User: rrusso Time: 07-27-2012 15:34 Product: Times_Leader PubDate: 07-29-2012 Zone: Main Edition: Main_Run PageName: features_f PageNo: 1 F Color: C K Y M
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SECTION F SUNDAY, JULY 29, 2012
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Man pens keepsake family tome By SARA POKORNY spokorny@timesleader.com
By AMY LONGSDORF
JAMES
Bond turns 50 this year, but you’d never know it by looking at him. Despite hundreds of skirmishes with the world’s scariest villains – not to mention a diet heavy on shaken-not-stirred martinis – the man in the Aston Martin still cuts quite the dashing figure. In October, it will have been five decades since 007 (in the form of Sean Connery) first sauntered on to screens in “Dr. No.” And he’s still going strong. The Bond movies are not only the longest continuously running series in cinema history but also, with more than $5 billion in box-office receipts, the most successful. Take that, George Lucas. Daniel Craig, the sixth actor to play the world-saving spy, will step into Bond’s shoes once again
For The Times Leader
on Oct. 26 with “Skyfall,” the 23rd film in the series. Also this October, MGM will celebrate 007’s birthday with a 22-disc Blu-ray set that finally makes all of the movies available in high-def. The Bond franchise started in 1962 “ with Dr. No.” It was not only a worldwide smash but also proved a big influence on popular culture. Think “The Man From U.N.C.L.E,” “Our Man Flint,” “Get Smart” and “Mission: Impossible.” So where did the idea come from? Ian Fleming, of course. A former journalist and British Naval Intelligence officer, he conceived of the book series in 1952 while vacationing in Jamaica in a holiday home he called GoldSee BOND, Page 5F
Dano delivers in ‘Ruby Sparks’ By AMY LONGSDORF For The Times Leader
I
n 2006, Paul Dano delivered his breakout performance in “Little Miss Sunshine,” a Best Picture Oscar nominee directed by Valerie Faris and Jonathan Dayton. For his latest film, Dano is not only reteaming with Faris and Dayton but pairing up with off-screen girlfriend Zoe Kazan.
That gives “Ruby Sparks” the arguable distinction as the only film in Hollywood history in which a couple has directed another couple in the starring roles. If all of that togetherness led to any weird feelings on the set, Dano is not letting on. “It was actually a great thing,” he says. “Val and Jon had a great personal relationship to the story, which is about love. And I think Zoe and I had an intimacy that we could bring. It was like our homework was done for us.” Dano stars in the movie (opening Friday) as an author experiencing a horrendous bout of writer’s block. After
meeting a woman named Ruby Sparks (Kazan), he begins writing about her. All is well until she materializes in his house. If that wasn’t bizarre enough, Ruby takes her cues from anything and everything Dano writes about her. Vowing not to play puppetmaster, he halts his novel, after which she begins to drift away from him. Will he go back to his computer to try and win her back? Oddly enough, both Dano and Kazan share a connection to Northeastern Pennsylvania. Kazan (who scripted “Ruby Sparks”) is the granddaughter of legendary helmer Elia Kazan (“A
Streetcar Named Desire”) who, back in 1971, hung out in Scranton while his then-wife Barbara Loden starred in – and directed – the remarkable independent drama “Wanda,” shot entirely in Scranton and Carbondale. “I have the movie,” Dano says. “But I haven’t watched it yet.” Dano has an even stronger connection to the area. His father, retired attorney Paul Dano, was born and raised in Scranton. While Dano Sr. and his wife evenSee DANO, Page 4F
What: “The Last Goodbye” Author: Thomas M. Hartz Publisher: Self-published; available on Kindle for $2.99 ••• In many families trinkets are passed down from generation to generation to serve as reminders of those who came before. Tom Hartz, 54, of Hunlock Creek wanted to provide his sons, Ryan and Charles, in their 30s and 40s, respectively, with such a memento, but he thought on a broader scale. “It’s important to me that they know the story of their family, so I decided to write it all down for them,” he said. “The Last Goodbye” is a recently finished work by Hartz, who has no formal writing training, just a passion for history and a story to tell. The tale is based on the true story of Hartz’s parents’ lives. Set in the early 1900s, it chronicles the lives of Charles (Harry) Hartz and Nora Whitney and the trials they endured. Readers follow them through World War I, prohibition, the Great Depression and much more. Hartz has been working on the novel since 1992; the whole thing was written by hand before it was transferred to a computer. On Father’s Day, Ryan surprised his father by showing him, on an iPad, that his book was now available to the masses. “I was so overwhelmed that he went ahead and did that without me knowing,” Hartz said. “There were tears in my eyes.” A major catalyst for the book is the fact that Hartz’s father died when he was 7. “I missed out on a lot with my father dying at a young age, so I would fantasize about him and what his life was like,” Hartz said. “I’m in love with that period of time, and I think it’s because I know that’s when he lived.” Hartz was in possession of much of his mother’s paperwork after she died and found divorce papers from 1959, a confusing thing since his parents were together at the time. “It ends up that my mother was a bigamist,” Hartz said. “She met a man in Niagara Falls and married him before my father came along. She had a son with him and, for whatever reason, left to come back to Larksville. She eventually moved to New York and was a nurse, where she met my father, who was a tugboat captain at the time.” Hartz saw the value in that story and continued to research his family and the time period to make his work as historically accurate as possible. “It might sound silly, but I really did feel closer to my father while doing this,” he said. “As I was writing about him, I could almost feel the emotions he must have gone through.”
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User: rrusso Time: 07-27-2012 15:38 Product: Times_Leader PubDate: 07-29-2012 Zone: Main Edition: Main_Run PageName: books_01 PageNo: 5 F Color: C K Y M
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BOOKS
BEHIND THE ‘DARK’ By TISH WELLS / MCT Wire Services
“The Art and Making of The Dark Knight Trilogy,” By Jody Duncan Jesser and Janine Pourroy; Abrams, New York (304 pages, $40)
I
t can take years to bring a single film to screen. It took over eight years to bring the massively popular Batman trilogy into theaters. “The Art and Making of The Dark Knight Trilogy,” takes you through those eight — and more — years as you learn about the whole process, from concept to conclusion. A beautifully artistic photo book, it’s a worthy addition to any film student or Batman reader’s collection of “making of” books. Coming from a background in smaller films, director Christopher Nolan never took for granted that he’d make all three Batman films so he concentrated on making them as complete in themselves. “People ask if we’d always planned a trilogy,” Nolan says. “When (screenwriter) David (Goyer) and I first started cracking open Bruce’s story, we flirted with what might come after, then backed away, not wanting to look
deep into the future.” To be able to create films took the faith of DC Comics, the backing of Warner Bros, lots of money and inspired casting. Nolan cast the late Heath Ledger, who won a posthumous Oscar for his performance as the insane Joker in “The Dark Knight,” and obviously still misses him from his comments. He didn’t have to look far to find Batman fans among the actors. Morgan Freeman, who plays tech genius Lucius Fox, was a longstanding comics fan. “I was one of those kids, like millions of other kids, who read all the comic books,” he said. “The Spirit and Batman and Captain Marvel. If there was a comic book, I read it.” Unlike many blockbusters, Nolan in the “Dark Knight” films preferred to use actors rather than special effects to fill in crowd scenes. His team created the actual Bat-automobiles for his highly trained stuntmen to drive. He used special effects for the
thousands of bats for “Batman Begins” as well as the destroyed halfface of Harvey Dent in “The Dark Knight.” One chapter shows that creators moved with the times into social media. Noted musician Hans Zimmer needed a chant for “The Dark Knight Rising.” His group “set up a website people could go to, which talked them through how to do the chant, record it, and send it to us.” Using word of mouth and Twitter, he got “a response so overwhelming, it crashed the system. … Thousands of people per second went to this site, and the whole thing melted down that first week.” For anyone who ever wanted to make a movie, “The Art and Making of The Dark Knight Trilogy” is as good a blueprint, as well as an engrossing tale, of the making of a mega-hit film series.
BOND
Continued from Page 1F
eneye. James Bond made his first appearance in “Casino Royale,” which was published in 1953. Thirteen more Bond books by Fleming followed. Since the release of “Dr. No,” the world has never gone more than five or six years without a new Bond flick. Connery played him five times from 1962-1967 and then again in 1971 and 1983. In between, there was a one-off appearance by George Lazenby, and in 1973, Roger Moore took over for seven outings. Next came Timothy Dalton for two films beginning in 1987. Pierce Brosnan got the job in 1995 for four features, and then came Craig, who toplines series reboot “Casino Royale,” “Quantum of Solace” and the upcoming “Skyfall.” Here are seven reasons to still love James Bond: ••• 1. The Local Connection. An occasional visitor to WilkesBarre where his director-father Joseph Mankiewicz (“All About Eve”) was born, Tom Mankiew-
Connery
Lazenby
icz wrote, co-wrote or script-doctored at least five Bonds, including “Diamonds are Forever,” “Live and Let Die,” “The Man With The Golden Gun,” “The Spy Who Loved Me” and “Moonraker.” In “License to Kill,” Benicio Del Toro played the deadly hit man Dario. The actor, who would go on to win an Oscar for “Traffic,” grew up in Mercersburg, Pa., just south of Harrisburg. 2. Connery. Sean Connery. He’s super-masculine but always has that twinkle in his eye. It’s the twinkle that is sadly missing from Craig’s otherwise terrific interpretation of the character. As the first Bond, Connery set the standard and proved incredibly hard to follow. Ironically, he was the third choice for the role, following David Niven and Cary Grant, both of whom passed on “Dr. No.” Budgeted at $1 million, “Dr. No” was a surprise smash hit and made
Moore
Dalton
Fleming reconsider his initial criticism of Connery as “uncouth,” according to “The Essential Bond” by Lee Pfeiffer and Dave Worrall. The best Connerys? “Dr. No” and “From Russia With Love” are among the toughest, fastest-paced entries in the series. They aren’t jam-packed with gadgetry, but otherwise they’re representative of all that works about the Bond movies. 3. The Bond Girls. The misogyny in early Bond movies is hard to take. But you could make the case that scores of actresses have been given interesting roles in the series. In addition to serving as eye candy, women have played assassins, double-agents and criminal masterminds. “Goldfinger” star Honor Blackman is often cited as the best-ever Bond Girl. Smart and capable, her Pussy Galore is a wonderful foil for Connery. Running a close second is Ursula Andress’ Honey Ryder. The scene of
Brosnan
Craig
Andress emerging from the ocean in a bikini in “Dr. No” was replicated twice in subsequent Bond movies – by Halle Berry in “Die Another Day” and by Daniel Craig in “Casino Royale.” As Wai Lin in “Tomorrow Never Dies,” Michelle Yeoh scores points for performing almost all of her own stunts. If you like your Bond girls with lots of backstory and psychological depth, you can’t go wrong with Eva Green’s Vesper Lynd in “Casino Royale.” By turns tortured and crafty, she was a Bond Girl unlike any Bond Girl in the history of the series. 4. The Theme Songs. With 11 of the films to his credit, John Barry wrote the best – and most representative – Bond scores. That’s a given. But who performed the best theme songs? Top Three: Paul McCartney & Wings’ “Live and Let Die,” Shirley Bassey’s “Goldfinger” and
Carly Simon’s “Nobody Does It Bond with her poison-knifeBetter” (from “The Spy Who tipped shoe? Or Xenia Onatopp (Famke Janssen) in “GoldLoved Me.”) enEye” who can assassinate men 5. Judi Dench as M. Britain’s by strangling them between her Bernard Lee originated the role thighs? Or Jaws (Richard Kiel) of M and was terrific as Bond’s in “The Spy Who Loved Me” boss. But the Oscar-winning ac- who nearly kills OO7 with his ratress has found a way to make zor-sharp choppers? the role her own. She began her 7. Vehicles and Gadgets. run with “GoldenEye” and continues through this year’s “Sky- Where do we begin? Bond’s mode of transport has included everyfall.” The Brosnan Bonds star in thing from jet packs to gondolas some of the series’ weakest to a portable mini-helicopter screenplays, but when Dench is called the Little Nellie. But the Ason screen, she pulls the material ton Martin DB5 that makes its up a notch a two. Only Dench first appearance in “Goldfinger” is could tell Bond she considers easily Bond’s best-known car. “The Spy Who Loved Me” marks him a “sexist, misogynistic dinosaur – a relic of the Cold War” and the introduction of Bond’s secondmake him respect her all the most famous automobile, the Lomore. There is a rumor that M tus Esprit. Not only is the vehicle dies in “Skyfall.” If that’s true, the equipped with canons that allow it series will lose one of its secret to shoot cement out of the license plate, but it’s capable of traveling weapons. high speeds. Under water. As for the gadgets, there were 6. The Bond Villains. In the upcoming “Skyfall,” it will be the Os- virtually none in “Dr. No” unless car-winning Javier Bardem, you count Bond’s trademark among others, giving our hero a Walther PPK. But the follow-up tough time. He’s a powerful actor, “From Russia With Love” began but he has some stiff competition the tradition of Q gifting 007 with in the Bond-baddie department. some cool doodads, including an Who can forget Rosa Klebb attaché case big enough for a fold(Lotte Lenya) in “From Russia ed sniper’s rifle and a wristwatch With Love” who tried to kill with retractable piano wire.
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User: mdessoye Time: 08-31-2012 13:28 Product: Times_Leader PubDate: 09-01-2012 Zone: Main Edition: Main_Run PageName: athome PageNo: 1 C Color: C K Y M
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SATURDAY-SUNDAY,SEPTEMBER 1 AND 2, 2012
From vintage to vavoom, some fall decor trends By KIM COOK
For The Associated Press
W
ith nods to nostalgia, exotic motifs and tailored contemporary looks, the fall season in decor has lots to inspire home decorators. A warm palette of garnet, plum, sapphire, olive, chocolate, mustard and cream mixes with soft yet textural fabrics and muted metallics as our focus moves back indoors.
West Elm showed several different table garden kits, and even a Mason jar cocktail shaker. Gingham, potato prints and buffalo checks, rough linen, burlap and cotton homespun textiles, earthy, rustic ceramics, chunky knitted pillow covers and throws and galvanized-metal storage containers were all part of home retailers’ fall previews.
Vintage American Apparently, we are all supposed to be making butter and putting up jam this fall; many retailers showed kits with the makings for farm-to-table goodies. Williams-Sonoma had kits for making cheese and butter, along with pretty wooden molds. Expanding their Agrarian line beyond the popular chicken coop, the retailer now has an old-school cider and wine press, and a grain mill, should you feel compelled to try your hand at flour making. There were Mason jars, lengths of colored twine and paper tags for gifting.
Parisian panache Tufted furniture and mirrored, lacquered furnishings evoke the elan of a turn-of-the-century French apartment, or maybe old Hollywood glamour. Arhaus’ curvy Club Apartment sofa fits the bill. West Elm’s silvery, glass-covered keepsake boxes do too; you’ll find substantially sized, etched, mercury-glass light fixtures here as well. At BlissLivingHome, you’ll find coquettish, gold, antiquelace-trimmed sheets, as well as little pillows made of tufted lavSee FALL DECOR, Page 3C
Right at home: Map-themed décor is where it’s at In a GPS world, physical maps are becoming quaint relics for travelers. But decor with a map theme is hot. There’s art in cartography: Street grids, the curve of a shoreline and topographic details lend themselves to wall art, rugs and textiles. Besides being great visuals, maps often chart our personal experiences, and that sentimental punch adds to their appeal. Tony and Katie Rodono of Atlanta started their City Prints map-art store after their daugh-
Paris and Washington, D.C., as well as the Great Lakes. Designer Emily Fischer’s “soft maps” project started in 2002 as an academic experiment in tactile wayfinding after her mother’s glaucoma was diagnosed. Her baby quilts are textured and colorful; the full-size versions are ivory with light brown stitchery. The Great Lakes quilt is cotton, with the lakes done in polysilk. All are finely detailed, and Amsterdam Gotham City she’ll add custom landmarks or features if you request. Coming day spot or hiking trail. Coming $40 and up) soon: maps from video games, Brooklyn’s Haptic Lab sells this fall will be kits to make your movies and TV shows. hand-stitched, quilted city maps (www.cityprintsmapart.com, of Los Angeles, New York City, See MAPS, Page 2C AP IMAGES
By KIM COOK For The Associated Press
The University of Michigan
Boston
ter was born. “We realized maps They sell ready-made and cusare great storytellers — of tom maps of campuses, ballwhere we met, went to school, parks and hometowns. They’ll went on vacation,” Rodono says. make one of your favorite holi-
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reactive-finish and lacquered vases.
FALL DECOR Continued from Page 1C
ender silk, sequins or saucy black lace mesh. Faux furs return this winter at many retailers. PB Teen and PB Kids will stock cozy faux fur sleeping bags, throws and neck pillows in animal prints. Suiting style Menswear fabrics cover many of this fall’s upholstered pieces. Crate & Barrel has the Donegal chair in a tweedy plaid, and Tux in houndstooth wool; the Savino ottoman and sectional comes in an Italian suiting stripe. Masters of None offers houndstooth and argyle bamboo bar coasters — indeed, barware in general is a strong trend. Mid-century stays strong If you haven’t bought your ’60sstyle walnut sideboard yet because you’re worried about the longevity of this trend, fret not. Mid-century Modern isn’t going anywhere for a while. Retailers showed a deep commitment to the style, in both furniture and accessories. You can find original and faux versions of many iconic designs, such as the Noguchi amoeba-shaped glass and wood table, Eames’ walnut and leather chairs, and Saarinen tulip dining tables, at Allmodern.com and Room and Board. The hues of the era — olive, almond, chocolate, orange — show up in soft furnishings, including throw pillows and curtains. But they’re particularly striking in outsize art glass and ceramics, which you’ll see lots of this season. The Blenko Glass Company, an icon of the ’50s and ’60s, is partnering with Rejuvenation this fall on a line of retro glass lamps. Pottery Barn has the hefty Clift wine jug table lamps; Crate & Barrel has a new collection of
Graphic modern Orange, tomato, egg yolk, aqua, ebony and snow white — some of the hues that define the crisp, often edgy graphic modern style. CB2 sets the tone with bright orange and yellow steel home-office pieces, modern art rugs, and array of accent pillows. The Sakano, Snake and Shift pillows punch things up with bold graphics; so does the Crystal runner rug, with a multihued kaleidoscope pattern. Chevrons, polka dots, ikat and broad stripes have carried over from spring and summer. Ikea’s fall preview showed oversize polka-dot felt rugs in hot pink and lime and cheerful red-and-whitedotted bedding, At Design Within Reach, Eames’ iconic molded plastic Eiffel chair comes in some new colors, including red, sky blue and sparrow, a soft charcoal that’s one of the season’s most on-trend hues. Typography also has staying power as a decorative element in both accessories and wall art. Grandin Road has something a little different: cubbies in the shape of numbers and arrows. Global goods The artisan communities of Asia and Africa continue to be prolific sources of decor, as affection for global style stays strong among retailers this season. India takes a star turn; watch for pierced and hammered metal objects, as well as silks embellished and printed with elephants, tigers and other ethnic motifs. PB Teen and Urban Outfitters’ colorful medallion, ikat and suzani textiles look fresh from the bazaar. Zimbabwean Tonga baskets, Kuba cloth benches and Cape Town textured ceramics are part of West Elm’s collaboration with South African designers.
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