George Malkemus. Now, fans can literally walk in Parker’s shoes, with 25 styles available exclusively at select Nordstrom locations and Nordstrom.com. (The line also features handbags and a double-breasted trench coat in two colors.)

Shoe prices range from $195 to just

under $500 – not exactly cheap chic, but far less expensive than Carrie’s beloved Manolos, Jimmy Choos and Christian Louboutins, some of which can cost more than $1,000. That’s something a gal like Aubrey Brooks welcomes. A sophomore at the Fashion Institute of Technology, the 20-year-old was in class last year when she learned that her idol was coming out with her own shoe line.

“I literally screamed,” she says. “I’ve been saving up ever since then and now I’m ready to shop.”

Since Nordstrom doesn’t yet have an outlet in Manhattan – it anchors one end of The Westchester in White Plains – a pop-up store on West Broadway in SoHo gave admirers the chance to meet Parker and check out her shoes over three days.

Brooks is one of dozens of devotees who showed up early the first morning, waiting for hours in the bitter cold for the makeshift shop to open. Nordstrom staffers are on hand, cheerfully serving hot coffee to the waiting throng, but they luckily don’t have to endure the arctic temperature for too long. In fact, the star arrives a halfhour earlier than expected.

Bundled in a floral-print coat, her ombre hair in soft waves, Parker’s appearance prompts the nearly all-female crowd to squeal with delight. “Thank you so much for coming,” she shouts. “I know it’s cold and we’re going to get you inside as soon as we can.”

True to her word, she steps back out within minutes to open the store’s doors, tied with a blush-colored grosgrain bow, a nod to the snippet of ribbon featured on each shoe (inspired by her favorite childhood hair accessory). As the first group of customers makes its way inside, Parker hugs each enthusiastically.

“She’s perfect,” raves one woman, on vacation from Norway. “So beautiful.”

Then Parker – shedding her coat to reveal a black-and-white lace mini-dress, accessorized with her line’s geranium-

colored “Anna” sandals (of course) – gives everyone their marching orders.

“Don’t get stuck on black,” she tells the crowd. “Try color.”

And there are plenty of hues on display, from mint and peach espadrilles to business-perfect heels in navy and nude neutrals. Throughout the morning, Parker signs shoe after shoe and poses for endless selfies – energetic and unfailingly polite, she does nothing but enhance her already nice-girl reputation.

No, SJP isn’t here simply to smile and wave from behind a velvet rope, as many celebrities do. She is hands-on with her fellow shoe aficionados, kneeling on the floor to help shoppers try on their favorites personally.

“Those look good,” she exclaims, as a patron smiles and twirls in front of a fulllength mirror. “God, I just love seeing them on people.”

Parker acts the part of stylist, too, suggesting that Samantha Matteoni pair a coral clutch with the teal pumps she is considering. She next clips a strap to the bag and transforms it into a crossbody, slipping it across her torso to demonstrate.

“The strap makes it more casual, right?”

Parker says. “And it’s roomy. You can fit a magazine in here, or a section of the newspaper.”

Matteoni, a fashion publicist from the Upper East Side who knows her way around a trend, likes Parker’s passion. She also loves the shoes, spending more than $700 for two pairs of sandals – the “Jill” in metallic pink and the multi-colored “Maud” (named after famed French designer Maud Frizon).

“I had to buy these since she put them on my feet,” Matteoni says, laughing.

But what really strikes Matteoni is the quality. “I wear my Jimmy Choos and Manolos every day,” she says, “and these are actually more comfortable.”

This collection isn’t Parker’s first retail venture. She created a low-budget apparel

line, Bitten, for the now-bankrupt Steve & Barry’s clothing chain. She had a shortlived stint as president of Halston Heritage after that, and she’s released several perfumes. Designing shoes seemed like an obvious step to many fashion observers, and Parker has said that she turned down offers over the years because they weren’t the right fit.

Finally, she called Malkemus to ask if he’d consider partnering with her.

“Come to my office tomorrow morning,” he said.

Malkemus, who is also at the store for the line’s launch, says he was impressed

by Parker’s dedication. She insisted upon well-made shoes from Italy in festive colors and classic styles, not to mention an affordable price point. That was important to the actress, whose family often struggled financially while she was growing up. (They moved from Cincinnati to Dobbs Ferry when she began booking theater jobs as a child.)

And Parker didn’t push the work onto others. Malkemus says that they would order chicken noodle soup, sit on the floor of his office and go over every detail – right down to what the shoes smelled like.

“She was involved with everything. Every color, every heel,” he says. “She is not a celebrity who just wanted to put her name on something.”

For Meredith Mensendiek, who is visiting New York City from St. Louis for her 29th birthday, Parker and her shoes live up to expectations. She appreciates Parker’s genuine interest in her fans, noting that the star told her she knew St. Louis well because a friend had gone to college there. And Mensendiek thinks the grosgrain ribbon detail on her newly purchased turquoise heels is a nice touch.

“Everybody can make a pump, but there’s that little bit of detail that makes these stand out,” she says. “You just know it’s SJP.” n

Bobbie Pump in Mint, $365.

Carrie Pump in Purple, $355.

Diana Pump in Black Patent, $365.

Maud Sandal in Metallic Multi, $375.

65

wear

Michael Kors. Photograph courtesy Michael Kors.

Oscar de la Renta for Linda Farrow.

Photograph courtesy Linda Farrow.

Tiffany & Co. Photograph courtesy Tiffany & Co.

Ray-Ban. Photograph courtesy Ray-Ban.

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Emporio Armani. Photograph courtesy Emporio Armani.

Burberry. Photograph courtesy Burberry.

Coach. Photograph courtesy Coach.

Prada. Photograph courtesy Prada.

Road shades The forefront of behind-the-wheel fashion

By Andrea Kennedy With windows down and wind in your hair, nothing complements a hot rod quite like a cool pair of shades. More than a sunny-day necessity, they have a way of drawing out our alter ego behind the wheel. Are you Susan Sarandon’s Louise with sassy cat eyes or a Peter Fonda’s Easy Rider in rebel-cool Ray-Bans? Whether you’re piloting a ’66 Thunderbird or a Harley chopper, specs speak to persona, attitude and taste.

An iconic ride calls for an iconic look and these shades have you covered from an Aston Martin to a Z8.

Ray-Bans, the name behind two of the topselling sunglasses of all time, have always been the darling of the crowd with a need for speed.

The brand has solidified both Wayfarers and Aviators as the choice of the cool kids from the Blues Brothers’ legendary black Wayfarers in the Bluesmobile to Maverick’s equally memorable Aviators in “Top Gun.” While the classics are

still timeless styles, today Ray-Ban forges ahead with novel materials like brown leather for the Wayfarers and vibrant colored lenses on the Aviators.

One of the perks of these two top sellers is that they work for guys and gals alike, but Ray-Ban also launched Justin and Erika for younger looks that are specialized for the sexes. Erika comes in fetching velvet while Justin styles may be made to order in complementing or contrasting colors to match your man’s desires. If he’s more of a traditionalist with an edge, Emporio Armani’s matte black shades with perforation detailing might do the trick when he’s hopping into his Lotus.

Back to your ride – Boxster? Or Maybach, maybe? If you just can’t help but flaunt some ’tude when you put pedal to the metal, test-run some subtle cat-eye styles. (Think glam, not Gram.) The Tiffany Hearts collection by Tiffany & Co. offers an airy pair in black on its

signature blue. Its mother-of-pearl accents may even match your interior. Coach also brings a rounded cat-eye to its thick-rimmed Lindsay style. Shown here in black on tortoise, it’s also offered in striking two tones such as purple on tortoise and beige on black.

Burberry has a sophisticated alternative to black with a tan ombre approach. Oversize frames evoke confidence and intriguing angles denote a penchant for high style. Oscar de la Renta’s design for sunglasses maven Linda Farrow stands out in bright white – a must-have cruising Miami’s Ocean Drive.

Thick rims are also in and more people than you think can pull them off. Classic Prada paints it black to resonate boldness, while Michael Kors offers a honey-colored tortoise frame to keep your look light and carefree – the perfect pairing for a vibrant scarf to wrangle your curls with the top down. n

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3/7/14 2:34 PM

Dita Von Teese in the lacy Marlene-style lingerie from her collection. Photograph by Penny Lane.

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where are they now?

Dita in Bloom(ingdale’s)

By Georgette Gouveia

Dita Von Teese – WAG’s February 2013 cover girl – has put the va in va-va-va voom with her shall-we-say historical yet modern approach to sex. So is it any surprise that she’s just launched her lingerie line in the U.S. at classic Bloomie’s?

“I am honored to have my lingerie debut in America at Bloomingdale’s, an iconic department store that represents style and sophistication,” says Dita, whose first job was in a lingerie store. “I’ve taken inspiration from my own vintage collection to capture the spirit of retro glamour, while being accessible and functional for moments of everyday beauty and luxury.”

Bloomie’s is just as tickled.

“It is part of the Bloomingdale’s DNA to merge pop culture with fashion, so we are excited to offer our loyal customers the first opportunity to shop Dita Von Teese’s

lingerie collection in the United States,” says Francine Klein, Bloomingdale’s executive vice president/GMM of intimate apparel, fashion accessories, cosmetics and fine jewelry. “Her collection of glamorous retro-inspired underpinning is sure to make all women feel like a Hollywood starlet on any given day.”

That collection includes the Parisienne style, with its flirty, corset-like evocation of the Belle Epoque; the leopard-print, scallop-edged Tulip, all animal magnetism; and the peekaboo Madam X that was featured at the Alexis Mabille show during Paris Fashion Week. Among Dita’s other styles are the Sheer Witchery, with its hourglass color-block silhouettes; the lacy Her Sexellency and Savoir Faire; and the needs-no-explanation Man Catcher.

They’re festooned with such goodies as

mini cameos, tassels, velvet bows, European florals and eyelash lace. Prices range from $25 to $55 for the panties and $65 to $100 for bras, topping at $400 for a full slip that doubles as a dress.

Since its 2012 global debut, Dita’s lingerie has made $10 million wholesale – the projection for the first full year of the U.S. launch. Dita herself was scheduled to get the party started by appearing at Bloomingdale’s 59th Street flagship in late March. The collection is also available at Bloomingdale’s SoHo and White Plains stores and those in Aventura, Fla., San Francisco and Los Angeles’ Century City, as well as at Bloomingdales.com.

What’s (naughty and) nice about the lingerie is that it offers something for what Jane Russell used to call “us full-figured gals.” That Dita, so thoughtful. n

“I’ve taken inspiration from my own vintage collection to capture the spirit of retro glamour, while being accessible and functional for moments of everyday beauty and luxury.”

— Dita von teese

Est. 1985

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69

© Marc Weinstein

Here’s to you Pete, for all you’ve done, it’s been good to know you.

Singing “THIS LAND IS YOUR LAND” with you and feeling it’s true.

You’ve proved that singing together could inspire us to make our world better.

With your leadership we’ve cleaned our river.

So why not name the new bridge that connects all of us and our river after you.

THANKS AGAIN, PETE.

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70

wanders

Audrey Topping Photograph by Kate Steichen.

71

The blue goddess riding the thunder dragon is a female protector of the “Snowy Lands” and a symbol of empowerment in Bhutan.

Bhutan – ‘land of the thunder dragon’ Story and photographs by Audrey Topping Different countries seek empowerment in different ways. The Himalayan kingdom of Bhutan – “Land of the Thunder Dragon” but also an insular world where the horse is still central to farming, travel, art and the soul of Buddhism – holds weeklong empowerment ceremonies, which are as popular as the Super Bowl is in the United States.

While skiing in Colorado in 2002, I was lucky to meet Kunzang Pema Namgyel, the High Lama or Tulku (meaning Living Buddha) of the Gangteng Monastery in Bhutan. He was supervising the construction of a Buddhist monastery in Crestone, Colo., and agreed to an interview.

I learned that the Gangteng (or Gangtey) Monastery was founded five centuries ago. It still sits close to the heavens amid the fabled Himalayan Mountains and is considered one of the holiest Buddhist sites in the world. The main temple houses some of the most sacred artwork in Bhutan, but is in urgent need of renovation. To initiate this, the Tulku planned to hold an empow72

erment ceremony and a Tshechu, a 10-day celebration of Lama Dances.

Bhutan – a country about the size of Switzerland with a population of some 2 million – is the last jewel in Buddhism’s Himalayan crown. For centuries Buddhism flourished in the verdant valleys of the Himalayas. One by one, all the other Buddhist kingdoms in this mystical cosmos, so close to nirvana, have been swallowed up by bigger powers. Earlier Buddhist civilizations stretching from Afghanistan to Mongolia and Turkestan were overtaken in the 10th century by Islam. Then in the 1950s, Tibet, Bhutan’s mentor, was claimed by the People’s Republic of China. In 1975, India absorbed Ladakh and Sikkim, leaving Bhutan sandwiched precariously between two populous giants, China and India.

Although it is a country without military might, Bhutan has managed to make peace with its powerful neighbors. The lamas and statesmen of Bhutan, like the Dalai Lama of Tibet, have excelled in the study of consciousness and developed a highly involved environmental ethic. This mystical kingdom is advocating cultural values that demand serious consideration

A black goat at lunch.

by the modern world that go far beyond romantic curiosity.

“What if anything can America learn from Bhutan?” I asked the High Lama.

“Militarily or economically, Bhutan has nothing to offer the United States, but in terms of realizing mental happiness and contentment Bhutan has much to offer,” he said. “Our traditions are about peace, contentment and harmony with each other and our protected environment. With the intense pace of modern existence, our way of life is a powerful example that Americans could utilize and learn from.”

The kingdom of Bhutan, like England, is a constitutional monarchy ruled by a parliamentary democracy. In 1907, the present king’s wise great-great-grandfather, Ugyen Wangchuck, (with the encouragement of the British colonial government in India) united the country and established a hereditary dynasty with himself as “The Dragon King.” Before that, Bhutan was a country of warring valleys with a 300-year-old dual system of secular leaders and Buddhist saints entwined in a history of magic and mystery. After the interview, the High Lama invited me to Bhutan to attend the empowerment ceremony as a guest at the monastery. I accepted with pleasure, but soon discovered, that Bhutan is not an easy place to get to.

In fact it is one of the world’s least accessible nations, one that even sophisticated travelers had never heard of, but then the Bhutanese had never heard of us, either. For centuries they remained isolated on their own “Roof of the World.” The country was not involved in the Industrial Age, the world wars, the sexual revolution,

the arms race or even, until recently, cyberspace.

In 1997, the fourth king of Bhutan, Jigme Singye Wangchuck, initiated a program called “Gross National Happiness.”

He declared that Bhutan’s main concerns are the preservation and promotion of its traditional culture, the care of the environment, good governance and economic development.

Looking forward to my empowerment in the Land of The Thunder Dragon, I flew to Bangkok where I met Kate Steichen, a friend and fellow photographer from Colorado. We boarded a small Druk airplane and headed north over the Himalayas toward Paro Valley. Circling over the only airport in Bhutan, we were terrified to see a narrow landing strip, squeezed hazardously between the rugged mountains peaks, but the stewardess told us not to worry because the plane had been blessed by lamas. I already felt empowered. We continued by bus to the capital city of Thimphu, a city in the process of modernization and the only city on earth where “dancing policemen” take the place of traffic lights.

Road-building didn’t begin until 1967.

Before that one traveled by foot or horseback. Bhutan is stunningly scenic, from the yak pastures along the Tibetan border through the flower-laden but treacherous mountain passes. But the eight-hour journey by bus from Thimphu to the Gangteng Monastery over the frightening Central Road is not for the faint of heart.

The road clings precariously to the steep gorges, averaging about 17 horseshoe turns per mile.

The Gangteng Monastary itself is

The High Lama of the Gangteng Monastery.

Audrey Topping and the Dalai Lama.

The tigress of the dakini, a female spirit.

perched on the rim of the picturesque Phobjika Valley. The next day I talked with the prime minister, who explained that the valley was in an environmental protection zone under a policy started by the king in 1974.

“After his coronation His Majesty King Wangchuck decreed that Bhutan should keep 60 percent of its forests. We believe that cutting a tree is taking a life. We want to tell the world that environmental protection is a wise policy. Bhutan said no to the oil companies. We want industries, but we will keep agriculture to 8 percent so as not to clear land. Demand on natural resources is going up. How to balance?

We must find the middle path. We are developing organic farming using little pesticide. We used to export paper to India for a good price, but in 1999 we banned paper export and decided to forgo revenue to save the trees.”

“Is Bhutan afraid of being taken over by the powerful countries on its borders?” I asked.

“We have overcome that. We are now an established sovereign independent country and a member of the United Nations so we have no fear of India or China.

We have diplomatic relations with 21 countries. Relations with India are excellent. We were completely isolated until the 1950s when we opened up and established schools, etc. India helped us. Most of our assistance came from India. We are grateful. Today relations have matured and we have a model relationship.”

What is Bhutan’s biggest problem?

“Our problem is not from without but from within. Bhutan fears the inevitable

encroachment of modernization. I believe the major challenge we face today is to balance modernization with the preservation of our values.”

Although Thimphu and other cities have (unreliable) electricity and Internet connections, no signs of modernity have yet penetrated the walls of the Ganteng Monastery. The sparsely populated vil-

ria. It is a wildlife preserve. We don’t want to string overhead lines that would interfere with their migration… we don’t have plans to bring electricity here until we can get underground cables. The cranes take priority.”

We were greeted at the monastery by the Tulku in a flowing saffron robe. He blessed us with white scarves and escorted us

Bhutan – a country about the size of Switzerland with a population of some 2 million – is the last jewel in Buddhism’s Himalayan crown. For centuries Buddhism flourished in the verdant valleys of the Himalayas. One by one, all the other Buddhist kingdoms in this mystical cosmos, so close to nirvana, have been swallowed up by bigger powers. lages in the lush Phobjikha Valley share communal cold-water taps and no telephones or electricity. But in spite of what Americans would consider primitive living conditions, the people appear vigorous and cheerful. Bhutan is in the process of establishing a new high-tech communications network, but the only satellite dish I saw was surrounded by prayer flags sending protective mantras on the winds. The only electricity in the valley comes from a solar generator in the apartment of the High Lama where I recharged my camera batteries. I asked him if the residents were planning to bring in electricity and got an answer unique to Bhutan.

“This valley is the winter residence of about 300 black-necked cranes from Sibe-

through a tunneled portal embossed with enormous murals of the “Twelve Protective Goddesses of the Snowy Mountains.”

The portal led to a flagstone courtyard where we witnessed a scene from medieval times. A dizzying feast of reds, yellows and oranges swirled before us. Saffron-robed musicians in spherical red brocade hats recreated discordant music with drums, cymbals and mournful horns. The sun reflected off the blue and golden brocades worn by thousands of devotees in the audience, dressed in their national costumes.

Some had trekked for miles or ridden in horse or tractor carts filled with children and escorted by barking dogs.

Dancing lamas in animal masks leapt and twirled like whirling dervishes in volu-

minous yellow and blue skirts performing the dramatic “Dance of the Four Stags.”

The dance shows how Guru Rinpoche subdued the God of the Wind and rode off on his stag. It was the first of 12 episodic dance-dramas called Cham to honor Guru Rinpoche – an Indian mystic, Padmasambhava, whom the Bhutanese believe is the embodiment of the historic Buddha Shakyamuni. The dances haven’t changed since they were choreographed 500 years ago. The Tshechu has a dual purpose: The lama dancers make offerings to the Buddha and deities, while the audience receives blessings and empowerment from the dharma, the Buddhist teachings.

Guru Rinpoche is credited with establishing Buddhism in the entire Himalayan region. According to Bhutanese mythology, in the 8th century, the guru flew into Bhutan from Tibet via the kingdom of Swat on the back of a dakini, a kind of female spirit, who took the form of a ferocious tigress, bringing Buddhism to Bhutan. (And if you can’t believe that, don’t go to Bhutan).

The festival climaxes with the empowerment ceremony, which would be a sensation at Super Bowl halftime. The High Lama (Tulku) officiates while other lamas wearing masks to incarnate wrathful and compassionate deities burn fragrant jasmine and monks in swirling yellow and blue skirts dance among the rows and rows of people seated in the lotus position, surrounded by laughing children and dogs. An occasional black goat wandered around gobbling leftover lunches. By the time the sun set into a blazing orange sky, everyone, including me, felt empowered with happiness. n 73

wonderful dining

“Iron Horse� by Judith Economos and Jerome Harris Parmet.

74

NewPleasantville reineateryfor Iron Horse keeps consistency, adds character Story and photographs by Andrea Kennedy Converted from the former Pleasantville train station, the Iron Horse Grill is a relaxed, refined charmer providing steady calm amidst the hum of active train tracks and theater of daily commuters. After its recent ownership change, loyal locals will note distinct new impressions but also reliable mainstays that poise Iron Horse to carry on its legacy as sure as the Metro-North rolls by below.

“My wife Cathy and I owned the Iron Horse from its inception,” says former owner and chef Philip McGrath. “For 15 years, we were fortunate enough to have a great run blessed with wonderful customers and a great staff. Now Andrew and his team will have the Tuna tartare opportunity to make their mark on the Westchester dining scene.”

Andrew, better known as Yonkers businessman and financier Andrew Economos, purchased the restaurant from McGrath in November and is no stranger to equine-themed restaurants.

“I had already been partnering with Rafael Palomino of Sonora in the new Larchmont restaurant Palomino, and really enjoyed designing and planning and testing and tasting there,” says Economos. “Based on that experience, the chance to do Iron Horse was just too tempting to pass up.”

Economos also partnered with McGrath at Pony Veal chop Express plus their newer spot, Seahorse – both adjacent to Iron Horse – and worked with him for several weeks to ensure a seamless succession.

“We have been very happy to have a big legacy of customers from Pleasantville who are positive about how things are going,” David Barrera says.

Barrera’s one of the new installments at Iron Horse – a Manhattan transplant who operates front of house and warmly engages each guest with his spirited trademark greeting, “Please, welcome.”

“We are lucky to get David as our manager and maître d’,” Economos says. “He worked for 18 years at Vivolo and he was my favorite maître d’ in Manhat- Pecan pie tan. He is smart, competent and one of the friendliest steak to be rarer and appreciated that it arrived with a people I know.”

When you meet Barrera, you understand the endorse- cooler red center. Meats were simple yet sublime and my ment isn’t inflated. On our visit, each party received side of crispy salted Brussels sprouts was inspired.

The right side of the menu indicates where Iron Horse thoughtful tableside attentiveness as efforts to develop his own lasting patron relationships were well under way. is making culinary headway courtesy of its new owner.

And familiar faces haven’t gone anywhere since Economos Economos’ concept, Crossroads of America, introduces and Barrera retained the previous staff. Regulars can still menu offerings reflecting regional American dining. anticipate top-notch treatment from servers like longtime “For about 30 years, I ran my own company and that staffer Pat Alexander and expect consistent quality from involved a lot of travel, foreign and domestic,” he says.

Executive Chef Matt Ventura.

“Part of the pleasure of all this travel was discovering reSimilarly, the daily menu also maintains past favorites gional cuisines. When I acquired a retired train station that are printed on the left side. We savored our starter, – including the interesting building itself – the idea of a packed stack of creamy tuna tartare, and finished with virtual train travel to different regions was a natural.”

Our trip to Iron Horse included a pit stop in Boston another favorite, the sweet, salty and also artfully stacked toasted pecan pie with butterscotch ice cream. Between for a lobster BLT salad as well as a tart blueberry lemonthe two superb selections, we feasted on meat. My toma- ade that hit a home run worthy of Red Sox MVP Dahawk cut veal chop medium-rare caused pause to relish vid Ortiz. San Antonio is slated to be the next stop and each juicy bite. (And with the generous cut, there were New Orleans already whizzed by. You can still get a taste many, many bites.) My husband asked for his sirloin strip of Napa, whose offerings were so popular that a couple

of them stuck around the daily menu. Try the Aqua Pazza, or “crazy water,” which Economos describes as “red snapper in a wonderful sauce full of clams and mussels,” and panna cotta that’s “dished in a gorgeous purple blueberry-wine reduction.”

Think of the Crossroads menu as long-lived themed specials based on seasonally available ingredients and collaborative input. Economos explains how Iron Horse has assumed an all-hands-on-deck approach to conceptualizing dishes.

“David, the executive chef and I plan the menus, with, of course, the help and cooperation of the experienced Iron Horse staff,” he says. “I find appropriate recipes and David has good recipes of his own. The kitchen (staffers) have their ideas of what will work and what they would like to do, and Pat, our most experienced server, has excellent suggestions for what she thinks customers would like.”

Capitalizing on their collective strengths looks to be a driving force for the Iron Horse of the future, as does preserving its character of the past. And the name Economos has lent a wealth of character – the artful kind – long before Andrew Economos assumed ownership.

Judith Economos, Andrew’s wife and celebrated artist, created the restaurant’s paintings of platform scenes that feature the Iron Horse in the more literary sense.

Depicting earlier days of the locomotive, her works evoke a nostalgia that’s fortified by the Doppler hum of a passing train.

“I sought out photographs, because actual vintage trains are pretty hard to come by,” she says. “The train platform scene is taken directly from a photograph hanging right in the restaurant.”

While Judith is well-known for her sensuous nudes, perhaps her most popular subject is the horse – a sweet insight into her husband’s selection of restaurant investment – and she collaborated with sculptor Jerome Harris Parmet to create the magnificent “Iron Horse” on the wall of the private dining alcove. From the literary to the literal sense, this horse of metal appears to gallop toward a sunlit window.

“For some reason I’ve always been able to draw horses without looking as well as humans and cats,” says Judith, who also painted the palominos at Palomino. “My house has many horses, among other subjects. I love beauty, and I love anatomy, and I love the grace of dancers.”

This spring, guests can look forward to more opportunities to dine amid Judith’s art. In addition to serving dinner Tuesdays through Saturdays, Iron Horse was slated to add Sunday brunch and supper beginning March 30 and plans additional seatings when the time is right.

“We will extend our hours… depending on finding and training good cooks and wait staff,” says Andrew Economos. “I won’t settle for reduced quality.”

Iron Horse Grill is at 20 Wheeler Ave. in Pleasantville. For reservations, call (914) 741-0717. n 75

wine

& dine

Ready to gallop A new wine label is inspired by horses Story and photograph by Doug Paulding Andrew and Kathleen Tow have a passion for wine and a passion for horses.

“My wife loves, loves, loves, loves horses,” Andrew says. She and their two daughters – the couple also has a son – ride many times a week, and Kathleen has done quite well in local and regional dressage competitions.

So it was not surprising that they would draw on equine inspiration for their label, The Withers. It’s named for the highest point on a horse where height is measured.

“We aspire to the heights of winemaking,” Andrew says. “We know who we are. We know what we can do. I believe there is nothing near us at this price point ($20-$42).” Except for The Withers Rosé, known simply as Rosé, all their wines are named after horses they have owned.

I tasted a few of The Withers’ first available commercial bottles with Andrew in his Pound Ridge home. All these wines were elegant, with structure and concentrated flavor. From first sip to last taste, they all held up well in the glass. All of the fruit used in Rhône varietals and the Rosé are sourced in the cooler climate Sierra foothills. Grapes from cooler climate areas don’t attain the high sugar levels of warmer areas.

This makes for a lower alcohol, foodfriendly wine.

We first tasted recently bottled 2013 Rosé, made of 56 percent Mourvèdre and 44 percent Grenache. Lightly and attractively peach-colored, it had lovely floral quality with light citrus and distant strawberry flavors, balanced with a fresh and lively acidity. At $20 retail, this wine is a treat. Our next three wines were red Rhône varietals also sourced in the Sierra foothills, the first being 2010 Bel Canto. This wine consisted of 52 percent Grenache, 42 percent Mourvèdre and 6 percent Syrah and retails for $34. It showed great fruit, ripe raspberry with a lovely spiciness and finely ground white pepper all held together by a balanced acidity.

“We use neutral oak to age our wines.

Our fruit is top quality and we don’t manipulate the wines. Our fruit speaks 76

Andrew Tow with a portrait of Mr. Burgess, the horse that inspired a vintage.

for itself,” Andrew says.

Next we tasted the $34 Ruben. At 72 percent Mourvèdre and 28 percent Syrah, it showed dark fruit with a textural dustiness. We found dark cherry flavors with black pepper and a long satisfying finish. There is a lot going on in the glass. Then we tasted Mr. Burgess, named for the horse pictured on the label. It is made from 90 percent Syrah and 10 percent Mourvèdre and retails for $42. It showed beautiful, lush fruit, dark cherry and a big and balanced peppery component which supports structure, length and contemplation.

Andrew did not set out to be a commercial producer of wine. He grew up

in northern Westchester, finishing freshman year at Hamilton College in the bucolic and agricultural world of upstate New York. Feeling like he had not yet found his home, Andrew packed up and went west. He settled in Vail, Colo., where he skied and worked in the restaurant industry. There a lifelong passion was born.

Recognizing Andrew’s interest in wine, the owner of the restaurant invited him to take part in tastings with wine sales reps and producers. Andrew quickly became the restaurant’s wine guy. Fast forward through the decades: He settled back in the New York area with a successful career in the media

and telecommunications industry and a marriage of 26 years to Kathleen. A trip to California took their passion for wine to a new plateau as they sampled many vintages from around the state.

Then they met David Low, owner and winemaker of Anthill Farms Winery, which specializes in making wines from highly rated, cool climate Pinot Noir and Rhône varietal grapes, including Syrah, Mourvèdre and Grenache.

The Tows loved Low’s elegant and unusual wines and offered up a deal: “You teach us to make a couple of barrels of wine, and we will take you to Montana and teach you fly-fishing.” Low couldn’t resist and with no one knowing it, Andrew and Kathleen had entered the wine industry.

The couple picked the grapes, brought them to the winery, assisted with the crush and learned about fermentation, racking, oak-barrel aging and bottling.

Tasting the wine through the various steps, they were convinced they were creating a food-friendly wine they and their friends could enjoy. They opened labelless bottles at their house for friends and offered tastes to sommeliers in local restaurants. Everyone agreed this wine was delicious and unusual by California standards, and some restaurants and wine store owners told them they could easily sell this wine. The passion grew.

Today, The Withers’ wines are distributed by Michael Skurnik Wines in the tristate area. They can be found at Zachy’s in Scarsdale and The Wine Connection in Pound Ridge, among other places. Or you can order them online at thewithers.com.

These wines are brand-new in the marketplace and should age beautifully. Production is small and any winery growth is expected to be meticulous and slow, with Andrew always insisting on quality over quantity.

“We always want to make great value wines. We want our wines to be foodfriendly, not overwhelming or underwhelming the food. And we always want to over-deliver.”

Get them while you can.

Write me at Doug@dougpaulding. com. n

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w’reel deal

Why Ryan Gosling can drive us anywhere

By Sam Barron

“If I drive for you, you get your money. You tell me where we start, where we’re going, where we’re going afterwards.

I give you five minutes when we get there. Anything happens in that five minutes and I’m yours. No matter what.

Anything a minute on either side of that and you’re on your own. I don’t sit in while you’re running it down. I don’t carry a gun. I drive.”

– Ryan Gosling as “Driver” in “Drive” Did anyone have a better 2011 than Ryan Gosling?

(Yes. Novak Djokovic: Smarty-pants Editor’s note.)

He, Gosling, was in three movies in 2011 –“Ides of March,” “Crazy, Stupid, Love.” and “Drive.” “Drive” was his worst film of 2011, but I still ranked it 12th for the year. That’s insane. One day, I will get stat-heads to analyze the probability of this, but they probably have more important things to do at the moment.

If you want to have your mind blown, December 2010 saw the release of “Blue Valentine,” a devastating romantic drama starring Gosling and Michelle Williams. “Blue Valentine” became the first movie to be awarded an NC-17 simply for having an uncomfortable sex scene. (It was rescinded on appeal.)

Even more amazing was the fact that the three films were radically different. “Crazy, Stupid, Love.” was a romantic comedy-drama in which Gosling and Emma Stone – who also sizzled in 2011; yes, I said someone sizzled. I write for a woman’s magazine – made sweet beautiful love. “Ides of March” was a political drama geared to people who spend their Saturdays reading the “Meet the Press” Flipboard. (Not that I’m referring to myself, of course.)

And then there’s “Drive.”

“Drive” was an interesting case when it was released in September. It was marketed as a straightforward action thriller in which, presumably, Gosling drives a car and kicks some ass. Reviews were incredibly positive, but a lot of them pointed out the trailers and ads were misleading. I had seen Nicolas Winding Refn’s previous film, “Valhalla Rising,” and didn’t care too much for it.

I ended up needing to see “Drive” twice. The first time I saw it, I liked it, but I wasn’t expecting what I got. It’s a cerebral, down-and-dirty, pulpy little flick that has amazing performances mixed in with a terrific score and some of the most graphic violence seen on film. Do you realize that “Blue Valentine” got an NC-17 for uncomfortable sex, while “Drive” got an R and a woman has her head blown off? Never change, MPAA. Also, better-late-than-never spoiler alert: You might not want to read this if you have never seen “Drive.”

The second time I saw “Drive,” I got it and I was hooked from the first scene in which the Driver helps two people get away and avoid detection by zipping 78

Ryan Gosling in “Drive.” Photograph courtesy Film District.

through Los Angeles while listening to a police scanner and a Clippers-Celtics game. Gosling doesn’t say a word the entire sequence, letting his eyes do the talking. If I knew anything about Los Angeles, I would call this sequence almost a love letter to the City of Angels.

As the criminals look at each other with nervous glances, Gosling’s eyes get bigger when he overhears the cops have discovered his vehicle, and he immediately puts his foot on the pedal. He manages to avoid detection by pulling onto a side street and then the scanner notes that the police have moved on to a gang shooting. It is Los Angeles, after all.

Gosling continues his drive around LA. At a light, he faces off with a police car. At this point, the tension is unbearable. The cop’s sirens go off and the chase is on. Gosling manages to evade capture as the end of the Clippers-Celtics game plays out on the radio. He heads downtown into a crowded Staples Center parking garage, gets out of the car, puts on a hat and walks out of the garage, right by the police car that tried to pull him over. The Driver lives to see another day in which he also works as a mechanic and stunt driver with Bryan Cranston.

“Drive” is a twisted story. The Driver meets Irene, played by Carey Mulligan. She has never been in a movie in which I haven’t fallen in love with her and “Drive” is no exception. In “Drive,” the Driver joins me in the Carey Mulligan Fan Club.

Trying to protect her ex-husband (Oscar Isaac, Mulligan’s “Inside Llewyn Davis” co-star – what a cast), Gosling runs afoul of some very bad people (including Albert Brooks), which leads to some of the most beautifully filmed brutal fight scenes.

The Driver and Irene get in an elevator to get out of town, riding with another man. As everyone rides down in silence, the Driver and the man stare at each other warily. The Driver notices the man has a gun and realizes he’s a hit man sent to kill him. Game on.

The Driver puts Irene behind him and suddenly the lights dim and they share a passionate kiss. As their eyes lock, the Driver springs into action against the hit man. The Driver slams the hit man’s head into the wall, throws him to the ground and then proceeds to kick the hit man in the face to death, all in front of Irene. That’s one way to make an impression.

As the Driver turns around, he sees a horrified Irene moving away from him as the elevator door closes, in effect on their relationship. Like the car chase scene, the elevator scene has zero dialogue and Gosling acts with his face and eyes. It’s an incredible performance in an incredible movie.

Though the Academy mostly ignored it, “Drive” still was a film that was deservedly recognized, including Refn winning Best Director at Cannes and Gosling winning and being nominated for numerous awards.

I think it’s a film that will endure and will be screened, debated and discussed for a long time. n

chic choices Gifts and new products ideal for any occasion compiled by mary shustack

Snack time Be honest. Who’s going to turn down a cookie, especially when it’s still an hour before quitting time and you’ve got a craving that just won’t stop? No need to grab the nearest white-sugar, white-flour treat, gobble it up and then feel the crash, though. Instead opt for The 4:00 Cookie, and any feelings of guilt will be gone. It’s all thanks to Debra Holstein, a veteran product consultant who not only created this groundbreaking cookie but sent the WAG staff a box to sample. Made in Westchester with wholesome ingredients (slowabsorbing whole grains and low-glycemic coconut flower sugar, along with nuts, fruits and dark chocolate), this cookie is now found in more than 30 regional stores and a signature retail space in Rye. Our delivery had the WAG staffers scrambling over flavors, including wild blueberry almond, fig, dark chocolate and coconut, cherry, dark chocolate and hazelnut and cranberry trail mix. With the product line now also including gluten-free cookies, homemade granola and 8:00 muffins, Holstein has your healthy snacking needs covered no matter what time the clock says. The cookies are $3 each in stores; in packages of six for $15 online.

For more, visit 4oclockcookie.com.

Photographs courtesy The 4:00 Cookie Company.

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chic choices A hint of the tropics The latest maceration from Belvedere, the super premium vodka company known for its award-winning flavored vodkas, was introduced with fanfare at the South Beach Wine & Food Festival in Miami back in February.

This month, Belvedere Mango Passion gets its national launch. Created with all-natural ingredients and real fruit – no sugar added – the flavor is light and refreshing. The company has designed quite a few cocktail recipes incorporating Mango Passion, but you know, we added a splash of ginger ale to ours – making the simplest of sips, one we hope to enjoy more often as the warm weather takes hold.

Sold in 750ml and 1 liter bottles, starting at $34.99.

For more, visit belvedere-vodka.com.

Photograph by Bob Rozycki.

Ice ice baby

Photograph by Bob Rozycki.

Tired of diet cola? There’s an alternative you might want to check out. Sparkling ICE is its name and having zero calories is a major selling point. That and the bonanza of flavor options, of course. And we’re not talking two or three basics. There are 11, including black raspberry, orange mango, pink grapefruit, crisp apple and new for this year, cherry limeade and strawberry watermelon. Not enough? Sparkling ICE lemonades, in six flavors, include the newest selections, peach lemonade and mango lemonade. All are created with naturally flavored mountain spring water, fruit juice, vitamins and antioxidants in a lightly carbonated blend. Find the trademark tall-and-thin bottles at retailers for $1.19 to $1.29.

For more, visit sparklingice.com.

Literary companions Out of Print Clothing is a company that offers apparel and gifts inspired by literary classics. And these are some of the most original designs we’ve seen in awhile. Whether your family or friends are fans of “The Great Gatsby” or “Wuthering Heights,” “Moby Dick” or “On the Road,” there is a gift designed to celebrate their literary bent. Yes, you can buy your hopeless romantic of a sister a “Pride and Prejudice” T-shirt ($28) or your trendy teen an iPhone case ($25) depicting “A Clockwork Orange.” Think of how delighted a new mom would be with a “Le Petit Prince” or “Goodnight Moon” onesie ($22 each). There are “Alice in Wonderland” totes ($18), pouches ($12) and gold-plated necklaces ($32), as well. Rounding things out are notebooks and cards, coasters and matches and yes, even hardcover books. And feel good about your shopping since for every purchase, Out of Print donates a book to an African community in need.

For more, visit outofprintclothing.com.

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Photograph courtesy Out of Print Clothing.

Photograph by Bob Rozycki.

A fine (Midnight) Romance This month, Ralph Lauren unveils the latest variation on his Romance fragrance theme.

It’s Midnight Romance – the sophisticated older sister of the fragrance that made its bow in 1998. (If Romance is love in the afternoon, think of Midnight Romance as steamy nights under the stars.) The fragrance’s powdery, floral effect is achieved by a heady blend of peony, jasmine sambac, freesia, black vanilla, ambrox and iris absolute, with top notes of raspberry, Italian bergamot and lychee. As you know, however, you buy perfume not just with your nose but with your eyes. The pale-pink scent comes in a classic square bottle with a black stopper and label and is accompanied by a Bruce Weber ad campaign that promises to be positively Brontësque. Now you know what to splash on when rendezvousing with your own Heathcliff or Rochester. Prices range from $23 for the 10ml rollerball to $94 for the 100ml eau de toilette.

For more, visit ralphlauren.com.

– Georgette Gouveia

Photograph courtesy L’Objet.

Objects of desire In 2004, Elad Yifrach launched L’Objet. And this month, the Sous Le Ciel collection will make its retail debut to celebrate the luxury tabletop and decorative accessories firm’s 10th anniversary. Yifrach, the founder and creative director who developed his eye as a Beverly Hills interior designer, curated the collection that draws inspiration from the Chinese Han dynasty. A nod to the venerable craftsmen and artistic advancements of the Eastern world, the collection integrates ancient shapes with contemporary design.

The Han dinnerware collection, in Limoges porcelain in white or hand-gilded 24-karat gold, adds a note of elegance to any table, while the Platinum Horse Napkin Jewel, pictured, ($175 for a set of four) is meticulously handcrafted and plated with 24-karat gold or platinum. Those with a love of all things equestrian will further delight in the Horse Place Card Holder ($225 for a set of six, with 25 place cards). These accents are layered in 24-karat gold or platinum and hand set with Swarovski crystals and semiprecious gemstones.

For more, visit l-objet.com.

Diamonds of a different sort

Photograph courtesy Selva.

With an Italian accent When you mention Italian style, perhaps thoughts turn to Alfa Romeo, Giorgio Armani or Sophia Loren. Add Selva to that list, if you haven’t already. The luxury furnishings company may be based in Bolzano, Italy, but its designs are exported to more than 50 countries, including many a tony hotel. And we can see why. The company, founded in 1968 by Peppi Selva, is today run by his son, Philipp. The family dedication to handcrafted quality remains, evidenced by modern designs rooted in traditional ideals. Catching our eye were a handful of pieces, including the elegant Astoria bed, pictured, ($17,567), the statement-making Waldorf table ($14,266), the chic Peggy chair ($3,059) and the dramatic Onda bed ($13,702). Find Selva at a select group of retailers, including Safavieh in Stamford and Manhattan.

For more, visit selva.com.

Alex Woo jewelry hits the proverbial home run when it comes to offering a decidedly feminine way to support your favorite New York baseball team. Anyone who wants to know your allegiance needs only to glance at your neckline. The “Little MLB New York Yankees” charm in 14-karat white gold and diamonds nicely pairs up with a “Number 2” mini addition charm – hello, Derek Jeter – in 14-karat yellow gold. The price of this double play is $1,306. Those who spend their time at Citi Field will likely prefer the “Little MLB New York Mets” Photograph courtesy Alex Woo. charm in 14-karat yellow gold, which can be paired with the baseball mini addition charm in sterling silver, as pictured ($906). As you may know, Alex Woo designs are handmade in New York and available in solid sterling silver, 14-karat yellow gold and 14-karat white gold and diamonds. All pieces can be purchased at Desires by Mikolay in Chappaqua.

For more, visit desiresbymikolay.com.

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what’s new

Rob Butcher, executive director of U.S. Masters Swimming, doing the 100-meter breaststroke at the 2013 Marriott USMS Summer National Championship in Mission Viejo, Calif., Aug. 8, 2013. Phtotograph courtesy U.S. Masters Swimming.

Making waves That’s the goal of the new Adult Learn-to-Swim Month

By Georgette Gouveia It’s something of a paradox: The United States is to competitive swimming what the Netherlands is to speed skating – a juggernaut with gold-medal depth across myriad events. Yet once you get past the Michael Phelpses, Ryan Lochtes and Missy Franklins, a startling statistic emerges – 37 percent of adult Americans cannot swim the length of a 25-yard pool.

That statistic caught Rob Butcher short, which led him to start a campaign to have April proclaimed Adult Learn-to-Swim Month. Butcher is executive director of U.S. Masters Swimming, a 44-year-old nonprofit based in Sarasota, Fla., with 60,000 members age 18 and over. These are mainly fitness swimmers (average age 45) who work out at 1,500 affiliated clubs nationwide.

Members include sportswriter John Feinstein and TV journalist Lynn Sherr, author of “Swim: Why We Love the Water.”

Butcher – who competed in the 2000 U.S. Olympic team trials – wants to get those who remain resolutely poolside into the swim of things.

“And that’s why we launched the Swimming Saves Lives Foundation (in 2012) to generate awareness.”

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To date, the foundation has gotten five states – Indiana, Maine, Nebraska, Vermont and Washington – to declare April as Adult Learn-to-Swim Month. More proclamations are pending. Those proclamations help draw attention to some alarming statistics: • Drowning is the fifth leading cause of unintentional injury death in the U.S. • Ten people drown every day – eight of them adults.

• Nearly 80 percent of people who die from drowning are male. The drowning death rate among males (2.07 per 100,000 population) is approximately four times that for females (0.54).

• Each year nearly 4,000 people are victims of fatal drowning and more than 5,500 are treated in U.S. hospital emergency departments for nonfatal drowning.

• More than half of fatal and nonfatal drownings among those 15 years and older occur in natural water settings – including lakes, rivers and oceans.

• The percentage of drownings in natural water settings increases with age.

Yet why should this be when swimming is the fourth most popular sport or activity in the U.S.?

Butcher says our culture has a lot to do with it. Swimming is not widely taught in grade school – a time when it’s a lot easier to learn how to swim. A busy but sedentary lifestyle, parents who have no time to swim or never learned and lack of access to a pool and instructor, which is the best way to learn, compound the problem.

There’s also little tradition of swimming among some minority groups, which may be partly the result of little access to pools and swimming lessons. (The drowning death rate for African-Americans is 9 percent higher than that of the overall population.)

To counteract a lack of resources, the Swimming Saves Lives Foundation has awarded more than $70,000 in grants to 40 program partners for adult learn-to-swim classes.

Fear, of course, is another factor. U.S. Masters Swimming works with Miracle Swimming, another Sarasota organization, to help aquaphobes learn to swim and be “watersafe,” which Miracle Swimming defines as resting peacefully in deep water for 10 minutes.

Butcher estimates that with these efforts, 5,000 adults will learn to swim each year. As far as he’s concerned, that’s 5,000

lives saved.

“Our end goal,” he adds “is that once you learn how to swim, hopefully you’ll be able to continue to swim.”

For more on U.S. Masters Swimming, visit usms.org. And for more on Miracle Swimming, visit conquerfear.com. n Among the U.S. Masters Swimming affiliates in the region are: Badger Masters in Mamaroneck, Condors Masters Swimming in New City, Connecticut Masters in Westport, Chelsea Piers Connecticut in Stamford, the Hopkins Masters Swim Team in Milford, Push Hard Multisport in Pleasantville, Shoreline Elite Aquatics in Bridgeport, Westchester Masters in Bedford Hills, Zeus Swimming in Norwalk and Greenwich’s New York Athletic Club, Tribeach and the YMCA Marlins Masters. Along with the other clubs in the New York metro area, they make up 12 percent of U.S. Masters Swimming’s membership.

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when

& where THROUGH APRIL 5

“Metropolitan Opera Live in HD: Puccini’s ‘La Bohème’” – Puccini’s moving story of young love is the most-performed opera in Met history—and with good reason. Oh, Mimi and Rodolfo! 5 p.m., Ridgefield Playhouse, 80 E. Ridge Road; (203) 438-6517, ridgefieldplayhouse.org (or visit metoperafamily. org for additional venues and tickets.)

Lemurs Lecture — Dr. Patricia Wright, the biologist featured in the new IMAX movie “Island of Lemurs: Madagascar,” will talk about her work with these endangered primates. 7:30 p.m., The Maritime Aquarium at Norwalk, 10 N. Water St.; (203) 852-0700, maritimemuseum. org.

THROUGH APRIL 14TH

MONDAY, APRIL 7

FRIDAY, APRIL 18

“Side by Side by Sondheim,” featuring Broadway actors Molly Renfroe Katz and Denise Summerford. 8 p.m. Thursday, Friday and Saturday and 2 p.m. Sunday, Half Moon Theatre, 2515 South Road, Oakwood Commons, Poughkeepsie; (845) 235-9885, halfmoontheatre.org.

“New York Modernism: Eight Artists of the 1960s,” featuring pieces by artists who exhibited in New York City during the height of the modern art movement – Gershon Benjamin, Cleve Gray, George McNeil, Ruben Nakain, Stephen Pace, Idelle Weber, Richard Anuszkiewicz and Darby Bannard. Cavalier Galleries, 405 Greenwich Ave., Greenwich; (203) 869-3664, cavaliergalleries.com.

THROUGH APRIL 27

Three new exhibitions at Gallery 66 – “The Picturesque, The Pastoral, and the Sublime” by award-winning painter Tarryl Gabel and photographer Gregory Martin, who interpret emotions through the depiction of landscapes; “Frolic,” which features the wire and anagama fired clay animated animals of Judith Kepner Rose and Deborah Lecce; and “Sculpture in the Garden,” which opens with metal and stone sculpture works by Eric David Laxman. Gallery 66, 66 Main St., Cold Spring; (845) 809-5838, gallery66ny.com.

THROUGH APRIL 29

“Focus on Children” — A photography exposition with proceeds benefitting the Hispanic Resource Center. Reception: 2 p.m. April 6.

Ossining Public Library, 53 Croton Ave. (Route 133); (914) 941-2416, ossininglibrary.org.

TUESDAY, APRIL 1

On this April Fool’s Day take Abraham Lincoln’s words of advice: “Better to remain silent and be thought a fool than to speak out and remove all doubt.”

THURSDAY, APRIL 3

Jim Belushi and the Chicago Board of Comedy – With more than 30 years of experience, this alumnus of “Saturday Night Live” and Chicago’s famed “Second City” brings to the stage a brand of comedy that showcases members of the Chicago Board of Improv. 8 p.m., Ridgefield Playhouse, 80 E. Ridge Road; (203) 438-5795, ridgefieldplayhouse.org.

FRIDAY, APRIL 4

On this day in 1968 in Memphis, an assassin took the life but not the dream of the Rev. Dr. Martin Luther King Jr. ArtsWestchester’s Arts Award Luncheon honors organizations and individuals whose vision, commitment and leadership enrich the arts in Westchester. Wear a hat in the spirit of “HATtitude” (ArtsWestchester’s current exhibition), 11:00 a.m., Westchester Marriott, 670 White Plains Road, Tarrytown; (914) 4284220 Ext. 328, artsw.org/artsaward.

SATURDAY, APRIL 5

“Paris Combo” — This fascinating quintet from Paris brings back a cabaret-style sound reminiscent of the City of Light in the late ’30s.

8 p.m., Emelin Theatre, 153 Library Lane, Mamaroneck; (914) 698-0098, emelin.org.

The Cos Cob Fire Police Patrol will honor State Representative Fred Camillo at its inaugural fundraiser with dinner, dancing and live and silent auctions. 7 p.m., Greenwich Country Day School, 401 Old Church Road. Contact Sebastian Dostmann at (203) 550-4415 or Events@ccfpp.org.

SUNDAY, APRIL 6

Three-time Grammy Award-winning mezzosoprano Michelle DeYoung performs with the Westchester Philharmonic under the baton of Conductor Kwamé Ryan, 3 p.m., The Performing Arts Center, Purchase College, 735 Anderson Hill Road, Purchase; (914) 682-3707, westchesterphil.org

On this day in 1949 Rogers & Hammerstein’s “South Pacific” debuts on Broadway, and a year of enchanted evenings later, it won the Pulitzer Prize.

TUESDAY, APRIL 8

Pat Benatar — Her mainstream pop/rock style made her an instant icon of the early ’80s.

Accompanied by her guitarist-husband Neil Giraldo, she belts out her Top-40 hits, including “Heartbreaker,” “Hit Me With Your Best Shot” and “Love Is a Battlefield.” 8 p.m. Tarrytown Music Hall, 13 Main St., Tarrytown; (914) 6313390, tarrytownmusichall.org.

WEDNESDAY, APRIL 9

James Van Praagh – The original “Ghost Whisperer,” this psychic-medium bridges the gap between the world of the living and the dead. A book signing will follow the performance. 8 p.m.

Ridgefield Playhouse, 80 E. Ridge Road; (203) 438-6517, ridgefieldplayhouse.org.

THURSDAY, APRIL 10

Dwight “Doc” Gooden — Known for his triumphs on the baseball field and his excesses off, Gooden shares the most intimate moments of his successes and failures with fresh and sober eyes. 7:30pm, Ridgefield Playhouse, 80 E. Ridge Road; (203) 438-6517, ridgefieldplayhouse.org.

FRIDAY, APRIL 11

Photojournalist Enid Alvarez of the New York Daily News will address the Westchester Photographic Society. 8 p.m., Tech Bldg @ Westchester Community College, 75 Grasslands Road, Valhalla; (914) 827-5353, wpsphoto.org.

SATURDAY, APRIL 12

Charles Grodin – A comedic journey through showbiz with the actor, comedian, author and former talk show host. Grodin will share tales from his 50 years in the entertainment industry and his life in Hollywood. 7:30 p.m., Ridgefield Playhouse, 80 E. Ridge Road; (203) 438-6517, ridgefieldplayhouse.org.

The Oriental Brush Artists Guild (OBAG) showcases “The Art of the Chinese Brush Stroke” at its “Spring Brush Painting Show.” 1 p.m. opening reception, with demonstration and refreshments. Hammond Museum & Japanese Stroll Garden, 28 Deveau Road, North Salem; (914) 669-5033, orientalbrushartistsguild.org.

SUNDAY, APRIL 13

Spring Celebration and Egg Hunt — Celebrate the emergence of spring at the Greenburgh Nature Center. Visit the barnyard, join a naturalist to discover signs of spring throughout the property, make seasonal crafts, play games and search for eggs in a nature-inspired egg hunt. 11 a.m., 99 Dromore Road, Scarsdale; (914) 723-3470, greenburghnaturecenter.org.

MONDAY, APRIL 14

THURSDAY, APRIL 17

B.B. King - At the age of 88, B.B. King remains a legendary guitarist and the reigning “King of the Blues.” 7 p.m., the Klein Auditorium, 910 Fairfield Ave., Bridgeport; (203) 259-1036, fairfieldtheatre.org.

SATURDAY, APRIL 19

“I’m mad as hell and I’m not going to take it anymore.” – The FTMA (Film and Television Masters Program at Sacred Heart University) presents its Talk Back Series with a screening of “Network,” starring Peter Finch and Robert Duvall. A moderated panel following the film will discuss the iconic 1976 movie about an aging television anchorman about to be put out to pasture. 1 p.m., Avon Theatre Film Centre, 272 Bedford St., Stamford; (203) 967-3660, avontheatre.org.

SUNDAY, APRIL 20

It’s Easter Sunday. Did you know each year Americans consume 90 million chocolate Easter bunnies, 16 billion jelly beans, 700 million marshmallow Peeps... and 60 million rolls of Tums?

Grammy-winning Indigo Girls, Amy Ray and Emily Saliers, have been on the road ever since their 1989 breakthrough album that produced their biggest hit “Closer To Fine.” The duo’s constant touring and staunch dedication to a number of social and environmental causes have earned them a devoted following over the years.

8 p.m., Tarrytown Music Hall, 13 Main St., Tarrytown; (914) 631-3390, tarrytownmusichall. org.

MONDAY, APRIL 21

Rome wasn’t built in a day... but thanks to the sibling rivalry of Romulus and Remus it is founded on this day in 753 B.C.

TUESDAY, APRIL 22

The first Earth Day is celebrated on this day in 1970. Go hug a tree.

WEDNESDAY, APRIL 23

“To be or not to be” - on this day in 1616 “The Bard” William Shakespeare is born.

Also it’s Administrative Professionals Day, formerly known politically incorrectly as Secretaries’ Day.

THURSDAY, APRIL 24

Jane Fonda’s first workout video released on this day in 1982. (See our story on her visit to Greenwich on page 58).

Absolut Cuba! – An exhibition featuring works by emerging and established Cuban artists from the private collection of Greenwich resident Steven Certilman. The Carriage Barn Arts Center@Waveny Park, 681 South Ave. (Route 124), New Canaan; (203) 972-1895, carriagebarn.org.

“The Cast of BEATLEMANIA” — All the magic of The Fab Four returns live as former members of the Broadway production faithfully recreate the sights and sounds of The Beatles. 8 p.m., Westchester Broadway Theatre, 1 Broadway Plaza, Elmsford; (914) 592-2222, broadwaytheatre.com.

Habitat for Humanity celebrates its 25th anniversary with “Spring Into Action: the Next 25 Years.” The gala will include a cocktail hour, formal dinner, silent auction and live entertainment. Greentree Country Club, 538 Davenport Ave., New Rochelle; (914) 4034821, habitatwc.org.

This year, April 14 also marks the first night of Passover.

Diamond Anniversary Gala – Family Services of Westchester (FSW) will celebrate 60 years of making a difference in Westchester County with this event. 6 p.m., VIP County Club, 600 Davenport Ave., New Rochelle, (914) 305-6876 or email mgordineer@fsw.org.

TUESDAY, APRIL 15

Tax Day. Don’t even think of going out. Stay home and file your taxes by midnight tonight.

Oasis of Hope Dinner and Silent Auction – The Grace Church Community Center celebrates the 25th anniversary of the Open Arms Men’s Shelter with a fundraising dinner and silent auction. 6 p.m., Leewood Golf Club, 1 Leewood Drive, Eastchester; (914) 949-3098 ext.

9737, ChrisSchwartz@gccares.org.

Hope’s Door – Join Hope’s Door (H. O. P. E. - Hope Offers Possibilities Everyday) for a festive fundraiser and celebration to include a cocktail hour, live and silent auctions, dinner and dancing to the RSVP Band. 6 p.m., Tappan Hill Mansion, 81 Highland Ave, Tarrytown; (914) 747-0828, HopesDoorNY.org.

Join the United Way Sole Sisters of Greenwich for a morning of shopping for a good cause, a gourmet lunch and a speech by author, producer and arts and education advocate Susan FalesHill at their annual Spring Luncheon. 10 a.m., Greenwich Country Club, 19 Doubling Road; (203) 869-2221, unitedsolesisters.org.

FRIDAY, APRIL 25

Ginger Rogers, Oscar winner (“Kitty Foyle”) and dance partner of Fred Astaire, dies at the age of 83 on this day in 1995. Rogers was hailed for “doing everything he did backwards and in heels.”

Drew Carey – stand-up comic turned actor, star of the hit television shows “The Drew Carey Show” and “Whose Line Is It Anyway?” – brings his unique brand of improv to Westchester. 8 p.m., Tarrytown Music Hall, 13 Main St., Tarrytown; (914) 631-3390, tarrytownmusichall.org.

It’s also National Arbor Day. Go hug another tree.

FRIDAY, APRIL 25 through SUNDAY, APRIL 27

Best Friends Pet Adoption — Hundreds of dogs, cats, puppies, kittens and even rabbits will be available for adoption from local shelters and rescue groups. 11 a.m. to 7 p.m. Friday and Saturday, 11 a.m. to 4 p.m. Sunday, Westchester County Center, 198 Central Ave., White Plains; (914) 995-4050, countycenter.biz.

SATURDAY, APRIL 26

Rotary’s Rubber Ducky Derby Day – The YMCA Healthy Kid Day activities, from 11 a.m. to 3 p.m., also features live music, booths and refreshments with racing starting at noon.

Patriot’s Park, 121 N. Broadway, Tarrytown.

To adopt a rubber duck for the race, contact Mimi Godwin at (914) 631-0675. From $10. tarrytownrotary.org/RubberDuckyDerby2.

SUNDAY, APRIL 27

“Walk for Hope” — The Breast Cancer Alliance’s 9th annual event. $20; $10 for students; children under 7 and dogs are admitted free. Walk starts and ends at Richards of Greenwich, 359 Greenwich Ave., Greenwich; (203) 861-0014, info@breastcanceralliance.org.

APRIL 27 THROUGH AUGUST

“Here Come the Brides – Grace and Elegance 1855 to 1950” – A costume exhibit of wedding gowns showcasing exquisite fabrics and elaborate bridal designs through the decades. Noon to 5 p.m. Tuesdays through Thursdays and noon to 5 p.m. Sundays. The Darien Historical Society, 45 Old Kings Highway N.; (203) 655-9233, darienhistorical.org.

MONDAY, APRIL 28

REACH Prep luncheon celebrates its 20th Class of Scholars with special guest speaker Dr. Raja Flores. 11:30 a.m., Hyatt Regency, 1800 E. Putnam Ave., Old Greenwich; (203) 487-0750, reachprep.org.

TUESDAY, APRIL 29

Let the sunshine in. “Hair” premieres on Broadway on this day in 1968.

WEDNESDAY, APRIL 30

In 1997, 42 million viewers tune in on this day to watch Ellen DeGeneres come out in the first prime- time sitcom to feature a gay lead.

CHANTICLEER

EXPERIENCE SOMETHING REAL THIS SPRING

THE VERY HUNGRY CATERPILLAR

LEON BOTSTEIN, ASO

4.5

CHANTICLEER An orchestra of voices

4.6

THE VERY HUNGRY CATERPILLAR and Other Eric Carle Favourites

LES BALLETS TROCKADERO DE MONTE CARLO

4.10 AMERICAN SYMPHONY ORCHESTRA Strauss, Conus, Brahms LEON BOTSTEIN, Music Director with ZHI MA, violin 4.12 LES BALLETS TROCKADERO DE MONTE CARLO Artistry, athleticism, unabashed fun 4.13 EIGHTH BLACKBIRD Provacative and cool chamber music 5.3

MICHAEL FEINSTEIN’S THE GERSHWINS AND ME Who could ask for anything more?

5.4

ASPEN SANTA FE BALLET A breath of fresh air

HARLAN JACOBSON’S TALK CINEMA Tuesdays 4/29, 5/13

TICKETS:

www.artscenter.org

914-251-6200 EIGHTH BLACKBIRD

or in person at the box office.

Box office hours: Tues-Fri noon to 6pm

MICHAEL FEINSTEIN

ASPEN SANTA FE BALLET

Major Sponsorship is provided by The Vivian & Seymour Milstein Endowed Fund. The Great Orchestras and Chamber Music Series are made possible by generous support from The Tanaka Memorial Foundation. Special thanks to Corporate Sponsors Steinway & Sons and Pernod Ricard USA.

Pet of the Month Who says you can’t get a purebred at a shelter?

Meet 5-month-old Cody, a Lhasa Apso who wound up at the SPCA when his owners realized that a puppy takes time and energy. (Who would’ve thought?) Originating in Tibet, whose administrative capital is Lhasa, this nonsporting dog was bred to alert the Buddhist monks to intruders. (Apso, meaning “bearded” in the Tibetan language, refers to the dog’s shaggy mane.)

Is Cody the reincarnation of a Tibetan lama, or teacher, as Buddhists believed the dogs were? One thing’s certain: He’s a sweetie, a ball of energy and love. Cody enjoys playing with his toys and also participating in doggy tag.

With all his personality, he’d be a great addition to any family with the patience for a pup.

To meet Cody, visit the SPCA of Westchester at 590 N. State Road in Briarcliff Manor.

Please note: The SPCA does not accept deposits, make appointments or reserve animals for adoption even if it has spoken about a particular dog or cat with you. It’s always first-come, first-served among applicants, pending approval. The SPCA is open 10 a.m. to 4 p.m. Mondays through Saturdays and 1 to 4 p.m.

Sundays. To learn more, call (914) 941-2896 or visit spca914.org. n

Hope you enjoy our new feature Pet Portraits, spotlighting Waggers, WAG subjects and their beloved companions. Here’s Jackie Ruby, immediate right, “The Cooking Realtor” featured in WAG’s February issue, and her husband, Doug, with their dogs. Jackie holds Diva, a Bichon Frise, while her husband has Valentino, a white teacup Pomeranian, in hand. Dr. Erika Schwartz, one of WAG’s mainstays (far right), cavorts with, clockwise from top left, Lola, Jasper, Henry, Heidi and Teddy.

And equine sculptor Marcia Spivak, featured on Page 16, poses shyly with Riley on the next page.

Want to be featured with your pooch (or maybe python) in Pet Portraits? Send your pix, name and pet’s moniker to our pet-loving publisher, Dee DelBello, at dee@westfairinc.com. n 86

Pet Portraits

87

watch Fifty shades of Cleve Gray

Some 100 attended a dinner at Purchase College’s Neuberger Museum of Art to celebrate the reinstallation of “Threnody,” a monumental 28-panel painting that the late artist Cleve Gray created to help inaugurate the museum 40 years ago. The dinner was hosted by author Francine du Plessix Gray, the artist’s widow, and Helen and Jim Neuberger, daughter-in-law and son of museum founding patron Roy Neuberger.

Photographs by Harrison Edwards PR. 1. Francine du Plessix Gray, Helen Stambler Neuberger and Irving Sandler 2. Donald Clinton, Hannah Alderfer and Joel Kaye 3. Paul Sinclair and Diane Nixon 4. Eugene Grant, Jeannine Starr and Emily Grant 5. Paola Morsiani and Tamara Greeman 6. Jim Neuberger and Jason Wright 7. Marabeth Cohen and Ken Tyler 8. Hugh Price, Thaddeus Gray and Marilyn Price 9. Carol Gillette and Barry Pearson 10. Maria Friedrich 11. Jacqueline Adler Walker and Ellen and Lauren Chassin 12. Dale Schlein, Richard Bailey and Jean Eisenstein 13. Lee Weber and Loretta Howard 14. Susan and James Dubin and Arthur Walker and Barbara Elliott

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Table for all

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An American Bistro in Tuckahoe recently hosted a “Welcome Back Party” for friends, family and VIPs to celebrate the restaurant’s new renovations and taste a variety of mouth-watering delights.

Photographs by Sylvia De La Torre, My Bella Photo.

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1. Robert and Denise Horton 2. Theresa McCarthy 3. Natasha Caba Caputo and Christina Rae 4. Sara James and Bridget Gibbons 5. (Top row) Jill Coronel and Tamieka L. Jones (bottom row) Brooke Bizzell Stachyra and Georgette Gouveia 6. Cristin Grogan and Rob Kissner 3

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Saluting CNR alums

The College of New Rochelle announced the honorees of its 2014 Dorothy Ann Kelly, O.S.U. Women of Leadership Awards recently at a gala at neighboring Glen Island Harbour Club. The recipients were five CNR alumnae – Oscar winner Mercedes Ruehl; Patricia Tracey, vice president of Homeland Security and Defense Services, Hewlett Packard Enterprise Services U.S. Public Sector; Sister Alice Gallin, educator, scholar and historian; Ellen Mooney Hancock, former chairman and CEO of Exodus Communications; and Aulana Pharis Peters, former commissioner of the U.S. Securities and Exchange Commission. Elizabeth Bracken-Thompson was the emcee for the event.

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7. (Back row) Patricia Tracey, Judith Huntington, Mercedes Ruehl, Elizabeth Bracken-Thompson, Elizabeth LeVaca, (front row) Aulana Pharis Peters, Sister Alice Gallin and Ellen Mooney Hancock 8. Noam Bramson 9. April Horton and Sara James 8

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watch Life begins at 80

Jewish Home Lifecare – a nonprofit geriatric health and rehab center with chapters in WAG country – recently saluted “Eight Over Eighty” at the Mandarin Oriental New York. The event, which paid tribute to New Yorkers who continue to live lives of achievement in their eighth and ninth decades, raised in excess of $1.25 million, surpassing its goal by 25 percent.

Photographs by Ann Billingsley.

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1. Tami Schneider, Audrey Weiner and Marcia Riklis 2. Edie Windsor and Jessica Lappin 3. Jane Pittson and Dominic Chianese 4. Gene and Emily Grant 5. Dick and Carole Eisner 6. Tal Kerret and Lisa Silverstein 7. Lou-Ellen and Mel Barkan 8. Morris and Nancy Offit 9. Tobi Kahn, Alisa Robbins Doctoroff and Rabbi Michael Paley 10. Sol and Joan Wachtler

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Remember the Alamo

The Alamo Drafthouse in Yonkers was the hip place to be recently for the second annual “Pop Goes the Culture” variety awards show. The event featured Broadway performers, live music, comedy performances and tongue-in-cheek awards given to pop culture icons and local businesses.

Photographs by Lindsay Burdick Witts.

1. Jon Chattman, Andrew W.K. and Great Space Coaster puppet Gary Gnu (with Jim Martin) 2. Steve Johnson and Jacy Good 3. Peter Shapiro and Charlie Scopoletti 4. John Rubbo, Gregory Jbara and Nick Califano 5. Constantine Maroulis

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www.mkmg.com MOUNT KISCO MEDICAL GROUP MAIN CAMPUS: 90 & 110 SOUTH BEDFORD RD • 34 SOUTH BEDFORD RD • MOUNT KISCO, NY 10549-3412

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watch Lighting the fight against cancer

The Leukemia & Lymphoma Society’s Westchester/Hudson Valley Chapter raised more than $1.1 million in its 2013 Light The Night campaign, the most successful in its history. The organization recognized its top fundraising participants and honored patients and sponsors at an awards party at the DoubleTree by Hilton Hotel in Tarrytown.

1. Matt McKay, Lisette Vidal and Peggy and Dave Kmetz 2. Joe Faraci, Rebecca Caterson and Steven Klapow 3. Emily Genzlinger, Barbara Gallagher, John Walter and Dennis Chillemi 4. Peter and Gina Manos 5. Chuck Del Priore, Steven Klapow, Christina Costa Rae, Liz Nunan, Lauren McKeon, Charlie Medici and Dan Carlton 6. Christina Palmieri 7. Antonella Leone, Brooke Emmett and Dennis Chillemi

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New Recruits

Equinox Darien and Competitive Edge hosted a panel with top athletes and coaches recently in Darien which addressed the myths and realities of the college recruiting process. Both recruiters and coaches shared top tips for athletes to leverage their competitive edge with academic achievements to have more options in the college recruiting process.

Photographs by Jane Algeri.

8. Eric Pellini, Courtney Bennett and Kevin Rusch 9. Toni DiMauro, Charlie Hackett and Rob and Marj Trifone 10. Kim Ruvolo, Kris Ruby and Lee Jones

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watch Spa-ing

The Spa Soirée Westchester took place recently at BLT Steak in The Ritz-Carlton, Westchester in White Plains. This industry event brought together spa-goers, spa owners and other business professionals for an evening of mingling and fun.

Guests of the Spa Soirée enjoyed signature spa cocktails, a delicious menu of spa-inspired hors d’oeuvres, gift bags filled with products and a silent spa auction.

Photographs by Silvana DeFrancis Photography.

1. Johnny Santana and Monique Wisniewski 2. Mayra Avila 3. Salvatore Piazzolla and Dr. Gilda Carle 4. David Edwards and Dan Fryda 5. Laura Anne Pelliccio and Glenn Colarossi 6.Top, Mike Morgan and Joe Cipro, and bottom, Susan Kirby,Jennie Gallaher, Josann Jeffrey and Jessica Mackin-Cipro

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The royal treatment

The Royal Regency Hotel in Yonkers held an event recently that kicked off its multimillion dollar renovation and rebranding project. Guests enjoyed roast beef sandwiches, shrimp cocktails and other hearty fare along with a sneak peek at the elegant intimate accommodations to come.

Photographs by Silvio Garcia.

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7. Jim Killoran 8. Lena, Nick, Konstantinos and Phyllis Paxos, Mike Spano, Maria and Nikita Pampafikos and Bill Mooney, bottom row: George Pampafikos 9. Jihee Youn, Amanda Sengstacken and Tara Mastrelli 10. Cindy Campbell 11. Debra Thompson, Qwandra Hercules, Brooke Trachtenberg and Tamieka Jones 9

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Meet the (garden) press

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Todd Forrest, the Arthur Ross vice president for horticulture and living collections at The New York Botanical Garden; Patrick Chassé, garden designer and expert on landscape architect Beatrix Farrand; and Gregory Long, the Garden’s CEO and William C. Steere Sr. president, were on hand recently for a delightful brown bag press luncheon to kick off “Groundbreakers: Great American Gardens & The Women Who Designed Them.” The multidisciplinary show, which opens May 17, includes a library exhibit curated by Sam Watters, an architectural and landscape historian and author of “Gardens for a Beautiful America: 1895-1935.”

12. Todd Forrest, Patrick Chassé and William C. Steere

The wearin’ of the sash

Before there is the “wearing of the green” at the annual St. Patrick’s Day Parade, the parade sashes are presented to the Grand Marshals. The Eastchester Irish American Social Club hosted the 2014 Sash Presentation in Bronxville at J. C. Fogarty’s Restaurant. More than 80 people attended, including past grand marshals, club officers, Westchester County Legislator Sheila Marcotte and Eastchester Town Council Member Joe Dooley.

Photographs by Connie M. Cullen.

1. Liz Ahern, Kathy Huvane and Nancy Heffernan 2. Gary and Christie McCloskey and Deborah and John Murtha 3. Margaret Stapleton and Sheila Marcotte 4. Pat Murtagh 5. The Rev. Eric Raaser and Jim Hendry 6. Jackie, Thomas, Bernadette and Thomas Huvane Jr. 7. John Phelan, Dan and Jim Hendry, Steve Doherty and Joe Dooley 8. Brenda Geraghty and Anna Phelan

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Smart in the Suburbs

The region’s most innovative minds gathered at the Stamford Innovation Center recently for a “Smart in the Suburb’s” event, co-hosted

by Westfair Communications. Presentations included speeches by officials at Sikorsky Innovations, Life in Mobile and Pitney Bowes.

Photographs by Jennifer Bissell.

9. Marlon Varsace 10. John Deptulski, JJ Durand and Mike Grazio 11. Carol Wallace and Bernie Gracy 12. Julie Rubich and Patricia Espinosa 13. Danielle Hawthorne and Karin Holmgren 14. Milton Puryear 15. Laurence Vigeant-Langlois

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Want to be in Watch? Send event photos, captions (identifying subjects from left to right) and a paragraph describing the event to rcostello@westfairinc.com.

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wit wonders: What drives you?

caputo

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“I really think for me, family and work drive me. I love my family and I love what I do.”

– Natasha Caba Caputo, director, Westchester County Tourism & Film Office, Mount Kisco resident “I want to say the fear of homelessness.”

– Ernie Garcia, consumer affairs reporter, Journal News Media Group, Bronx resident “What drives me is that I wake up every day excited to go to business. But what underlies that is helping business owners grow their businesses through social media.”

– Bridget Gibbons, CEO and founder, Gibbons Digital, Bronxville resident “My children and my work. That’s my life. I bounce between my day job and my second life – my husband, my children, my dog. Sometimes I think I need three of me.”

– Victoria Hochman, marketing director, Hudson Valley Hospital Center, White Plains resident

“I’m driven by the spirit of empowerment. To give you an example – SoulCycle. It is the most amazing exercise class. I love it.”

– Teresa Lyles Holmes, director of public relations, UniWorld Group Inc., Greenburgh resident “Wow. I think just taking care of people (as a restaurateur). You’re here for a party and then you come in next week for dinner, and you’re a different person. It’s my job to make sure you have an experience that reflects that difference.”

– Denise Horton, owner, An American Bistro, Valhalla resident “Success: You have to keep it going.”

– Chereese Jervis-Hill, president, Events by Chereese Inc., Cortlandt Manor resident “For me it would be helping people. I really get a lot of joy out of helping others,” – Tamieka L. Jones, principal event stylist, A Perfect Setting, Bronxville resident

“So many things. Anticipation of success and selffulfillment drive me.”

– Tracey King, jeweler, Tiffany & Co., North White Plains resident “My children. Children are the reason you wake up in the morning.”

– Maria Pampafikos, co-owner, Royal Regency Hotel, New City resident “I would say improving and building on what my family started. Hopefully, it will give (my father) something to look back on and say he’s proud.”

– Nick Paxos, co-owner, Royal Coach Diner, New City resident “It’s a loaded question. I would say uncertainty drives me – the financial risks, the political risks, the need to make sure you have a great outcome, first for your family and then for the people you represent.”

– Richard Thomas, councilman, city of Mount Vernon; director, NY A.R.E.A. (Affordable Reliable Electricity Alliance), Mount Vernon resident

Compiled by Georgette Gouveia. Contact her at ggouveia@westfairinc.com.

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GREAT SHOWS!

80 East Ridge, Ridgefield, CT • (203) 438-5795

ridgefieldplayhouse.org

ENTERTAINING CONVERSTATIONS SERIES

JAMES VAN PRAAGH

MO ROCCA

A Comedic Journey Through Showbiz with Legendary Actor

The Original Ghost Whisperer

Wed, April 9 @ 7:30PM

Sat, May 3 @ 7:30PM

Humorist, journalist and actor featured on CBS Sunday Morning News, and on NPR’s

CHARLES GRODIN!

Renowned psychic medium and best selling author returns to the Playhouse!

Sat, April 12 7:30PM

hit weekly quiz show Wait, Wait…Don’t Tell Me!

ART, WINE & JAZZ SERIES

ROCK SERIES

Sha Na Na

Fri, April 25 @ 8PM

Bring the kids for a night of music Celebrating the 35th Anniversary of Special Classic Car Show with Connecticut Cruise News outside the Playhouse at 7pm!

Wine & cheese tastings and reception with local artist in the lobby @ 7:15pm

Ottmar Liebert & Luna Negra Fri, May 23 @ 8PM

Grammy Nominated Ottmar Liebert has become one of the most successful instrumental artists of the past decade!

Bret Michaels

Bernie Williams

The famed front man of Poison has also had unprecedented television success with Vh1’s "Rock of Love," and NBC’s "Celebrity Apprentice.”

The legendary Yankees slugger and chart-topping guitarist returns! Meet & Greet tickets available!

Tues, April 29 @ 8pm

Boz Scaggs

Thur, May 15 @ 8PM

Grammy-Award winning rock legend with hits “Lowdown,” “Lido Shuffle” and more!

DOYLE COFFIN ARCHITECTURE SINGER SONGWRITER SERIES

Sun, June 8 @ 8PM

CLARK CONSTRUCTION COMEDY SERIES

Jim Belushi

AND THE CHICAGO BOARD OF COMEDY Thurs, April 3 @ 8PM

A great night of improv comedy…less of a “show” and more of a party! You may even end up on stage!

Ted Vigil - John Denver Tribute

Artie Lange

With Special Guest Steve Weisberg

From The Howard Stern Show to MADtv and countless films to his latest project, The Artie Lange show on DirecTV, Artie has done it all!

Fri, April 4 @ 8pm

A great night of hits “Take Me Home, “Leaving on a Jet Plane,” “Rocky Mountain High” and more!

An Evening with Art Garfunkel Fri, April 11 @ 8PM

The Playhouse is very excited to welcome Art Garfunkel to our stage for the first time. This tour will feature music, poetry and an audience Q&A!

Tom Chapin & Livingston Taylor With Jammin' Divas

Thurs, May 1 @ 8PM

Three amazing performances in one night! Tom Chapin and Livingston Taylor are two of the most revered and loved singer-songwriters of our generation!

Sat, April 5 @ 8PM

The Dan Band

Sat, May 17 @ 8PM

A cult hit that has garnered rave reviews from The New York Times, The L.A. Times, and Rolling Stone and prompted Entertainment Weekly to name it "One of the hottest ticket in Hollywood."

Dana Carvey

Thurs, June 19 @ 8PM

Don’t miss this amazing night of stand up with one of the greatest comedians of all time!