o
9 kENG MIN portifolio 09
printed in Taipei . Taiwan
l kENG MIN portifolio n 9
Curriculum Vitae Fashion Design Design drawing Graphic Design Painting Photography
1
2 6 24 30 36 48
Curricu
Directory
Curriculum Vitae
2
04/2009
Name:
Keng-Min Lin
English Name:
Thomas Lin
Date of Birth:
12 April 1984
n so
r
Pe
11/2008~08/2009
Art and Design team, Military Publication, Combined Logistics Command, Ministry of National Defense.
t
a rm
fo
In al
ion
OZ fair education agency logo design
05/2006
Apparel Design for Taiwan Associate of Chefs Societies
03/2005
Submitted illustration for the 91st Biweekly Publication, Taiwan Power Company
07/2004~09/2004
Nationality:
Taiwanese
Telephone:
+886-928624727
E-mail:
followegg@hotmail.com
Address:
5F., No.183, Sec. 1, Academia Rd., Nangang Dist., Taipei City 115,
2003/11
Teaching Assistant, Skylotus Art Education Organization
Submitted illustration for the 89st Biweekly Publication, Taiwan PowerCompany
Taiwan (R.O.C.) 07/2003~09/2003
ce
n rie
e Teaching Assistant, Skylotus Art Education Organization xp kE
r Wo
2002
Assistant to Director Tsai, Ming-Liang on premiere of his film What Time Is It There
2001
a
Ac
ic
m de
nd
Football Friendly Peace Cup
u ro
kg
c Ba
Layout Painting for the Art Gallery, for the first session of the Asian
2006
03/2009~07/2009
Arts Advocacy Team of Graduation Exhibition Committee, Department of Fashion Merchandising 2005 Academic Year, Shih-Chien Universtiy
Pacific Gateway International College
12/2008~03/2009
Australia Language School
09/2002~06/2006
Shih-Chien University
2005 2004
Media Communication for Photography Exhibition, Shih-Chien University -
Member of Department Cheerleading Team of Athletic Games, Shih-Chien University
Department of Fashion Merchandising, -
College of Management
Assisted with the event “Water Wizard, Doll World” in the 2004 Shell Lake, Kaohsiung County Cultural Arts Festival”
09/1999~06/2002
-
Fu-Hsin Trade and Arts School Department of Fine Arts and Crafts 2003
Assisted with the Hakka National Fashion Design Contest
Deputy Head of Arts Advocacy Team on United ric Fashion Design Student Association
3
2003
c
rA
a ul
s
tie
i tiv
t
Ex
Model in Fashion Design Show
ur
C ra
4
Aw
2006
-
Ac
R
Public-Spirited Award, Department of Fashion Merchandising, Shih-Chien University
-
Performance Award, FUSE Textile Fashion Week Special Award, Clothing Company 2005 Graduation Show.
2005
-
Excellent Award, Static Clothing Exhibition on 2005 Graduation Show Final Stage at The Eighth Clothing Contest New Designer Award, Fashion Design Contest held by Textile Federation Summer Camp at Bunka Women’s University, Japan
-
Final Stage at The Seventh Clothing Creativity Contest
2004 2002
The 2nd Place of Christmas Costumes Contest -
Excellent Work of Chinese Painting, Art Section of the 43rd Graduation Exhibition, Fu-Hsin Trade and Arts School
-
Excellent Work of Anti-bribery Painting Exhibition, Taipei-cum-legislators, city and county executives’ election.
-
Selected by the 5th Fu-Hsin Cup Youth Color-Painting Contest The 3rd Place on Senior High School Group of the 29th National Youth Painting Contest
2001
Selected by Sichuan International Youth, Earth, Environment Painting and Photography Contest.
5
Fashion
s
d ar
d an
mic
e ad
s
rt
o ep
Fashion Design
6
Internship in Bunka Woman’s University in Japan. Design Cloth Flowers. Used software to make cloth flower design; the process moved from the initial design to the output, and then the finished products were produced. Although the printed cloth style is simple, it allowed me to devote more energy to fabric design and enabled me to gain a better understanding of characteristics and originality between cloth of handdrawn and computer drawn designs.
Design Cloth Flowers
2007
7
The University Christmas Party Styling Competition
used to make swimwear. The inspiration comes from waterproof materials. Innovations and developments in the swimwear fabric market have led to breakthroughs and the removal of restrictions. For me, the production process of swimwear enables me to experience the design style while serving the needs of customers.
9
Christmas Competition
Different materials, such as rubber canvas and transparent cushions, were
Emphasis on the integration of Eastern and Western features. My design concept was Phantom of the Opera, and the theme of my design is a mask with a mysterious atmosphere.　 Furthermore, the use of elements in red cheongsam, full of festivity and fun, eases the mysterious quality affected by the mask, giving the audience a strong visual impact.
10
White Black Black and White
Art Lifestyle Apparel Photos Formal & Informal
Casual & Non-Casual
Black & White Simple Art Living Ingenuity Fun Innocence
The black and white TV era began to rise in the 1950s‌
This is my graduate exhibition practice in the Kaohsiung Shih-Chien University of Clothing Team. Using reflective fiber wool and flexibility smudge special Gyrosigma, emphasizing the simplicity of black, grey and white without losing the monotonous fashion style. In the design process,
there were setbacks due to limitations in my own skills and experience, but the final stage was an affirmation of my abilities.
However, due to global warming, fall and winter clothing does not adopt thicker cloth. Even thinner cloth can be interpreted and utilized without losing the feeling of fall and winter and
warmth. Moreover, with the design consideration of consumers’ needs, formal and casual wear that matches with each other will enhance the diverse needs of customers.
13
14
Unlimited Perform Performance ance Apparel Apparel
Unlimited 19
I
an
Ar
ts
in
d
an
cl
pl
d
rv
ot
ai
w
ne
h
Cr
ie
d
ba
af
is
ts
se
y
.�
d
e
en
ne
za
W
th
g,
st
ap
ea
m
y
e
n
vin
fir
th
tio
ea
id
on
bi
ni
r,
wh
m
m
ga
ne
is
te
ex
Li
Th
Co
or
as
ng
:
se
“I
ni
gn to
ho
or
in
e
gl
si
yi
pa
th
An
de
pl
of
e,
e
hi
gh
to sc
an
ilo
g
e-
ep
t
un
m
gi
m
n
ol
.
hi
ng
.
al
st tri
ep
by
an
th
e
Th
ad
gu
m
ne
de
ot
t,
on
in
ity
cl
ep
si
ve
bi
e
nc
en
rs
co
th
co
di
ive
ho
d
rin
re
nc
th
g
ta Th
co
pe
tin
gr
bo ee
th in
pa
in
Fi
re
e-
la
is
r,
si
di
st
on
ep rr
m
en
si
de
eg
si
on
ul
gn
ar
,
al
tin
ne
g
20
tri
,
le
g an
d
an
u
re
irr
ep
st
r
la
u eg
by
st
ng
i ak
re
. ep
gh
u
ro
th or
,
er
v eo
e
th
s
ric
in
b . M l fa n e r tio a l . l a c i l s m pp th er odu na t w fe a wi o w f c r i f s l, o flo s p ffe y o g ia en e i r t c n i in h e m u r o t i t h i D a t b t d a 3 r e o fa ta m eecl fte nt al b pre n r A a of d th nd n nd ic ow it. er u sis pe ys ga e a e. y nt i n b h a n y m r a o g p b ti t-t ut d n he new ign ing ed futu i n l t c n a w ie s a k g a m de wor f 3D kno the in ad us r r e n o i f o th e g to d in vio ta ep ce te h e th ob lere sed ma, as a l k n rc t u u re whi ed ea to orta um s en sig o s s s a o u c e m es n r e p w la l ac g r pr he is gy im g p u r n t n s i I to s, a us he and sui n nt r nv ed e io pai ono and d t t c a s c pu lls c e t n i i , u u r o a k p k t e s in lo g od on wor ers Th tin y re e pr f co m o c t d m l n o te al cu e m na un ed de le in i e o f o n p i r h g t i t n fi u T di or com le re at co b I e fe tra e , m n in s a e so s m sa l a th a A w e s ve I . th is i gi , n g o is Th inin siti Th a o . p s tr m th co eng r st ,
ar
e lin
ct
ru st
,
be
b
s le
Fashion
23
Fashion Design drawing
24
prototype project The first time trying to use different material of aluminum. To combine with the cloth, the inspiration is from medieval knight’s armor, using the combinationof aluminum drill holes by the rivet-phase. This presents the point of view that everything has to be very accurate and that errors need to be considered again. Aluminum is quite a tight fit and is strong and real. However, it is very time-consuming, even though the aluminum has high flexibility for modeling, under the overlap at multiple layers would be too rigid. I tried to use small pieces, which enables the activity and can play the effect of plastic modeling. This makes the 3D structured armor. In this experiment, aluminum is the special media for my creation. Although it is still in the experiment period, I can put the elements in my future work to make my work more diverse and interactive.
25
26
With leg of mutton sleeve and floral pattern as main characters to give the cloth more female features.
Menswear Design 2 Combined with the suit element to show the official texture.
Ladies wear 2 Fitted cutting top, trouser and add-on linear and side-by-side buttons to
of design and functionality.
Master copy of the design of Taiwan’s regional chef’s clothing, with both a sense
The instructor, Professor Lin, Mei-Ying, let me enter the international competition.
pastry.
Fashion design draft of Taiwan region, World Chefs Association of Western-style
Ladies wear 1
Menswear Design 3
modified and elongated body shape.
This is a strong decorative design, using the design totem, lines commonly used on aboriginal clothing.
Menswear Design 4 A functional cloth. Chefs will inevitably
Lady’s wear 3
get stains in the cooking process, and
Use the British institute style to re-interpret
it is not proper for others to see these.
the noble style of a chef’s uniform and
Therefore, the figure can be fixed against
make it look more youthful.
the chest to the back of the scarf.
Aboriginal clothing and totem is a symbol of Taiwan’s culture.
is more lively and vibrant.
This lets other countries understand the Taiwanese culture and features through
Decorative Strong, high color saturation
the international cultural exchange.
27
Menswear Design 1
28
graphic
29
Graphic Design Interior design
30
oz oz oz oz o oz oz oz oz oz oz z z z oz oz oz oz oz oz oz ozo z oz oz oz o oz oz oz oz oz oz oz z oz oz oz oz oz oz z oz oz o oz oz z o oz z oz oz oz z oz oz oz o oz oz ozoz
oz oz oz oz oz z oz o oz oz oz oz oz o oz o oz oz o oz z oz oz oz oz oz oz oz oz oz z oz oz o oz o z oz oz oz oz o oz zo oz oz z oz oz o oz oz oz o oz oz oz oz oz z oz oz oz oz abn 82 558 916 561
Sky Chiu
oz fair
邱慧娟
This is a course inspired with creative thinking, to use the pattern of hands, fingerprint, and the brain to associate with the eye’s observation in thinking. Produce radiation with thinking things through an inspiration, to make a connection with each. Human beings’ thoughts will differ based on personality and family background. Therefore, the observation on appearance also differs. I try to make my connection through hand andbrain, and observe by my eyes, processing with my brain and then sending the action message to my hand. These are theinterlocking elements.
Name card design
fair
Radioactive Thinking
Director
au+ 0423504143 tw+ 0963116520 OZfair886@gmail.com www.wretch.cc/blog/eduyoungsky suite 3, level1 233 albert street brisbane po box 12264 george street brisbane qld 4003
abn 82 558 916 561
Jimmy Chiu
oz fair
邱明彥
Director
au+ 0419122166 OZfair886@gmail.com
radioactive thinking design
suite 3, level1 233 albert street brisbane po box 12264 george street brisbane qld 4003
international project
Shih-Chien University . Taipei . Taiwan
OZ fair education agency logo design Brisbane . Australia
2006 7.89 × 4.33 × 9.44 inch
2008 3.54 × 1.96 inch
31
32
Self Design and Planning Comme des Garçons - Rei Kawakubo Architecture Concept This is for a dress making and display course. It is based on the designer’s feather, combined with architectural style and interior design. I visited Rei Kawakubo’s MinamiAoyama flagship store in Omotesanto, Tokyo, which is a visually broad spatial area in a small place, with the clever use of arc-shaped compartments to give the illusion of visual effects of convex-concave. The appearance is a translucent glass and metal mesh scaffolding which makes the sense of space seem broader. This work’s concept is mainly on Minami-Aoyama flagship stores, which have 3 floors with spiral staircase. The use a plastic mesh network with celluloid film and a stress on lighting to make the space broader and put the ladies wear in the 1st floor, menswear in the 2nd floor, and the showroom on the 3rd floor, so that there is a complete decoration and segmentation between goods.
Architecture Concep design Shih-Chien University Taipei . Taiwan 2006 13.77 × 9.84 × 7.08 inch
33
34
painting
35
Painting
36
Worry 2003
Oil ; Canvas
35.8Ă—45.9 inch Many people have the burden of sorrow, and many unforeseen things happen constantly. Continuously self-testing the result, therefore, many people put god as spiritual sustenance.
37
38
Hope 2001
Oil ; Canvas
35.8Ă—45.9 inch
39
40
Outdoor Fun 2003
traditional Chinese landscape
70.86 Ă— 35.43 inch Meticulous technique carving and turkey feathers, details, rendering ink several times to give a heavy sense of belonging, secondary object using the dry-erase drawing techniques.
41
42
Jump Flying 2001
printmaking proof
37.79 × 22.83 inch Means that people’s promising a successful dedication
43
44
Lala Music chatter Catch you! 2002
printmaking
31.49 Ă— 21.65 inch
2002
printmaking
25.59 Ă— 25.59 inch Using silk printing manner layout color
Three-dimensional images using a rope for a more realistic rendering. 45
46
photogra
Photography
l portifolio n
kENG MIN 9
l portifolio n
kENG MIN 9
POST CARD
9
l portifolio n
kENG MIN
kENG MIN
l portifolio n 9
kENG MIN
l portifolio n 9
POST CARD
9
l portifolio n
kENG MIN
POST CARD
9
l portifolio n
kENG MIN
kENG MIN
l portifolio n 9
kENG MIN
l portifolio n 9
POST CARD
9
l portifolio n
kENG MIN
POST CARD
9
l portifolio n
kENG MIN
kENG MIN
l portifolio n 9
kENG MIN
l portifolio n 9
POST CARD
9
l portifolio n
kENG MIN
POST CARD
9
l portifolio n
kENG MIN
kENG MIN
l portifolio n 9
kENG MIN
l portifolio n 9
POST CARD
9
l portifolio n
kENG MIN
POST CARD
9
l portifolio n
kENG MIN
kENG MIN
l portifolio n 9
kENG MIN
l portifolio n 9
POST CARD
9
l portifolio n
kENG MIN
POST CARD
9
l portifolio n
kENG MIN
kENG MIN
l portifolio n 9
kENG MIN
l portifolio n 9
POST CARD
9
l portifolio n
kENG MIN
POST CARD
9
l portifolio n
kENG MIN
kENG MIN
l portifolio n 9
kENG MIN
l portifolio n 9
POST CARD
9
l portifolio n
kENG MIN
POST CARD
9
l portifolio n
kENG MIN
kENG MIN
l portifolio n 9
kENG MIN
l portifolio n 9
POST CARD
9
l portifolio n
kENG MIN