The Rice Thresher | Wednesday, September 23, 2020

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VOLUME 105, ISSUE NO. 5 | STUDENT-RUN SINCE 1916 | RICETHRESHER.ORG | WEDNESDAY, SEPTEMBER 23, 2020

BLACK AT RICE: EDEN DESTA EXTENDS AN INVITATION TOMÁS RUSSO THRESHER STAFF

A First Look into the Moody’s Fall 2020 Exhibition: States of Mind: Art and American Democracy MICHELLE MIAO THRESHER STAFF

What really is democracy? What does it mean to be a democracy and what does it entail? The Moody Center for the Arts’s new fall exhibition, “States of Mind: Art and American Democracy,” seeks to answer these questions, although perhaps not in the way you might imagine. Moody’s newest exhibit, organized by Associate Curator Ylinka Barotto, introduces new perspectives and angles from artists telling their own stories in their own ways, particularly focusing on national issues affecting Texas. Its goal is to drive new thoughts and deeper revelations in viewers. Art, after all, is not about giving direct answers, but coming to your own. The main exhibition opens with the notable sight of a crumpling Supreme Court covered in homemade paint that resembles crashing waves, artwork produced by Rodney McMillian, an artist based in Los Angeles. The neoclassical exterior of the paint creates a sentiment of supposed perfection, but in through its collapsing state the artist also forces the viewer to come face-to-face with the flaws in our democracy. In commanding viewers to think about the role that democracy plays in our lives, particularly with respect to elections, Aram Han Sifuentes creates an active space for viewers to engage in the voting process through his creation of a textile voting booth. Inside, viewers can find papers that mimic ballots that they are encouraged to fill out. As viewers continue through the gallery, they will find the source of sound that can be heard upon first entering the space — a large television stand that displays rock ‘n’ roll legend Aretha Franklin singing “God Bless America.” The immersive piece, designed by Paul Stephen Benjamin, uses Franklin’s powerful voice to symbolize new hope and life for democracy in the future despite its current flaws. “Including Aretha’s voice is... symbolic of the hope for the new president at the time and what change it could have brought,” said Barotto. The exhibit space is divided into roughly three sections, and as visitors go through a set of doors to enter the next area, they are greeted by glittering black dresses designed by Teresa Margolles. However, upon closer inspection, Moodygoers will realize that the garments are embroidered with far more than simple sequins. Margolles has carefully stitched into the dress patterns the glass shards that were left by the bullets and violence in areas close to the border and in her mother country of Mexico. What is at first merely a superficial beauty now holds tremendous weight as the glass reflects lost lives. Chris Burden’s work featuring three enormous Los Angeles Police Department uniforms emphasizes police brutality, leaving the viewer with a foreboding sentiment. The uniforms are so large that they loom over visitors and appear to engulf them, wreaking a sense of helplessness and despair. SEE MOODY PAGE 6

reopens after shutting down last semester BRIAN LIN ASST NEWS EDITOR

Rice Coffeehouse reopened its doors last Monday after shutting down in mid-March amid the pandemic, carrying out a soft reopening plan it has been shaping for months, according to Brendan Wong, the general manager of Coffeehouse. According to Wong, Coffeehouse began preparing for a reopening ever since it was temporarily closed due to the pandemic. Although a summer reopening was considered, the opening date for the shop was revised as the pandemic unfolded. “We actually had multiple plans to try and open during the summer as well, but it wasn’t so much about reopening right away,” Wong, a senior at Jones College, said. “We wanted to reopen it in the most optimal condition possible.” In the first weeks of its reopening, Coffeehouse has been serving customers by having them order online and visiting a pick-up station within the store, according to Sophie Clayton, the training manager of Coffeehouse. Clayton said that the store has received a high volume of orders during its first days open, with 433 customers ordering its most popular drink, the Nutty Bee. “On our first day, I was a little bit overwhelmed by how many people were coming in to buy Coffeehouse drinks because they had missed it for so long,” Clayton, a senior at Martel College, said. Lidia Ochoa, a senior at Duncan College, said she felt that the website was easy to navigate and she was able to pick up her drink quickly. “I never once had to dodge crowds or people waiting for their drink, so it felt very safe,” Ochoa said. “I do miss the music and general vibe of Chaüs, but I am very grateful that I can go back to spending all my Tetra on caffeine.” Although customers are visiting Coffeehouse to pick up their drinks, there are minimal interactions between the Keepers of Coffee, the employees of Coffeehouse and customers under this new system, according to Clayton. Clayton said that only two KOCs work behind the bar and that a wall of plexiglass divides the pick-up station from the rest of the store. SEE COFFEEHOUSE PAGE 4

DIQIAO WANG / THRESHER

Filled with elaborate dance routines, emotional poetry and comedy skits that elicit roars of laughter, Africayé never ceases to catch the eye of students across campus. At the helm of the organization behind this lively cultural event this year is Eden Desta, current president of the Rice African Student Association. Desta, a Sid Richardson College senior who has been heavily involved in RASA throughout her time at Rice, said that the organization has been the community in which she has found her closest friends. “The community is really unique, everyone is really welcoming and inviting,” Desta said. “If anyone comes to a RASA meeting, they’ll know that every person is celebrated and every culture is appreciated. That’s something that really drew me in and keeps me going in the club.” As president of the club this year, Desta said she has to balance achieving RASA’s mission statement with the realities of the pandemic. “My goal is centered around the three themes that we aim to foster as an executive board: community, inclusivity and education,” Desta said. “With the pandemic, it was very difficult to see how we could maintain the same strong community/family aspect of RASA. However, we have a lot of things planned this year that will allow us to do so as well as promote inclusivity and education.” Specific initiatives planned by Desta and the RASA executive board this year include a movie night honoring Chadwick Boseman, Instagram takeovers and a podcast consisting of interviews with members, alumni and professors. RASA’s annual event Taste of Africa, where the Rice community can learn about all the regions of Africa and connect with Houston foods and events, takes place on Sept. 26 this year over Zoom. Beyond RASA, Desta has also found a community at Rice in DAWA PreHealth Society, a Rice organization in which she has held multiple leadership positions. DAWA means medicine in Swahili and is Rice’s Pre-Health Society for underrepresented minorities. After Rice, Desta plans to build on her major in kinesiology with a master’s in public health. Desta hopes to combine her passions for community health and social justice to help solve sociocultural health disparities. “I want to work for underserved communities, specifically Black and Hispanic populations, and provide them access to community resources that affect their health,” Desta said. This past summer, Desta interned at Legacy Community Health, a full-service community health center that provides no-cost or low-cost healthcare services, as a health advocate. “My role was to ask patients if they had any needs related to food, housing, transportation and utilities and then [connect] them to community resources that would fulfill their need,” Desta said. “This experience confirmed what I want to focus on with my career, making sure underserved populations have the appropriate access to health resources. I strongly believe our health is holistic — all aspects of oppression [contribute] to the disparities present in the healthcare system.” As an only child raised by two Ethiopian immigrant parents, Desta has always been proud of her African heritage. During the COVID-19 quarantine, Desta said she learned how to SEE BLACK

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