w o r k
T
I
N
T
I
N
E D U C AT I O N Harvard University, 2014-2017 MARCH II. | Post-Professional Degree in Architecture Cornell University, 2009-2014 B.ARCH | Bachelor of Architecture
P R O F E S S I O N A L . P R A C T I C E
RESUME
CATALOG
T W E E T ! New York
W O O S P A C E Beijing
Jones Lang LaSalle, 2016-2017 Corporate Strategy Consulting Intern WooSpace, 2016
B R A N D . C I T Y Kuala Lumpur
Start-Up Co-Founder, Cheif Brand Officer Sun Hung Kai Properties, 2016 Project Management Trainee OMA, 2013 Architecture Trainee
P R O J E C T . M Moscow
P A X R O M A N A Rome
ShoP Architects, 2012 Design Consultant
Z I P P E R New York
A W A R D S
PROFESSIONAL.WORK OMA | Hong Kong 2013
Seipp Prize, 2012, Cornell University York Prize, 2010, Cornell University
B R A N D I N G Various Locations
TO WHOM IT MAY CONCERN,
THE HAS
T W E E T __
PROBLEM BEEN
OF
URBAN
BECOMING
GLOBALIZATION.
ONE
DENSITY SEVERE
MICRO-HOUSING
AND
ISSUE
TOPIC,
HOUSING AS
A
WHICH
CRISIS
RESULT
OF
BASED
ON
IS
THE MINUMUN SPACE PEOPLE NEED FOR INDOOR MOVMENT, HAS BEEN DISCUSSED AS AN EXIT OUT. THE “TWEET” PROJECT IS FOCUSING ON HOW TO PRODUCE A “PREFERRABLE” LIVING
CONDITION
FOR
PEOPLE
MICRO-HOUSING.
THE
TO
RELATIONSHIP
STUDY
THE
MAIN
WHO
LIVE
PRINCIPLE BETWEEN
IN
OF
AND FUNCTIONAL THIS
THIS
PEOPLE
TYPE
OF
DESIGN
IS
AND
SPACE
"Urban density and housing crisis have been becoming the severe issues as the result of globalization. While, micro-housing topic, which is based on the minumun space people need for indoor movment, has been discussed as an exit out. the tweet” project isfocusing on how to produce a “preferrable” and functional living condition for people who live in this type of micro-housing. the main principle of this design is to study the relationship between people and space. the idea of this microhousing project is to have the minimal private squarefootages, and store personal belonging to the “community wall” in a sense to create an social media effect.units are “containers” of private living, where as the occupiable wall spaces are “tweeter” and showrooms for one’s personal interests. in this sense, people will get to know their neighbors, and choose the area that we would want to live. FAITHFULLY YOURS,
c o l i v i n g
THE ARCHITECT
__
N A R R A T I V E
TO WHOM IT MAY CONCERN, “My name is Gillian. I have been moved to this neighborhood for more than 3 years. I am a vegetarian. I hate meat. And I can’t even think about people eating animals. Human beings are just too cruel. I had really bad relationships with my roommates before, because I threw up every time when I saw them eating or cooking. They called me freak. I wanted to move out so many times but New York City is just too expensive for me to live alone. Then one day after a big fight with my roommates, I saw this rental post about a property on Twitter said, “We’ve got everything u need. Don’t want neighbors? We can do that. Do want to meet new people? Come here.” It intrigued me so much that I decided to go and take a look. The agent took me to the “apartment building”, then handed me a piece of paper with hash tags. She told me to circle the ones that I like, after that she would show me around. So I did. Then we took the elevator up to the 5th floor and walked through a long corridor where one side of the corridor is a hug wall that was filled with people’s stuff. As we were passing by, I remembered that I was thrilled to find that there is a big room in the wall filled with my favorite vegan cookbooks. Then we stopped at a clean little unit. I walked in. There was one full size bed, a desk, a little shelf, and a private bathroom. The space was walled up with glass and cute curtains were placed on four sides. This was just perfect and I can’t ask for more. BEST REGARDS,
THE NEWCOMER
c
o
n
c
e
p
t
the idea of this micro-housing project is to have the minimal private squarefootages, and store personal belonging to the “community wall” in a sense to create an social media effect.units are “containers” of private living, where as the occupiable wall spaces are “tweeter” and showrooms for one’s personal interests. in this sense, people will get to know their neighbors, and choose the area that we would want to live.
__
s o c i a l i n t e r a c t i o n
__
!
W A T C H .
WALKING IN NEW YORK CITY IS FUN, CUZ YOU ALWAYS GET TO SEE THINGS WAIT...waht?????????
S P E A K !
T O U C H ! ! the privacy between units are gradually changing as it goes from street entrance to the back yard.the most distanced units are the two near street front where they are only supposed to “see” the neighbor.the interaction between people gradually changes, and later becomes “speak”,and “touch”.
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__ THE PUBLIC WALL IS FORMED WITH STROAGE THAT ATTRACTS PEOPLE ‘S ATTENTION BY DISPLAYING PERSONAL ITEMS, A NEIGHBORHOOD IS CREATED, SINCE PEOPLE ARE GETTING A SENSE WHAT DO THEIR NEIGHBOR LIKES, WHAT DO THEY DO. ETC,
The final project was composed as a MONOGRAPH, which was presented as an exhibition as Cornell University. The MONOGRAPH is a medium through which the concepts embedded in a work are not only framed and interpreted but given greater depth and meaning. And it is the design of the MONOGRAPH that becomes the vehicle of that meaning.
L P
A A
U
N R
__
C T
H Y
coworking
+
responsive needs
WOOSPACE
and
today’s
social to
spaces the
stylistic
mobile, on
technology,
demographics
ization
-
which
preference
creative
capitalizing
that
are
productivity
profound
collectively
of
workforce. changes and are
in
urbandriving
a secular shift towards more flexi- ble, entrpreneurial and collaborative work styles.
__ development
__
S t a r t - U p
founded by three cornell alumni, WooSpace is a co-working start-up focuses on providing work space solutions for young entrepreneurs in beijing, china. Started in Feburary 2016, WooSpace has successfully established 6 coworking development in Beijing, totaling more than 2000 working stations and serving more than 200 companies. Right now it is valued at 60million US Dollars and regarded as one of the topbrand co-working space in China,
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P r o u d c t
__
P r o u d c t
__
b r a n d
__
D E S I G N : F O R W H O ?
CITY.REBRAND __
The crisis in urbanism is worsening. The construction of neighborhoods in modern days is in obvious disagreement with established forms of behavior. On one side, in the older settlement of Kuala Lumpur, streets that were used to serve as urban interface for social activities were degenerated by heavy traffics. Leisure activities on the streets were slowly commercialized and denatured by international tourism. And this results in a dismal and sterile ambience in our surroundings, where social relations become impossible. The newly constructed neighborhoods in Malaysia like Cyberjaya and Putrajaya have but tow motifs, which dominate everything: driving by car and generating capital value. Faced with the necessity to develop in rapid pace, blocks of reinforced concrete are being constructed in which great masses of the modern Malaysian are condemned to die of boredom.
Portugese
Dutch
P ur
British
gu ge
1405
1511
1611
1795
Househo
ociet uc tio
si
e igio
I ter eth ic rri ge
igr t or ers Chi ese i I ustr I i u er I ustr
CHN
CHN IND i
ge isher
000s
1957
1510
1610
1
1795
2
3 1. Cheng Hoon Teng Temple
Temple
1880
4
Migrant Workers: Chinese:Tin Industry Indian: Rubber Industry
Mosque
Chinatown- Petaling St. (1880s)
3. Po Swa Teng
Temple
little India- Brickfields (1880s)
4. Ruins of St Paul’s Church.
Church
Malay : Kampung Baru (1900s)
2. Kampong Kling Mosque
malacca
Chinatown- Petaling St.
little India- Brickfields
Malay : Kampung Baru
__
200 3
40
C U R R E N T . D E V E L O P M E N T
80
340 300
250
San rancisco
45
20
oronto
80
60
Ban sar
Cyberjaya
48
300
0
350
Barcelona
mster am
on on
Bukit Bintan
Putrajaya security
office
00
0
60
20
0
00
20
00
250
office
bus stop
office
350
220
50
280 360
60
ork
520
20
e
m
CYBERJAYA
PUTRAJAYA
$1412.77 Billion Brand Capital
Learning from the ethnicity history of Malaysian cities, we’ve came across the conclusion that urban settlements in Malaysia has been defined as culturally contrasted neighborhood by ethnicities. Whereas, this is no longer the case in Malaysian modern cities.
m
m
m
Shopping | Dinning
Hotel | Service Apt | Aribnb
Walkability | Public Realm
There is a phenomenon of unsuccessful shopping complexes in Malaysia. The failure of some complexes is principally due to poor accessibility, insufficient catchment, and unattractive design. The traditional shopping areas in the City Centre have largely been superseded by the emergence of large-scale shopping malls. As a consequence, there is no longer a clearly defined major shopping area or spine within the city centre.
As Malaysai develops as an international commer-
Malaysian cities are lack of pedestrian linkages. Activities such as unlicensed hawkers and vendors encroach into pedestrian walkways while some buildings do not permit public access across their property boundaries.
cial and financial center, it is anticipated that more expatriate businessmen will be living in the city and that there will consequently be an increased demand for service apartment. There is very little variety in the type of accommodation on offer to serve the diverse requirement and budgets of foreign and domestic tourists.
Cultural Conservation
Similarly, not many buildings provide pedestrians with proper protection from the sun and rain. Also, major road and rail infrastructure has, effectively divided adjacent areas or neighborhoods that remain physically close but virtually inaccessible to each other.
City Branding | Social Media
Malaysia has a wide variety of
At present, the preservation and conservation
restaurants and dining places
program covers historic buildings and landmarks
serving local and international
through the formulation of policies and guidelines,
There is an inadequate level of market promotion of the
cuisines. Other than a few iso-
evaluation of planning applications and advice to
City compared to other major tourist cities.Tourist re-
lated areas, some of which are
developers, owners and agencies involved in con-
sources are not easily accessible, coherent, well linked
outside the city centre, there is
servation works. The program has been successful
for pedestrian movement or supported by services such
a lack of a clearly identifiable
in preserving and conserving important buildings,
as restaurants and related shopping.
dining and entertainment area
but the maintenance of the character of conserva-
Generally, for Malaysian cities, the broader visual linkag-
in the city centre.
tion areas has been less successful.
es are not well developed.
__
REAC TIVATION
public surface | public space
private surface | public space
street | pedestrain
museum
park
office with security
park
walkway
theatre
plaza
residential
plaza
skybridge
f&b shopping religious education government transportation
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C I T Y - R E B R A N D
The project, therefore, is intended to revitalize the streetscapes in modern Malaysian cities by: examining the possibilities that the existing ground offers; breaking the boundaries of the street surface by availing ourselves of new social interventions transforming the existing building facades, public area and infrastructural systems; and creating a lively street life in direct relation to incessantly changing way of behavior. (aka. social media effects) The project will be designed as a vehicle of social inclusiveness addressing different issues of urban scenarios that are currently in an urge of improvement in Malaysian cities, including: shopping, dining, hospitality, landscape and public green space, pedestrian, cultural/historical conservation, city branding and its visual identity. Also borrowing from the experience from Bangsar as well as Cyberjaya regarding city branding and marketing, the experience of this new urban street will also emphasize on creating a series of "instagramable" moments in the city. A catalog of facade and streetscape revitalization for various urban conditions are created as guidelines for future development of Malaysian cities.
infrastructure
IN
SUMMER
2012,
THE
“EASTERN
HORIZON”
TRAVELING
STUDIO
TRAVERSED A HUGE TERRITORY OF “REVOLUTIONARY ARCHITECUTRE”
PROJECT M
INFLUENCED BY THE REGIME OF SOVIET UNION. THE STUDIO SPEND HALF OF ITS TIME IN MOSCOW, THEN WENT ALL THE WAY TO ST, PETERSBURG, RIGA, VILNIU AND TALLINN. AT LAST, IT STOPS AS HELSINKI, WHICH IS ONCE A PROVINCIAL RUSSIAN BACKWATER. THE DESIGN OF M, IN COLLABORATION WITH JANICE RIM AND EILEEN XIE. IS A FINAL PRODUCT OF OUR MOSCOW EXHIBITION, WHICH CONCENTRATE ON THE RESEARCH OF CURRENT SITUATION OF MICRO-RAYON TYPOLOGY.
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s m
o o
v s
i c
e o
t w
the russian revolution of and the architecture 1917 that embraced its relovultionary spirit profundly influenced the development of wester modern architecture. its effect on the subsequent 70 years of soviet architecture and on the post soviet developments. traversing moscow- spatial, cultural and phenomenological-is the essential method that we are using to understand this paradigm of “revolution architecture�. the studio work focuses on urbanism and its possible contemprary manifestation in and around the city of moscow in its current entropical state.
__
CONCEPT
RADIATED RING OF MOSCOW
MIDDLE RING OF MOSCOW / CONCENTRATION OF MICRORAYON RESIDENTS
OF
M
the project for the least used metro exit at the edge of a forest, proposes a multi-functional structure, m, that acts as, sign, billboard that registers and reconfigures its surroundings and the micro-rayon neighborhood into a gateway. it recongnizes the site into streams of movement and rest , that tranform our expectation of the way of graphic communication and nature which must coexist in the urban envrionment. the structure also accomodates a aplce for locker where commuters may exchange their indentities before entering the metro.
M
A
K
I
N
G
THE DEVELOPMENT OF THE FORM OF M STARTS WITH WRAPPING STRIPS OF INFORMATION FROM ONE SURFACE, CONNECTING THEM MECHANICALLY, THEN CHANGING THE PAPER MATERIAL INTO SELF-SUPPORTED CARDBOARD, WHICH IS AS THE GIVEN MATERIAL FOR FINAL EXHIBTION.
D
R
A
W
I
N
G
A SET OF HANDDRAWING IS PRODUCED TO INTERPRETATE OUR VISION OF M. THE DRAWINGS ARE SKETCHED IN INK PEN AND COLLAGED DIGITALLY.THE THEME COLOR RED GIVES PEOPLE A STRONG IMPRESSIONOF THIS NEW INTERVENTION.
E
X
H
I
B
I
T
I
O
N
4 PIECES OF STUDENT WORK, FEATURING AND TRANSFORMING THE FOUR DIFFERENT EXITS OF THE METRO STATION, ARE PRESENTED IN THE WHITE CITY PROJECT FINAL EXHIBITION, WHICH IS HELD IN THE WOODEN PAVILION OF GORKY PARK, ON HE 20TH OF JUNE, 2012. THE FOUR PROJECT EACH HAVE 3-4 PEOPLE IN COLLABORATION, AND THE FINAL EXHIBITION CURATION IS A PRODUCT OF THE WHOLE STUDIO. A FINAL MODEL, A VIDEO REPRESENTATION AND POSTER ARE
REQUIRED
BY
PROFESSOR
ZISSOVICI
AND
MERGOLD
FOR EACH TEAM. VISITORS FROM VARIOUS ARCHITECTURE SCHOOLS
IN
MOSCOW
AND
OTHER
PARTS
OF
RUSSIA.
THERE IS ALSO A DISCUSSION SESSION OF MICRO-RAYON SOCIAL HOUSING, WHICH HAS BEEN INVOLVED BY CORNELL STUDENT
EARLIER,
AS
PART
OF
THE
PRE-EXHIBITION.
PAXROMANA __
PIAZZAS IN ROME
CHURCH + PIAZZA
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COLOSSEUM
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HYBRID !
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The proposal is a multifunctioning building comprised of public spaces, libraries and study areas, meeting rooms and a conference hall. The learning centers for seperate religions are sitting on the ground level as individual blocks, where are the upper level, which is connected and through linear spaces , contains the public library and learning spaces for all religions. The main concept of this program distribution is to emphasis on the social character and the individuality of religion all at once.
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f5
C3. CHILDREN SERVICE C5. FICTION AND NEWSPAPER C6. TECH DIGITL SERVICE
C6 C5 C3
f4
C6. TECH DIGITL SERVICE C7. TEEN ZONE E1. LIBRARY ADMIN
C6 E1
C7
f3
D1. CITY OF ROME HERITAGE E1. LIBRARY ADMIN E2. MATERIAL HANDLING
E2 E1
D1
f2
C2+7. COMMUNITY LIBRARY+LEARNING CENTER
f1
C2+7. COMMUNITY LIBRARY+ 7 LEARNING CENTERS
GF
C2+7. COMMUNITY LIBRARY+7 LEARNING CENTERS
B1 A1 A2 C1
B
A3
A1. CONCOURSE A2. MULTIPURPOSE HALL A3. EXHIBITION SPACE B. RESTAURANT+CAFE+BOOKSHOP C1. WELCOME CENTER
B1 E-gress Public serving elevators Learning center cores Ramps Entrance stairway to underground
GF
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roof top
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The exterior wall of the building has a sense of fragmentation. Though the upper part and the lower part are arranging in a totally different compositions, visitor can still observe the building as one entity from via claudia, when walking towards the site from the coloseum. the windows on concrete walls provides a really nice transparency of human activity happening inside.
__
BY GIVING THE SITE OF MORNINGSIDE PARK, THIS “ZIPPER” PROJECT IS AIMING AT DEALING WITH THE SPECIAL TENSION
Z I P P E R
BETWEEN
COLUMBIA
UNIVERSITY,
WHERE
PEOPLE
RECEIVES
ELITE EDUCATION, AND HARLEM NEIGHBORHOOD, WHERE PEOPLE BELIEVES THAT POVERTY AND CRIME ARE FLOURISHING AROUND. 3 LAYERS OF SOCIAL INTERACTION HAS BEEN EXAMINED ON THIS PARTICUALAR SITE. A PHYSICAL CONNECTION IS SPATIALLY CREATED, WHILE AT THE SAME TIME THE ZIPPER TRIES TO PRESERVE THE EXTINCTIVE INDENTITIES OF THE TWO PARTIES.
__
AWARDED
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SCHEME B ON SITE
__
s t u d y m o d e l
SCHEMATIC MODEL B
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Plans>>> 1-1/32”>>> B1 | Ground Floor | F2 | F3[ Double Height Loft Space]
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p u b l i c . s p h e r e
__
3 layers of “zipper” concenpt is presented as following: the park itself its’s like the first zipper of the two distinctive sides caused by social segregation and the change of height. then the 2nd laryer of the two branches of spaces of the physical form generate the second layer of zipper. lastly, the gaps within this created architecutre space becomes the 3rd layer of zipper where people could observe each other and interact bewteen the two social groups.
WORK PROFESSION AL / 2 013
OMAâ&#x20AC;&#x2122;s Master Plan proposal retains some selected Industrial Buildings that become part of the Grid City. The location of this zone along Nanhai Avenue allows the tallest of the preserved structures some visibility from a distance, serving as a visual gateway into the Master Plan from the West. The Zone is composed of three preserved structures; a Silo, a defunct Factory Building and a Loading Platform. Several smaller structures are proposed in order to contribute greater coherence to the existing internationally and locally. In principle, the main function of the district would be to provide gallery and exhibition space for art and other cultural events. The unique spatial characteristics of each of the preserved buildings would be enhanced by Architectural & Programming interventions designed to provide visitors with a contemporary and stimulating experience. A wide range of possibilities for how these interventions could take place have been considered.
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OMA
__
M A R I N T I M E P O C K E T
__
PRESER VATION
p r e s e r v a t i o n s t u d y
PDCCB __ B R A N D I N G
B
__
V
R I
A S
The Shanghai Pudong Commercial Chamber of Beijing is seeking for a new brand identity for their institution. Serving as a government branch, the visual requires a strong element of both Beijing and Shanghai Pudong district, with a restricted code of color, and requires a sharp, modern, at the same time culturally rich brand visual.
N U
A
D L
茶
茶 儿 胡 同
ABOUT US CONTACT US EN / CH
儿 FIND A PROJECT
胡
1 0 /
同
史 洋 先 生
B V
B R A N D I N G
/
START A PROJECT
ZHUMU __
2 0 1 5
R I
__
A S
N U
D
A
您 好
L
2015 年
里
zhu mu
09.23 日
ZHUMU is a multidisciplinary design consulting that focuses on contemporary urban problems in Asia. Founded by a group of young architects who were trained at
茶 儿
19:22
边 胡 /
分
1 0 /
2 2
OMA, ZHUMU was seeking for a brand visual representing their design
2 0 1 5
同
ideas, their personalities and
茶儿胡同[no。22]改造设计展
aesthetics. A set of branding visual was deisigned including: bookmark, poster, tishirt, web page, etc.
zhu mu
儿
2
儿
2 2