2019 PERSONAL PORTFOLIO EXCERPT
DESIGN VISUALISATION TONY YU PROJECT TITLE, 2019 This studio lead us to represent spaces and architecture through the use of the 3D visualisation software 3DS Max. We were challenged to think about how we can represent a space implying human occupation without actually showing human figures. Throughout the studio we developed singular renders to depict specific briefs and characters, with the final submission being a culmination of all the skills learned in the form of an animation and movie poster.
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wow! look at all the ‘p’ plate drivers... there must be a lot of young people living in carlton...
MEANWHILE IN CARLTON...
meet Jen, she was influential in Helping us understand the local Context and showing us the Beautiful private green spaces Within the busyness of the site Surrounds...
Actually, the local demographic is quite diverse, So the new CCHC needs to be a place for everyone... The site was developed with the intention Of it giving back to the community, Rather than just being a health care centre... reference was made to the cemetery and it’s original use as a public park as well as a cemetery.
AP I’ve got an appointment at the CCHC at 10am, can we move our meeting to 11:30?
are views onto the cemetery a good or bad thing?
It’s just across from uni so it won’t take long to get back. Ciao. read 11:25pm
responding to the site... nah, Matt says it’s definitely an avocado!
I HEARD HEATHER CALLED IT A DONUT...
hellooooo...
the end. did you hear they tried to push the opening forward by a week...
YOU’RE IN A REALLY GOOD POSITION DON’T MOVE SO I CAN TAKE A PHOTO!
The approach... WOW! I LOVE HOW THE BUILDING SITS AS A SCULPTURE IN THE LANDSCAPE...
by thomas martiniello for design studio epsilon, semester 2, 2019.
Wow! Look at that form, It kinda reminds me of an egg... we need to mirror the lytton st. frontage and keep the scale low but the lygon st. elevation can be built up...
SITE
park for flats
the new Carlton community health care centre!
PRECINCT link through area
NEIGHBOURHOOD
facilitation of health + wellbeing
flows, access and connection
Redefining a
A narrative OF and how it cam
DESIGN STUDIO EPSILON JANE HOUSTON REDEFINING ARCHITECTURAL PRIORITIES, 2019 This studio focused on designing a community health care centre for the Carlton community. As well as the design for the centre itself, we were initially to design a master plan for the site incorporating housing and open space. The community health care centre that I designed focused around redefining architectural priorities, and as such not design for aesthetic as the main priority. I also wanted to explore the potential of art (public) and architecture merging to form public spaces and buildings. The building is about evoking other senses and looking at how light can influence a space. As such I predefined design limitations such as no windows on the external facade, highlighting the notion of exploring other ways in which we can experience a building.
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Lower Ground Plan
Level 2 Plan
Level 1 Plan
Defining the void... How should the ground Floor be activated and Made to feel inviting despite The window-less facade?
Why not split the building to make it Appear as if it’s hovering... That way people can see all the Way through the site!
Skylights also provide natural Daylight into the levels below... Midday winter vs summer internal shading Without the heliostat...
We should push the service core to the northern side Where these is less light coming into the void, And make the width of the building thinner there...
Capturing views + light Whats the best way of getting light into the building Then if there are no windows on the external facade?
How do we define the void to ensure enough light Gets into the COURTYARD?
Creating a sculpture in the landscape
Providing NATURAL DAYLIGHT...
Surely you would put a Rooftop terrace with a site like this!
Do you think there will be enough natural daylight in the core though?
NAH, THE WINDS WOULD BE TOO STRONG up that high, SO IT’S ON LEVEL 1... Plus, have you seen the Beautiful internal courtyard?
Hiroshi Nakamura & NAP’s Ribbon Chapel is a great example of how a public building can be turned Into a sculpture in the landscape...
Have you heard of a heliostat before? One central park by Jean Nouvel And PTW Architects uses one to Reflect sunlight down between The buildings and it really works! This CCHC uses the same technology In the form of a SCULPTURAL HELIOSTAT, REFLECTING Light down into the internal COURTYARD!
Embedding the form... There are so many beautiful ways to diffuse natural Light into a building which can create a beautiful atmosphere Rather than just having a plain old glass curtain facade!
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A.
Detail A External Facade Detail
Detail B Internal Facade Detail 7
DESIGN STUDIO DELTA ALAN BURROWS PERSONAL LIBRARY, 2019 This project was a quick design challenge looking at a personal library. There were storage and space requirements for books and circulation, however the over-arching notion was that my 3mx3m library cube was apart of a larger series which linked via the designated portals forming a circulation route. ​ Within my cube public and private spaces were defined via the curving walls and shelves as well as thresholds and level changes. My library was about not being seen - creating spaces for one to read alone and hide from the public circulation.
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DESIGN STUDIO DELTA ALAN BURROWS MAPPING THE CITY + THE LIBRARY, 2019 This project looked at mapping the possibility of a city and library, analysing the city and library, as well as developing a projective city and library. It was about getting us to consider what a libraries function is and what aspects are key to a library . That was then also explored in the context of the city. The final projective maps then became the basis of our final project.
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The following drawings are 2 selected maps representing the Analytical Library and Projective City.
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1. Entry Piaza 2. Mezzanine Floor + Exhibition Hall 3. Service Core 4. Book Tower
PRIVATE
PUBLIC
SPATIAL HIRARCHY ONE
TWO
EIGHT
1:100 AT A1
ONE
THREE
ON E HU ND R
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FIV E HU ND R
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1:
10
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A1
1:10 AT A1
ONE
TWO
EIGHT
SEMI-PUBLIC
1:200 AT A1
PRIVATE
PUBLIC D.
C.
B.
TEN
TWENTY
EIGHTY
1:1000 AT A1
INTERSECT A.
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DESIGN STUDIO DELTA ALAN BURROWS A LIBRARY OF ARTEFACTS, 2019 The final brief for this studio lead us to utilise the previous mapping exercises to create a proposal for a library on the given site. My vision for the contemporary library is a library of artefacts in which a catalogue of artefacts is stored. The contemporary library primarily serves as a catelogue of architectural typologies of the past library, representing the historical typologies in the new built form. The main concept was, through the reappropriation of these artefacts into the contemporary library, one is made to analyse the artefact, realising that it appears out of context in its historical sense. Only then does the artefact become noticeable, prompting a realisation of the value of the artefact and an understanding of its purpose.
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CONSTRUCTION DESIGN EVELYN CHIN GLASSHOUSE PAVILION PHYSICAL MODEL, 2019 The brief for this project was to create a 1:20 physical section model for the precedent study, The Glasshouse by Croxon Ramsay. The purpose of the model was to understand construction methodologies and ash such it is a ‘peel away’ model. We were required to utilise the architectural, structural, geo-technical and shop drawings to produce the model. In addition to the model, we were to produce an axonometric drawing showcasing the first floor and roof junction, again highlighting key components and critical junctions within the section.
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DIGITAL DESIGN JOEL COLLINS SONOROUS SPHERE, 2018 The brief for this project was to design a pavilion for the M Pavilion Series in the Queen Victoria Gardens. The design explores parametric modeling, digital fabrication techniques, virtual reality and real time rendering to develop a generative design addressing the notion of ground and envelope, threshold and circulation. The key concept explored within my design is sound, with the use of scalloping in the internal structure of the pavilion to manipulate and reverberate sound. The design was then furthered looking at how light and shadow effect the use of a space.
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DIGITAL DESIGN JOEL COLLINS SURFACE + WAFFLE, 2018 This model looks again at manipulating 3D geometries however this time it was through scripting in grasshopper. The model was used to explore digital fabrication and parametric software through iteration. Skills developed during this project include Rhino, grasshopper, laser cutting and hand modeling making.
+ Triangular 2D panel using Lunch Box and Weiver Brid
3D panel using created geometry
3D panel with picture frame and 2D panel using created linework
+ Combination of 2 Lunchbox and Weiverbird 2D panels (3.1) and 3D panel using created geometries (3.2)
A larger opening at the top of the structure acts as a funnel for light and also creates interest in the internal space as it opens up.
Angle and location of tip shifts with each individual section as defined by the attractor points.
‘Windows’ on one face allow controlled light to enter the inner structure.
Solid 3D panels are more exaggerated in the way they morph along the surface as the second surface is not as curved allowing for this to take place.
Panels are twist along the bottom edge to follow the curve of the base surface.
Variation in the protrusion length creates a dynamic 3D surface with interest in shadow.
Variation in 2D panel types allows for a dynamic surface which can bend to the curve of the base surface.
A hollow waffle structure allows for the creation of an interior volume.
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DESIGN STUDIO GAMMA JOEL BENICHOU URBAN DENSIFICATION, 2018
​ This project looked at the topic of urban densification, responding to the urban context of Carlton. The brief was to increase the density of the given site challenging the way we consider housing. The material and civic systems of the site were key focus areas of my design.
ADAPTATION ONE: SEMI-PRIVATE SPRING EVENING DINNER
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A
ADAPTATION ONE: SEMI-PRIVATE SPRING EVENING DINNER
ADAPTATION TWO: PUBLIC DAYTIME STRING QUARTET CONCERT
ADAPTATION FIVE: PRIVATE FUNCTION (PARTY) 1:75 AT A1 ADAPTATION ONE: SEMI-PRIVATE SPRING EVENING DINNER
ADAPTATION TWO: PUBLIC DAYTIME STRING QUARTET CONCERT
ADAPTATION THREE: PRIVATE WINTER EVENING FIRE + HOT CHOCCY
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DESIGN STUDIO BETA YITENG CHONG GARDEN RETREAT, 2018
Studio Beta & Earth
Exercise Name
Drawing Tittle
Week 12 Blending Figure and Ground
Axonometric
Student Name: Thomas Martiniello - 834 955
Tutor Name: Yiteng Chong
Coordinators Name: Leire Asensio-Villoria and David Mah
Date: 24 / May / 2018
This project looked at designing pavilions for an Drawing No Scaleresponding to the given brief. estate,
Comments The garden retreat provides a space where people can immerse themselves in nature. The arrangement of the pavilions defines the different programmes within the space, aided by the landscape which blends into them. The use of raised walkways and vegetation are the final elements tying the site together.
1 : 125@A3 (drawn in millimeters)
Group/ field conditions were developed and set 0m 1m 3m to define the layout of the site.
01 of 04
The emphasis of my design was introducing nature to facilitate a retreat from the city for the short stay pavilions. NORTH
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Assignment 4 - Garden Retreat
+6.2
+3.9
+1.8 +0.7 +0.0
A-A
-0.5
+4.2
+1.0
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B-B
-1.1 -1.6
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+3.8
A
A
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Studio Beta
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Exercise Name
Drawing Tittle
Student Name: Thomas Martiniello - 834 955
Tutor Name: Yiteng Chong
Comments Blending the landscape and the built form helped in creating an emphasis on the
Scale 1 : 125@A3 (drawn in millimeters)
25 Drawing No
FOUNDATIONS OF DESIGN: RERPRESENTATION BROOKE GIBSON PAPER LANDSCAPE PARAMETRIC MODEL, 2017 This model looks at manipulating 3D geometries using paneling tools to produce a 2D paper model of a landscape. The model demonstrates the change in terrain and it reflects the uneven and natural landscape. Within the model there is a distinctively high and low point with variations in typography between the two. Skills developed during this project include Rhino, paneling tools, laser cutting and hand model making.
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CONSTRUCTION ANALYSIS DION KEECH STAGE FIVE CONSTRUCTION 2018 GROUND FLOORSEQUENCING, + WALLS In stage five manual labour in the form of timber stud wall and floor construction takes over the site
The ofinstalling this project was frame to detail withpurpose carpenters the main workplans for the building. Power tools such as mitre saws and and sections for the defined 12 stages of nail guns are utilised for fast construction. construction for our given section of the John Wardle case study house. It focused on developing our understanding of the construction process, sequencing and reading construction drawings.
BEARER CONNECTION
BEARERS + JOISTS
L3
3
Insitu wall
Materials and systems: timber and steel
- Common Australian softwood used in construction is Radiata Pine - Structural members usually made from Douglas Fir (Orgeon)
Bearers and joists installed on top of stumps for ground floor. See detail A for installation on top of brick piers.
A
Lecture 3: A. Pugnale + S. Colabella
b. Bearer
a.
Brick pier
TIMBER MEMBERS a. Timber Studs + Joists: 90x45mm MGP10 Pine b. Bearers: 90x63mm laminated beam
TIMBER STUD WALL
Where the bearers run along the insitu concrete wall they are supported by brick piers.
Floor joist
Footing
B
DETAIL A: Brick piers used as supports for bearers to raise them to the correct height. Timber ties are used to secure the two components.
The stud walls are first framed flat for ease of construction before being lifted up into vertical position.
TEMPORARY BRACING
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Temporary timber props are used to hold up the stud walls until the roofing timbers are added to stabilise the structure.
Plywood bracing
Top plate Glavanised strap
Example of bearers sitting on top of brick piers. Source: tri4pestcontrol.com.au/index.php/ trithor/installation-process
Stud Strap bracing Noggin
Strap Bracing
Floor joists
ood
Plyw
Bottom plate
Flooring underlay
cing
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DETAIL B: Typical timber stud wall constructed on site using 90x45mm timber.
The timber frames are constructed flat on the flooring underlay and then tilted up into position for ease of construction and efficiency.
Strap Bracing
EXTERNAL STAIRS
Brick piers constructed for external stairs with insitu concrete lost form work installed thereafter.
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STEEL CONNECTION
Steel columns connected to concrete pad footings using x4 M16 sized chemset anchors (bolts) with 100mm embedment and 20mm non-shrink grout for structural strength and weather protection.
YELLOW TONGUE JOINT DETAIL D: Yellow Tongue Joint
FLOORING UNDERLAY
Flooring underlay installed on top of floor joists to provide a surface to work on and later install floor finishes onto.
ASSIGNMENT TWO: FLIP BOOK SECTION 2D CONSTRUCTION STAGES, DETAILS + ANNOTATIONS
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DION KEECH STUDIO 11, 3.15PM WEDNESDAY
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D
Particle board flooring underlay (Yellow Tongue) sheets connected via plastic ‘tongue’ locking the sheets together. They are also nailed onto the floor joists in a herringbone pattern for strength and rigidity. Fastening occurs every 150mm, 10mm in for a seam joint or every 300mm otherwise.
WORKS IN THIS STAGE IN ACCORDANCE WITH AS4100-1998 Steel Structures AS4680 -2008 Hot Dipped Galvanised Coatings
AS1720.1-2010 Timber Structures AS2269-1994 Structural Plywood
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Steel column
Steel connection plate Bracket connection
M16 bolts set into concrete footing
DETAIL C: The steel columns are bolted into the concrete pad footings using bolts which are chemically set into the concrete via a metal plate or bracket which has been welded to the posts.
This image is an example of a steel column bolted into the concrete slab with the timber bearers and joists then also attached.
CASE STUDY: QUEENSCLIFF HOUSE
STAGE FIVE GROUND FLOOR + WALLS In stage five the timber framing for the ground level (floor and walls) is erected. Temporary props and braces are used to stabilise the frame prior to the first level floor trusses/ beams being installed as the structure will not be stable.
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Key steps in this stage are: 1. Timber and steel arrives on site 2. Structural steel columns installed on top of pad footings and bolted into concrete (All steelwork below ground shall be encased in concrete with a wrapping of FGW41 Girder wrap mesh placed at 25mm clear of the steel to provide 50mm minimum encasing) 3. Ground floor bearers and joists installed on top of footings 4. Plumbing waste pipes installed and suspended from timber bearers and joists (detail B) 5. Yellow Tongue flooring substrate installed on top of flooring joists (detail D) 6. Rigid bulk insulation installed underneath floor substrate in between bearers and joists 7. Timber studs cut to size on site for wall framing 8. Top and bottom plate are laid out on floor flat to begin constructing stud wall (note load bearing walls need double top plates) 9. Studs are placed in between top and bottom plates at 450mm centres and nailed together with noggins used in between for lateral stability 10. Stud frame lifted into position and nailed into the timber substrate and joists and propped temporary with timber props prior to first floor roof joist installation to stabilise walls 11. Attach strap bracing and plywood bracing panels to stud walls as per the structural drawings 12. Fixing of wall bracing to floor/ sub floor and through floor shall be at each end of unit or at 1200mm maximum centres. Looped 30 x 0.8mm minimum galvanised steel strap fixed to alternate floor joists or at 1200mm maximum centres. 13. Repeat the above steps for the other ground floor walls 14. Brick footings for external stairs completed along with the lost form work for the concrete which is poured in subsequent stages
TIMBER STUD WALLS
Lecture 7: Andre Stephan Environmental performance: concepts, flows and assessment
- Timber offcuts used for noggins to minimise waste
RL 16.400 RL 15.800
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90x45mm timber cut to length on site and used to create stud walls.
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PLUMBING
STRAP BRACING
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Plumbing waste pipes suspended via metal brackets from the underside of the timber floor joists and bearers.
Strap bracing is used on the stud walls to withstand the lateral wind loads the building faces, keeping the walls square.
STEEL COLUMNS
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Structural steel columns installed via dyna-bolts into the concrete pad footings (see detail C).
FFL 12.100
DETAIL E: Plumbing waste pipes hung Strap bracing used to keep the underneath timber joists to then timber stud frame square and stable. be connected underground to the sewer.
FFL 9.070
Bottom plate
Looped strap A nail gun is used to shoot nails through the bottom plate of the timber frame into the underlay and joists below as well as metal straps.
Source: Thomas Martiniello (3 Leslie Street)
METAL STRAPPING
DETAIL F: Timber stud frame connection to flooring via nails into the floor joists. Galvanised straps are also looped around floor bearers at 450mm centres.
ASSIGNMENT TWO: FLIP BOOK SECTION 2D CONSTRUCTION STAGES, DETAILS + ANNOTATIONS THOMAS MARTINIELLO - 834955 ABPL20033 - CONSTRUCTION ANALYSIS
Nailed connection
N 1:50 AT A3
30x0.8mm tensioned galvanised strapping foxed to top and bottom plates with a minimum of 4 flat head nails for lateral stability. 18002700mm span with angle from 30-60 degrees. DION KEECH STUDIO 11, 3.15PM WEDNESDAY VERSION 2, 30 AUGUST 2018 DRAWING NUMBER 10 of 24
WORKS IN THIS STAGE IN ACCORDANCE WITH AS4100-1998 Steel Structures AS4680 -2008 Hot Dipped Galvanised Coatings AS1554.1-2011 Structural Steel Welding AS1684.2-2010 Timber Framing
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FRAME CONNECTION
F
The bottom plate of the frame is secured to the timber beams underneath.
AS1720.1-2010 Timber Structures AS2269-1994 Structural Plywood
CASE STUDY: QUEENSCLIFF HOUSE ARCHITECT: JOHN WARDLE ARCHITECTS SECTION: 3C
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