AV Specialist Vol. 128

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MGI complete newsroom facility in Cairo 4K hype! Is it real?

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Contents AV Specialist Volume 128

10

German engineering for Al Jazeera Olympic Games, natural disasters, and bombings – cameraman Matthew Allard has reported about almost everything for Al Jazeera, the international news broadcaster that has its headquarters in Doha, Qatar.

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MGI completes prestigious project in Cairo Media Group International has completed a prestigious project for Middle East broadcaster MBC Group (Middle East Broadcasting Centre) to install a state of the art News facility in Cairo, Egypt.

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Nigeria boasts the second largest film industry in the world, creating about 200 videos for domestic consumption every month. Average production cost is around US$20 thousand.

Publisher & Managing Editor Kevan Jones kevan@avspecialist.tv Feature Editor Dick Hobbs dick@avspecialist.tv Designer Rajiv Gopalan rajiv@avspecialist.tv Advertising sales Africa, Middle East, UK Lorna MacLeod lorna@avspecialist.tv Europe Emmanuel Archambeaud earchambeaud@defcommunication.com Represented in the Middle East by: AV Specialist MENA FZ LLC PO Box 502314, Dubai United Arab Emirates Mobile: +97150 4683265 Represented in South Africa by: Doddington Direct cc PO Box 3939, Honeydew, 2040, South Africa Tel: +27 (0)11 083-6418 Mobile: +2782 555 5556 Represented in Europe by: Def & Communication 48 Bd Jean-Jaurès, 92110 Clichy, France Tel: +33 (0)1 4730 7180 Fax: +33 (0)1 4730 0189

AV Specialist supports SACIA members in the quest for truth, honesty and the pursuit of excellence in all aspects of the audio visual profession.

Is 4K Hype or the Next Big Thing in Pro AV? Charting the emergence of 4K in the professional AV space and predicting its growth has a soothsaying quality to it, with analysts and integrators doing their best to predict the most likely future of a pro-AV industry on the cusp of 4K.

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InfoComm MEA 2013: exhibitor support Exhibitors are returning to InfoComm MEA 2013, a number with bigger booths, in a show of continued support for the region’s dedicated pro-AV communications technology event in the Middle East.

32 C2S delivers sixth OB truck to Supersport C2S completes system integration on HD-ready truck to be used in East Africa.

Publisher’s Note Speaking at a political rally in Edinburgh (Scotland) in 1857, Benjamin Disraeli is often quoted as saying that “change is inevitable … in a progressive country change is constant”.

Disraeli was twice elected prime minister of Great Britain and his prophetic commentary in Scotland has proven itself to be true throughout the world.

As I’m preparing for this year’s IBC exhibition in Amsterdam I thought back to some of the changes we see in the IBC show since it was first held in the Royal Lancaster Hotel in London in 1967. There were just 32 exhibitors and 500 conference delegates, and of course broadcasting was a very different business. In the 1960s broadcasting was very much an analogue world, where the introduction of colour television was still a new innovation.

What would have been the reaction of the delegates to that first IBC to be told that, 45 years on, not only would they have a computer on their desk but that it would be capable of editing high definition video. And that they would carry a telephone in their pocket wherever they went in the world – which would also be an HD video camera?

In 1992 the IBC exhibition moved to Amsterdam and from 1994 it became an annual event that has remained in Amsterdam ever since. Today IBC’s management is continually looking at ways to develop the event to meet the rapidly changing needs of the industry. Earlier this year they announced plans to run “IBC Content Everywhere” – a content initiative that will be launched formally in Amsterdam 2014 and then rolled out in Dubai, November 2014 and Sao Paulo in 2015, at a date to be confirmed. IBC remains the leading event on the global stage for everyone involved in content creation, management and delivery. By remaining close to its industry roots it continues to deliver a conference and exhibition which are comprehensive, stimulating and relevant to the real needs of its visitors. Despite the many changes that have taken place, it remains a show that’s true to its roots – proudly proclaiming itself to be an event run “by the industry – for the industry”.

I look forward to seeing you in Amsterdam.

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Product

news

For-A launch new vision mixers at IBC

For-A Corporation will be launching two new vision mixers at this year’s IBC exhibition in Amsterdam. The new HVS-XT HD/SD compact vision mixer series is designed for live events, news studios, OB vans and corporate production. The HVS-XT100 comprises a separate main unit and control panel while the HVS-XT110 is an integrated single-unit design. Both add many new functions to allow users to easily do more with a

very cost-effective unit. The mixers expand on the established HVS-300 vision mixer’s functions, including mixed HD/SD input, frame synchronisation, multi-viewer, re-sizing engines, multiple 2.5D DVEs, transition effects and an extremely high quality chroma key. Standard features also include two freely assignable keyers and two DSK channels that can be applied to Aux outputs.

The HVS-XT includes a built-in Web server enabling adjustment of settings from a PC or a tablet device. The clip memory within the mixer’s two still stores supports complex moves, such as CG wipe, and has extended capacity as standard.

Edit faster with EDIUS 7 Grass Valley is now shipping the latest version of EDIUS 7, their acclaimed nonlinear video-editing application.

In addition to support for a wide range of Grass Valley hardware, EDIUS 7 now supports I/O hardware from thirdparty vendors, providing greater flexibility to integrate into a wider variety of environments with a single editing interface.

Third-party software vendors will also be releasing 64bit, EDIUS 7-compliant versions of their plug-ins. ProDAD have already released updates to coincide with the shipping of EDIUS 7, and other plug-in manufacturers will make announcements in the coming weeks. EDIUS 7 is immediately available in Pro and Elite versions. EDIUS Pro 7 is targeted at the professional, stand-alone user. EDIUS Elite 7 is aimed at editors working collaboratively within networkconnected production environments, and features seamless integration Grass Valley K2 media servers and storage with the ability for multiple edit stations to edit-in-place, record directly to K2, and simultaneously edit live video while being ingested (SimulEdit). GV STRATUS integration within EDIUS Elite will be available by September 2013.

More power for DSLR and Digital Cinema cameras Snell expands ICE Channel-in-a-Box solution At IBC2013, Snell is launching a significant expansion of its industry-leading ICE channel-in-a-box, including two all-new models. The core ICE product now offers even greater functionality and horsepower in a more compact footprint. The new systems include ICE-LE, a low-cost 1U version that offers a streamlined feature set for smaller operations or simple video server refresh projects; and ICE SAN, which provides large-scale shared content storage to give multiple ICE units instant access to media. "Broadcasters are under pressure like never before to deliver more channels with fewer resources. By bundling the entire play-out chain into a single, cost-effective channel in a box, ICE provides an ideal solution for media operations of all sizes," said Karl Mehring, senior product manager at Snell. "And now, with a choice of two versatile ICE systems plus ICE SAN, we're offering our customers a broader range of options for deploying channel-in-a-box capabilities that are totally fit for purpose. With greater channel density, more functionality, and more horsepower in a smaller box, ICE directly addresses our customers' growing requirement to broadcast more complex channels while saving space and minimizing power usage."

PAG has introduced new, camera specific D-Tap Power Leads for a range of popular cameras. When used in combination with a new PAG V-Mount Plate they make it possible to achieve extended camera run-time and a higher current draw, for 3

a camera and multiple accessories, using PAGlink or standard PAG V-Mount batteries. PAG D-Tap Power Leads are available for the Canon C300/500, Blackmagic Cinema Camera and the Nikon D800 DSLR. Where the camera voltage is between 7.2 and 8.4V, a voltage downconverter (DC Adaptor) is incorporated to reduce the battery output voltage. All PAG V-Mount Li-Ion batteries have an output rated at 14.8V. PAG V-Mount Plate assemblies are suitable for clamping to either 15mm or 19mm camera accessory/ mattebox rods (rails/bars) for cameras where it is not possible to mount larger batteries directly.

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Product

news Harris media sales platform integrates new GUI At IBC 2013 in Amsterdam Harris Broadcast will introduce a new and sophisticated graphical user interface (GUI) to the latest version of its market-leading Landmark broadcast ad sales, traffic and billing system. The highly improved and evolved GUI adds a new look and feel to the platform alongside new functionality, without losing any of the core strengths that define Landmark.

These strengths include inherent operator flexibility, instant graphical reporting and powerful live data analytics. Landmark differentiates itself from other broadcast sales and scheduling systems in the wealth of vital sales data it provides. With the new GUI, staff can see more of this data with ease, and be instructed when key information changes.

One of the most widely deployed media software sales platforms worldwide, Landmark users deliver vast and complex airtime campaigns. This leads to millions of commercial spots each month, and automatically balances station efficiency with the delivery of quality campaigns for the end customer.

IBC live on the web If you can’t make this year’s IBC show in Amsterdam, don’t worry, using the live streaming capabilities of JVC’s GYHM650E camcorder, the JVC stand will be live on the web, allowing you to experience IBC in the comfort of your own home or office. The GY-HM650E’s live streaming capabilities has made it possible for JVC to stream live and packaged content from the show floor. They’ll be hosting a twice-daily show at 11.00am and 3.00pm on the internet, introducing customers to the many possible applications for this camera and the advantages of live streaming. With video streaming by Germanfirm, Blitzeinschlag, this live stream can be followed by up to 500 users on the company’s website at the same time. This is the same camera that Chris Darnley will be presenting to SACIA members at our half-day workshop in Cape Town on 11 October so if you’d like to see it first-hand, please make an effort to attend.

Ross launch new 3MLE production switcher

Major innovations within Tricaster product line

Ross Video has grown dramatically over the past year, with an expanded EMEA team. At IBC, Ross will be showing a complete range of new products and solutions, including their new Vision Tritium - 3 MLE Production Switchers with Vision Octane production power. Tritium combines the stunning Vision Octane feature set within an incredibly budget sensitive new package. This is a full 3 MLE modular production switcher with 48 x 32 Multi-Definition inputs and outputs, 6 real 3D DVEs, 16 channels of internal MediaStores, 16 keyers, UltraChrome chroma keys, built in dual head MultiViewers, massive external device control and much more all wrapped up inside a very affordable package. The Tritium processing engine is matched up to a stunning Vision series modular 3 MLE panel with your choice of 24 or 32 direct access cross-point buttons, featuring their cool Ross PanelGlow RGB buttons and DualDisplay touch screen menu system. Tritium is also fully upgradeable and will accept standard Vision Octane components.

At IBC 2013 NewTek will unveil some major innovations within the TriCaster product line that will continue to redefine live video production. The 3Play 4800 replay and slow motion system for live sports, launched at NAB 2013, will also be on display – as well as shattering the price barrier of professional replay products, 3Play 4800’s myriad real-time capabilities social media publishing features are giving sports producers a whole range of new opportunities for engaging with their online fans in new and different ways.

Following on from the recent launch of TriCaster 40 v2, there will be more professional features available for entry level customers or those just starting out in streaming. NewTek will also demonstrate advanced workflows with third party integration thanks to the NewTek Developer Network, a rapidly growing ecosystem of companies that extends the value of NewTek products with additional workflows and features to further simplify the live production process.

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1 De-Interlace Teranex features proprietary and patented PixelMotion de-interlacing algorithms for amazing image quality.

2 Up and Down Conversion Teranex includes multidirection diagonal filters so up conversion eliminates “jaggies” for clean images.

3 SD/HD Standards Conversion Standards convert video with the powerful SIMD processor which can analyze and calculate pixels between frames.

4 Cadence Detect and Remove Automatically remove cadence (3:2 pulldown) even when the footage has been previously edited and suffers from flash fields!

5 Noise Reduction Remove unwanted noise with Teranex award winning temporal recursive noise reduction.

Teranex 3D model shown

6 Adjustable Scaling Teranex includes fully adjustable aspect ratio scaling. Support custom aspect ratios, or even for reframing shots.

7 Audio, Timecode and Subtitles Teranex supports frame rate conversion multichannel audio plus timecode and closed caption VANC data.

8 3D Processing The Teranex 3D model includes dual SDI channels so it allows all video conversion to be locked together for perfect 3D conversions.

9 3D Simulation Take 2D feeds into a 3D live production, or convert 2D content into 3D with the Teranex 3D simulator!

10 3D Camera Align The 3D camera align feature of the Teranex 3D model lets you frame sync and align left and right eye feeds for perfect 3D rigs.

The world’s leading standards converter converts to hundreds of video formats instantly!

Teranex is the world renowned standards converter with incredible virtually transparent quality! You get massive number of conversions including extremely high quality de-interlacing, up conversion, down conversion, SD and HD cross/ standards conversion, automatic cadence detection and removal even with edited content, noise reduction, adjustable scaling and aspect ratio conversion. All with full timecode and multi-channel audio conversion. The Teranex 3D model includes 3D dual channel conversion, patent pending 3D simulation and 3D camera rig alignment!

Teranex Quality Advanced SIMD technology developed and patented

by Teranex allows instant calculations on thousands of pixels simultaneously in X, Y positions and between video frames, so you get true super computer imaging power.

Processing is applied within the frame and between frames all at the same time, so you get better de-interlacing, inter-frame interpolation and noise reduction.

This is why Teranex conversions are indistinguishable from the original master!

Advanced 3D Tools

Use Anywhere With the ability to convert from virtually any television format to any other television format at the highest quality, Teranex has hundreds of uses in any broadcast and post production facility. With the built in Thunderbolt™ port, you can clean and convert content for authoring use for video capture and playback! Teranex is the perfect video converter, standards converter and capture and playback tool all in one!

The Teranex 3D model includes powerful 3D processing that allows you to move to 3D without breaking the bank! You get full resolution dual stream 3D format and frame-rate conversions plus decoding and encoding of 3D streams.

The new patent pending Teranex 3D simulator automatically generates incredible 3D signals from 2D sources! Also included is frame warping and alignment for 3D camera rigs to get perfect 3D live! You can even use two consumer cameras for true 3D!

More Connections Teranex is packed with more video and audio connections supporting the latest standards such as 3G-SDI and HDMI 3D frame packing. Teranex supports SDI, HDMI and analog component video, plus extremely versatile multi channel audio. The built in Thunderbolt port and RS-422 deck control allow full capture and playback. Ethernet is also included for remote configuration.

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2013

AUDIO. VIDEO. INTEGRATION. 20-24 October, 2013 Sheikh Saeed Hall, Opposite Hall 1 Dubai World Trade Centre www.infocomm-mea.com

AV systems have become a necessary resource in many businesses, particularly with the convergence of AV-IT – from the traditional areas of Education and Entertainment, to Enterprise IT, Hospitality and Retail, Health Care, Transportation, and other Government Services. Effective information management and timely, impactful delivery of information to customers, colleagues and business associates are essential for business success in today’s highly networked and competitive world.

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InfoComm MEA 2013 offers a platform for business owners, corporate IT and technology managers, engineers and systems integrators to check out latest AV technologies and end-user applications.

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Product

news Encoding for Live and Linear Multiscreen Streaming and Broadcast Stage Audio Works appointed Blackmagic Design distributor

Digital Rapids is bringing their complete range of media transformation and workflow technologies and solutions to IBC 2013. They’re well known as a company that provides innovative solutions, technology and expertise that enable media organizations to bring live and on-demand video to wider audiences more efficiently, more effectively and more profitably. New on their stand is the StreamZ Live 4000EX multiscreen encoder. It’s Ideal for premium live and linear applications from IPTV and over-the-top (OTT) headends to high-profile live streaming deployments, building on the proven multi-format flexibility, quality and reliability of the StreamZ Live family with increased performance, fault-tolerant redundancy and expanded control capabilities. The StreamZ Live 4000EX features rich adaptive streaming format support for reaching viewers with high-quality experiences on the broadest range of devices, while its underlying Kayak technology platform enables easy, future-proof upgradability to support new features, formats and technologies as they emerge.

Stage Audio Works has been appointed the exclusive Blackmagic Design distributor for Sub-Saharan African regions including South Africa. Gustav Barnard from Stage Audio Works remarked: “We are excited to be representing a forward thinking brand like Blackmagic Design and we look forward to growing and supporting the reseller channel not only in South Africa but also across Africa. By working closely with our valueadded resellers we can ensure that the products are accessible and well supported. Stage Audio Works’ headquarters in Johannesburg supports business development, customer service, warehousing and technical and application support for the African region. In addition, Stage Audio Works has a regional office in Cape Town serving the Western and Eastern Cape regions. In closing Tim Siddons, Director of Channel Sales, Blackmagic Design EMEA commented: "The demand for Blackmagic Design products in Africa across Live, AV, Broadcast and Film is growing quickly and it is exciting for us to be working with Stage Audio Works, an established industry leader in the region.

Atomos Samurai Blade cut loose

Atomos, the creator of the award-winning camera mounted recorders Ninja-2 and Samurai, and the Connect converter range, have commenced shipment of their latest recorder/monitor, the Samurai Blade. The new Samurai Blade offers a stunning 1280 x 720 SuperAtom IPS touchscreen, at 325ppi 179-degree viewing, 400nit brightness and multi-

frequency (48/50/60Hz) operation depending on video input giving super smooth monitoring and playback.

Every screen is calibrated to SMPTE Rec 709 colour space and a D65 white point with 100% gamut from factory. On the fly screen calibration is built into every Samurai Blade so you are always accurate in any shooting environment.

Samurai Blade adds essential set up tools with full waveform monitor functions, including vectorscope, RGB and LUMA parades with transparent overlay and bottom right, lower 3rd or full screen positioning, making it an extremely flexible tool.

Camera Interface Card for MediorNet Compact During IBC2013, Riedel Communications will feature the European premiere of the Grass Valley Camera Interface Card for MediorNet Compact real-time networks.

The new MN-C-OPT-GV-2 for MediorNet Compact allows the user to connect Grass Valley LDK and LDX cameras and their base stations directly to MediorNet. This provides a solution to route bi-directional camera signals, including all embedded audio and telemetry control data, through the MediorNet fiber infrastructure. MediorNet's network approach allows the free assignment of cameras to any base station or CCU within the network, providing unparalleled flexibility in setups and eliminating the need for re-wiring when production needs change. The MN-C-OPT-GV-2 for MediorNet Compact fits into a MediorNet Compact expansion slot. It provides two Grass Valley ports that connect either to cameras or base stations. The MediorNet Grass Valley card supports all video and sync formats supported by Grass Valley LDK and LDX cameras.

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The South African Communications Industries Association is a not-for-profit Trade Association committed to promoting the adoption of professional standards in the audiovisual industry throughout Africa.

An informed business choice Question: When selecting a vendor for your next AV installation, which of these items is the LEAST important item you should consider? a. Price quoted for the project b. Installation quality of the installations dept c. Company reputation in the marketplace d. Financial stability of the supplier

Answer: (a) In today’s tough economic climate it’s obviously important to consider price as an important factor in choosing a supplier for your next AV installation.

But choosing a supplier based on price alone is a surefire path to failure and an ineffective AV solution. Chose a vendor based on their ability to provide an AV solution that meets your requirements and make sure you’re buying from a reputable organization with certified staff and the resources to back-up your installation on a longterm basis.

SACIA is the leading trade association for the professional AV industry in Southern Africa. We promote the adoption of professional standards in the local market and our members commit to truth, honesty and the pursuit of excellence in all aspects of the audiovisual profession.

When you’re looking for a reputable supplier with a proven track record in the professional AV market, our members are a good place to start. For more information on SACIA and a full list of members, please visit www.sacia.org.za

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news Sony introduces the PMW-300 XDCAM

Full range of innovative solutions on show

Sony has introduced its new PMW-300 XDCAM camcorder. Equipped with 1/2-type Exmor Full-HD 3CMOS sensors, it is capable of delivering incredible images even in low-light conditions. The PMW-300 is ideal for broadcast producers and corporate event camera operators who require a flexible semi-shoulder camcorder that can easily be adapted to suit a wide range of production environments.

An evolution of Sony’s industry-leading PMW-EX3, the PMW-300 is able to record 50Mbps HD material in MPEG HD422, meeting broadcast standards around the world, including the European Broadcasting Union’s (EBU) requirements on HD broadcast acquisition for long form programme making. The high bit rate ensures excellent capture of fast moving objects, while its chroma subsampling feature is perfect for a wide range of video encoding areas such as VFX and green screen applications. The camcorder can also be upgraded in the future to support Sony’s revolutionary XAVC codec, extending the lifecycle of the product to ensure maximum return on investment.

At IBC 2013 Quantel will be demonstrating its full range of software solutions for fast-turnaround production and highend colour and finishing, as well as unveiling major new developments across its product range.

For broadcasters, Quantel will be showing streamlined, file-based and creative workflows for news and sports. You can see the latest developments for Enterprise sQ fastturnaround production systems and in QTube connected workflows Also on show will be revolutionQ - software services that deliver efficient production workflows from generic storage. Based on the visionary Internet of Frames, it's a revolution in the making - eliminating the management and complexity of today's file-based architectures fundamentally changing the way broadcasters create and version content. They’ll also be showing QTube connected workflows. Over the last few years QTube has grown into a technology that connects different geographies and different systems together, giving broadcasters a global production ecosystem that enables them to make compelling content more quickly, easily and efficiently than ever before.

Front Porch featured at Mediatech Africa

Avid’s Media Composer 7 now shipping

Media Composer 7, the latest update to Avid’s industry-leading video editing software, is now shipping.

Media Composer 7 features accelerated and simplified file-based workflows, including optimised HD delivery from high-res source material and automated media operations. In addition, as a key component of the

Avid Everywhere vision, the new release offers Interplay® Sphere for Mac support, extending and connecting real-time production assets and facilities across the globe.

As more content is created with high-res cameras and delivered as HD, Media Composer 7 enables editors to work directly in HD from the highres source, while maintaining full creative control of image framing. Media Composer 7 also automates the timeconsuming process of media transcoding operations in the background, so editors are effectively free to focus on creative storytelling.

At Mediatech Africa, Front Porch Digital showcased their DIVArchive V7.1 content storage management (CSM) system.

New features and capabilities make the system ideal for a broader array of applications. The new AXF Explorer offers an intuitive 9

interface for parsing Archive eXchange Format (AXF) objects, with straightforward operations that are performed using drag-anddrop procedures similar to the Windows operating system. DIVArchive V7.1 also enables a complete range of world-class video transcoding and workflows and is directly integrated with Telestream's Vantage Transcode and Vantage Transcode Pro. The enhancements to DIVArchive extend its applicability to media operations of every kind — broadcasters, educational and heritage institutions, the film industry, and government entities.

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support and devote his entire attention to his work – even under the most unusual filming conditions and in the most extreme temperatures. "I like to describe my Sachtler tripods with three words: dependability, quality, and performance," Allard says.

This must be told

From Japan, Allard reported on the aftermath of the tsunami in 2011. © Allard

German engineering for Al Jazeera with Sachtler’s Video 20 Olympic Games, natural disasters, and bombings – cameraman Matthew Allard has reported about almost everything for Al Jazeera, the international news broadcaster that has its headquarters in Doha, Qatar.

A

llard has already been recognized 15 times by the Australian Cinematographers Society for his impressive documentaries and news features.

During shoots all over the world, he relies on the Video 20 fluid head by Sachtler, part of Vitec Videocom, a Vitec Group company. With its easy and ergonomic operation, the legendary fluid head by Sachtler has been an ideal tool for daily work in electronic newsgathering for more than 50 years.

describes. "Wherever I am, I always rely on my Video 20 and Video 18 tripod systems." In unimaginable heat or freezing temperatures, in water or sand, indoors or in the jungle – the precise craftsmanship allows the cameraman to depend on his camera

For Allard, the Video 20 has become indispensable for capturing his news stories and documentaries.

The Video 20’s patented damping system with its 7 horizontal and 7 vertical grades of drag (+0), the finely tuned counterbalance with Speedbalance technology, as well as modern and high-quality construction material allow Allard to work professionally and creatively all over the world.

On his travels, Allard runs into meaningful stories everywhere which – in his opinion – must be told: "I want to document the experiences of completely normal people and make these experiences accessible for everyone. I think every one of us has an interesting story to tell. My job is to show the beauty and sometimes also the sadness of the events, and to make all of this tangible to the viewers." As a storyteller, the cameraman focuses on capturing individual lives authentically and objectively in his documentaries. "It is their story, not mine," Allard explains.

Matthew Allard has already travelled to over 40 countries to produce reports about current events.

"I have been working for Al Jazeera for the last six years, but in the industry for the last 23. This is why my job brings me so much happiness, even though I have seen a lot of horrible things," the Australian cameraman enthusiastically says. With the dependable Sachtler Video 18 and Video 20 fluid heads in his suitcase, Allard is well prepared for every situation, both present and future.

Three words are enough "After the devastating Tsunami in 2011, I spent 150 days in the Japanese disaster area to report on the aftermath live on location," Allard

Matthew Allard relies on his Video 20 for news stories all over the world. © Allard

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For Allard, it is not only important to tell beautiful stories but also to report on the fate of individuals – for example, here in Otsuchi, Japan in 2011. © Aya Asakura

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Hedgehog selects Grass Valley for Lebanon’s first HD OB van

L

ebanese production company Hedgehog has selected Grass Valley’s end-to-end workflow solution consisting of cameras, production switchers, routing switchers, router control systems and replay systems for their first HD OB van. These live production solutions provide the mobile backbone for Hedgehog so that it can provide better quality HD coverage of live events. On the ground, Hedgehog will work closely with Grass Valley’s local partner in Lebanon, Pharaon Broadcast.

“What drew us to Grass Valley is its ability to provide solutions from one end of the production chain to the other,” said George Moufarrej, CEO and Managing Director of Hedgehog. “This project marks the construction of our very first OB van so it was really important for us to have total confidence in the solutions that will help deliver our new mobile productions. Grass Valley’s expertise in live production is second-to-none, and its solutions offer efficiency, flexibility, and top quality performance.”

The full workflow of solutions selected by Hedgehog includes a full series of LDK 8000 Elite cameras to capture HD images natively and switch instantly between multiple formats and frame rates. Boasting three high performance 9.2 million pixel HD-DPM+ sensors, the LDK 8000 Elite cameras offer advanced picture quality.

The van also includes a Kayak HD 3 M/E video production switcher and a Trinix NXT digital video routing switcher with Multiviewer, 128 Frame HD 64 x 32 – offering 30% lower operating costs, powerful performance and simplicity. “The Lebanese broadcast market is an extremely vibrant and important market within the Middle East, and Grass Valley has been very busy there in recent months,” said Said Bacho, Senior Vice President EMEA, Grass Valley. “We’re excited to be making the announcement today with Hedgehog, and are delighted to be bringing cost-effective and future-proofed solutions to Lebanon. We know that Lebanese viewers will enjoy the services delivered from the country’s first HD mobile production unit.”

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Media Group International completes news studio for MBC Cairo Media Group International has completed a prestigious project for Middle East broadcaster MBC Group (Middle East Broadcasting Centre) to install a state of the art News facility in Cairo, Egypt.

O

Ground-breaking equipment

ver the last 20 years MBC Group, has grown to become a wellestablished media group that enriches people’s lives through information, interaction and entertainment.

Based in Dubai, in the United Arab Emirates, MBC Group includes 12 television channels.

Established reputation The broadcaster engaged Media Group International (MGI) on the basis of the company’s established reputation for high quality systems integration and project management. MGI has over 35 years’ experience of systems integration in the Gulf region and represents many worldwide broadcast equipment manufacturers. Raed Bacho, Broadcast Manager, MBC Group says: “MGI’s reputation for delivering world-class broadcast solutions was a key factor in our decision to award the company the contract. Our Cairo News facility is a major investment and one that required careful planning. We were elighted by the efficiency and timely results.” MGI’s brief was to provide MBC Group with an entire News facility consisting of a broadcast control room/gallery, a central apparatus room, an audio studio, a broadcast studio, a Master Control Room, a

Newsroom and various editing and production facilities. The company was also responsible for the entire IT infrastructure and the installation of all power requirements. “MBC’s on-air requirements meant that we were up against extremely tight deadlines,” says Paul Wallis, MGI’s Sales Director. “We also undertook this project during the recent political unrest, which created its own set of issues. On at least one occasion our team could not leave the facility overnight because demonstrators were protesting outside.” At a time when many companies are avoiding outlay in Egypt, MBC’s decision to build this new facility – and its equipment choices – reflect its determination to invest in the very latest technology in order to bring high quality news coverage to the people of Egypt.

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“In consultation with MGI’s experienced technical team, MBC selected some of the latest ground breaking equipment, including cuttingedge Grass Valley LDX-80 studio cameras that adopt CMOS technology as opposed to traditional CCD,” says Wallis. “At the heart of the system is a full Avid Newsvision production system, complemented by the latest Viztr on air graphics. Other technical highlights include a powerful Ross live production switcher, a Trilogy Broadcast communications system, a state of the art video wall and a Studer All-In-One Vista audio mixing console, the first of its kind to be installed in Egypt.”

Wallis adds that the project was not without its challenges, but thanks to MGI’s excellent relationships with the various manufacturers involved, these were quickly overcome. “We were faced with some tough technology changes that could have delayed the on-air deadline, but fortunately we had chosen manufacturers who helped us work around this problem and enabled us to keep our commitment to MBC,” he says.

MBC’s News facility in Cairo is now up and running, delivering news to the broadcaster’s Egyptian viewers.

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Keynote speaker announced for DISCOP Africa 2013 The DISCOP Organization has announced a major new initiative to celebrate the content, production and distribution industries in Africa as it introduces a 'Guest Country' focus at the DISCOP Africa show scheduled to take place in Johannesburg during November 2013.

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igeria will be the first country to take centre-stage with a range of dedicated events, screenings and conference tracks that will mark the 20th anniversary of Nollywood and highlight the rapidly growing Nigerian movie industry. Also at DISCOP Africa, Richard Bell, CEO of Wananchi Group, East Africa's leading home entertainment operator and the second largest Pay-TV operator in Africa, has been revealed as the keynote speaker at the event's opening session. Bell will conduct a Q&A on the development of the Pay-TV market in Africa and the reasons why Africa is expected to be the world's number one Pay-TV marketplace within the next 10 years.

"A guest country will be honoured at each DISCOP Africa to offer attendees an in-depth look at Africa's most vibrant

Patrick Jucaud-Zuchowicki, General Manager of the DISCOP organization, explains that "Africa is the fastest-growing advertising, Free-to-Air and Pay-TV marketplace in the world. Our ambition is to run two events a year, in the not so distant future, one in South Africa and the other in Nigeria."

marketplaces. To mark Nollywood's 20 year anniversary, Nigeria will be our first

guest country and its Film and TV industries will be honoured during a special gala evening," says Patrick Jucaud-Zuchowicki, General Manager of the DISCOP organization, adding, "Africa is the fastest-growing advertising, Freeto-Air and Pay-TV marketplace in the world, our ambition is to run two events a year, in the not so distant future, one in South Africa and the other in Nigeria."

More than 2,000 delegates from 70-plus countries are expected to attend the 8th edition of DISCOP Africa from 6 to 8 November 2013, representing more than 800 new and established regional and global companies driving content business and digital changes with and across Africa. National umbrellas representing the UK, France, the US, China, Korea, Kenya, Nigeria and South Africa will also be on the floor.

Who do you call when things go wrong?

SACIA members subscribe to the highest standards of ethics in their business conduct and sign a pledge in which they commit to excellence in what they do. They take pride in their work and provide products and professional solutions in line with their clients’ needs.

They’re dependable business partners who promise not to engage in dealings that are corrupt, dishonest or questionable.

If you feel that a SACIA member has failed to live up to this pledge contact us at ethics@sacia.org.za or call our complaints hotline on +2711 083 6418 For a full list of SACIA members and a copy of their pledge to conduct business on an ethical basis visit www.sacia.org.za

The Southern African Communications Industries Association (SACIA) is a not for profit trade association committed to promoting the adoption of professional standards and ethical business practices in the communications industry throughout Southern Africa.

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Is 4K hype or the next big thing in Pro AV? Charting the emergence of 4K in the professional AV space and predicting its growth has a soothsaying quality to it, with analysts and integrators doing their best to predict the most likely future of a pro-AV industry on the cusp of 4K. Meanwhile the industry peers over the cliff and wonders who is going to follow digital cinema into the depths of Ultra HD, and more importantly, why they should invest in four times more pixels than the now-common HD format.

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s the growth of digital cinema and its foray into 4K starts to tail off, other verticals are currently using or showing an interest in the avalanche of pixels that come with 4K. “The projector market is going to want 4K in niches like visualization and simulation,” says Mike Fisher, senior analyst at Futuresource. “Oil companies, car designers, niche markets like military briefing rooms are all resolution hungry and are likely to be the first ones to bite. Not the mainstream corporate or education installations that run the internet, TV or PowerPoint.” Fisher sees more interesting developments on the flat- panel side of things, a market now firmly settled on 1080p.

“Especially for 60-inch flat screens, we will see a relatively quick transition toward 4K in high-level installations, like rental and staging.

You might see some corporate reception, big-impact screens or very high-end screens in flagship retail.”

Samsung has unveiled a unique Ultra-HD television, with a 'floating' design it says could revolutionise home cinema. The 85-inch TV is housed within an easel-like frame, which allows it to rotate freely and appear to 'float' in mid-air. It can play video up to resolutions of 4K - so-called Ultra HD, content for which is barely available to consumers.

Vertical markets

action yet in the rental and staging market, despite the availability of 4K equipment. But Paul Kent, senior consultant for entertainment at Electrosonic, says there seems to be demand in the leisure and entertainment markets. “The leisure market is running 4K projection, replacing what used to be film,” Kent says. “One example of that is the Spiderman ride at Universal.”

Some vertical markets, such as the healthcare market, are ideal for 4K, according to Dawn Meade of Net-AV. “Telemedicine, training, microsurgery via screens will take as many 4K and higher displays and cameras as we can produce. Aside from that, 4K will provide much higher image quality on extremely large outdoor or venue screens.”

Todd Fender, senior analyst at NPD DisplaySearch, also sees 4K eventually playing a role in the public signage market, but not in the coming year. “We do see definite benefits for retail applications where it could make a big visual difference for folks who market high-end jewellery and fashion; this is where the growth will occur.” While Chris Chinnock, president at analyst firm Insight Media, doesn’t see much

The Amazing Adventures of Spider-Man - The Ride is an epoch-making attraction created by combining more than 100 different special effects including lights, sounds, fire, smoke, and water splashes with the amazing ride vehicle movements linked with Spider-Man’s motions on the screen.

The ride has been highly rated by media around the world and has won the Golden Ticket Award in the Best Dark Ride category for seven consecutive years, a historic first. The Amazing Adventures of Spider-Man - The Ride 4K3D further solidifies this ride as the world’s best by combining 3D images with 4K Ultra HD technology, and ride motions enabled by cutting-edge synchronizing technology. With overwhelming reality and extreme excitement, the ride allows patrons to feel as if the entire adventure is happening to them. Paul Kent, senior consultant for entertainment at Electrosonic, says there seems to be demand for 4K in the leisure and entertainment markets. “The leisure market is running 4K projection, replacing what used to be film,” he says.

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Lesure and entertainment In other situations, single 4K projectors are replacing multiple systems and reducing the total cost of ownership. Alternately, and many 50-inch-plus 4K screens are replacing what would have previously been projector installations. “It depends where you’re working,” says Kent. “The corporate market has just embraced HD, so we may not be getting requests in that space for

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some time. On the other hand, some markets, like command and control want 8K!” “We have a number of early 4K installs for data analytics in the pharmaceutical, consumer goods, energy and government areas,” said Blair Parkin, MD of Visual Acuity. “The mapping world, including the national-mapping agency in the U.S., is also very interested in this.”

But overall, Chinnock doesn’t see any particular pro-AV vertical leading the adoption of 4K. “People will start putting 4K in place in a number of different areas for a number of different reasons,” he says. “A lot of these decisions will be made on a case-by-case basis.”

notes that 4K refers to several different things, including consumerformat Quad HD, cinema 4K and other 4K display forms from specific projector vendors. “Everybody is calling everything 4K, that’s a challenge because the production chain is different,” he says. Parkin also says there can be technical issues around the transport medium and related bandwidth, which start “breaking down” beyond 2560x1600.

“The number of pixels per second gets very high. You need a different transport medium — dual-link DVI or DisplayPort,” he says. “It’s an emerging technology, you can get a demo but finding the peripherals is still in its early days.”

Missing Links in the 4K Chain

Universal needs

The very definition of 4K is a challenge, according to Parkin, who

There are universal needs across all verticals when it comes to

the 4K production chain in pro AV, explains Chinnock. “You must have cameras or an acquisition system to gather the content; you need a processing and editing capability to manage that content; you need a distribution system that’s part of the solution; a display system; and finally there’s lot of other pieces of hardware for encoding,” he says.

“You must have all those pieces in place if you want native 4K.” The acquisition technology for 4K video has been available for some time, and the displays are now available, points out Kent. “The two end bits are done, but the middle bits are playing catch-up,” he says.

“Distributing and managing 4K uncompressed video in a network situation is still hard. You can’t move 4K video around the place in the same way you do HD.”

Where does 4K sit in the television market?

DStv Online CEO John Kotsaftis says 4K is highly unlikely to be used by broadcasters in the foreseeable future. “It’s way too expensive to give up the amount of satellite capacity required to broadcast at 4K,” he says.

Standalone content aside, even with heavy compression, 4K content presents enormous challenges for broadcasters. DStv Online CEO John Kotsaftis says 4K is highly unlikely to be used by broadcasters in the foreseeable future. “It’s way too expensive to give up the amount of satellite capacity required to broadcast at 4K,” he says. While early adopters may embrace 4K in the same way they did Blu-ray, Kotsaftis says he thinks the uptake for 4K will be even slower than Blu-

ray. “There’s a quality versus convenience curve that we’re already on,” he says.” Consumers are willing to make all sorts of quality compromises in exchange for speedy and convenient access to content, but I don’t think [4K] is going to push the boundary.

Everyone thought 3D would be the next big thing but it hasn’t been.” He suggests that much like 3D, 4K is something manufacturers hope will allow them to sell new TVs, but that most consumers probably won’t care for it. “An acceptable level of quality has been reached,” he says.

“Now it’s about content and convenience. Where you probably could tell the difference in quality is on larger form factors.” Kotsaftis says manufacturers will probably begin shipping and promoting larger TVs. “In coming years, 50-inch or 55inch screens will have become the sort of standard that 40-inch TVs are now. To exploit 4K, you need a larger form factor. You’re just not going to notice enough of a difference on smaller screens.” The same quality/convenience argument leads him to believe that physical media for 4K content will struggle to gain traction among consumers. “4K implies going back to physical media. Even over the Internet, it’s going to require massive files and, given the choice, most people would 15

happily settle for a 720p or 1080p file anyway.” With bandwidth of around 10Mbit/s, Kotsaftis says consumers can watch “really high quality video over the Internet”.

Although South Africa is still catching up with developed markets when it comes to broadband, he still can’t envisage a situation where people want optical or physical media.

“Physical media has lost its value,” he says. “I used to prize it and cherish my CDs and DVDs, but now I can get most of that content online.” Audio streaming services like Spotify have taken off in the US and Europe, followed closely by services like Netflix for video content.

Kotsaftis says he expects the same thing will happen in South Africa.

Aside from the convenience of streaming, there’s the option of getting recommendations based on viewing or listening habits, something physical media don’t offer. “I don’t think the big change in TVs is going to be 4K. I think it’s going to be about functionality. TVs are going to get easier to use and user interfaces are going to get speedier and more elegant,” Kotsaftis says. The problem of content has, by and large, been solved, he says, but ease of use and proper integration of applications and online tools into TVs has some way to go.

The $75 billion audiovisual industry provides critical support to large corporations, small businesses, retail outlets, education and healthcare institutions, entertainment venues, the government and more. AV helps us communicate better, protects critical infrastructure, assists with life-saving diagnoses, educates students around the world and keeps society informed and entertained.

To learn more about the audio visual industry in Southern Africa visit www.sacia.org.za

www.sacia.org.za

OCTOBER 13-19, 2013 1

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What Might Hold Back 4K? Along with the challenges of moving 4K content around, the lack of native 4K video content and investment costs is a major issue, especially for companies that have made prior investments in HD or 3D technology.

“While 4K creates a great image, it is not immediately practical in many aspects of pro AV,” said Meade.

“There isn't much content out there for this resolution and if you find it, most screens are not large enough for 4K to make a major difference in how the picture is perceived by the human eye.” Graham Naylor-Smith, associate director at Arup, is also concerned with the cost and hassle that might come with 4K, pointing out that an upgrade can sometimes mean doubling the infrastructure.

4K Rises In the pro-AV world, adoption rates will vary based on vertical, according to Meade. “For most average corporations, it will be a slower integration due to financial considerations and total lack of need for day-to-day business. In specialty verticals the adoption rate will be

Some vertical markets, such as the healthcare market, are ideal for 4K, according to Dawn Meade of Net-AV. much quicker.” Opinions vary on the timeline for 4K in different markets.

Kent thinks pro AV is looking at between three and five for 4K deployment. “It’s rising across the board and we’re doing some legacy replacements in command and control, corporate, leisure and museums.” Naylor-Smith doesn’t yet see a business or residential need driving 4K, putting its advent at perhaps five to seven years. “Why is it needed in the short term?” he says.

“Broadcasters aren’t transmitting 4K.

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You’re not getting 4K Blu-ray or streamed content. So why? ‘Because we can’ is not a good enough answer.” Parkin believes, however, that 4K will emerge much quicker than the industry realizes. “4K relates to the mobile and social media crowd, who are embracing it quickly,” he says. If 4K video content isn’t available yet, Parkins believes it will change rapidly. “The GoPro cameras now have 4K capability, so the YouTube generation is already producing and editing 4K video content. The cost of entry for production is now really low.”

“Like any new technological advance, 4K video's prospects will grow as time goes on, provided a newer, higher resolution, like 8K or 12K, doesn't leap-frog it to market,” concludes Meade. Indeed, 4K is simply the next logical step for an industry constantly seeking more resolution, according to Chinnock.

“Each step requires more investment,” he says. “People want return on investment. Full HD is not yet fully adopted, and there are tons of XGA and SVGA projectors still out there. I think it’s just the start of a 10or 20-year cycle.”

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InfoComm MEA 2013: exhibitors show continued support Exhibitors are returning to InfoComm MEA 2013, a number with bigger booths, in a show of continued support for the region’s dedicated pro-AV communications technology event in the Middle East.

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rthur Holm, NMK, Theatro and Venuetech have doubled their booth size from last year, while many leading AV brands have confirmed their participation. Several manufacturers, including Blackmagic Design and Matrox will also be making their debut in the Middle Eastern market at InfoComm MEA 2013. This show of support for IFMEA reflects exhibitors’ confidence in the organizers’ resolve and efforts to attract quality visitors to the Show. Despite some issues with hall location last year, InfoComm 2012 drew 12,023 visitors, generating good discussions and solid leads for exhibitors. The organizers are taking steps to increase brand presence onsite and facilitate visitor registration for this year’s InfoComm MEA. InfoCommAsia, regional subsidiary of InfoComm International, and co-organizer Dubai World Trade Centre announce that

they are putting in place three key measures to ensure greater Show visibility and a sustained visitor flow for this year’s event. Firstly, Show signage will be improved. The concourse area running along the IFMEA halls will be cleared of booths and branded with large IFMEA banners and video walls. Secondly, the

physical barriers that used to separate GITEX and IFMEA will no longer be in place, providing for a truly free flow of traffic between the two shows. And thirdly, a second entrance into the IFMEA hall will provide unobstructed linkway between GITEX and the Show, with custom carpeting welcoming GITEX visitors to the Show. InfoComm MEA 2013’s location in the Trade Centre Arena in the vast World Trade Centre complex will also be publicized in pre-show promotional materials as well as all GITEX TECHNOLOGY WEEK onsite signage.

Co-located with GITEX Technology Week from 20-24 October 2013, InfoComm MEA 2013 will present latest Pro-AV communication and AV-IT integration solutions of leading manufacturers from all over the world. Admission to both Exhibition and Summit is free but registration is required.

Do we live in an ethical society?

Over the last few years we’ve seen many instances of corrupt and unethical behaviour from our business, community and political leaders. Their actions underscore the real challenge faced in conducting business across Southern Africa. Who do you trust? And how do you go about selecting a vendor that will provide a technology solution that meets your needs?

When you’re choosing a supplier to provide broadcast, AV or communications technology for your business why not choose a SACIA member.

SACIA members subscribe to the highest standards of ethics in their business conduct. They’ll not engage in dealings that are corrupt, dishonest or questionable. They’ll let you know when they have a conflict of interests, and they’ll not hold out advice as being objective where it is not.

For a full list of SACIA members and a copy of their pledge to conduct business on an ethical basis visit www.sacia.org.za The Southern African Communications Industries Association (SACIA) is a not for profit trade association committed to promoting the adoption of professional standards and ethical business practices in the communications industry throughout Southern Africa.

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C2S Nigeria supplies AIT News with virtual-set studio C2S Nigeria, the African office of WTS Group based in Lagos, has supplied AIT News with a new virtual-set studio and graphics system for their24-hour News TV Channel on the DaarSat Platform in Nigeria. The contract included a graphics package, virtual-set studio design, equipment upgrade and operator-training. The project was started and completed within months, seeing some of the most advanced news and graphics technology currently available implemented in the system.

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IT approached C2S Nigeria, who is a well-known broadcast equipment supplier and system integrator, to upgrade their existing news studio in Abuja to HD. More than just an upgrade, a sophisticated graphics system was conceived to provide four ‘corners’ for the studio, which would be dedicated to news, finance, sports and weather coverage. The system was designed to run on templates driven by a central database, enabling operators to air current news, as it happens, in a more automated, immediate and visually sophisticated way.

Orad graphics The main equipment used in the studio install came from Orad. The BlueSet package was upgraded for its easy to use, plug-and play capacity, working with Orad’s graphics asset management product, Maestro. 3DPlay was used for channel branding and stings, supported by three HDVG+’s for rendering. With HDVG+, 3DPlay can render up to 12 inputs and perform perfect real-time DVE effects based on

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templates. Graphics, ID branding, and virtual-set design for the studio were supplied by wTVision. Rotem Cohen, Business Development Manager at C2S Nigeria commented:

Seamless operation “The key to the new system was its implementation. We upgraded AIT to make the absolute best of the virtual-set technology, and by using a central database the entire process is now automated, rendering time is minimal to non-existent and graphics are continuously available for TX. For that to happen, the system had to be seamless.

Using Orad’s graphics products to build the system has meant that AIT benefits from sophistication of hardware, a

seamlessly networked system, ease of use for operators and real wow-factor set and graphics provided by wTVision. Much of AIT’s previous hardware was from ORAD, so the broadcaster also received cost benefits by up-grading, through equipment trade-in for the new, more advanced technology. The result is a news channel that stands-up to highestgrade performance and which we are very proud to have been a part of.”

Proven solution Managing Director at AIT, Oluwatosin Dokpesi, added, “We have a long-standing relationship with C2S and WTS, Rotem Cohen was involved in supply for our original studio, so it was a natural decision to use them for the upgrade.

We have invested in ORAD equipment in the past, and their powerful technology meets all our needs for automation and graphics, so we are very happy. We were very ambitious for the upgrade, and the work has definitely paid off.” The studio is already operational with operator training by C2S Nigeria currently underway.

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South Africa’s Dimension TV outfits new OB Van South Africa’s Dimension Television Facilities (DTF), which provides mobile broadcast services to local and international markets in Africa, has selected a range of Grass Valley live production solutions to equip its new OB van, which is expected to be complete in October 2013.

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rass Valley is supplying DTF with a Trinix NXT digital video routing switcher with multiviewer, an Apex Plus digital audio routing switcher, two Kayak HD video production switchers, and four HD LDK 8000 Elite Series cameras.

The new unified Grass Valley solution will give DTF the ability to produce and broadcast high quality coverage from live events, including rugby, football, cricket, golf and motoX. The purchase builds upon the valued and longstanding relationship between DTF and Grass Valley, which began more than a decade ago. “In a mobile production truck, space is of paramount importance. Grass Valley offers one-stop solutions that are compact and highly efficient,” said Hennie Reynders, Director, DTF. “We have relied upon Grass Valley’s experience and expertise in the broadcast market for more than a decade and we are fully confident that our new OB van will deliver the highquality content that our viewers expect.”

Jean Hugo during day 2 of the Vodacom Origins of Golf tournament played at Langebaan Country Estate in August 2013. For the last decade Dimension TV have provided live coverage of the SA Sunshine Tour, including the SA Open, Alfred Dunhill Championship, Johannesburg Open & Africa Open.

amplifiers. The Kayak HD video production switcher is compact, lightweight and ideal for mobile productions. DTF will deploy the Kayak with a 3 M/E panel plus a 1 M/E panel in a different position in the truck.

The LDK 8000 will enable DTF to capture HD images natively and switch instantly between multiple formats and selectable frame-rates of up to 1080p50. These additional cameras bring the company’s total Grass Valley camera fleet to 20.

Growing market High-quality content Trinix NXT with multiviewer saves DTF valuable rack space by eliminating the need for secondary external components and connections while providing a reliable 3G multiviewer solution. It incorporates advanced circuit technology and is fieldproven in configurations of up to 2,048 inputs or outputs. The APEX routing switcher easily handles large data rates, supports simultaneous signals, and interconnects multiple frames without the need for expensive or bulky distribution

“South Africa is an important and growing market for Grass Valley and we are committed to providing the region with the most sophisticated, highly-adaptable gear for professional broadcast today — whether it’s in the studio or mobile,” said Said Bacho, Senior Vice President of EMEA, Grass Valley. “By implementing Grass Valley solutions, DTF will have the confidence and peace of mind it needs to deliver optimal coverage of live events to all its viewers in South Africa and across the continent.”

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“South Africa is an important and growing market for Grass Valley and we are committed to providing the region with the most sophisticated, highly-adaptable gear for professional broadcast today — whether it’s in the studio or mobile,” said Said Bacho, Senior Vice President of EMEA, Grass Valley

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Choosing a flexible, cost-effective LFD solutions partner The large format displays (LFDs) market in South Africa is really growing in strength, but with so many options out there, how does a company go about selecting solutions that fit their budgets and that are easy to use? This is especially important considering that LFDs are used to not only drive corporate communication, but draw attention to the brand and position it in the hearts and minds of customers.

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oreover, companies need flexible solutions that let them focus on managing their content easily while worrying less about wires, media boxes, and unwieldy software. Says Manoj Bhoola,

Head of Business to Business at Samsung Electronics South Africa; “Using a manufacturer who has a trusted brand name in the market is one way to approach it. Yet, the solutions being offered need to be able to support that trust and provide an effective way of reducing the total cost of ownership of LFDs. ”Traditionally a digital signage network required a separate media player running its own operating system, attached behind the screen. Both devices required power and cabling to link them.

This not only uses more electricity, but the additional cabling is often unsightly. Having said that, this has been the only way to

effectively manage digital displays – until now! Today, there is the option to incorporate a media player as a system-onchip on the same board as the display chipset, eliminating the need to have external media players for customised content. This means that fewer cables are required, installation is virtually plug-andplay, and the point of network failure is significantly reduced. In addition, through this type of set up, more impactful messages can be delivered to customers in real-time irrespective of the display being viewed while businesses not only minimise equipment and installation costs but also, can better manage their operational costs.

The Samsung Smart Signage Platform is a pure example of this type of LFD display which also includes an added enhancement - the Samsung MagicInfo S -authoring solution for content management. It ships as an open source development kit to enable partners to provide expanded software services to business users.

“Ultimately, a business looking for an LFD solution should look to partner with a brand that is focused on providing solutions that meet the unique needs of the South African market, one that ensures costeffective and flexible offerings and that is designed to bring a client's vision to life on the big screen,” concludes Bhoola.

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Gearhouse delivers world class service at 63rd FIFA Congress The Gearhouse Group of companies recently took charge of all technical requirements ahead of the 63rd FIFA Congress hosted in the Swami Vivekananda International Convention Centre (SVICC) in Mauritius.

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he opening was held on 30 May and the congress took place on 31 May, and with Gearhouse’s reputation as a good and reliable service provider, the Group was naturally the first choice for Executive Producer and Creative Director David Bloch to partner with, in executing the Opening Ceremony.

Originally, Pieter Joubert (Technical Director – Opening Ceremony) was briefed to advise on the technical and set aspects of the Opening Ceremony only, but it soon became apparent that the actual Congress would require extensive support as well, due to the limited resources available on the island. As both the opening and the congress were to take place on the same stage, in the same venue, with only 12 hours and a rehearsal in between, this became quite a challenge.

Lengthy planning process It was a lengthy planning process between David Bloch, Zurich based Events Company Rufener Events represented by Project Director Lisa Tschanz and the Gearhouse team.

Together they pulled the event together successfully with planning commencing as early as September and Joubert joining the second series of site inspections in October. Gearhouse and Sets, Drapes, Screens (SDS) were appointed as service providers, while all set designs were produced by Bob Klenk of OceanSalt Set Design. The result was an island – themed look and feel, complete with palm trees and a volcano, utilising a panoramic screen for background visuals. The Opening Ceremony was inspired by the creation of the island itself and specifically the 5 elements; Water, Earth, Wind, Fire and Air. The set alone required 6 x 40 ft containers for transportation to the island.

All technical specifications were managed

by Bullitt Productions, headed by Marco Gutensperger. Gearhouse SA supplied all lighting, rigging, audio, generators and power infrastructure, as well as content editing of the Opening Ceremony visuals.

Projectors were supplied by PRG,

Linzy Bacbotte performs Earth during the 63rd FIFA Congress opening ceremony at the Swami Vivekananda International Convention Centre on May 30, 2013 in Port Louis, Mauritius.

Switzerland. For the Congress setup; the room was completely turned around to accommodate 2500 delegates seated schoolroom style plus 32 committee members seated at custom built desks. A variety of Gearhouse companies were involved in the entire planning and execution of the congress.

Show-styled opening With many obstacles to overcome along the road in making this event a success, the main challenge was to fulfil the requirement of organising a showstyled opening ceremony which could then turn around for a congress within 12 hours. Both Lighting and Audio rigs had to be designed to service all technical aspects of both these very different events without any changes between events. This was the first time that FIFA had tried to accomplish something like this, and to do so on a small island like Mauritius was no small feat. Shipping most of the equipment from South Africa, part by air and part by sea in containers, without leaving anything behind and knowing that there were very limited resources on the island to accommodate changes, took a serious amount of planning. Working with 22

local crew and companies to accomplish this event within strict deadlines was just one of the many challenges along the way.

Crucial planning The set was all pre manufactured in South Africa by Sets, Drapes, Screens from designs by Ocean Salt, and needed to be fully assembled in three days.

Transforming the set after the Opening to suit the congress required crucial planning at the manufacturing stage, but thanks to intelligent thinking from SDS, the transformation was made easier by a 24m x 4m wide screen that was removed after the opening to reveal another screen of the same size, built into the proscenium at a different position, which set the stage for the congress. “Having the group of Gearhouse companies involved always make your life easier. They have the knowledge of doing big events abroad and the infrastructure to manage these types of events successfully,” comments ject Manager Pieter Joubert. “Of course, for the client, having single-source access to all disciplines is the key to a stress free experience. That is truly the advantage of contracting this group.”

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Woolworths ups the ante with PVision and One Digital Media.

Retail giant Woolworths has concluded an agreement with One Digital Media and PVision to equip qualifying outlets with LED display technology.

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ocal display technology provider, PVision, has formally concluded a partnership agreement with One Digital Media – South Africa’s largest provider of digital signage solutions, to equip Woolworths stores with advanced commercial display technology.

The contract has so far seen One Digital Media and Pvision implement over one hundred 40 inch LED displays and eight 46 inch LED panels for use in collective video walls situated within strategic retail locations. Woolworths is always looking at new ways to add value to the customer experience; display technology is an exciting new opportunity.

The on-going nature of this agreement will continue to see each player actively contributing towards Woolworths’ vision for a technologically advanced, visually appealing in-store experience. Most of the panels we have installed are located at

pay points, allowing customers to view marketing content while awaiting payment – equipping Woolworths with a useful and eye catching marketing and sales tool.

LED (Light Emitting Diode) technology solutions also require less electricity to operate during extended periods and, in a retail environment, this can result in a significant cost saving when

compared to similar solutions. Pvision Director, David Ross, believes that this partnership is significant in that it heralds a new age for in-store marketing.

“Woolworths is well known for its willingness to embrace innovation. The fact that the company opted for dynamic LED solutions for in-store use is a great example of how display technology can be effectively implemented in a new setting.

We are extremely proud and indeed motivated to be working with this retailer in partnership with One Digital Media”.

Pvision is a South African manufacturer of display technologies. Focussed on the commercial market, the group equips business with locally manufactured products which include commercial displays, lite commercial displays, nano displays, touchscreen technology, mounting solutions and back-end architecture.

MGG chooses Christie once again to meet growing demand Christie has announced a deal with MGG, one of the largest rental staging companies in South Africa, for four Christie Roadster HD20K-J 3-chip DLP purpose-built, event-staging projectors. These will be the first of the new J-Series projectors to be deployed in Africa.

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he Roadster HD20K-J DLP projector enables customers to create visually compelling Pro-AV shows, with Xenon colour-rich, high definition images.

Perfect for large venues, including tradeshows, conference rooms, concerts, live events and building displays. MGG has been steadily increasing their investment in Christie Pro-AV systems, starting with LCD and 1-chip DLP, moving to 3-chip DLP, UHP illuminated M-Series and now onto the J-Series digital projectors. Mark Gaylard, owner of MGG, said, “Over the last couple of years we have purchased a number of Christie products and have been particularly impressed with their quality and reliability, so when we were looking for projectors that could enhance our capabilities and offerings, they had to be Christie.” Gustav

Barnard, Technical and Education Manager at Stage Audio Works, added, “We are delighted to have MGG, a true pioneer in the event technology rental sector, on board as the first owners of the Christie Roadster HD20K-J digital projector on the continent to meet the growing demands of the African market.

Congratulations to Mark on his investment.” Gustav’s enthusiasm is reflected in comment from Phil Lord, 23

Christie’s Territory Manager for Africa. “We have been building a strong relationship with MGG via our partner Stage Audio Works over the last two years, so we are particularly pleased that they have chosen our Roadster HD20K-J projectors to enhance their rental staging offerings,” says Phil. “In addition, this deal will be backed by our outstanding service and support, and we are keen to explore ways of helping them to grow their business still further in the future.”

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Lance Armstrong: seven-time winner of the Tour de France.

Alex Rodriguez: three-time American League baseball MVP.

Ryan Braun: 2012 National League baseball Most Valuable Player (MVP) award winner.

Tyson Gay: three-time Olympic Gold Medal sprinter.

Making the right choices in a cheating culture Each of the men pictured above is a phenomenal athlete but each has been disciplined in recent months for the use of performance-enhancing drugs (PEDs).

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hese are just the best-known of dozens of cases of disgraced competitors from track and field, baseball, cycling, and other sports. Why would elite athletes resort to using banned substances, especially in an era of aggressive drug detection strategies? Like generations of wayward teenagers before them, the accused retort that “everybody’s doing it.”

In the words of bicyclist Lance Armstrong, the race was “impossible to win without doping” and he “simply participated in a system.”

Cheating - the new normal?

Does that mean that cheating is the new normal — not only in sports, but in classrooms, boardrooms, and newsrooms?

Greed, envy, materialism, inequality, and insecurity spur unethical behavior, Callahan maintains. Adherence to the rules erodes in the absence of accountability, regulation, pro-social peer pressure, and individual morality.

An important aspect of Callahan’s premise is the degree to which media shape our perceptions of the disparities that require deceit and the frequency and rewards of cheating. Fame and fat paychecks go to the winners. Every step in life thus becomes a critical turning point that determines the difference between success and failure — making the traveling team, getting admitted to the best school, scoring well on high-stakes tests, closing the crucial sale. Public attention and admiration get drawn to the winners — those who do whatever it takes whatever the cost. Implicit in this is an “ends justify the means” mentality.

What choice do you have?

In his book The Cheating Culture: Why More Americans are Doing Wrong to Get Ahead, David Callahan suggests that, in any segment of society, deceit results when people perceive that the deck is stacked against them and that only an extra turn can make up the difference.

And even when winners eventually are defrocked as cheaters, amid the disappointment and condemnation are justifications for the misbehavior. Consider the reaction of famed bioethicist Arthur Caplan in defense of Lance Armstrong.

“Shouldn’t Armstrong, especially because of the inspiration he is to cancer survivors or anyone on the short end of the advantage stick, get a pass for being no 24

more dirty, but a whole lot better than everyone else in his sport? Armstrong isn’t being investigated as the only cheater. He is in all likelihood just the best, most talented one.”

Small wonder, then, that cheating is taken for granted. What choices do people have if they intend to play by the rules? Let me suggest four options.

Find a better benchmark for success Does it feel good to win if you have to cheat to do it? I haven’t read much about unethical athletes, but I have to wonder about the narratives they create not only to justify winning at any cost, but to derive satisfaction from it. Cheating teams are stripped of championships. Individuals end their hall of fame hopes and go down on the record books with asterisks beside their lifetime statistics. Isn’t dishonest success a pyrrhic victory?

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If you think everyone is cheating, find new friends Not everyone cheats. And many clean athletes experience ample success.

Rodriguez’s teammate, Mariano Rivera, will retire at the end of the season, having been feted at home and on the road after 19 years in the major leagues. People who conduct themselves with integrity resent those who cheat and their ill-gotten rewards. But no matter how contemptible they find their colleagues’ behavior, people of integrity don’t let it become a reason to join in the fraud.

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and the league leadership will agree that a first offense will lead to a lifetime ban in the sport.“Not 50 games, 100 games on a second offense and a lifetime ban for a third. “Do it, you’re gone. “Want to clean up the game? It’s that simple. Because right now, it makes sense to cheat.”

Kim Strom-Gottfried, PhD. Dr. Kim Strom-Gottfried is the Smith P. Theimann, Jr. Distinguished Professor of Ethics and Professional Practice at the UNC-Chapel Hill School of Social Work.

Dr. Strom-Gottfried teaches in the areas of direct practice, education, and human resource management. Her scholarly interests involve ethics, moral courage, and social work education. She is the former chair of the National Association of Social Workers’ National Committee on Inquiry and is active in training, consultation and research on ethics and social work practice.

Change the risk-benefit calculus. Make cheating hurt As long as suspensions and reprimands come after the dishonesty has been rewarded, it will never have a sufficient deterrent effect. As Bob Kravitz wrote in USA Today: “I’m looking at the PED suspensions for 12 Major League Baseball players, plus the 211 games tossed at Alex Rodriguez, and I’m asking this question: Wouldn’t you cheat, too? “Before I answer that question in the affirmative, let me toss this out there: If baseball, and all sports, want to put an end to the scourge of performance-enhancing drugs, the unions

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Find a model of integrity; be a model of integrity In tests of right and wrong, the “mom test” asks what your mom would do in a given situation or what she would think if she knew what you were doing. No doubt there are some moms (even in youth sports) who will endorse or promote cheating to win. But there will also be parents, coaches, and other role models who know where to draw the line. “No, I will not lie about your age to keep you in Little

League.” “Don’t cheat.” “Respect the ref.”

Every day brings opportunities to teach integrity and role-model it for others. Culture is hard — and slow — to change. But before determining that it is futile to resist a cheating culture, consider the advice given by moms over the ages, when told that “everyone is doing it”: If everyone were jumping off a cliff, would you follow them?

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SACIA’s commitment to business ethics In the early part of 2013 SACIA introduced a Business Code that is binding on all members. The Code indicates a commitment to higher standards of ethics and service, and a willingness by members to be held accountable to those standards.

“We aim for the SACIA logo to be synonymous with trust and quality,” explains SACIA Executive Director Kevan Jones. “Our members are committed to excellence and take pride in their work. We believe that abiding by the standards embedded within our Code, members are able to build more professional and more trusting business relationships.”

The next step for SACIA is to appoint an industry Ombudsman who will be engaged in resolving disputes involving members who are alleged to be in breach of the Code. “The ombudsman will provide confidential, neutral assistance to constituents to protect against unfair treatment and help resolve conflicts, explains Jones. “Specific functions include listening to grievances, investigating and resolving complaints, educating constituents on their rights, providing confidential consultations and offering options for conflict resolution. The ombudsman will also engage with other industry bodies active in our industry sector. “As an active member of SASFED we’re encouraging our colleagues in allied professions to embrace the same commitment to professional standards and ethical business conduct,” concludes Jones.

Share ideas on LinkedIn Join the SACIA LinkedIn group and share the online discussion about products and issues impacting the future of the professional AV industry in Southern Africa.

To find us, click the Groups Tab in your LinkedIn profile and search for SACIA

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Mitsubishi rolls-out enhanced high-end projection range Mitsubishi Electric has completed the upgrade of its premium 8000 Series installation projectors. The all-new 8000 range features enhanced performance plus a number of additions to an already impressive feature list.

The 8000 Series is Mitsubishi’s flagship projector range, designed for high-end installations and large venue applications. High performance, high reliability and versatility made the DLP-based 8000 Series a popular choice with integrators following its launch last year. With models available from XGA to WUXGA, the latest generation builds on that reputation with improved brightness up to 8500 ANSI lumens, a 2800:1 contrast ratio and some additional options such as custom colour wheels that allow performance to be further fine-tuned to particular applications.

Vogels extend video-wall mounting range Vogels Professional has introduced a new wall mount: especially designed for displays in portrait position. The PFW 6875 can be used for displays up to 72 kg with mounting patterns from 200 x 200 mm up to 500 x 600 mm. This pop-out video wall module is making installation and service to video walls very easy.

By just pressing on the display the spring loaded mechanism will release and push the display forward.

The unique top-adjustable display mounting strips provide alignment along the X, Y and Z axis to ensure all displays can be exactly levelled and aligned. On top of the pop-out mechanism, the tilt service position is creating even more space to install and service the displays.

Barco’s impressive control room portfolio

Barco, has announced the release of two new rearprojection video wall cubes in the OverView M series. The OverView MVL-621 and OverView MVL-721 are industry-standard modules with full HD resolution and screen diameters of 60” and 70”, respectively. These 16:9

models complete the OverView M series, which already features three 4:3 models and focuses on reducing both the initial purchase price and runtime costs.

Barco’s OverView M series is designed to fit the requirements of mediumsized industry-standard control rooms. Featuring redundancy of the most critical components, advanced cooling, and fullcolour and white-point calibration, these rearprojection video wall modules provide Barco image quality and reliability at an affordable price.

Extron introduce two-way Surface Mount speakers Extron has introduced the SM 26 SpeedMount Surface Mount Speaker, a two-way speaker with a patent pending, concealed wall mounting system. It features a 6.5" (16.5 cm) woofer with dual tuned ports and a 1" (2.5 cm) tweeter. The SM 26 provides wide frequency response from 70 Hz to 18 kHz, and a power rating of 60 watts continuous pink noise, 120 watts continuous program capacity. The Extron-exclusive mounting system is designed to accommodate division-oflabour installations and save costs. The SM 26 is available as an 8 ohm model, and an SM 26T version which can operate in 8 ohm direct as well 70 volt and 100 volt modes. The SM 26T features a 6 position power tap selector, which can conveniently be accessed through the grille from outside the speaker. All models of the SM 26 and SM 26T are immediately available, in a black or white finish.

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Matrox Maevex demonstration at InfoComm 2013 Matrox Graphics showed off their new Matrox Maevex 5100 Series encoders and decoders at InfoComm 2013. These innovative products extend full-HD-quality 1080p60 video and audio over standard IP networks, with minimal bandwidth consumption, at a fraction of the cost of other solutions.

"The single most-asked question was whether we could demonstrate our decode quality," said Ron Berty, business development manager at Matrox. "At InfoComm, side-by-side views of the source video and decoded video allowed visitors to compare for themselves."

The Maevex encoder captures video and audio from a host PC or another media source and seamlessly extends the signals to one or more Maevex decoders via standard networking equipment—switches, routers, CATx cabling. The H.264 encode/decode platform delivers excellent-quality video extension over standard LAN connectivity at user-defined low bit rates for minimal network bandwidth consumption. Matrox PowerStream software application is used to remotely discover, manage and adjust the Maevex network and lets administrators conveniently define multiple stream parameters and balance network bandwidth consumption.

Prysm showcases TD2 tile at InfoComm MEA Visitors to InfoComm MEA will be the first in the region to see the next generation of Laser Phosphor Display (LPD) technology from designer and manufacturer Prysm. The highly anticipated TD2 tile delivers the highest level of visual impact and superior image quality through increased resolution and sharpness, unmatched uniformity and excellent brightness. Its new enhanced mode offers 427 x 320 per tile resolution, allowing video-walls to easily scale to 2x and 3x HD. Tanvir Osama, Director Sales - Middle East & India for Prysm explained: “The next generation of LPD is a very exciting addition to the professional display market, particularly here in the Middle East where sustainable displays are top of the agenda. As before, the next-generation LPD technology delivers best-in-class environmental benefits with 75% less power consumption than competing large format display technologies.” The concept behind the LPD display platform remains the same, with ultraviolet, solid state lasers scanning the surface of the screen to excite the phosphor array and create the image. Ultra-wide 178° degree viewing angles provide great visual experiences from anywhere in the surrounding space.

NEC launch massive 80-inch display

NEC Display Solutions has a new flagship for its popular V Series range of large format displays in the MultiSync V801, a fully-featured 80-inch display that offers both outstanding performance and good value for money. Despite its size, the V801 is designed

to be easy to set up and is ideal for installations where sheer presence is required.

The massive screen with Full HD resolution delivers a bright and vivid picture while the Edge LED backlight provides a slim design for elegant architectural integration.

Combined with a programmable Ambient Light Sensor, very low power consumption and eye-pleasing brightness levels are guaranteed. "When making an impression counts, the V801 definitely provides the right canvas size to deliver the message to core audiences. said Tobias Augustin, Product Manager Public Displays at NEC Display Solutions Europe.

Get high quality Digital or Analogue audio from USB Gefen has announced a new solution that promises the highest quality audio possible when using digital audio from a computer as the source. “The new GefenTV High Resolution USB to Audio Decoder supports resolutions up to 192k so it is ideal for anyone who wants high fidelity sound coming from a computer-based audio source like iTunes, Pandora or Rhapsody,” said Hagai Gefen, president, Gefen. “It also eliminates the static and noise that you typically hear when decoding analogue audio to digital audio using the traditional analogue audio format.” The GefenTV High Resolution USB to Audio Decoder has a tiny footprint, ideal for in-room applications. It sits between the USB port of the computer or laptop and a two-channel amplifier and speakers. Audio is output as digital (optical), analogue (L/R) or via the headphone jack. The technology used in the USB to Audio Decoder includes a digital interpolation filter and a high quality digital to analogue (DAC) converter to enhance performance.

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Innovative Around-the-Table video collaboration Polycom has unveiled the industry’s first 360-degree, panoramic 1080p HD video collaboration solutions custombuilt for Microsoft Lync 2013. The new Polycom CX5500 and CX5100 Unified Conference Stations are designed to deliver a ground-breaking around-the-table experience for all participants, whether they’re in the room or thousands of miles away. At the Microsoft 2013 Worldwide Partner Conference held in June, Polycom also announced that it has received Lync 2013 qualification for its full portfolio of Polycom VVX Business Media Phones. These announcements further the extensive partnership between the two companies, building on Polycom’s industry-leading portfolio of 40 video, voice, and content sharing solutions that are interoperable or optimized to work with Lync today. “The strategic alliance we’ve built with Microsoft over the past several years continues to deliver innovative collaboration solutions that provide Polycom and Lync customers with an unrivalled experience,” said A.E. Natarajan, Senior Vice President, Worldwide Engineering, Polycom.

World’s first 3LCD Laser Light Source projector Sony has announced the launch of its ground-breaking 3LCD Laser Light Source Projector. The new model, VPLFHZ55, is a WUXGA-class (1920 x 1200) installation projector based on a blue laser light source and is the world’s first 3LCD laser projector. Capable of achieving 4,000 lumens, it is one of the brightest projectors of its kind, and delivers a range of performance capabilities that eliminate many issues associated with conventional lamp-based projection. “3LCD laser projection technology really marks a shift in the market. It produces images of extremely high white light and colour light output for optimal colour performance compared to other forms of laser projection. It also features almost instant on/off capabilities that are much quicker than conventional lampbased projection. The absence of a conventional lamp and mercury also makes 3LCD laser projectors virtually maintenance-free and eco-friendly,” said Shuji Okada, General Manager Marketing, Sony Professional Solutions Middle East & Africa.

Analog Way’s LiveCore series now shipping

Clear-Com showcase Eclipse HX-Delta During July’s Mediatech Africa show Clear-Com introduced its Eclipse HX-Delta Matrix Frame to the South African market. The HX-Delta's smaller frame offers IP or fibre connectivity as well as seamless integration with wireless and third-party devices without external interface frames. The size of the Eclipse HX-Delta makes it well suited for applications where space is limited but advanced connectivity is required, such as with OB trucks and smaller studios. The Eclipse HX-Delta system also has a new connection paradigm for larger venues, such as multi-level studios. Due to its small size and lower cost, HX-Delta gives users the option of building a distributed matrix system with frames in multiple areas of a facility.

Analog Way has announced the immediate availability of the entire LiveCore series, its latest innovative range of Premium Multi-screen Seamless Switchers. Following the release of the NeXtage 16 and the SmartMatriX Ultra, now the 28

whole LiveCore series is shipping with the immediate availability of the Ascender 32 and Ascender 48. Analog Way’s new ultra-powerful range of Premium AV Switchers combines ruggedized design, versatile connectivity, and state-of-theart processing to fit with the most demanding applications.

The LiveCore series comes in two layouts: 8x2+1 for the NeXtage 16, and 12x4+1 for the SmartMatriX Ultra, Ascender 32 and Ascender 48. For easy and safe monitoring, all systems feature an independent DualLink output with versatile display options including Full Preview and Live Mosaic.

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Motorized gooseneck makes audio invisible

Samsung SMART Signage platform Partnering with the best in the industry, Samsung has developed a new and dynamic way to deploy and manage digital signage. The Samsung SMART Signage Platform is an integrated platform that eliminates the need for external media players and streamlines the deployment process, saving time and money for integrators and businesses alike.

Powered by an SDK and recognized signage experts who bring their industry proven solutions, the Samsung SMART Signage Platform provides the tools necessary to simply deploy digital signage networks with everything you need integrated right into the display. From retail to restaurants, healthcare to hospitality, transportation to teaching, the Samsung SMART Signage Platform will allow users to deliver dynamic content and messaging to their audiences while creating new opportunities and customer experiences.

ARTHUR HOLM has launched DynamicTalk, a universal motorized gooseneck microphone lift system that helps audio technology to become totally unobtrusive Functionality, innovation, beautiful aesthetics, simplicity of installation and reliability have been the key factors challenged for the design of this product range. Using the system it is possible to have a meeting and conference table totally free of intrusive technology – with microphones appearing at the push of a button. For years, Barcelona’s based ARTHUR HOLM brand has been developing and manufacturing high end retractable screens for meeting, board and conference table’s integration. “Our company has always had in mind that technology should be there to support human connection, not to get on the way of it. Furthermore, a meeting and a conference room should be conceived to enhance brilliant ideas to pop up, to increase focus and concentration, to allow the share of information, to be energy efficient and to ensure flexibility and versatility and the technology should fit the interior design and architecture. This is our goal, to create technology that serves the design”, says Henrik Holm, the company’s general manager.

Christie jumps into the future at InfoComm 2013

Chief Launches Sleek New Projector Mount Systems

Christie set out to anticipate the requirements of the future at the recent InfoComm 2013 in Orlando, Florida — making a bold statement which resulted in the company enjoying one of its most successful trade shows ever. The company’s suite of next generation digital display tools provided the main thrust of a number of technologicallyadvanced visual solutions for the Pro AV, large venue, architectural, corporate, broadcast, control room and digital signage markets. As a result, Christie was able to demonstrate how businesses, government agencies and academia could maximise their visual assets.

An engaging, interactive Christie Design Studio presence enabled designers and engineers to see how easily their imagination can be turned into reality.

Chief, is now shipping new pin connection systems for projector mounts, columns and ceiling plates. The sleek and secure solutions feature a pin-connection system while also offering compatibility with Chief’s traditional threaded accessories. As with many Chief product solutions, customer feedback led to the development of the new product line. Chief EMEA partners requested more versatility with common pin systems due to the many applications used throughout the regions. Chief worked closely with key customers to develop the desired solutions. “It was crucial to retain the installerfriendly, time-saving features of the projector mount solutions while adding the pin-connection capabilities more common in Europe,” said Melinda von Horvath, Senior Director – Sales and Marketing EMEA. 29

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SACIA GEN111 to be presented at University of KwaZulu Natal

Mandela Day Celebrations at Mediatech Africa During the recent Mediatech exhibition SACIA hosted a half-day workshop focussing on the use of broadcast and AV technology within government and state-owned enterprises. Attended by more than 50 AV professionals in government service, the event included presentations from Donald Liphoko (Chief Director at Government Communication & Information Service) and John Adler

From 2-4 October SACIA is returning to the University of KwaZulu Natal to deliver our popular GEN111 training course: Essentials of AV Technology. This 3-day course provides in-depth explanations of the science and technology for basic audio, visual and audio-visual systems integration. A brief overview of the sales, rental/hire, design and installation functions is included in the course content. This course builds

(Executive producer at SANDF). The event also included presentations by a number of technology vendors - as well as a panel discussion focussing on Mandela Day and the role of broadcast technology as a driving force for change and development.

The breakfast was sponsored by the Vitec group (Sachtler, Vinten, Lite-panels, AntonBauer, Autoscript, etc)

the student’s understanding of the fundamentals used on a daily basis in the audiovisual industry. It is also great prep for the students wanting to earn the InfoCommrecognised AV Technologist certificate. The course is appropriate for anybody who is serious about developing a career in the audio-visual industry. Whether you're a supplier or user you'll find this training course expands your knowledge and gives you the competitive edge

SACIA to appoint Industry Ombudsman

InfoComm training in Johannesburg During October and November SACIA will be delivering the GEN111 AV Essentials and GEN112 CTS Prep classes in Johannesburg. The GEN111 AV Essentials class has been extremely popular over the last few years and focusses on the science and technology behind today’s modern audio, video and display technologies. It includes a significant section on AV-IT integration. Over the last few years we’ve had more than 100 AV professionals participate in the class and earn the InfoComm-recognised AV Technologist certificate.

From 19-21 November we’re

also running the GEN112 CTS Prep class. This 3-day course is designed to help prepare candidates as they prepare for InfoComm’s Certified Technology Specialist (CTS) credential. This credential is accredited by ANSI under the International Standard ISO/IEC 17024 General Requirements for Bodies Operating Certification Schemes of Persons program.

This popular course provides a forum for people to explore a wide range of topics relevant to the AV industry, and work collaboratively, studying the exam content areas with the help of facilitators.

Earlier this year SACIA launched a Business Code that is binding on all members. This code indicates a commitment to higher standards of ethics and service, and a willingness by members to be held accountable to those standards. The Association is now looking to appoint an 30

industry Ombudsman who will be engaged in resolving disputes involving members who are alleged to be in breach of this Code.

The ombudsman will provide confidential, neutral assistance to constituents to protect against unfair treatment and help resolve conflicts.

Specific job duties of the ombudsman include listening to grievances, investigating and resolving complaints, educating constituents on their rights, providing confidential consultations and offering options for conflict resolution. The Ombudsman will work closely with the Arbitration Foundation of South Africa (AFSA) and) who will ensure that decisions are made according to established legal principles, industry best-practice and ethical norms.

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SACIA member’s workshop in Cape Town Certified Broadcast and Media Technologist The IABM Educational Foundation has launched a certification programme that recognises that skills and talents of professionals working in the broadcast industry. A pilot-assessment of the testing protocol is currently under review and once complete, the foundation will provide a suite of examinations that will lead to the award of a Certified Broadcast and Media Technologist qualification.

"We are developing our certification scheme to help broadcast professionals secure international accreditation to

ISO:IEC 17024, which is the conformity standard for bodies certifying individuals," explained Roger Crumpton, a founding director and trustee of the IABM Educational Foundation. "The IABM feels that this qualification will enable engineers and technologists to prove their personal achievement. It will be complemented by a scheme for recognising continuing occupational and professional development, putting the onus on the individual to maintain the certification throughout their careers.”

On 11 October SACIA is hosting a half-day workshop at the Cape Town Lodge Hotel in Buitengracht St. It starts with a networking breakfast at 8am and then expands into a series of presentations that focus on the use of AV technology in the Western Cape. We're still working on the final programme but we've got some great presentations on the planning board, including presentations from David Caplan, head of the AV unit at Old Mutual; Marianne Dirker from the SA Navy in Simonstown; Peter Robson, managing director of Isenzo Broadcast and Prof. Johannes Cronje from Cape Peninsula University. Prof. Cronje will lead

IABM course expansion

Glowing testimonial from University of Johannesburg

During May 2013 Fusi Mokoena, service delivery manager in the ICS department at the University of Johannesburg attended our GEN111 Essentials of AV Technology training course.

He’s now encouraging other University staff to attend and share the experience. “In January 2013 the Audio Visual unit at the University of

Johannesburg (UJ) was incorporated into the Information and Communications Systems Department reporting directly to me. At the time my knowledge of AV was sparse and it was a daunting and challenging task to be responsible for the AV unit coming from a purely IT background,” he explains.

Thanks to Kevan for encouraging me to enrol in the GEN111 Essentials of AV Technology course in May 2013. Without attending the GEN111 course I do not know how I would have been able to steer this ship up to this stage with confidence and efficiency.

a panel discussion on standards, training and skills development in the visual communications industry.

We'll also have a number of vendor-specific presentations to round off the session, with JVC’s Chris Darnley showing of the company’s new GYHM650 camcorder. With its innovative live streaming feature, this camcorder enables footage to be streamed live at the same time as recording full HD to the SDHC/SDXC memory card.

There's no charge for the workshop but there are a limited number of seats available so if you are interested in attending I'd appreciate.

The IABM Training Academy has announced that they will significantly extend the breadth of its course offering in the coming year. "The IABM holds a unique role within the broadcast sector, and one that positions us to identify some of the key skills shortages within broadcast technology companies," said Steve Warner, training manager at the IABM (International Association of 31

Broadcasting Manufacturers).

"We have built an array of courses designed to address these shortages, and our extensive evaluation system confirms that IABM Training Academy courses do indeed make a difference to performance in the workplace.

The response we're seeing indicates that companies across the industry are starting to wake up to the skills shortages facing them."

Two new courses that will be presented to the South African market through an alliance with SACIA are the new "Network Essentials for Broadcast Engineers," and "Compression Fundamentals and Applications" courses.

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The vehicle will be based in Nairobi and used for broadcasting sports events across Eastern Africa, particularly league football.

Coachwork ability

The truck was fitted with Sony PVM-1741 monitors, Tektronix WFM-

Jonathan Lyth, Systems manager at C2S Systems commented, “We were keen to show off our mechanical engineering and coachwork ability on this project, as it was the first bodywork project we’ve done for SuperSport and we obviously wanted to impress. The seamless mechanics and smooth operation of the mechanical rigging, with the power of the hydraulics, gives the truck extra wow-factor – these elements allowed us to prove the team’s ingenuity and attention to detail.

Lyth continued: “Using equipment from other systems posed it’s own challenges in the system design. We knew the truck needed to be ready for an upgrade in only a few months time, so we built a system that would allow that to happen with minimal disruption, and also fitted the truck with an HDready system so that all additional equipment could simply slot into place.

Making things seem easy can be surprisingly complex.”

Andre Venter, Head, SuperSport Africa commented: “We knew this project could be challenging, especially with such a tight time-scale, but C2S Systems have always been able to meet our needs, so we had every confidence and the result is a very impressive truck.

The OB was covering the live Cricket in Zimbabwe only hours after the C2S team had finished final commissioning on-site. When C2S Systems finalises the vehicle it will be the most powerful OB truck of its kind in Eastern Africa, which makes us very proud.”

5000 Waveform monitors, and a C2S Systems designed touch screen router control. Features were included in the design to enable technical support to be provided remotely, giving the vehicle a level of technical surety while on location.

Supersport’s new OB truck was covering live cricket in Zimbabwe only hours after the C2S team had finalised commissioning on-site. “It’s the most powerful OB truck of its kind in East Africa – and that makes us very proud,” says Andre Venter, head of Supersport Africa.

C2S delivers sixth OB truck to Supersport C2S completes system integration on HD-ready truck to be used in East Africa

C

2S Systems, the Systems Integration arm of WTS Group, has completed design and integration including coachwork on a new OB truck for SuperSport. This is the sixth OB supplied by C2S Systems to the broadcaster. The project was commissioned to replace a previous eight-camera OB truck in use across Eastern Africa, with the installation of equipment from two existing broadcast vehicles, combined to make a single and better functioning 14-camera unit.

With complex, custom-designed coachwork included in the contract, C2S Systems has completed the entire project in-house, from vehicle supply through to commission and acceptance.

A second stage of work on the truck will commence later in the year, when it will have its full complement of equipment installed, bringing it to its full capability and making it one of the most powerful OB’s of its kind in Eastern Africa. The C2S Systems team completed the coachwork in late 2012, and the design, new equipment sourcing, integration and testing began in January 2013 taking just 12 weeks from order to commissioning.

The Mercedes Axor 26T rigid chassis truck was built as a double-

expander to provide space, and the bodywork was designed to accommodate a large amount of equipment. State-of-the-art mechanics and hydraulics were used in the vehicle, allowing expansion of the OB truck and simple and efficient rigging by the production team with the push of a button.

Remote technical support

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