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the importance of being wastd You’re an artist, photographer or illustrator. Often you create for specific commercial reasons because of the task at hand. Ask yourself how much you are able to express your vision. Think about how often you create for purely artistic reasons without commercial restrictions or requirements. We all need a place where we can freely express our imagination, creativity and vision . . . a place where business or economic concerns don’t reign. We need a place where people can gather around ideas, where free will and creative exploration govern. The main goal of wastd is to support photographic and
filling the v
fill tr|faɪl|ns. ] versobm[ething into (a space or meero)nesoorthat it is completely or almost put tasoin con completely full wastd | Beta is
illustrative art and create a place where members can
the first attempt
decide what they think.
Together we can encourage
to bring to life a
people to share their talents and, in so doing, expand their
new concept of
creative vision while finding a bigger audience.
oid
creative photography experience. more than
Art is about ideas.
a lot of different tools,
Art is about communication.
wastd introduces
Art is for the people, by the people.
a whole world. A world made by online tools, offline services and events and a new way to do business. wastd is a marketplace, a social network, a community, a publisher, a creative meetup and
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everything you are able to imagine.
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SG
stefano giovannini
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Make a short introduction of yourself, for example why, when or how did you start being a photographer? In high school I was not good at technical nor artistic drawing yet I felt an appreciation for art and beauty. I liked to frame what I could see through a camera lens. My dad, who was not a professional photographer, gave me his old Nikon F2 when he upgraded.
I went through various phases and after an initial skepticism I loved switching to digital photography. I always wished for immediate visual feedback and independence from labs, darkrooms, technicians. And you can’t beat instant gratification. With digital I have way more freedom and control, but I miss the social aspect of rental darkrooms where you could mingle with other photographers and see their work. Now it is
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more of a lonesome and individual experience in front of a computer screen editing, rating, captioning and so on.
You are alert of your surroundings and open to the unexpected. But you kind of have a destination to go to.
Photography as a mission or as a passion?
Your pictures are mostly premeditated, or do you always carry a camera around with you?
Passion. Passions sometimes lead to a missions. How do you choose your subjects? It is a sort of visceral impulse at first. There is a conscious aspect too. It is a little like driving a car. You have a destination in mind but you do not think about what you are doing all the time. It comes natural.
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I carry a camera at all times. Lately I started shooting less and thinking more about the what, who, how, why I photograph. What about the scope of photography, commenting, storytelling or mere fine art? It depends on the photographer. what is art? what is documentation? Different people may
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The world has not been flat for a while 10
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have different answers. I think you need a bit of everything without going too much in one direction. A balance without losing the instinctual side. art photography can be pretentious, documentarism can be too plain. If you could describe your work with 5 words, what would you say? Can’t describe it in five words. What is the most common
mistake you do in your work, if there’s any? When I am tired I can get lazy. Sometimes I see something and I think i will come back to it later and then I always forget to. I have cheap lenses. If I had expensive lenses 2 stops brighter I could take better photos. but I like to work with what I have. sometimes I see news photographers with expensive Nikon D3s etc and they use those expensive cameras by all
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taking the same photo of a photo op. I like to look at details that are not apparently obvious. I used to actually focus more on details rather than being able to capture an image that would give a sense of the whole situation but I got way better working for newspapers and having to deliver that. After a while you learn and the boring assignments make you a better photographer for the interesting assignments.
Who is the target of your photographs, if there’s any?
Reality is not flat either. Different characters have different messages.
I do not think to anyone in particular. people that are curious. people that care. people that are or want to be in my life. people interested in life.
What are going to be your next projects? would like to go back to Haiti and spend more time and show images beyond the suffering and hardship. everyday life. the struggle and the will to live. If you had to suggest a photographer you want to be interviewed, who would be and why?
People is the main subject of your photographs, are the characters intended to mean a message or to be a flat representation of the reality? The world has not been flat for a while.
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WASTD INC. Š 2010
Gotta think about it‌
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brooklyn based self-taught photographer
stefano giovannini’s increasingly well known
from milan, italy.
web journals, where he displays photographs of new york city and his travels across the usa are characterized by an impulsive,
stefano giovannini studied medicine for some
anthropological approach.
years; but felt he would be happier pursuing his passion for photography. since relocating to new york city in
2000, he has worked for
in the past year mr. giovannini has begun an ongoing photographic study documenting the
major and independent magazine publications
haitian diaspora in miami and brooklyn that he
in europe and the u.s. including nylon, soma,
eventually intends to publish in book format.
jane, entertainment weekly, and the timeout ny
in
guide, among others.
and jamaica to expand his documentation of the
2008, and 2009 he spent some time in haiti
african diaspora in the caribbean and united some of his better known work includes of
states.
images of musicians, including sonic youth, cat power, dj olive, luna, beck, blonde redhead
since
2008 he has been a regular contributor
published in various formats including cd
to brooklyn based newpapers in brooklyn
covers promotional materials and advertising.
documenting dai ly life, politicians, communities, territory.
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gallery5 by matt staudenmaier
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focus by william quinn
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p
r.i.p. Kerse
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gallery2 by ian matt staudenmaier
by ian leanne staples
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icona per immagini contest che pur non essendo le più votate hanno ottenuto un considerevole punteggio
H.M.
Gothlandia location venice, italy
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wastd souls
(1)
by gothlandia
own this city by leanne staples
icona per immagini contest selezionate dagli utenti
location berlin, deutschland
Leanne Staples
icona per immagini contest selezionate da wastd
interests photography and traveling and traveling and photography and sleeping and strong coffee
p
H.M.
skills when i’m interested., figuring out which one of these things doesn’t belong here. listening
icona per immagini contest che pur non essendo le più votate hanno ottenuto un considerevole punteggio
email leanne.staples@gmail.com website http://www.leannestaples.com about me passionate about photography. especially architecture, and big puffy clouds, motion blur, reflections, shadows and street photography. oh, and rain and snow and umbrellas. i also go by the name ifotog. location white plains, ny, usa
WilliamQuinn location camden, greater london, uk
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wlMagazine w lM Ma M aga az zin z in ne e the information about the authors are those available in their account at wastd website
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TOPOF THE MONTH by fiorenzo borghi u by leanne staples u 30
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by fiorenzo borghi
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by fiorenzo borghi
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p by
fiorenzo borghi
p by
fiorenzo borghi
fiorenzo borghi
p by
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p by
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fiorenzo borghi
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leanne staples
t by
leanne staples
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leanne staples
q by
leanne staples
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p by
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fiorenzo borghi
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p by
paolo cardone
u by
leanne staples
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by leanne staples
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by buri
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by paolo cardone
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Buri
location across the pond
Fiorenzo Borghi location brooklyn, ny, usa
Leanne Staples
interests photography and traveling and traveling and photography and sleeping and strong coffee
skills when i’m interested., figuring out which one of these things doesn’t belong here. listening email leanne.staples@gmail.com website http://www.leannestaples.com about me passionate about photography. especially architecture, and big puffy clouds, motion blur, reflections, shadows and street photography. oh, and rain and snow and umbrellas. i also go by the name ifotog. location white plains, ny, usa
Paolo Cardone interests arts
email paolocardone@gmail.com website http://www.paolocardone.it location white plains, ny, usa
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wlMagazine w lM Ma M aga az zin z in ne e the information about the authors are those available in their account at wastd website
o! l l e H
g azin e am g, do h t rom on Gan at es f Pag ld of Ir hink th e to l wor you t ‘re ab orld? they the w save
A short introduction of yourself, for example why, when or how you started being an illustrator? My name is Officina Infernale and I started in the 90s as a cartoonist and illustrator. Now my main occupation is within the Murder Skateboarding 52
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Stu Gri ff fro the ef Minm cam first iserie nin e out episod sec eties, in th e ond the e this yea r...
brand, that produces garments, comics and paintings.
Murder project is mainly about the Iron Gang characters, a weird band made up from mexican wrestlers devoted to save the world. The result is a “superhero populated” trash universe. The graphic style of Murder was also argument of an baccalaureate thesis. I’m also working on many different comics as Motosega, Grief and many other short stories. The most hardcore part
of my work are represented by the black and white anthologies. They focus on a satyrical view of the human genre and its defects (social, mediatic,
and so on). I started as a graphic designer. After a while I became a cartoonist and illustrator. I really go back and forth from
the graphic design to the illustration, I need both to express fully my creativity and I don’t want to impose limits to myself.
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Cartoonist as a Passion or a Profession? Mainly because I’m mad, I started when i decided to quit.... In the 90s i really wanted to be a professional
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cartoonist, but i had no experience or the graphic style i wanted, so I quit and I continued as a graphic designer and painter. in 2007, without real meaning I started again
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and a lot of stuff followed. From what are you inspired?
comics, graphic design, grindcore, metal, LP Covers, illustrators, painters, quite everything...
Trash Z-Serie movies, 70s Marvel and DC
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g rdin boa orhood e t a Sk eighb my der N y Mur ovely robabl whole L p f e , o th Serie e urit set favo decks ten
Mu r my der C l as c main othin g j des lothin ob ign g som er, e st herè uff s
done later, if needed... Your works are the result of a deep documentation process or of a creative improvisation? I let the creativity the opportunity to run wild, documenting could be 56
Comic is mainly entertainment, do you believe it has different meanings and it must be considered a work of art? Yes, it could and must be considered art as much
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it’s also a different beast, for example it informs about facts. Barriers make no sense at all between any form of art or
expression. Anyway the situation evolved in this way somehow, but not enough, indeed a lot of obstacles are in place.
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Wit his, h a na can nothinme lik be h g go e o app en.. d .
the mistake you commit more frequently in your works?
What are the five words that describe your works in the best way? Colored, violent, sick, Pop, Noisy. Admitting that one exists, what’s
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l nia mo i t s by Te w the the ne e, run d s for calyp ab an apo Mr. Ak nesi o me Crem Mr.
It happens I accept too many different projects, then i start feeling myself pressed in too much responsibilities, but eventually I’m able to achieve the happy ending , tired but
Are your works addressed to a specific target?
Within your works do they represent metaphors of the reality?
No age, no race, no color. definitely happy. Comics are ever conceived around one or many main characters.
Nope. But it depends mainly by the way you mean the history or the character. I prefer
to represent a whole story in a comic. Implicit messages or metaphors are not needed, it’s only about the author’s will.
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My D why arkes hat so mu t side, r ch I kn ed? o wor w wh y ry a bou , don’t t it. ..
the Lap dancer
ve g Gan eally lo n o r r I the tings, I hem e t pain to do ore ar m . d n . . a ing com
What about your next projects? Right now I’m working on a new Sci-FI comic, and i’m waiting for 24 new pages of Motosega. I’m working on the material needed to build a new +sangue+ web gallery. A lot of stuff for Murder project. Next year I’ll be totally into the whole collection about the Iron Gang. Two 96 pages volumes and some more short stories... if I’m able to survive till that day....
Barbecue Fight
Last Bullet
Barbecue Fight at 6.00 am
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1970 1975 he discovered marvel and dc comics‌ from that moment on he never stopped reading and drawing. officina infernale is born in padua in the and in the
after he came back to italy, he ignited with a partner the murder clothing project, later
known also as murder skateboarding. up to today he made more than
100 graphic designs
to be used on the products.
being that officina infernale is a bit in the
megalomanic, he uses his own comic
pantone and the different printing systems.
comics and as paintings.
80s he attended a graphic school where he learnt to use the watercolors,
moreover he also started skating, he became
characters as much as he can: as toys, as
a drummer, produced and sold old hardcore
Tijuana Mon Amour
bands t-shirt. he collaborated with a fanzine called
1000 maniacs e he badly drew a bunch
of mad comics.
he eventually came back to comics and this is his latter production:
iron gang halloween monster party massacre
1986 2008
90s he attended the scuola del fumetto (school of comic) in milan where he had the
nixon
opportunity to learn more about drawing
scimmia magazine
in the
and colors techniques, but he had not yet achieved a proper style. while studying
hardcore
sherwood comix lamette comix
he was hired as graphic designer at the skatesnowboard magazine and he was the lead singer and drummer in many different hardcore bands.
Iron Gang
now he is working on: motosega creatura by akab
& alessandro
cremonesi
1997, video inferno (story by diego cajelli). his first publication happened in the
Dead aka Zombie Plague
jesus stanislavsky by alessandro cremonesi
(us market)
inner space (sci-fi comic)
meanwhile he drew the covers of il libro di
sangue (a book made of blood) by clive barker
he is a painter too and he works also on
family) by mark laidlaw.
murder clothing was his baccalaureate thesis.
and the la famiglia nucleare (the nuclear
Who is the next illustrator that deserves to be interviewed and why? Akab for sure, he is absolutely terrific...
The End
he spent some years in london, from the very end of the
90s up to the 2003, where
he stopped the comics production to work
as a waiter and to learn photoshop. he was hired by record publishers as covers graphic designer (the miles apart, avulsion, soa
records anniversary triple cd, raw power,
if you like my works you can reach me at:
published), dogfight, comrades)
or write me at: officinainfernale@yahoo.it
army of angry youth, by all means (never
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limited portfolios.
www.officinainfernale.blogspot.com
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MeSSage in a PiCtUre introspection in/out 64
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by damiano cecchelin
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UTURE 66
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wastd inc. and its website wastd|Beta are starting the wastdGalleries initiative and examining a long list of candidates, we picked up a few of them because we believe their works are worth a deeper insight and they expresse talent and visionary above others.
Wastd Galleries are intended to be a series of monographic interviews to talented and innovative photographers. Any interview will be made by different parts and it will be deployed on the different media published by wastd inc.
Any Wastd Gallery is composed by: Introduction: a short biography (derived from the author’s wastd personal account compiled by you) and critical analysis Interview: a full list of question would be sent to the author and the author will send back the answers Gallery: a gallery of ten to twenty pictures The Photographer will obtain: A personal account on wastd Beta website Profit return, as stated by the ToS published on wastd Beta website at the Co-Op paragraph, from any single publication of your pictures.
Any interview will be made by different parts and it will be published on the different publication printed by wastd inc.: Wastd Beta website Wastd Magazine - Official Edition (monthly issue) Wastd Galleries book series (bimonthly issue) It could be publicly exposed on events or activities within the wastd inc. range 68
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wlGalleries wGalleries w lGalleries Galleries Don’t be shy! Send us your application by using the contact form at http://wastd.com/wGalleries Probably you deserve the chance to be interviewed and to be appreciated by people around the world.
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p from
the serie marghera chemical city by maurizio ercole
wastd magazine is a wastd inc. publication w|magazine is published by wastd inc. all rights reserved to discover more about the magazine go to wastd.com & beta.wastd.com to buy an hq pdf version, the printed versions or to subscribe to the monthly issue go to beta.wastd.com. if you want to contact the wastd team address an email at info@wastd.com the most part of the revenues generated through this magazine are going to be shared within the contributing members
general enquieries marketing sponsorship
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info@wastd.com marketing@wastd.com sponsor@wastd.com
wlMagazine w lM Ma M aga az zin z in ne e
editor in chief
wastd team
editorial director art director design director
marco burinato a.k.a. buri fiorenzo borghi maurizio ercole
creative directors
wastd team
contributing members (alphabetical order)
paolo cardone; damiano cecchelin; gothlandia; william quinn; leanne staple; matt staudenmaier many thanks to
stefano giovannini moz a.k.a. officina infernale
SUPPort the viSionarineSS SUPPort waStd free SUbSCriPtion wlMagazine w lM Ma M aga az zin z in ne e
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