Exhibitions Joints Movements
Metropolitan University London
Thomas Rebeschini
ID 11033658
The Panels Workshop Light
Space
Model
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shapes
organic
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watercolour Gradients
Workshop
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Research
Aldgate Project
D Architecture s i D ary Showcase g Tunnel n Aldgate Drawings
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V &A museum
Tate Modern
Whitechapel
Brochure Project
Photography
Essay
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At the beginning of the semester we have been visiting some museums around London. The first
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one was the Victoria & Albert Museum, in South Kensington. In the world’s largest museum of
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art and design we were asked to find something interesting between ceramics, glass,
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ironworks, sculptures, prints, drawings and a lot of other works. So once we found
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out what we liked, we had to make a small research, writing 200 words and the photo of the object chosen.
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Patrick Gwynne’s project is exhibited like a plastic model at the architecture sector in the Victoria & Albert Museum. The actual realization of this house has never been achieved, remaining therefore just a project. In 1960, the British architect Gwynne, designed the house which was supposted to be built up on a small site in Blackheat. Gwynne, in his project, has been inspired by the American architect Richard Fuller and his ‘Dymaxion’ house, where the masts supported the roof of the hexagonal aluminium house. So, this is the main and characteristic thing of this house. In fact, the living and sleeping areas are divided between circular units: each one has its own mast that support the roof, which originally raised automatically on eletric motors. What can be seen is a plastic model, where this great idea is summarized, made with painted wood, paper, card, perspex, wire and wire wool. Another thing to point out is the fact that in this project Gwynne wanted to emphasise the relationship between technology and the enviroment all around: water features into these garden plots and unusual architectural forms pull together to create amazing sets.
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The second museum we visited was the modern art gallery of Tate Modern.
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As in the Victoria & Albert Museum, we were asked to find
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two interesting pieces of art and make
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connections between them.
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When I look at these two paintings the most emotional thing that I can see and feel is this kind of unreal atmosphere all around me. What I want to say is that these pictures pointed out a sense of infinity, where the person who is standing in front of them can feel himself into a surreal world. It’s like getting lost in a dream where you can detach yourself from the reality, from the day to day life.
TO A SUMMER’S DAY - BRIDGET RILEY 1980
In the Bridget Riley’s painting, coloured stripes cross along a common band reminding the shape of ribbons, to create a wavy pattern. If you try to follow a stripe with your eyes, you’ll realize that is quite impossible because the optic effect of the canvas make it difficult: the whole picture seems to move and gives a sense of dispersion and infinity.
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In the Yves Tanguy’s oil painting the sensation of infinity and isolation is even more evident than in the Bridget’s one.The few objects in the foreground are not well defined with curved and abstracted forms, that also show the dream sense and the detachment from the reality. In the background, the fading of colour from the light blue to the white and black highlights the infinity and gives a sensation of calm and peace where you can just get lost into your own world.
AZURE DAY YVES TANGUY 1937
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After the visit to the Tate
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Modern, we went to the art
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gallery of Whitechapel. It was
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basically a day where we had to
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look around and gather some ideas for the brochure project starting the following week.
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GOVERNMENT ART COLLECTION
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The brochure project was the first important work that we were asked to do in terms of time
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spent on one single assignment. The tutors divided us into different groups and at end of
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the project all the students had to sustain a presentation, talking about the process
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and how we get to the final piece. A careful research of pictures was also
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included in a moodboard, meant to help people understanding better the intention of the work.
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The Moodboard Step
The Moodboard Step
Beyond choosing the theme, the brochure project uncluded a process in wich we had to select a range of photos to explain our thoughts. The one above was the first moodboard we made but unfortunately we have been told the theme wasn’t good enoug. Therefore we changed our topic.
This mooboard was the final one. We changed the topic talking about the severity of pollution as we titled the project. The pictures we chose are really significant and we tried to be provocative with them, even if our theme doesn’t touch all the kind of pollution you can see in these photos.
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Factories, Lancashire ( L S Lowry ) This picture was selected to be the first, because it sums up the whole title in a painting. Even though we moved on from there, we are still using a lot of energy for industry and modern living. We are using Docklands beacuse it shows the streigth and height of the British economy at that time. It shows the faith we have in our economy and whether we should keep it the economy and the global situation
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BP Carson Refinery, California ( Mitch Epstein ) Mitch Epstein’s current work examines how energy is produced and used in the american landscape. In fact, the American flag is usually used as a symbol of pride, which seems to be showing the ignorance of the negative effects of industrialism. Buckingham Palace was choosen becuase it’s an obvious symbol of patriotism with strong influences.
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Towering Ambition ( Fay-Ross Magenty ) This piece shows a charcoal drawing depicting cranes and new structures. We picked Stradford because the piece is about the redevelopment and recostruction of a critical area of London and Stratford is the modern day equivalent of this phenomenon.
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Consett, Country Durham 1974 ( Don Mc-Collin ) This picture presents people living their own lives during the Second World War.. It depicts a mother who is “walking away” from the industry-based world. Battersea Power Station was choosen because it is a place that hasn’t changed with the time and the large space around it is not being used, therefore leading to waste.
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UNTITLED ( Robert Morris ) This sculpture is made of industrial pieces of felt, cut into straight lines and tumbled on their own weight. This piece is all about how things are made and processed. Its a oneoff production of felt and involves a lot more energy than a batch, not to mention it is a continuous production. This, as a result, means that it also creates a lot of waste therefore it is dangerous for the enviroment.
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200 WORDS ON THE PHOTOGRAPHY PROJECT
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I wanted to develop the photography theme PUBLIC/PRIVATE with an original and different point of view. After having tried to capture a few ideas, my first photo came out unexpectedly: I was having a drink on a friend’s terrace when I saw the reflection of the church steeple in the liquid of my glass; I grabbed my camera to shoot that unusual image. I was very happy about the result, even if I didn’t decide the object, the atmosphere and so on. Therefore all the pictures I present follow this idea which at the beginning appeared only like something weird. In fact on that shot I was quite lucky with the light and the position from where I was taking the photo. Despite the first picture was quite easy to achieve, I encountered some difficulties to reproduce it in the others, especially outside where I could not control the lights and had often to cope with harsh light and to get a sharp focus inside the glass. To create a more interesting shot, give some mood and a personal touch I used different colours in the water. I included the final work as well as the process how to achieve it.
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WHITE MINERAL TRANSPARENCY
EVERY JOURNEY IS A NEW WAY OF SEEING DIFFERENT THINGS
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BATTERSEA RISE AT DUSK
REACHING THE GOAL
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SHAKESPEAREAN TIME IN CONTEMPORARY ENGLAND
THE ROOTS OF A STRONG ATTACHMENT TO LIFE
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SOLID TECHNICAL LINES
UNEXPECTED JUNCTION
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UNDERWATER WORLD: THE WHITE TREE OF GONDOR
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LOVE WITH NO LIMITS
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FINAL PHOTOGRAPHY BOOK
IN AND OUT: PRIVATE OR PUBLIC NATURALLY GREEN
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OTHER ATTEMPTS
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The essay was the first individual assaignment we must hand in after the Christmas
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break. We were asked to write 2000 words about something interesting, choosing
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from 3 different topics: study a work of architecture in relation to its period; compare a work of architecture to a work of other art; compare to movements of modern art/architecture.
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PECHA KUCHA My pecha kucha presentation points out the particular influence which Palladio had in Architecture. I decided to design and present it having always the same layout and colours to give an impression of harmony and balance according to palladian concepts.
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THOMAS REBESCHINI ID 11033658 ARCHITECTURE AND INTERIOR DESIGN FOUNDATION YEAR SEMESTER 1