Galley Walk by The Weekly Sun

Sun Valley Gallery Association

GALLERY WALK EDITION G a l l e r y W a l k I s F r i d ay, F e b r u a r y 1 6 , 2 0 1 8

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William Matthews, “Jigger Boss.” Artwork courtesy of Broschofsky Galleries

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TABLE OF CONTENTS Broschofsky Galleries..............................Page 7 Kneeland Gallery.....................................Page 2 Frederic Boloix Fine Arts.........................Page 4 MESH Gallery...........................................Page 6 Friesen Gallery.........................................Page 3 Wood River Fine Arts...............................Page 4 Gail Severn Gallery..................................Page 2 Feature Stories........................................Pages 2, 4 Gilman Contemporary.............................Page 6

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KNEELAND GALLERY LORI MCNEE

“Evergreen Mist”, oil on canvas, 24” x 48”

SHANNA KUNZ

( T H E W E E K LY S U N .C O M )

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Gail Severn Expounds On Julie Speidel’s Work

BY DANA DUGAN

ail Severn has represented many artists over the more than 30 years of her eponymous gallery’s life. One of those artists is the internationally renowned sculptor Julie Speidel. Installed inside of the Severn Gallery is a Speidel sculpture called “Caillech,” that is both familiar and mysterious. The Gaelic moniker means woman, but the sculpture doesn’t stop with an easy reference. Made of stainless steel, it harkens back to Picasso’s deconstructed forms, while keeping its feet firmly in the contemporary world with its bright blue patina and geometric lines. Speidel’s work is known for contemporizing Greek fertility figures, Native American totem poles, and dozens of other iconic cultural forms. “Her work is very recognizable,” Severn said. “She is from the Pacific Northwest, and when we began working with her she was making sculptural jewelry, which she was very famous for on a national level. Then, her other galleries and I encouraged her to take those forms off the body and create larger-scale forms. Continued GAIL SEVERN Page 7

Julie Speidel, “Caillech”, Bronze, 90 inches by 27 inches by 18 inches. Artwork courtesy of Gail Severn Gallery

‘BEYOND THE SURFACE’ “Winter Homestead”, oil on linen, 16” x 16”

SILAS THOMPSON

“The Cook”, oil on canvas, 12” x 24”

Artists’ Reception Friday February 16th, 5-8pm 271 First Ave N, Ketchum, ID 83340 PO Box 2070, Sun Valley, ID 83353 208.726.5512 email: art@kneelandgallery.com website: www.kneelandgallery.com

Shanna Kunz, “Winter Homestead,” oil on linen, 16 inches by 16 inches. Artwork courtesy of Kneeland Gallery

Kneeland Gallery

Hailing from Utah, Shanna Kunz offers different interpretations of the landscape of her area through the use of a warm palette and the play of mood, light and color. Each location she paints is an encounter with the land, the trees and the waters that give her a sense of connection and order. Local artist Lori McNee is talented in several disciplines, and in this exhibition she’ll focus on her signature still-life imagery and local landscapes. Her work is opulent in color and texture, which she achieves using a variety of media, and her imagery is as ornamented by detail as it is rich

in symbolism. Silas Thompson’s passion for painting was instilled at an early age, fostered by his parents, then nurtured under an apprenticeship under acclaimed plein-air painter Robert Moore. Born and raised in Idaho, Thompson’s work reflects the mountains and high-desert vistas of our area in a distinctive impressionist style. The exhibition will be on display until February 28. All artists will be in attendance at an opening reception during Gallery Walk on Friday, Feb. 16, from 5-8 p.m.

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LLOYD MARTIN’S ‘A M B I T’ Friesen Gallery

riesen Gallery announces the representation of renowned American painter Lloyd Martin. “AMBIT” marks the artist’s debut solo show with Friesen, and is the first solo exhibition of Lloyd Martin’s work in the Western United States. Lloyd Martin, known internationally for his rhythmically constructed abstract painting, continues his engagement with color and line in this outstanding body of work, “AMBIT.“ Grounded in pictorial truth, Martin’s paintings hold a sense of movement, of rhythm, of flow, and delight the eye as it is drawn along the forms and juxtapositions of bright-hued lush colors that are characteristic of the artist’s recent work. Architectural structure gives Lloyd Martin’s paintings a sense of gravity, giving weight to flights Lloyd Martin, “Shim,” oil on canvas, 66 inches by 96 inches, 2012-2017. Artwork courtesy of Friesen Gallery of vibrant color. His chemistry of elements act as meditations–stimulating both visceral and cerebral responses from viewers. The gallery will host an opening reception for the artist during Gallery Walk on Friday, Feb. 16, from 5-8 p.m.

L L OY D M A R T I N

| A M B IT

Friesen Gallery announces the representation of renowned American painter Lloyd Martin. Known internationally for his rhythmically constructed abstract paintings, Lloyd Martin continues his engagement with color and line in this outstanding body of work, AMBIT. Architectural structure gives Lloyd Martin’s paintings a sense of gravity, giving weight to flights of vibrant color. His chemistry of elements further act as meditations – stimulating both visceral and cerebral responses.

OPENING RECEPTION Friday 16 February 2018 5:00 - 8:00 PM Above: Lloyd Martin | Shim Series | 30 x 30 inches • oil on canvas

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ART THAT SIN

Boloix to feature Latin Amer

BY YANNA LANTZ

rom 20th-century masters to mid-career Contemporary artists, Frederic Boloix Fine Arts will showcase a variety of breathtaking works by Cuban-born emerging artist Julio Figueroa Beltrán, along with renowned Latin American artists José Bedia, Julio Larraz and Gustavo Acosta. Boloix grew up admiring the works of modern masters in Europe while he traveled and played trombone in orchestras and operas throughout the continent. “I spent my days walking through museums and seeing the great works of Western civilizations,” Boloix said. His hobby eventually turned

John Moyers

“A Warm Fire Awaits Him”

30” high X 40” wide

Continued FREDERIC BOLOIX Page 4

Oil on linen

“Masters of the American West” Autry Museum of the American West

Wood River Fine Arts proudly exhibiting these Masters artists:

360 East Avenue, In The Courtyard | Ketchum 208.928.7728 | www.woodriverfinearts.com

FREDERIC BOLOIX FINE ARTS

Boloix Fine Arts will showcase a rare mountain Acosta, titled “A Distant Sound.” Artwork cour

MASTERS OF THE AMER

Wood River Fine A

ood River Fine Arts is pleased to feature award-winning artists from the annual “Masters of the American West Show” at the Autry Museum in Los Angeles, California, for our February 16 Gallery Walk exhibition. The show features new works from Len Chmiel, Christopher Blossom and last year’s “James R. Parks Trustee Purchase Award” winner, John Moyers. Wood River Fine Arts focuses on bringing the highest quality painters and sculptors to Ketchum for this show. Other gallery artists exhibiting at the Masters show will include Bill Anton, Kenneth Bunn, James Morgan, Terri Kelly Moyers, Dan Ostermiller, Daniel W. Pinkham, Andrew Peters and Matt Smith. “John Moyers painting titled ‘The Elders Walk’ was purchased at last year’s show by the Autry Museum for its permanent collection,” says gallery Co-owner Tom Bassett. “To be recognized and included in a major museum’s display is a huge honor

Christopher Blossom, “Discovery and Cha 1792,” 34 inches by 22 inches, oil on line Arts

for the artist. We hope everyone will come out to enjoy this spectacular exhibit.” Wood River Fine Arts is located at 360 East Avenue in Ketchum (The

FOLLOWING AN INN

F Julio Figueroa “The Distant Silence,” Oil on Canvas. 46” x 56”

Open for Gallery Walk - Friday February 16th, 5-8pm

Featuring works by CUBAN/AMERICAN ARTISTS JULIO FIGUEROA BELTRÁN, JOSE BEDIA, JULIO LARRAZ AND GUSTAVO ACOSTA

We will also have a preview on Thursday, February 15th between 4:00 - 6:30 We are located in the atrium of the Galleria Building on Leadville and Fourth in Ketchum.

351 Leadville Ave. in Ketchum Tel. 208.726.8810 Frederic@Boloix.com

rederic Boloix will be featuring Cuban-born emerging artist Julio Figueroa Beltrán along with renowned Latin American artists José Bedia, Julio Larraz and Gustavo Acosta. These artists cover areas as diverse as surrealism (with a twist), tribal art and contemporary realism. The common denominator is that they are dedicated and outstanding painters during a period in time when many artists conceive but don’t necessarily execute their own works of art in the traditional sense. All four are highly trained and have the freedom and craft to follow an inner voice, a unique visual perspective or a dream. The young artist Julio Figueroa Beltrán will be featured for the first time at

Frederic Boloix Fine

José Bedia, “Natural Outcome,” acrylic on canvas. A Arts

Boloix with characteristic fantastical imagery such as highway overpasses, sometimes underwater with myriad jellyfish floating in the background (instead of cars), sometimes with a giant flying orchid in the foreground or an iceberg

at a distance. T tion offers work beginning a coll those who seek by artists at the u elon of the interna scene. We will be ope lery Walk on Fri

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ROCHAT, MYERS, GARDNER & EXPERIENCE OF COLOR

Arts

atham Approaching Cape Flattery, April 29 n. Artwork courtesy of Wood River Fine

Courtyard Building). For more information, call owners Tom Bassett and Sandy Gregorak (208) 928-7728 or visit woodriverfinearts.com.

NER VOICE

e Arts

Artwork courtesy of Frederic Boloix Fine

The selecfor those lection to out work upper echational art

16, from 5-8 p.m. and will also be welcoming those who prefer a more intimate environment on Thursday, Feb. 15, from 5-7 p.m. for a sneak preview. For more information en for Gal- please call (208) 726-8810 iday, Feb. or visit boloix.com.

R A N A R O C H AT

THE EXPERIENCE OF COLOR III

n landscape from Cuban painter Gustavo rtesy of Frederic Boloix Fine Arts

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Laura McPhee, “Sidewalk Flower Shop 1/5,” archival pigment print, 31 inches by 39.5 inches, framed. Artwork courtesy of Gail Severn Gallery

Gail Severn Gallery

Rana Rochat Rana Rochat’s encaustic paintings explore abstraction based on an intuition and instinct. Each seeks a fragile balance between order and chaos, reason and spontaneity. Swirls, lines and drips are formed within the luminous layers of each painting. While appearing natural and familiar, they are at the same time non-specific, refusing to adhere to just a single meaning for viewers. The freedom in the shapes allows viewers to get lost in thought and generate their own meaning from the artwork. Experience of Color III Artists featured include: Linda Christensen, Pamela DeTuncq, David deVillier, Bean Finneran, Gary Komarin, Laura McPhee, Cole Morgan, Alexander Rohrig, Julie Speidel, Mark Stasz and Therman Statom Artists in this exhibition use color as a predominate component of their artwork. Linda Christensen’s figurative paintings deal with life’s everyday occurrences. Her work features contrast of extremes in color and ambiguity of space. Pamela DeTuncq turns taxidermy into a playful and lively version of itself by using vintage tapestries. David deVillier’s paintings use color and human forms to evoke messages of dreams, relationships, alternate personalities, desires, frustrations, seductions and suggestions. The liveliness of Bean Finneran’s hand-rolled ceramic sculptures resembles the creativity of nature. Gary Komarin’s abstract painting style visually engages the viewer with richness of color as a primary message. Laura McPhee is known for her stunning images of the Northwest. Her trips to India bring us photographs rich in color and culture from the city of Calcutta and beyond. Working between logic and imagination, Cole Morgan’s paintings have a quality of randomness, yet he meticulously controls every inch of his canvas. Alexander Rohrig’s work stems from the memory or a feeling that something gives him rather than its detailed portrait. Julie Speidel’s newest work features bold colors matched with her iconic forms influenced by ancient artifacts. Mark Stasz’s sculptures incorporate both industrial and organic qualities by incorporating steel and stone. Therman Statom is considered one of the most influential artist in glass. The glass sculptures he creates incorporate colorful imagery with a sense of fragility. Marcia Myers Marcia Myers’ paintings are relics of a creative process in which the act of creating supersedes the product of creation. Here, paint takes center stage, creating a symphony of color, light, texture, shape and space. The viewer is propelled into a realm beyond recognizable subject matter, a place devoid of word and imagery where all is stripped to its very essence. Here, the past and present comingle. Myers refers to color as “the most relative medium in art.” Her luscious reds recall the ruins of Pompeii; earthy ochers, Tuscany; iridescent lapis blues, Giotto’s Arena Chapel murals. Sheila Gardner Sheila Gardner captures the natural world with her use of oil and watercolor paints. The paintings are easily recognizable as hers from her distinct brush strokes and masterful use of light and shadow. “The moods of nature seem infinite; the season, the hour, the wind, the sun or lack of it, even pollution, are some of the factors that make for constant change,” Gardner says. “That constant change fascinates me. I could paint the same hill, the same water, even the same tree, and never repeat myself.” Gardner’s work is included in many museum and corporate collections throughout the world.

Linda Christensen• Pamela DeTuncq • David deVillier Bean Finneran • Gar y Komarin • Laura McPhee Cole Morgan • Alexander Rohrig • Julie Speidel Mark Stasz • Therman Statom

MARCIA MYERS

C E L E B R AT I N G 4 1 Y E A R S

GAIL SEVERN GALLERY 400 First Avenue North • PO Box 1679 • Ketchum, ID 83340 • 208.726.5079 info@gailseverngallery.com • www.gailseverngallery.com

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‘UNTOLD STORIES’ & ‘ELSEWHERE’

David Burdeny, “Rain Over Lencois Maranhenses 1,” archival pigment print. Artwork courtesy of Gilman Contemporary

Gilman Contemporary

“Elsewhere” features a select group of David Burdeny’s photographs of salt ponds and bodies of water that illustrate his unique eye for the potential of pure space. Burdeny pushes the preferred minimalist palette with his aerial views of the Great Salt Lake salt pools in Utah to the crisp white sands and blue rivers of Brazil. His images are an explosive array of colors contained between sinuous lines of rivers, roads and tracks—either man-made, nature-made or both. These abstract presentations appear closely akin to paintings of the 1950s and 1960s, making the observer question whether they are looking at a painting or a photograph. Recognized for her dress “portraits,” Laura Schiff Bean’s newest series, “Untold Stories,” reflects on today›s world and the amount of distraction and noise that we are subjected to, as indicated by the letters that seem to escape from the folds of the dresses. Using the beauty and hope that the dress represents, it is Bean’s desire that we pause and give space for our individual stories to evolve.

PRESIDENTS’ DAY 2018 SPECIAL

A view of MESH Gallery’s new space between Giacobbi Square and Ketchum Town Square in Ketchum. Photo courtesy of MESH Gallery

MESH Gallery

his holiday weekend, MESH Gallery is offering special sale pricing for “Capturing the Valley®,” Jeffrey Lubecks’ photographic journey through the beauty of the Wood River Valley and its surrounding mountain ranges. The enormously popular and iconic book will soon enter its 4th printing in a little over a year. An immersive page-turning experience produced on the highest display mediums available, the 100-page, large-format (15 inches by 30 inches), lay-flat book provides the means for our guests to take home every image that they have come to love, and display them in their home year-round for friends and family alike. “I could cut out each of these images and frame them up around my house,” one recent guest wrote. “Capturing the Valley®” includes a separate eight-page narrative by Lubeck, commenting on each image. Each book and narrative is signed by the author. Come by for Gallery Walk and have Lubeck sign yours in person. The special Presidents’ Day weekend price of $175 represents a $50 discount off the standard price of $225.

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WORKING THE WEST Broschofsky Galleries

W José Bedia’s “Guardian of the Stars” is an acrylic work on canvas, created with the painter’s fingers. Artwork courtesy of Frederic Boloix Fine Arts

Boloix Gallery Reflects His Personality Continued from Page 5

into a profession, and now Boloix handpicks pieces for his own gallery. “I think we have a very fine collection of galleries in this Valley and each one has its own personality,” he said. “I like to think my gallery reflects my personality and voice. Each picture was picked because it sang to me.” Figueroa Beltrán will be featured at Gallery Walk on Friday. “I’m draw to the fantasy and surrealism in his work,” Boloix said. “As a very skilled emerging artist, he has this way off juxtaposing two different ideas in the same piece. A lot of his work is like a dream that a young boy might have.” Boloix will also showcase “Van Gogh in the Bahamas” by

Julio Larraz, one of the most prominent Cuban artists of the last 30 to 40 years. “He’s possibly the greatest painter alive,” Boloix said. “If you watch him work in his studio, it’s just incredible. He doesn’t need much reference for what he’s painting—he just pulls it out of his head.” Bedia, whose tribal painting “Guardian of the Stars” will be on display, is considered the most famous Cuban artist in the contemporary realm. “His work is connected to the mysticism of symbols, dreams and architypes from our past,” Boloix said. “His technique is absolutely unique because he paints with his fingers. He actually paints with his right and left hands, so he’ll stand in the middle of the painting and create this incredible symmetry. The widths of his paintings tend

to be as wide as his arms are.” Boloix will additionally show a rare mountain landscape from Cuban painter Gustavo Acosta. “It’s actually a bit of a joke,” the owner said. “When he was here last, I jokingly pointed to Baldy and asked, ‘Can a Cuban paint a mountain?’ And three weeks later he sent me ‘A Distant Sound.’ But of course it would never be enough for him to just have a mountain landscape, so he put a helicopter in the middle of it.” Boloix’s gallery is an elegant space inside The Galleria at 351 Leadville Avenue. “It’s always a nice vibe here during Gallery Walk,” Boloix said. “I have live music and people can come, have a glass of bubbly and hang out with some beautiful works.”

Gail Severn Picks A Speidel Piece

tws

illiam (Willy) Matthews does not like to be referred to as a “cowboy artist.” He doen’t claim to be a cowboy, and his vast spectrum of painted subjects has covered the globe. Still, he is very drawn to that genre and has great respect for the independence and self-sufficient qualities of people working the big ranches in the West. He has high regard for their knowledge of the natural world and their forthright interactions draw him in, along with their music and cowboy poetry. Willy was born in 1949 in New York City and grew up in the Bay Area. His professional career began in Los Angeles, designing album covers for Warner Bros. and Capitol Records. He lived in Europe from 1975 to 1980. Upon his return to Colorado, he ran a William Matthews, “Catman.” graphic design studio until 1990, Artwork courtesy of Broschofsky when he dedicated himself full Galleries time to painting. He is best known for his portrayal of working cowboys from the great ranches of the American West. The 1994 published monograph, “Cowboys & Images: The Watercolors of William Matthews,” chronicles a decade of the artist’s work devoted to this subject. In the fall of 2007, Chronicle Books of San Francisco released a second monograph dedicated to the same subject matter titled, “William Matthews: Working the West.” A retrospective of his Western paintings was presented at the Denver Art Museum in 2016. Other areas of study are included in several exhibition catalogs. Willy has also created several commissioned projects and his artwork is widely exhibited. His watercolors are part of numerous private and public collections. Broschofsky Galleries is also showing works by Russell Chatham, Michael Coleman, Ewoud de Groot, Andy Warhol, Russell Young, Theodore Villa, Ken Peloke, Edward S. Curtis, Rudi Broschofsky, Billy Schenck, Gordon McConnell, William Matthews and Jan Grotenbreg.

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“In the 1980s, she started doing transitional objects on a larger scale. She’s always been influenced by ancient cultures. She grew up partly in Europe, and was influenced by Stonehenge and other megalithic forms. “The larger vertical forms were very abstract and very totemic, but she was always drawn to a multitude of materials, including wood, glass and porcelain. The majority is welded bronze, and 20 years ago she started working with stainless steel.” Known for her use of technology, scale, materials and spatial sensitivity, Speidel is one of the “key Northwest artists,” Severn said. She has won multiple awards and commissions, including a series of large-scale pieces people can actually walk under in the plaza of Amazon’s new headquarters, the Doppler Building, in Seattle. Published in Italy in association with the Tacoma Arts Museum, a new book, “The Center Holds,” will be released soon. It’s a retrospective of Speidel’s long career by art critic Mathew Kangas, and a forward by Rock Hushka, the curator of Contemporary and Northwest Art at the Tacoma Art Museum. The featured piece shown on the back of the coffee-table book is “Caillech.” Severn and Speidel are also good friends. “We went to China together and floated down the Yangtze

WILLIAM MATTHEWS

‘Petros’ is an installation in the plaza of the Doppler Building in Seattle. Photo courtesy of Gail Severn Gallery

River,” Severn said. “They were starting to build Three Gorges Dam. She got very excited, because they were flooding the Yangtze and she was able to purchase rough marble steps and had them shipped back to the U.S. She carved these pieces; some were made into benches and some vertical forms. A lot of pieces were done in groups, mixing the bronze with the stone, and then we showed them here.” Besides her connection with

Speidel’s work over the years, Severn said she has the “highest respect for her as an artist. To see a woman, a full-time mother, follow her passion while raising her children, but also continue her growth and passion as an artist and grow to this stature, is a remarkable process; one that a small percentage of artists are able to achieve. She’s one of the most wonderful people you could ever meet and a remarkable individual.” tws

“Jordan Valley Mud” William Matthews -Watercolor, 22” x 14”

Also, Best of the West, works by gallery artists: Russell Chatham, Michael Coleman, Edward Curtis, Rudi Broschofsky, Russell Young, Billy Schenck, Ken Peloke, Theodore Villa, Andy Warhol and more. 360 East Ave. Ketchum, ID 208.726.4950 www.brogallery.com

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sun valley gallery association

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GALLERY WALK Downtown Ketchum

Ore Ore Wagon Wagon Museum Museum

77 Fifth FifthStreet Street Giacobbi Giacobbi Square Square

Post Post Office Office

44 Fourth Street Heritage Corridor Art Art Walk Fourth Street Heritage Corridor Walk

Fourth FourthStreet Street

2 2

33 to Baldy to Baldy

9 9

Town Town Square Square

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SUN VALLEY ROAD SUN VALLEY ROAD

to Sun Valley to Sun Valley EAST

EAST

MAIN STREET MAIN STREET

WEST WEST

Community Community LibrarLibrar y y

Spruce Avenue

Walnut Avenue

East Avenue

Leadville Avenue Leadville Avenue

Highway Highway 75 75 to Stanley to Stanley NORTH NORTH

Washington Avenue Washington Avenue

SixthStreet Street Sixth Second Avenue Avenue Second

WarmSprings Springs Road Warm Road

First Avenue First Avenue

DowntownKetchum Ketchum Downtown

6 6 Second Street Second Street

First Street First Street Ski & Ski & Heritage Heritage Museum Museum

River Street River Street

Highway 75 to Hailey Highway 75 SOUTH to Hailey

SOUTH

1. Broschofsky Galleries

5. Gilman Contemporary

East Avenue Galleries 1.360Broschofsky

360 EastBoloix AvenueFine Arts 2. Frederic

661 Gilman Sun ValleyContemporary Road 5.

661 SunGallery Valley Road 6. Kneeland

Leadville Boloix Avenue, Fine The Galleria 2.351Frederic Arts Building

271 Kneeland First AvenueGallery North 6.

351 Leadville Avenue, The Galleria Building 7. 3. Friesen Gallery First Avenue North 3.320Friesen Gallery

320Severn First Avenue North 4. Gail Gallery First Avenue North 4.400Gail Severn Gallery

400 First Avenue North

First Center Avenue North Sun271 Valley for the Arts 191 Sun Fifth Street 7. ValleyEast Center for the Arts

191River Fifth Street 8. Wood Fine East Arts 360 East Avenue 8. Wood River Fine Arts 360 Gallery East Avenue 9. MESH 420 4th Street East

9. MESH Gallery 420 4th Street East