AV Cover 125.qxd
3/9/13
12:38 AM
Page 1
Automated classrooms in Ethiopia Record attendance at ISE Amsterdam 2013 SACIA Training calendar
See us at
Digital archiving challenge Gores completes Harris acquisition SACIA launch Business Code
The mosT imporTanT Thing abouT your ob Truck isn’T The Truck. On the road, every second counts. So does every square metre and every kilogram. With outside broadcast solutions from Harris, versatile platforms are densely packed for form, fit and function. Rapid-fire configuration lets you simply pull up and power up. Rugged, redundant architecture guarantees no game-time downtime. Life on the road just got a whole lot smoother. harrisbroadcast.com/mobileproduction
Visit us at CABSAT 2013 — Hall 7 Stand C7–10 Middle East Sales: +971 4 433 8250 24x7 Service: +971 4 433 8260 Sales.MiddleEast@harris.com
harrisbroadcast.com OBVan_Print_Ad_CABSAT.indd 1
13-02-12 1:15 PM
OBVan_Print_Ad_CABSAT.indd 1
13-02-12 1:15 PM
AV 125.qxd
3/9/13
12:59 AM
Page 1
Contents AV Specialist Volume 125
13
Riedel opens dedicated sales and support operations in Middle East Riedel Communications has opened a dedicated sales and support operation in Dubai in response to the region's growing demand for Riedel solutions.
14
Meeting broadcasting’s digital archiving challenge The digital data explosion is a well-documented phenomenon, and one that affects many different industries and areas of business, including the broadcasting sector.
26
A production for Al Jazeera's Witness Strand was the first to use Panasonic's AG-AF101 large-sensor camera for broadcast work. It was used for a documentary set in the Democratic Republic of Congo, about how women raped and abused during the conflict are rebuilding their lives. Publisher & Managing Editor Kevan Jones kevan@avspecialist.tv Feature Editor Dick Hobbs dick@avspecialist.tv Designer Rajiv Gopalan rajiv@avspecialist.tv Advertising sales Africa, Middle East, UK Lorna MacLeod lorna@avspecialist.tv
Tenth Integrated Systems Europe draws record attendance Content, connections and collaboration galore as more than 44,000 attendees converge on Amsterdam
27
MGI shifts Qatar Radio to NETIA Radio-Assist Qatar Radio has taken all five of its main channels live on NETIA’s Radio-Assist 8.1 digital audio software suite.
33
PMK recognised for innovation and customer support t a glittering ceremony held on the opening day of GITEX 2012, PMK International was recognised as Consultant of the Year in the third annual CNME ICT Achievement Awards.
Publisher’s Note Over the last 6 months the SACIA Board have engaged with members and industry stakeholders in order to solicit feedback on
Europe Emmanuel Archambeaud earchambeaud@defcommunication.com
the ethical challenges involved in conducting business within Africa. We’ve had close on 120 organisations and individuals
Represented in the Middle East by: AV Specialist MENA FZ LLC PO Box 502314, Dubai United Arab Emirates Mobile: +97150 4683265 Represented in South Africa by: Doddington Direct cc PO Box 3939, Honeydew, 2040, South Africa Tel: +27 (0)11 083-6418 Mobile: +2782 555 5556 Represented in Europe by: Def & Communication 48 Bd Jean-Jaurès, 92110 Clichy, France Tel: +33 (0)1 4730 7180 Fax: +33 (0)1 4730 0189
share their input and based on these contributions, we’ve now introduced the SACIA Business Code that indicates a commitment to higher standards of ethics and service, and a willingness by SACIA members to be held accountable to those standards. Our aim for the SACIA logo to be synonymous with trust and quality. Customer need to feel safe when they enter into a contract with a SACIA member, and of course members need to commit to excellence in all they do. The code is based on treating people with dignity and respect, sticking to your promise and making sure that nobody commits to a project they cannot fulfill. Over the next month SACIA members and other stakeholders will be given an opportunity to sign the code and pledge their support for the adoption of ethical business practices in our industry.
AV Specialist supports SACIA members in the quest for truth, honesty and the pursuit of excellence in all aspects of the audio visual profession.
I am very enthusiastic about this Code and encourage all members and industry stakeholders to sign up.
AV 125.qxd
3/9/13
1:00 AM
Page 3
Product
news Multi-source analysis for the compressed domain Harris Broadcast comes to the NAB 2013 Show with several new Videotek test and measurement products and enhancements. Notably, the company will inject loudness monitoring and enhanced multi-image display capabilities into its MSA Series of multi-source analysis software products, enabling more test and measurement functionality in the compressed domain. Harris Broadcast offers its MSA Series for full testing of compressed video conformance, audio levels and data services of over-the-air broadcast, cable, satellite and IPTV signals. Its multi-source capability means that engineers can analyse many transport streams at once, including IP, RF and ASI encoded video signals. At the NAB 2013 Show, the company will demonstrate how engineers can simultaneously test and monitor multiple transport streams in various display configurations. For example, users can monitor the four most critical signals in quad-split configurations while “shadow testing” other signals in the background — with the ability to quickly bring different signals to the forefront.
Fujifilm’s optical lens developments Fujinon will introduce several new optical product developments to the Middle East market at this year’s CABSAT show. The all new XA99x8.4BESM optically stabilised HD EFP lens be unveiled, and two new PL Mount Compact Zoom Lenses the ZK4.7x19 (19-90mm cabrio lens) and the ZK3.5x85 (85300mm cabrio lens) PL Mount Compact Zoom Lens both lenses feature exclusive detachable servo drive units, making them suitable for use as standard PL-Mount lenses or as ENG-Style lenses. The new ZK-lenses have a detachable digital-handgrip which can be detached by removing only four screws. They incorporate flange focal distance adjustment, macro function, LDS (Lens Data System) and are /i metadata compatible. With a 1990mm focal range for the ZK4.7x19 and 85-300mm for the ZK3.5x85, they are extremely light-weight (~3.kg) including handgrip with servo motors.
Miller Skyline 70 takes the big picture
Miller Camera Support has been designing and manufacturing professional fluid pan/tilt heads and tripods since 1954. As the holder of the world’s first patent (1946) for fluid pan/tilt heads Miller continues to be a leader and innovator in professional camera support. To meet the new market trend of lighter weight Sports, Studio, EFP and outside broadcast production needs, Miller
Camera Support has unveiled a new 150mm ball levelling fluid head - Skyline 70 that supports a diverse choice of camera configurations up to 37.5 kg / 82.5 lbs. Skyline 70 embraces easy-to-operate rear facing illuminated controls that brings the functionality and ergonomics to a new level. Features include 7-position pan and tilt drag, 8-position of selectable counterbalance, +90 degrees tilt, 120mm sliding quick release camera platform, mounting block / adaptors for accessories and safety tilt lock. The ergonomic design reflects the shooting needs of sports based configurations and outside broadcast operations using barrel or lightweight box lens with external viewfinders.
Grass Valley STRATUS continues to simplify complex workflows Grass Valley has announced a new software release for the GV STRATUS nonlinear production solution. With more than 1,500 seats sold worldwide, GV STRATUS nonlinear production solution delivers greater workflow efficiency by enabling users to work collaboratively and accomplish tasks in parallel. The new release includes powerful new tools to increase workflow efficiency through automated, rules based file operations, and sets a new standard in proxy editing workflows with the introduction of the EDIUS XS non-linear low resolution proxy editor. EDIUS XS includes most of the effects capability of the full resolution EDIUS editor, delivering unmatched capability for newsroom desktop editing and also opening the door to production workflows that have previously required more expensive full resolution editors. Based on a unique combination of a service-oriented architecture (SOA) and an easy to use GUI (Graphical User Interface), the GV STRATUS application framework brings the concept of nonlinear production— where production and distribution operations merge onto a single collaborative platform—to broadcasters and media companies of all sizes. 3
AV 125.qxd
3/9/13
1:00 AM
Page 4
Product
news Upgraded radio automation from NETIA At CABSAT 2013, NETIA will showcase the latest version of its powerful Radio-Assist range of digital audio automation software. Radio-Assist 8.1 will offer the same robust array of tools for streamlined end-to-end multimedia production, broadcast, and publication workflows, along with two significant new features: an integrated music-scheduling application and video editing capability. Users can access both new features from a single user interface. NETIA's Radio-Assist family of digital audio software programs covers each part of the production and broadcast workflow, allowing users to record, edit, or prepare a playlist. In addition to new browsing and publishing tools for full multimedia functionality, the software features tools for acquisition, sound-file editing, commercial and music production, newsroom systems, scheduling, multicasting, and administration. Radio-Assist 8.1 allows users to leverage built-in music-scheduling functionality. With music management tools integrated into Radio-Assist 8.1's FederAll playlist preparation module, users are able to automate playlist generation according to pre-set criteria, business policies, and a wide range of intelligent options for sequencing music.
Reliable reference with Marshall LED backlit monitor The new series of Marshall LED backlit camera top/field monitors will be on show at Cabsat on the UBMS stand. These monitors are being selected and used by DP’s and professional DSLR users alike to provide a reliable reference for critical focus and exposure as well as colorimetry and framing, on camera or off, in the field or in the studio. Peter Kyriakos from UBMS, Middle East distributor for Marshall, said: “A good field or camera top monitor is worth its weight in gold whatever programme or style you are shooting. The DSLR revolution has pushed video camera manufacturers to large format sensors, and as a result focus and exposure have become absolutely crucial factors in producing the stunning results which are now possible with these cameras. ‘Almost in focus’ is a non-starter in the HD world. The significant numbers we are now selling reflect the success of the Marshall design and the price point.”
Harris Broadcast electrifies Media Workflows with NEXIO Volt Harris Broadcast introduces its next-generation, softwarebased NEXIO Volt server, addressing customer needs for higher channel counts in a compact form factor, while increasing options for robust media storage. Now shipping, the company will publicly unveil the new server at the CABSAT 2013 show taking place in Dubai during March and the NAB show taking place in April in Las Vegas. Leveraging the latest processor, storage and connectivity technology, the new NEXIO Volt server platform, like its predecessor, offers a 1RU package with low operating costs and high levels of resilience and reliability. However, it doubles the number of available record ports with four bi-directional HD channels (up to eight SD), and offers exceptional overall channel density for ingest and playout operations. Its software-based codecs and software license keying provide flexibility, including custom features and capabilities to suit users’ exacting needs. The available automatic generation of low-resolution images during ingest provides other benefits for ingest-heavy media workflows, such as news, for low-resolution viewing, editing and conforming to high-resolution video for playout. It is also suited for bandwidth-efficient monitoring and digital asset management environments, where automatically producing lowresolution content eliminates the need to create it later — minimizing labour and removing transcoders.
Thomson Video Networks Products at Cabsat At CABSAT 2013, Thomson Video Networks is highlighting its advanced contribution and distribution solutions. The company's ViBE CP6000 contribution platform will be joined by the new RD6000 contribution receiver decoder, designed for all satellite and telecom contribution networks requiring up to 4:2:2 10-bit. Thomson Video Networks will also demonstrate its complete range of distribution systems covering every delivery requirement from HD to Web streaming, including the ViBE EM4000 and EM2000 multi-channel HD/SD encoders and the ViBE VS7000 platform for over-the-top and convergent TV services. Thomson’s new RD6000 Contribution Receiver Decoder is the latest generation of integrated receiver decoder in the RD series from Thomson Video Networks. Developed for MPEG contribution applications, the RD6000 supports today's highest quality contribution video feeds and provides full MPEG-2, MPEG4, 4:2:0, 4:2:2, 8-bit, and 10-bit decoding in a single 1RU chassis. Thanks to its rich set of inputs and multiple audio decoding capacities, the RD6000 is a natural companion to the ViBE CP6000 encoder for satellite and telecom contribution systems. 4
Videohub Control Software
Universal Videohub 288 Universal Videohub 72
Videohub Smart Control
Now it’s easy to build your own customized SD, HD and 3 Gb/s SDI router! Build your own customized router any size you need! Universal Videohub is a powerful broadcast grade routing switcher featuring up to a massive 288 inputs, 288 outputs and 288 deck control ports. You can add interface cards to either regular SDI or optical fiber SDI connections as well as single or dual power supplies and single or dual cross-points for full redundancy. Cards can be removed when powered so all electronics can be swapped at any time for 24/7 reliability!
World’s Highest Quality With future proof 3 Gb/s SDI connections built in, Universal Videohub allows twice the SDI data rate than normal HD-SDI. Use 3 Gb/s SDI for 1080p60 and high resolution real time 2048 x 1556 feature film editing. 3 Gb/s SDI allows auto switching between all SD, HD and 2K video formats in both 4:4:4 and 4:2:2 quality. Network Router Control
Industrial Strength Routing Switcher With up to 288 inputs and 288 outputs, Universal Videohub has enough SDI connections for the largest facility. With so many SDI inputs and outputs, Universal Videohub is perfect for broadcast with multiple feeds, as well as post production where you need loads of monitoring! Universal Videohub also includes 288 RS-422 deck control ports for a complete routing solution. Simultaneous SD, HD or 3 Gb/s Video Universal Videohub handles mixed SD, HD and 3 Gb/s SDI connections all on the same router at the same time. Universal Videohub detects when an input changes, and automatically sets all the connected outputs to match the changed input. For a true broadcast quality solution, all SDI outputs are fully re-clocked and output SDI slew rates update automatically.
Universal Videohub is compatible with hardware control panels such as Blackmagic Design’s Videohub Smart Control and for lower cost includes free software control panels for both Windows™ and Mac OS X™. Software panels let you route from your desktop! Universal Videohub uses ethernet for the control panel interface so you can control your routing from anywhere in the world!
Mix and Match to Customize! Universal Videohub SDI Interface (4 x SDI I/O) Universal Videohub Optical Fiber Interface (4 x SDI I/O) Universal Videohub 72 Universal Videohub 72 Crosspoint Universal Videohub 288 Universal Videohub 288 Crosspoint
US$385 US$995 US$3,945 US$4,245 US$8,345 US$19,995
Learn more today at www.blackmagicdesign.com/universalvideohub
RAI Amsterdam Conference 12-17 September : Exhibition 13-17 September
Gain the Undivided Attention of the Sharpest Minds in Electronic Media If you have a fresh approach to problem solving, a paradigm-busting prototype or a piece of insightful research begging for wider recognition, then don’t miss the opportunity to propel your work to the international stage. The IBC Technical Papers and Posters are world-renowned for promoting technological innovation in its purist form, stripped of marketing and commercial pressure. The projects presented to IBC stand or fall on the strength of their argument and expertise. Forming the cornerstone of the IBC Conference, the IBC Technical Papers and Posters are rigorously peer reviewed for originality and clarity of thought. They showcase and progress advances which benefit the entire industry. Reasons to submit a Technical Paper or Poster • gain valuable exposure by presenting your work at the IBC2013 Conference • get published in the IBC Conference online publication • receive critical acclaim • challenge established thinking
be in with a chance to win the coveted IBC Best Conference Paper Award • make international headlines • network with the brightest minds and biggest brands • qualify for a free IBC Conference pass worth €1,999 in 2012 •
The Call for Papers will open on 3 January 2013 To find out more information about the IBC Technical Papers and Posters and how to submit your entry visit www.ibc.org/callforpapers Previous IBC Best Conference Paper winners include: Fraunhofer Institute for Telecommunications, Heinrich Hertz Institute, NHK (Japan Broadcasting Corporation) and NDS
IBC Third Floor 10 Fetter Lane London EC4A 1BR UK t. +44 (0) 20 7832 4100 f. +44 (0) 20 7832 4130 e. info@ibc.org
Technical.indd 1
www.ibc.org/callforpapers
09/12/2012 11:39
AV 125.qxd
3/9/13
1:00 AM
Page 7
Product
news Sony set to captivate CABSAT visitors with latest broadcast solutions
PAG power for DSLR & Digital Cinema cameras PAG has introduced new battery mounts and power leads that make it possible to power the latest DSLR and digital cinema cameras using its PAGlink intelligent, highpower, linking battery system. The PAGlink battery system was conceived with multi-camera compatibility in mind. Rather than using a different batteries and chargers for each camera type, PAG anticipated that it would be more efficient to use the VMount (V-Lok/V-Lock) Li-Ion batteries, designed for shouldermounted broadcast cameras, for every camera power application. When combined, two PAGlink batteries have a capacity of 192 watt-hours and a current draw capability of 12A, which is superior to the 10A provided by so-called highcurrent cell technologies. If required, PAGlink allows a third or fourth battery to be added, providing endless power for any camera set-up.
Sony Professional Solutions MEA is gearing up to participate at CABSAT and together with its channel partners will showcase an extensive line up of cinematography, ENG (electronic news gathering), live production range of products and state- of- the- art archive systems. “Sony has always been a leader in technical innovation in a bid to improve image and sound quality and develop premium products that are versatile and accessible to professionals and consumers. We are glad to be back at CABSAT this year alongside our industry peers, partners and clients,” said Awad Mousa, Head of Product Marketing – Content Creation at Sony Professional Solutions MEA.
Vislink’s ‘go anywhere’ satellite terminal
Snell products at Cabsat "At Snell, we're committed to delivering solutions that solve our customers' most complex challenges in today's digital media and multi-screen operations," said Andy Giles, head of sales, Middle East and Africa, at Snell. "At CABSAT 2013, we'll show how our Kahuna 360 — can transform broadcast operations of all sizes. Snell’s Kahuna 360 is the world's first native 1080p/3Gbps switcher. It supports any format in and any format out, on any input or output including 1080p (single link), as standard for a smooth and cost-effective migration from HD to 1080p. The switcher's unique Make M/E technology delivers unmatched flexibility for users sharing resources across multiple consoles. And now, Snell has made the functionality of the full-size Kahuna 360 available in a new lower-cost Kahuna 360 Compact — including seven keyers per M/E, resource sharing with Make M/E technology, and FormatFusion3, which supports any format in and any format out.
At CABSAT 2013 Vislink will feature the latest broadcast products from its class leading brands of Advent, Gigawave, Link, MRC and PMR. Vislink will focus on the latest developments of the
7
company’s Advent Mantis MSAT Portable Data Terminal, designed to address the emerging Ka-Band satellite newsgathering requirements of broadcasters around the world. The Mantis MSAT is a 12.5Kg go-anywhere satellite terminal that can be set-up and start transmitting data and video in as little as five minutes. It supports X-, Kuand now Ka-Band configurations, which can be swapped in the field in under a minute. Also on show will be Vislink wireless camera transmitters, including the ClipOn 4 transmitter, designed for use with HD and SD cameras for electronic newsgathering, outside broadcasts and studio applications.
12070 IFMEA Ad 210X297mm FAP.indd 1
5/3/13 6:11 PM
AV 125.qxd
3/9/13
1:00 AM
Page 9
Product
news Ross Video launches Carbonite 2 Ross Video adds yet another product to its expanding Carbonite switcher line-up at this year’s Cabsat show in Dubai. Called Carbonite 2, this new 2 MLE switcher includes all of the powerful standard features of the Carbonite family. Carbonite 2 is a new 2 MLE control panel based on its highly successful bigger brothers, the Carbonite 2M and 2X, offering 16 source select buttons instead of 24 or 32. “The success of Carbonite has been simply astonishing. It has surpassed all of our expectations, and we have now shipped over 900 systems since its introduction,” stated Nigel Spratling, Switcher Business Development Manager, Ross Video. “At Ross we listen carefully to our customers to help make our products better. From their feedback we have designed the Carbonite 2 to better suit environments with space limitations, as well as offer the power of a 2 MLE Carbonite at an even more affordable price point.”
Pixel Power channel graphics Pixel Power continues to satisfy channels’ need to place graphics at the centre of their playout requirements with the latest version of Gallium. This is the company’s integrated, sophisticated and scalable scheduling, asset management and automation system. It provides automated control of Pixel Power’s transmission devices for graphics or complete channel playout, including ChannelMaster. Gallium goes beyond what many expect from channel-in-a-box automation, providing enterprise-standard, scalable automated transmission. With the ability to manage multi-format content delivery, Gallium maximises sharing across multiple channels, reducing workload and resource requirements while enhancing delivery and consistency with a single operator.
Advanced firmware update for the new GY-HM600
JVC Professional has announced the release of a firmware upgrade for the new GY-HM600, boosting the performance and features of this versatile, next-generation handheld ProHD camera. This improved firmware version will be included on all new GYHM600 camcorders. Any customers already in possession of a first release
GY-HM600 can download the update from the JVC Support site. This update includes a range of new professional features that build upon the impressive selection already included with the new 600 series camcorders and improves ease of use in all conditions. The GY-HM600 camcorder features a built-in wide angle 23x autofocus zoom lens which delivers superior low-light performance and provides excellent sensitivity (F12 at 2000 lux in Extended Mode) in a comfortable, versatile form factor. The camera now offers users two shooting modes for greater ease of use and improved performance in all lighting conditions.
Atomos release Ninja-2 Firmware for DNxHD encoding Atomos will be at Cabsat during March to launch their new products into the EMEA market. "Cabsat gives us a great platform to explore new opportunities in new markets and strengthen our presence in this region", said Stephan Kexel, Atomos Vice President Sales, EMEA. "We are also pleased to support Digital Broadcast Solutions, who have a well established reputation in the region and will be focused on growing Atomos business." The Ninja-2 and Samurai recorders have broken new ground in production by combining recording, monitoring and playback all in one easy to operate, portable device. Both record pristine, uncompressed images straight from the sensor of the DSLR or camcorder directly to inexpensive, removable hard drives, in a ready-to-edit format: Apple ProRes or Avid DNxHD. Operation is by touchscreen – unique in the camera-mounted recorder category – and because Atomos write their own operating system (AtomOS) and design the entire product from the ground up, users benefit from intuitive operation and regular feature updates at no extra cost. 9
Introducing the Barco FLEX family Whether at a big event with the eyes of the world watching your stage, a keynote speech at a conference, an interactive museum or in the meeting room, you can find Barco display systems. You can find our projectors and image processing at so many places because we develop our products with only one person in mind: you. From compact, reliable projectors for a mid-sized business to the most powerful, saturated projection available for large-scale open-air events, we have something for everyone.
HDX FLEX (10K -18K lumens)
HDF FLEX (18K -26K lumens)
HDQ FLEX (26K – 40K lumens)
Barco’s HDX-series combines active
Barco’s range of HDF projectors offers
At 40,000 lumens, Barco’s HDQ-2K40
3D and both wired and wireless control
powerful projection for large venues
represents the pinnacle of brightness.
options in one unit. In addition, it offers
and events. Thanks to their high
It is the world’s brightest projector for
quick control through smartphones
brightness, the HDF are able to display
rental and staging and guarantees an
and tablet computers. Its sturdy,
widescreen, high-contrast images of
unequalled event experience. Paired
compact design allows the HDX-family
superior quality even in venues with
with its remarkable 2K resolution,
to be ready for the road in no time,
lots of ambient light. Their three-chip
the HDQ is an ideal companion for the
while its 14,000 lumens light output
DLP technology, Xenon illumination
largest events that need saturated
and 3-chip DLP color quality ensure
and flexible Athena image processing
and bright imagery. Additionally, the
crisp, vivid imagery on any screen.
guarantee rich colours and bright
HDQ has been equipped with Barco’s
images on every occasion. In addition,
renowned Athena image processing
the
offers
technology and allows for flexible
extensive features such as wireless
scaling. Its modular design makes the
control and a preview mode. With the
HDQ very easy to install and service.
light-on-demand technology, users
What’s more, the HDQ comes with
can fully tune the light output of the
extensive wireless control features
HDF-W26 to their needs. The ultra-
enabling easy control. Thanks to its
bright and reliable HDF-W26 projector
solid, adjustable and stackable frame,
is a perfect fit for any large venue or
the projector can easily be rigged.
event that requires extra brightness to
With the light-on-demand technology,
show clear, crisp images in a luminous
users can fully tune the light output of
environment.
the HDQ to their needs.
versatile
HDF
family
Distributed byQuestek Advanced Technologies Phone: +27 11 706 0405 • Fax:+27 11 706 0308 Fairway Office Park, 52 Grosvenor Road, Bryanston, South Africa george@questek.co.za www.questekadvanced.co.za
AV 125.qxd
3/9/13
1:00 AM
Page 11
Product
news Autoscript presents all-in-one prompter During Cabsat Autoscript will be showing EPIC, a unique all-in-one prompter display and on-air talent monitor that has received wide acclaim from leading broadcasters since its launch at NAB last year. It has been designed to simplify studio equipment, reduce power consumption and enable easier location prompting, while retaining the advanced features and functions of the Autoscript LED prompter series. The EPIC also solves the major operational problem of using on-air monitors; it has eliminated the extra mounting bracket, thus there is no longer restriction on the camera tilt range. Simon Clark, Head of Sales and Support for Autoscript says, “We’re very pleased to unveil the EPIC to the Middle East market. The reception so far is overwhelming, and it is further validation of our constant aim to design and develop products that meet the real-world needs of global broadcasters.”
Anton Bauer introduce new DIONIC HD battery To continue meeting the growing power needs of professionals utilizing the latest digital cinema cameras, Anton Bauer has introduced the new DIONIC HD battery. Part of the company’s Logic Series range, the DIONIC HD powers high-current applications in a lightweight and robust package, making it ideal for digital cinema cameras such as the Sony F65, RED cameras, ARRI Alexa, the Vision Research Phantom series and more. Delivering up to 10 amps of power, the DIONIC HD is an 183Wh battery featuring special-application Li-Ion cell technology. It incorporates the company’s latest software architecture and improved LCD for superior safety and reliability in the most extreme environmental conditions. Weighing 40 percent less than a NiCad or NiMH battery, the DIONIC HD has 25 percent more capacity and will run a 30-watt camera, monitors and multiple accessories for more than six hours.
Egripment launch Universal Dolly
During Cabsat Egripment will be showing off their new Universal Dolly. This dolly combines the best features of all their previous dollies into one unit that is certain to meet all needs for a ‘platform size’ dolly. “Once camera operators see this dolly, they will fall in love with it,” says marketing manager Richard Villhaber. “It is the lightest, strongest and most
versatile dolly ever created.” The dolly utilizes a completely new method of steering and it folds into a small and lightweight package that weighs only 16.8 kg., carries a very good payload of 200 kg and offers a solid camera platform. It also offers steering from the back or the front side, both 2 wheel steering and also 4 wheel steering when very tight turns are required. It can also be equipped with sideboards that are flat or contain 100mm or 150mm camera bowls, and can be operated with Pneumatic Wheels, Hard Rubber Wheels or Track Wheels. When equipped with Track Wheels it runs on standard width track.
AJA introduces KUMO 3232 Compact SDI Router AJA Video will be showing their new KUMO 3232 compact SDI router at this year’s Cabsat show. With 32 inputs and 32 outputs to provide cost-effective, high quality signal routing in a small 2RU form factor, KUMO routers are perfect for any broadcast, production or post production environment, from mobile sports trucks and edit suites, through to corporate video installations and live A/V setups where additional inputs and outputs are needed. Additionally, significantly new lower prices have been announced for all existing KUMO products. All KUMO routers exceed SMPTE standards to ensure the highest quality signal allowing customers to make longer cable runs and minimize interference. KUMO routers are standalone devices and can be controlled from any computer on the network using a standard web browser; additionally, multiple KUMO routers can be controlled from a single KUMO CP on the same Ethernet network. With a forthcoming v2.0 firmware update, KUMO routers can be integrated into existing infrastructure using the industry standard Grass Valley Native Protocol over an RS-422 or Ethernet connection. 11
The $75 billion audiovisual industry provides critical support to large corporations, small businesses, retail outlets, education and healthcare institutions, entertainment venues, the government and more. AV helps us communicate better, protects critical infrastructure, assists with life-saving diagnoses, educates students around the world and keeps society informed and entertained. To learn more about the audio visual industry in Southern Africa visit www.sacia.org.za
www.sacia.org.za
OCTOBER 13-19, 2013 1
s
AV 125.qxd
3/9/13
1:00 AM
Page 13
Riedel opens dedicated sales and support operations in Middle East Riedel Communications has opened a dedicated sales and support operation in Dubai in response to the region's growing demand for Riedel solutions. The new operations are being led by Ahmed Magd El Din, who has more than 15 years of experience in the broadcast and IT industry.
W
orking out of Dubai, Magd El Din will represent Riedel at key trade shows and industry events. Among these is CABSAT, where Riedel will present the new Grass Valley camera interface for the company's MediorNet real-time network for video, audio, data, and communications. The new MediorNet MN-GV-2 card allows the user to route bidirectional camera signals, including all embedded audio and telemetry control data, for Grass Valley 3G camera systems and base stations across the MediorNet fiber infrastructure. Recent deployments of Riedel products in the Middle East include installations at Sky News Arabia and for the Formula One Grand Prix in Abu Dhabi.
"The Middle East region is one of the most exciting and rapidly expanding markets in the world at the moment," said Magd El Din. "I look forward to providing Riedel customers in the broadcast, event, and
installation markets the integrated solutions that will help them run their businesses and applications in the most cost-effective and future-proof manner. With our dedicated office in Dubai, we're positioned to provide even more direct customer support and faster service." Magd El Din joins Riedel having most recently served as Clear-Com Communication Systems' sales manager for the Middle East region. He earlier held the positions of regional sales manager for Almasa IT Distribution and Silicon21-Dubai, as well as product manager for Cisco Systems. Through these roles, he has established relationships with systems integrators and distributors across the Middle East.
0RU H W KDQ D Y L GHR V HU Y HU 1(:6
63257
2% 9$1
0$0
5' 3$57 < $87 20$7 , 21
$ W XU QNH\ L QJHVW DQG SO D\ RXW SU RGXFW L RQ VHU YHU ZL W K SRZHU I XO HPEHGGHG DSSO L FDW L RQV &KHF N RXW SU RGXF W GHW DL O V DQG U HV HO O HU V DW ZZZ GDO HW F RP
13
'L VFRYHU 'DO HW %U L R DW ERRW K 6/ # 1$%
AV 125.qxd
3/9/13
1:00 AM
Page 14
Meeting broadcastingâ&#x20AC;&#x2122;s digital archiving challenge The digital data explosion is a well-documented phenomenon, and one that affects many different industries and areas of business, including the broadcasting sector. Apart from increasing volumes of data, the increased quality of movies and broadcasts -- including High Definition (HD) and 3D -- means that the size of digital files has increased significantly. Added to this, there is a need to digitally archive legacy tape footage in order to ensure its integrity can be maintained. he demand for digital storage and archiving continues to expand, and broadcasters need to ensure they have the right tools and solutions in place to keep historical footage and meet demand for the future, as well as intelligent management tools to ensure footage can be easily indexed and retrieved when necessary.One of the major challenges facing broadcasters today is the volume of legacy tape footage, which needs to be archived in a manner which preserves the integrity of the video. Since tape is a physical medium, it degrades over time, which means that migrating this footage to digital archives is the best solution. After all, this footage is a critical asset and is an important part of preserving history, particularly with regard to news footage of events over the years. This footage also needs to be managed and maintained in a way which allows for easy access, in the event that the video and audio is needed at some point in the future. Alongside this challenge is the fact that the size of current digital assets and future assets is continuously growing with HD and 3D technology.
T
"The price of digital storage has dropped dramatically in recent years, making digital storage for all content a meaningful option," says Steve Lauter, general manager at Jasco IT Broadcast Solutions.
management more important than ever before. The speed of content generation also poses a challenge to broadcasters, as the sense of immediacy generated by an â&#x20AC;&#x2DC;always on, always awareâ&#x20AC;&#x2122; culture means that news broadcasters in particular have to create more content
Cost of storage The price of digital storage has decreased dramatically over the years, making digital storage of all of these assets a viable option, and there is a noticeable trend in the market towards investment in high-end digital archiving solutions. However the sheer volumes of data increase the complexity of digital storage, which makes intelligent 14
under tighter deadlines and distribute that content to an ever-growing array of platforms, including television, live Internet streaming, YouTube and other social media. To cater to this demand, it is vital to use the right tools, such as smart media management, which enables the driving of coordinated workflows. Media Asset Management (MAM) solutions have evolved to meet this need, providing comprehensive and intelligent solutions that enable broadcasters to organise media, make it broadly accessible, unify and coordinate every aspect of production, and link to business functions such as rights management and market data.
Intelligent tools Using these intelligent tools broadcasters can build workflows and central archives that interlink every contributor, facility, geographic location, and application in the enterprise. This in turn allows them to work fluidly with all of a
AV 125.qxd
3/9/13
1:00 AM
Page 15
MULTIFORMAT MONITORS WITH UNSURPASSABLE PICTURE QUALITY
broadcaster’s assets and associated metadata. Today’s MAM solutions also provide a highly scalable and flexible data model capable of handling any specific requirement and changes or additions needed. Using time-based metadata tracks, users can instantly locate the right video, audio, still image, graphics, and documents. Workflows can also be automated and combined with Web Services (Application Programming Interface) APIs to integrate servers, storage, editing, graphics, or traffic systems. These solutions can also be provided as a hosted or cloud model, removing the need for investment into expensive archiving infrastructure and delivering a ‘pay as you use’ model that allows for instant scalability.
Integrated workflow Integration is an important aspect of any digital archiving solution, as MAM systems need to be able to work harmoniously with various other tools and systems if they are to function optimally. When looking to implement digital archiving and asset management, broadcasters need to choose their partner carefully. A reputable system integrator will ensure interoperability and functionality, as well as provide training on the new solution to ensure it is used to its full capabilities. This is even more important
when adopting the cloud model, as integration between cloud and premises-based equipment requires a thorough understanding of the environment and the tools and solutions that are in place that need to be integrated.
Sound business sense Moving broadcast archiving to digital makes sound business sense. Not only do tape storage solutions degrade over time, there is also the risk of these tapes being destroyed by fire, flooding and other natural disasters, and the physical space taking up by tape archives is enormous. Migrating these archives to digital will free up a lot of storage space while ensuring the integrity of footage, and redundancy and offsite backup of digital solutions ensures that multiple copies of data are always maintained, reducing risk. Without a proper digital archiving strategy in place, broadcasters are at risk of losing audio-visual history and their most important business asset. Implementing the latest in archiving and asset management technology through an experienced provider and integrator will allow broadcasters to ensure their footage is archived securely, that storage is available for the future, and that all systems and solutions are properly integrated for maximum functionality and value. 15
AF<ANA<M9D J9;CK )/Ê >MDD @<$ <GM:D= /Ê <GM:D= 1É EGFALGJK g^ *,$ +*$ +/$ ,*$ ,. --Ê EYaf ^]Ylmj]k >mdd FYlan] j]kgdmlagf" +< Af Eg\] K;E g! KeYjl ;gfljgd E]fm ME< K[Ydaf_ Lae] ;g\] DL; NAL; ). 9m\ag D]n]d E]l]jk >Ydk] ;gdgmj >mf[lagfk )2) Hap]d eYhhaf_ eg\]k ^gj K<'@< JK%,** 9dYje ^gj dgkl g^ ka_fYd 9mlgeYlagf Ka_fYd <]l][lagf ME< K]jaYd o'Dggh l`gm_` gj <aj][l LKD Hjglg[gd ^gj ME< Yf\ LYddq 9m\ag <ak]eZ]\\]j 9m\ag Gmlhml 9=K ' =:M ). ;` =eZ]\\]\ 9m\ag D]n]d E]l]jk R]ZjY @aklg_jYe Kgmj[] A< >j]] 9\bmklYZd] KY^] 9j]Y >j]] 9\bmklYZd] EYjc]j Gn]jk[Yf ?YeeY [gjj][lagf 9fla _dYj] HYf]d
® Aflmalan] E]fm ÉK;E KeYjl ;gfljgd E]fm! Ê Nakal mk Yl2 ;9:K9L$ )*%), EYj[` *()+ <M:9A @9DD ,$ <,%+*
www.pixtronbroadcast.com
AV 125.qxd
3/9/13
1:00 AM
Page 16
Vaddio automated classrooms at Mekelle University in Ethiopia Vaddio’s AutoPresenter and AutoTrak camera tracking system further automate distance learning classroom
M
ekelle University, found in the town of Mekelle - in the Tigray region of Northern Ethiopia – at present hosts over 23,000 students in regular, evening, summer and distance education courses for both Bachelors and Masters Degree programs. The Government of Ethiopia established the college through the merger of two former colleges in May 2000: Mekelle Business College and Mekelle University College. Both colleges have a history of instability; exhausting ascends and descends, as well as numerous relocations from place to place. At present, the University boasts 1400+ academic staff, 1700+ administrative staff, eight colleges, four campuses, six institutes, one referral hospital and a Human Rights and Legal Service Centre.
Growing student numbers Since its establishment, it has proved to be one of the fastest growing universities in Ethiopia – and they are using Vaddio’s classroom automation technology to do it. “The main objective was to provide a solution to the instructor shortage within the university,” explained Ashenafi Gebre of Mekelle University. The number of students was growing, but the number of qualified instructors was not. “Because the ratio of students to
instructors was so lopsided, they needed to find a solution where one teacher could teach more than one class at a time.” Not only did they want to teach several classes at the same time, they wanted to teach them in front of a live classroom full of students and stream it to other areas on/off campus. “The existing videoconferencing system had poor quality and couldn’t achieve the proposed goal because we needed more than just cameras – we needed automated tracking cameras and video whiteboards,” says Gebre.
Automatic camera tracking To overcome this, the university installed Polycom HDX 8000 codecs and ceiling mics in each of the classrooms. “To achieve the best results we decided to deploy several content sources and
16
cameras per room, so we added Vaddio’s AutoPresenter camera/content controller and switcher,” explained Gebre. “With Vaddio’s AutoPresenter we had the option of having more than just the one Polycom EagleEye camera. Now we could add the AutoTrak camera tracking system and a Video Whiteboard to further automate the classroom.” Using Vaddio’s PresenterPOD preset trigger device, each content/camera input to the AutoPresenter can be switched through the touch of a button. “The PresenterPOD makes it easy for the professors to just touch a button and switch from the Video Whiteboard to the desired camera,” says Gebre.
Plug and play solutions “Vaddio products are really easy to install and to use – it’s plug-and-play, not plug-and-pray,” explained Gebre. One skilled professor can now teach students at Mekelle University and post-graduate and medical students at other Ethiopian universities simultaneously. The higher educational institutions in Ethiopia already have plans to automate even more classrooms throughout the Ethiopian university system because of the experience at Mekelle University.
T l B A m t g p a c E m s c
T a t a s p
2013 Training Schedule During 2013 SACIA is working with a number of global trade associations to bring industry-specific training to the communications industry in Southern Africa. In addition, we are working to develop new training programmes that are specific to the needs of our local membership. Our global training partners are well established organisations who are committed to promoting the adoption of professional standards in the broadcast, proAV and IT industries.
The IABM Training Academy was launched in 2011 to address the Broadcast Industry’s skills shortage. The Academy is dedicated to broadcast and media technology and aims to impact on the availability of skilled staff. Through a growing number of courses, the academy provides the industry with knowledge and skills that are essential in a rapidly changing global media business. Emerging technologies and new business modules have combined with changing social trends to create new business and career opportunities. Their courses not only provide engineers and technologists with valuable technical skills training, but also offer administrative, managerial and executive staff training on the role that technology plays in the broadcast industry.
InfoComm International is the trade association representing the professional audiovisual and information communications industries worldwide. They are an ANSI-registered standards generating body for the audio-visual industry, and have also developed a number of training courses that are delivered both online and on-site. Their training programmes are backed up by the InfoComm Recognised AV Technologist certificate and their professional CTS certification programme. More than 10 thousand AV professionals around the world have earned the professional CTS credential.
Date: Course: Cost: Venue:
• • • • •
SACIA has recently registered as a CompTIA training partner. CompTIA is the voice of the world’s information technology (IT) industry. As a nonprofit trade association advancing the global interests of IT professionals and companies, they focus their programmes on education, certification, advocacy and philanthropy.
25-26 February 2013 Broadcast Technology Workflows - The Fundamentals Presented in association with the IABM Training Academy R11, 350. (member) or R13,500. (Non-member) – All prices excluding VAT. Johannesburg, South Africa
Course description: This two day course is aimed at anyone in the Broadcast Technology Industry needing to understand the full breadth of broadcast workflows. The course will: Improve delegates knowledge of the concepts, terms and processes used in Broadcast Technology. Enable delegates to understand the impact of file-based technology on end-to-end workflows. Enable delegates to understand how change in one part of the workflow can impact all others. Give delegates the confidence to discuss and analyse workflows effectively. Ensure delegates are better equipped for marketing and selling.
Note: This was one of our most popular courses during 2012 and is sure to be a sell-out during 2013.
To book your slot in any of these training programmes email training@sacia.org.za or call +27110836418
Date: Course: Cost: Venue:
28 February-1 March 2013 Broadcast & Media Technology – Understanding your Industry Presented in association with the IABM Training Academy R11, 350. (Member) or R13, 500. (Non-member) Johannesburg, South Africa
Description: This 2-day course aim s to familiarise delegates with broadcast and media technology, the associated jargon and the role that technology plays in the business in which they operate. It is designed for staff in broadcasters, their technology suppliers, post-production, facilities and related businesses where their work requires an appreciation of the technology as opposed to an in-depth understanding of it. Typical delegates will include administrative and managerial staff in marketing, sales, support, purchasing, commercial, human resource and similar functions. It is structured to have broad appeal and to be interesting and engaging as opposed to being technically demanding. Note: This course has now been updated to include information that is specifically relevant to the South African market.
Date: Course: Cost:
8-10 April 2013 AV Design Level 1: Environment Delivered under contract by InfoComm International R7, 800. (Member) or R11, 250. (Non-member)*
*SACIA members – SAVE R3, 900. Book for all three of InfoComm’s DES courses at the discounted price of R19, 500. Venue:
Johannesburg, South Africa
Course description: First in a series of three training programmes that, when taken together, are designed to help AV professionals prepare for the CTS-D credential. The first course looks specifically at the physics that affect the planning and design of AV environments Note: There are currently only three AV professionals in South Africa who have earned InfoComm’s professional CTS-D credential. Are you going to be next? Participants in this course should consider attending AV Design level 2 - Infrastructure (3-5 June 2013) and AV Design Level 3 - Applied Design (29-31 July 2013)
Date: Course: Cost: Venue:
16-17 April 2013 Introduction course for AV install technicians R1, 850. (Member) or R2, 850. (Non-member) Johannesburg, South Africa
Course description: First in a three-part series of training programmes aimed specifically at AV install technicians. At the conclusion of the class students will be able to demonstrate a competence in working with both hand tools and power tools according to prescribed practices. They will also understand safe working practices and protocols and be able to install simple audio-visual system equipment according to known best practices.
All information subject to change. For updates see www.sacia.org.za
Date: Course: Cost: Venue:
24-25 April 2013 Compression Fundamentals and Applications Presented in association with the IABM Training Academy R11, 350. (Member) or R13,500. (Non-member) â&#x20AC;&#x201C; All prices excluding VAT. Johannesburg, South Africa
Course description: Compression has become a fundamental building block of broadcast & AV environments enabling functionality that would just not be possible with uncompressed media. Compression is a subjective science taking advantage of redundancy in images and matching the visual results with human perception. Preserving and optimising the image quality in operational environments is vital for success and therefore an understanding of the fundamentals of video compression is essential. This 2 day course covers the core fundamentals and applications of compression and a look at compression in practice.
Date: Course: Cost: Venue:
8-9 May 2013 Audio & Video Fundamentals for Broadcast Engineers Presented in association with the IABM Training Academy R11,350. (Member) or R13, 500. (non-member) Johannesburg, South Africa
Course description: This two day course is for engineers and technologists who need to orientate themselves to the specific technologies and applications involved in the generation, movement and monitoring of audio and video signals and files in a broadcast and media technology environment. It is structured to be suitable as an induction course for newly recruited engineers who need to gain an appreciation of the technical context in broadcasting environments. It will suit those who are involved on the supply side in product or project design and development and also those who are working in support and maintenance of the technical infrastructure at broadcasters and other media enterprises. Note: This course was one of our most popular during 2012 and is certain to be a big hit again during 2013.
Date: Course: Cost: Venue:
14-15 May 2013 Intermediate course for AV install technicians R1, 850. (Member) or R2, 850. (Non-member) Johannesburg, South Africa
Course description: Second in a three-part series of training programmes aimed specifically at AV install technicians. A graduate of the course will be able to demonstrate an understanding of signals encountered in audio-visual systems, including best cable types and connectors to use to transport the signal. (audio, video and control). Theyâ&#x20AC;&#x2122;ll also demonstrate a comprehension of system wiring diagrams, cable sheets and other installation documents including symbols, notations and conventions. Basic troubleshooting and fault finding methods are also covered.
To book your slot in any of these training programmes email training@sacia.org.za or call +27110836418
Date: Course: Cost: Venue:
20-22 May 2013 GEN111 Essentials of AV Technology Presented under license from Infocomm International R4,500. (Member) or R6, 500. (non-member) Johannesburg, South Africa
Course description: This 3-day course provides in-depth explanations of the science and technology for basic audio, visual and audio-visual systems integration. A brief overview of the sales, rental/hire, design and installation functions is included in the course content. This course builds the student’s understanding of the fundamentals used on a daily basis in the audio-visual industry. It is also great prep for the students wanting to earn the InfoComm-recognised AV Technologist certificate. Note: This ever-popular course includes access to InfoComm’s online course material and registration for the InfoComm recognised AV technologist examination
Date: Course: Cost: Venue:
3-5 June 2013 AV Design Level 2: Infrastructure Delivered under contract by InfoComm International R7, 800. (Member) or R11, 250. (Non-member) Johannesburg, South Africa
Course description: Second in a series of three training programmes that, when taken together, are designed to help AV professionals prepare for the CTS-D credential. The second teaches how a building’s physical structure can affect AV design and emphasizes working with other trades. Note: This course is ideal for anyone who reads, works with or creates AV designs, including AV designers, Engineers, Technology managers and Project managers. Students participating in this course should also consider AV Design Level 1: Environment (8-10 April 2013) and AV Design Level 3: Applied Design (29-31 July 2013)
Date: Course: Cost: Venue:
12-13 June 2013 Broadcast Technology Workflows - The Fundamentals Presented in association with the IABM Training Academy R11, 350. (member) or 13,500. (Non-member) – All prices excluding VAT. Johannesburg, South Africa
Course description: This two day course is aimed at anyone in the Broadcast Technology Industry needing to understand the full breadth of broadcast workflows. The course will: • Improve delegates knowledge of the concepts, terms and processes used in Broadcast Technology. • Enable delegates to understand the impact of file-based technology on end-to-end workflows. • Enable delegates to understand how change in one part of the workflow can impact all others. • Give delegates the confidence to discuss and analyse workflows effectively. • Ensure delegates are better equipped for marketing and selling. Note: This was one of our most popular courses during 2012 and is sure to be a sell-out during 2013.
All information subject to change. For updates see www.sacia.org.za
Date: Course: Cost: Venue:
19-20 June 2013 Advanced course for AV install technicians R1, 850. (Member) or R2, 850. (Non-member) Johannesburg, South Africa
Course description: Third in a three-part series of training programmes aimed specifically at AV install technicians. A graduate of the course will be able to demonstrate an understanding of advanced signals encountered in audio-visual systems, including best cable types and connectors to use to transport various signal types. Participants will also demonstrate familiarity with safe working practices and protocols, including supervisory roles. They’ll demonstrate a competence in installing equipment and cabling in 19-inch equipment racks. They’ll also demonstrate a comprehension of architectural diagrams, including symbols, notations and conventions.
Date: Course: Cost: Venue:
2-3 July 2013 Professional Selling Skills for Broadcast & AV vendors R4, 500. (Member) and R6, 500. (Non-member) Johannesburg, South Africa
Course description: Over the last decade the role of the professional sales executive has changed dramatically. This 2-day course looks at the changing dynamics of the market and explores strategies that will build sales revenue on a sustainable basis. It draws on industry research carried out by the IABM and InfoComm International, updated to include research that is specifically relevant to the South African marketplace. The course combines sales theory with practical exercises that transform every participant into a customer-centric sales professional. Includes 3-hour workshop on ‘Trade show selling skills’.
Date: Course: Cost: Venue:
15-16 July 2013 Internet Protocol & Network Essentials for Broadcast Engineers Presented in association with the IABM TrainingAcademy R11, 350. (Member) or R13, 500. (Non-member) Johannesburg, South Africa
Course description: The broadcast and media production world is rapidly transitioning from a bespoke environment with dedicated interconnections between specific hardware to one that uses general purpose hardware, bespoke software and network interconnects based up Internet Protocol (IP). A similar transition has taken place in the distribution and playout environment as servers become the norm and content is increasing consumed through the Internet. This course covers the core fundamentals representing the network infrastructure for interconnections in a file-based or streaming environment and will also cover the underlying communication infrastructure and practical media applications. Note: Out-of-town visitors attending the bi-annual Mediatech Africa show may want to arrive in Johannesburg early and attend this course.
To book your slot in any of these training programmes email training@sacia.org.za or call +27110836418
Date: Course: Cost: Venue:
15-17 July 2013 GEN111 Essentials of AV Technology Presented under license from InfoComm International R4, 500. (Member) or R6, 500. (non-member) Johannesburg, South Africa
Course description: This 3-day course provides in-depth explanations of the science and technology for basic audio, visual and audio-visual systems integration. A brief overview of the sales, rental/hire, design and installation functions is included in the course content. This course builds the student’s understanding of the fundamentals used on a daily basis in the audio-visual industry. It is also great prep for the students wanting to earn the InfoComm-recognised AV Technologist certificate. Note: Out-of-town visitors attending the bi-annual Mediatech Africa show may want to arrive in Johannesburg early to attend this popular course. Visit the TESTIMONIALS page at www.sacia.org.za to see what participants in our 2012 programme have to say about their learning experience.
Date: Course: Cost: Venue:
23-25 July 2013 GEN112 CTS Prep Presented under license from Infocomm International R4, 500. (Member) or R6, 500. (non-member) Johannesburg, South Africa
Course description: This 3-day course is designed to help candidates as they prepare for InfoComm’s Certified Technology Specialist (CTS) credential. This credential is accredited by ANSI under the International Standard ISO/IEC 17024 General Requirements for Bodies Operating Certification Schemes of Persons program. This popular course provides a forum for people to explore a wide range of topics relevant to the AV industry, and work collaboratively, studying the exam content areas with the help of facilitators. Note: According to SITA tender specification 431, suppliers of AV technology to government and state-owned enterprises need to be able to demonstrate their competence in the AV industry … and the preferred certification standard is InfoComm’s CTS programme. This is a great course that is specifically designed to assist AV professionals prepare for the written CTS exam.
Date: Course: Cost: Venue:
29-31 July 2013 AV Design Level 3: Applied Design Delivered under contract by InfoComm International R7, 800. (Member) or R11, 250. (Non-member) Johannesburg, South Africa
Course description: Third in a series of three training programmes that, when taken together, are designed to help AV professionals prepare for the CTS-D credential. Using a customer scenario, students will work on completing a project through conducting a needs analysis to a complete design package
All information subject to change. For updates see www.sacia.org.za
Date: Course: Cost: Venue:
7-9 October 2013 GEN111 Essentials of AV Technology Presented under license from InfoComm International R4, 500. (Member) or R6, 500. (non-member) Johannesburg, South Africa
Course description: This 3-day course provides in-depth explanations of the science and technology for basic audio, visual and audio-visual systems integration. A brief overview of the sales, rental/hire, design and installation functions is included in the course content. This course builds the studentâ&#x20AC;&#x2122;s understanding of the fundamentals used on a daily basis in the audio-visual industry. It is also great prep for the students wanting to earn the InfoComm-recognised AV Technologist certificate.
Date: Course: Cost: Venue:
16-17 October 2013 Broadcast & Media Technology â&#x20AC;&#x201C; Understanding Your Industry Presented in association with the IABM Training Academy R11, 350. (Member) or R13, 500. (non-member) Johannesburg, South Africa
Course description: This 2-day course aims to familiarise delegates with broadcast and media technology, the associated jargon and the role that technology plays in the business in which they operate. It is designed for staff in broadcasters, their technology suppliers, post-production, facilities and related businesses where their work requires an appreciation of the technology as opposed to an in-depth understanding of it. Typical delegates will include administrative and managerial staff in marketing, sales, support, purchasing, commercial, human resource and similar functions. It is structured to have broad appeal and to be interesting and engaging as opposed to being technically demanding. Note: This course has now been updated to include information that is specifically relevant to the South African market.
Date: Course: Cost: Venue:
13-14 November 2013 Audio & Video Fundamentals for Broadcast Engineers Presented in association with the IABM Training Academy R11, 350. (Member) or R13, 500. (non-member) Johannesburg, South Africa
Course description: This two day course is for engineers and technologists who need to orientate themselves to the specific technologies and applications involved in the generation, movement and monitoring of audio and video signals and files in a broadcast and media technology environment. It is structured to be suitable as an induction course for newly recruited engineers who need to gain an appreciation of the technical context in broadcasting environments. It will suit those who are involved on the supply side in product or project design and development and also those who are working in support and maintenance of the technical infrastructure at broadcasters and other media enterprises. Note: This course was one of our most popular during 2012 and is certain to be a big hit again during 2013.
To book your slot in any of these training programmes email training@sacia.org.za or call +27110836418
Date: Course: Cost: Venue:
19-21 November 2013 GEN112 CTS Prep R4, 500. (Member) or R6, 500. (Non-member) Johannesburg, South Africa
Course description: This 3-day course is designed to help candidates as they prepare for InfoComm’s Certified Technology Specialist (CTS) credential. This credential is accredited by ANSI under the International Standard ISO/IEC 17024 General Requirements for Bodies Operating Certification Schemes of Persons program. This popular course provides a forum for people to explore a wide range of topics relevant to the AV industry, and work collaboratively, studying the exam content areas with the help of facilitators. Note: According to SITA tender specification 431, suppliers of AV technology to government and state-owned enterprises need to be able to demonstrate their competence in the AV industry … and the preferred certification standard is InfoComm’s CTS programme. This is a great course that is specifically designed to assist AV professionals prepare for the written CTS exam.
In Mark Shuttleworth set up the Shuttleworth Foundation which funds innovative change in society by supporting Fellows and investing in their projects. Mark is one of the country’s most recognised philanthropists with a specific interest in technology and social change.
Making a contribution to skills development During 2013 SACIA will award a number of bursaries to deserving students wanting to expand their understanding of the science and technology behind today’s modern AV systems. These bursaries are funded by grants received from SACIA members, as well as donations from philanthropic organisations who share our commitment to promoting professional standards and ethical business practices within the communications industry. Around the world, many successful
business men and women have contributed to philanthropic causes. In June 2006 Warren Buffet contributed $30 billion of stock in his Berkshire Hathaway company to the Bill & Melinda Gates Foundation, and in South Africa business leaders such as Mark Shuttleworth, Donald Gordon, Allen Grey, Francois van Niekerk and Cyril Rhamaposa have consistently provided funding for education and entrepreneurship. In order to increase the number of bursaries available to
broadcast and AV professionals, SACIA is inviting grants and donations that will contribute toward our objectives. We’re also inviting interested parties to get involved in promoting the adoption of professional standards, encouraging ethical business practices, and contributing toward black-empowerment initiatives within our industry. If you’re interested in contributing toward these SACIA initiatives please contact Kevan Jones CAE on kevan@sacia.org.za
All information subject to change. For updates see www.sacia.org.za
AV 125.qxd
3/9/13
1:23 AM
Page 25
advanced technology trade show
17 - 19 July 2013, Coca-Cola dome, Northgate, Johannesburg, South Africa
Broadcast & Film Pro AV, Sound, >ŝŐŚƟŶŐ͕
^ƚĂŐŝŶŐ
Θ
ZŝŐŐŝŶŐ
WƌŽĚƵĐƟŽŶ Θ WŽƐƚ WƌŽĚƵĐƟŽŶ ŶŝŵĂƟŽŶ s ^LJƐƚĞŵ /ŶƚĞŐƌĂƟŽŶ New Media
Satellite & Signal
FREE REGISTRATION
at www.mediatech.co.za before 7 July 2013 and avoid paying ZϱϬ Ăƚ ƚŚĞ ĚŽŽƌ SCREENAFRICA technology + production CONFERENCE
ƌŽƵŐŚƚ ƚŽ LJŽƵ ďLJ dŚĞďĞ džŚŝďŝƟŽŶƐ ĂŶĚ ^ƵŶ ŝƌĐůĞ WƵďůŝƐŚĞƌƐ 25
AV 125.qxd
3/9/13
1:23 AM
Page 26
Tenth Integrated Systems Europe draws record attendance Content, connections and collaboration galore as more than 44,000 attendees converge on Amsterdam
I
SE 2013 closed its doors on 31 January after three days that saw record numbers of exhibitors and visitors drawn to the best-attended AV industry tradeshow ever held, anywhere in the world. The show’s final total of 44,151 registered attendees represents an 8% increase on 2012’s world record of 40,869. Just under 900 exhibitors – also a record for ISE – occupied all 12 halls of the Amsterdam RAI with most reporting a brisk three days of business involving a healthy mix of new and established contacts.
Keynote address On Monday 28 January, ISE celebrated its 10th edition with a widely lauded opening Keynote Address by renowned cyber-illusionist Marco Tempest, followed by a 10th Birthday Party at which some of ISE’s
Mike Blackman, managing director of Integrated Systems Events.
Founding Exhibitors – those companies that have supported all 10 shows since Integrated Systems Europe began in Geneva in 2004 – were honoured in a special presentation. The celebrations were preceded by three pre-show Conferences and over 1,200 people
26
attended the Monday events in total. “Few who attended our inaugural event in 2004 could have imagined just how big, how interconnected and how inclusive ISE would become within less than a decade,” comments Mike Blackman, Managing Director at Integrated Systems Events. “ISE 2013 demonstrated more clearly than ever that the electronic systems integration industry is capable of defying economic headwinds and encouraging its stakeholder companies toward continued growth.” The positive trend was continued during the on-site exhibitor rebooking process for ISE 2014, where over 500 companies reserved space totalling more than 30,000 square metres – some 93% of the show’s 2013 footprint and over 75% of the expanded area that ISE will occupy in Amsterdam next year.
AV 125.qxd
3/9/13
1:23 AM
Page 27
MGI shifts Qatar Radio to NETIA Radio-Assist Qatar Radio has taken all five of its main channels live on NETIA’s Radio-Assist 8.1 digital audio software suite.
T
he NETIA software, which Qatar Radio also uses as a robust disaster recovery solution, replaces an existing radio automation product and gives the broadcaster a more extensive and unified solution that addresses the entire production workflow. "If I was to define the three key characteristics of Radio-Assist, I would say that it is an efficient, reliable, and stable solution," said Mohammad Al Mohtaseb, system engineer at Qatar Radio. His Qatar Radio colleague Mohammed Qaddoumi, system engineer for audio broadcasting, also underscores the system's efficiency and adds that the software's Air-DDO broadcast tool has proved particularly valuable. The technical team at Qatar Radio selected Radio-Assist after performing site visits and extensive testing and evaluation of the software.
Media Group International Systems integrator Media Group International coordinated Qatar Radio's full migration to Radio-Assist 8.1, overseeing the copying and conversion of all media, along with associated metadata, into the NETIA software system without interrupting operations and without losing any of the broadcaster's 275,000 elements and assets. With this shift, Qatar Radio has been able to bring all radio production and broadcast functions onto a single
platform. The Radio-Assist 8.1 software supports coordination, scheduling, and live broadcasting, as well as an archive of more than 300,000 hours of programming.
Slow transition Today, Radio-Assist 8.1 is installed on 34 workstations across two sites; Qatar Radio's main broadcast facilities and a disaster recovery site. It is used by 80 staff members on a daily basis. The software supports one principal channel broadcast in Arabic, another dedicated to Quran (religious/Muslim programmes), one channel in French (Oryx FM, with partner RFI), one channel in English, and a channel broadcast in Urdu. The transition of these channels onto Radio-Assist was achieved progressively over the course of a year. Early in the project, NETIA provided training for both administrators and users. The integration was provided by Media Group International (formerly
27
known as Salam Media Cast) which is now diversifying its business into new technologies. “Our name change to Media Group International reflects the company’s ambition to stay relevant for our customers internationally, offering exciting IT, telecommunications and broadcast access more widely throughout Europe, Middle East and Africa,” said Paul Hennessey, Media Group International CEO. “We have enjoyed successful growth in the past 35 years to become the leading company in the Middle East, and we plan to continue our geographical expansion to further build up our business capability.” According to Hennessey, more and more Broadcast Media companies are becoming international providers by utilising the IT and Telco Networks to deliver content. “Recently we have signed a number of agreements that will help extend our capabilities to deliver full turnkey solutions to our customers,” he says.
The South African Communications Industries Association is a not-for-profit Trade Association committed to promoting the adoption of professional standards in the audiovisual industry throughout Africa.
An informed business choice Question: When selecting a vendor for your next AV installation, which of these items is the LEAST important item you should consider? a. Price quoted for the project b. Installation quality of the installations dept c. Company reputation in the marketplace d. Financial stability of the supplier
Answer: (a) In today’s tough economic climate it’s obviously important to consider price as an important factor in choosing a supplier for your next AV installation. But choosing a supplier based on price alone is a surefire path to failure and an ineffective AV solution. Chose a vendor based on their ability to provide an AV solution that meets your requirements and make sure you’re buying from a reputable organization with certified staff and the resources to back-up your installation on a longterm basis.
SACIA is the leading trade association for the professional AV industry in Southern Africa. We promote the adoption of professional standards in the local market and our members commit to truth, honesty and the pursuit of excellence in all aspects of the audiovisual profession. When you’re looking for a reputable supplier with a proven track record in the professional AV market, our members are a good place to start. For more information on SACIA and a full list of members, please visit www.sacia.org.za
AV 125.qxd
3/9/13
1:23 AM
Page 29
Gores finalizes acquisition of Harris Broadcast During early February the Gores Group successfully completed the acquisition of Harris Corporation’s Broadcast Communications Division. Going forward, Harris Broadcast and will operate as HBC Solutions around the world.
T
he Gores Group is a global investment firm focused on acquiring controlling interests in mature and growing businesses. Founded in 1987 by Alec E. Gores, they have demonstrated a solid track record of working with management to create substantial value in the businesses it acquires. “The Gores Group is an ideal fit to help us move the business forward,” says Harris Morris, CEO at Harris Broadcast. “Their philosophy starts with ‘delight the customer’ and together we are committed to driving innovation, streamlining operations and providing world class customer service. The Gores Group will also provide us additional resources and a flexible capital base, and introduce new talent to the company, such as industry veteran Carl Vogel, whose insights and relationships will be invaluable to our future growth.” Across Africa and the Middle East it’s all systems go for established offices and distribution channels and the company will maintain a high profile at this year’s CABSAT show in Dubai, and the MediaTech show taking place in Johannesburg during July. Incorporating some of the company’s newer, more powerful and
compact broadcast solutions, including the Harris Versio Integrated Playout solution, Selenio media convergence platform and HView SX Pro multiviewer, the Harris demonstration at CABSAT 2013 will further underscore the first-rate capabilities of the company’s offering, even in smaller, space-saving devices. Versio, which will have its inaugural launch at CABSAT, has altered the course of channel-in-a-box design for broadcasters, delivering the industry’s most complete all-in-one solution to help customers rapidly launch, expand and sustain their on-air channels and services — while strengthening revenue growth and protection. The Harris Versio solution
29
combines baseband video, channel branding and automated workflow capabilities in an easy-to-deploy, software-based, single-rack-unit (RU) solution. Versio significantly reduces the cost and time to launch broadcast, cable and other TV channels and services while offering simple integration with production, traffic and billing, scheduling, asset management, content playout and master control functions; taking full advantage of existing facility workflows for maximum return on investment. “We are excited to showcase some of our latest offerings,” said Said Bacho, vice president of sales and service for the Middle East and South Asia. “We understand the core costs and investment needed to deliver premium quality channels reliably and efficiently. This knowledge and expertise has allowed us to evolve the channel-in-a-box concept beyond the current market offerings and bring a more relevant solution to our customers.” Visitors will also see a range of signal processing applications including loudness management, as well as the latest in routing systems and monitoring solutions, master control switching, and encoding and networking.
Our world. Now more connected than ever. Your world. With Arabsat's new generation of state-of-the-art satellites, your world is growing larger â&#x20AC;&#x201D; and closer â&#x20AC;&#x201D; than ever. With four orbital positions in the sky covering an ever-expanding footprint across the Middle East, Africa, Central Asia and Europe, now you have unrivalled capacity to reach farther and connect in more ways than ever before. That means all the power to meet the growing and evolving needs of large telecom companies, government entities, the military sector and VSAT or IP networks. Connect more of your world, and join the Arabsat neighborhood today!
www.arabsat.com
AV 125.qxd
3/9/13
1:23 AM
Page 31
Arabsat acquires majority stake in Hellas-Sat in a €208m deal Arabsat has signed an agreement with the Hellenic Telecommunication Organization for the acquisition of its 99.05% equity participation in the Hellas-Sat Consortium. The share purchase agreement was signed upon an aggregate consideration of ?208 million, representing an enterprise value of Hellas-Sat, amounting to ?157 million, as well as ?53.4 million held in cash by Hellas-Sat on the date of completion of the transaction.
H
ellas-Sat has the exclusive use of the orbital position of 39° East and all associated radio frequencies from the Hellenic Republic and the Republic of Cyprus. The company is the operator of the Hellas-Sat 2 satellite, one of the most powerful satellites with wide European coverage. Apart from Europe, the satellite Hellas-Sat 2 covers the Middle East and South Africa and has a portfolio of over 100 customers in 26 countries. The transaction was conducted through Arabsat Cyprus Ltd., a 100% subsidiary of Arabsat, and is expected to be completed by Q2 2013 after all necessary procedures have been finalized. Khalid A. Balkheyour, the President & CEO of Arabsat commented: “This step outlines Arabsat’s determination to pursue its strategic plan to grow its resources in terms of expanding to new orbital slots and new frequency rights, and to enter new markets. In 2012, Arabsat has presented before the satellite industry its vision to move from regional to global and become one of the top 5 satellite operators in
the world by the year 2020. This transaction, in addition to the new sixthh satellite generation program encompassing the design, manufacturing and launch of 3 new satellites from now until 2016 proves that Arabsat is on the right track to achieve its vision.” Balkheyour also noted: “Our commitment to sustain and grow the business in Greece and Cyprus will
31
manifest itself through the rapid design, manufacturing and launch of the new satellite, HS-3, which we envision to be one of the largest satellites in Europe. This would enhance Hellas Sat’s competitive advantage at its hotspot at 39° East with more capacity for existing and future customers. I want also to thank our partners, The Hellenic Aerospace Industry (HAI), one of the current minority shareholders of Hellas-Sat, that will remains in the new shareholding structure of the company”. OTE, the seller is the largest telecommunications provider in the Greek market and, together with its subsidiaries, forms one of the leading telecom Groups in South-eastern Europe. OTE is among the five largest listed companies, with respect to capitalization, in the Athens Stock Exchange and is also listed in the London (LSE) Stock Exchange. The OTE Group offers a full range of products and services, from broadband services, fixed and mobile telephony, to high-speed data communications and leased lines services.
AV 125.qxd
3/9/13
1:24 AM
Page 32
Do we live in an ethical society? Over the last few years we’ve seen many instances of corrupt and unethical behaviour from our business, community and political leaders. Their actions underscore the real challenge faced in conducting business across Southern Africa. Who do you trust? And how do you go about selecting a vendor that will provide a technology solution that meets your needs? When you’re choosing a supplier to provide broadcast, AV or communications technology for your business why not choose a SACIA member. SACIA members subscribe to the highest standards of ethics in their business conduct. They’ll not engage in dealings that are corrupt, dishonest or questionable. They’ll let you know when they have a conflict of interests, and they’ll not hold out advice as being objective where it is not. For a full list of SACIA members and a copy of their pledge to conduct business on an ethical basis visit www.sacia.org.za The Southern African Communications Industries Association (SACIA) is a not for profit trade association committed to promoting the adoption of professional standards and ethical business practices in the communications industry throughout Southern Africa.
32
AV 125.qxd
3/9/13
1:24 AM
Page 33
PMK recognised for innovation
Production values start from the ground up, don’t compromise on camera support.
At a glittering ceremony held on the opening day of GITEX 2012, PMK International was recognised as Consultant of the Year in the third annual CNME ICT Achievement Awards.
Philip Bloom DP, Director, Filmmaker www.philipbloom.net
O
ver the last few years PMK has established itself as a major player in the Middle East region, having provided ICT and AV consulting services for major projects such as the Burj Khalifa, Armani Hotel, Dubai Mall, the Address Hotels, Stock Exchange Tower in Riyadh, the Grand Mosque in Abu Dhabi as well as phase III of the new Doha International Airport, to name a few. Speaking during the awards ceremony, Richard Judd, managing director of CPI Dubai, explained that this
years’ awards focused on innovation and customer support. “As the region recovered from the recession, last year’s Awards were about identifying and honouring the enterprises and individuals who had used technology to effectively support functions of recovery within the organisation,” he said. “This year our focus is turning rapidly to innovation as regional organisations return aggressively to growth paths. As budgets regain strength among most enterprises, and as some particular verticals push for aggressive expansion plans, this year’s Awards recognise those companies that are truly setting the trend for everyone else to follow in the region. Our award winners have displayed extraordinary logic and farsightedness in the use of available resources, to consistently provide ROI for their customers.” PMK is a consulting firm specializing in acoustical, audio-visual and information technology systems design with offices and personnel located in the US, Europe, Middle East and Australia. “We are motivated by projects that are technically difficult, which challenge us to think creatively, and that continually allow us to increase our knowledge in terms of our technical expertise and accomplishments,” says Usman Bhatti, partner and Principal Consultant in the PMK Dubai office. “By having a full design and production office in Dubai, we are able to emphasize design collaboration and peer reviews within our group.
Professional camera support for all your production needs. For more information, contact us now Call: +61 2 9439 6377 Email: sales@miller.com.au Visit: www.millertripods.com
33
AV 125.qxd
3/9/13
1:24 AM
Page 34
Draper introduces Video Conferencing accessories For effective video conferencing in today’s multi-use conference rooms and other venues, you need the required technology precisely where you need it, when you need it—but out of sight when you don’t. Draper has introduced several new products designed to do just that. Their new Camera LiftCeiling allows the placement of a video conferencing camera directly behind a motorized projection screen; the camera raises and lowers with the screen. Draper also offers three unique types of backgrounds to bring your video conferencing to life, help you communicate more effectively and set your content apart. Draper’s neutral backgrounds come in six muted earth tones, and eliminate distractions, help prevent unwanted interference, control room lighting and ensure a consistent corporate image. Custom printed backgrounds can contain custom artwork, photographs, corporate logos and more. Chroma Key Backgrounds, typically referred to as “blue screen” or “green screen” technology, make it easy to change background images or show live action video footage.
Extron expands HDMI DA-lineup Extron Electronics is pleased to introduce two new, larger HDMI distribution amplifiers as part of its HDMI DA Series product line. The HDMI DA4 with four outputs, and HDMI DA6 with six outputs, are HDCP compliant and support HDMI specification features including data rates up to 6.75 Gbps, 12bit Deep Color, 3D, Lip Sync, and HD lossless audio formats. They also support HDTV 1080p/60 and PC resolutions up to 1920x1200. For ease of integration and reliable operation, the HDMI DA Series features two Extron-exclusive technologies: EDID Minder, which maintains continuous EDID communication between connected devices, and Key Minder, which continuously authenticates HDMI encryption between all devices, ensuring the simultaneous distribution of source content to connected displays. The HDMI DA Series is ideal for applications that require the distribution of an HDMI source signal to multiple displays.
Samsung Commercial Displays launched at ISE 2013
Barco release 'light-on-demand' projectors
Samsung has unveiled its full line-up of innovative digital signage products, including a 95-inch LED display, at Integrated Systems Europe (ISE) 2013. Samsung’s 2013 digital signage products are cost-efficient solutions for businesses, built on the newly developed Samsung Smart Signage Platform powered by a System on Chip (SoC) semiconductor. For the first time, software partners will have the opportunity to develop apps optimised for an assortment of service environments with the Samsung Software Development Kit (SDK). “These products will see Samsung continue to dominate the global market for LFDs in 2013. Samsung has focused on making the devices even easier to use and allowing people to play content without requiring a separate device,” says Mike van Lier, Business Leader for IT Solutions at Samsung South Africa.
Barco has added three heavy-duty and highdefinition three-chip DLP projectors to its portfolio. The brand-new HDF-W22 offers 22,000 lumens light output, the HDF-W26 clocks in at 26,000 lumens and the HDQ-2K40 generates no less than 40,000 lumens. What’s more, Barco’s HDX-W18, HDF-W26 and HDQ-2K40 projectors are available with a unique adjustable brightness feature. Thanks to this ‘light-on-demand’ technology, rental partners have full flexibility to tune the light output of their projector to the specific needs of their customer’s event. In this way, rental companies have full flexibility to tune an event to their customers’ needs with the smallest possible rental fleet. Barco rental partners can maximize both client satisfaction and return on investment. 34
AV 125.qxd
3/9/13
1:24 AM
Page 35
Analog Way unveils the NeXtage 16 Sony reveals its first Laser Light Source Projector
Analog Way is pleased to introduce the NeXtage 16, a brand new powerful high-end AV Processor. Based on Analog Way’s new LiveCore platform, the NeXtage 16 offers state-ofthe-art live processing and Soft Edge Blend capabilities for top-notch presentations. NeXtage 16 is a high-end Seamless Switcher with dedicated live processing, designed with a rugged reinforced chassis and hardware for demanding live events. Equipped with 16 Scalers, 8 seamless inputs and 2 main outputs, NeXtage 16 offers 28 input plugs: 4 x HDMI, 6 x DVI-D, 2 x DisplayPort, 8 x 3G-SDI and 8 x Universal Analog. With 4 independent true seamless layers per screen, as well as an independent Native Background layer included for Soft Edge Blending or individual screen modes, NeXtage 16 is an exciting tool to create impressive shows. The switch between any of the 28 input plugs can be operated in instant Clean Cut. The NeXtage 16 also offers unique connectivity through a SFP Cage to receive a large choice of Optical SFP modules per output. The device can handle any source from composite video, up to 2560x1600 (DVI Dual-Link available).
Sony announced at ISE 2013 the launch of its next generation light source and WUXGA installation projector with Laser Light Source Technology. This ground breaking product from Sony will be the world’s first 3LCD laser, 4000 lumens WUXGA (1920 x 1200) projector, making it the brightest projector of its kind and a first for the industry. This new addition to Sony’s installation projector lineup follows the award winning and popular design of the VPL-FH31 and VPL-FH36 models, part of the F series which is widely considered to be the top product within its category. The chassis is designed for optimum flexibility with a clean white finish designed to blend-in with its environment. The Laser Light Source Projector is free from worry of lamp change with increased durability and low total cost of ownership (TCO), with up to 20,000 hours maintenance free time.
Radvision introduce powerful multipoint control unit Radvision has announced its next-generation Scopia Elite 6000 Series multipoint control unit (MCU), enabling real-time video collaboration for businesses of any size. The new Scopia Elite 6000 Series reduces the cost per port for high definition video conferencing by up to 50%, offers double the density and performance, and requires up to 75% less power than traditional hardware-based MCUs. Video conferencing is becoming more pervasive due to an increasing number of video-enabled devices. As a result, there is growing demand for higher quality video and greater ability to support more participants and conferences as well as a mixture of endpoints. The Scopia Elite 6000 Series MCU delivers that high quality through full 1080p60fps high definition video communication while minimizing the bandwidth requirements for HD video in a streamlined, easy to use and administer, costeffective solution.
Crestron unveils Integrated Building Management Solutions Today, commercial buildings are smarter than ever before and require a fundamentally new approach to building management. During ISE Crestron introduced the European Market to its Integrated by Design solutions that enable global monitoring, management and control of AV, energy, voice & data, lighting, security, room scheduling, and HVAC on a single platform to maximise energy savings, lower operational costs and increase productivity. ISE attendees will have the opportunity to experience the fully-functional integrated building environment live at the show. 35
AV 125.qxd
3/9/13
1:24 AM
Page 36
Clear-Com features wide range of intercom offerings at ISE Clear-Com featured its latest range of intercom offerings at the 2013 ISE show held in Amsterdam during January. Among the systems shown was the recently unveiled Eclipse HX matrices and HelixNet Partyline system. The company also presents its BroaMan interface option and the latest upgrades to the Tempest2400 wireless intercom. “Clear-Com has made several exciting product announcements in the last few months, and we were pleased to show them to the ISE community,” says Karlie Miles, Regional Sales Manager for Africa and the Middle East. “Our 40 years of experience in the dynamic world of Broadcast and Live Productions have allowed us to build a portfolio of advanced wired and wireless intercom technologies that essentially meets the demands of many System Integrators, Consultants, and End-Users within the Pro-Audio space. ClearCom products and services have resolved communication challenges for a variety of applications and markets, including education, corporate, cruise ships and offshore.”
NEC celebrates 10 years of innovation NEC Display Solutions showed their broadest collection of display products and solution portfolios ever at ISE 2013, highlighting more than a decade of innovation and development. This year's stand includes the PIXEL MACHINE – a giant videowall made up of 23 55-inch large format displays run by Hiperwall – and a live demo of VUKUNET – the recently launched automated ad serving platform for the DOOH Industry. As well as these, there was a wide range of new interactive and collaborative solutions for digital signage, classrooms and rental and signage applications. "Visitors were able to see our current range of products, including desktop displays, public displays, and projectors, as well as some future news and the new range of LED modules,” says Ian Gobey, regional director for NEC Display Solutions. “Showgoers could also see a range of real-life scenario installations and our software solutions in action."
Next Generation imaging from WolfVision.
WolfVision’s VZ-8 series Visualizers have become a worldwide standard in a large number of universities and enterprises in recent years, and the new fourth generation of this popular Visualizer Series was on show at this year’s ISE 2013 in Amsterdam. The new units
build on the outstanding success of the existing VZ-8 Series models and now come with an elegant redesigned housing, 14x optical zoom capability, and feature a superb native 1080p HD camera. The new VZ-8light4 Visualizer provides all the standard features that every user requires. Besides the native 1080p HD resolution at 30 fps (frames per second), new features include a basic LAN port and HDMI input and output. With the optional ‘Feature Pack’ the VZ-8light4 can be upgraded to include infrared remote control, USB host port functionality and 9-image internal memory.
Christie conquers the elements The new Christie WeatherAll Series of LCD outdoor flat panels made its global debut at the ISE show in Amsterdam during January, setting the standard for outdoor LED-backlit LCD technology. Rugged and versatile, the first of the WeatherAll Series is the 55-inch Christie FHD551-W, a professional grade Full HD (1920 x 1080 resolution) solution designed to perform in a wide range of applications including outdoor sporting venues, outdoor live events, architectural applications, entertainment parks, public displays, the hospitality and resort industry, transportation services, and numerous other outdoor environments not typically applicable with standard LCD panels. “Christie is at the forefront in offering what customers need and the WeatherAll Series is designed to be the clear choice in an outdoor weatherproof display solution,” said Frank Anzures, senior product manager, Christie. “First in our WeatherAll Series, the Christie FHD551-W is easy to maintain while providing robustness and the vivid picture quality needed when presenting your message outdoors.” 36
AV 125.qxd
3/9/13
1:24 AM
Page 37
NEC Display adds LED backlighting to MultiSync V Series Projecta introduces the revolutionary Interactive Dry Erase Screen
NEC Display Solutions has added several new additions to its popular MultiSync V Series range of public displays, once again setting new standards in the professional entry-level segment with the introduction of LED backlighting. Building on the success of last year's overhaul of the V Series public displays, the new rock solid V423, V463, V552 and flagship V652 all boast a slimmer and lighter design despite a full metal chassis, a narrower bezel, and support for landscape and portrait orientation. This small, but very important feature allows the displays to be easily configured in any scenario. As one may expect, the introduction of LED backlighting into the V Series reduces power consumption significantly. This is augmented by the inclusion of an ambient light sensor, while a thermal management design, including user controllable fans for extreme installations, ensures the longest possible lifetime of the display and offers more flexibility than any other competitor.
Designed for interactive short throw projectors, the Projecta Interactive Dry Erase Screen is a revolutionary dualpurpose projection screen and writable marker board combination. What makes this screen stand out from anything else is that it has a superior projection surface that can be written on with dry-erase markers. The projection surface has Pro AV features such as a gain of 2.5 and 50 degree viewing angle. Also the projection surface practically eliminates the ambient light glare and hotspot that are known with standard whiteboards. The Interactive Dry Erase projection screen has a sleek 7 mm extruded brushed aluminum color frame finish and ships with a convenient tray for storage of markers, erasers and interactive tools. The included wall mount features a click-connect easy install method and post installation adjustment points that ensures perfect leveling of the projection screen and projector alignment.
New BOOK monitors from Arthur Holm Barcelonaâ&#x20AC;&#x2122;s based ARTHUR HOLM company used the recent ISE exhibition tp introduce a number of new products that reflect their strategy of continuous investment in research and development. Their new BOOK monitors have been designed to be used in already existing meeting, conference and board tables, auditorium and public information counters. They have been designed in solid aluminum with a front black edged anti reflection glass and can be also supplied with touch screen and with built in camera. They can be manually folded with adjusting angle and they can stand flat on the table desk surface with an excellent viewing angle; their installation does not require making structural changes on the table and it is extremely easy. Their cast iron base provides a perfect stability. Monitors provide a passive aluminium cooling system and are supplied with professional panels. DVI and VGA inputs are standard and DVI HDCP compatible is also available. This is an excellent solution for telepresence, video conferencing and for auditorium and counters, where the optimization of the screen height is crucial.
Digital Projection introduces a 40,000 Lumen solution Following the announcement late last year of the 20,000 Lumen Titan Super Quad, ISE 2013 sees its introduction to the European market. After spending time gathering market feedback, a brand new rigging frame has been designed with an innovative method to combine two Titan Super Quads to create a 40,000 Lumen projector stack in a quick and efficient manner. Further innovations abound with the European debut of an LED 3-Chip 1,500 Lumen projector and the addition of a 10,000 Lumen product to the already successful HIGHlite series. With 3D added to all models, the HIGHlite series is now the most feature rich 3-Chip projector in its class. 37
AV 125.qxd
3/9/13
1:24 AM
Page 38
Compression Fundamentals coming up soon
Success for IABM Broadcast Workflows During February 2013 SACIA successfully hosted the IABM Broadcast Technology Workflows course in Johannesburg. Attended by 26 people over two sessions, the course was presented by Dick Hobbs, an independent writer and consultant who has been involved in the electronic media industry for more than 25 years. Last year this was one of our most popular training programmes and Dick didn’t let us down. “What I
especially enjoyed about this course, and about SACIA's presentation of itself in general, was the emphasis on ethical professional practise obviously much needed in all areas of the media and communication industries,” says Kerrin Kokot, video editor at the SA Parliament in Cape Town. “Dick Hobbs, our instructor, was able to use his international experience to turn the material into useful, tangible examples.
During April SACIA is hosting the new IABM course: Compression Fundamentals and Applications. Compression has become a fundamental building block of AV environments, enabling functionality that would just not be possible with uncompressed media. “Compression is a subjective science taking advantage of redundancy in images and matching the visual results with human Perception,” explains Steve Warner, training manager at the International Association of
Broadcasting Manufacturers (IABM). “Preserving and optimising the image quality in operational environments is vital for success and therefore an understanding of the fundamentals of video compression is essential in every broadcast and proAV environment.” This 2 day course covers the core fundamentals and applications of compression and takes a look at compression in practice. For more information visit the SACIA website at www.sacia.org.za
New training initiative for AV Install Technicians Over the last 6 months SACIA has been hard at work developing a series of training programmes aimed specifically at AV install technicians. There are three courses in the series, starting with an introductory course that covers basic elements of AV installation such as safety, on-site etiquette, working with hand and power tools, reading schematics and wiring diagrams, cabling and termination. Each course includes elements of both theory and practical
content, and each course builds on the knowledge gained in the previous course. “At the conclusion of the introductory course participants will be able to install simple audio-visual system equipment according to known best practices,” says course instructor Mark Hull. In addition to being presented through SACIA, the Association is also working with local FET colleges to embed the curriculum into a broader range of technical training.
Zuma boosts FET funding to R2 billion Government funding to poor students in further education and training (FET) colleges will be increased this year, and the state’s commitment to turn the colleges into centres of excellence will continue. Speaking to students at the Tshwane South FET College in Mabopane, north of Pretoria, President Jacob Zuma said the feelings of inferiority that colleges experienced, in 38
relation to universities and universities of technology "must come to an end". Zuma’s visit was the first official visit to an FET college by a sitting South African president. Zuma was accompanied by Gauteng Premier Nomvula Mokonyane, Higher Education and Training Minister Blade Nzimande, Public Enterprises Minister Malusi Gigaba, and Labour Minister Mildred Oliphant.
AV 125.qxd
3/9/13
1:24 AM
Page 39
MECIA to close office at Dubai Media City After operating as a Freezone company within Dubai Media City since April 2008, the Board of the Middle East Communications Industries Association (MECIA) has voted to terminate their trading license with the Dubai Media & Freezone Authority. “We’ve had a fairly low profile over the last two years and we simply couldn’t justify paying the
annual license fees and regulatory costs associated with a running an independent legal entity,” explains MECIA chairman George Puthenkulam. MECIA will continue to operate on an informal basis, and will continue to participate at highprofile events such as the annual InfoComm ME exhibition.
InfoComm Design School comes to Johannesburg During the first half of 2013 InfoComm will deliver their three advanced DES classes in Johannesburg, South Africa. “At the moment South Africa boasts three specialist AV designers who have earned their CTS-D credential and we’re hoping that this course will inspire a few more people to acquire skills and certification,” says Kevan Jones, executive director of the Southern African Communications Industries Association (SACIA). The first course in the series, due to be presented from 8-10 April, looks at the physics that affect the planning and design of AV environments. Dimension
Data’s John Mills CTS-D attended our DES classes during 2011 and is enthusiastic about the impact his participation has delivered. “It’s a great course delivered by some of the brightest talent in the AV industry,” he says. “Not only did it provide me with greater insight into the challenge of designing advanced AV systems, but the CTS-D credential has elevated me within the industry. It’s an independent testimony to my knowledge and ability, and has certainly helped me in my dayto-day interaction with other professionals involved in the design and implementation of advanced AV systems.”
SACIA launch Business Code After months of discussion between SACIA members and industry stakeholders, SACIA have launched their new Business Code which is now binding on all members. The Code indicates a commitment to higher standards of ethics and service, and a willingness by SACIA members to be held accountable to those standards. “We aim for the SACIA logo to be synonymous with trust and quality,” explains SACIA Executive Director Kevan Jones. “Members need to proclaim their commitment to excellence and strive to be at the forefront of industry developments.” Members declare that: We know what we do • We are committed to excellence in what we do. We strive to be at the forefront of developments in our specific field of expertise. We take pride in the work we do, we know our products and provide professional solutions in line with our clients’ needs. We deliver what we promise • We commit to being dependable business partners. We keep the commitments we make, and will not say we can do 39
something which we cannot. We will take personal responsibility for honouring our commitments. We do honest and fair business • We subscribe to the highest standards of ethics in our business conduct. • We will not engage in dealings that are corrupt, dishonest or questionable. We will let our clients know where we have a conflict of interests, and will not hold out our advice as being objective where it is not. • We are always careful not to engage in anti-competitive practices. Where we compete for work, we do so fairly. • We respect intellectual property. • We treat all people with dignity and respect. The SACIA Board believe that abiding by these standards will lead to more professional and more trusting business relationships. Industry stakeholders who support the Code can access it on the SACIA website at www.sacia.org.za Once signed, it can be returned by email to ethics@sacia.org.za
AV 125.qxd
3/9/13
1:24 AM
Page 40
Joint and several liability for event organisers and sponsors South Africa’s stature as a world-class destination for large sporting events, most notably the recent Afcon Cup and the Soccer World Cup before that, is growing tremendously. Given this status, there is increasing scrutiny by regulators, noted in the recently promulgated Safety at Sports and Recreational Events Act (the “SASREA”), to address the inadequacies which have been prevalent in many sports and entertainment events.
S
ome of these inadequacies include insufficient emergency and essential services, insufficient resources being made available by local authorities, inadequate public liability insurance, a lack of proper safety certification and
structural engineering certificates for temporary structures, a lack of proper safety and security measures including crowd control at events,” explains Deon Francis, partner at Routledge Modise Inc. “Much of the flouting of these requirements has been driven by the fact that enforcement of punitive measures to ensure proper safety and security measures at events has been left wanting, but these days are long over. An event that is found to be lacking in proper controls and safety measures could find all involved coordinating parties from organisers, sponsors, venue operators and owners all held liable for any damages and legal claims.” In order to address these inadequacies the Department of Sports and Recreation, through the promulgation of the SASREA has now placed the responsibility of ensuring safety and security at events on the shoulders of controlling bodies, event organisers and venue owners. Given the spirit of the Act, it is evident that these entities will be jointly and
severally liable in the event of any civil liability arising at any given event. “Joint and several liability is a form of liability that is used in civil cases where two or more parties are found liable for damages. The injured party in such a case may seek payment of the entire judgment from any one of the parties so if any of the defendants do not have enough money or assets to pay an equal share of the award, the other defendants must make up the difference,” he explains. Although the SASREA provides for various duties and obligations on each of the entities, in the event of a disaster occurring and injury to individuals, those injured parties may choose to sue any of the entities as reflected in section 4 of the SASREA whether or not there was fault on the part of that party. For instance, if an injury has occurred as a result of insufficient barricading being available, whilst that may be the venue owner's obligation, the injured may choose to hold the controlling body or the event organiser liable. Those parties cannot deny responsibility on the basis that the barricading was the responsibility of the venue owner as the SASREA has placed a burden on all the entities to ensure safety and responsibility at events. Dani Ettridge, of Aon South Africa, a leading insurance brokerage and risk consultants, adds that SASREA has serious implications in terms of insurance liability cover. “SASREA has a very similar effect as the Consumer Protection Act. In terms of the CPA, where damages arise as a result of defective products, consumers can seek recourse against any one of the parties in the supply chain, be it the manufacturer, the wholesaler or the retailer. Similarly, in terms of the SASREA, in the event of individuals being injured at events, they can choose to seek recourse against any of the stakeholders in the event, be that a sponsor, a supplier or 40
"It is imperative that all parties take a proactive approach to insuring against risks associated with the SASREA requirements," says Dani Ettridge of Aon South Africa.
indeed an advertiser. It would then be for the parties to sort out amongst themselves who should be liable and to what extent. This would not affect the injured party though in that the injured party could look to any of these entities for compensation,” she says. “According to the provisions in SASREA, it is no longer viable or sufficient for only controlling bodies, event organisers and stadium/venue owners to have public liability cover. Whilst the SASREA does make public liability insurance cover mandatory, in practice usually only your controlling bodies and venue/stadium owners would enjoy public liability cover whilst the other parties would, in most instances, either not have public liability insurance or be indemnified by those who do have such cover. However, such indemnity clauses are now unlikely to be enforceable against third parties. It is imperative that each and every party involved takes out sufficient public liability to protect their own risks and not rely on the insurance policies of others,” explains Dani.
See us at CABSAT Hall 7 Stand C7-30
WHEN IT REALLY MATTERS ... Real-Time Networks for Video, Audio, Data and Communications
WUPPERTAL | BEIJING | BERLIN | GLENDALE | LONDON | MOSCOW | Sテグ PAULO | SINGAPORE | SYDNEY | VIENNA | ZURICH
www.riedel.net