Gallery walk July 2017

Sun Valley Gallery Association

GALLERY WALK EDITION G a l l e r y W a l k I s F r i d ay, J u ly 7 , 2 0 1 7

J u l y I s s u e , 2 0 1 7 • V o l . 4 • N o . 3 • w w w .T h e W e e k l y S u n . c o m

Melvin Sokolsky “Over New York” - 1963 - archival pigment print

TABLE OF CONTENTS

G A L L E RY WA L K

MAP Page 8

Broschofsky Galleries..............................Page 4, 7

Gilman Contemporary.............................Page 7

Frederic Boloix Fine Arts.........................Page 4

Kneeland Gallery.....................................Page 5

Friesen Gallery.........................................Page 2

Wood River Fine Arts...............................Page 5

Gail Severn Gallery..................................Page 3, 6

TWS Features..........................................Page 4, 6

2

A

GALLERY WALK EDITION

•

P U B L I S H E D B Y T H E W E E K LY S U N

( T H E W E E K LY S U N .C O M )

HISTORY PAUSES AND ART BEGINS

rtists Dennis Evans and Nancy Mee are a husband and wife team who works as a unified artistic force to realize a single vision. In this exhibition, the artists probe the mind of Giovanni Cassini, the famed 17th-century Italian astronomer and closet astrologer and mystic. In 1671, Cassini was brought to Paris by King Louis XIV to build an observatory. At this juncture, history pauses and art begins. Evans and Mee have conjured an imaginary world where Cassini the mystic retreats to his small room adjacent to the observatory, called his “Contemplorium,” to reflect, write, read, and invent beautiful objects and instruments to better understand the universe and soul. Cassini’s Contemplorium was at once a library, a laboratory, a place of refuge and of magic.

In the exhibition, which opens Friday, July 7 at Friesen Gallery, the duo has created a provocative body of work, including elegant orbital sections of fused and slumped glass, oil and wax encaustic mixed media canvases of rich and

Friesen Gallery

earthy hues, intricately constructed instruments, and raku-fired porcelain and glass books.

Works from Cassini’s library and Contemplorium include A Grand Tome Relating to Foucault’s Pendulum, A Small Book Concerning the Movement of a Celestial Body, A Small Treatise on the Soul, The Dialogue Concerning the Two Chief World Systems, A ThreeTiered Collection on Terrestrial, Linguistic and Philosophical Questions, A Small Collection of Books on the Universe, Studies on the Oracles, Studies on the Motion of Terrestrial Bodies, and Studies on Mythological Topic.

stroy itself.

“Works from Cassini’s Library and Contemplorium” is presently on view at

•

J U L Y, 2 0 1 7

Friesen Gallery. The opening reception for Dennis Evans and Nancy Mee will be held from 5-8 p.m. Friday, July 7.

HISTORY CONTINUES Concurrent with this exhibition, a spacecraft that carries Cassini’s name is orbiting Saturn. Nearing the end of its 20-year journey, it is making a number of risky passes through the gap between Saturn and its inner ring. On September 15, 2017, the orbiter will make its final plunge into Saturn’s atmosphere to de-

Dennis Evans and Nancy Mee,”Un Piccolo trattato sull’anima (a small treatise on the soul), mixed media and encaustic on panel, 13” x 29”, 2017. Photo courtesy of Dennis Evans and Nancy Mee and Friesen Gallery

Dennis Evans and Nancy Mee, “Dialogo sopra i due massimi sistemi del mondo (the dialogue concerning the two chief world systems), mixed media and encaustic on panel, 33” x 30” x 10”, 2017. Photo courtesy of Dennis Evans and Nancy Mee and Friesen

D E N N I S E VA N S N A N C Y M E E W o r k s f r o m C a s s i n i ’s L i b r a r y a n d C o n t e m p l o r i u m B o o ks and I ns t ru me nts for the Com p rehension of the Universe Exhibition Includes: A G r a n d To m e R e l a t i n g t o F o u c a u l t ’s P e n d u l u m , a S m a l l B o o k C o n c e r n i n g t h e M o v e m e n t o f a C e l e s t i a l B o d y, A S m a l l Tr e a t i s e o n t h e S o u l , T h e D i a l o g u e C o n c e r n i n g t h e Tw o C h i e f W o r l d S y s t e m s , A T h r e e - T i e r e d C o l l e c t i o n o n Te r r e s t i a l L i n g u i s t i c a n d P h i l o s o p h i c a l Q u e s t i o n s , a S m a l l Collection of Books on the Universe, Studies on the Oracles, Studies on t h e M o t i o n o f Te r r e s t r i a l B o d i e s , a n d S t u d i e s o n M y t h o l o g i c a l To p i c .

Opening Reception

0 7 J u l y, 5 : 0 0 p m - 8 : 0 0 p m Artists in Attendance

Above: The Three Aspects of The Great Mother (Studies on Mythological Topic). Raku fired porcelain in glass and steel vitrine 12” x 15” x 9” At left: (detail) A Three - Tiered Collection on Terrestrial Linguistic and Philosophical Questions. Glass, porcelain and lead books 32” x 24” x 9”

GALLERY WALK EDITION

•

P U B L I S H E D B Y T H E W E E K LY S U N

( T H E W E E K LY S U N .C O M )

GAIL SEVERN GALLERY TO FEATURE NEW AND ESTABLISHED ARTISTS

Gwynn Murrill

Gwynn Murrill’s internationally recognized sculptures in primal forms are reminiscent of ancient sculptures, but made from bronze, wood or aluminum. Her creatures prowl stealthily or gaze back at us with haunting expressions.

Some animals are serene and wise, others are slick and sensual, and some burst with energy. Her majestic deer will be featured along with a number of her elegant raptors.

Gwynn Murrill “Sitting Koa” bronze - 35” x 28” x 22”

Margaret Keelan “Communion/Connection”

Gwynn Murrill “Hawk V” bronze - 21” x 8.5” x 9” Hawk 33.5” x 11” x 22” overall

•

J U L Y, 2 0 1 7

GWYNN MURRILL

DANIEL DIAZ-TAI

Margaret Keelan’s ceramic sculptures of dolls/ children are both compelling and disconcerting.

There is an immediate and visceral reaction to the heavily textured skins.

The figures appear to have been excavated. The layers of stains and glazes curl and peel away, creating the illusion of disintegrating paint over weathered wood.

Her meticulous approach to creating these aged surfaces gives the sculptures a strength and integrity, like they have undergone their own rites of passage through heat and flame.

Margaret Keelan “Cascade” - clay, glaze, Margaret Keelan “Kitty-Kitty” - clay, David deVillier “Of Many Minds”

stain - 42” x 11” x 9” D

glaze, stain - 43” x 11” x 10”

David deVillier’s paintings have a distinctly narrative quality. DeVillier introduces characters and places them in dramatic settings, inviting viewers to interact with his subjects in their space. His work sets the stage for two of his iconographic figures, combining characteristics of birds and the human form.

Daniel Diaz-Tai “Layered Voices” Born in Venezuela but raised between Cumana, Shanghai, Hong Kong, Beijing and San Francisco, Daniel Diaz-Tai has always defined himself as a Latino-Asian male.

Daniel Diaz-Tai presents us with a series of abstract paintings layered with stories, emotion and texture.

In these paintings, you can feel competing emotions stemming from the artist’s international journeys. His subconscious compositions embrace the ups and downs of life. They encourage us to note the temporal nature of life. If you think about it, nothing is reality, as each moment is fleeting. Each line completes and complements the intensity of the other to unfold bold emotions and tell layered stories using asemic language.

MARGARET KEELAN

David deVillier “Whispers to Brothers” - oil on wood panel - 36” x 60”

A RT I S T C H AT S SATURDAY JULY 8TH, 10:00 AM

C E L E B R AT I N G O V E R 4 0 Y E A R S

GAIL SEVERN GALLERY 400 First Avenue North • PO Box 1679 • Ketchum, ID 83340 • 208.726.5079 info@gailseverngallery.com • www.gailseverngallery.com

Daniel Diaz-Tai “Subconscious N0506.16” - oil on wood panel - 96” x 72”

O P E N S E V E N D AY S A W E E K

3

4

GALLERY WALK EDITION

•

P U B L I S H E D B Y T H E W E E K LY S U N

FREDERIC BOLOIX FINE ARTS

F

( T H E W E E K LY S U N .C O M )

•

J U L Y, 2 0 1 7

FREDERIC BOLOIX FINE ARTS

rederic Boloix will feature works by 19th-, 20th- and 21st-century mast including Édouard Vuillard, Diego Rivera, Françoise Gilot, Marcel G maire, Julio Larraz, Morris Graves and André Derain.

Edouard Vuillard "Madame Fried Dreaming" - ca. 1924 - Charcoal drawing on paper - 19 x 24.5 inches

Open for Gallery Walk - Friday July 7th, 5-8pm

ÉDOUARD VUILLARD, DIEGO RIVERA, FRANÇOISE GILOT, MARCEL GROMAIRE, JULIO LARRAZ, MORRIS GRAVES AND ANDRÉ DERAIN. We are honored to feature jazz pianist Alan Pennay 6-8 PM. We are located in the atrium of the Galleria Building on Leadville and Fourth in Ketchum.

351 Leadville Ave. in Ketchum Tel. 208.726.8810 Frederic@Boloix.com

André Derain - “Untitled (Young Girl)” - Charcoal on Paper

BROSCHOFSKY GALLERIES IS FAMILY AFFAIR

BY JENNIFER HOLLY SMITH

M

inette Broschofsky moved to Ketchum because of the beauty and the wildness of the land. Her family used to visit northern Minnesota from their home in Minneapolis in the summertime and she says the Wood River Valley “was the closest I could get to that feeling without the bad weather and mosquitos.”

At the same time, another Minneapolis native moved to Ketchum.

“I came to ski and I’m still at it,” said John Broschofsky.

Minette and John opened the Broschofsky Galleries in 1987.

Thirty years later, the Broschofsky family has expanded their art-centric lives and Broschofsky Galleries is now featuring their son Rudi Broschofsky’s work.

“He has been an artist his whole life,” Minette said with a laugh.

Rudi and his sister, Marina (owner of Red Door Design House in Hailey), grew up in the family’s home, a cabin built in the 1930s in Frenchman’s Bend, about 10 miles out Warm Springs Road in the Sawtooth National Forest.

“It’s pretty remote out there,” Minette said. “They were always running around outdoors using their imagination rather than plunking down in front of a TV or playing video games, so their creativity flourished. Rudi’s creativity coincided with his interest in skateboarding and snowboarding, both of which he was really quite a champion at, and all the logos and artwork that kind of partner with those sports.”

Minette and John Broschofsky in front of their son Rudi’s work at Broschofsky Galleries in Ketchum. Photo by Jennifer Holly Smith

Rudi’s work fits seamlessly into the gallery’s current show, titled “Western Pop,” featuring several other artists, including Andy Warhol and his “Cowboys and Indians” portfolio done in 1986 just a year

before his death. Billy Schenck’s oil paintings are done in a method that he calls paint-by-number done by laying one color right next to another so it looks almost like a poster and creates a style that is

distinctly his. Wesley Young creates large-format screen prints in black and white of iconic figures and Native Americans, then finishes them off with crushed glass.

Also in the exhibition are brilliant

watercolors of Native Ameri artifacts done by Theodore Vi

Continued BROSCHOFSKY GALLERIES Page 6

GALLERY WALK EDITION

( T H E W E E K LY S U N .C O M )

•

5

J U L Y, 2 0 1 7

Skip Whitcomb

Jill Carver

“Winter Wonderland” | Jill Carver | 30” high X 36” wide | Oil on linen

“Spring Showers - Canyonlands” by Jill Carver 15” high X 30” wide oil on board

Wood River Fine Arts

W

ood River Fine Arts is pleased to feature new works by Jill Carver and guest artist Skip Whitcomb.

Carver and Whitcomb are renowned landscape painters and talented instructors who have been in Ketchum over the last two weeks teaching plein air painting workshops sponsored by the gallery.

Jill Carver is an artist of fearless color and beautiful design.

Constantly pushing herself as a painter, Jill has established herself with her peers as an artist of the highest order. She currently resides in Rico, Colo., where she is close to the Western landscape she loves. Past awards include the 2014 Maynard Dixon

Award for Best Show, Maynard Dixon Country, Mount Carmel, Utah.

Skip Whitcomb is a master oil and pastel painter. He was recently honored with the Donald Teague Memorial Award for Best Work on Paper at this year’s Prix de West Show in Oklahoma City. Wood River Fine Arts is honored to have Skip as a guest artist and teacher.

Wood River Fine Arts is located at 360 East Ave., in The Courtyard Building in Ketchum For more information contact owners Tom Bassett and Sandy Gregorak at (208) 928-7728 or visit woodriverfinearts.com.

Skip Whitcomb

S

P U B L I S H E D B Y T H E W E E K LY S U N

FEATURED WORKS

BY JILL CARVER AND GUEST ARTIST SKIP WHITCOMB

ters, Gro-

ican illa,

•

“Summer In the Bitterroots” | Skip Whitcomb | 11” high X 14” wide | Oil on linen

360 East Avenue | In The Courtyard | Ketchum 208.928.7728 | www.woodriverfinearts.com

DIFFERENT STROKES

I

Kneeland Gallery

n our opening exhibition of the summer, Kneeland Gallery will feature well-known Idaho artist Robert Moore and Polish-born artist Andrzej Skorut.

Moore resides in Burley, Idaho, where he is a mentor and teacher to many aspiring artists.

The fact that he is partially colorblind makes the process behind his vibrant canvases all the more remarkable. Moore uses both hands to apply paint directly from the tubes onto a canvas laid flat on his specially adapted ATV. Skorut resides in Utah and his landscapes are painted from a multitude of visual sources unified in a composition he finds

visually appealing. His layers of paint and glazing add surface interest, which is as important to the overall effect as the subject itself.

Alongside these longtime gallery artists we will introduce the sculpture of Jeffro Uitto. Uitto utilizes reclaimed driftwood from the coastline of his native Washington State to create his monumental animal masterpieces of wild horses and soaring eagles, and intricate furniture. The right driftwood can take months to find, and the sculpture, years to complete.

All three artists will be in attendance at the reception, 5-8 p.m., Friday, July 7.

Andrzej Skorut, “Lilies”, oil on canvas, 60” x 64”

ROBERT MOORE, ANDRZEJ SKORUT & introducing JEFFRO UITTO

Opening Reception Friday July 7th, 5-8pm 271 First Ave N, Ketchum, ID 83340 • PO Box 2070, Sun Valley, ID 83353 • 208.726.5512 email: art@kneelandgallery.com • website: www.kneelandgallery.com

6

GALLERY WALK EDITION

BY JENNIFER HOLLY SMITH

•

P U B L I S H E D B Y T H E W E E K LY S U N

( T H E W E E K LY S U N .C O M )

GAIL SEVERN STILL INNOVATES

•

J U L Y, 2 0 1 7

G

ail Severn Gallery, in Ketchum, features four complete one-person or group exhibitions every month, a feat that takes a full-time staff of 10 and represents more than 70 artists. The gallery is located in a beautiful building that is approximately 33,000 square feet and serves clients from all over the world, but it all began with visionary-owner Gail Severn in 250 square feet 40 years ago.

“It was just me—we can walk in this little room and I’ll show you the equivalent of my early space,” said Severn, who led me to a small space that currently features the work of David deVillier. Severn would move once more before seeing an opportunity for the building she now has today, but it took a while to get there.

In the late 1970s Severn’s father passed away and her mother then loaned her a little bit of money, which Severn used to buy the land where her gallery sits today.

“At that time, the only thing that was on this side of town was the post office, and then Perry’s opened up,” Severn said.

Also on the site was an old quadruplex that was called The Animal House.

“It was almost all skiers who worked in bars at night and skied during the day,” said Severn with a laugh. “I had tenants in that for about five years as I made my plans for this space.”

Severn worked with local architect Janet Jarvis of The Jarvis Group to design the gallery. “We started construction in 1999 and moved in in the spring of 2000,” she said.

A few years after moving in to the new space, the art market began to change.

“With the advent of technology over the last 15 years, it has changed the marketplace” said

Gail Severn with bronze sculptures by Gwynn Murrill featured at Gail Severn Gallery, June 26 through July 21.

Severn. In order to keep current, Gail Severn Gallery created a vast website inventorying their many works with photographs and artist descriptions.

“Designers and art consultants all over the world can look at our website and will email us about a piece,” Severn said. “Then we have people who have maybe been to our booth at art fairs and look us up. We compete more on a national and international level because of technology; it has broadened our marketplace.”

Severn just returned from a large fair in San Francisco and will attending another fair in Seattle, in August. A gallery

must be invited to attend, and its costs can range from $80,000 to $200,000 to attend due to shipping art and staffing for several days. But it enables the gallery to have a year-round economy since, according to Severn, summer business outpaces winter.

“It’s so interesting because, when I started the gallery in the late ’70s and ’80s, winter was the big season, by far, but during the ’90s, it’s flip-flopped,” she said. “So many things started happening in the summer, with things like the Sun Valley Center for the Arts, the wine auction, the symphony and the ballet and the writers’ conference.

All those art venues, whether it’s literature or performing arts, have grown so much that people have so many things they can do in the summer. They still have a myriad of outdoor activities, but they can mix it and balance it with these intellectual and spiritual activities feeding the heart and soul with both visual art and performing art.”

Severn recently had two couples call after viewing the website and after having met in person at art fairs. Both couples flew out for art trips, and purchased multiple pieces.

“Both of those couples we met at art fairs and none of them had

spent time in Sun Valley, so in a way we’re ambassadors to help bring people in,” Severn said.

Severn continues to be a pioneer in the field.

“One of the things that’s really important to us, because we’ve been in business for 40 years, we always want to add new artists that are really different from anyone we have. We want to find something that we think our clients would be stimulated by and excited to learn about, but also it isn’t always the blue-chip famous artists that are in their 50s and 60s. Lots of times its really fun to find a young artist who’s still affordable.”

Broschofsky Galleries Continued from Page 5

has been showing in the Sun Valley area for almost 40 years and who also happened to be one of Rudi’s professors when he took an art class at Santa Barbara City College.

Rudi ultimately transferred to San Diego State University and graduated with a degree in business finance in 2005.

“The plan was to eventually run my parents’ gallery, and I like math, so business finance jumped out at me,” Rudi said.

He worked at Broschofsky Galleries for a few years after college, but in June of 2012 his art was featured in a show called “Death to Day Jobs” at Ochi Gallery in Ketchum. After that, it took off.

“It had a great following, especially with the younger people,” Rudi said. Following that show, Rudi honed his style, though he says “I still learn every day. It’s always a work in progress.”

Rudi’s work is often mistaken for screen prints, but the pieces are created with spray paint applied in a gradient, followed by a painstaking process of cutting out stencils with an

X-ACTO knife. One stencil may take up to 40 hours to cut out and sometimes may only be used once. He then may use a resin on the entire work, or not, but each piece is bold and powerful. Rudi will display his technique at Broschofsky Galleries from 5-8 p.m. on Thursday, July 6.

At about the same time as his debut work was being shown at Ochi Gallery, Rudi met his wife, Kara, a graphic designer at Smith Sport Optics. The art department was transferred to Portland, Ore., where Rudi and Kara currently reside and where Rudi opened his own gallery, Flat Blak, just over one year ago.

“Even though he worked with us 10 years in the gallery and curated several of the shows during that time, he went his own direction with his gallery in an urban-art, streetart genre,” Minette said. “He changes shows every month.

It’s really interesting to see what he’s doing with that.”

Rudi’s work was also chosen by the Limelight Hotel to be featured on the utility boxes in front of their building through the Ketchum Art’s Commission’s Cover Art Project. tws

Rudi Broschofsky’s work was featured at Ochi Gallery. Photo by Jennifer Holly Smith

tws

GALLERY WALK EDITION

•

P U B L I S H E D B Y T H E W E E K LY S U N

( T H E W E E K LY S U N .C O M )

IMAGINATION IN FLIGHT

C

Gilman Contemporary

elebrating 10 years of business in the Wood River Valley, we felt there was no better way to mark this occasion than with a photography exhibition featuring three photographers who represent all there is to love about photography.

Melvin Sokolsky was a contemporary of Richard Avedon and Irving Penn, and became internationally recognized for his iconic, playful and innovative photographs taken for Harper’s Bazaar in 1963 and 1965. His work earned him a place among the world’s greatest fashion photographers. While Sokolsky’s printwork was linked to Harper’s Bazaar in the 1960s and ’70s, it has also appeared in Vogue Paris, Flaunt, L’Uomo Vogue, Vogue Italia, Vogue Espana, The L.A. Times Magazine, The New York Times Magazine, and Wallpaper, among others.

His photographs are in prestigious museums and collections around the world, including the Museum of Modern Art and the Getty. This spring his “Bubble” series was projected onto the Empire State Building in celebration of the 150th anniversary of Harper’s Bazaar.

The gallery will also present the photography of Michael Massaia whose candid blackand-white images of Central Park put a spotlight on the ordinary to reveal the true way each moment was felt. This se-

Melvin Sokolsky “St. Germain” - 1963 - archival pigment print

ries, “Deep in a Dream, Central Park,” photographed between the hours of 2-6 a.m., show the famous park looking eerily empty, with landmarks such as the Dakota Apartments and Plaza Hotel in the background. Shooting using a large-format camera, Michael has adapted a process popular in the 1940s and 1950s by creating his own method of developing and printing his images, resulting in remarkably detailed long-exposure shots.

In addition, Slovakian pho-

tographer Maria Svarbova, who creates evocative images of women in austere swimming pools, will be on display. Her series “In the Swimming Pool” has won international recognition, including publication in The Guardian and projection on the famous Taiwanese landmark, 101 Skyscraper. A new addition to the art scene, this is Svarbova’s second gallery exhibition in the United States.

WESTERN POP

F

Broschofsky Galleries

eaturing works by gallery artists working in a contemporary Western genre of pop art.

Andy Warhol created his Western series “Cowboys & Indians” in 1986, using bright colors and squiggly over paint lines. One of Warhol’s last projects before his untimely death in 1987, “Cowboys & Indians” has become one of his most popular portfolios. Broschofsky Galleries is showing portrait images of General Custer, Annie Oakley, Sitting Bull, and kachinas from the Hopi Native American culture.

Western imagery painted in a style with a flat poster-like method is characteristic of Billy Schenk’s pop-art work. His unique painting style and subject matter exemplify “the myth of the hero and the truth of America.”

Of Apache heritage, Theodore Villa finds his subject in imagery from his Native American culture. Villa’s work is distinctive in its dazzling saturation of watercolor paints and realistic displays of beadwork and feathers. With over 30 years of gallery representation in Sun Valley, Villa’s paintings are included in many collections in Sun Valley.

Russell Young incorporates “diamond dust” in his large-format portraits of Native American Indian chiefs

Sitting Bull - Andy Warhol screen print 36” x 36”

and The Magnificent Seven, giving them a glittery glow.

The surprising effect has an ironic reaction of glamorizing his subjects.

Situated somewhere between representation and abstraction are the paintings of Rudi Broschofsky. Unquestionably influenced by his upbringing surrounded by the Western artworks in Broschofsky Galleries, Rudi’s work adds a modern twist to an otherwise traditional subject matter. Join Rudi for an artist reception and show preview 5-8 p.m., Thursday, July 6.

Ceremonial Skull - Rudi Broschofsky stencil & spray paint on panel 30” x 24”

•

J U L Y, 2 0 1 7

7

8

GALLERY WALK EDITION

•

P U B L I S H E D B Y T H E W E E K LY S U N

( T H E W E E K LY S U N .C O M )

•

sun valley gallery association

J U L Y, 2 0 1 7

GALLERY WALK Downtown Ketchum

Downtown Ketchum

Highway 75 to Stanley

2

3

to Baldy

Second Street

6 Second Street

First Street Ski & Heritage Museum

2

MAIN STREET MAIN STREET

6

River Street

Spruce Avenue

Walnut Avenue Community Librar y

5

SUN VALLEY ROAD 3

First Street

1,8

Fourth Street Heritage Corridor Art Walk to Sun Valley

Fourth Street

to Baldy

WEST

Ketchum Town Plaza Giacobbi Square & Visitor’s Center

4 WEST

East Avenue

Fourth Street Heritage Corridor Art Walk

Fifth Street

Post Office

Community Librar y

Ore Wagon Museum

7

Fourth Street

Ore Wagon Museum

Spruce Avenue

4

Giacobbi Square

Walnut Avenue

Second Avenue

7

Leadville Avenue

Sixth Street

Post Office

NORTH

Washington Avenue

Fifth Street

Highway 75 to Stanley

Warm Springs Road

First Avenue

Second Avenue

Sixth Street

Leadville Avenue

Washington Avenue

First Avenue

Downtown Ketchum

East Avenue

NORTH

Warm Springs Road

Ketchum Town Plaza & Visitor’s Center

SUN VALLEY ROAD

1,8

EAST

5 to Sun Valley

EAST

Ski & Heritage Museum

River Street

SOUTH

SOUTH

Highway 75 to Hailey Highway 75 to Hailey

1. Broschofsky Galleries 360 East Avenue

1. Broschofsky Galleries

2. Frederic Boloix Fine Arts 360 East Avenue

351 Leadville Avenue, The Galleria Building

2. Frederic Boloix Fine Arts

3. Friesen Gallery 351 Leadville Avenue, The Galleria Building 320 First Avenue North

3. Friesen Gallery

320 First Avenue North 4. Gail Severn Gallery

First AvenueGallery North 4.400 Gail Severn 400 First Avenue North

© sun valley gallery association

© sun valley gallery association

5. Gilman Contemporary 661 Sun Valley Road

5. Gilman Contemporary

6.661Kneeland Gallery Sun Valley Road 271 First Avenue North

6. Kneeland Gallery

7.271Sun ValleyNorth Center for the Arts First Avenue 191 Fifth Street East

7. Sun Valley Center for the Arts Fifth Street East Fine Arts 8.191Wood River

360 East Avenue 8. Wood River Fine Arts 360 East Avenue