EDITOR’S NOTE
MPhoto: Kola Oshalusi @insignamedia Makeup: Zaron
ichelle Dede’s story of how she became an actor is one of fate. If you were to ask her, she would tell you that she accompanied a friend of hers to Lagos in early 2014 for Ebony Life TV’s Desperate Housewives Africa auditions and became her scene partner while she was rehearsing to memorise lines for different scenes. Her friend tried convincing her to attend the auditions with her, but Dede refused. After about two weeks of convincing, she reluctantly agreed to attend the auditions without intending to go ahead, but her friend had other plans. Upon arrival at the auditions, she filled out a form for herself and one for Dede. Dede eventually auditioned––nervous and unsure of what she was doing, but the casting directors praised her audition. A few months later, Dede and her friend were called back for the second stage of the auditions, after which they didn’t hear back from them till October 2014, when one of the series producers called and offered her a lead role. Dede says it was baptism by fire, and if not for two cast and crew members who kept encouraging her, impostor syndrome and self-doubt would have got the better of her. By the time the series aired in 2015, she was more confident as an actor, and well, look at her today.
Read Michelle Dede’s story on pages 8 to 10.
#Unshakable Truths this week raises a pertinent topic. Sally discusses The Will—not THEWILL, as in this magazine, but Will, as in a document released upon a person’s death that specifies what should be done with their estate. It got me wondering how old one ought to be to write a Will.
Do you have a Will?
Until next week, enjoy your read.
@onahluciaa + 2348033239132
AUSTYN OGANNAH
PUBLISHER/EDITOR-IN-CHIEF
Executive Editor: Onah Nwachukwu @onahluciaa
Writer: Johnson Chukwueke
Design & Layout: Olaniyan John ‘Blake’
Digital Media: Oladimeji Balogun
Consulting Art Director: Sunny Hughes ‘SunZA’
www.thewilldowntown.com thewilldowntown thewilldowntown
Skin Barrier What Is It and How to Protect It
Uplifting The Burden Achieving Genuine Forgiveness
Making an Authentic Tom Yum Soup The Crutch
is for (The) Will
Michelle Dede Owning Her Space
Interior Design Trends That Will Dominate 2025
Odun Ogunbiyi @oddbodandthecity - Contributing Editor
Odunayo Ogunbiyi is an ex pharmacist with a passion for food and pampering. Writing about her exploits wherever in the world she may find herself is just her way of staying sane in this zany world.
Boluwatife Adesina @bolugramm - Contributing Writer
Boluwatife Adesina is a media writer and the helmer of the Downtown Review page. He’s probably in a cinema near you.
Dorcas Akintoye @mila_dfa_ - Contributing Writer
Dorcas Akintoye is a dedicated writer with more than 2 years prolific experience in writing articles ranging from food, entertainment, fashion and beauty. She has a National Diploma in Mass Communication from Kwara State Polytechnic, Ilorin. She loves writing, listening to music and playing scrabble. She is a highly-skilled, enthusiastic, selfmotivated professional writer.
Sally Chiwuzie @unshakable.is.a.state.of.mind
- Contributing Writer
Sally Chiwuzie is a non-practising barrister who owns the brand #Unshakable. She is the author of Silent Symphonies, a fictional love story, and the creator of the podcast Chronicles of #Unshakable Truths.
6 Ways to Wear
A BODYCON DRESS
BY DORCAS AKINTOYE
Aclassic piece for every closet is a bodycon dress. Well-known for its curve-hugging appeal, it easily blends style and confidence. But achieving this classic style calls for more than just wearing the dress; it also involves styling it to fit your body shape, the occasion, and unique style. This article will explore six tips for wearing a bodycon dress to a formal event, a night out with
1 CHOOSE THE RIGHT FIT FOR YOUR BODY TYPE
Making sure a bodycon dress fits properly is the first step to wearing it like a pro. Since bodycon dresses are meant to draw attention to your silhouette, choosing the incorrect size will make the look unflattering. The dress loses its beauty if it is too loose, and at the same time, if it is too tight, it may feel awkward and unpleasant to the eye. Shorter lengths that lengthen the legs are better for petite frames, while stretchy materials that gently hug the body are perfect for curvy figures. Darker hues and dresses with ruching are good choices for plus-size people since they accentuate a slim and attractive figure. When in doubt, try on various styles and sizes until you find the one that best fits your body type. Wearing a bodycon dress that fits nicely is the key to looking put together.
2 LAYER IT UP
You can add versatility to your wardrobe and radically change the appearance of a bodycon dress by layering it. Your dress will look effortlessly stylish with a leather or denim jacket for a laid-back occasion. Wearing a tailored longline blazer can lend sophistication and elegance to a more formal event. You can dress up the outfit for a special event or soften its assertiveness by experimenting with layers. You may wear your bodycon dress to any function, day or night, with the correct outerwear.
3
5
EXPERIMENTS WITH PRINTS AND COLOURS
There are many prints and colours of bodycon dresses, so don’t be scared to try something different from the typical neutrals. Pastel colours and earthy tones provide a stylish, subtle elegance, while bright colours like pink, yellow, or red are ideal for making a statement. Printed bodycon dresses with geometric, floral, or animal motifs are great options if you want to stand out.
ELEVATE WITH THE RIGHT FOOTWEAR
Shoes are essential for completing the appearance of your bodycon dress. Wear the dress with strappy sandals or pointed-toe heels for a refined and classy look. These shoes lengthen your legs and give you a sophisticated touch. White sneakers or ankle boots are ideal for a more laid-back look, especially when paired with midi or tiny bodycon dresses. Always think about the occasion and style when choosing your shoes because they might affect the overall tone of your ensemble.
4
PLAY WITH ACCESSORIES
Your bodycon dress may go from plain to gorgeous with the right accessories. In addition to enhancing your silhouette, a striking belt around the waist gives the ensemble a distinctive flair. While huge earrings or a striking choker can lend drama to a simple dress, minimalist jewellery, like a pendant necklace or little hoops, works well for an understated, beautiful look. Select a chic clutch or crossbody purse that goes well with the dress to finish the look.
CONCLUSION
MIND THE UNDERGARMENTS 6
Using the appropriate undergarments is crucial for a beautiful and seamless finish when wearing a bodycon dress. Your best bet for preventing noticeable lines that could ruin your appearance is seamless underwear. Use shapewear to smooth out places you’re not confident about if you like a more sculpted silhouette. A useful option for dresses with backless or plunging necklines is convertible or stick-on bras. You will feel secure and appear perfect from every angle if your underwear fits properly and is comfortable.
The key to looking great in a bodycon dress is knowing how to style it to fit your body type, the occasion, and style. Numerous ways to improve your appearance include picking the appropriate fit, layering it carefully, matching it with the ideal shoes, accessorising carefully, choosing the appropriate underwear, and experimenting with colours and patterns. With these tips, you can always turn heads in your bodycon dress and step out confidently.
@unshakable.is.a.state.of.mind
W IS FOR (THE) WILL
…not DOWNTOWN, but pun fully intended.
Iwastorn between ‘W is for Worthiness and Wisdom’ —a heavy but compelling choice—and ‘The Will,’ as in the legal document, not the magazine. After two hours of indecision and even a coin toss, I landed here. Yet here I sit, staring at a blank page, my thoughts flooding in a million directions. So, I’ll do what I’ve learned works best when my ideas refuse to organise themselves: I’ll tell you a story. For all intents and purposes, it is fiction — or so I hope.
Once upon a time, there was a beautiful woman named Presque. Her name, meaning ‘almost,’ was a poetic foreshadowing of her life’s trajectory — a juxtaposition of triumphs and tragedies, light and darkness. Presque’s childhood was a harrowing tapestry of pain. She endured sexual abuse, neglect, and malnourishment. She was exposed to the chaotic worlds of sex, drugs, and rock and roll far too young. By the time she reached adulthood, many around her had forgiven her darker tendencies, attributing them to her traumatic past.
Others admired her resilience. After all, she was the only one in her circle who had never gone to prison. Presque seemed to transition into a ‘normal’ adult life. She married, had children, and built a successful business. By all appearances, she was thriving. Her lavish lifestyle was an #unshakable contrast to the poverty and chaos of her upbringing. Yet beneath this façade lay a festering darkness. She battled an unhealthy relationship with drugs and alcohol, compounded by a string of regrettable decisions. She was a paradox: a woman who could light up a room with her brilliance and yet, in her private moments, wrestled with demons that refused to let her go. When the light within her won, she achieved remarkable things. She was a beacon of inspiration to those around her. No one cheered louder for her than I did. But when the darkness took over, she spiralled. I
tried to stand by her side through it all. My empathy for her was #unshakable, but it came at a cost. Too often, in trying to pull her out of the abyss, I found myself dragged into the depths alongside her.
The end of her story was devastating. She left her marriage. She lost her business. She lost her fighting spirit. Presque, the woman who had almost conquered her past, seemed to lose the will to fight for her future. She died intestate — without a Will.
What followed her death was a nightmare. The lack of a Will meant that her estate was thrown into chaos. Legal battles ensued, tearing apart what little remained of her legacy. Relationships crumbled as people fought over her possessions, her business, and her memory. It was a grim reminder of how the absence of a simple document could magnify the pain of an already tragic loss.
Ever since I have been haunted by the idea of the Will—not just the legal document but the
#unshakable resolve to live with intention, to plan for the inevitable, and to leave behind more than just memories.
Presque’s story has become a cautionary tale, a reminder that life’s most bizarre twists often rival the drama of fiction.
Presque almost made it. She almost conquered the darkness. She almost secured her legacy. But ‘almost’ is a fragile word. It leaves too much to chance, too much unfinished. And so, I wish she had written a Will.
To those reading this, let Presque’s story be a lesson. Write your Will, regardless of your age or your plans for the future. Secure your legacy, not just in the material sense, but in the clarity and peace you leave behind for those you love. And beyond the legalities, nurture the #unshakable will within you — the will to live, to fight, and to leave the world a little brighter for having been here.
Do you have a Will?
‘See’ you next week.
MICHELLE DEDE
OWNING HER SPACE
Michelle Dede’s career trajectory in the film industry is nothing short of amazing. She is the epitome of a global citizen, having been born in Germany and raised in Brazil, Australia, Ethiopia, and the United Kingdom. Her acting career happened by chance; she did not plan to pursue it. However, destiny had other ideas, and Michelle has been a shining star in Nollywood since her debut. She has invested in every role, from her stellar performance in the TV series Desperate Housewives Africa to popular films like What Lies Within and Up North. Her position as a major player in the Nigerian film industry was solidified in 2013 when she co-produced the romantic comedy Flower Girl, showcasing her talent behind the camera.
Dede is well-known not only as an actress but also as a voice actor and TV personality. She has demonstrated versatility across several media platforms by hosting well-known shows, including The Family Game Show, Moments Nigeria, and Big Brother Nigeria. Michelle says the secrets to her success have been her passion for her work, her willingness to learn, and her openness to growth. Her success in the cutthroat entertainment industry can be attributed to these attributes, which have enabled her to discover her voice and forge an impressive career in various industries.
In this interview with THEWILL DOWNTOWN’s Dorcas Akintoye, Michelle Dede discusses her journey in the movie industry, her inspirations, her thoughts on the future of Nollywood, and how her love for learning and passion for excellence have shaped her into the star she is today.
What inspired you to pursue a career in acting, and how did you get started?
I never pursued a career in acting; I believe it was fate.
A friend and actor, Thelma Ojiji, who was living in Abuja at the time, came to Lagos in early 2014 for Ebony Life TV’s Desperate Housewives Africa auditions. I ended up being her scene partner while she was rehearsing to memorise lines for several scenes. She felt I should give it a shot and kept trying to convince me to go along with her for the open auditions. After two weeks of convincing, I reluctantly went along with her, with no intention to go ahead with it. She filled out a form for herself and then handed me one with my name, details, and a number for the cue. Her belief in me was the catalyst. I went into the auditions nervous and unsure of what I was doing, but much to my surprise, the casting directors praised my audition. They then asked me to read for three other lead roles while there. A few months later, both Thelma and I were called back for the second stage of auditions. We didn’t hear from them again until October 2014, when one of the series producers called me back to offer me a lead role.
It was a baptism by fire, even though I had been told by a producer that the Disney executives in the U.S saw my audition and thought I’d make the perfect African version of the character Susan Meyer from the original U.S series. For the first few months of filming, I kept thinking, “What am I doing here? I’m a TV presenter, not an actor”. I’m grateful to Thelma and my co-stars on the show, Nini Wacera and Kehinde Bankole, as well as the head of the costume department, Obijie Oru, and one of the unit directors, Dickson Dzakpasu, for the encouragement they gave me throughout the four and a half months of filming. Those two cast and two crew members kept reminding me that I deserved to be there and was talented. Otherwise, the impostor syndrome or self-doubt I felt would have been mentally crippling.
By the time the series aired in 2015, I was a little more confident as an actor, and the rest is history.
You’ve played a variety of roles across TV, film, and stage; what’s the most challenging character you’ve portrayed, and why?
Playing Tari Gambadia in Desperate Housewives Africa was the most challenging mentally. Because I didn’t believe I could do it. Playing another character in a yet-to-be-released Nemsia production was the most physically challenging because I had to be in special effects makeup on my face and body for 16-18 hours daily for two weeks in a village. The unpredictable weather conditions and roach size mosquitos didn’t help either. Especially as I was sick with the flu during part of the production, but decided to continue filming. Without giving away any spoilers since the film hasn’t been released yet, the character also went through a transition, and although it was challenging, it was rewarding, as well as liberating, to finally get to play a villain.
What was it like co-producing Flower Girl in 2013? At the time, I wanted to learn about production so I could produce TV shows that I would host or hire other hosts for. I spoke to the director, Michelle Bello, about being her assistant while preproduction took place, and she asked me to co-produce instead. I refused because I had no prior filmmaking experience. I later decided to accept the job, and took on the biggest challenge I’d ever taken professionally. It was months of hard work, unlike anything I’d ever done, as I was also the location manager. Another baptism by fire that I believe I surmounted
very well. How I juggled all that I did on the film set when principal photography began on the island, and I still co-hosted The MTN family game show for a week in between, on the mainland is still baffling. As the saying goes, “Where there is a will, there is a way.”
How has your acting style evolved over the years?
When I began in 2014, I was an experienced TV host and MC who felt unsure about her abilities as an actor. The feedback, award nominations and subsequent BON (Best of Nollywood) award win gave me the confidence to pursue it more intentionally. I believe my craft has evolved because I understand the importance of being rather than playing a character. Embodying the person, their likes, dislikes, quirks, passions, motivations, fears, beliefs, etc. I find and create reasons to empathise with the characters I play. In the past, I didn’t do that; in the past, if a character was far removed from whom I was as a person, I found it difficult to empathise with them. As a result, I believe my more recent work and yet to be released work will display that evolution.
Who are some of your acting influences, and what have you learned from them?
As a teen, I watched a lot of films with my father and was in awe of Meryl Streep, Daniel Day-Lewis, Gary Oldman and later, as an adult, Tom Hardy, Tilda Swinton, Catherine Blanchett, Sophie Okonedo, Cillian Murphy, Viola Davis and Nigerian theatre actor Omonor Imobio Somolu. I realise that the actors who most inspire me are the ones who completely morph into other people. From their physical appearance (with the aid of superb costume, makeup and production budgets), to their mannerisms, body language, and in some cases their voices, and accents.
“A great TV host must be a good listener, especially for those who host shows where interviews are conducted; it is crucial. A talk show or podcast host should listen intently and never repeatedly interrupt a guest.”
I’m enthralled by their versatility and ability to play a wonderful myriad of people of different ages and socio-economic backgrounds. They do so in a way that seems so effortless, even though I’m well aware that it requires a tremendous amount of dedication and work for them to achieve what they do.
Growing up in different countries, such as Brazil, Australia, Ethiopia, and the UK, how has your multicultural background influenced your career and creative outlook?
I can’t speak for other people who have grown up in several countries, but I believe my experiences made me more open to people of different races, religions, beliefs and cultures. As a child and in my early to late teens, I didn’t see the benefit of having to move every few years, and leave friends and what was familiar behind. As an adult, I realised that it was a blessing. I’m extremely thankful for that upbringing, I had. I often randomly call my father just to thank him for it, and for being a great girl dad.
The result is how I see the world and my acceptance of people of varied cultures, races, religions, nationalities, etc.
I believe my past experiences have and will continue to allow me to adapt to different environments. When you have lived in several countries during your formative and adult years, you learn to adapt! Sink or swim. Nigeria has been the hardest place to swim; it’s been a slower breaststroke, not a fast front crawl. However, I’m a good swimmer, metaphorically and in reality. How did being in Nigeria during a holiday lead to the start of your career?
Adebola Williams and his then co-producer partner Dele Fadahunsi had a TV show called Nigeria International Adebola overheard sister Najite and I speaking at a coffee shop in 2006. He introduced
himself and asked me if I’d ever done radio because he thought I had an interesting voice. After telling him I hadn’t, nor was I interested in doing so, he mentioned that he was filming an episode of his show and I should come on set one day. I didn’t, then coincidentally, a week later, he was filming another episode, and the actor who was supposed to host it didn’t show up. He called me, and pleaded that I just do an intro to the episode which was being filmed at Nike Art gallery. I showed up, he told me what to say and I did it afraid. While we were filming, one of the producers of Big Brother Nigeria walked into the gallery to buy art. She stood watching us, and when we were done, she introduced herself and asked if I was a TV host; I responded that I was just on holiday and helping Debola and Dele out. She asked if I’d like to come for an audition for a game show; I politely and nervously declined, then left. A few days later, she called me, and said Dele had given her my number. She asked me to come and audition, I declined again till my sister convinced me to just go for it. I went, did what I felt was a terrible audition, forgot about it and continued with my Detty December plans. A week later she called again and asked me to come audition for the co-host of Big Brother Nigeria. I nervously declined yet again, till my sister and friend cajoled me into going, as I had nothing to lose. As a fan of Big Brother UK, the thought was exciting but also nerve racking, because I was somewhat shy, very insecure, and at the time socially awkward around people I didn’t know. The thought of hosting a live TV show wasn’t something I’d never even imagined. When I finally went to the audition, I was jumping around and very hyper because I was extremely nervous. I remember shouting so much into the microphone they gave me a prop. I’m laughing as I respond to this because they had to keep telling me to tone it down. They must have liked my youthful exuberance and expressive hand gestures because when they called me back for the final stage of the auditions, I remember asking, “Seriously, you want me to come back? Are you sure!?”.
I truly believe God wanted me to host, because while the producers were deliberating on who would co-host the show, I was occupied with trying to leave Nigeria and go back to my life and job in London. Three times I was dropped off at the airport for a confirmed booking, and three times B.A(British Airways) kept telling me I was on standby. By the third and final time, when my sister and a friend picked me up from the airport, they both said there must be a reason God wanted me to stay in Lagos longer, because being placed on standby repeatedly didn’t make sense to any of us. Two days later, before I was supposed to leave again, I received a call from one of the executives at Endemol offering me the job as co-host.
I sat with my mouth ajar in the car for a few minutes, then screamed in both excitement and fear of the unknown. Then I got out of my friend’s car, and we both knelt on the side of the road in Surulere and started praising God. Co-hosting the show was my first baptism of fire in the entertainment industry. I’m grateful for that experience, the people who hired me, and especially for Anton Burggraaf, the South African series producer who trained me on the job, and Edi Lawani, the stage manager/producer who kept encouraging me throughout the six months I worked on the show. They both kept telling me I was doing a great job, even when I was shaking on stage, made mistakes, or felt anxious. They’d say, “You were great, don’t worry, tomorrow you’ll be even better!” and would always hug me or give me a high-five at the end of the live eviction shows.
COVER
I’ve been very fortunate to have my sister Najite, a few friends and a handful of colleagues who have poured words of affirmation onto me when I needed it most at the start of each of my careers within the entertainment industry. That’s why, years later, I always mention them because they saw something in me that I didn’t see in myself.
As someone who has hosted major TV shows and events, how do you see the role of media evolving in Nigeria and globally?
Due to technological advancements and globalisation, the role of media has led to changes in how information is viewed, disseminated, consumed, and shared. In both Nigeria and globally, the rise of digital platforms has changed how people consume all content, including news, TV shows, magazines, newspapers etc. With podcasts, and vlogs, citizen journalism has become more common. Everyone with a phone or other devices can become news reporters or hosts from the comfort of their living rooms or while out reporting in their neighbourhoods. Hybrid newsrooms, where professional journalists produce content for both traditional and digital platforms, are the norm now. Traditional journalism incorporates multimedia elements like videos and graphics to capture and retain the reader’s attention. Globalisation and communication channels have influenced the evolution of media in Nigeria, which has evolved both locally and internationally. While there are fewer big TV shows in Nigeria than there were a decade ago due to the advent of social media, podcasts, and vlogs, the West still has many big shows, formats, and reality shows airing on TV and streaming platforms. The only big shows we currently have are Big Brother Naija and Nigerian Idols, which still air on TV.
As a host, I’d love to see Nigerians create indigenous formats that could go global, or even have Nigerian versions of shows like The Masked Singer, Dancing with the Stars, Love Island, or Love Is Blind.
What do you think sets a great TV host apart from the rest?
Being yourself, unapologetically! Not copying anyone’s style of hosting or accent, an ability to think quickly on your feet and adlibbing. A great TV host must be a good listener, especially for those who host shows where interviews are conducted; it is crucial. A talk show or podcast host should listen intently and never repeatedly interrupt a guest. These are a few things that set a great TV host apart from the rest. What makes each of us different is our unique selling point; trying to be someone else isn’t. It’s also important not to play a chapter when hosting; if you aren’t authentically you, flaws and all, it will show.
Having been part of projects like Desperate Housewives Africa and What Lies Within, what are your thoughts on the growth of Nollywood?
Nollywood’s growth has been exponential, and it has the potential to become a global cultural powerhouse. I believe Nollywood’s success has and is inspiring other African countries to invest in their film industries. Our stories are both personal and relatable, which appeals to a diverse audience. We tell stories that are authentic to Nigerian culture and shape narratives across Africa and beyond. Nollywood has created more career opportunities in Nigeria, including acting, directing, producing, costume design, as well as set design, to name a few. The possibilities with the Nigerian film industry are endless.
What do you think Nollywood needs to do to gain even more global recognition?
Nollywood can gain more global recognition by improving the quality of films, collaborating more with peer filmmakers as well as international filmmakers, and by addressing funding and piracy issues.
Nollywood needs to stop cutting corners; we need to improve the quality of films by investing more in all aspects of filmmaking, including scriptwriting, production values, hair, makeup, and more, instead of focusing on the technical side alone. Filmmakers also need to be open to learning more and taking constructive criticism in order to grow. Piracy is also a major issue; it erodes filmmakers’ profits and cheapens the perception of Nigerian cinema. Distribution also makes it challenging to showcase Nollywood films on international screens. We also need more investment, as quality productions are expensive to make.
What is your vision for the future of the Nigerian movie industry?
My hope is that we become the powerhouse of African cinema if Nollywood continues to focus on quality storytelling, diversity, and innovation. Collaborations could lead to higherquality productions and even more diverse storytelling. New technologies could also allow filmmakers to tell stories independently and without censorship. I also hope for a Nollywood that has unions that can implement and protect all filmmakers’ rights, including working hours, pay, health insurance and general safety on sets.
What advice would you give to young women looking to break into Nollywood, both in front of and behind the camera?
Take the time to work on yourself through introspection. Be comfortable with whom you are before you come into the industry and as you evolve, get older, or become famous. Don’t conform to the industries’ standards of what you should look like, be like, or sound like; your differences are what make you stand out. Success doesn’t happen overnight; be passionate about the work and your craft, and be prepared to work hard and smart. Keep reminding yourself that you are enough even when others try to make you feel like you aren’t. Believe in yourself and your abilities! Keep a small group of friends who aren’t in the industry and who will be honest with you through good and bad times; they will keep you grounded. Speak up for yourself when you need to. Trust your instincts. Remember that being a filmmaker is a job description, not the content of your character.
How do you maintain your versatility across acting, hosting, and voice-over work?
I’m passionate about my craft and learning. As a result, I’m always open and eager to improve and learn more. The rest is God, because he led me into each sector of the industry that I work in.
What career path would you have pursued if you weren’t in the entertainment industry?
Fashion Design. I studied fashion design and marketing at university. I wanted to be a fashion designer. My love for fashion is still within me. However, acting and hosting TV shows give me the most joy and fulfilment.
INTERIOR DESIGN TRENDS
That Will Dominate 2025
BY DORCAS AKINTOYE
As aspirations and lifestyles change, so does interior design. In 2025, designers, enthusiasts, and homeowners anticipate new trends that will change the way we live and interact with the spaces we inhabit. This article will show you five interior design trends that will dominate 2025.
(1) WHIMSICAL GALLERY WALLS
In 2025, whimsical gallery walls blending paintings, prints, and quirky finds will be everywhere. Incorporating these unexpected shapes, sizes, and frame variations into your space will help add a playful, relaxed touch.
(3) BRICK BACKSPLASHES
In 2024, integrated backsplashes were huge, and this year, 2025, we will see more backsplashes made with organic, slightly unconventional stones. Brick veneer gives a great deal of charm and warmth. They can have a contemporary-rustic or industrial vibe, but above all, they are not dull subway tiles.
CONCLUSION
(2) COSY READING NOOKS
Cosy reading nooks are making a comeback in 2025, but this time, the designs are a blend of functionality and style. When thinking about how to add personality and a touch of luxury, thoughtful decor like curated books, sculptural objects, and framed artwork will go a long way. Spaces like that are the perfect go-to when you want to disconnect from the digital world.
(5) WARM WHITES AND WOOD
(4) CHECKERED FLOORING
Despite being in style right now, checkered floors are a classic option. They’re an excellent method for producing a strong visual impact. Depending on the material selected, checkered floors may be utilised in both modern and classic homes and have a nostalgic vibe.
Kitchens are adopting warmer offwhites, taupes, and even moody, earthy neutrals in place of cooler whites to create a more welcoming and grounded atmosphere. Warmer wood tones are becoming more popular, and this trend goes well with them to provide accents, flooring, and cabinet depth. Collectively, these components show a desire for comfortable yet elegant settings that combine natural cosiness with classic elegance.
2025’s interior design trends aim to create environments that represent our evolving values and needs. Adopting these concepts can make your house fashionable, cosy, and future-ready. Let your imagination run wild, and remember these trends while planning your next home renovation.
BY DORCAS AKINTOYE
Your body’s first line of defence against the outside world is your skin, which is more than simply what you see in the mirror. In this case, the unsung hero is the skin barrier, which shields you from threats like infection, pollution, and harsh weather. However, what is the skin barrier, and how can it be maintained healthily?
WHAT IS THE SKIN BARRIER?
Your skin’s outermost layer is called the skin barrier, sometimes called the moisture barrier. Scientifically, it is referred to as the Stratum Corneum. Consider it as a brick wall, with the skin cells serving as the bricks and the natural fats or lipids as the mortar binding everything together. This “wall” serves two primary purposes: firstly, it helps keep the bad stuff out, like irritants, allergens, and germs, and secondly, it helps keep the good stuff in, like moisture and essential nutrients.
4 WAYS TO PROTECT YOUR SKIN BARRIER
1. DON’T OVERWASH OR OVER-EXFOLIATE
It’s important to clean your skin, but too much of it might damage your skin barrier. Overwashing leaves your skin dry and unprotected by removing its natural oils. The barrier may also be weakened, and microtears can occur from excessive exfoliation. Instead, limit exfoliation to one to two times per week or use a light, sulfate-free cleanser no more than twice daily. Additionally, utilise products with moderate components like oatmeal or lactic acid.
Skin Barrier
What is it And How to Protect it
2.ALWAYS KEEP YOUR SKIN MOISTURISED
Moisturisers help restore your barrier and seal in moisture, just like a shield. When your skin is dry, the barrier may split, allowing irritants to enter more easily. So, when selecting moisturisers, look for components like glycerin, hyaluronic acid, and ceramides. These ingredients increase hydration and mimic the natural components of the skin.
3. PROTECT YOUR SKIN FROM THE SUN
Your skin barrier is at serious risk from sun damage. UV radiation weakens it, causing vulnerability and early ageing. Even on overcast days, your skin remains vulnerable. To protect your skin, wear a broadspectrum sunscreen with SPF 30 or higher daily, even indoors.
4. AVOID HARSH SKINCARE PRODUCTS
Certain harsh substances in skin care products might irritate your skin’s barrier and deplete your skin of its natural oils. Common culprits include powerful acne treatments, alcoholbased toners, and excessively scented cosmetics. Instead, use mild and fragrance-free products made for sensitive skin. Exercise caution when using active substances such as salicylic acid or retinol; start slowly and use them in moderation.
CONCLUSION
Your skin barrier needs to be maintained to protect yourself. By adopting these easy yet powerful habits, you can maintain your skin’s health for many years to come. Consistency is essential, and your skin will appreciate you for it!
UPLIFTING THE BURDEN
Achieving Genuine Forgiveness
BY JOHNSON CHUKWUEKE
Genuine forgiveness is one of the most difficult acts a person can undertake. Despite this being a difficult process, genuine forgiveness can be liberating. Whether you’ve been wronged by someone close to you or are struggling with deep-seated resentment, learning to forgive isn’t just about letting the other person off the hook. It’s also about freeing yourself from the emotional weight of anger and pain.
Forgiveness is not a sign of weakness. In fact, it requires immense emotional strength to release the desire for revenge or stop the bitterness one feels inside. To fully achieve forgiveness, one has to undergo certain processes.
Acknowledge The Pain
The first and most crucial step to forgiveness is recognising and accepting the emotional impact you have experienced because of the pain. It’s important not to suppress or ignore the pain but to confront it head-on. Acknowledging your feelings allows you to process the experience fully. This isn’t about justifying what happened but understanding the depth of your emotions and how they affect your well-being.
Empathise With The Offender
Empathy can be a powerful tool in the forgiveness process. Although difficult, trying to see the situation from the offender’s perspective can help reduce feelings of anger. Understanding their reason or circumstances doesn’t mean you are excusing their behaviour, but it offers insight that they are just human. This change of perspective may reduce the emotional intensity surrounding the hurt and improve the process of letting go.
Decide to Forgive
Forgiveness is a conscious choice rather than something that happens just like that. After reflecting on the pain and empathising with the offender, forgiving involves letting go of the desire for revenge or holding onto resentment. This doesn’t mean you accept the actions or forget what happened; it’s a personal decision to release yourself from the emotional hold the experience has on you. The decision to forgive sets the stage for emotional healing.
Communicate if Necessary
Sometimes, sharing your feelings directly with the person who hurt you can lead to a sense of closure. When done respectfully and thoughtfully, this conversation allows both parties to understand each other’s perspectives. Communication can clear the air and further your journey toward forgiveness, whether it results in an apology or an honest exchange. It’s important to remember that while communication can aid healing, it’s not always required to forgive.
Focus on Self-Healing
Forgiveness is ultimately about freeing yourself from emotional burdens, and self-healing is a significant part of that process. Engage in practices that promote emotional and mental well-being, such as mindfulness, journaling, or therapy. These methods can help you navigate the emotional complexities of forgiveness, enabling you to process the pain and eventually let go. Self-healing empowers you to move forward, cultivating a healthier mindset and emotional balance.
In conclusion, learning to forgive is one of the most powerful tools for personal growth and emotional freedom. Although it may seem difficult at first, the journey towards genuine forgiveness leads to a lighter, more fulfilled life.
Making an Authentic
Tom Yum Soup
BY JOHNSON CHUKWUEKE
Thailand is home to many man-made and natural luxuries. From hotels to beaches and traditional centres, there are many things for locals and visitors to enjoy. But while enjoying the hotels and the like, one aspect that many need to relish is the local cuisine.
Ingredients
• 1 cup of mushrooms (straw mushrooms or white mushrooms)
• 10-12 medium-sized shrimp, peeled and deveined
• 1-2 tablespoons of fish sauce (adjust to taste)
• 1 tablespoon lime juice (adjust to taste)
• 1-2 teaspoons of Thai chilli paste (Nam Prik Pao)
• 2 teaspoons sugar
• Fresh cilantro for garnish
For Broth
• 4 cups water or chicken broth
• 2 stalks of lemongrass (cut into 1-inch pieces and smashed)
• 4-5 kaffir lime leaves (torn)
• 4-5 slices of galangal
• 4-5 Thai chillies (crushed, adjust for spiciness)
Directions
Prepare The Broth
• Boil the water or chicken broth in a pot.
• Add smashed lemongrass, torn kaffir lime leaves, galangal, and Thai chillies.
• Let it simmer for 5-10 minutes to infuse the flavours
Add The Main Ingredients
• Add mushrooms to the broth and cook for a few minutes.
• Add the shrimp, allowing them to cook until they turn pink, about 2-3 minutes.
Season The Soup
• Stir in the fish sauce, Thai chilli paste, and sugar.
• Adjust the seasoning to your preference, balancing salty, sour, and spicy.
Finish With Lime And Garnish
• Remove from heat and add lime juice.
• Taste and adjust if needed (more fish sauce for saltiness, more lime juice for sourness).
• Garnish with fresh cilantro before serving.
Additional Tip
• You can also add other proteins like chicken, squid, or tofu to the soup for variation.
• Serve Tom Yum hot with steamed jasmine rice, or enjoy it on its own for a lighter, flavourful meal.
The Tom Yum recipe is a flavourful representation of Thai cuisine that highlights fresh herbs and spices. It is quite expandable, so you can adjust the flavours to suit your preference.
Tom Yum is a famous Thai soup known for its bold flavour—spicy, sour, and fragrant all at once. It’s made using a variety of fresh herbs and spices that make it distinctly Thai. Here’s a recipe to guide you through preparing this delicious and aromatic dish.
DOWNTOWN CONFIDENTIAL
The Crutch
Iwasn’t sure how to react when I saw him break down for the first time. It was all because of me. I made him that way. I’d told him something he never expected, and he wasn’t handling it well. I should have felt remorseful for hurting him, but I didn’t feel anything. It was strange, so unlike me. I just stood there and watched him crumble. A small part of me felt sorry for him, but a larger part remained indifferent. Amid all my uncertainty, one thing was crystal clear: I would never be able to love Phil the way he deserved.
It’s been hell coming to terms with the truth: I had used Phil to rediscover myself, to reclaim the confidence and self-esteem I had lost.
I met Phil during one of the lowest
points in my life. I’d just come out of a toxic relationship with Josh, where nothing I did was ever good enough. He’d criticise everything about me, from how I spoke to how I dressed. Even our sex life wasn’t spared. That was the hardest part. Josh made it clear I wasn’t enough for him. He’d constantly compare me to his ex, even sending me videos of them together and asking me to “learn” from her. The pressure to get everything “right” was suffocating, and my nerves always got the better of me, leading to more mistakes. Over time, his cruel words sank in, and I began to believe them. I started seeing myself as a failure who couldn’t measure up. My confidence shattered, and I became sexually insecure, doubting if I could ever satisfy a man. Even after Josh ended things,
BY DORCAS AKINTOYE
I avoided relationships entirely. The trauma he left behind made me hate the idea of love, of intimacy. And then Phil came along. Phil was nothing like Josh. He was patient, gentle, and kind, starkly contrasting the whirlwind of criticism I’d endured. At first, I tried to push him away, as I did with everyone else, but there was something about him, something calming and persistent. He had this uncanny ability to make me feel special, even when I felt broken. Phil wasn’t the type of man I’d normally be attracted to, but his unwavering care and attention slowly broke down my walls. Eventually, I gave in.
The night it happened, the first time we had sex, I was a bundle of nerves. Every negative memory of my time with Josh flooded back, whispering doubts into my ear. But Phil’s touch was different. He didn’t rush or demand. Instead, he took his time, letting his hands explore my body like it was a masterpiece he’d waited years to admire. When his lips found mine, they were soft and reassuring, not filled with urgency but with a promise of care.
As he undressed me, I couldn’t help but feel exposed and vulnerable. But then he looked at me, really looked at me, with an admiration so genuine that I felt a flicker of confidence ignite within me. His hands traced every inch of my skin, his touch light yet deliberate, as though he wanted me to know he cherished every part of me. By the time he entered me, I was no longer nervous. Instead, I felt a sense of trust I hadn’t known in years.
Phil made love to me like I was the centre of his world. His movements were deliberate yet tender, his rhythm attuned to mine. He whispered words of affirmation, his voice low and husky, as though trying to rebuild the confidence that had been stolen from me. When he climaxed, I could see the pure joy and satisfaction on his face, something I’d never witnessed with Josh. For a fleeting moment, I felt powerful, like I had reclaimed a part of myself. But the euphoria didn’t last. While Phil was over the moon, I felt… empty. I’d hoped this moment would bring me the validation I craved, but it didn’t. Something was still missing; no matter how much Phil reassured me, his validation wasn’t enough. I didn’t trust his words because he was too soft and accommodating. Unlike Josh, who made me feel I needed to prove myself, Phil never challenged me, and I realised I needed more. In my search for answers, I strayed. I sought out other men, wanting to test myself to see if I could truly be enough. With them, it was different. They were assertive, confident, and demanding in ways Phil wasn’t. Each encounter made me more confident that the problem had never been me. Josh had been wrong about me all along. I wasn’t inadequate. I wasn’t broken. The issue had been him, his cruelty, his manipulation. Now that I’ve rediscovered my confidence and self-worth, I can’t see a future with Phil. As much as it hurts to admit, I no longer need him. He was my crutch, the person who helped me stand again. But now that I’m standing tall, I can’t carry him with me. A part of me feels guilty for using him, for breaking his heart. But another part of me knows this is the only way forward.
And so, as I watch him break down, I feel the weight of my choices. But I don’t regret them. For the first time in a long time, I feel free.
BY BOLUWATIFE ADESINA
Den of Thieves: Pantera
Denof Thieves, a 2018 heist thriller from director Christian Gudegast, is not a movie I expected to be tapped for a sequel, despite being deserving of one if only for making the post-holiday season merry and bright. One of Gerard Butler’s better movies, the film adopted elements of Heat into the cat-and-mouse relationship between lawman Nick O’Brien (Gerard Butler) and the brains of the criminal operation, Donnie Wilson (O’Shea Jackson Jr.). Seven years later, those with a soft spot for the original movie will be delighted to know that Gudegast has crafted a second chapter that’s at least as good (and in some ways better) than its predecessor.
The sequel, subtitled Pantera, picks up shortly after the first one ended, with Nick still stewing over his inability to bring in Donnie while the Feds insist that no crime was committed since no money is missing. Meanwhile, in Europe, Donnie has hooked up with a new crew, including the smart, sexy Jovanna (Evin Ahmad), and has executed a daring diamond heist. Unfortunately (unbeknownst to him), he picked the wrong people to steal from: the Panther mafia. Now, as he’s planning an even bigger caper in Nice, they are tracking him down. That’s when Nick locates him and offers an audacious proposal: he’ll forgo bringing Donnie in if he can join the new heist.
Pantera suffers from slow pacing and narrative overdosing during its first halfhour (when it is bringing up to speed viewers who may not have seen – or who have forgotten the first Den of Thieves) and toward the end (when it’s setting up a possible third movie). Occupying the bulk of the hefty 144-minute running time is the heist. Gudegast does an even better job this time (and he was no slouch in 2018), blending all the requisite tropes into a tight, taut package that delivers the right dose of white-knuckle suspense. Although Butler is best known for his violent action films, this movie is surprisingly light on those moments, preferring tension over pyrotechnics while limiting the fisticuffs and keeping the body count (relatively) low.
Nick and Donnie’s relationship shifts from antagonists in the first movie to reluctant allies in this instalment.
(Think of Pacino and DeNiro teaming up in a Heat sequel.) A distinct buddy film vibe develops with the actors playing effectively off one another. A nice addition to this instalment is Evin Ahmad, whose Jovanna is as beautiful as she is skilled. Sadly, her character is underused (she arguably deserves her own film), and her playful relationship with Nick dead-ends despite the obvious chemistry between her and Butler.
Heist films generally follow a template that includes various elements: plotting, execution, and regrouping (after something goes wrong). Pantera has all those things. The caper is deliciously difficult and requires all sorts of clever work-arounds (with splitsecond timing) to achieve the goal. A lot of the heavy lifting is done in the editing room. And, although I’m not prepared to say the plot is airtight, it works well enough to earn my seal of approval. The movie also doesn’t try to do too much (although the overlong running time might seem to argue otherwise). It knows what it is and sticks to doing the best it can be at that, which is better than enough.
The decision to open this film in January is a calculated one. Although Butler films normally prowl cinemas during the summer and fall, the first Den of Thieves was a moderate success ($45M domestic, $81M worldwide) with a similar release date. It’s hard to say whether lightning will strike twice, but it’s always a relief to find something worthwhile in theatres at this time of year. Although a heist film with a high testosterone quotient might not be everyone’s favourite wintertime treat, it’s an effective antidote for all the highfalutin Oscar wannabes out there. As to whether Pantera will spawn a second sequel, my crystal ball is cloudy. The ending allows for one but doesn’t demand one, and that’s always a good place to be for any potential franchise to find itself in.
Leigh Whannell, actor, filmmaker and half of the team behind tortureporn classic Saw, branches into techno-futuristic action-horror with the brutally deft Upgrade, starring Logan Marshall-Green. Take some Robocop, fold in some John Wick and season generously with fake blood, a wink and a nudge, and you get Upgrade, which imagines a not-so-distant future in which wearable tech has become a body-horror nightmare.
much presence should they have in our lives? Personal decisions? What if they turn on us?
Our hero, Grey, is your average mechanic, listening to soul music and tinkering with his muscle cars, while his wife, Asha (Melanie Vallejo), prefers the luxuries of sleek selfdriving vehicles and smart homes, which give her that much more time to work at her tech company. One night, driving home from dropping off a vintage car to tech prodigy Eron (Harrison Gilbertson), the technological utopia proves fallible — and fatal. The couple’s self-driving car rams into a homeless encampment, and Grey and Asha are held up and left for dead by a crew of uncommonly weaponised bandits. Grey survives, a quadriplegic, while Asha does not.
The mysterious Eron makes Grey an offer he can’t refuse. With a team of private doctors, Eron conducts a secret, unregulated surgery, implanting a tiny, roach-like widget called STEM, into Grey’s spine. STEM becomes the link between Grey’s brain and his malfunctioning body, allowing him to walk. And STEM, as Grey discovers, can talk. He’s the robotic voice in Grey’s head, controlling his body. STEM becomes his partner in crime-solving, and his physical strength as they go after Asha’s killers, uncovering deeper and deeper conspiracies.
What makes Upgrade work are the tangible realities and fears it plays on. We all wear smartwatches. How long until criminals are getting functional guns implanted in their forearms? Alexa, Siri and their counterparts can be helpful, but how
Another crucial element is MarshallGreen’s performance. As pre-STEM Grey, he’s brooding and moody, a true luddite. But desperate, grieving and newly jazzed up with his powers of STEM, he’s both in awe and bewildered. He begs STEM to show mercy to his victims as he bludgeons them, his hands out of his control, but he also gloats, “You didn’t know I was a ninja”, to the thugs he corners in scuzzy dive bar bathrooms.
His physical performance is what communicates the relationship between man and machine. He’s awkwardly upright and stiff, he doesn’t move in a way that’s “human,” because
what’s moving him isn’t. Whannell plays with film speed and uses incredibly innovative camerawork to underline the unreality of Grey’s artificially enhanced movement. At times, the camera seems rigged to his body as we lurch along with him, and other times, it pulls back to let us take in all of his whirling destruction.
Upgrade is a brutish, efficient and well-executed slice of cyberpunk action-horror with a silly streak. It tempers gratuitous and gory violence with a few laughs, drawing us in, then skewering our obsession with technology of the self. With present-day headlines about out-of-control self-driving cars and smart speakers acting autonomously, Upgrade couldn’t feel more timely. All the gadgets and gear just might strip us of our own autonomy.
Ozer - Autopilot
Carterefe; Khaid - PRAY
WSTRN - Wonder Woman
Fido - Joy Is Coming
Oxlade - KU LO SA - A COLORS SHOW
Joy Oladokun - Taking Things For Granted
Wizkid - Kese (Dance)
Omah Lay - Holy Ghost
Falana; Oxlade; Spax - JoySpax Remix