Gallery Walk - August 2018

Sun Valley Gallery Association

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Kathy Moss, “Untitled #494” (detail), 94 inches by 63 inches, oil on linen. Artwork courtesy of Gail Severn Gallery

TABLE OF CONTENTS

G A L L E RY WA L K

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Broschofsky Galleries..............................Page 6 Frederic Boloix Fine Arts.........................Page 7 Friesen Gallery.........................................Page 5 Gail Severn Gallery..................................Pages 4 & 5 Gilman Contemporary.............................Page 6

Kneeland Gallery.....................................Page 2 MESH Gallery...........................................Page 3 Wood River Fine Arts...............................Page 7 Feature Stories........................................Pages 2 & 4

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‘PLACES OF OUR OWN’ ANDRZEJ SKORUT & SETH WINEGAR

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Andrzej Skorut, “Green Pasture”, oil on canvas, 38” x 45”

Seth Winegar, “American Barn Stormy Day”, oil on panel, 42” x 48”

ANDRZEJ SKORUT & SETH WINEGAR ARTIST’S RECEPTION: Friday August 31st, 5-8pm 271 First Ave N, Ketchum, ID 83340 • PO Box 2070, Sun Valley, ID 83353 • 208.726.5512 email: art@kneelandgallery.com • website: www.kneelandgallery.com

Kneeland Gallery

tah artist Seth Winegar paints unique tonalist landscapes of the West, marked by broad brushstrokes and subtle colors. Having overcome severe health challenges in his youth, including a double lung and liver transplant, Winegar has immersed himself solely in his artwork and, when asked why he paints, he responds, “That’s like asking me why I breathe... it’s instinctual.”

Winegar’s formal art training began with Michael Coleman and he has subsequently attended numerous workshops by Scottsdale masters before becoming nationally collected and featured in museum collections.

Born in Krakow, Poland, Andrzej Skorut resides in Utah and his paintings are created from a multitude of visual sources unified in a composition he finds visually appealing. Landscapes dominate the subject matter of his work, though he uses them as a filter to bring to his work other elements that interest him, be they combinations of color, elements or spatial relationships.

His layers of paint and glazing add surface interest, which is as important to the overall effect as the landscape subject itself.

Both artists will be in attendance at the reception on Friday, Aug. 31, from 5-8 p.m.

Seth Winegar, “Finch Looking Out,” 8 inches by 8 inches, oil on panel.

Artwork courtesy of Kneeland Gallery

Andrzej Skorut, “Green Pasture,” 38 inches by 45 inches, oil on canvas. Artwork courtesy of Kneeland Gallery

FOCUSING ON JEREMY LIPKING

Jeremy Lipking, “Shadow Catcher,” 16 inches by 30 inches. Artwork courtesy of Wood River Fine Arts

Wood River Fine Arts

BY AIMEE DURAND

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arefully placed paintings and pedestals immediately intrigue the senses upon entry to the Wood River Fine Arts gallery, owned by Tom Bassett and wife Sandy Gregorak. Among the current works displayed is a standout piece for Bassett, “Shadow Catcher,” by award-winning realist figurative painter Jeremy Lipking.

“Jeremy is a tremendous artist,” Bassett said.

“Shadow Catcher” depicts Lipking’s daughter, Skylar, in front of a yellow landscape background. Bassett says the merger of figure and landscape is quite inquisitive, and Continued On Page 3

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LABOR DAY WEEKEND

Ed Cannady, “Tetons Willow Flats.” Artwork courtesy of MESH Gallery

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MESH Gallery

s steamy summer nights slowly sneak in to frosty fall mornings, Labor Day weekend is always a wonderful transition from one season to the next.

Come join MESH as we highlight three exciting exhibits from resident artists Jeffrey H. Lubeck, Ed Cannady and Claire Porter highlighting the beauty that can be found through the long waking hours of summer’s splendor.

Ed Cannady introduces his MESH Parks Tour, showcasing the elegance of surrounding national parks Glacier, Wind River and Grand Teton. Treks outside of Idaho afforded Cannady breathtaking views capturing the rich sunsets of surrounding states filled with impressive peaks and calm lakes alike.

Join Claire Porter on a continued discussion of The Wild Mustangs of Idaho, featuring a group of over 70 wild horses living in the open terrain be-

tween Idaho’s White Cloud and Lost River ranges—a beautiful presentation of power and strength, illustrating Idaho’s grandeur for both wildlife and landscape throughout.

MESH’s third showcase features Jeff Lubeck’s “An Encounter with the Finger of Fate.” Continuing his focus within the Sawtooth Mountain Range, Lubeck’s traverse between Decker Peak (10,704 feet) and Mount Cramer (10,716 feet) developed from a quick change in plans leading to fantastic views of one of the region’s most challenging rock climbs.

With close to 1,000 feet of vertical ascent, each of the nine routes up the Finger of Fate is designated at a Class 5.8 or above.

Swing on in for Gallery Walk on Friday, Aug. 31, for an in-depth artist discussion alongside new works from MESH’s resident artists.

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that at first glance “the image looks like a photograph. However, unlike this painting, a photo has a flat quality,” he says. “‘Shadow Catcher’ pulls you in as though you could walk around the other side,” Bassett said.

To further explain this unique blend of focus in “Shadow Catcher,” Bassett says our eyes have a natural reaction to stare at one image.

He illustrates this with how on a drive down the freeway one item becomes the focal point—all other scenery is peripheral. Lipking’s painting allows the eyes to see everything all at once, Bassett said.

“With a highly sensitive eye, [Lipking] sees nuances of value and hue that the camera and most people can never see,” said Michael Zakian, director of the Frederick R. Weisman Museum of Art at Pepperdine University, in Malibu, on the Autry Museum of the American West website. “More incredibly, Lipking is able to translate his highly nuanced vision into a painted image.”

Bassett says Lipking’s abilities to handle and mix paint create beautiful color. He believes this is what captures real-life imagery and fills the entire canvas.

“Lipking renders detail from corner to corner,” Bassett says.

Lipking was called “worth noting” by Fine Art Today, a newsletter from Fine Art Connoisseur magazine, and was listed as “one of the 75 greatest artists of all time” by American Artist Magazine.

In the Autry Museum article, Lipking said that his “artistic inspiration often comes from the interplay of subject and background, which is reflected in the dynamic and intimate qualities” of his work.

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Jeremy Lipking, “Above Timberline,” 36 inches by 18 inches, oil on linen. Artwork courtesy of Wood River Fine Arts

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MOSS • SIEMS • THREE SOLO EXHIBITION

K AT H Y M O S S

Gail Sever

Kathy Moss Kathy Moss’s work has evolved over the last 20 years into a personal iconography, a world of glistening, minimalist surfaces, with floating objects employed as signs. The paintings play with bridging the two worlds of the conceptual and the representative, delicate, minimal amounts of paint oozing and floating on the muscular chalk and oil surface while the subject matter exists in deep space.

A R T I S T C H AT SATURDAY, SEPTEMBER 1 ST

10:00 AM

GAIL SEVERN GALLERY 400 First Avenue North • PO Box 1679 • Ketchum, ID 83340 • 208.726.5079 info@gailseverngallery.com • www.gailseverngallery.com

O P E N S E V E N D AY S A W E E K

Anne Siems Internationally known for eloquent and ethereal paintings, Anne Siems’s figures and animals are inspired by early European and American landscapes. The settings of her narrative paintings are based in part on her childhood memories in the woodlands and forests of Germany. Her work is both contemporary and romantic, with real and fabricated subjects that float into the subconscious.

Linda Christensen As a child, Linda Christensen was always in tune with the subtle shifts in mood of those around her. This sensitive observation of friends and strangers has continued to inspire her work as an artist.

Christensen catches people who are in a “private place” and are turned within.

Christensen finds something magical in seeing the humanness in others as they turn inward, reflectively but uncritically.

The gallery will host artist chats on Saturday, Sept. 1, at 10 a.m.

SEEING DOUBLE

Frederic Boloix gallery will showcase “Twins” by a

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BY HAYDEN SEDER

erman-born and New York City-based artist Rainer Gross’s exhibition “Twins,” on display at Frederic Boloix Fine Arts, in Ketchum, is a new take in the world of abstract art. Using a unique process all his own, Gross has created dual works of art that are almost identical but, upon further inspection, have their own slight differences that set them apart, much like identical twins with differing personalities.

“Twins” is a series of paintings in pairs. Gross begins by layering pigments on one canvas, then adds oil paint to the second canvas and presses them together and peels them apart. The result is much like the monoprints that inspired Gross in which a painting and a plate are used but, in this instance, the result is two paintings instead of one. The paintings are similar looking but inverse to each other—where there are peaks on one there will be valleys in the other.

“This is an abstract show, an art form that has basically had a full life cycle from creation to maturation to obsolescence to revival,” Gross said. “The question becomes how to go into the 21st century making relevant paintings. You hope to have something to add to the canon of abstract work without being redundant and repetitive. It’s a way of finding a new way of reinvigorating the tradition.”

The artist, who has been represented by Boloix’s gallery for 12 years, was an immediate draw to the gallery owner.

“I was drawn to Rainer’s work because of the qualities of richness of color, depth, and texture along with a certain personality that comes out that I rarely see in abstract work,” Boloix said. “Many people who don’t like abstract work absolutely love Rainer’s work.”

Boloix refers to the works as “organized chaos”—organized in that there is a definitive process and technique to the work but there’s really no predicting what the pieces will look like when pulled apart. There are pockets here and raised bits there creating a completely new topography for each. Boloix likens the pieces and their many layers of peeled-apart paint to the façades seen across Europe.

“In Europe you’ll see paint that has peeled off, and through years of weathering you might see paint that’s hundreds of years old,” Boloix said. “This is a similar process, except that Rainer has created a process that doesn’t require waiting 200 years.”

Boloix speaks of these paintings almost like children, saying that each has its own personality, but of all of them, he is most drawn to the “Lehman Twins.” The richly-textured dual canvases are a mix of desert oranges and small areas of blue, reminding Boloix of ancient Egypt.

“These pieces are really dramatic. For me, they remind me of the ancient Egyptian pieces I’ve seen at the British Museum and the Metropolitan. As soon as I saw these, I had this eerie feeling of being back in ancient Egypt; Rainer’s work just sends me to another place and time,” said Boloix.

Boloix’s perception of each set of twins as children isn’t far off from the artist’s intention. When I ask about the names of his pieces—“Lehman Twins,” “Weldon Twins,” “Anderson Twins”—he tells me that he picks them randomly from the phone book as a means of naming. Much like one is given a name at birth, Gross assigns names to his paintings and likens the process of creating each piece to “giving birth.”

These abstract works of art are at once a showcase of abstract art and also a peek into the mind of someone trying to reinvigorate the abstract world. Gross’s work will remain up through the fall at Frederic Boloix Fine Arts in the Galleria Building in Ketchum.

A view of Gross’s work at Frederic Boloix Fine Arts in Ketchum. Artwork courtesy

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ANNE SIEMS

Left: Kathy Moss, “Untitled #494,” 94 inches by 63 inches, oil on linen. Artwork courtesy of Gail Severn Gallery

artist Rainer Gross

y of Frederic Boloix Fine Arts

Above: Anne Siems, “Rain Drop Rabbit,” 30 inches by 30 inches, acrylic on panel. Artwork courtesy of Gail Severn Gallery

GAIL SEVERN GALLERY 400 First Avenue North • PO Box 1679 • Ketchum, ID 83340 • 208.726.5079 info@gailseverngallery.com • www.gailseverngallery.com

O P E N S E V E N D AY S A W E E K

HUMANS & THEIR ENVIRONMENT

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Friesen Gallery

illiam Morris is highlighted in an impressive Group Exhibition opening Labor Day weekend at Friesen Gallery.

A decade has now passed since this internationally acclaimed glassblower retired.

William Morris’s glass artwork has been strongly influenced by his interest in archaeology and addresses the timeless relationship between humans and their environment.

His work evokes images from a time when man was more in tune with nature, and is subliminally suggestive of ritual significance.

As well as a master glassblower, William Morris is considered to be a revolutionary and provocative artist whose work goes beyond mere craftsman- William Morris, ”Rattle,” 8 inches by 7 inches by 9 inches, blown glass, steel stand, 2002. ship to touch the souls Artwork courtesy of Friesen Gallery and primal consciousness of its viewers.

Three of the sculptures showcased are from the Morris Personal Archives.

Other artists on view include Nicole Chesney, Tom Lieber, and Barbara Vaughn.

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‘SEPTEMBER SESSIONS’

Jane Maxwell, “Five Seated Girls,” mixed media and resin on paper. Artwork courtesy of Gilman Contemporary

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ilman Contemporary is pleased to present “September Sessions,” a curated selection of gallery artists including Wendel Wirth’s winter landscapes of Idaho farmlands, Jane Maxwell’s collage of runway models, Laurie Victor Kay’s metro series, James Austin Murray’s ivory black oil paintings, and Cecil Touchon’s graphic paintings.

Touchon’s paintings utilize fragments of letters that he manipulates into purely aesthetic arrangements. His work stems from his interest in the modernist history of abstract art and his belief that language is too often relegated to a purely functional role. The results are paintings with sweeping and lyrical lines that are reminiscent of something familiar, but have a story all of their own.

Hunt Slonem, “Hop,” enamel on aluminum. Artwork courtesy of Gilman Contemporary

THE NORTH AMERICAN INDIAN, 1898-1928 IN THE WEST Featuring works historic through contemporary with a focus on the West

Edward S. Curtis, “The Storm – Apache, 1906,” 14 inches by 17 inches, photogravure. Artwork courtesy of Broschofsky Galleries

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Ewoud deGroot “Two Loons”, 50” x 50”, oil on canvas 360 East Ave. Ketchum, ID 208.726.4950 www.brogallery.com

Broschofsky Galleries

resenting a collection of photographs from Edward Curtis’s 30-year expedition.

Beginning in 1898 and continuing on to 1928, Curtis dedicated much of his life to documenting the North American Indian before many of their customs and ways of life disappeared. This comprehensive project won the support of such prominent and powerful figures as President Theodore Roosevelt and J.P. Morgan.

Over the three decades Curtis and his crew traveled on horseback, with their pack horses following behind, he shot over 40,000 photographs of over 80 different tribes, traveling west of the Mississippi from the Mexican border to northern Alaska.

Upon its completion in 1930, Curtis’s work, titled The North American Indian, consisted of 20 volume books. Each volume was accompanied by a corresponding portfolio containing larger-format prints. This important collection will be on display through August.

Also showing contemporary paintings and sculpture by gallery artists, including new paintings by Ewoud de Groot. Combining an abstract background with a more classical subject, de Groot’s technique enhances and complements the primary subject in many of his paintings. He often will place his paintings on the ground and use an oil-based ‘splatter’ technique to enhance an abstract quality to the paintings.

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THE FOREFRONT OF WESTERN ART

Kelly Ording, “Halo,” acrylic on dyed paper. Artwork courtesy of Gilman Contemporary

Compositions

Gilman Contemporary Photographer Laurie Victor Kay is best known for focusing her lens Wood River Fine Arts on public places and the people who inhabit them. Employing paint-

John Moyers, “Killing Time,” 28 inches by 46 inches, oil on linen. Artwork courtesy of Wood River Fine Arts

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erly techniques through Kay reimagines ood River Finedigital Arts manipulation, celebrates Wagon Days with these new spaces, adjusting the John images reflect herMoyers. ideal. The results arehas viworks from andtoTerri Kelly Terri Moyers brant, dreamlike images that for areher balanced symmetrical form. earned recognition works and at museum showsinacross In this way, she succeeds creating escapist landscapes, urban the country, including theinprestigious 2012 Prix de Westboth Purchase and natural, allow theCowboy viewer to&imagine perfect world.in Award from that the National Westerna more Heritage Museum The gallery willShe alsowas be inducted showing Oakland-based painter Kelly OrOklahoma City. into the Cowgirl Hall of Fame, ding.Worth, Ording’s work paper and canvas demonstrates a meditative Fort Texas, in on 2015. quality.

Beginning by hand-dying her surfaces, sheartthen John Moyers has been at the forefront of Western for employs over 20 simplefirst repetition and intuitive mark-making, pushing years, as a member of the Cowboy Artists intentionally of America and later the limits minimalism through hisofmany awardsand andgeometric museum abstraction. purchases. 2017 was a year In included addition to exhibiting worldwide, Ording has the nuthat John winningher the paintings museum purchase award at both merous large-scale public works BayMuseum Area andininter“Masters of the American West” throughout show at thethe Autry Los nationally, San for Francisco’s Clarion Alley and Angeles andincluding at the “Quest the West”landmark held at the Eiteljorg MuseFacebook’s headquarters in Menlo Park, um of American Indians and Western ArtCalif. in Indianapolis, Indiana.

Wood River Fine Arts is located at 360 East Avenue in Ketchum (The Courtyard Building). For more information call owners Tom Bassett and Sandy Gregorak at (208) 928-7728 or visit our website at www.woodriverfinearts.com.

‘TWINS’: RICH IN ARTISTIC POSSIBILITIES Rainer Gross, “Bender Twins,” 2018, 30 inches by 26 inches each.

Artwork courtesy of Frederic Boloix Fine Arts

‘Twins:’ Rich In Artistic Possibilities Frederic Boloix Fine Arts

John Moyers

“Racing the Rain”

Oil on linen 36” high X 36” wide

John Moyers | Terri Kelly Moyers 360 East Avenue, In The Courtyard | Ketchum 208.928.7728 | www.woodriverfinearts.com

FREDERIC BOLOIX FINE ARTS PRESENTING

RAINER GROSS “TWINS”

Rainer Gross, “Bender Twins,” 2018, 30 inches by 26 inches each. Artwork courtesy of Frederic Boloix Fine Arts

Frederic Boloix Fine rederic Boloix Fine Arts will be showing “Twins,”Arts by contem-

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porary German American artist, Rainer Gross.

Frederic Boloix Fine Arts will be showing by contempoThe “Twins” give the viewer much“Twins,” to see and discover. rary German American artist, Rainer Gross.

Looking closely, we may easily reconstruct the process—pioneered “Twins” give thewhich viewerthe much to see were and discover. byThe Rainer Gross—in paintings created. Looking We can closely, we may easily process—pioneered Raindistinguish between thereconstruct individualthe layers of paint, and weby can uner Gross—in which the paintings were created.

We can distinguish derstand how, through the imprinting, the deeper layers of the one between are the reversed individual of the paint, andlayers we can painting to layers become upper of understand the other. how, through the imprinting, the deeper layers of the one painting are asreDepending upon the distance we view them from, different versedoftothe become thewill upper layers of the other. pects medium dominate—the color, the paint, the texture, Depending distance we view from, different and so on. Inupon short,thewith the method of them contact painting, an aspects instruof the medium will dominate—the color, the paint, the texture, and so ment rich in artistic possibilities is created. on.Rainer In short, with the method of contact painting, an instrument Gross was featured at the prestigious Ludwig Museumrich in in artisticinpossibilities created.retrospective in 2012, and his work Koblenz a one-man,is40-year Gross was featured at and the prestigious Ludwig Museum in isRainer found in the following public private collections: Koblenz in a one-man, 40-year retrospective in 2012, and his work is found in the following and private AT&T Corporate Artpublic Collection, USA collections: AT&T Art Collection, USA BayerCorporate A.G. Leverkusen, Germany Bayer A.G. Leverkusen, Germany Chase Bank Collection, New York, USA Chase Bank Collection, NewNew York,York, USAUSA Cohen Family Collection, Cohen FamilyPeter Collection, York, Germany USA Collection Ludwig,New Aachen, Collection Peter Ludwig, Aachen, Germany Hewlett-Packard Collection, Palo Alto, CA, USA Hewlett-Packard Collection, Palo Alto, CA, USA Hoffmann La Roche, Basel, Switzerland Hoffmann La Roche, Basel, SwitzerlandD.C., USA Hirschhorn Collection, Washington, Hirschhorn Washington, USA Lowe Art Collection, Museum, Coral Gables, D.C., FL, USA Lowe Art Museum, CoralBasel, Gables, FL, USA Novartis Pharma AG, Switzerland Novartis Pharma AG, Basel, Switzerland Pro Sieben, München, Germany Pro Sieben, München, UBS Union Bank of Germany Switzerland UBS Bank of Switzerland EricUnion Schmidt (Google) Collection, Hamptons, NY, USA Eric Schmidt (Google) Collection, Hamptons, NY

Rainer Gross, “Lehman Twins,” 24 inches by 20 inches each

Open for for Gallery Gallery Walk Open Walk rd Friday , 5-8pm FridayAugust July 6th3, 5-8pm FEATURING JAZZ PIANIST ALAN PENNAY We are located in the atrium of the Galleria Building on Leadville and Fourth in Ketchum.

351 Leadville Ave. in Ketchum • Tel. 208.726.8810 Frederic@Boloix.com

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GALLERY WALK Downtown Ketchum

Wagon Ore Ore Wagon Museum Museum

77 Fifth Street Street Fifth Giacobbi Giacobbi Square Square

Post Post Office Office

Spruce Avenue

Spruce Avenue

Walnut Avenue

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East Avenue

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Leadville Avenue Leadville Avenue

NORTH NORTH

Highway 75 Highway 75 to Stanley to Stanley

Washington Avenue Washington Avenue

Sixth Street Street Sixth Second Second Avenue Avenue

Warm Springs Road Warm Springs Road

First Avenue First Avenue

Downtown Ketchum Ketchum Downtown

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44 Fourth Street Heritage Corridor ArtArt Walk Fourth Street Heritage Corridor Walk

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33 to to Baldy Baldy

Town Town Square Square

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SUN VALLEY ROAD SUN VALLEY ROAD

5 5 to Sun Valley to Sun Valley EAST

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MAIN STREET MAIN STREET

WEST WEST

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66 Second Street Second Street

First Street First Street Ski & Ski & Heritage Heritage Museum Museum

River Street River Street

Highway 75 to Highway Hailey 75 SOUTH to Hailey

© sun valley gallery association

SOUTH

1. Broschofsky Galleries 1. 360 Broschofsky East Avenue Galleries 360 East Avenue

2. Frederic Boloix Fine Arts LeadvilleBoloix Avenue,Fine The Galleria 2. 351 Frederic Arts Building 351 Leadville Avenue, The Galleria Building

3. Friesen Gallery First Avenue North 3. 320 Friesen Gallery

320 First Avenue North

4. Gail Severn Gallery

FirstSevern Avenue Gallery North 4. 400 Gail

400 First Avenue North

© sun valley gallery association

5. Gilman Contemporary 5.661Gilman Contemporary Sun Valley Road 661 Sun Valley Road

6. Kneeland Gallery First AvenueGallery North 6.271Kneeland 7.

271 First Avenue North

Sun Valley Center for the Arts Fifth Street 7.191Sun ValleyEast Center for the Arts 191 Fifth Street East

8. Wood River Fine Arts East Avenue 8.360Wood River Fine Arts

360 East Avenue 9. MESH Gallery 4th Street East 9.420MESH Gallery

420 4th Street East