Gallery Walk by The Weekly Sun

Sun Valley Gallery Association

GALLERY WALK EDITION G a l l e r y W a l k I s F r i d ay, F e b r u a r y 1 5 , 2 0 1 9

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Isabelle Menin, “New Rome 11,” (detail) digital c print (photograph), 39 inches by 39 inches. Artwork courtesy of Gilman Contemporary

TABLE OF CONTENTS

G A L L E RY WA L K

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Broschofsky Galleries..............................Page 2 Frederic Boloix Fine Arts.........................Page 6 Friesen Gallery.........................................Page 3 Gail Severn Gallery..................................Page 5 Gilman Contemporary.............................Page 6

Kneeland Gallery.....................................Page 4 MESH Gallery...........................................Page 7 Wood River Fine Arts...............................Page 2 Feature Stories........................................Pages 3 & 4

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Daniel Pinkham

“The Witness”

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Oil on linen

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‘MASTERS OF THE AMERICAN WEST’

40” high X 44” wide

“Masters of the American West”

John Moyers, “Racing the Rain,” oil on gessoboard, 6 inches by 36 inches. Artwork courtesy of Wood River Fine Arts

Wood River Fine Arts proudly exhibiting these Masters artists:

Wood River Fine Arts

Autry Museum of the American West

360 East Avenue, In The Courtyard | Ketchum 208.928.7728 | www.woodriverfinearts.com

ood River Fine Arts is pleased to announce an exhibition featuring the artists of the “Masters of the American West Show.” The museum event takes place on February 9, 2019, at the Autry Museum of the American West in Los Angeles. The annual event brings together the finest American painters and sculptors for a major art weekend celebration. Wood River Fine Arts will be featuring works by the participating artists during the February Sun Valley Gallery Association art walk. Please join us from 5-8 p.m. on Friday, February 15, 2019. Wood River Fine Arts is located at 360 East Avenue in Ketchum (The Courtyard Building). For more information call owners Tom Bassett and Sandy Gregorak at (208) 928-7728 or visit our website at www.woodriverfinearts.com.

‘BEST OF THE WEST’

Glen Edwards “New Acquisition”, oil, 20” x 24”

Including works by Russell Chatham, Michael Coleman, Edward Curtis, Ewoud deGroot, Joellyn Duesberry, Glen Edwards, Jan Grotenbreg, William Matthews, Gordon McConnell, Ken Peloke, Rudi Broschofsky, Billy Schenck, Fritz Scholder, Theodore Villa, Andy Warhol and Russell Young.

360 East Ave. Ketchum, ID 208.726.4950 www.brogallery.com

Fritz Scholder, “Indian Portrait in Roma,” etching, 62 inches by 44 inches. Artwork courtesy of Broschofsky Galleries

Broschofsky Galleries

roschofsky Galleries features “Best of the West, Historic through Contemporary,” a group show of artists with an array of subjects and interpretations of the American West. Photographic images from the Edward Curtis project, “The North American Indian” 1898-1928, include the iconic “Vanishing Race,” the photo that was the impetus for the vast works. No single image embodied the project better than this picture of Navajo riding off into the dusty distance. To Curtis, the photo epitomized the plight of the Indians, who were “passing into the darkness of an unknown future.” Also featuring works in painting and sculpture by gallery artists.

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CELEBRATING 30 YEARS OF CONTEMPORARY ART

Julio Figueroa-Beltrán, “A Close Encounter,” 18 inches by 24 inches. Artwork courtesy of Frederic Boloix Fine Arts

MAN VERSUS NATURE

Boloix Showcases The Art of Julio Figueroa-Beltrán & Jose Bédia

BY HAYDEN SEDER

an versus nature is the unspoken theme for the artists presented by Frederic Boloix Fine Arts at this week’s Gallery Walk in Ketchum. The art of Jose Bédia depicts the relationship between tribal man, nature, man’s machines and conflict on un-mounted and unframed canvas, while fellow Cuban-American artist Julio Figueroa-Beltrán presents modern man’s relation to nature as an adventurous fantasy world. Bédia’s pieces tell a story in themselves but also offer up the artist’s story of current society. Bédia’s passion for primal Amerindians and his anthropological studies of Afro-Transatlantic cultures translate into his work as he shows how this cultural heritage influences our daily lives. Little “tricksters,” or “chi che reku” in Afro-Cuban, show themselves in Bédia’s work in the form of small, black, devil-like characters that may be obvious or not in the painting. In “Desenlace Natural (Natural Outcomes),” the canvas is a vibrant green-and-yellow Continued ‘STORYTELLING’ Page 7

Lauren Mantecón, “Ephemeral Vessel,” oil, mixed media, cold wax on panels, 48 inches by 80 inches. Artwork courtesy of Friesen Gallery

Friesen Gallery

riesen Gallery now celebrates over 30 years as one of Sun Valley’s premiere contemporary art galleries, exhibiting contemporary paintings, glass and sculpture by both known and emerging artists. In March, Friesen will showcase Lauren Mantecón: “Stewards of Light.” Mantecón’s abstract paintings embody the artist’s lifelong fascination with the inexplicable mysteries of life. Each painting elicits complex layered surfaces exploring a multitude of materials and paint in combination with ephemeral subject matter. “Paint for me transcends the material world— color, non-color, ambiguous shapes, veils—all serve as a visual dialogue between what cannot be seen but can be felt,” Mantecón said. “They are the crossing points between earth and spirit. My influences come from fragments of dreams, visions and the complexity of an omnipresent force I crave to bring to form.”

In her newest exhibition, Mantecón explores dreamlike scenes and portals between worlds with a visual syntax of orbs, ovals and dense, translucent layers of paint. Following “Stewards of Light,” Friesen Gallery will present a Group Show exhibiting dynamic works from their stable of acclaimed artists. Among the works featured will be rhythmically constructed abstract painting by Lloyd Martin, extraordinary water photography by Barbara Vaughn, intricate glass sculptures by Anna Skibska, and architectural, large-scale watercolor paintings by George Dombek. This spring, Friesen Gallery is enthusiastically immersed in curating its 2019 summer programming, which will present new works by Lawrence Fodor, Gregory Grenon and Mary Josephson, among notable others.

Gamble Barn with Sheds • 50” x 70” framed • watercolor on paper • 2018

GEORGE DOMBEK

WATERCOLOR

OPENING RECEPTION: Friday 15 February 2019 | 5:00 - 8:00 PM

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‘TOWN AND COUNTRY’

Silas Thompson, “Into Solitude,” (detail) oil on canvas, 24 inches by 48 inches. Artwork courtesy of Kneeland Gallery

A Caleb Meyer, “Galena Lodge-Coffee & a Good Book”, oil on canvas, 36” x 36”

“Town and Country” ERIC JACOBSEN, CALEB MEYER, SILAS THOMPSON ARTISTS’ RECEPTION: Friday February 15th, 5-8pm

271 First Ave N, Ketchum, ID 83340 • PO Box 2070, Sun Valley, ID 83353 • 208.726.5512 email: art@kneelandgallery.com • website: www.kneelandgallery.com

Kneeland Gallery

native of Hailey, Caleb Meyer has always enjoyed the rugged beauty the Northwest has to offer. A graduate of Boise State University, Meyer continued his education through an apprenticeship with renowned artist Robert Moore. Meyer compares his time in Moore’s studio to the laying of a strong foundation. “The painting process is like building a house. A painter must understand the principles of design to create a strong painting and, much like a carpenter, must understand the principles of architecture to build a strong house.” Meyer is now an established artist in his own right and features in public and private collections nationwide. One of the gallery’s youngest artists, Silas Thompson has quickly become a familiar name amongst collectors. On annual backpack-

ing trips with his father, Thompson began to treasure the distinct birthmarks and icons of beautiful rivers, valleys and mountains that carve through the high desert and farmlands of the West. His desire to create work that evokes a memory continues to be a driving force, which pushes Silas to be innovative in his choice of subject matter and composition. Eric Jacobsen is a “plein air” painter in its purest form. He takes his oils with him wherever he goes, setting up on site and seldom leaving until a painting is finished. Jacobsen says, “I want them to be felt by the viewer without his or her having to analyze or think about them. As a general rule, I try to find strong compositions in nature and then paint the scene accurately while leaving out any extraneous details.”

GEORGE DOMBEK’S WATERC

Friesen Gallery To Showcase Nationally Ren BY HAYDEN SEDER

riesen Gallery will present the work of nationally recognized master of watercolor, artist George Dombek, at an opening reception from 5-8 p.m. on Friday, Feb. 15. The exhibition will run through the end of February and features Dombek’s large-scale watercolor paintings of barns and agricultural tools, his signature subjects. Although an acclaimed painter, Dombek is also trained in architecture, a skill that makes itself apparent in his elegant watercolor compositions of barn exteriors and interiors. He received a B.A. in Architecture as well as an MFA in Painting at the University of Arkansas and taught architecture and art at universities in Arkansas, Ohio, Florida, Saudi Arabia and Italy. His architectural background makes his portrayal of the barns captured in his paintings so thorough—capturing the play of light and shadow and every part of the barn—that the end result blurs the line of reality, making his paintings seem like photographs. One might think he would use his skills to delve into architecture but in the words of the artist, “Watercolor chose me in 1960. I’ve been stuck there ever since. I don’t want to control it. Watercolor is such a spontaneous reaction between pigment and water. That’s what makes it special.” Friesen Gallery owner Andria Friesen says that Dombek actually sought out the gallery, and not the other way around. For the month of February, the gallery will display Dombek’s beautiful, large-scale works that fit into the agricultural landscape of Idaho as a whole very well. “It’s truly astonishing that Dombek’s barns are large-scale watercolor paintings—it is extremely rare to see a watercolor in these proportions,” Friesen said. “The artist is able to achieve unusual depth and detail, making his paintings appear to be photographs. Living in Idaho, I see such a parallel between our landscape and the barns that Dombek invents from memory.” Dombek lives and works in Arkansas but became fascinated by barns in the 1970s—the first time he visited Idaho, as well. For this latest series, Dombek spent nearly three years traveling in search of barns, covering a span of some 50,000 square miles. Each item may not be unique or interesting in itself, but Dombek’s portrayal of tools like discarded farm equipment, trucks and vintage equipment creates a character behind the scene close to human portraiture. “My work attempts to elevate the common and formalize nostalgia to make images relevant for today,” Dombek said. “Through critical development and medium mastery, my process allows me to create a structured end-product while the actual application of paint is very spontaneous and reactive. Composition and color are at the essence of my images while the realness draws one in to observe the detail. The color filling the recognizable subjects holds the viewer in a moment of a newfound beauty.” Friesen agrees with the sense of story and nostalgia coming across the paper. “Juxtaposed to the barns, this exhibition is brilliantly balanced with Dombek’s agricultural portraits,” Friesen said. “There is an endearing quality in how you find yourself looking at these tin cans, and in a quick moment, realize you’re looking at them as a traditional portrait because they are imbued with such character. Some of the titles are quite amusing, making this exceptionally unique portraiture all the more compelling.” Over Dombek’s 40-year career, he has amassed an impressive body of work shown in numerous private, institutional and museum collections and major exhibitions including Crystal Bridges

George Dombek, “Pure Lard,” watercolor on paper, 50 inches by 50 inches (framed). Artwor sy of Friesen Gallery

Museum of American Art, Carnegie Museum of Art, Arkansas Arts Center, Scott for the Arts, Birmingham Museum of Art, Butler Institute of American Art, and S co Museum of Art. Among Dombek’s more than 80 awards are recognition from Endowment for the Arts Regional Visual Arts Fellowship and the Pollock-Krasner F “On behalf of the entire Gallery, we are delighted to now represent this career a

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COOK, WADDELL & ‘FORMAL ATTIRE’

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Gail Severn Gallery

“The gallery chose to juxtapose Jim Cook and Ted Waddell in solo exhibitions because both have a deep passion for and work closely with imagery of the West that reflects the Idaho area and surrounding environs. Both artists use paint in a strong and bold way—melding abstraction, impressionism and personal painting styles. They both respect and use light to their advantage in their completely unique painting styles.” Gail Severn, Gallery Owner James Cook Inspired by the medium of oil, Cook strives for a compositional sensation that sets off a whole series of thoughts about a place, a time, or a memory of a landscape. His work is impressionistic; however, he provides the viewer with a recognizable reality. The smell, texture, and feel of the brush wet from the paint stimulates his hand. His impasto technique creates a surface full of movement and texture. The paintings jump off the canvas, the colors bringing the paintings to life. The details of the painted image can be examined from a close perspective and the scene grows increasingly cohesive and more representational from afar. Theodore Waddell Theodore Waddell describes the West as one large painting; he simply has to select the composition. His large oil and encaustic on canvas paintings, bronze sculptures, and oil and graphite on paper are contemporary impressions of the beautiful, rugged, untamed panorama around us. With a natural abstraction and impressionism, his canvases may capture horses standing on a ridge as an impasto-thick thunderstorm builds in the distance, or horses circled together for warmth in a snowfield, or the faint movement and forms of far-off cattle escaping the August heat under the shade of willows. The West’s ever-present horizon line is always lingering in the distance, balancing the canvas. Waddell uses the West as a point of departure to explore the frontier of modern painting. ‘Formal Attire’ “Formal Attire” explores the use of black and white as the primary colors used in the artist’s work. In this group exhibition, these artists create work that relies on minimal colors and the power of that monochromatic sensibility. Daniel Diaz-Tai explores asemic writing and different mediums to create his thick white paintings and his monochromatic works on paper. David deVillier, known for his colorful and playful paintings, often creates black pen and ink drawings that involve his wit and storytelling. Cole Morgan’s black and white paintings include minimal amounts of color as a supporting cast. At first view, you see the obvious black and white objects, but on further inspection, the slight use of color brings depth and movement to the painting. Pegan Brooke uses slight variations in hue to create depth and movement in her paintings. These featured works play off the gray scale. Pamela DeTuncq turns taxidermy into a playful and lively version of itself by using vintage tapestries. Gary Komarin’s abstract paintings create energy and movement in his classic abstraction. Jane Rosen transforms stone and glass into birds of prey that project grace and solitude. Squeak Carnwath draws upon the philosophical in her Song paintings, both on panel and on paper, using the titles of songs to create emotion and memory. Judith Kindler is an American multidisciplinary artist working in sculpture, installation, photography and photography-based mixed-media works. Laura McPhee has been photographing Idaho and the greater Western states for decades. McPhee’s color images, shot with a large-format Deardorff box camera, include almost black and white images of dramatic lava and water flows. Alexander Rohrig’s still-life and landscape paintings stem from the memory or a feeling that something gives him rather than its detailed portrait.

ARTIST CHATS with JAMES COOK & THEODORE WADDELL SATURDAY FEBRUARY 16TH, 10:00 AM JOIN US FOR COFFEE AND LIGHT BREAKFAST FARE

JAMES COOK

Gail Severn Gallery will host Artist Chats on Saturday, Feb. 16 at 10 a.m.

COLORS

nowned Artist

rk courte-

tsdale Center San Francisthe National Foundation. and showcase

F O R M A L AT T I R E Group Exhibition

Jane Rosen • Cole Morgan • Pamela DeTuncq Pegan Brooke • Squeak Carnwath • Alex Rohrig David deVillier • Gary Komarin • Jun Kaneko Judith Kindler • Daniel Diaz Tai • Laura McPhee

George Dombek, “Washington County Red Barn,” watercolor on paper, 49.5 inches by 49.5 inches (framed). Artwork courtesy of Friesen Gallery

this remarkable body of work,” Friesen said. “The honor is all the more so, because Dombek sought out Friesen Gallery. We look forward to sharing Dombek’s watercolors with our community and its many visitors.” For more information visit friesengallery.com. tws

GAIL SEVERN GALLERY 400 First Avenue North • PO Box 1679 • Ketchum, ID 83340 • 208.726.5079 info@gailseverngallery.com • www.gailseverngallery.com

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VERBICKY’S ‘MEMORY IS MEANING’

James Verbicky, “Mindstream 32,” mixed media and resin on wood, 48 inches diameter. Artwork courtesy of Gilman Contemporary

Gilman Contemporary

ilman Contemporary presents James Verbicky, “Memory is Meaning.” Through a dissection of mass media, James Verbicky creates abstract paintings and mixed-media work that embody an orderly approach to the often chaotic onslaught of words and images seen in our daily lives. Verbicky often references art history in the same breath as popular mass media. Each piece has an opening for personal internalization and interpretation. In addition, Gilman Contemporary is pleased to introduce

our clients to the work of Belgian photographer Isabelle Menin. Menin uses digital layers to create beautiful photomontages that exude a sense of chaotic nature and calm resolve. Flower blossoms seem to drip, swirl and dissolve in what she refers to as “inland photographs and disordered landscapes.” Menin’s painterly instinct comes forward in the colorful vibrations and moments of turbulence in her large-scale prints that sweep the viewer into each photograph.

FANTASY & ADVENTURE

Fre der i c B o l oi x Fi n e Ar t s

Julio Figueroa-Beltrán, “Spyglass,” 2015, oil on canvas, 78 inches diameter

FANTASY & ADVENTURE PAINTINGS Open for Gallery Walk - Friday, February 15th, 5-8pm Featuring Alan Pennay, Jazz pianist We are located in the atrium of the Galleria Building on Leadville and Fourth in Ketchum.

351 Leadville Ave. in Ketchum Tel. 208.726.8810 Frederic@Boloix.com

Jose Bédia, “El Regreso/The Return,” (detail) acrylic on canvas, 70 inches by 114 inches. Artwork courtesy of Frederic Boloix Fine Arts

Frederic Boloix Fine Arts

rederic Boloix Fine Arts will be showing contemporary paintings inspired by fantasy, adventure and man’s rapport and confrontations with nature. Featured are paintings by Latin American artists Jose Bédia and Julio Figueroa-Beltrán. Figueroa-Beltrán’s father was a well-known Cuban ornithologist and painter. In Julio’s featured painting, “Spyglass,” we see a ghostlike tall ship, surrounded by icebergs, sailing the seas in perpetuity, inspired by “The Flying Dutchman.” In Bédia’s monumental “The Return,” we see Moby Dick in confrontation with a navy destroyer.

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SNOWFALL FOR PRESIDENTS’ DAY WEEKEND

Kyle R. Lubeck, “Snowstorm on Campus,” gallery-wrapped canvas. Artwork courtesy of MESH Gallery

MESH Gallery

old temps and fresh snowpack open up the Wood River Valley’s skiable terrain considerable amounts as we head in to later winter months. In MESH’s continued effort of “Capturing the Valley” through every season, brilliant white landscape brings new depth to previously undiscovered venues. MESH Gallery’s resident artist Jeff Lubeck will be taking the month to prepare for an upcoming winter tour within the Sawtooth Wilderness. Alongside Sawtooth Mountain Guides, the aim is to recreate last fall’s tour of the Finger of Fate and Decker Peak. Join us this Gallery Walk as we discuss training regimens and tour preparation! On display will be gear and equipment, both photo and touring, that Jeff and his team pack in to capture the images displayed throughout the gallery. Jeff Lubeck will also have an in-depth comparison showcasing the PHASE ONE XF IQ4 151, the world’s most powerful and sophisticated camera system.

Storytelling Through Painting Continued from Page 3

jungle scene depicting a jaguar and a monkey in the foreground. When one looks closer, you can see of one Bédia’s little tricksters hiding between the trees in the background. The presence of this trickster means that things might not necessarily go the jaguar’s way; rather than get the monkey, the jaguar could become tangled in the mangrove roots and become lunch for another creature. “What we consider to be a random event like twisting your ankle in tribal mentality is actually caused by these little gremlin characters that are always trying to get us,” says Frederic Boloix, gallery owner. “That’s the part of the universe that you can’t control.” The painting “El Regreso/The Return” is a large canvas of black, white and gray shades depicting a whale that’s been harpooned multiple times but has survived its attack. The sea and sky are angry, lightning bolts appear overhead and the drippings on the canvas mimic raindrops almost. But rearing its ugly head is another trickster, this time on the whale’s back, directing the whale toward another ship in the background, sure to attempt to harpoon this whale again. It’s easy to see the story in this moment, akin to Moby Dick. The storytelling in these paintings is described by Bédia as “informative lessons about the cosmogonist Universes of the ancestral cultures and its influence in popular cultures.” “Jose creates a kind of ‘song of the earth’: it’s the harmony with the confrontations, it’s nature and its own kind of violence and harmony, different aspects of man and the dialogue between man and nature,” Boloix said. Contrasted to the work of Bédia is 34-year-old Figueroa-Beltrán, an artist also born in Cuba and living in Miami, albeit at a different time than the 60-year-old Bédia. Figueroa-Beltrán’s art is a bit more whimsical; some of the paintings at Boloix’s gallery depict an astronaut underwater and a ship seen through a spyglass. These works show man’s relationship to nature in the realm of adventure and fantasy, the world as man’s playground. The piece “Spyglass” depicts a blurry white ship sailing in a night tinted with auroras borealis. The circular shape of the canvas recreates the idea of a round

Julio Figueroa-Beltrán, “The Tourist,” (detail) 16 inches by 20 inches. Artwork courtesy of Frederic Boloix Fine Arts

view through a spyglass. The ship appears magnified in front of your eyes as seen with a telescope lens, like the sighting of an elusive watercraft. This kind of playfulness can be seen in many of Figueroa-Beltrán’s works where underwater astronauts might play with jellyfish or giant mushrooms tower overhead with human-sized birdhouses on them. Whether it’s whimsy or the story of man that you seek, you’ll find a bit of both in the works of both of these Cuban artists.

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sun valley gallery association

GALLERY WALK Downtown Ketchum

Wagon Ore Ore Wagon Museum Museum

77 Fifth Street Street Fifth Giacobbi Giacobbi Square Square

Post Post Office Office

Spruce Avenue

Walnut Avenue

East Avenue

Leadville Avenue Leadville Avenue

NORTH NORTH

Highway 75 Highway 75 to Stanley to Stanley

Washington Avenue Washington Avenue

Sixth Street Street Sixth Second Second Avenue Avenue

Warm Springs Road Warm Springs Road

First Avenue First Avenue

Downtown Ketchum Ketchum Downtown

Community Community Librar Librar y y

44 Fourth Street Heritage Corridor ArtArt Walk Fourth Street Heritage Corridor Walk

Fourth Fourth Street Street

2 2

33 to to Baldy Baldy

Town Town Square Square

1,81,8

SUN VALLEY ROAD SUN VALLEY ROAD

5 5 to Sun Valley to Sun Valley EAST

EAST

MAIN STREET MAIN STREET

WEST WEST

9 9

66 Second Street Second Street

First Street First Street Ski & Ski & Heritage Heritage Museum Museum

River Street River Street

Highway 75 to Highway Hailey 75 SOUTH to Hailey

SOUTH

1. Broschofsky Galleries 1. 360 Broschofsky East Avenue Galleries 360 East Avenue

2. Frederic Boloix Fine Arts LeadvilleBoloix Avenue,Fine The Galleria 2. 351 Frederic Arts Building 351 Leadville Avenue, The Galleria Building

3. Friesen Gallery First Avenue North 3. 320 Friesen Gallery

320 First Avenue North

4. Gail Severn Gallery

FirstSevern Avenue Gallery North 4. 400 Gail

400 First Avenue North

5. Gilman Contemporary 5.661Gilman Contemporary Sun Valley Road 661 Sun Valley Road

6. Kneeland Gallery First AvenueGallery North 6.271Kneeland 7.

271 First Avenue North

Sun Valley Center for the Arts Fifth Street 7.191Sun ValleyEast Center for the Arts 191 Fifth Street East

8. Wood River Fine Arts East Avenue 8.360Wood River Fine Arts

360 East Avenue 9. MESH Gallery 4th Street East 9.420MESH Gallery

420 4th Street East