MARCH 2018 – ISSUE NO. 278
SPOTLIGHT ON MENTAL HEALTH BEANIES AND AREOLAS The indie legends
QUEEN KILLERS Fashion focus
LUXURY TOURISM Best of Bordeaux
MARISHA BONNICI Dancing to success
CONTENTS COVER INTERVIEW 08
RAISING THE STAKES The artistic director of Seed Dance Studios, Marisha Bonnici sits down with Iggy Fenech to discuss her passion for giving others the chance to shine on the world stage.
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H E A LT H
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IT’S INDIE ROCK ‘N’ ROLL FOR THEM Ramona Depares catches up with The Beangrowers and Areola Treat ahead of their performance at this year’s edition of Rock the South Festival in April. CALL OF THE WILD Netherlandsbased Maltese singer Alexandra Alden is preparing to launch her highlyanticipated album Wild Honey later this month, and is currently crowdfunding to help make that happen. Interview by Anabel Attard.
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ENVIRONMENT 46
PERMIT ME TO INFORM YOU Deputy Director of the Environment & Resources Authority AIMÉE BRINCAT explains to Sunday Circle why Permitting and Enforcement are so important.
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ARTS 48 16
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SPOTLIGHT ON SUICIDE As Malta mourns the teenager who took his own life a few weeks ago and the national mental health facilities come under fire, Mariella Camilleri investigates the dark realities of teenage suicide. A NEW OUTLOOK The recently opened, state-of-the-art Saint James Hospital Eye Clinic offers the latest in terms of laser surgery. General manager Andrei Camenzuli sheds more light on the cutting-edge technology. NOT TO BE TAKEN LIGHTLY Dr Lawrence Scerri, chair of the department of dermatology, explains why psoriasis is not a condition to be taken lightly. WANTING A CHANGE! Dental and implant surgeon Jean Paul Demajo is back with more invaluable information about dentition.
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VALLETTA 2018 KICKS OFF MAJOR ARTS EXHIBITION Dal-Baħar Madwarha kicks off on March 25 MAMMA MIA COMES TO TOWN! West End’s Charlotte Gorton to star in FM Theatre’s production of the Abba musical this April.
BIG STARS TO TAKE MALTA BY STORM Sixth edition of the Malta International Music Festival to bring together top artists over 17 days of concerts. ART MIRRORING LIFE? With mental health facilities in Malta under the spotlight and political shenanigans aplenty beleaguering the islands, there has never been a better time to stage Pinter’s The Hothouse. Ramona Depares catches up with the prime movers behind the Teatru Malta production.
REGULARS 04 06 54 56 71
A word from the editor C Body C Style C Living Paparazzi
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Send your letters to: Ramona Depares, executive editor, Sunday Circle, Allied Newspapers Ltd, 341, Strickland House, St Paul Street, Valletta, VLT 1211, or email: ramona.depares@timesofmalta.com. The executive editor reserves the right to edit letters for clarity and where space is limited. For advertising enquiries email: renee.mdecesare@timesofmalta.com or call: 9947 7193. All rights reserved. Reproduction in whole, or in part, is strictly prohibited without written permission. Opinions expressed in the Sunday Circle are not necessarily those of the editor-in-chief or publisher. All reasonable care is taken to ensure truth and accuracy, but the editor-in-chief and publisher cannot be held responsible for errors or omissions in articles, advertising, photographs or illustrations. Unsolicited manuscripts are welcome, but cannot be returned without a stamped, self-addressed envelope. The editor-in-chief is not responsible for material submitted for consideration.
A WORD FROM
the editor
PUBLISHER ALLIED NEWSPAPERS LTD. EXECUTIVE EDITOR Ramona Depares PUBLICATION SALES MANAGER Renée Micallef Decesare DESIGN Joseph Schembri COVER Marisha Bonnici Photography: Kris Micallef EDITORIAL CONTRIBUTORS Iggy Fenech, Anabel Attard, Mariella Camilleri, Ramona Depares
As I write this, the sun has deigned bless us with its presence and it is the first day in quite some time that I’ve had some leisure time to myself. And by leisure time, I don’t mean time to do all the endless chores that too-often take up my time away from work. No, I mean genuine, honest-to-goodness chilling time. You know, that kind of day where you allow yourself to go off for a drive far from the madding crowd. I drove, I parked and I walked – away from civilisation, where at least my eyes could meander a while before being faced with more concrete. Not many such places left, I can tell you. And yet, we persist in killing off the few bits of natural beauty spots that still remain in Malta. Starting with Għar Ħarq Ħamiem, a stunning underground cave that touches the sea in St Julian’s. I will confess that I had never heard of this cave before the dreaded proposal for a development around the St George’s Bay area was filed with Planning Authority. Now that works are set to start in the area soon, and that the future of said cave is in question, I – together with everyone in Malta who isn’t a developer or in construction – have gone into full panic mode. If development continues to take place at this rate, will
there be anything left of the Malta we know and love? But this is the shame, really, isn’t it? We tend to sit up and take notice only after the horses have bolted, so to speak. In my 42 years living in Malta, I had never once heard of this cave which – judging by the photos I’ve seen – is pretty spectacular. A good number of us are distressingly ignorant about the treasures that our island hides. Maybe, just maybe, if we start caring before it is too late, then the roar of public opinion may just become too deafening for the powers-thatbe to ignore. Or maybe, I am just being naive. Onto this month’s edition of Sunday Circle. The spotlight remains very much on mental health issues. We also take a trip to Bordeaux, to give you the low-down on …you guessed it… wine, wine and more wine. It’s difficult to beat Bordeaux as a destination in terms of a luxury foodie trip; if you decide to take inspiration from us, make sure you don’t miss out on the major wine Chateaux. There’s more, of course, starting with our cover lady Marisha Bonnici, dancer extraordinaire and the inspiration for so many young dancers. There’s shopping, fashion, beauty, arts, health... I hope that you enjoy this month’s read! See you in April.
NAXXAR | VALLETTA | SLIEMA
BODY 1. SYMPHONY OF WHITES Deliciously attractive, Elie Saab Le Parfum In White is white as a sumptuous evening gown, as the pristine outfits of summer. The perfume reinvents Elie Saab’s signature Orange Blossom and Patchouli accord in a thoroughly modern floral chypre. Slightly fruity. Not quite as innocent as it looks. Deliciously addictive with a chiffon-sheer base of white musks. To catch the light, the soaring top notes blend the glint of green Mandarin Essence from Italy, the fruitiness of Blackcurrant Bud and the pearly flesh of a Pear. You’II say “I do” to this radiant symphony of whites. Available in 30ml, 50ml and 90ml. With the purchase of the 90ml, receive your free 10ml purse spray. Elie Saab is exclusively represented by C+M Marketing Ltd. Tel. 2142 4079.
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2. A VISION OF FASHION Kenzo’s artistic directors Carol Lim and Humberto Leon breathe their vision of fashion into their first fragrance. A world in their image, bold, spontaneous, surprising, fun, colourful. A world that celebrates freedom of expression, diversity and creativity, true to the Kenzo spirit. Kenzo World Eau de Toilette is the sparkling fragrance for a woman who does not take herself seriously. This lingering fragrant trail led like a burst of laughter by the perfumer duo, Francis Kurkdjian and Maïa Lernout, offers an amazing fruity floral accord between sparkling pear, luminous peony and almond blossom, and feminine orris. A definitely feminine bouquet smiling at life. Available in 30ml. 50ml and 75ml. Kenzo is exclusively represented by C+M Marketing Ltd. Tel. 2142 4079.
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3. PERFECT CONTOURING
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Gosh’s Contour’n strobe kit offers an exclusive, 4in1 contour palette that includes a highlighter, a semi-matt blush and two bronzers for contour and definition. All four shades have a light, creamy and soft texture and are easy to apply and blend. The fine soft powder has a rich colour payoff and blends effortlessly to enhance skin tone and to give a flawless look. This palette comes in two shades, light and medium. Exclusively distributed by C+M Marketing Ltd. Tel: 2142 4079/80.
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4. ETERNAL YOUTH Diega Dalla Palma’s Gold Infusion – Youth Potion offers a 100 per cent natural serum jewel created by the perfect balance of 30 natural oils and pure gold leaves, to help regenerate the skin and give it a more uniform, fresh and radiant look. A vital and concentrated essence that rebuilds the skin’s deeper layers and gives strength and compactness to the face. Diego Dalla Palma is exclusively distributed by Chemimart Ltd. Tel: 2149 2212.
5. SKIN’S SOS Clarins SOS Primers offer six solutions for any beauty concern, plus skin care benefits. The lightweight primers are formulated with the brand’s exclusive High Lumitech Complex, which visibly neutralizes, illuminates and blurs imperfections to prep skin for makeup application that’s impeccable and long-lasting. They prime the skin while minimizing dark spots and is hydrating for 24 hours. Lightweight and oil-free, they help protect skin from environmental aggressors. Available from Clarins authorised outlets. Clarins products are exclusively distributed by von Brockdorff Imports Ltd.
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6. FIRMER, MORE SUPPLE SKIN Inspired by Kiehl’s richly hydrating anti-aging cream, Rosa Arctica, this regenerating formula features a lightweight texture ideal for normal and oily skin types. Help improve the appearance of fine lines and wrinkles while smoothing and firming skin with this unique anti-aging face cream. Formulated with a rare Resurrection Flower, this lightweight facial moisturiser helps skin feel firmer and more resilient. Kiehl is the iconic brand of Naturally inspired Skincare, body and haircare products. Visit Kiehl’s newly opened outlet at 39 Melita Street Valletta.
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COVER STORY
Raising the stakes THE ARTISTIC DIRECTOR OF SEED DANCE STUDIOS, MARISHA BONNICI, HAD BARELY BROKEN INTO HER BALLET SLIPPERS WHEN SHE MADE THE DECISION TO BECOME A DANCE TEACHER. WITH OVER A 100 INTERNATIONALLYPRESTIGIOUS AWARDS AND SCHOLARSHIPS UNDER HER STUDENTS’ BELTS, SHE SITS DOWN WITH IGGY FENECH TO DISCUSS HER PASSION FOR GIVING OTHERS THE CHANCE TO SHINE ON THE WORLD STAGE. I meet Marisha just a few minutes after she finishes her cover shoot. Wearing black leggings and a black hooded sweatshirt – a sort of uniform for the young dance teacher when she’s on the go – her face still has remnants of the gorgeous make-up she’s just had on. “All this is really not me,” she says, referring to the whole process of creating the cover story. “I’m usually very relaxed about my appearance.” We take a seat at a table inside the first cafe we come across. We only have an hour for the interview as, in a few hours’ time, Marisha has a new project to pitch for an upcoming festival. It’s been a hectic few days for Marisha, in fact, as just last night she touched down in Malta after five days in Italy where a number of her students took part in the Livorno in Danza competition. “It went so well,” she tells me, as her eyes glimmer with excitement. “We won a total of 12 awards and six international scholarships; I couldn’t be prouder of my butterflies!” Marisha, who opened her own dance school, Seed Dance Studios, less than a year ago, calls her students ‘butterflies’ because she believes all of them have the potential to metamorphose into something great – be it a dancer, a lawyer, a doctor, a teacher, or an artisan – and that, one day, there will be so many of them in so many different places that she won’t be able to catch up with them all. As I come to discover, this is very telling of Marisha’s beliefs and her work, both of which were shaped very early on in her life. In fact, what makes her so remarkable, in my opinion, is that while she’s an artist and dancer in her own right, her main aim has always been to better herself so as to be able to better educate the next generation of local dancers. “So, you’ve always wanted to be a dance teacher?” I ask her. “Yes,” she answers without missing a beat. “I followed in my mother’s footsteps [the well-known dance teacher, Mireille Coleiro], so it came naturally, too!” Growing up in such an atmosphere definitely helped define Marisha: On top of being lucky enough to receive one-on-one lessons from a seasoned dance teacher with decades of experience, she also got insight into the preparation and creation of dance classes and curricula from the moment she could walk and talk; something that would serve her well later on in her life. “But I had a different drive to her – and to what I feel a number of other teachers on the Island have,” she continues. “I’m very much interested in the international scene and in how Maltese children can develop and work abroad; particularly since our geography limits our opportunities…”
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COVER STORY
Photography Kris Micallef Make Up Krista Paris Hair Daniela Borg Styling Roberta Caruana Stivala Clothing Clothes by Joseph Ribkoff from Mimi Boutique; Shoes from Stivaletti; Accessories from Swarovski
As a teacher, Marisha pushes her students out of their comfort zone incessantly but holds their hand throughout the journey. She is, before anything else, a mentor; and one whose dedication has seen her students win hundreds of awards in prominent international competitions, as well as scholarships from some of the world’s most influential dance academies, including the American Ballet Theatre, the Paris Opera, the Rambert Ballet & Contemporary School, the Ballettschule Theatre Basel, and Il Ballo di San Carlo. Moreover, in 2017, one of her students – the then-nine-year-old Lea Ellul Sullivan – become the first-ever Maltese dancer to successfully qualify for the Youth American Grand Prix (YAGP) finals in New York. As the world’s most prestigious dance competition that has produced world-class dancers like Melissa Hamilton from The Royal Ballet and Denis Matvienko from the Bolshoi Ballet, this was a dream come true for both student and teacher. And, in just a month’s time, they’ll be heading there for the second time in just over a year as Lea has made it to the finals once again.
Listen to your children and do not shut out the opportunity for them to pursue that which makes them come alive “I get so much more joy from seeing the kids on stage performing and doing well for themselves than I get from performing myself,” she reveals. “That’s also why, when I invest in myself professionally – such as when I attend a course abroad – the question I ask myself is whether that would help me be a better teacher or not.” Over the years, Marisha has built an international reputation that proceeds her wherever she goes, but many are those who are surprised that the woman behind the name is a somewhat-reserved 32-year-old when meeting her in the flesh. This could have taken Marisha anywhere – just a few years ago, in fact, she was even offered a job as a vocational teacher in one of Canada’s most promising vocational dance schools – but her heart remains set on getting the next generation of what she calls
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COVER STORY
‘über-talented’ Maltese students noticed on the international stage. “It’s very easy to seal yourself in a bubble here in Malta and to think you’re very good, but a really good dancer should stand out anywhere,” she tells me, as she shifts in her chair. “Then again, we should ask ourselves: is Malta’s small presence on the international dance scene a lack of ability and talent in students or is it the indirect results of teachers who are not equipping students enough to be able to make it in more demanding dance circles?” Marisha’s insatiable appetite to continue furthering Malta’s name abroad and to give her students the best possible opportunities to make it oversees, have seen her move onwards and upwards many times: from a freelance dance teacher fresh out of two years of studying at KSDance in Manchester, to a partner at a prominent dance school here in Malta, to the artistic director of her own
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COVER STORY
Marisha pushes her students out of their comfort zone incessantly but holds their hand throughout the journey company, Seed Dance Studios, where, today, 260 students are taught by six hand-picked teachers in a schedule that includes over 80 lessons a week in Classical Ballet, Contemporary, Modern, Jazz, Tap and Spanish Dance. “Dance has given me such a positive outlook on the younger generation… And it has helped me meet some truly talented children who deserve to be given opportunities that go beyond what is offered locally. More importantly, dance helps children learn some very valuable skills, including discipline and time-management while keeping them motivated.” All those three things form part of the recipe Marisha hands out for being a great dancer, in fact. To those, she seasons the mix with belief in one’s self, natural ability, hard work, a good character and the support children get from home. “The truth is that dance is a very demanding sport and art form, but one that can be extremely rewarding for children of any gender. My plea to parents is simple: listen to your children and do not shut out the opportunity for them to pursue that which makes them come alive, be it dance or any other subject… Oh, and find them a teacher who pushes them out of their comfort zone because only like that can they truly grow.” As we make our way out of the cafe that has sheltered us from the elements, I can’t help but feel appreciation towards Marisha’s work and dedication. Like any great teacher, she has willingly and happily taken herself out of the spotlight in the pursuit of something much bigger than herself: the belief that, through education, tomorrow’s world could be a better place. Find Seed Dance Studios on Facebook.
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MENTAL HEALTH
SPOTLIGHT ON
SUICIDE As MAltA Mourns the teenAger who took his own life soMe weeks Ago And the nAtionAl MentAl heAlth fAcilities coMe under fire, MARIELLA CAMILLERI investigAtes the dArk reAlities of teenAge suicide.
Teenage suicide is a subject that has been romanticised by media and literature. However, little is said about the realities, or even the aftermath, of such a tragedy. Each year, a number of teens end their lives because they feel there is no way out. The idea of suicide is one that stems from a point of utter despair, where those affected experience a deep sense of psychological pain that becomes unbearable. Fourteen-year-old Sarah* worries constantly about a friend who lives in an abusive home. “Sometimes when Angie’s* mother loses her temper, she hits her hard. Afterwards, she always texts me telling me that she wants to end it all. I talk her out of it by telling her that I need her around, but I still worry that one day she will actually do it. There are days when she hardly talks to the other girls in class, and won’t laugh when something funny happens.” Psychiatrist Mark Xuereb from Crisis Resolution Malta explains that depression is at the core of most suicidal thoughts. “When people find themselves deep within a personal crises they experience a sense of loneliness, rejection, failure, and ruminations stemming from depression – the condition causes unhappy feelings of dejection, lack of zest for life and lethargy. Contrary to popular belief, depression is more common than heart attacks and cancer. However, since many suffer in silence the subject still remains a taboo.” Teenage depression is common. In May 2014 the World Health Organisation reported that depression is the most debilitating illness affecting teenagers aged 10 to 19. Reasons behind depression may vary. Some sink into the darkness after a troubled upbringing, where abuse and neglect leaves permanent scars. Others experience depression after a relationship breakup, cyberbullying or even after failing an exam. Sometimes, there is no identifiable cause.
The Crisis Team deals with five to ten cases of attempted suicide per month
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MENTAL HEALTH
MARCH 2018 ∫ Sunday Circle
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MENTAL HEALTH
Failure to achieve is an issue that plagues several teenagers. Kim* who is soon sitting for her Matsec examinations and is dreading the process. “I worry constantly about failing my exams, and it’s not merely about my parents. These days everyone who does well posts their results on Facebook and this leads to added
For every person who commits suicide another six people are affected
stress.” Dr Xuereb says that this kind of pressure can also lead to
These days the Crisis team deals with five to 10 cases of
depression. “We have all heard stories of teenagers who attempt
attempted suicide per month. The team that is made up of
suicide soon after exam results are received, hence why it’s
psychiatrists, a psychotherapist, specialised nurses and members of
important for parents and teachers to look out for sign of
the clergy works round the clock to ensure that help is at hand
depression.”
through its 24/7 helpline.
Feelings of helplessness and hopelessness, loss of interest in daily activities, appetite or weight changes, irregular sleep patterns,
Sometimes, symptoms of depression are exacerbate through the use of drug or alcohol abuse. “In teenagers, this tends to be a
anger and irritability, loss of energy, self-loathing and reckless
determining factor. When you add drugs or alcohol abuse to
behaviour, are all symptoms of depression that parents need to look
depression, things can get out of hand as both substances cause a
out for. “I believe that it all begins with prevention,” says the
lack of inhibitions that could lead to suicide attempts. In most cases
psychiatrist. “The idea is to treat any form of depression in its early
of teenage suicide, drug and alcohol abuse is nearly always at the
stages and spot any suicidal thoughts as soon as possible.”
core – this also makes the depression symptoms harder to treat.”
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MENTAL HEALTH
The use of social media also confounds matters and can at times lead to feeling of isolation. “I hear of teens who spend 10 or 12
Teenage suicide is often linked to attempts of self-harm, where sharp objects are used to tear the skin. “This kind of self-
hours on Facebook, a factor which is highly detrimental to their
inflicted damage is always worrisome. However, this is not always
mental wellbeing. Social media sites can lead to feelings of isolation
an attempt to end one’s life. Sometimes it is done for attention, or
and low self-esteem as teenagers compare their lives to other peers
as a way of ‘releasing’ psychological pain or even mere boredom.”
who seem to be leading a more exciting life style. I would recommend no more than an hour per day on such sites.” The media in itself can have a positive or a negative effect on how suicide may be perceived by teenagers. Certain music videos and television series have over glamorised the idea of self-
The psychiatrist explains that the Crisis team also deals with a lot of patients who tried to take their lives but didn’t succeed. “These teens will need constant monitoring for a while as they are often at risk of further attempts.” The team’s priority is to reach such cases in due time. The
inflicted death. We see main characters in big movies taking their
psychiatrist says treatment in the form of medication, magnetic
lives, serenely floating through the skies just before they their
stimulation or talk therapy is given as soon as one reaches the
death. All this can give teens a romanticised idea about ending
centre. “Even though we try to do what we can, I believe that we
one’s life.
still need a form of casualty department for those suffering from an
But little is said about the aftermath of such a tragedy. The psychiatrist explains that for every person who commits suicide, another six people are affected. “Relatives and friends usually end up feeling depressed and some even go on to experience suicidal thoughts or to commit suicide.”
emotional crisis, as this will allow us to reach more people suffering from psychological distress.” The Crisis team is also working towards further resources where helplines are set up close to suicide spots close to the cliffs, bridges and bastions. “Many times, those who survived a fall to their death claim that they regret their decision to end their lives soon after leaping.” Dr Xuereb concludes by saying that a national suicide prevention strategy remains key and educating teens about the realities of depression can save numerous lives. “Every day we work hard towards reaching out to people who are on the brink and we don’t always manage to save everybody, but when we do it makes all the difference.” If you are going through a difficult time, call the Crisis Team on 99339966. The line is manned on a 24/7 basis and the service is offered at no charge to anyone in need.
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MENTAL HEALTH
THE nuMBERS the most recent figures related to suicide were released in parliament in January 2017. these numbers revealed 21 cases of suicide taking place in 2016, with 12 of these aged under 40. Although no figures are as yet available for 2017, 2018 started on a very negative note after a teenager who was on suicide watch at Mount carmel institution escaped through a window and was later found dead. the mental care facility came under fire for failing to keep the teen under constant watch as per psychiatrists’ orders. following the incident, foundation for Medical services chief executive carmen ciantar announced a five-year plan to improve both the facility itself and the services on offer to the Sunday Times. Meantime, social solidarity Minister Michael falzon claimed during a recent visit to the richmond foundation, a residence in Attard that houses women with mental health issues, that the number of people experiencing mental health issues continues to grow, with figures “hinting at one in three being affected”.
LEGENDS
It’s indie
rock ‘n’ roll for them
THEY’RE THE ARISTOCRATS OF THE LOCAL INDIE SCENE, THE JOSH HOMME TO OUR HOMEGROWN LYNDSEY JORDANS, SO TO SPEAK. RAMONA DEPARES CATCHES UP WITH THE BEANGROWERS AND AREOLA TREAT AHEAD OF THEIR PERFORMANCE AT THIS YEAR’S EDITION OF ROCK THE SOUTH FESTIVAL IN APRIL. The year was 1999, or maybe a tad later. I had just started my first full-time job in the media – incidentally, as assistant editor for this same
Friend: “You know. They’re not about being on the radio and stuff. They’re way cooler than that.” Oh, my. Full of trepidation, I made my way to
magazine – when I was assigned to interview The
the Sliema townhouse where I was to meet Ian
Beangrowers. The Beanwhat? – was my highly
Schranz, Alison Galea and Mark Sansone – aka The
uneducated reaction.
Beanies – for the first time. They had just released
At the time, I hadn’t yet discovered Malta’s
the single Astroboy, which was to become
indie music scene. A couple of phone calls later
something of a cult hit by Malta’s standards, and
(this was when Google was but a twinkle in Larry
their sheer passion was infectious. I left that Sliema
Page’s and Sergey Brin’s eye) I was fully briefed by
townhouse a firm believer in indie music. You could
a more clued-up friend. The briefing went
say I owe my interest in the scene to The Beanies
something like this:
(it didn’t take me long to get with the jargon).
Friend: “Oh, The Beanies. Yes, Maltese band… very hip.”
Fast forward some nine years, to 2008 I believe, and – again on assignment for this same
Me: “Oh, we have those here, too?”
magazine – I was on my way to interview the
Hip, I wasn’t.
Areola Treat.
Friend: “They’re not like the other Maltese singers, imma.” Me: “…”
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In the decade that went by between the two interviews, the indie scene in Malta had not so much grown, as exploded. Not all offerings were of the
LEGENDS
same calibre, of course. But the sense of excitement and activity were not to be denied. Areola Treat would, much like The Beanies, become catalysts for their genre on the local front, a rousing brand of indie Areola Treat are Adrian, Lisa, Chris and Steve.
punk. Sibbi, the first track I heard from the band, remains one of my favourite local offerings with Lisa Micallef Grimaud’s somehow husky, somehow aggressive vocals refusing to die in my subconscious. Almost two decades on since my first encounter with The Beanies, the indie scene has seen a number of amazing – and some not-soamazing – bands come and go. But The Beanies and the Areolas live on, majestically so, somehow both managing to keep setting the bar higher. And, the good news is that both bands will be performing in what promises to be a nostalgia-filled performance during this year’s Rock the South music festival. Full of glee for the upcoming occasion, I brought the two bands together for a Q&A, just to get everyone into the spirit of things.
The Areola Treat
“A MAGIC CARPET BROUGHT US HERE.” How was the band born? Lisa: I have no recollection of anything other than I was brought to the studio garage on a flying carpet sometime in 2006. From that day forth, it was a done deal. Adrian: Areola was the inevitable project for myself and Chris after the demise of Lumiere. It was also started with Lisa in mind after we heard her singing some backing vocals on Lumiere’s album, but we wanted to write some material to entice her with before flying her on the so called magic (peach) carpet. How did the band change through these years – both from a music and a line-up point of view? Lisa: I think our music’s become more defined and layered and more beautiful. I’d say it evolved. Not to say we’ve become the Stravinsky of garage rock or anything but you can hear echoes of something else in there today. Adrian: The only line-up change was when Steve came in for Matthew back in 2009. It was also the start of more layers and to a certain aspect a darker tone to our sound.
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LEGENDS
What was the Maltese indie scene like when you started? Lisa: As it is today, only smaller! Adrian: In terms of quality I would think that we’ve moved forward quite a lot. There is more good stuff coming out nowadays than 12 years ago. There were more venues where you could do a gig though, and probably it was also easier to attract a crowd than today. And today – how has it changed? Lisa: Well, grunge is back again bigtime for one thing. Also, there’s certainly more girls forming rock bands and doing electronic music, from what I can tell. It’s nice to see the positive influence alternative music has had on young women here. Girls have visibly picked up guitars and drums and synths and vinyl and now have what seems like more of an avid interest in collecting music and talking music and doing street art. That’s a bit more refreshing! In a way, a lot has changed and a lot has stayed the same but then again just over 10 years is perhaps not a long enough period to really judge the change in pace of the scene.
Where do you see it in five years’ time? Lisa: I’d like to say out of the country, doing lots of gigs and
Would you say more people are into indie today than when you started? Lisa: We’ve definitely seen the underground expand a bit
making records, but you just never know, do you? If we were fulltime musicians I suppose reality would be a lot different to what it is. Adrian: I have to admit that we still do what we do because
more, and that can only be good. I suppose Indie’s a huge category
we love doing it. I don’t have any aspirations of grandeur or anything
of music that contains within it around 10 or 20 other different
of the sort. As Lisa, said if we wanted to be full time we would have
genres. I’ve always been into garage bands, rockabilly, post-punk,
had to leave our shores 10 years ago but we decided not to.
dark wave and psychedelia myself and I still feel certain genres are perhaps less frequently heard here, but I generally find it easier to
The biggest problems indie bands in Malta face are...?
talk about music today than I used to, also because my own
Lisa: The same two or three places to play or see live bands
collection’s grown considerably. But, as for the rest, I think there seems to be more people
maybe. But that’s always been an issue. Alternative music isn’t something the majority care for so, I suppose, because it’s not a
going to big-scale festivals, so that can only indicate a surge of
lucrative business people are willing to invest in long-term in a place
interest in the style. On the other hand, we’ve been having this
like Malta. I have made peace with that.
conversation for a couple of decades and honestly, I think the fact
But, then again we’ve got some great places for our genre
that the question’s still being asked speaks volumes about the scale
that have opened up, places we’re allowed to make noise and the
of the scene in the country.
police won’t come to break up a perfectly good show. Then again, alternative crowds don’t need finesse to have fun, do they? More
What has been the biggest challenge keeping the band going through all these years? Lisa: Not drinking enough or drinking too much? And devotion to making music we love. Adrian: Music-wise I love writing songs and playing gigs as
giant warehouses will do nicely. In fact, I think disused and abandoned warehouses are great venues to do shows. Other than that, there’s nothing that should be stopping us. We’ve no excuse. There’s the world wide web available, so doing your PR’s easier, great online sites mean there’s a variety of means
much as I used to before. But, I have to admit that as you grow older
to showcase your music, more people work in marketing and digital
it’s harder for four individuals leading different lives to find the time to
advertising and musical people are very creative, so sky’s the limit!
rehearse as regularly as we used to. Having said that, we still manage
Adrian: Either the red-tape with the noise level issues, or the
somehow. The miniscule size of the scene also makes it more
lack of interest shown by local crowds. These are the things that
challenging to keep getting the same people for gigs after 12 years.
make or break the scene.
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LEGENDS
The Beangrowers are Mark, Alison and Ian.
Valletta 2018 – has it helped the Maltese music scene/hindered/no difference?
What should we expect from your Rock The South gig? Lisa: New stuff.
Lisa: In terms of giving exposure to the alternative music scene, I’m quite certain it didn’t make any difference in the
What’s next?
slightest. But two of my good artist friends had their exhibitions
Lisa: We keep making noise and banging stuff.
running for the V18 programme. It was well-thought out and
Adrian: Possibly recording these 30 odd songs we have and
offered them great exposure, and I was glad to see many people
release them.
attending. Pop culture’s clearly the most prevalent scene in Malta and, while I agree it should be kept alive, I can’t say I have any real interest in it. I’m sure V18’s helped to elevate the status of all the pop artists that performed in Valletta, although I still have no idea who they were or what they look like. But I’ll bet you anything
The Beangrowers “GOVERNMENT AND CULTURE AREN’T THE BEST BED FOLLOWS IN GENERAL.”
people were just dying for their daily dose of underground music culture after that!
How was the band born? Ian: As a band, we met when we were 14 years old. Mark met
What have been some of the band’s biggest highlights through the years?
Alison on the bus. She knew the lyrics to the song Informer, and so he told her that we needed a singer.
Lisa: Touring in Europe, doing shows and meeting the KVB How did the band change through these years – both from a
band. Adrian: Some gigs (both locally or abroad) keep coming to mind as standing above the rest. When playing abroad is cool to
music and a line-up point of view. Ian: When were younger we had some different friends join in
meet random people that you never knew or met before & discuss
and out, but by the age of 18 the band had stabilized and it has
music after a gig. You get to meet like-minded people easily!
since remained the same, with us three. We retained our same
26 Sunday Circle ∫ MARCH 2018
LEGENDS
music writing formula, but oscillated between rock and more pop sounds, depending on our mood.
A packed past edition of Rock the South festival.
What was the Maltese indie scene like when you started? Ian: Essentially there wasn’t really an indie scene. If you were in a band, you were part of the general music scene. Punk, metal and indie bands all existed together. The difference is that the audiences wouldn’t have ever paid an entrance fee in those days. And today – how has it changed? Ian: Thanks to the internet and Malta becoming more cosmopolitan, musicians get the basic concept of what it means to be in a band. Today you can organise a paid entrance, sell merchandise and the audience understands the way it works. Would you say more people are into indie today than when you started? Ian: In a way, it was the 1990s so there was a huge grunge and alternative scene locally. Everyone had a Nirvana t-shirt back then. But I think that, in all fairness, statistically there are more people into alternative music in general today. What has been the biggest challenge keeping the band going through all these years? Ian: Once we came back to live in Malta, going on tour has to be more of a planned effort. Where do you see the band in five years’ time? Retirement home, or… greatest hits album. The biggest problems indie bands in Malta face are…? Trick question! The biggest issue is that bands remain safe at home in their comfort zones and think that 10 gigs a year for a starting band is acceptable. Valletta 2018 – has it helped the Maltese music scene/hindered/no difference? Not sure. Government and culture (world-wide) aren’t the best bed follows in general. What have been some of the band’s biggest highlights through the years? Supporting Elbow, getting to know Wim Wenders well and working with him, selling out the Flex in Vienna, performing in the US, supporting Stereophonic, Deus and Tindersticks, hanging out with Lou Reed, Moby, Kim Deal and Turston Moore in a tiny back stage all day. What should we expect from your Rock The South gig? We’ll be performing our newly recorded album. What’s next?
The Beangrowers and Areola Treat will be performing at this year’s Rock the South festival, at Zion Reggae Bar in Marsaskala. The festival takes place between April 20 and 22. https://www.facebook.com/rockthesouthmt/
Releasing our new album this year and touring, hopefully.
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STYLE
Black Jumpsuit, raincoat: Debenhams Earrings: Stylist’s Own
28 Sunday Circle ∫ MARCH 2018
STYLE
QUEEN KILLER URBAN LOOKS AND SLAYING STYLES.
Styling and Creative Direction Caroline Paris @ Caroline’s Fashion Styling (carolinefashionstyling.com) Photography Kurt Paris (www.kurtparis.com) Models Amy Zahra @ supernovamodels.com Make-up Jennifer the Makeup Artist Hair Elena Cassar @ Head&Jam Location onepercent, Valley Road, Msida Furniture by Poliform exclusively represented by onepercent Group
Caroline Paris is a fashion and personal stylist whose portfolio includes television series, local celebrities, magazine work and campaigns. She won the Best Stylist Award at the Malta Fashion Awards three times and currently blogs on www.carolinefashionstyling.com Kurt Paris is a fashion photographer whose technical expertise in lighting manipulation enables him to explore different paths of creativity while ensuring the image quality is never compromised. Kurt won the Malta Fashion Award for Best Photographer these last three years.
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STYLE
Top, Pinafore: Debenhams Shoes: Darmanin Footwear
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STYLE
Bag, Coat: Marella Shoes: Darmanin Footwear
Dress: Superdry Headband: Styist’s own Shoes: Darmanin Footwear
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STYLE
Dress: Marella Earrings: Stylist’s Own
MARCH 2018 ∫ Sunday Circle
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MUSIC
Call of the wild
NETHERLANDS-BASED MALTESE SINGER ALEXANDRA ALDEN IS PREPARING TO LAUNCH HER HIGHLYANTICIPATED ALBUM WILD HONEY LATER THIS MONTH, AND IS CURRENTLY CROWDFUNDING TO HELP MAKE THAT HAPPEN. INTERVIEW BY ANABEL ATTARD.
PHOTOS: ANDREAS ROKSETH
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MUSIC
Charismatic singer Alexandra Alden can’t imagine a life without music. In fact, she has always shown a keen interest in it and has loved it since she was little. Looking back, she remembers dancing in her family living room to bands like The Offspring, Led Zeppelin and Pink Floyd – bands that her dad loved and introduced her to. She also discovered bubblegum pop around the same time and would carry her own disc player around with headphones wherever she went, transcribing lyrics from albums on a little notebook. She liked the songwriting, mainly, and found herself totally immersed in the music and atmospheres in the songs she listened to. “I felt like I had something to say too, someday,” she says.
All the while, Alexandra suffered from terrible stage fright, which resulted in a number of panic attacks pre-performance “As time went on I kept writing my own lyrics and poetry, and finally put them to music when I picked up a guitar when I was about 15. I also attended classical singing and piano lessons for a couple of years,” she recollects. All the while, though, Alexandra suffered from terrible stage fright, which resulted in a number of panic attacks pre-performance. Despite this, she carried on performing in front of audiences. “I loved to sing, I loved to write music and, believe it or not, I wanted to perform too.” Alexandra went on to write her first song on the piano when she was around 13 – a piece
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MUSIC
called The Painter. However she soon developed a stronger affinity for the guitar as her main accompaniment. “Luckily, my dad had his own guitars around the house, so I would wander into his study after school and lose myself in fingerpicking simple chords for hours. My dad and I even had a band together for a while, called Blanket
Writing songs and playing guitar gives me a place to put my thoughts, emotions and dreams in a more tangible way
and the Fleece (named after an in-joke we shared). We wrote some lovely songs together.” By then, Alexandra had begun searching for other bands to
playing at the Manoel Theatre, I moved to the Netherlands to pursue studies in jazz music at the Conservatory of Utrecht,
sing with and finally struck gold when an Americana band called
switching schools a year later to Codarts Conservatory in
Martin McNeil and the Dissidents recruited her as their backing
Rotterdam to begin my Bachelor degree.
vocalist. They encouraged her to work on her own music which,
“Since here, I’ve met many musicians and many different kinds
ultimately, led her to record her EP The Curious Child, which was
of musicians... I see how music has a different purpose and meaning
ready for release by the time she turned 18, with the support of the
to each and every one of them. For me, writing songs and playing
Malta Arts Fund. The release was a commercial success, with two
guitar gives me a place to put my thoughts, emotions and dreams in
number one songs on Bay Radio.
a more tangible way. Sometimes, it is excess emotion that needs to
“To me it was a milestone in my music-making journey and it opened many doors,” Alexandra smiles. “And, after a string of memorable local concerts supporting bands such as Brikkuni and
36 Sunday Circle ∫ MARCH 2018
go somewhere and sometimes it is an attempt to make sense of it.” Now, Alexandra is about the launch her album, Wild Honey, which she composed over the past three years while travelling back
and forth between Malta and the Netherlands. “The songs are formed around the core of my acoustic guitar playing, singing and lyrics with additional playing, production and engineering by my team at Rocktown Studios consisting of multi-instrumentalist and ambient artist Hanyo Van Oosterom, bassist Ocki Klootwijk and the incredibly diverse Marien Okkerse on acoustic and electric cello (all from the Netherlands),” she says. “I think that the title of the album, Wild Honey perfectly encompasses the themes and atmospheres I’ve explored throughout these songs, often touching on sentimentality, loyalty and loss.” And to facilitate the project, Alexandra is asking the public to help fund its release through a crowdfunding campaign on local platform Zaar.com.mt, where she is hoping to raise €1,500. “Rocktown have put in 80 per cent of the fund themselves, so now we just have a little way to go. I urge music lovers to support this campaign because the result will be a truly beautiful album of songs produced to a very high-quality and the launch show will be great fun. Plus, by donating, backers can secure their place at the launch itself, which will take place on March24, and even get limited-edition CDs or vinyls.” Now nearing the end of the process, Alexandra says she is really enjoying crowdfunding because it’s helping her to interact directly with those who listen to her music and to give them the chance to have a direct influence, if they so wish. “It really does bring people together. Every time I see a new backer in the campaign I feel so immensely grateful and surprised that people would donate. I feel supported. I feel more like, I’m giving something but they also want to give something back. Thank you, to every one of you, from the very bottom of my heart. Even if we don’t meet the goal, it doesn’t lessen the importance of what was already given before that. I am really looking forward to launch and what comes beyond it,” she says. And with that in mind, I ask Alexandra what she has planned next and she smiles confidently. “A second album of course!” To support the Wild Honey crowdfunding campaign on Zaar, please visit - http://www.zaar.com.mt/projects/wildhoney/
WINE TOURISM
Land of wine, 38 Sunday Circle ∫ MARCH 2018
WINE TOURISM
RAMONA DEPARES TAKES A 30-MINUTE DRIVE FROM BORDEAUX TO THE SPECTACULAR CHÂTEAU SMITH HAUT LAFITTE ESTATE FOR A GOOD SNIFF, SWIRL AND ENJOY SESSION. NO SPITTING ALLOWED ON THIS WINE TOUR!
It’s 10.30am and I’m looking onto what looks
century tower in the distance and the CSHL
like a huge statue of a hare, with the opulent
hotel right ahead. The plan is to enjoy a
Château Smith Haut Lafitte estate right
leisurely lunch at the La Table du Lavoir
behind it and acres of vineyard surrounding
restaurant, which is perfectly placed for us to
me. Oh yes, I’m also drinking some
admire the postcard perfect vista. The
unbelievable Gran Cru. I’m sure that
restaurant is known for an unusual, bistro-
somewhere in the world it’s already 5pm, not
style menu which focuses on seasonal
that it matters much. When wine is this good,
produce. Reading some of the entries and
the time of day you drink it matters nought.
sneaking a peek at the tables of the other
Spending a day at Château Smith Haut
diners, we know we are in for a treat. As we
Lafitte is something many wine-lovers dream
pick the specifics over a glass of pink
about. I’m here because I’m staying in
champagne, I check out the decor. Lunching
Bordeaux, which is a mere 30-minute drive
at La Table du Lavoir feels a bit as though I’m
away and because no stay in Bordeaux is
dining in a sophisticated barn that has been
complete without a visit to some of the
designed by Philippe Starcke and that boasts
Châteaux that dot its countryside. And
all of today’s mod-cons
Château Smith Haut Lafitte is one of the
without detracting from
more spectacular estates, overshadowing in
the purity of the
opulence many of the other, smaller
surroundings. The
Châteaux in the region.
impressive
Our taxi rolls into the driveway to
roof
the 78-hectare vineyard and estate to be greeted by the sight of the 16th
land of magic MARCH 2018 ∫ Sunday Circle
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WINE TOURISM
You open a bottle of wine that old, it is not wine that you are drinking, but history
structure, I’m told, was built with 18th-century beams recovered from cellars at Château Lafite-Rothschild. We are lucky that, this being August, the glass door had been
A short stroll around the grounds later found us outside the Châteaux itself, ready to see where the magic happened, as it were. To learn all about the wine-making process and, naturally, to taste
opened for us to enjoy our meal on the covered terrace. I pondered
some bottles of Château Smith Haut Lafitte. And by ‘taste’, I mean
my Perfect Egg, served in a nest of seasonal veg in a delightful
down glass after glass, albeit leisurely. This is not a wine for
example of how ‘from farm to table’ really works, while sipping on a
downing, but for enjoying and swirling around in your mouth. Just
light Château Coutet white, a Premier Cru also hailing from the
don’t expect me to do the proper tasting thing and spit it out.
Bordeaux region. I can safely say that every morsel of the meal that
As our charming guide walks us through room after room,
followed (medium rare ribeye and meringue, if you must know) was
explaining what happens where and when, it is very easy to see why
like an explosion of flavours, each bite complemented by whichever
these wine-tasting tours are so popular. You don’t even need to be
bottle of wine we had, by now, arrived to.
a heavy wine drinker – much less a knowledgeable expert – to
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enjoy them. All you need is an amount of curiosity and a thirst for fabulously tasting wine, really. After visiting the entire Château, including the cellars and the vat room, it was time for the reckoning – more wine. First, we were offered a 2011 Grand Cru Classe, a first wine. This was followed by two other reds from 2014. The smoothness in taste is discernable even to the uneducated palate. Yet, all can be easily classified as fantastic wines. By now, the wine we had consumed during lunchtime has somewhat dulled our collective brains, so only two comments from our guide really stand out in my mind. The first is when our guide was asked how much each wooden barrel costs. “We only use those that cost at least €150. Of course, not all winemakers can afford this,” she says with a rather unsubtle grin. “If it costs much less than €100, we have a saying. It is no good for wine, it’s only good to use as… what do you call it? A flower-pot.” We snigger dutifully, until we spot several bottles of red that appear to have
Getting there
been gathering dust since the best part of the 19th century. How much would
Low-cost airline Volotea will get you
those cost, someone asks.
from Malta International Airport right
“Hundreds of Euro, of course,” is the reply.
to Bordeaux–Mérignac Airport, a 30
Would the taste be worth the price? The guide gives us a very French
to 40-minute drive away from the
shrug. “Who knows, it’s a gamble. But you don’t buy it for the taste. You open a
city centre. A direct shuttle service takes you directly to the city. Starting
bottle of wine that old, it is not wine that you are drinking. It is history. C’est
from April 5, Volotea will be flying
simple.”
there every Tuesday and Thursday.
PS – The hare sculpture, in case you were wondering, is by British sculptor
(www.volotea.com)
Barry Flanagan and legend has it that real hares come to dance around it at night. Yes, such is the magic of this wine. http://www.smith-haut-lafitte.com
Where to stay The InterContinental Bordeaux - Le Grand Hotel, a majestic building bang in the city centre, within walking distance of the shopping area, restaurants and main sites. The hotel also features Le Pressoir d’Argent, a 2-Michelin starred Gordon Ramsay restaurant. (www.ihg.com)
Also worth visiting Château La Serre: Situated right outside the mediaeval village of St Emilion, a two-hour drive from the centre of Bordeaux (www.chateaulaserre.com). You can also opt to get there via a Memosine Wine Tour (www.memosine.com), where you get to drive a two-seater cabriolet along a prescribed wine route that includes some of the most famous wine estates in the world. Do leave time for a meander around the village, too: delightful architecture, excellent restaurants, spectacular vistas and ample wine shops.
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CIRCLE PROMOTION
A NEW OUTLOOK WHAT WOULD YOU SAY IF YOU COULD GET RID OF THE NEED TO WEAR SPECS – WITH NO PAIN AND WITH A SUPER-SHORT RECOVERY TIME? THE RECENTLY OPENED, STATE-OF-THE-ART SAINT JAMES EYE CLINIC OFFERS THE LATEST IN TERMS OF LASER SURGERY. GENERAL MANAGER ANDREI CAMENZULI SHEDS MORE LIGHT ON THE CUTTING-EDGE TECHNOLOGY. What are the main options available for those who would like to get rid of the need to use glasses? The clinic offers a full spectrum of surgeries to enable our
What makes this technology different from other forms of surgery? The major advantage brought about by this laser system is
patients to eliminate the use of glasses and we offer a solution both
that patients do not feel any pain, neither during nor after surgery.
for those who wear far and those who wear close sighted glasses.
Moreover, patients regain their eyesight and experience full recovery
This only became possible through the most advanced Femto laser
extremely quickly. This is in contrast to other methods, such as
system, which was introduced to the Maltese islands by Saint James
surface ablation procedure (PRK), where patients experience a
Eye Clinic.
considerable amount of pain and it takes up to two weeks for clear vision to be restored.
How have you seen medical solutions for eyesight problems change drastically in the past few years? Since the recent introduction of the new Femtosecond laser
What can a patient undergoing this treatment expect? Pre-screening is crucial to the successful outcome of
to our clinic, we are now able to offer a safe and reliable solution to
refractive laser surgery. In fact, all patients are required to first
practically anyone who wishes to remove the need for glasses. This
attend an informative lecture, where detailed information regarding
technology is only available at the Saint James Eye Clinic.
laser surgery and the various options are discussed. The lecture
Femtolaser enables us to perform minimally invasive
provides patients with the opportunity to share any questions they
procedures, such as SMILE, which is the safest and most popular
might have, as well as to familiarise themselves with the facility and
refractive treatment of choice worldwide.
the setup of our specialised clinic. Following this meeting, a pre
The cutting-edge Femtolasik technology produces impressive
refractive surgery assessment is performed by our specialised and
results, helping people improve their quality of life by experiencing
experienced optometrists in refractive surgery, together with the
a world without any dependence on glasses.
supporting refractive surgery assessment team. The last step is to
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CIRCLE PROMOTION
have a consultation with your surgeon of choice to determine which procedure will be most appropriate to ensure the best possible refractive outcome. How long would a patient need to be out of action after having this treatment done? Patients undergoing these procedures will be able to resume with their work routine two days following the treatment, or even earlier. Most clients report that they were able to return to work the following day. Patients are asked to attend a post op visit the day after the treatment; a further assessment is carried out a week later, with a final one being held after four weeks. Does this surgery offer a permanent solution? Before a patient undergoes refractive surgery, we ensure that the person’s vision has been stable for at least a year. This is to avoid the risk of any changes in vision post laser. Once the treatment is done, there should be no need to wear glasses again. The satisfaction rate recorded by patients following Femtolasik and SMILE procedures is impressively high, with the vast majority of patients reporting a significant improvement in their quality of life within the first week of undergoing treatment. For more information contact the Saint James Eye Clinic on 2247 2630/1, or by sending an e-mail to info@stjheyeclinic.com. www.stjheyeclinic.com
WHAT THEY SAY Satisfied patients share their experience of SMILE. “SMILE is a life-changing procedure. Although I was afraid going into the procedure, it was done before I knew it and, looking back, I had nothing to worry about!” MARIA SPITERI - SWATAR “I feel so great after the operation! I wasn’t able to see without glasses, or lenses, since the age of nine. I am now 29. This operation changed my life, I can go snorkelling, I can now see even better than I could with glasses. The care at Saint James Eye Clinic was amazing. The result is perfect.” JUSTIN CASSAR - ZEBBUG “This was a long-awaited operation which resulted in a success story for me. The staff at Saint James Eye Clinic are simply fantastic, explaining the procedure in detail, giving comfort and assurance every step of the way. The level of care shown was also exceptional. I would recommend Saint James Eye Clinic without hesitation.” CARL FARRUGIA - SAN GWANN
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CIRCLE PROMOTION
Permit me to inform you FROM PERMITTING ACTIVITIES TO TAKE PLACE IN A SOUND ENVIRONMENTAL MANNER TO ENSURING THAT PROTECTED SPECIES ARE NOT TRAFFICKED WITHOUT AUTHORISATION, DEPUTY DIRECTOR OF THE ENVIRONMENT & RESOURCES AUTHORITY, AIMÉE BRINCAT, EXPLAINS TO SUNDAY CIRCLE WHY PERMITTING AND ENFORCEMENT ARE SO IMPORTANT.
The law may sometimes seem like a bit of a nuisance, but there is no denying that without written rules and regulations the civilised lifestyle we so take for granted is not guaranteed. In a lawless state no rights are protected. One of the Environment & Resources Authority’s (ERA) role is to take care of the environment and the species that populate it, which are an important aspect in the chain of life for
our lifestyle and well-being. And, while the Authority does a lot of work that is not immediately apparent, within moments of our meeting, Aimée Brincat refers to the permitting and enforcement side of things as ‘a core function that speaks directly to the people’. It’s not difficult to see why, of course, as the Permitting and Enforcement Units have the mammoth task of ensuring that anything that touches upon, or could be of danger to, the environment, is done responsibly and according to national legislation and international law that Malta is a party of. “Permitting is an essential tool for the implementation of environmental law, because a permit provides for the mechanism and dynamics how the provisions of the law can be implemented in a practical way,” explains Aimée, who worked with MEPA for 15 years prior to its splitting into ERA and the Planning Authority (PA). “As ERA, we issue permits for range of activities, and each of those permits comes with a set of conditions.” Among the different types of permits which ERA is empowered to issue there are those for waste management and waste storage in all sectors of the industry, for instance by ensuring that toxic waste doesn’t end up in our sea or mismanagement in an environmentally unsound manner. ERA also issues Integrated Pollution Prevention and Control (IPPC) permits, which need to be issued for operations with high potential of environmental risks such as power stations, pharmaceutical companies, landfills, abattoirs and large-scale farms.
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approach, meaning that a schedule of inspections is set according to the risk of the activity being permitted. The role of this Unit is an integral part for ERA as the officers within this section liaise with the public to encourage self-compliance whenever there is a breach of environmental legislation or permit conditions, however, when the persons fail to abide by the instructions given, these officers are empowered to take enforcement action. For instance, one of the latest instances involved a penalty imposed by ERA amounting to €25,000 EUR. Needless to say, assessing every activity that is subject for an environment application for a permit, and then monitoring the progress is a huge task. Yet it is not where the job ends, as the Authority is also responsible for ensuring the law is both fair and abreast of latest developments. The conditions of these permits are based on a variety of
“We’re currently working on consolidating legislation.” Aimée
factors, including international law. Malta, for example, is a double
confirms that “ Environmental law so far has been subject to a very
signatory (as its own Sovereign State and as a Member State of the
sporadic manner of promulgation: Since the 1990s we had four
EU) of the Convention on International Trade in Endangered Species
different Environment Acts which replaced each other, each time
of Wild Fauna and Flora (CITES). This
strengthening the safeguarding and protecting
Convention regulates the trade in endangered
the environment further. In 2010, the Act was
species, both live and dead, even extracts from
merged with the Planning Authority’s Act and
such species which may be used for certain
more legislation was enacted and nowadays
cosmetics such as orchid extracts for example.
we again have a single Environment Protection
Other examples include alligator-skin which is
Act which encompasses all the enacted
used in accessories like watch straps,
legislation so far and is the source of additional
handbags, bags and belts which needs to be
legislation as well, due to the strengthening of
accompanied by CITES documentation when
the environmental law. Currently we are
imported.
working on consolidating the permitting
“You’d be surprised by the amount of
requirements that emanate from these
cases of illegal importation of species (dead or
different laws published along these different
alive), you’d come across. The officers working
periods, into one comprehensive permitting
in this sector recount that a person had been
law. “This will provide a better administrative
intercepted attempting to import a gazelle, live
permitting framework, both for the Authority
birds, tortoises and monkeys into the country…
and the public, since it not only provides a
all in his suitcases!”
transparent process but also aims to introduce
As the Authority responsible to enforce
a better service to the public and additional
these laws and regulations, ERA ensures that
safeguards that aim to ascertain quality of life
environmental integrity is maintained for a
in a practical way.”
better quality of life. ERA is also a statutory
So, while applying for permits can
consultee for development permissions,
sometimes feel a bit annoying, it’s important to
whereby in this process of consultation the Permitting Unit evaluates
remember the purpose they serve: that of helping to safeguard our
the activities and recommends conditions for activities that may have
air, our sea, our land, and our natural heritage for a better quality of
a negative impact on the environment, so these are mitigated, for
life for us all.
example by installing filters that prevent the escape of fine dust particles in the air. More than simply issuing permits, however, the Authority also
Hexagon House, Spencer
has to ensure that the permit conditions are being adhered to. And to
Hill, Marsa, MRS 1441
take care of all this, there is the Compliance and Enforcement Unit
Tel: (+356) 2292 3500
which is split into three sub teams: one for nature, one for waste and
Email: info@era.org.mt
one for industry. The enforcement team works on a risk basis
Website: era.org.mt
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CIRCLE PROMOTION
VALLETTA 2018 KICKS OFF MAJOR ARTS EXHIBITION Dal-Baħar Madwarha or The Island is
Underground Cisterns opposite the
what the Sea Surrounds, Valletta 2018’s
Law Courts in Valletta will host a sound
major visual arts exhibition kicks off on
installation by Susan Philipsz while
March 25. Curated by Maren Richter, it
Malta’s old fish market Il-Pixkerija will
explores the idea of ‘islandness’ in
be reopened for a large-scale art
playful and critical ways.
installation by Ibrahim Mahama. Both
Public space works will include Manaf Halbouni who through nomadic cars placed all over the island shall
these venues will be open to the public until July. St Elmo’s examination Centre in
explore Malta’s controversial
Valletta will be the backdrop for a
relationship with traffic congestion, real
collective exhibition including local and
estate development, and gentrification.
foreign artists and will be open until
Works are also underway for a large
May 27.
scale installation by James Micallef
For the full programme of events
Grimaud to be displayed in the Grand
and other public space interventions
Harbour docks entitled Ġiraffa. Also,
visit Valletta2018.org
Fleeting Territories – Mapping Malta by
Tickets cost €5 and give patrons
an Austrian art collective will be
one-time access to each exhibition
happening around Malta and Gozo.
venue. The ticket remains valid for the
Three main sites will be forming part of this exhibition. The
entire duration of the exhibition period. www.valletta2018.org
CIRCLE PROMOTION
Charlotte Gorton in
Mamma Mia THE WEST END STAR IS LEADING LADY FOR FM THEATRE’S PRODUCTION OF THE ABBA MUSICAL THIS APRIL. Local theatre fans are in for a huge treat when West End leading lady Charlotte Gorton takes to the stage in Mamma Mia later this year, as part of FM Theatre’s mammoth 20th anniversary theatrical season. Hot on the heels of the sell-out success My Fair Lady, which was staged at the Mediterranean Conference Centre a few weeks ago, comes the multi award-winning all-singing, alldancing musical based on Abba’s biggest hits. Gorton, who has starred in umpteen UK and international productions since the 1990s, will be taking on the iconic role of Donna Sheridan – a part she has played already, at the Prince Edward Theatre in London.
Mercieca said: “Our 20th anniversary will only come
Among her many career highlights, Gorton’s
around once and it’s a huge milestone for us, so we’re
impressive list of theatre credits include Guys and
proud to be going-all out. Two musicals (and a
Dolls at the Piccadilly Theatre, Grease at the
panto) in one year is no mean feat, but the team is
Cambridge Theatre, and The Rise and Fall of Little
working brilliantly, as proved by the recent success
Voice at the Union, for which she received the Craig
with My Fair Lady. I have no doubt audiences will
Dodd Award for Best Actress, as well as a Best
enjoy this show just as much as they did that one.”
Actress nomination from the Offie Awards. “I am thrilled to be travelling to Malta to take on
Aside from Gorton, Mamma Mia will feature an all-star local cast including Izzy Warrington, Pia
Mamma Mia once again, as it’s a musical I absolutely
Zammit, Antony Edridge, Ray Calleja, Edward
love and one of my all-time favourites,” Gorton said.
Mercieca, Maxine Aquilina, Thomas Camilleri,
“It’s always fun to return to a show and to have
Francesco Nicodeme, Jeremy Grech, Nicole Cassar
another go! I am a lot older now, so I know I will bring
and Tezara Eve Camilleri. It will be directed by Chris
a different feel to it this time round. I have actually
Gatt, with Kris Spiteri as musical director, Cathy
always wanted to visit Malta as I love places with history and the architecture looks wonderful. I am looking forward to really getting to know it during my stay.” Known to be the eighth longest-running musical in West End history, Mamma Mia includes Abba hits like Super Trouper, Lay All Your Love on Me, Dancing Queen, Knowing Me, Knowing You, Take a
Lawlor as vocal coach and Francesco Nicodeme as choreographer. “Mamma Mia is a glorious, feel-good show with a huge heart. I urge people to come to see us and to share in a wonderful night with world-class songs all set on a beautiful Mediterranean island. Bring your tissues!” Gorton adds with a smile. Mamma Mia will be staged at the Mediterranean Conference
Chance on Me, Thank You for the Music, Money, Money, Money, The
Centre on Friday, April 13 at 8pm, Saturday 14 at 3pm and 8pm, and
Winner Takes It All, Voulez-Vous, SOS and the title track, Mamma Mia.
Sunday 15 at 3pm and 7.30pm. Tickets are available online or by
Speaking about FM Theatre’s decision to present a second, fullblown musical within a very short time span, producer Edward
50 Sunday Circle ∫ MARCH 2018
calling the ticket hotline on 7944 5030. www.mcc.com.mt
CIRCLE PROMOTION
BIG STARS TO TAKE MALTA BY STORM SIXTH EDITION OF THE MALTA INTERNATIONAL MUSIC FESTIVAL TO BRING TOGETHER TOP ARTISTS OVER 17 DAYS OF CONCERTS.
Malta’s highly-awaited sixth international
in the Republic Hall of the Mediterranean
conductor and music director, Sergey
music festival (MIMF) is finally upon us. It
Conference Centre (MCC), while the three
Smbatyan. He is responsible for having
will be more grandiose than ever before as
more intimate acts will be held at Robert
founded the orchestra when he was just 18
it is bringing together an impressive
Samut Hall in Floriana.
years old and consequently taking it to a
number of world-famous musicians to offer
The MIMF 2018 will also present an
sky-high level, so much so that the ASSO
an extensive programme of all-time
unprecedented challenge for its orchestra-
has received numerous invitations to
favourites, and a huge world premiere, over
in-residence — the Armenian State
internationally-renowned festivals and major
17 days. This is ever so fitting considering
Symphony Orchestra (ASSO), as it will be
venues under his tenure.
that the island’s capital, Valletta, is
giving 13 concerts within a very tight
celebrating its status as European Capital of
schedule. To top it all, they will be backing a
orchestra will accompany are the naturally
Culture this year.
substantial line-up of big names from the
stylish Giorgio Armani-sponsored virtuoso
music industry — a whopping 18 soloists.
violinist, Ray Chen, noted for his
Music lovers are in for a treat with daily events running between April 15 and May 1,
Ninety of the ASSO’s top-notch
Among the many stars that the
commitment to breaking the barriers
comprising a variety of solo recitals,
musicians will grace the above-mentioned
between classical music, fashion, and pop
chamber concerts and grand orchestral
two entertainment venues in Malta, under
culture – he even featured in Vogue
concerts. The larger-scale shows will be held
the baton of its very capable principal
magazine; violinist Maxim Vengerov, winner
52 Sunday Circle ∫ MARCH 2018
CIRCLE PROMOTION
Highlights in the festival’s programme
Competition 2018 on April 29, in which the
include the Gala Concert on April 16 with
Armenian State Symphony Orchestra will
soloists from the Malta Philharmonic
back the finalists of the piano competition in
Orchestra; the Concerto Extravaganza on
a music programme that will come as a
April 19 featuring well-known Russian-born
surprise.
pianist, Julia Zilberquit and including two
The Malta International Music Festival
Concerti Grossi of Bach/Vivaldi, orchestrated
is organised by the European Foundation for
by Julia Zilberquit herself, to be premiered in
Support of Culture. This year’s edition is
Malta with the Armenian State Symphony
being held in collaboration with the Malta
Orchestra under the baton of internationally
Philharmonic Orchestra, and endorsed by
acclaimed conductor and violinist Dmitry
Valletta 2018.
Sitkovetsky, performing solo in Vivaldi’s Four
Visit www.maltafest.eu/concerts for
Seasons; a concert dedicated to the 145th
more information on the festival and the full
anniversary of Sergei Rachmaninoff on April
programme.
20; The Well Tempered Chanson cycle for Viola and Orchestra by Maltese composer Alexey Shor on April 21; the world premiere of Images from the Great Siege, again by Shor on April 22; Rimsky-Korsakov’s Scheherazade, starring Malta’s very own violinist Carmine Lauri on the solo section on April 23; Smetana’s The Moldau on April 26; The Magic Cello concert featuring the young cellist Narek Hakhnazaryan – already very well-known in Malta on April 30, and Prokofiev’s Romeo and Juliet on May 1. The audience will certainly revel in the pleasant sounds emanating from the Malta Philharmonic Orchestra soloists during the April 16 Gala Concert. They are Rebecca Hall (flute), Britt Arend (harp), Etienne Cutajar (horn), and once again Lauri on the violin.
Maxim Vengerov
Then, the April 19 Concerto Extravaganza
PHOTO: © B EALOVEGA
will see some gargantum works by Bach PHOTO: © MIMF
(two concerti grossi) and Vivaldi (The Four Seasons), and Alexey Shor’s unmissable Four Seasons of Manhattan for Violin and String
of the Grammy Award, two Gramophone Classical Music Awards, two Echo Music
Orchestra. It’s worth noting that Shor’s world
prizes, five Edison Classical Music Awards,
premiere, taking place at the MCC, is of
and a Classic Brit Award; the legendary
course one of the central events of the
Grigory Sokolov – one of the world’s most
festival. It comprises a symphonic cycle with
esteemed living pianists, widely admired for
13 parts for two orchestras, which in this
his uncompromising technical perfection
case will be the ASSO and the Malta
while being able to express sheer beauty
Philharmonic Orchestra, and will be
through poetic interpretations; Nikolai
performed alongside a selection from
Lugansky – winner of the Sergey
Khachaturian’s Spartacus Suites. Images
Rachmaninoff prize; Austrian Andreas
from the Great Siege does not attempt
Ottensamer, principal clarinetist for the
justify to the horrors and glory of the Great
Berliner Philharmoniker, who can enchant
Siege, but rather aims to evoke romanticised
any listener with his dulcet sounds; and
images related to it.
Italian violin legend Salvatore Accardo – bearer of the Italian violin school’s traditions.
The public will also be able to attend the finale of the Malta International Piano
Narek Haknazaryan PHOTO: © MARCO BORGGREVE
MARCH 2018 ∫ Sunday Circle
53
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Armani Exchange has opened its doors for the first time in Malta, replacing Armani Jeans at The Point and Bay Street. This news comes as a result of Giorgio Armani’s initiative to restructure brands under the Armani fashion house. The designer will cease the Armani Collezioni and Armani Jeans brands, and is streamlining the group’s distribution of the Giorgio Armani, Emporio Armani and Armani Exchange labels. Armani Exchange will house menswear, womenswear and kids collections, featuring denim, casual and smart pieces.
LIGHT AND HARMONY
Breil Stones introduces a contemporary collection to celebrate the season with lightness and freshness, available in stainless steel, Ip rose and Ip gold versions. The jewels are refined and thinner: wrists and fingers are wrapped up by fine rings and bracelets, the décolleté is dressed with elegant necklaces, and the earrings are a touch of light. Natural jades and agates are available in the most trendy and seasonal colours: violet, light pink, red, yellow, lemon green bring a different light to each jewel. Breil Stones are available from VIP Sliema & Valletta, Sunlab The Point, Plaza, Valletta, Baystreet, Paola & Landmark Qormi.
54 Sunday Circle ∫ MARCH 2018
CIRCLE PROMOTION
Dazzle and shine
NEW, STATE-OF-THE-ART SUNLAB SHOP OPENS IN QORMI.
Qormi is set to get an influx of style and sophistication as Sunlab open their newest shop at The Landmark, the most happening complex in the bustling town. Boasting a state-of-the-art, hip design that is very in-keeping with the identity of the brand, the shop will continue to pioneer a luxury shopping style for clients. This is the seventh Sunlab retail shop to open in Malta. Dropping in at the new shop is not just about the shopping – it is a whole, new experience as customers can meander at leisure around the flagship store, enjoying the grand aesthetic that brings a luxury modern concept to life. The location is perfect for those who want to chill and enjoy the fashion vibe, with The Landmark offering free parking and being so central and easily-connected to the rest of Malta. Things couldn’t get more chill. And it’s all about looking and feeling good at this new shop, with customers being welcomed with a sense of space, natural sunlight, warm wood and luxury finishings. Just the perfect backdrop for the leading retail chain for some of the most popular brands in watches, jewellery and sunglasses. Offering a full fashion concept at affordable prices, Sunlab is killing it with exclusive collections that will appeal to modern, fashionconscious men and women. The chain offers a comprehensive collection of accessory brands for both women and men, that are well-known in
the fashion industry. Brands such as Michael Kors, Armani, Fossil, Skagen, Ted Baker and many others can be found here. Moreover, Sunlab has also now been appointed new distributor of Armani Watches and Jewellery, DKNY watches and Marc Jacobs watches, besides launching a new range of sunglass brands that range from Karen Millen to Long Champ, Juicy Couture, Jimmy Choo, Max & Co, Max Mara, Marc Jacobs, Polaroid. For the kids, there is Pepe Jeans sunglasses and more designers keep being added to the collection. Unpaused Co Ltd, the company that represents most of the leading brands in this fashion sector, is the name behind the chain and most of the brands carried in the stores are represented exclusively by Unpaused, which means the absolutely latest top collections for Sunlab customers. Too busy to drop in? Don’t sweat it – shop online from www.sunlab.com.mt and your order will be delivered to any one of the Sunlab shops at no extra cost, or directly to your home for a small fee. Sunlab – Landmark will be open from 9am to 7pm from Monday to Saturday. Other Sunlab shops can be found at The Plaza – Sliema, The Point Sliema, Republic Street Valletta, De Paule Avenue Paola, Baystreet Complex – St Julian’s and Arkadia Commercial Centre – Rabat, Gozo.
MARCH 2018 ∫ Sunday Circle
55
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BAY STREET CELEBRATIONS Treat yourself this Easter at Bay Street! Shop and dine in over 50 outlets and enjoy our special Easter celebrations from March 31 to April 4. Bay Street’s animation team will be treating your kids to colourful face painting, creative crafts and fun games! You’ll even have the opportunity to meet Benji the Bunny and get your photo taken! Visit our Facebook page for more info: Bay Street Shopping Complex.
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A SLEEK DRIVE Jaguar recently unveiled the latest addition to the Jaguar family, the New EPace. The E-Pace was revealed at Muscats Motors showroom in two variations, Ultimate Black and Fuji White. With a Tanqueray Gin Bar, sponsored by Demajo Group, serving British-themed cocktails by the mixologist Richard Pons, it was a launch to remember. British style canapes and finger food were also in store for our attendees during the evening. The Jaguar E-Pace is now available at Muscats Motors Ltd, sole agent for Jaguar in Malta, priced at €43,900. For more information contact the Jaguar sales team at Muscats Motors on 2326 4589/8/7/5 or via e-mail: info@mml.mizzi.com.mt
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56 Sunday Circle ∫ MARCH 2018
CIRCLE PROMOTION
UNDERSTANDING THE DIFFERENCES BETWEEN TRELLISING VINES AND PRUNING
The cultivation of vines Today’s subject will take us to visit one of the most fundamental
permitted to grow up vertically and a small curtain is formed so as to
techniques in vine training systems: pruning and trellising. The two
protect the fruiting zone underneath. The vine needs constant
topics are closely related and indeed the terms pruning, vine training
attention and care including pruning, leaf removal so that the vine
and trellising are commonly – and wrongly – used interchangeably.
does not become too dense and also cluster thinning for GI wines. It
Trellising vines Upon visiting a modern vineyard you will immediately observe
is worth noting that in countries such as Malta where the sun is typically very hot during summer months, most farmers choose not to remove the foliage on the side where the sun shines in the
that the vine is attached to a complex system of stakes, posts, wires
afternoon and this in a bid to avoid that the grapes become
and other structures – the trellis. The system itself, trellising, is
sunburnt. At the top, the vine is typically trimmed giving a hedge-like
nowadays adopted in most vineyards around the world.
formation to the vineyard which we customers passing by vineyards
The vine’s nature does not permit it to support itself. It is only through a trellising system that the vine is in a position to grow
are normally accustomed to. Within warm and dry Mediterranean regions such as Malta, one
vertically. This, in turn, helps the vine to remain healthy and avoid
may also often see the bush vine, often also referred to as the
diseases. Moreover, trellising permits the farmer to spread canopies
Gobelet. This is a common method of growing vines which permits
when needed because of sun exposure and permits better pruning in
maximum protection from the sun through shading. Moreover, due to
winter. What we normally see in a vineyard is the result of a multitude
the fact that the vine is allowed to have only short trunk or trunks the
of factors, which the farmer and the experts taking care of that
farmer does not need to invest in expensive trellis systems. The vines
vineyard will have evaluated and acted upon. Issues such as whether
are then pruned with spurs. This traditional method of cultivating
a particular grape variety develops naturally upwards or downwards,
bush-vines is also called vite ad alberello in the south of Italy, and it is
the type of pruning and also the actual vigour of the particular vine
very famous in Pantelleria.
itself have to be taken into consideration. Trellising is, thus, a fundamental factor in finding the desired balance within a vineyard. Similarly, the trellis protects the vine from
Pruning Technically, pruning may be defined as the practice wherein the
the strong winds especially during the month of May. In other
vine is cut and shaped especially during winter time when the vine is
countries, trellising itself determines whether pruning of the vine is to
normally dormant. At this time, the buds which will grow into shoots
be done mechanically or by hand and similarly whether harvesting
with grape clusters during the summer months, are chosen.
will be done manually or mechanically. The most common trellising system to which we are normally
Winter pruning follows a logical and simple train of thought wherein the vine is prepared to bear fruit during the following
accustomed is the so-called Vertical Shoot Position. The system itself
summer. Although pruning may also take place mechanically, one
gets its name from the technique being adopted wherein the vine is
may state that in Malta the vast majority of pruning is still done
58 Sunday Circle ∫ MARCH 2018
CIRCLE PROMOTION
Cane pruning requires the identification of strong canes so as to ensure grape production the following year. Thus, this method results in the replacement on an annual basis of one-year- old canes. Basically, two canes are chosen – one which will bear the fruits for manually, using a pruning shears, which leaves a clean cut on the vine
that particular year and also what is often referred to as a renewal
so as to reduce the risk of diseases. Within the ambit of GI wines,
spur which is essential for fruit cane selection.
pruning assumes central importance to establish and maintain a
Indeed, one immediately realises that cane pruning involves
number of shoots which will then determine both the grape clusters
expert knowledge and perhaps this is why it is not adopted so
and also their size. Moreover, pruning permits the farmer to keep the
widely. However, its benefits are evident especially in the colder
vines in a consistent shape so that they may grow according to the
regions where wine grapes are produced.
trellising system which has been adopted. The positioning of shoots is also essential and therefore during pruning, those buds which will not be permitted to develop into new
Spur pruning On the other hand, spur pruning is normally adopted within
shoots have to be removed. In this manner, the vine will concentrate
those vineyards wherein the basal buds indicate that there will be a
all its energy on those shoots which have been retained and wherein
high fruitfulness. Thus, in those vineyards where a trellising system is
grape clusters will then develop. Within the GI wines regime, this is
adopted – especially those where varieties such as Cabernet and
important since the amounts of grapes and their quality have to be
Merlot are present – spur pruning is normally used.
regulated in line with production protocols set for the particular
In simplistic terms, spur pruning involves the process wherein
region. Indeed, during summer, some extra pruning may be
spurs on the vine are trimmed in order to reduce growth. Every vine
necessary so as to remove excess grapes – this is what is normally
normally has two canes which unless pruned will bear fruits. Thus,
referred to as green harvesting.
the cane which is the furthest from the main stem is removed while
The most common pruning techniques are normally referred to as Cane Pruning and Spur Pruning, which are used either on their own or else as a mix of both.
Cane pruning Cane pruning involves the removal of around 90% of the
the one which is nearest is trimmed so as to produce a spur for the next year. The spur, in turn, will produce from one to three buds. This brief look at the work involved in having a vineyard which looks so perfect during the production months continues to prove the great toil and love which the farmer must employ in his vineyard so as to achieve maximum results. Every bottle of GI wine that we
growth experienced during the previous year. This method of pruning
consume is full of the passion that the farmer and the vintner put
is normally adopted for those vine varieties which normally bear a
during a lengthy and delicate process which provides us with high
reduced number of grapes.
quality wines for us to enjoy.
MARCH 2018 ∫ Sunday Circle
59
MENTAL HEALTH
Art mirroring life? WITH MENTAL HEALTH FACILITIES IN MALTA UNDER THE SPOTLIGHT AND POLITICAL SHENANIGANS APLENTY BELEAGUERING THE ISLANDS, THERE HAS NEVER BEEN A BETTER TIME TO STAGE PINTER’S THE HOTHOUSE. RAMONA DEPARES CATCHES UP WITH THE PRIME MOVERS BEHIND THE TEATRU MALTA PRODUCTION. The first Classics Project production by Teatru Malta couldn’t be more timely – The Hothouse is set in a staterun mental health institution, where the ‘patients’ in reality are political dissidents made to undergo corrective treatment. And, with recent happenings finally placing mental health right in the spotlight of national discussion (see also feature titled Spotlight on Suicide in this issue of Sunday Circle), it is bound to resonate that much more with Maltese audiences. 2018 marks the tenth anniversary since Harold Pinter’s death, which is why the national theatre artistic director Sean Buhagiar picked one of the British playwright’s works for The Classics Project. “Besides putting up the production, we will be publishing a book with this play and all other available translated classics of that same author, so that anyone can enjoy these masterpieces in Maltese. This publication will include The Hothouse, The Homecoming and The Caretaker.”
60 Sunday Circle ∫ MARCH 2018
Sean Buhagiar PHOTO: ICAM STUDIOS FOR PRIME TIME
MENTAL HEALTH
Harold Pinter, author of The Hothouse.
The Hothouse, in fact, was translated to Maltese by Simone Spiteri, one the more renowned names on the local theatre front; the play will be directed by Andre Agius as part of the Young Director’s Programme. He will be working under the mentorship of Irene Christ. The play of course, is mostly known for the satirical way it tackles the subject of mental health, as well as for its allegorical nature. Given recent happenings surrounding Mount Carmel hospital, how does Sean feel that the Pinter piece will tie in to the local narrative? “I think this is up for the director and the audience to decide. Pinter’s plays tend to be universal, dealing with a subject but speaking about others. We want the piece to be fresh and relevant, that is why we decided to give this text in the hands of a very young director,” Sean says. Asked what he sees as the biggest problems relating to mental health in Malta, and whether the arts can help address these, Sean is blunt. “The biggest problem is infrastructure, from what I have been reading and seeing. The taboo is not a Maltese problem, it is a worldwide one and history has shown that it has by been a long and winding road for society to understand Mental Health. I think there’s a long way to go, and the arts must be part of this journey. How? That is always up to the artist.” With the play being staged at the Mount Carmel theatre itself, it is clear that Teatru Malta is keen on making a statement on this topic. While Sean believes that this will go some way towards raising awareness about the situation of patients and nurses at the facility, he is careful about keeping expectations realistic: “it will not solve the problem”, he says. This brings me to the obvious question – many will remember a specific incident from this year’s Nadur Carnival festivities, where a float making fun
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MENTAL HEALTH
of mental health patients caused an uproar – many were those who condemned the float as in bad taste, while a minority of others defended the spirit of satire and dark comedy that characterizes the traditional Nadur festivities. What was Sean’s take on this? “Nadur Carnival was always dark, boorish and insensitive. If
“Audiences differ. Certain people will, other people won’t. Like all art, dark humour is subjective to who is watching,” Sean says. So what makes Pinter’s humour acceptable and the other possibly offensive? Sean’s reply comes with tongue planted firmly in cheek.
this was done for satirical reasons, albeit inconsiderate, it somehow
“Pinter was not Maltese,” he says with a chuckle.
worked; causing an uproar. If it happened just for laughs, it was
The Hot House plays on April 26 to 29 at Mount Carmel
downright stupid.” However, he adds, the sadder thing is that we have not seen
Community Theatre, Attard. https://teatrumalta.org.mt/events/hot-house/
anything close to this uproar when it came to more serious issues dealing with mental health. “It is always much easier to attack carnival, then authority. Having said that, I believe the patients are the ones to be defended and the authorities the ones to be attacked. I felt this was not really case here. My immediate reaction was that it was carnival satire, in bad taste. They have every right to do it, as people have the right to
Translating Pinter SIMONE SPITERI TALKS ABOUT THE CHALLENGES OF TRANSLATING THE CLASSIC.
criticize. However, I would never imagine the same youngsters being merciless with cancer patients, no matter what satire they are trying to make. That, I think is the crux of the matter,” he emphasises. So are Maltese audiences open to the idea of using dark
Do you feel that the themes brought up by Pinter in this piece still resonate today? Definitely. The play was written towards the end of the 1950s,
humour to address serious situations and vulnerable sections of
even though it eventually made it to the stage much later and the
society?
themes fit right into a modern context effortlessly. I would also add
Simone Spiteri PHOTO: RITTY TACSUM
62 Sunday Circle ∫ MARCH 2018
that despite the very original English setting of the play I found myself nodding many times at the way Pinter describes power and gender dynamics, beaurocracy and all the other main themes that ring a distinct Maltese bell too. What were the biggest challenges translating his work to Maltese? Well the main challenge is obviously the fact that Maltese and English couldn’t be any more different in terms of language structure and, often, it was difficult to find the best way to be faithful to the particular rhythm, play with words and humour that Pinter is famous for while still using a dynamic Maltese turn of phrase that would sit comfortably on a modern local audience’s ear. When a direct translation was not possible it was important to try find an equivalent that still encapsulates the flavour and intention Pinter was after; and that can be quite a intricate process. But it’s what I loved most about the project. I feel that it was a huge learning curve for me as a playwright too, not just as a translator. The piece will be staged at the Mount Carmel theatre itself. Do you hope that this will help raise more awareness about the situation of patients and nurses there? One would hope that this kind of awareness wouldn’t even
VOTRE VISAGE REVITALISÉ
need to be raised by a play or anything else in this day and age, because frankly I believe it’s a basic human right to receive that kind of care and rehabilitation and for a society to have respected professionals who have the most adequate resources to give it to those in need of it. But, without stating the obvious and what’s being repeated over and over – mental health issues remain a stigma so, yes, I suppose every little effort that may help is more than worth pursuing.
Of corruption and power struggles DIRECTOR ANDRE AGIUS SHARES HIS EXPERIENCE DIRECTING A PLAY THAT – BY PURE COINCIDENCE – TURNED OUT TO BE MORE REAL THAN EXPECTED
FILLER ANTIAGE
Pinter does not hold back in exploring the themes of corruption, gender dynamics and the power struggle within the hierarchal structure, and he presents them within a mundane background to further emphasise this point. It is a coincidence that recent reports regarding mental health in Malta have fallen so parallel to the doings within the
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performance. Originally, Teatru Malta’s intention in staging the play within a community theatre such as the one at Mount Carmel was to have it localised and site-specific to help the themes resonate even further.
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MENTAL HEALTH
Pinter actually felt that his play
Andre Agius
was not at a level to be stage when he first wrote it, but it was the relevance within society in the 1960s that led him to actually stage it. My intention is to utilise the space as a background, giving us the opportunity to have the actors feel the same atmosphere as that within the play. The play is localised to the 1960s, as Pinter originally intends. This, I feel, is the strongest way to highlight whether the themes have developed or changed, and if the same mentality is still present? The fact that this is a translated work does not affect my direction as much as one would think. My approach is to remain loyal to the text and to explore the themes that are developed within the original version. That being said, although the Maltese version is a translation of the British one, there will be themes that will develop from the Maltese text that are more relevant to our society and our views on them.and I intend on understanding their role within the piece, while not straying too far from the original. The Maltese text will serve as a vehicle in adding a layer of relevance and bringing the subject-matter closer to home. There are actually numerous translations of other Pinter works in Maltese which we are not as aware of, which leads me to believe that previous theatre practitioners also felt that the text added a certain relevance
man trying to convey an idea, a feeling, a theme. So this made me
and relationship to the Maltese language and our society.
look beyond the stigma surrounding him and look at his work with a
I’ve always been curious to work on a translated text and see how it develops within the rehearsal room both with the actors and playwright, so this is all very exciting. There are challenges, of course. I remember the first time I stepped into the Teatru Malta offices and Pinter was discussed, I tensed up. After directing Skylight in October, I was eager to get back
clean slate. I do believe that art plays a strong role within society, running parallel to reality by providing commentary, reason and action and threading the fineline between factual and fiction while allowing both to diffuse. To give one example, I recently watched Martin McDonagh’s
into the director’s seat, but the fact that many are familiar with
Three Billboards Outside Ebbing, Missouri. Within this film the striking
Pinter’s work and the air surrounding it, made me question if this
image is, as the title suggests, the three billboards – simple, no fanfare,
would be the right move.
just text on a red striking background, conveying the message clearly
On the other hand, this also made me curious and challenged
and loudly.
by that fact that the National Theatre deems that I am ideal to direct
And, for a split second I wondered whether, given parallel
such a work. When we think of Pinter, we think of him forming part of
extremes, reality would follow suit? Lo and behold in the same week,
an elite group both as a playwright and as an absurdist, and this is
three billboards cropped up in Malta, each carrying similar text on a
correct. But when I went away and had some time to read up both on
striking background, but reworded for the local issue they were
Pinter’s text and the movement at the time, I realised that this was a
targeting. This also happened in the UK.
64 Sunday Circle ∫ MARCH 2018
HEALTH
Not to be taken LIGHTLY WHILE MANY VIEW PSORIASIS AS A PURELY AESTHETIC CONDITION, THIS IS FAR FROM TRUE AS MEDICAL EVIDENCE HAS TIED IT TO A NUMBER OF ASSOCIATED DISEASES. DR LAWRENCE SCERRI, CHAIR OF THE DEPARTMENT OF DERMATOLOGY, EXPLAINS WHY IT IS NOT A CONDITION TO BE TAKEN LIGHTLY AND WHY IT IS IMPORTANT FOR PATIENTS TO HAVE ACCESS TO THE LATEST MEDICATIONS.
66 Sunday Circle ∫ MARCH 2018
HEALTH
What is psoriasis? Psoriasis is a chronic skin condition which manifests mainly in the form of scaly, red patches. In more serious cases it can even manifest as boils, typically on the palms and the soles of the feet. The severity of the condition varies. Some people may have a patch here and there, while others may be covered in unsightly patches. Areas that are most affected include the elbows, knees, lower back and scalp. What does a patient complain of, typically? The biggest complaints are related to aesthetics. This is a visible affliction and the most common complaint is that of social embarrassment. A minority of patients also complain of itching or soreness. How common is psoriasis in Malta? About 1 per cent of the population across the board, world
Finally, the psychological stress that is caused by the condition
wide, is affected. The condition doesn’t distinguish between gender
can also lead to more serious afflictions such as depression.
or age and is basically genetically predetermined, although it can
Generally, it’s the younger patients who are more adversely affected
kick off during childhood or as an adult.
by this – although it is very subjective and the damage depends very much on the individual person.
Are there specific triggers? There are various triggers and aggravations, the main one
If the severity is bad enough, or the person is affected extremely negatively, the condition can also have financial
being stress. Some medications, such as a particular type of anti-
implications for adults, of course. It is easy to see why someone
depressant, also trigger it – however, these medications are used very
whose job is on the frontline, interacting with the public, may
rarely. There is also a temporary type of psoriasis that is triggered by
encounter problems.
a specific throat infection – the Guttate Psoriasis. In this case, the
In fact, the disability index for psoriasis is very high and this is
psoriasis will disappear when the infection dies. However, this is the
because the psychological side effects can turn out to be very
exception and otherwise psoriasis is chronic.
serious.
How does psoriasis impact the patients’ lives and their families’ lives? The condition forces people to adopt a certain lifestyle. For
What are some of the myths surrounding the condition? The worst one is that it is contagious. We see this especially in schools, where some parents still request a medical certificate stating
example, I have seen many patients resort to clothing that is
that it’s not contagious, in order to convince their children’s teachers
extremely covering. It also affects self-esteem, with all the
and other parents. This is one of the biggest problems we need to
consequences that this brings with it – it can have a detrimental affect
fight. Living with the condition is already difficult enough, let alone if
on academic performance, on one’s career, on one’s social life and
misinformation continues to persist. I firmly believe that educators
intimate relationships. Psoriasis is associated with a heavy burden not
should familiarise themselves with these conditions in order not to
only on the patient but also on the immediate family and friends.
make the lives of those afflicted more difficult. Another myth is that it leads to hair loss – it doesn’t. It is also
Are there any associated diseases?
not related to nutrition habits and whatever you eat or don’t eat will
One in five cases present an element of involvement of the
not affect it. Having said that, it has been proven that alcohol does
joints, which results in arthritis. Again, the range of severity varies
trigger and aggravate it.
widely, from occasional aches and pains all the way to deformity of the joints and a level of disability when it comes to the proper function of the affected area. There have also been reports of increased risk of cardiovascular
How does psoriasis affect relationship development and social interactions? As explained above, this is one of the main side effects of the
diseases, combined with a higher incidence of blood pressure and
condition – social embarrassment, which can lead to the situations
heart problems.
that are described above.
Naturally the skin and nails are also affected. With respect to nails, patients sometimes suffer from diseased nails, some even severely deformed, or even leading to the nail coming off completely. Sometimes, this is mistaken for a fungal infection.
Is it reversible? It is treatable, rather than reversible. The condition is chronic, so one does not talk of a ‘cure’, but rather, of keeping it under
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HEALTH
MORE THAN AESTHETIC Studies have found that psoriasis is not simply a condition that deals with ‘aesthetics’. Instead the condition is now medically associated with a number of potentially serious medical conditions, including cardiovascular disease, cancer and lymphoma, obesity and metabolic syndrome (also known as Syndrome X), autoimmune diseases (Crohn’s disease and diabetes mellitus I and II, for example), psychiatric diseases (such as depression and sexual dysfunction), psoriatic arthritis, sleep apnoea, personal behaviour control. A chronic condition is for life, although with psoriasis it fluctuates and is
issues, chronic obstructive pulmonary disease
not necessarily in evidence the whole time.
(COPD) and even increased mortality. Alan Menter, chair of the Psoriasis Research
What are the treatment priorities for psoriatic patients?
Unit at Baylor Research Institute in Dallas,
Psoriasis is a Schedule 5 condition, meaning that treatment is offered free
stressed the need for psoriasis to be viewed as a
on the national health service. The first line of treatment is topical, taking the
serious disease affecting the whole body with
form of applications. At the most basic level, using any good quality
significant quality of life issues during an Annual
moisturiser; using steroids and other prescription creams when this is not
Meeting of the American Academy of
enough. Tar shampoo has also proved to be effective for the relief of psoriasis
Dermatology.
on the scalp. If topical treatments aren’t enough, the next option is systemic therapy, including UV therapy. Patients undergo UV treatment in hospital, under strictly controlled conditions, needless to say. This method really works for psoriasis that is widespread across the body. There’s also the hand and foot version, using smaller UV machines that are made specifically for these areas of the body. The final frontier of treatments is using medication. Some of these are administered orally, before moving on to the class of medication referred to as Biologicals. This is the last level treatment, a class of drugs that have been developed over the past 10 to 15 years and that still continue to evolve. They can be considered the most cutting edge treatment for psoriasis and they are extremely effective. Biologicals have revolutionised treatment and, although the body sometimes gets used to them, you can rotate between the different medications. Moreover, new and more effective ones keep getting added. How accessible are these new medications? The downside is that they are very expensive, of course. Although they are available for free on the national health service, their prescription is very strictly controlled and limited to those who genuinely need them. What is the Dermatology Department doing to keep up with the advancement of innovative medicines? There is a specific screening process for psoriasis patients in order to make sure that people who need this medication have access to it. The department continually makes recommendations to the health authorities in line with clinical needs and available novel therapies.
68 Sunday Circle ∫ MARCH 2018
“We know that psoriasis is a much more complex disease that demands continual monitoring and evaluation by a dermatologist and, if necessary, other medical professionals to address related health issues” Dr Menter
HEALTH
Extra-oral before treatment
Extra-oral after treatment
WANTING A CHANGE! An elderly patient walks in for a long
be putting up with a lot, often forgetting
•
Halitosis
overdue check-up, sits on the dental chair
the true comfort of the dentition they
•
Inability to eat evenly on both sides
and says:
once had. At times, on examination one
•
Inability to eat chewy or hard food
sees large cavities, broken teeth and signs
•
Maligned or crooked/crammed teeth
my mouth but I wish you would tell me
“Dott, I have no major problems in
of inflammation. But yet, the patient is
•
Short tooth stubs
how I can improve my teeth.”
still comfortable. Occasionally, there are
•
Colour mismatch
no cavities or inflammation but yet
•
Asymmetrical smile
This is a very common scenario. Unfortunately, a lot of patients are still
patients aren’t quite comfortable with
irregular attendees and only visit the
their mouth.
dentist when in pain, or when they wish
Below is a list of ailments that often
Most of these ailments can easily be treated, while others might require need more complex procedures to solve. There
to have a major overhaul. The dentist asks
go unnoticed without causing pain, but
is no good reason as to why one must put
a few questions on what ideas they might
may still lead to discomfort and poor
up with any level of discomfort. Teeth are
have and how they wish to walk out
quality of life:
a major front for communication,
following the termination of their
•
Food packing
socialization and general well-being.
treatment. Although a lot of these
•
Bleeding gums
Teeth stand right behind our mouth and
patients wouldn’t be in pain, they would
•
Mobile teeth
together produce a horrible or lovely smile. The latter has a large influence on our confidence and quality of life. Ask
A CASE SCENARIO
your dentist how they may help you!
A gentleman in his mid-60s wishes to improve his appearance. He does not suffer from much, bar some sensitivity due to exposed roots following recessed gums and has otherwise a healthy, albeit heavily restored, dentition. He is unhappy with the colour and the general appearance of his teeth. His upper teeth appear too prominent for his liking, and he points out that he cannot see his bottom teeth. Following a lengthy consultation, noting each of the patient’s wishes, it was decided to veneer and crown many of his upper, heavily-restored teeth. The aim was to improve their appearance, line them up better, improve the level of biting and make the lower teeth more visible.
Dr Jean Paul Demajo, Dental and Implant Surgeon.
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PAPA RAZZI
• 1-4 Jaguar had the opportunity to unveil the latest addition to the Jaguar family, the New E-Pace. The launch event was held at the Jaguar Showroom at Muscats Motors, Gzira. • 5-9 Launch of QIVY Spa, the ultimate contemporary destination for people seeking wellness and solace from the fast-paced routine at YUE Healthier Living, Naxxar. • 10-11 The launch of AMuSE by the Malta Society of Arts at Palazzo de La Salle, Valletta. • 12-15 The opening of Kiehl - The iconic brand of Naturally inspired Skincare, body and haircare products at 39, Melita Street, Valletta.
Shannon Muscat, Lindita Pelinku and Nathalie Galea
Mandy Micallef, Mariah Vassallo, Marlon Testa, Enrica Pace and Shannon Muscat
Ray Calleja, Noelene Miggiani, Yvonne Desira and Owen Bonnici
Lisa Gwen Baldacchino, Roderick Camilleri, Albert Marshall, Adrian Mamo and Joe Scerri
Amandine Delcour, Michael Montgomery and Joanne Hunter
1
4
7
10
13
2
Melvin Vella, Nathalie Galea, Nadine Demicoli, Kathleen Pearson and Kyle Pace
5
Claire Cassar, Antiopi Vogiapzi and Angela Fenech
8
Daniel Scicluna and Laura Maciulskaite
11
Joe Scerri and Antonella Axisa
14
Laura Romalho Soares da Silva, Daren Cioffi, Alice Modina, Karen Farrugia, Reginald Fava, Stephanie Caruana, Edwina Farrugia Bajada, Gabriella Calleja, Anna Latona and David Bonnici
3
Carlos Mizzi, Jaguar Land Rover brand manager and Maurizio Micallef, chief operating officer
6
Owen Bonnici, Roberta McCarthy, John Muscat and Adrian Mizzi
9
Caroline Tonna and Phyllis Muscat
Amandine Delcour and Pierre Fava
Aurora Fava, Graziella Fava, Takis Chronopoulos, Prime Minister Joseph Muscat, Michelle Muscat, Pierre Fava, Patricia Bartz, Patricia Fava, Matthias Fava, Petra Cuschieri and Kurt Cuschieri
12
15
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?????
PAPA RAZZI
Is-Suq tal-Belt gets its official inauguration The iconic Victorian-era structure in Valletta, Is-Suq tal-Belt was officially inaugurated by Prime Minister Joseph Muscat earlier this month. Prime Minister Joseph Muscat together with Maurice Mizzi (President, Mizzi Organisation) unveiled the commemorative plaque. Maria Micallef, Chief Operating Officer for GSD Co. Ltd, The Waterfront Hotel Ltd, Arkadia Marketing Ltd and Arkadia Catering Ltd trading as is-Suq tal-Belt; and Brian Mizzi, Managing Director for GSD Co. Ltd, The Waterfront Hotel Ltd, Arkadia Marketing Ltd and Arkadia Catering Ltd trading as is-Suq tal-Belt, also addressed the guests. Entertainment during the event featured Malta's ambassador to the 2018 Eurovision Song Contest, Christabelle, together with a selection of Valletta's top artists including the Hot Club Of Valletta, Joe Cutajar, Amber, Vince Fabri, Paul Curmi (il-Pampalun), Charles Dalli and Godwin Lucas. Guests were served an international selection of tasty treats and sweet delights prepared exclusively by the Suq tenants.
Shirley Turner and Maurice Mizzi
Brian Mizzi and Maria Micallef with Prime Minister Joseph Muscat and Michelle Muscat
Maria Micallef delivering her speech
Brian Mizzi delivering his speech
Prime Minister Joseph Muscat delivering his speech
Prime Minister Joseph Muscat and Maurice Mizzi unveiling the commemorative plaque
Jonathan Mizzi and Jason Micallef
Veronique Mizzi, Elizabeth Tabone, Emily De Giorgio, Taryn Mizzi, Gaia Mizzi, Sarah Mizzi, Zoe Mizzi and Corinne Apap Bologna
Joe Vella, Josie Micallef, Jessie Xuereb, Claire Zammit Xuereb and Maria Micallef
Julian Sammut and Kenneth Mizzi
Lara Camilleri, Angele Calleja and Nicky Camilleri
Simone Muscat, Lorraine Azzopardi, Reuben Curmi, Antoine Portelli and Cynthia Galea
72 Sunday Circle âˆŤ MARCH 2018