T I N G YA N , Y E O tingyan.yeo@gmail.com | +6017 7670 570 cargocollective.com/yty
TY M A S T E R P O R T F O L O I F O A R C H I T E C T U R E
• R I B A
P A R T
2
• 2 0 1 4 -
2 0 1 6
01
Final Thesis
Year 02 | October 2015 - May 2016 Tutor: Gabor Stark + John Bell
THE WEATHER STATION
TRANSFORMING MARSA POWER STATION IN MALTA
Marsa Power Station, the one party arguing for a co
The thesis proposes a my redevelopment of the pos the turbine hall as the only
The building is stripped ba system that responds to t capsule is fitted-out with t machines are re-purposed
main source of electricity in Malta from 1953 until its decommission in 2015, has witnessed a controversial debate about its value: with omplete erasure, and the other campaigning for its preservation as an landmark of historic significance.
ycelium-based detox strategy for the heavily polluted site, remediating the environmental damages of the past and enabling the future stindustrial landscape. Whilst first demolition works have already started, the project proposes the conservation of the 180m long space of y remnant of the site’s industrial history.
ack to its structural skeleton framing the biggest existing interior space in Malta. The naked structure is equipped with a multi-layered façade the external environmental forces and that mediates between the uncontrolled exterior and the controlled interior conditions. The climate technical services corresponding to the anatomy of the former industrial mechanisms: standard water sprinklers, HVAC systems and fog d in order to convert the hall into a weather machine, capable of replicating the whole range of the earth’s climatic conditions on demand.
Mapping Infrastructure in Malta
GOZO Qortin Landfill Gharb
Ta’ Zwejra
COMINO
Gozo
Cirkewwa
01 WASTE _ Landfills PAST PRESENT
Malta-Sicily
closed landfills - RESTORATION + REHABILITATION
Ic-Cumnija
existing facilities engineered landfills marine dumpsite
FUTURE
Ghallis
waste treatment plant
Maghtab - 280sqm[A], 60m[H] Maghtab Pembroke
Maghtab Landfill
Ghallis Engineered Landfill
Marsaskala Landfill
Qortin Landfill Kappara
02 POWER _ Transmission System
Msida
power station distribution centre _ 220/132kV distribution centre _ 132/33/11kV
Mosta
distribution centre _ 33/11kV
Marsa
220kV 132kV submarine cable 33kV 33kV overhead lines
MALTA
Marsa South
submarine Delimara Marsa Power Power Station cable to Gozo Station
03 WATER
Lapsi
reverse osmosis plant New Water Plant
Cirkewwa RO Plant
Ghar Lapsi RO Plant
Pembroke RO Plant
A Mapping Project • INFRASTRUCTURE [ Exploration of the intertwining relationship ]
04 AIR _ Quality
Projecting the essentials of life.
air monitoring station air pollution level
Air Monitoring Marsa Plant Delimara Plant Pollution Pollution Station
MAPPING INFRASTRUCTURE
Projecting the essentials of l
INTRO
14º34’ E 35º55’ N
A mapping project on Malta’s infrastructural system [waste] + [power] + [water] + [air] explored the intertwining relationship of the undesired environmental issues on the island. The accompanying Crime Investigation Wall is deployed to further delve into the relationship among the local politicians, the two dominant political parties and those major industrial company directors to see how the conflicts and welfare among them affect the infrastructural development in Malta.
a Kordin
Ta Barkat
Sant’ Antnin Marsaskala
Zejtun Delimara P.S.
+ Environmental impact
life: Waste, power, water, air.
From the many cases, Marsa Power Station turned out to be a predominant case for its plenty of pollution problems and political conflicts, despite it has been the main source of electricity for the nation and served the island for the past 61 years until it was officially decommissioned early 2015.
Crime Investigation Wall
victim evidence culprit defence
THE GRAND HARBOUR • waterfront
MPS is located within the industrial inner harbour a
waterfront + historical area
and is listed as an archaeologically sensitive area.
Marsa Power Station [ MPS ] coastal zone boundary the inner harbour • commercial, industrial and dock areas • 7.2km
the Valletta / Floriana waterfront • passenger and related services, leisure and tourism • 2.5km
the Cottonera side • residential, leisure and tourism • 6.6km
ferry landing point tank cleaning facility historical value area listed archaeologically sensitive areas Jesuit Hill Battery
• It was an artillery battery built by Maltese insurgents during the French blockade of 1798-1800. It was located on higher ground.
Marsa Battery
• The battery was built at the bottom of Jesuit Hill, close to the shoreline. • The battery was small, and consisted of a small masonry parapet with three embrasures, a hardstone gun platform, a sentry room on the left, and a flanking rubble wall on the right. A magazine was also built to the rear of the battery. [Like the other French blockade fortifications, Marsa Battery was dismantled, possibly sometime after 1814. No traces of the battery can be seen today, and the area is now heavily industrialized.]
1985
1 9 9 7 _ 2 0 1 5
1970
Block Plan of Mar
1965
2 0 1 8
>> According to a Full Decommissioning Plan issued by the Enemalta Corpo
1953
TIMELINE • EXPANS
MPS has witnessed a controv
rsa Power Station
oration, MPS will vanish from the skyline of Marsa by 2018.
SION + EVALUATION
versial debate about its value.
Evaluation A value debate from the crime investigation wall on MPS’s future: GEM or SCRAP?
S C R A P
> Major political figures think the financial gain to reuse the power station would be less than the value for scrap. They anticipate its forthcoming demolition. Konrad Mizzi • Energy Minister
Dr. Joseph Muscat • Malta Prime Minister
Ing. Fredrick Azzopardi • Enemalta Executive Chairman
G E M
> Former workers suggest the power station should be conserved for both educational purpose and historical importance. Lawrence Ciantar • Former chief engineer at the then Water and Electricity Department
Carmel Pule • Former engineer at Marsa Power Station
Joseph Mizzi • Former trainee at Marsa ‘A’ power station in 1962
MPS underground station Enemalta Employees
Nationalist Party
Labour Party
• The 1953 underground ‘A’ station will be conserved for its historical significance.
detox • MYCOREMEDIATION >> A technological study focus on bioremediation in response to the environmental damage caused by the old school energy production. Full report: https://issuu.com/tingyanyeo/docs/ty___detox____mycoremediation_02
• contaminated post-industrial landscape at MPS
• decontamination via mycoremediation
For future adaptive reuse on this postindustrial landscape, it is essential for the remediation works to be done proficiently to prepare the ground condition from an unknown state in terms of risk and hazards to a known and safe state due to its exposure to all sorts of chemical contamination during its working life.
operation SHUTDOWN
decommission COLD STANDBY
DECONTAMINATION
DISMANTLING
WASTE DISPOSAL
R E M E D I A T I O N
reuse LAND REUSE
05
Mycoremediation is a form of bioremediation, a process that breaks down contaminants using fungi, or more commonly known as mushroom. It is the network of white and fuzzy filaments called mycelium that fruits mushroom. Technically, mycelium produces enzymes that break down long-chained toxins into simpler and less toxic molecules. This technique was founded by an American mycologist, Paul Stamets who has spent nearly 3 decades researching on mushroom. In order to achieve greater results and to obtain a better understanding on mycoremediation, a number of experiments from a simple home growing mushroom kit to more intricate growing process were established. 03
A.
01
A. coffee ground B. hay
B.
02
03
+ 8ml gear oil
02
+ 2ml gear oil
01
C. woodshavings
C. DAY 17 01
02
03
A.
B.
Mycelium fruits faster and bigger on hay with 8ml of gear oil compared to the one without any gear oil.
C.
Mycelium digests the gear oil by breaking down the petroleum hydrocarbons into non-toxic components [H2O and CO2 ] as its nutrients. DAY 21
t he or y
my coremediation
01
02
Strip off • EXISTING ENTITIES
03
04
01 chimneys 02 HFO storage tanks 03 boilers 04 turbine engine 05 administration building/ distribution workshop/ store 06 turbine hall skin 07 turbine hall structure 08 Jesuit hill 09 Grand Harbour
06
07
08
REMEDIATION STRATEGY FOR POSTINDUSTRIAL LANDSCAPE Technological studies on mycoremediation for future adaptive reuse on heavily polluted site.
exhaust stack
air conditioning du
air blower
ai
sprinkler
exhaust fan
air conditioning ducts sprinkler
heater
demineralized water system
chiller main switchboard storage tank
combustion chamber
storage tank
mains earth drain
p
>> This anatom the functional com industrial mechan
The gadgetry is re interact with natu generate a weath
well
ANATOMY • HARDW
Studies on machinery and a
Reoccupying • TURBINE HALL >> The turbine hall at MPS is of similar size to the Tate Modern’s Turbine Hall. This long and colossal volume has endless possibilities for adaptive reuse. Despite of all sorts of possibilities, the project aims to achieve a space that could create different atmospheric conditions in this turbine hall.
ucts
y Turbine Hall at MPS • plan
ir blower
Turbine Hall at MPS • section y Turbine Hall at Tate Modern
155L x 23W x 35H
Turbine Hall at MPS
180L x 18W x 24H
valve set chiller boiler
pump
heat map diagram
0 - 10 ºC 0 - 30 %
compressor unit heat change
my resembles mplexity of the nism.
e-purposed to ural elements to her simulator.
WARE + HEAT MAP
atmospheric configuration.
30 - 55 ºC 70 - 90 %
>> The heat map represents the varies possibilities of temperature and humidity alteration in the turbine hall.
10 - 24 ºC 40 - 60 %
01
>> By stripping off all the existing entities of the power station and only retaining the skeleton of the turbine hall, a series of intervention was introduced. First, inducing the seawater from the grand harbour to surround the site, a new facade to envelope the building, a series of circulation and a layer of rigs to support the new gadgetry.
02
03 Intervention • THE ESSENTIAL CONSTITUENTS
04 ii 04 i
05 06
07
E 01
top of rig level +27.0 roof level +23.0
E 02
01 solar panel [roof level] 02 rig
ground level +0.00
03 air blowing machine 04 tornado machine [ i. smoke machine +
basement 2 level +5.50
basement 1 level -2.75
ii. exhaust fan ] 05 sprinkler system 06 pool filtration system 07 lift + stairs 08 sealed glazing 09 existing structure 10 entrance 11 induced seawater
08
10 09
>> View from the G E 01 entrance view
11
10
INTERVENTION • The naked structure of the turbine hall is equipped
skin Components components Skin aluminium egg crate L bracket dowel 80mm x 80mm reflective stainless steel plate
wind veil _ detail II 1:5
wind veil [external]
glazing
wind veil _ detail I 1:25 wind veil [internal]
E 03 rig structure
0
E 04 ground level +0.00 sunken pool level -1.80
Cro
ss
ct Se
ion
>> The skins are composed of a layer of wind veil [with reference to the artist Ned Kahn] on the external facade to imitate the wind movement and keeping the look as minimal as possible. A layer of glazing seals the interior for the machine to operate at an optimal level followed by an internal skin of wind veil.
Grand Harbour E 02 underwater tunnel view E 03 going up the ramp
E 04 central bridge view
>> The entrance to the turbine hall is via an underwater tunnel, where it leads to a narrow corridor with water reflection going up a ramp and finally arriving at the central bridge that connect one end to the other.
faรงade system with multi-layered skin components and gadgetry.
return
return
main feed from seawater culvert
pump
dem
skimmer
return
skimmer main drain
ine
rali
zed wa sand filter ter sys cation unit tem anion unit valve
main drain return
chiller system heater return
filter
Poo l
Filt
> fi drain > lter + fill // d supp rain ly h the ot // poo col dw l ate r fr om
rati
on
Sys
motor pump
tem
drain
retu
motor pump filter heater chiller system
sea
wa
ter
cul
ver
t
INTERVENTION • former industrial
The gadgetry integrates with natural elemen
urn
wet pipe sprinkler dry pipe sprinkler
distribution pipe
boiler chiller
valve set • wet
distribution pipe
Wa
valve set • dry
ter
> s > upply c re h o ate t // rain co // s ld m now ist f ro m
compressor unit master pump jockey pump
Sp
rin
kle
rS
yst
em
sea
wa
ter
cul
ver
t
storage tank dem
ine
rali
zed
wa ter anion unit sys tem cation unit sand filter storage tank
air in
air out
air out
duct
air out exhaust stack supply duct supply plenum
draft hood ling
coo
combustion chamber
ion
t bus
heat exchange
com
blower chamber
industrial mechanisms
nts to generate diverse weather conditions.
te s y S nd
H [ m
ercold wni g wind w l o / / t ro
B y hot e // s r i A p p l re e z su b > re a t e c >
C VA
]
main feed from seawater culvert
CLIMATE MACHINE Integrating architecture, technology and environment.
VISUALS • WEATH
A demonstration of weather con
• the gusts of wind of a tornado • the mists of the morning fog • the screeching thunder on a rainy day • the unbearable heat in a desert plain • the lightness of cotton-like clouds
HER POSSIBILITIES
ntrol in a confined environment.
02
Pre - Thesis
Year 02 | September - October 2015 Tutor: Gabor Stark + John Bell
BIRD HOUSE 2.0 THE LIVING MACHINE
ABOUT Air pollution has hit an alarming rate in recent times. Birdhouse 2.0 provokes a statement to address this global calamity. Birds, a well known species to man will be the first to fall victim to the depleting air quality. ‘Canaries in a coal mine’ is the best allusion to show how sensitive they are to the poison content in the air. Would birds soon suffer the agony of not living freely in the open environment anymore? That’d mean they are restricted to only spread their wings in a confined territory of a living machine only to preach a glimpse of what their ancestors used to endeavour. Are we, the human race, the contributors to all this catastrophe next in line to suffer the similar consequences?
25
01 18 02
26
04 06
03
16
17
19
20
05
21
07
08
27
29
22
componen
09
01. ventilation fan 02. exhaust funnel 03. oxygen pipe rings 04. clear pipe 05. air provider
23 12 14
13
15
30
10
11
24
nts 06. clear box top piece 07. clear box left piece 08. clear box back piece 09. clear box right piece 10. clear box bottom piece
11. clear box front piece 12. waste funnel 13. waste container 14. bird stand 15. plate adapter to tripod
16. syringe 17. nutrition dropper 18. cork cover 19. airplant 20. glass jar
21. water bottle wire 22. water bottle 23. bird entrance plate 24. maintenance plate 25. clear corner plate
26. clear bolts | 30 nos 27. clear nuts | 30 nos 28. thermometer 29. bulb holder kit 30. heat bulb
03
D e s i g n P r o je c t
Year 01 | January - May 2015 Tutor: Gabor Stark + John Bell
Part
NEXUS FABRICA
CONSTRUCTING CULTURES
The the m to de mor arch
The Phas Phas Phas
Part
The hybr serv ente educ
t 01 | Post-Palimpsest >>
Design Research agenda focuses on means of production. This project seeks evelop methodologies which allow for re rigorous yet inventive approaches to hitectural design.
project advanced in three distinct phases: se 001 • Index Rerum se 002 • 2D > 3D > 2D se 003 • synthesis
t 02 | Design Research Proposal >>
final phase realises a proposal for a rid building set within a landscape, which ve as a cultural nexus: a place for study, ertainment, dwelling, contemplation and cation.
006
011
016
021
002
007
012
017
022
003
008
013
018
023
004
009
014
019
024
005
010
015
020
025
Chance Operations
5 x 5 | GRID
Instead of repeating the process, 25 images were extracted from the resulting prints. The images were then laid out in a sequential arrangement of 5x5 grid.
s tep 03
s tep 01 s tep 02
001
Chance O perations
A nal o g u e | OKTOM AT Using analogue photography, the first exercise was experimented with Lomography Oktomat Film Camera. Within 2.5 seconds, one press on the shutter button results in 8 sequential shots in one 35mm print. Since it was the first time using Oktomat camera, the process is almost aleatoric. The idea was to obtain the results on chance operations. By accident, only 7 prints were obtained from the entire roll of film. Each prints have multiple exposure effects. This resulted in some interesting images.
6:24
4:24
2:59
2:45
3:08
0:54
1:06
4:01
1:12
2:40
0:50
3:24
3:42
3:00
4:05
1:24
1:12
0:59
5:00
1:43
1:30
0:56
3:20
4:02
0:24
Chance O perations
Time | SPEED Time was recorded during the tracing process on each images. Line qualities, densities and precision were being considered during the exercise. The traced drawings were imported into Illustrator while the recorded time was used in a calculation to generate a digital iteration.
s tep 04
19.0
13.2
8.95
8.3
9.4
POINT
2.7
3.3
12.1
3.6
8.0
2.5
10.2
11.1
9.0
12.25
4.2
3.6
3.0
15.0
5.2
4.5
2.8
10.0
12.1
1.2
C hance Operations
Computation | BLEND OPTIONS A mathematics formula was created to generate a set of number for digital sculpting in Adobe Illustrator. The recorded time was being divided by 8 frames and 2.5 seconds which were the features of the analogue camera used in the first place.
/ 2.5sec / 8 frames
This newly generated number then became the specified distance in the Blend Options. On each images, selected lines/paths were transformed using Blend Options. The gradually distributing lines resulted in a set of 3-dimensional like drawings. The method was again as aleatoric since it was determined by the computation.
002
0:54 sec
ste p 02
step 03
analogue photograph
traced lines drawing
2.70
s tep 04 computer generated drawing
s tep 0 5 3d model in Rhino
s tep 05
006 _ 4:24sec | 13
3.20
TERRITORY
NET
LINE
025 _ 0:24sec | 1.20
002 _ 0:54sec | 2.70
024 _ 1:43sec | 5.20
3D ITE R AT I O N
Kevin Rhowbotham | ITERATION From Kevin Rhowbotham’s book Field Event/ Field Space, he used Iteration as the basic tool for the production of work which he referred as field studies. A series of 5 characteristics were used in the method: POINT
LINE
GRID
TERRITORY
NET
With the notion of iteration, a number of transformations were achieved by cross referencing each characteristics in a table.
s tep 06 s tep 07
FIELD SPACE
NET +
TERRITORY
LINE
POINT
P R O JECT I O 001
006
011
John Ca
“Minimal Mu as to deny hi resulting in a than a progre
002
007
012
Imagine the l they projects alteration the moving that m
When the line the different d alteration of d changes. 003
008
013
004
009
014
The experime between the o distance, mo
Chance O
Pixellat
The projectio into pixellatio mapping at d to overlap on a series of pi building/prog 005
010
015
3D ITER ATION
3d Print | FIELD SPACE By setting up a 25mm x 25mm cube as the field space, each components created from the 3d iteration table integrated in the cube and crafted negative space within the cube. The final outcome was sectioned into half and 3d printed.
ON MA P P IN G
age | MINIMAL MUSIC
usic is composed in such a way erarchic structure and patterning a succession of events rather ession of events.�
lines as music intervals, when s on the 3d-printed model, the e surface depth results a sense of mimics a rhythm/melody.
es stretches or contracts over depth of surface, there is density as the projecting surface
ent is to study the relationship objects and events, time and ovement and space.
+
Operations
tion | MAPPING
on mapping was further deployed on mapping. The projection different intervals were selected n a grid system, resulting in ixellation cloud study as the gram form.
s tep 08
SECTION
from M APPI NG to building PROGRAM TRANSITION The rapid experimentations of projection mapping and digital mapping mediates between diagrammatic frameworks, urban systems, architectural precedents and design approaches.
NE T CANO PY NET CANOPY
Field space Net
The net finishes off the enclosure of th The net finishes offeducation the enclosure of the platforms for the zone. Theb for the education The net isand pulled to form a nettingzone. amphitheater ap amphitheater and a playful open plaza.
Territory
Line
Line + Net Section
Ribbon Facade Facade Configurat Configuration Ribbon
Point Territory
Field Space
Section
FORM ITERATION II
form iteration II
rmations were achieved Utilizing Utilizingthe thesame sameconcept, concept,thethefinal finalform form buildingwas was achieved of of thethe building achieved nal form in the previous through through a series form iterations, resulting featured elements: a series of of form iterations, resulting in in4 4featured elements: e Iteration: FACADE • MULTIPLE PLATFORMS PLATFORMS RIBBON • NET CANOPYNET CANOPY • MULTIFORM RIBBON FACADE • MULTIFORM THEATER N THEATER
The building is sandwiched by twistin The sandwiched by twistingt twistbuilding to formisdifferent configurations twist to form different configurations to provide environmental comfort to the environmental comfort to the users.
tech n i ca l d eta ils
he building to provide different open air to provide different air platforms ebuilding net is pulled down to the open mezzanine level down to the mezzanine level to form a netting playful open plaza.
7
[top of the ribbon]
2 4 3 6
Configuration 001
Configuration 003
Phase 003 _ Nexus Fabrica
Configuration 002
DE TAI L I _ NTS
5
1
1. conical bearing 2. gear 3. metal rod 4. metal plate 5. motor 6. bondable teflon and PTFE 7. metal box
DE TAI L I I _ NTS
[bottom of the ribbon] 1
page 04
1. bondable teflon and PTFE 2. metal plate 3. metal rod 4. metal box 5. conical bearing 6. spring
2
onfiguration tion
FORM ITERATION
Configuration 004
3
4 6
ng ribbons along the facade. The ribbons gtoribbons along thedifferent long facade. The ribbons accommodate activities and accommodate different activities and provide users.
5
DE TAI L I
North Elevation _ NTS
DE TAI L I I
market place Phase 003 _ Nexus Fabrica page 05
EXPLODED 3D
mezzanine
amphitheatre _ seating area
04
D e s i g n P r o je c t
Year 01 | November 2014 - January 2015 Tutor: Gabor Stark + John Bell
PALI MPS EST
CONSTRUCTING LANDSCAPE
P A P
PALIMPSEST | ‘palimp,sest | noun: A manuscript or piece of writi Figurative: Something reused or alte ORIGIN mid 17th cent.: via Latin from source: Oxford Dictionary
H
In this project, the focus are two-dim project seeks to open up an appreci of fragments as a notational explora
O
The task of the project is to use draw contemporary realities of the Fabrica investigation and intervention for ter
[ Group work with Anthony Gray +
S
ing material on which the original writing has been effaced to make room for later writing but of which traces remain. ered but still bearing visible traces of its earlier form. m Greek palimpsestos, from palin ‘again’ + psestos ‘rubbed smooth.’
mensional, three-dimensional and time-based systems of notation and communication as a basis for innovative architectural production. The ation of the discontinuities, gaps and elisions which exist between systems of recording and representation, while promoting the synthesis ation of location and formation, space and time, fixity and motion.
wing, model making, video and audio to interrogate, to understand and to communicate the complex natural, cultural, historic and a site in Pafos, Cyprus. We develop multi-layered notations —or palimpsests— of the given landscape and construct our territory of rm 2 and 3 of the academic year.
+ Owen Darby. ]
001 _ THE PALIMPSEST DRAWING
The palimpsest drawing is a complex mixed-media drawing articulating 6 selected thematic layers of Paphos. The drawing combined, challenged and transcended the conventional architectural regimes of orthographic, axonometric and perspectival representations of space. Various drawing techniques was experimented throughout the project with a combination of different drawing tools. The final idea focused on a 6x4 grid of curated vinyl sleeves.
002 _ THE PALIMPSEST MODEL
One physical object depicting and combining 6 selected thematic layers of Paphos site. Using only vinyl records, a stretch of topographical model was constructed corresponding to the 6x4 grid of vinyl sleeve drawings. The vinyl records were cut, heated, reformed and disposed in the desired configuration along a wooden plinth which made the spine of the model. The triangular pieces represent the buildup region -- shopping mall, residential, uptown; while the fluid piece represents the landscape/terrain/topography - the Fabrica site.
003 _ THE PALIMPSEST FILM
A time-based portrait of the Fabrica site. It was started by creating a storyboard, editing and post-producing a piece of three minutes duration using After Effects. We divided the video into three verses and three choruses. The main focus was to emphasize the contrast between the Fabrica landscape and the surrounding development(shopping mall). Since all images were taken on site using 35mm film, we screened the film showing on each slide. White thick line which was also used in the Palimpsest drawing, run through every frames to distinguish foreground, midground and background.
06
05
04 03
02 01
PAPHOS, Cyprus
06
05
04
03
02 01
01 habour/tourism 02 church/village 03 Fabrica 04 mall 05 residential 06 uptown
001 _ p a l i m p se st d r aw i n g | t e c hn i q u e
curated vinyl sleeves based on the thematic layers
scratching
effacing + adding
• Some of the original images/information was effaced but still bearing its traces by scoring with knife. New information was then added onto the sleeves. scoring
collage
scratch-
• A mixture of washing acrylic paint was appli to create a new piece o revealing selected orig iron paper
FINAL DRAWING
-able paint
washing off
g up liquid and black ied onto each sleeves of drawing by slowly ginal graphics underneath.
G
projecting contour and map on the vinyl sleeves
• Washed off effect was achieved by chance when the black paint failed to work on certain sleeves and was removed using tape water.
vinyl sleeves cutout
silkscreen printing
tracing
002 _ p a l i m p se st m o d e l | t e c hn i q u e
heated -- reform
The vinyl record was cut into smaller pieces, heated using heat gun and reformed into desired form. wooden spine
A wooden plinth as the spine of the model.
heated -- reform
The vinyl record was cut into smaller pieces, heated using heat gun and reformed into landscape sector.
t
record player
A turntable is inserted as part of the model to play the Cypriot music record with Greek Cypriot music on one side and Turkish Cypriot music on the other.
hot glue gun
The vinyl records were cut into smaller triangular pieces and held together with hot glue gun to form the buildup region. assemble
Both the fluid and triangular pieces were arranged in the desired configuration following the 6 thematic layers.
003 _ p a l i m p se st f i l m | t e c hn i q u e
VERSE 1 Inside the cave
45 seconds [9 seconds each]
CHORUS 1 Emerging from cave, looking out towards mall, yet to be built 15 seconds [ 2, 4, 9]
VERSE 2 Views of Fabrica landscape
45 seconds [9 seconds each]
CHORUS 2 Emerging from cave, looking out towards mall, as cranes pop up 15 seconds [ 2, 4, 9]
VERSE 3 Views from Fabrica lookout point 40 seconds [5 seconds each]
CHORUS 3
Emerging from cave, looking out towards mall, now built 20 seconds [ 2, 4, 9, 5]
A vinyl record of Cypriot folk music with Greek music on side A and Turkish music on side B. Selected contains were extracted from the lyrics booklet and screen printed on the Palimpsest drawing; while selected tracks from each sides were remixed and incorporated in the Palimpsest Film.
05
D e s i g n P r o je c t
Year 01 | September - October 2014 Tutor: Gabor Stark + John Bell
ART HOU SE THE FUTURE OF RIVERSIDE STUDIOS
Riverside Studios is located metal. It was bought by the station hub. Later in 1975, it Riverside had grown caterin television companies, eventu
In December 2013, planning neighbouring Queen’s Wharf of the basement, first and se
The studios will have newly space. The river walkway wi studio aims to collaborate w At present, the Riverside Stu
The ARTHOUSE research an and trust, friends and forme presentation in London.
The key aims of the project arts economy and arts broa
in the West London Borough of Hammersmith and Fulham. The building began its life in the 1800s as a factory for water pumps and sheet Triumph Film Company in 1933, serving as a film studio until 1954 when the BBC moved in and made Riverside Studios its television t received council funding to become a community arts centre and, with playwright Peter Gill as its first artistic director. Since then, ng visitors with an ambitious theatre and cinema programme. It managed to stay alive over time by letting out some of the studio spaces for ually becoming a mixed commercial and subsidized model of operation.
g permission was granted to developers Mount Anvil and A2 Dominion to revamp the Riverside’s existing building and that of the f. As proposed, it would be replaced by a new building across both sites as the new Riverside Studios will inhabit the ground floor and parts econd floors, with the remainder of the building being luxury apartments.
improved facilities including three studios, a cinema screening room, a community and rehearsal area as well as a public entertainment ill be opened up across the riverfront and Queen’s Wharf. While providing a mixed programme of performing arts, cinema and television; the with arts organisations across the nation and to reach out to new audiences incubating a future generation of creative technology and skills. udios is closed to public and is set to reopen for autumn 2017.
nd design project speculates the future of Riverside Studios and actively engages with its various stakeholders, Riverside Studios staff, board er collaborators as well as representatives of Hammersmith and Fulham London Borough Council. This project was culminated in a public
were to increase current public access to the arts through television broadcasting and other forms of mass media, and also stimulate the adcasting activity.
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River sid e S t ud ios Pot ent ia l P rog r a m m es
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A comprehensive understanding of the demographics and potential activities taking place in the studios helped to distinguish two major ratio of users within the vicinity. The residences being 78% of the group, engaging themselves with private activities such as sports, family and living. While the Commercial & Cultural group focuses more on their productions and filming works. Thou, they do have common interests ranging from music, food, and entertainments.
c o n cept deve l o p m e n t | E x p e r i m e n t o n P hy s i c al m o d e l indeterminacy “refers to the ability of a piece to be performed in substantially different ways.” John Cage
Building Form + Circulation By creating negative spaces on a solid block following the site boundary, hollow tubes emerge from the main center core as circulation, allowing ‘undetermined’ potential programmes to take place around them.
Programme Configuration Green block and red block are set up as residential and art space respectively. The blocks are configured to suit the surrounding public space and design strategies on site.
ARTHOUSE/NOMAD The Future of Riverside Studios
Di a g ra mm atic D es ig n Str ateg ies generous
opening
vertical connection
maximize natural lighting
pedestrian path
horizontal connection
2 rings of apartment
link both apartment rings
+ 5
with every unit getting
view & natural lighting
create a
“city lounge”
art space social space
‘attraction’
+ 4 visual linkage from the bridge
generous
opening
dre roo ssing m
vertical connection
maximize natural lighting
stu dio III by KIM & YTY
Indeterminacy Insertion
+ 3
dre roo ssing m
edestrian path
stu dio II
2 rings of apartment
ng
conprodu trol ctio sui n te
+ 2
link both apartment rings
lob by
with every unit getting
caf e soc ial spa ce
view & natural lighting
art space
Sectional Tube Study | NTS The sectional drawing studies the crossovers of the vertical and horizontal tubes. They allow a continuous flow of light in the building, allowing pop-up activities to take place in the tubes.
vertical connection
l
al
horizontal connection
horizontal connection
link both apartment rings
+ 1
Indeterminacy Insertion by KIM & YTY
+ g
gal
re censourc tre e
lery
+24.00 5th floor
c /rehommu ear nity sal
gal
lery
gal
lery
re censourc tre e
stu dio II
I
+21.00 4th floor
gal
lery
gal
s offi tudio ce
lery
+18.00 3rd floor stu dio III bov e
da
dre roo ssing m stu dio II
s offi tudio ce
s offi tudio ce
conprodu trol ctio sui n te
+15.00 2nd floor
lob by
caf e soc ial spa ce conprodu trol ctio sui n te stu dio I
dre roo ssing m
conprodu trol ctio sui n te
dre roo ssing m stu dio II
s offi tudio ce
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conprodu trol ctio sui n te
+12.00 1st floor
+0.00 ground floor
voi
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stu dio I
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lob 3 by
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dr zonop off e
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app lob artme by nt
app offi artme ce nt
I
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lift
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J
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L
lob app lob artme by nt
s offi tudio ce
by cin
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a
desig n p ro p o sa l | s e c t i o n
open spac e o n st re e t le v e l
atrium
exter ior view on Ham m er sm ith
tube spac e
h B r id g e
WORKFOLIO daytime
N O. 1
double bed
kitchen
bathroom
dining
O U T-B A C K // N Z J uly - S ept 2016
decking
nighttime f
bathroom
double bed
pull-out double bed
bach 01 36 m²
2-4
2 - 4
wedding
+ Pullplatform into ano
decking
Ngawhini Glamping • Design Proposal The project seeks for innovative construction method as well as sustainable material as the initial brief. The design proposal puts forward SIP system [structural insulated panel] and modular design system to achieve flexible space manipulation.
double bed
kitchen bathroom
2-6 45 m²
bach 02
2 - 6 wedding bach // type B
+ The mezzanine level under the pitch roof provide a cosy space to lounge about.
bar counte
Structural Insulated Panel [SIP] osb/cement wood board [ext] foam osb[int]
cluster studies // unit A
+ 9 m2 + 1220 x 3660 mm A 001
A 002
4
4
4
A 003
A 004
bunk bed
g bach // type A
-out bed under the raised m transforms the living room other bedroom at night.
bunk bed
4
bunk bed double bed
bunk bed
bunk bed
sofa bed
bunk bed
cluster studies // unit B
+ 12 m2 + 1220 x 4880 mm B 001
4
B 002
4
B 003
6
B 004
bunk bed
bunk bed window seating
double bed
er
bunk bed
ladder
bunk bed
decking
bunk bed
curtain
4
curtain
bunk bed
curtain
curtain
sofa bed
sofa bed
bunk bed
N O. 2 UCA B AR // UK Ma y 2015
Hop Garden + UCA Bar • Designed + Built This is a commissioned project in collaboration with Anthony Gray in the summer. The project aims to enhance the UCA bar outdoor area by putting up pallet garden along the fence and be able to harvest the fruit at the end of the season. top: Hop climbs along the string to create a hanging garden above the seating area. middle: UCA branding graphics on the pallet brings identity to the outdoor garden area. bottom: Bar counter was redecorated with reclaimed materials to provide extra shelving.
N O. 3 C i t y l a b D e s i g n S tud i o // MY S A p r - A ug 2014
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floor plan 1 : 100
// 01 Langkawi House • Residential Proposal Langkawi House takes inspiration from the Farnsworth House by Mies van der Rohe. The floor-to-ceiling windows around the entire house intend to bring the dweller and the surrounding landscape together.
// 02 Prototype Gallery • Gallery Fit-out Project As a hidden gem in the concrete jungle, Prototype Gallery is an outreach by Citylab Design Studio. It hosts regular art markets and showcases curated local art content such as 3D printed models, handmade artwork and fashion accessories.
// 03 Wisma Central Rooftop • Design Proposal A 3D visual proposal to bring in a breath of fresh air to Wisma Central - a dated infrastructure located next to KLCC. The proposed landscape on the rooftop aims to enhance the shared social platform for the community.
Product De
// 04
// 05
esign • Gallery Launch Party
top left: matchbox design with vintage Malaya stamp graphics. top right: curated airplants for Amai ‘self-form’ clay vase. bottom left: deconstruction of the chaise longue + monochrome home accessories bottom right: matchbox design in collaboration with Malaysian artist - Ajim Juxta.
Poster Design • Prototype G. Launch Party
N O. 4 S e s h a n D e s i g n // MY S J an - Dec 2013
// 01 Retail Interior + Fit-out Projects
After RIBA Part I study, I’ve taken the role as an architectural assistant at Seshan Design for a year. I had the chance to lead 2 retail fit-out projects in Kuala Lumpur and also be involved in 2 residential projects.
Chinoz @ BSC • Retail Renovation Proj
Chinoz aims to achieve a sophisticated, sleek and modern lo everyone. From family-friendly breakfast to a comprehensive rang is an ideal place for gathering, an indulgent afternoon tea, a brea to watch the world go by.
ject
ooking brasserie for ge of wine and spirits, it ak from shopping or just
top: bronze tinted mirror accentuates the storefront. bottom left: a wavy ceiling frame runs through the store to al fresco dining area. bottom right: table top with graphic-printed laminate matches the herringbone vinyl tile flooring. [ image courtesy of Rupajiwa Studio ]
top left: custom design pendant light + wea ceiling panel.
top right: rhombille marble floor tiling at the
// 02 Madam Kwan’s @ Pavilion, KL • Retail Renovation Project Madam Kwan’s introduces the weaves as their identity. The weave symbolizes the Malaysian food, the ketupat and craft of the tikar. It represents the intention in creating a close community relationship weaved by the cultural interaction and it draws closer to our passion for food.
middle left: twisting steel wall panels resem window grills. middle right: black and white hexagon floor bottom: light brown tone from the travertine dining space a cosy ambience.
N O. 5 Fre e l anc e // MY S 2012 - 2014
aving pattern
e entrance.
mble vintage
tiles wall give the
// 01 NA 3.0 Showcase + Marketplace Founded by BandLab: Bureau of Architecture and Design, Neue Artisans is a design showcase and marketplace that promotes the ‘neue’ wave of local designs and craftsmanship. Neue Artisans brings together a collective of design enthusiasts. As a team member, we worked closely to guarantee the event’s success. We contribute from planning, discoursing, reaching the like-minds, promoting, assembling, to the closing of the event and after party.
3350
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4475
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3350 1575
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3350 1575 bedroom 2
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bedroom 1
4475 1200
living
4000
5045
dining
sec IV living
dining
1800
4000
1800
bedroom 2
3000
bedroom 1
sec IV
option B - 2-bedroom 1:100
Volu
built-up area: 1086sqft + 287sqft = apprx. 1373sqft
option B - 2-bedroom 1:100
living
bedroom 1
dining
bedroom 2
3000
5550
3000
5550
built-up area: 1086sqft + 287sqft = apprx. 1373sqft
bedroom 1
option B - 2-bedroom - section IV 1:100
living
dining
bedroom 2
// 02 Slim River Villa • Design Proposal
option B - 2-bedroom - section IV 1:100
The villa layout is designed to suit the client’s liking for Balinese Architecture. Spacious courtyard and many open pavilions emphasize the communal-based social relationship.
entrance carporch
view from the entrance
entrance carporch
main house view from the entrance
guest room 3 balcony
main house guest room 3 balcony
guest room 1
master bedroom
view of the house front master bedroom balcony view of the house front
guest room 2
guest room 1
guest room 2 pool
// 03 Container House • Design Proposal
pool guest room 3 balcony guest room 2
Withbalcony a few shipping containers to spare, the client decided to construct a weekend guest room 3 home that contains a container swimming pool. balcony guest room 2
private garden master bedroom
proposed 3D - option A
K
Oudong Village hosts the margina refugee in their own country. In 2011 NGO - Manna4Life, to assist the disp
N O. 6
u ntar y Wo r k / / C a mb o d i a 2011
Khmer House • Oudong Village
alized community that was expelled from Phnom Penh and became 1, Kevin Knight, a Canadian who sets up a Local Cambodian Christian placed community to build more houses and a public school - Tang Khiev School.
Khmer House is built by the villagers. I assisted Kevin by producing design graphics and technical drawings to set up Manna4Life. [ image courtesy of Kevin Knight ]
ARCHITECTURAL
PORTFOLIO
| T I N G YA N , Y E O
tingyan.yeo@gmail.com | +6017 7670 570 cargocollective.com/yty
TY