Gallery Walk - March 2018

Sun Valley Gallery Association

GALLERY WALK EDITION G a l l e r y W a l k I s F r i d ay, M a r c h 9 , 2 0 1 8

M a r c h , 2 0 1 8 • V o l . 5 • N o . 2 • w w w .T h e W e e k l y S u n . c o m

Jeffrey H. Lubeck, “First Sunrise of Spring in the Sawtooths.” Photo courtesy of, and on exhibit at, MESH Gallery in Ketchum.

TABLE OF CONTENTS

G A L L E RY WA L K

MAP Page 8

Broschofsky Galleries..............................Page 7 Frederic Boloix Fine Arts.........................Page 6 Friesen Gallery.........................................Page 3 Gail Severn Gallery..................................Page 5 Gilman Contemporary.............................Page 2

Kneeland Gallery.....................................Page 6 MESH Gallery...........................................Page 4 Wood River Fine Arts...............................Page 4 Feature Stories........................................Pages 2 & 4

2

GALLERY WALK EDITION

•

P U B L I S H E D B Y T H E W E E K LY S U N

( T H E W E E K LY S U N .C O M )

• MARCH, 2018

KNEELAND GALLERY REPRESENTS WORKS BY YOUNG IDAHO ARTIST

Silas Thompson “Travelers II”, oil on canvas, 40 inches by 48 inches. Artwork courtesy of Kneeland Gallery

BY KELLY EISENBARGER

C

arrie Molter, manager of Kneeland Gallery in Ketchum, sees hundreds of paintings move through the gallery every year. But the painting that caught her attention in February’s show is “Travelers,”

by Silas Thompson, a young Idaho artist known for his plein-air

work. Kneeland has represented Thompson for just over a year.

Thompson originally came to Molter’s notice when he worked as artist Robert Moore’s apprentice at Kneeland’s annual pleinair exhibition two years ago.

Later, Molter noticed him painting outside, discussed his work with him, and bought the painting on the spot.

“In the past two years he’s really blossomed,” Molter said.

“He’s an emerging artist, so it’s a great time to buy his work.”

Molter initially picked “Travelers” from a set of images he sent her for consideration.

Continued PLEIN AIR Page 7

GILMAN TO SHOWCASE HUNT SLONEM, MARIA SVARBOVA Gilman Contemporary

G

ilman Contemporary exhibits “Quantum Leap,” a selection of oil paintings

by Hunt Slonem. Slonem’s work is characterized by his exuberant brushstrokes and lavishly colored canvases populated by birds, butterflies and, often, bunnies.

Slonem was born in Kittery, Maine, in 1951.

His father was a Navy officer and, as a result, he moved frequently to such places as Hawaii, Connecticut and California. During his college years, Slonem studied in Nicaragua and Mexico, which heavily influenced his early work that featured the exotic flora and fauna from these locales.

Uninterested in realism, Slonem’s work is deeply rooted in the act of painting. The paintings explore the fullest capacity of color and texture. He often cuts a crosshatched pattern into the thick oil paint. The surface patterning combined with rich color creates works that are poetic and rich.

Globally, more than 100 museums include Hunt Slonem’s work in their collections.

Among them: the Metropolitan Museum of Art, the Solomon R. Guggenheim Museum and the Whitney Museum of American Art in New York City. Slonem has been commissioned to paint large-scale murals for the Bryant Park Grill and the former World Trade Center, both in New York City.

Gilman Contemporary will also be exhibiting new photographs by Slovakian photographer Maria Svarbova. Her work on the series ‘In the Swimming Pool’ earned her a 2018 Hasselblad Masters Award in Fine Art Photography. Her signature style merges cool stillness, a striking color palette and unspoken tension. Addressing the loneliness and isolation of contemporary life, her work manages to be both nonsentimental and emotionally powerful.

Hunt Slonem, “Amazons,” oil on canvas, 30 inches by 30 inches. Artwork courtesy of Gilman Contemporary

Hunt Slonem, “Butterflies,” oil on panel, 36 inches by 30 inches. Artwork courtesy of Gilman Contemporary

GALLERY WALK EDITION

•

P U B L I S H E D B Y T H E W E E K LY S U N

( T H E W E E K LY S U N .C O M )

• MARCH, 2018

‘MONOGRAMS + CROSSROADS’

F

Friesen Gallery

riesen Gallery has enthusiastically represented Ford Crull for 25 years and welcomes the artist to Sun Valley this week. “‘Monograms + Crossroads’ is the title of this major exhibition, an appropriate title, and the paintings are simultaneously powerful and beautiful,” states gallery owner Andria Friesen. She added, “It’s been far too long since Ford’s previous visit. His presence in the gallery invariably elevates the excitement.”

Crull has been successful in his combination of the old and the new, demonstrating how an image can call up the past and, at the same time, be responsive to present conditions in painting. Art like this needs to be taken seriously—not only because of the implications of the image, but also because very few painters are trying to build a bridge across time.” Jonathan Goodman, New York art critic “… it is refreshing to come upon Ford Crull’s powerful, deeply-felt paintings.

Crull seems interested in spanning the gap between the esthetic and the spiritual. This is a rather suspect quest these days, not the least because so many artists of ‘spiritual’ inclination seem unable to transcend sentimental clichés.

Crull, however, offers something else—paintings that convey a genuine sense of mystery and wonder.”

Eleanor Heartney, contributing editor to Art in America Ford Crull will be in attendance on Friday, March 9, for the official opening of Monograms + Cross- Ford Crull, “Station 3,” oil, enamel, cotton, rags, canvas, 48 inches roads. by 36 inches, 2015. Artwork courtesy of Friesen Gallery

Ford Crull, “Disintegration of Ego,” oil, oil stick, enamel, 40 inches by 30 inches, 2017. Artwork courtesy of Friesen Gallery

3

4

GALLERY WALK EDITION

•

P U B L I S H E D B Y T H E W E E K LY S U N

( T H E W E E K LY S U N .C O M )

• MARCH, 2018

ARTIST LIVES LARG BIRDS AND BUN

BY DANA DUGAN AND EMILEE MAE STRUSS

A

rt has a philosophy, and for Gilman Contemporary in Ketchum, it’s a simple one.

“Art should be thought-provoking, inspirational and resonate in a deeply personal place,” said gallery owner L’Anne Gilman.

The current exhibition features New York City-based artist Hunt Slonem, and Slovakian photographer Maria Svarbova, both of whom are thought-provoking in entirely different ways.

“The Swimming Pool,” Svarbova’s series of photographs of Socialist-era women, is her largest and most eye-catching series yet.

Bright, exuberant nature and his 60 pet birds inspire much of Slonem’s work.

Continued GILMAN Page 7

Hunt Slonem, “Bunnies,” oil on panel, 3 of Gilman Contemporary

FRESH SNOW MESH Gallery

M

ESH Gallery is happy to say that, with a heavy snow finally showing up heading into spring, we are keeping our fingers crossed for a healthy dose of spring skiing… a beautiful time of year that affords MESH a variety of options to capture the wonders of snow-covered landscapes with a healthy dose of sun-

A view of MESH Gallery’s new space between Giacobbi Square and Ketchum Town Square in Ketchum. Photo courtesy of MESH Gallery

bathing on the ho to show themselv the soft white of stop by MESH in images every mon

Fresh snow from the first f lery. Photo courtesy of ME

GALLERY TO FEATURE AR MASTERS OF THE AMER

W Christopher Blossom

“Approaching San Francisco”

Oil on Linen 16” high X 20” wide

“Masters of the American West” Autry Museum of the American West

Wood River Fine Arts proudly exhibiting these Masters artists:

Bill Anton | Christ0pher Blossom | Len Chmiel James Morgan | John Moyers | Terri Kelly Moyers Andrew Peters | Daniel W. Pinkham | Matt Smith

360 East Avenue, In The Courtyard | Ketchum 208.928.7728 | www.woodriverfinearts.com

Wood River Fine A

ood River Fine Arts continues its feature of award-winning artists from the annual Masters of the American West Show at the Autry Museum in Los Angeles for our March 9 Gallery Walk.

The show includes new works from Len Chmiel, Christopher Blossom and last year’s James R. Parks Trustee Purchase Award winner, John Moyers. Dan Ostermiller is one of our featured artists and was the winner of the 2018 Kenneth T. and Eileen L. Norris Foundation Award for Sculpture for his bronze caribou titled “Barren.” Daniel W. Pinkham won the Artists Choice Award at the show for his painting titled “The Witness.”

Wood River Fine Arts focuses on bringing the highest quality painters and sculptors to Ketchum for this show. Other gallery artists exhibiting at the Masters will include Bill Anton, Kenneth Bunn, James Morgan, Terri Kelly Moyers, Daniel W. Pinkham, Andrew Peters and Matt

Snow Squalls, New York Harbor, 1760 by C linen. Artwork courtesy of Wood River Fi

Smith.

“John Moyers’ painting titled “The Elders Walk” was purchased at last year’s show by the Autry Museum for their permanent collection. To be recognized and included in a major museum’s display is a huge honor for the artist. We hope everyone will come out to enjoy this spectacular exhibit,”

GALLERY WALK EDITION

GE WITH NNIES

32 inches by 41.75 inches. Artwork courtesy

W!

orizon. Colors expected for spring begin ves ever so slightly as they pop through the lingering winter months. Be sure to the coming months as we highlight new nth focusing the beauty of our Valley.

few days of March surrounds MESH GalESH Gallery

RTISTS FROM RICAN WEST

Arts

Christopher Blossom, 18 by 30 Oil on ine Arts

says gallery co-owner Tom Bassett.

Wood River Fine Arts is located at 360 East Avenue in Ketchum (The Courtyard Building). For more information call owners Tom Bassett and Sandy Gregorak (208) 928-7728 or visit our website at www.woodriverfinearts.com.

•

P U B L I S H E D B Y T H E W E E K LY S U N

( T H E W E E K LY S U N .C O M )

GAIL SEVERN GALLERY TO CELEBRATE WOMEN’S HISTORY MONTH

• MARCH, 2018

I N E Z S TO R E R

Severn Gallery

Inez Storer Inez Storer has exhibited at museums throughout the country, including the Monterey Museum of Art; Reno Museum of Art; National Museum of Jewish History, Philadelphia; and Lannan Museum, Fort Worth, Texas. Storer has received the Pollock-Krasner Foundation Grant and the prestigious appointment as Visiting Artist at the American Academy in Rome.

Storer offers the aspect of implied history through use of the figure and objects from her own collections— the resulting work is a com- Inez Storer, “Highflying,” mixed media bination of autobiographical on panel, 42 inches by 30 inches. Artand fictional references. This work courtesy of Gail Severn Gallery exhibition, “Jewish Folktales Retold: Artist as Maggid,” traveled from the Contemporary Jewish Museum in San Francisco to be exhibited at the Gail Severn Gallery.

Rana Rochat Rana Rochat’s encaustic paintings explore abstraction based on an intuition and instinct. Each painting seeks a fragile balance between order and chaos, reason and spontaneity.

Swirls, lines and drips are formed within the luminous layers of each painting.

While appearing natural and familiar, they are at the same time nonspecific, refusing to adhere to just a single meaning for viewers.

SATURDAY, MARCH 10 TH

10:00 AM

THE SPECTRUM OF WOMEN

Rana Rochat, “Untitled S327,” Encaustic on paper, 38 inches by 32 inches.

Artwork courtesy of Gail Severn Gallery

The Spectrum of Women Gail Severn Gallery has devoted its largest gallery space to celebrate Women’s History Month. Artists in this exhibition use color as a predominate component of their artwork. Linda Christensen’s figurative paintings deal with life’s everyday occurrences. Her work features the contrast of extremes in color and ambiguity of space. Pamela DeTuncq turns taxidermy into a playful and lively version of itself by using vintage tapestries. The liveliness of Bean Finneran’s hand-rolled ceramic sculptures resembles the creativity of nature. Laura McPhee is known for her stunning images of the Northwest. Her recent trips to India bring us photographs rich in color and culture from the city of Calcutta and beyond. Jane Rosen transforms stone, bronze Linda Christensen, “Striped Towel,” Oil on canvas, 48 inches by 36 inches. Artand glass into animals both work courtesy of Gail Severn Gallery domestic and wild. Her animals and birds of prey project grace and solitude. Working between logic and imagination, Julie Speidel’s newest work features bold colors matched with her iconic forms influenced by ancient artifacts.

Sheila Gardner Sheila Gardner captures the natural world with her use of oil and watercolor paints. The paintings are easily recognizable as hers from the distinct brushstrokes and her masterful use of light and shadow.

A R T I S T C H AT w i t h I N E Z S T O R E R

Sheila Gardner, “Shades of Bronze on Silver

Gallery Walk and Creek ShG 535,” Watercolor on paper, 30 Artist Reception, 5-8 inches by 40 inches. Artwork courtesy of p.m. Friday, March 9. Gail Severn Gallery Artist Chat with Inez Storer, 10 a.m. Saturday, March 10.

Linda Christensen • Pamela DeTuncq • Bean Finneran Laura McPhee • Marcia Myers • Julie Speidel

R A N A R O C H AT

G

C E L E B R AT I N G 4 1 Y E A R S AIL SEVERN GALLERY 400 First Avenue North • PO Box 1679 • Ketchum, ID 83340 • 208.726.5079 info@gailseverngallery.com • www.gailseverngallery.com

O P E N S E V E N D AY S A W E E K

5

6

GALLERY WALK EDITION

•

P U B L I S H E D B Y T H E W E E K LY S U N

FREDERIC BOLOIX FINE ARTS

( T H E W E E K LY S U N .C O M )

• MARCH, 2018

FOLLOWING AN INNER VOICE

Julio Larraz, “Study for Van Gogh in the Bahamas,” (detail) oil on canvas, 30 inches by 40 inches. Artwork courtesy of Frederic Boloix Fine Arts

Frederic Boloix Fine Arts

Julio Figueroa Beltran “Kandinsky’s Overture” Oil on Canvas 40 x 50 inches

Open for Gallery Walk - Friday March 9 , 5-8pm th

Featuring works by CUBAN/AMERICAN ARTISTS JULIO FIGUEROA BELTRAN, JOSÉ BEDIA, JULIO LARRAZ AND GUSTAVO ACOSTA We are located in the atrium of the Galleria Building on Leadville and Fourth in Ketchum.

351 Leadville Ave. in Ketchum Tel. 208.726.8810 Frederic@Boloix.com

F

rederic Boloix will feature Cuban-born emerging artist Julio Figueroa Beltrán along with renowned Latin American artists José Bedia, Julio Larraz and Gustavo Acosta.

These artists cover areas as diverse as surrealism (with a twist), tribal art and contemporary realism. The common denominator is that they are dedicated and outstanding painters during a period in time when many artists conceive but don’t necessarily execute their own works of art in the traditional sense. All four are highly trained and have the freedom and craft to follow an inner voice, a unique visual perspective or a dream.

The young artist Julio Figueroa Beltrán is featured with characteristic fantastical imagery such as highway overpasses, sometimes underwater with myriad jellyfish floating in the background (instead of cars), sometimes with a giant flying orchid in the foreground or an iceberg at a distance. The selection offers work for those beginning a collection to those who seek out work by artists at the upper echelon of the international art scene.

We will be open for Gallery Walk on Friday, Mar. 9, from 5-8 p.m.

For more information please call (208) 726-8810 or visit boloix. com.

‘CLOSE TO HOME’ FEATURING SYMS, ROWE & HOREJS

Kevin Syms, “Sun Valley Opera House”, varnished crystalline canvas, 38” x 65”

John Horejs, “Summer Poppy Garden,” oil on canvas, 30 inches by 40 inches. Artwork courtesy of Kneeland Gallery

K

Carl Rowe “Lost River Range”, alkyd on canvas, 24” x 53”

KEVIN SYMS, CARL ROWE, JOHN HOREJS ARTIST’S RECEPTION: Friday March 9th, 5-8pm 271 First Ave N, Ketchum, ID 83340 • PO Box 2070, Sun Valley, ID 83353 • 208.726.5512 email: art@kneelandgallery.com • website: www.kneelandgallery.com

Kneeland Gallery

evin Syms has lived in the Wood River Valley for over 50 years, moving to Idaho as a young boy with his family.

After graduating from Brooks Institute of Photography in 1979, Syms traveled extensively, doing commercial photography projects for resorts and hotels throughout the country and abroad.

Prior to and throughout his time producing commercial photography, he was inspired to photograph nature’s beauty, establishing an exquisite library of fine-art imagery over many years. Presently, his focus is on sharing his fine-art photography through large canvas murals and resin-coated metallic prints.

Boise-based artist Carl Rowe sees his home landscapes as unique, evocative and aesthetically vibrant. The focus of his work centers on the rolling foothills and cloud formations of this area, utilizing the unusual medium of alkyd on his canvases.

John Horejs is one of the gallery’s longest-standing artists. He spends his time between Idaho and Arizona and his works feature colorful wildflowers and mountain lakes, waterfalls and popular landmarks. His gallery-wrapped canvases are presented with a signature white border, which gives his work a distinct and contemporary feel.

Kevin Syms will be in attendance at the opening reception from 5-8 p.m. on Friday, March 9.

GALLERY WALK EDITION

•

P U B L I S H E D B Y T H E W E E K LY S U N

Gilman Has Birds On The Brain

( T H E W E E K LY S U N .C O M )

Continued from Page 5

Born in Maine, Slonem grew up nomadic as the son of a Navyman. He graduated from Tulane University in New Orleans, and Skowhegan School of Painting and Sculpture in Maine. He also lived in such tropical locations as Nicaragua, Mexico and Hawaii, all of which inform his representational imagery.

“Birds are maintainable in my world and they provide an endless source of inspiration,” Slonem said in an interview with Forbes in 2017. “It’s become one of the predominant subjects of my artwork.”

Slonem has a 30,000-square-foot studio—a former warehouse space—in Brooklyn, with his own aviary. It’s filled with not just his artwork but with collectibles of all kinds that represent his unique sense of design.

In 1995, he finished a massive 6-foot-by-86-foot mural of birds, which shoots across the walls of the Bryant Park Grill restaurant in New York City.

His charity work has resulted in dozens of partnerships, including a wallpaper of his famous bunnies designed specifically with Lee Jofa for the Ronald McDonald House in Long Island.

Over the years, Slonem has received many prestigious grants, including from Montreal’s Elizabeth Greenshields Foundation, the National Endowment for the Arts, and the Cultural Counsel Foundation’s Artist Project, for which he painted an 80-foot mural of the World Trade Center in the late 1970s. He also received an introduction to the Marlborough Gallery, which would eventually represent him.

Slonem’s work can be found permanently in at least 100 museums around the world, including the Metropolitan Museum of Art, the Solomon R. Guggenheim Museum and the Whitney Museum of American Art in New York City. He also has several public installations, including brightly painted whimsical aluminum pieces in Metairie and Kenner, Louisiana, cities near New Orleans where he spends time. Along with his artwork, Slonem has bought and restored several American showplaces, including two Louisiana plantations and several

mansions in New York and Pennsylvania.

“He loves bunnies, and he paints one every morning, no matter where he is,” Gilman said. “This is our second show with him and one of our most significant shows.”

His bunny wallpaper is an enduring favorite.

“A couple of our clients bought the bunny wallpaper, and now they collect the single bunnies and place them on the wallpaper,” Gilman said. “It’s so fun to see. He’s been committed to this style for so many years. He is very prolific and has been able to place these brush strokes—they’re quick—but there are layers and layers of paint in these small 10-footby-8-foot single bunnies.”

The fine-art publishing house Assouline published his book, “When Art Meets Design,” in 2014.

Other of his books are “Birds” and “Bunnies.” The book “Pleasure Palaces: The Art & Homes of Hunt Slonem,” by Vincent Katz, was published in 2007; “The Worlds of Hunt Slonem,” by Dominique Nahas, was published in 2011; and “Hunt Slonem: An Art Rich and Strange,” by Donald Kuspit, came out in 2002.

Plein Air Artist Attracts Attention Continued from Page 2

“It was a tough selection process because there were so many beautiful pieces to choose from, but this one was a standout in my opinion,” Molter said.

The scene depicts a weary looking group of hunters gathering around a campfire at the end of a long day.

“On closer inspection, you notice the actions of each individual,” Molter said. “One is pouring himself a drink, one tending to the fire, and another coiling his rope. You find yourself wondering what that campfire conversation will hold and who these people really are.”

The painting has not only stirred Molter but visitors to the gallery are also taken with the bold painting.

“A lady recently stood in front of the painting in the gallery for quite some time and I asked her what she thought of it,” Molter said. “She told me that she had recently been at the National Cowboy Poetry Gathering in Elko, and that she felt that she

RUSSELL YOUNG SCREEN PRINTS

R Hunt Slonem, “Untitled (birds),” oil on wood panel, 48 x 48 inches. Artwork courtesy of Gilman Contemporary

could literally hear the cowboys in the painting telling their stories. That is the type of reaction any artist strives for.”

Initially, Molter was struck with the story the painting tells, then found her interest begin to layer.

“It continues to keep my interest through the wonderful technique the artist used to put his image together,” she said. “On close inspection the brushwork appears random, with spots of color that initially seem irrelevant to the composition.

As you step back and take in the whole, they become sparks from the fire, the glint of sun off a horse’s coat, and the antlers on its heavy pack. The more time I spend with this piece, the more I know I will find to captivate me. Strangely, it was not until the painting had been here several days that I noticed the contented dog sitting at the feet of one of the hunters.”

Thompson exhibits at several galleries in the Mountain West. He did apprenticeships with renowned artists Caleb Meyer and Robert Moore, the latter whom also shows at Kneeland, and has been a mentor to many young artists.

• MARCH, 2018

Broschofsky Galleries

ussell Young has risen to become one of the most collected and sought-after artists of our time.

In 1986, Young shot the sleeve for George Michael’s album “Faith.” This lead to many more commissions from musicians and celebrities such as Morrissey, Bjork, Springsteen, Dylan, REM, New Order, The Smiths, Diana Ross and Paul Newman. From this, Young moved on to directing music videos in the heyday of MTV. In 1992, when his career as a photographer and music video director was flourishing, Young moved to Hollywood. Young’s artwork and reputation have gone from strength to strength since then. He continues to challenge and reinvent himself.

Young describes his work as a sort of soundtrack to his life, loves, experiences and influences. His method of working is to search, destroy and create. The images he uses have been collected from newspaper cuttings, eBay, and even given by celebrities themselves. He likes to get his hands dirty in the process of his art. “I like the paint, dirt, blood, sweat, tears and mess of hand-pulling paintings in enamel. Screen printing has a magic that is instant and unique,” he says.

Russell Young lives and works in California and New York.

Broschofsky Galleries is showing a selection of Russell Young’s screen prints with diamond dust.

Also showing: works by Russell Chatham, Edward Curtis, Billy Schenck, William Matthews, Ken Peloke, Ewoud de Groot, Rudi Broschofsky, Jan Grotenbreg, Theodore Villa and Andy Warhol.

Russell Young, “Magnificent Seven,” screen print with diamond dust, 35 inches by 44 inches. Artwork courtesy of Broschofsky Galleries

RUSSELL YOUNG

“Marilyn Crying” Russell Young screen print on linen with diamond dust, 62” x 48”

Also, Best of the West, works by gallery artists: Russell Chatham, Michael Coleman, Edward Curtis, Rudi Broschofsky, Russell Young, Billy Schenck, Ken Peloke, Theodore Villa, Andy Warhol and more.

Silas Thompson, “A Sinister Foul,” oil on canvas, 12 inches by 18 inches. Artwork courtesy of Kneeland Gallery

7

360 East Ave. Ketchum, ID 208.726.4950 www.brogallery.com

8

GALLERY WALK EDITION

•

P U B L I S H E D B Y T H E W E E K LY S U N

( T H E W E E K LY S U N .C O M )

• MARCH, 2018

sun valley gallery association

GALLERY WALK Downtown Ketchum

Wagon Ore Ore Wagon Museum Museum

77 Fifth Street Street Fifth Giacobbi Giacobbi Square Square

Post Post Office Office

Spruce Avenue

Spruce Avenue

Walnut Avenue

Walnut Avenue

East Avenue

East Avenue

Leadville Avenue Leadville Avenue

NORTH NORTH

Highway 75 Highway 75 to Stanley to Stanley

Washington Avenue Washington Avenue

Sixth Street Street Sixth Second Second Avenue Avenue

Warm Springs Road Warm Springs Road

First Avenue First Avenue

Downtown Ketchum Ketchum Downtown

Community Community Librar Librar y y

44 Fourth Street Heritage Corridor ArtArt Walk Fourth Street Heritage Corridor Walk

Fourth Fourth Street Street

2 2

33 to to Baldy Baldy

Town Town Square Square

1,81,8

SUN VALLEY ROAD SUN VALLEY ROAD

5 5 to Sun Valley to Sun Valley EAST

EAST

MAIN STREET MAIN STREET

WEST WEST

9 9

66 Second Street Second Street

First Street First Street Ski & Ski & Heritage Heritage Museum Museum

River Street River Street

Highway 75 to Highway Hailey 75 SOUTH to Hailey

© sun valley gallery association

SOUTH

1. Broschofsky Galleries 1. 360 Broschofsky East Avenue Galleries 360 East Avenue

2. Frederic Boloix Fine Arts LeadvilleBoloix Avenue,Fine The Galleria 2. 351 Frederic Arts Building 351 Leadville Avenue, The Galleria Building

3. Friesen Gallery First Avenue North 3. 320 Friesen Gallery

320 First Avenue North

4. Gail Severn Gallery

FirstSevern Avenue Gallery North 4. 400 Gail

400 First Avenue North

© sun valley gallery association

5. Gilman Contemporary 5.661Gilman Contemporary Sun Valley Road 661 Sun Valley Road

6. Kneeland Gallery First AvenueGallery North 6.271Kneeland 7.

271 First Avenue North

Sun Valley Center for the Arts Fifth Street 7.191Sun ValleyEast Center for the Arts 191 Fifth Street East

8. Wood River Fine Arts East Avenue 8.360Wood River Fine Arts

360 East Avenue 9. MESH Gallery 4th Street East 9.420MESH Gallery

420 4th Street East