SPRING 2018
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A LOOK AHEAD...
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Bearcat Beauty Bar Behind the Screen Just Send It Playing In Plastic Hunting Season The Alternate Fashion Breaking the Status Quo High Boots & High Fashion The Art of Sustainable Fashion Business Professional Moschino
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TITLE Staff EDITOR-IN-CHIEF Leah Pentecost
CREATIVE DIRECTOR Mariel Lustig
WRITERS Megan Gamel Emily McDonough Maddi Villines Madeline Sterling Maggy McDonel Ngoc Tran
Kait Kline Brendan Prendergast Leah Pentecost Kyle Hughes Sophie Vox
LAYOUT DESIGNERS
PHOTO EDITOR Meesh Strauss
FASHION DIRECTOR Kait Kline
COPY EDITOR Megan Gamel
MARKETING DIRECTOR Maggie Mochty
SOCIAL MEDIA COORDINATOR Emily Wheeler
WEB EDITOR Brittany Fletcher
TREASURER Jen Stiene ADVISOR Jenny Wohlfarth
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Mariel Lustig Kayla Stellwagen Cameryn Blake Liliana Dillingham Rachel Haines Ali Perry
Anni Peters Maddi Villines Allyson Shown Juliana Yip Ono Brittany Fletcher Milly Turner
PHOTOGRAPHERS Meesh Strauss Kelsie Jones Sophie Cahill Madeline Sterling Kayla Stellwagen Shelbi Arens Leah Pentecost
Matthew Hogan Anni Peters Delaney McQuown Sydney Sebastian Boya Sun Nicholas Flesch
STYLISTS Kait Kline Ashley Phillips Draven Pena Paige Robinson Cameryn Blake Margaret Caulfield Sam Iverson
Juliana Yip Ono Elie Fermann Melia Alexander Tara Prabhu Lindsey Richter Juliette Wean
MARKETING TEAM Maggie Mochty Emily Wheeler Justin Klei Alyssa West Paige Robinson Ali Perry Ashley Phillips
Megan O’Malley Annmarie Fornatto Joelle Curtis Brittany Fletcher Emily Daugherty Delaney McQuown
Letter from the Editor Dear Readers, It’s remarkable for me to say that TITLE has now published its second issue! Reflecting back on when we worked on the first issue, there were a lot of obstacles, and I mean a lot! From recruiting new members to funding our printing costs, TITLE has always managed to jump the hurdles that seemed too high. After thinking about the goals this publication has accomplished, observing the final outcome of our first issue and admiring where it’s all grown since; I wouldn’t hesitate to say that TITLE has exceeded the expectations of many, myself included. Last semester, I wrote a profile piece for our fall issue on Marc Jacobs. He inspired me with his perseverance and self-determination in the fashion industry, especially after being fired following the Perry Ellis Fashion Show. Nevertheless, Marc Jacobs’ determination and rule-breaking creativity put him at the top as one of the most well-known fashion icons to date. Continuing to send work that challenges society’s norm down the runway, Marc Jacobs is a living example of the popular phrase “expect the unexpected.” Immediately after finishing that story, I knew I wanted the next theme to be “exceeding the limits”. In doing so, my intent was for our staff and readers to acknowledge how the fashion industry holds so many examples that embrace this concept. While flipping through the pages, stop and read “Behind the Screen” on page 12 to see how powerful social media has become. Writer, Ngoc Tran, explains how anyone can contribute to the fashion industry through social media despite their background or status. Let Sophie Viox change your mind set
about thrift shopping, by reading her story “Hunting Season” on page 30, and find the piece you’ve been wanting without paying a high price. Indulge in a story that highlights the popularity of gender-neutral apparel on page 42 in “Breaking the Status Quo”. Maddi Villines, and the spread’s photographer: Nicholas Flesch, exquisitely illustrate the rising trend of androgynous clothing. In this semester’s copy of TITLE, we showcase examples and opportunities centered on the success from doing more than what’s expected, and we want push you to break your own barriers. Never be afraid to exceed your limits. TITLE’s best wishes, Leah Pentecost Editor-in-Chief
** I want to especially thank our two graduating officers: Megan Gamel and Maggie Mochty. Thank you for working on TITLE since the beginning, I know you’ll both do amazing things in the future!
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EXCEEDING THE LIMITS
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Photographer: Leah Pentecost Model: Julie Varga
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Bearcat beauty bar: OUtside the lines by: megan gamel
COLORED EYESHADOW A lot of people are scared to step outside the box when it comes to makeup. It can be terrifying to apply color to your face and stray from neutral colors. Toward the end of 2017 and the beginning of this year, colorful makeup and bold trends are becoming increasingly popular. People are experimenting with color in their day-to-day looks. Rihanna really pushed the limits with her launch of Fenty. Peter Philips, Creative and Image Director of Christian Dior Makeup, used eyeliner in nontraditional ways. Emily Dougherty, ELLE Beauty and Fitness Director, has become popular on Instagram for her videos mixing lipsticks from different brands to achieve the shade she wants. Check out some Spring 2018 Trends that you can try this year to make your makeup standout!
GLITTER EYE Glitter can be an intimidating product. It is very messy and has potential to mess up your entire look. However, it truly adds so much to an eye look. It can reflect the light beautifully. A few tips for applying glitter are: do your eyes before the rest of your face in case there is fall out, use a glitter primer so the glitter really sticks to the eyelid and stays put, and you can also use a setting spray to make the glitter stick to your brush so you can apply it exactly where you want it.
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Rihanna’s brand, Fenty, introduces color into everyday looks. Fenty is all about making yourself stand out in the world. The Killawatt Freestyle Highlights, specifically Trophy Wife (used above), are far from subtle and natural like highlighters we are used to. These highlights can be seen from a mile away and draw attention to the face. Her Mattemoiselle Plush Matte Lipsticks are also offered in a large array of colors from bright pink to orange, Freckle Fiesta (pictured), to brown. Each shade is versatile on so many skin tones. Tie a look together by adding a colorful eyeshadow. To make vibrant eyeshadows really pop, you want to make sure you first apply concealer or a primer to your eyelid.
Photographer: Shelbi Arens
Models: Kerrion Piphus, Subrina Pumford, Anna Rose,
Stylist: Tara Prabhu
Kira Staubach, Serin Waddell, Grace Widmeyer
Makeup: Aliese Hewitt
UNIQUE EYELINER Peter Philips, Creative and Image Director of Christian Dior Makeup, drew over-exaggerated eyelashes by using eyeliner on the models in the Dior Haute Couture show this year. This is the most outlandish use for eyeliner I have seen, but people are using it differently in their everyday looks more and more. Instead of a typical wing liner on the eyelid against the lashline, people are introducing rounded wings, glitter wings, colored wings, undereye wings, and much more into their everyday looks. This can be achieved with any liquid liner, patience, and practice.
GLOSSY SKIN Glossy Skin is my personal favorite current beauty trend. Matte looks have been all the rage the past few years and it’s refreshing to see natural dewiness as well as enhanced dewiness brought back in style. The key for Glossy Skin is to keep the base makeup minimal while using the glossy product on the high points on your face. A great introduction to the glossy Skin is applying the gloss solely on your eyelids after you’ve applied a bright eyeshadow. The gloss attracts the light and really highlights that part of the face. This look can easily be achieved at home using Vaseline, Aquaphor, or even lip gloss.
BOLD LIPS A Red Lip has always been a classic for a formal look. However, over the years red lips have used in everyday makeup looks. It is a color that looks good on every skin tone. However, this year people are experimenting with different shades in the red/orange family. It’s a fun twist to the lip that we’re familiar with, but the classic red lip will never go out of style. For this look, we wanted to use an orange lip, making our model stands out in a subtle way. This is the easiest way to stay on trend this year.
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Photographer: Boya Sun Stylist: Ashley Phillips Models: Simel Koussa, Gary Corvi
BEHIND THE SCREEN The Intersection of Fashion and Social Medi a written by Ngoc Tran
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efore the time of social media algorithms, search engine optimization (SEO), and sponsored posts; there lived a different method of communication between a company and a consumer. Some marketers blindly targeted a wide assortment of potential buyers in hopes of reaching a few individuals interested in their products. Others focused solely on certain demographics—age, income, and gender— instead of studying psychographics and lifestyle factors. The increasing use of social media and technology transformed entire industries, allowing its users to become more dynamic, collaborative, and inclusive. With this in mind, there’s only one field at the forefront of it all, continuing to embrace constant change: the fashion industry.
From local boutiques to large fashion corporations, companies are quickly understanding the power of social networking sites in today’s modern age. Emerging trends and styles no longer exist solely in glossy magazines or on the runway at New York Fashion Week. This industry is utilizing media to its greatest advantage, enabling us to get an inside look into our favorite brands’ entire design, production, and launching process. Considering all the different social media platforms, we are instantly connected to designers, editors, models, and more. The digital landscape for fashion has changed as we know it, and as a result, magazine publications including “InStyle,” “Teen Vogue,” “Elle,” and “Allure” are devoting entire teams to curating online content and media. However, the intersection of fashion and social media does not end with a designer’s insightful tweets about upcoming collections, a retailer’s post about seasonal sales, or an e-journalist’s articles. With everything rapidly changing, there is a need for fresh and informed voices to dictate the direction of the industry. In the digital
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age, we ultimately find ourselves relying on an entity completely unparalleled from fashion conglomerates and big named designers: each other. Whether it is making videos about campus style, tagging certain brands in Instagram photos, or simply sharing articles on Facebook, individuals can now change the perception of any fashion trend with a single post. The everyday consumer is becoming a more novel contributor of this diverse and multidimensional industry. Regardless of profession, socioeconomic status, gender, or age; social media has enabled individuals of all backgrounds to share their opinions with the world, and all from the comfort of their smartphone. While the dream of seeing an established designer’s collection at New York Fashion Week still remains, the power of media has permitted us to view parts of the show from any location. Fashion is meant for powerful visuals and graphics, and several online platforms reflect this. Scrolling through behind-the-scene stills of models, watching live streams of the runway, or viewing stories of street style are just a few examples of how the industry continues to become more inclusive. Runway shows are no longer reserved for those in the room, since a front row seat can now be accessed from anyone and anywhere. From style bloggers to beauty gurus and everyone in between, we are learning about new brands and trends from everyone around us. It’s an era of the “influencer,” which marketers and growing fashion brands have learned to embrace. The term refers to an individual who has the power to affect purchase and non-purchase decisions of others because of their expertise. This person can be seen leading a following in a particular niche and actively engaging with certain groups. Today, there is a growing number of ‘micro-influencers,’ influential
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media users who strive to maintain more authentic and genuine relationships with their followers. Whether it’s a fellow classmate blogging about vintage fashion, or a brand ambassador promoting a popup event, online influencers come in many forms. An independent style blogger has the potential to make as much of an impact as any fashion powerhouse. In fact, a growing number of bloggers have signed contracts with brands due to their creative content and online influence. Susie Lau of Style Bubble worked with H&M and Urban Outfitters on various campaigns. Emily Schuman of Cupcakes & Cashmere recently collaborated with Estee Lauder. Individuals of all ages are encouraged to creatively express themselves online, and for those who continue to maintain a strong following, they can even profit from it. As technology continues to advance and improve, the fashion industry will adapt accordingly in order to preserve the goals of designers and its stylish enthusiasts. Platforms including Pinterest and Instagram have even integrated shoppable pins and posts, respectively. This has disrupted the direction of the fashion industry, as social media now provides a direct path to various online shopping carts and orders. With the need to feel digitally connected with those of similar interests, there is no doubt that we are all easily influenced by others. No matter the source (friends, family, celebrities), we are ultimately affected by our surroundings and want to avoid the feeling of being left behind. From pop-up alerts to badges and the occasional banner, the type of notifications will vary. However, the power of a simple notification will ultimately connect us with our favorite brands, designers, and more importantly, each other.
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Photographer: Delaney McQuown Stylist: Juliana Yip-Ono Models: Amelia Carpenter, David Chang, Matthew Hogan, Eliza Fisher, Sara Kollig, Mahir Ikram
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shift
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when it comes to what we wear, but no matter your limit, don’t be afraid to express it.”
just send it.
“We all have our limits, especially
Photographer: Matthew Hogan Stylist: Melia Alexander Model: Darrick Jones
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E
Just send it.
Brendan Prendergast
xceeding the limits in men’s fashion is something anyone can do. All you need is the slight desire to stand out from the crowd and send yourself. Someone who pushes past the boundaries in fashion isn’t afraid of what people might say or think about their outfit. Going above and beyond can consist of anything from neck ties around the waist to mismatching colors as often as possible… or maybe not. Exceeding the limit is different for everyone. We all have our limits, especially when it comes to what we wear, but no matter your limit, don’t be afraid to express it. Meet fourth year English and creative writing major, Evan Wooten, as he shares his experiences of exceeding his limit.
What do you enjoy doing? I’ve been reading a lot lately. I just started writing a bit. I play music too like guitar, bass, and drums; I am trying to play piano right now. I like exercising and watching movies, particularly older movies usually, but really anything. I like drawing, painting, making movies, and acting sometimes. Yeah, a bit of everything.
How do the things you enjoy influence what you wear? Music and, I guess movies, and drawing in a sense did influence [my fashion] in high school. I was influenced a lot by The Beatles and “Yellow Submarine,” the movie, and their psychedelic fashion. I used to wear ties from my belt loops and bright colors. Right now, my main influence is that I own Pink Planet Vintage, a vintage clothing and items store located in OTR.
What would you label your style of clothing as? [My style] is a fusion of the now and the past. I wear a lot of 70’s shirts, but I also like wearing the skinny pants that people wear now. It is hard to give a full perfect label to what I wear. I used to wear ties from my belt loops and bright colors. I was pretty into blending men’s and women’s clothing, nothing too extreme like dresses or any of that, but more like lady’s jackets that are long and tight fitted. Sometimes I just wear goofy stuff just for the experiment of it.
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Do you like standing out from the typical crowd? I used to enjoy that a lot more. In high school everyone was always bored so I tried to entertain people, in a sense. Now, I have to say that I don’t really try to stand out as much, but I still want to look good. I don’t want to dress as a slob. I feel that if you dress like a slob it affects your mentality, and it affects the people around you.
When and how did you start forming your style? Probably when I was around 15. I used to go to St. Xavier, and before that I went to a grade school that had a strict dress code; then I transferred to Walnut Hills which is a public school. So, for the first time I was actually allowed to dress the way I wanted. I started going to thrift stores, even though my parents didn’t want me shopping there because of bed bugs and stuff. But I still kept on going anyway. Going to thrift stores opened me up to a bunch of clothes that I wouldn’t normally have been exposed to when I would shop at the typical places that my mom wanted me to shop at. A lot of the clothes that I was into and picking out happened to be vintage items from the 70’s and 80’s.
Where do you get your clothes? Mainly thrift stores. I would get my pants at H&M because pants are hard to find at thrift stores, the pants game is definitely weird there. Everything else I pretty much get at thrift stores. I like the fact that at used clothing stores there is just random shit together. I could throw clashing patterns on, together it would look weird and not normal in a sense, but kind of cool at the same time.
What don’t you like about men’s fashion that you see around you? I don’t like seeing gloomy colors. I see so much gloom, and it seems like so many people are into minimalism right now which is what it is; but I don’t really like it. I like busier, colorful patterns and what not. It seems like a lot of people don’t give a shit, which I totally get because it’s convenient to not dress up, but I think the way you dress has an impact on how you feel. When you don’t care what you wear then it drags you down too. I wish there were more colors and patterns for men, I wish there was more visual excitement.
What advice would you give to someone who wants to exceed their limits in fashion but are afraid of what others might think? Try to think of clothes as an art form, it’s a personal expression. Dressing up is an appreciation of the clothing that you are wearing. People can’t be afraid of what they are wearing because they don’t want everyone looking at them, or they don’t want to be looking like a weirdo. You just have to forget about all of that and treat it as an experiment with art.
Any other additional thoughts? “Clothes are cool!”
Do you put much thought into what you wear each day? Usually, I like to think about what I wear. Every year or so I sort of switch to a different set of clothes I wear. I will wear three or four set of outfits that go along with how I feel or whatever my philosophy is at the time. They are usually color coordinated somehow. For awhile I was wearing a lot of burgundy, and now I’m wearing a lot of black.
Do you consider yourself ‘exceeding the limits’ in men’s fashion? I have in the past, and I do at times. Not every day, but when I really feel like putting an effort into it then, yeah. I’m not doing anything that hasn’t been done before, but at least it’s something that you don’t get to see everywhere.
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P L AY I N G IN PLASTIC BY MAGGY MCDONEL
The year is 2015. Kanye West debuts ‘Yeezy Season One.’ In this collaboration with Adidas, he conveyed a simple stripped-down style with ‘ready-to- wear’ sweaters costing up to $2,000. As the clothing line fizzled, his shoes sold out immediately, including the $950 ‘Transparent PVC Tubular Boots.’ These knee-high clear plastic shoes have been seen on all the Kardashian women, as well as other celebrities like Taylor Schilling. This idea of plastic shoes harkens back to the ‘jellies’ of the 1980s which have also made a reappearance and makes anyone over the age of 30 say ‘gag me with a spoon’. However, the plastic shoes have given way to a copious amount of vinyl fabric- inspired clothing, shoes and accessories that have packed the runway for Spring 2018. RUNWAY SPOTTING’S Spring 2018’s runway was chocked full of plastic materials including high-end designers like Chanel with their ready-to- wear collection showing off their ‘It’ Boot, another knee-high clear shoe, as well as plastic handbags, for that person who really wants everyone to show off their glitter lip-gloss. There’s also clear plastic rain hats, for those are having great hair days. Burberry, known for their classic outerwear, revealed a line of translucent outerwear in a multitude of typical spring colors. Highlighted is a full length “Soft-touch Plastic Single-breasted Coat” in their classic Burberry plaid, a beautiful coat offered for a total steal at $2,695. There is also a two-piece peach outfit that will have you looking pretty in pink with a silk lined plastic maxi skirt and a ‘Soft-touch’ plastic waist length rain jacket; for those rainy days when you just need to put your Burberry outfit on.
Photographer: Sophie Cahill Stylist: Maggie Caulfield Models: Laura Yoder, Hayley Graham
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Since making a splash with her Fenty Beauty line in 2017, Rihanna has killed it again with her collaboration with Puma, ‘Fenty X Puma,’ showing off more of that plastic we love.
This collection of sports distinctive designs like the blue and purple midi plastic raincoat that absolutely screams 1996. Seen multiple times throughout the collection is a cropped translucent, plastic raincoat that anyone who wants to flaunt a cute bralette would love. WHERE CAN YOU FIND THIS? Knowing this fabric dominated the runway, one would think that it would be all over the stores this is unquestionably correct. ASOS, the British based online store, always has great deals, and for $19.99 you can receive two-day shipping, for a year! As far as trends, they are definitely up to date. The ‘Clear Perspex Rhinestone Buckle Hip and Waist Belt’ could add that little bit of plastic and rhinestone spice, that we all need, to any outfit. The ‘Public Desire Alia Silver Metallic Clear Heeled Sandals’ look amazing but not super comfortable, so they will be perfect for any important event you have coming up where you need to look right on trend. Just in time for that rainy festival season where you can’t figure out whether to look cute or stay dry, there is the ‘Jaded
London Festival Transparent Jacket’ with a price that is a little steep at $87, you will definitely remember not to lose it. Dolls Kill opened up on 2011 and has brought fantastic goth, punk, and festival fashion ever since. A couple cool punbased plastic pieces the brand carries, include the ‘Bubblegum Throw Shade Visor’ as well as the ‘Crystalline Pink Transparent High-Waisted Skirt’, which as far as see-through clothes go, this above-the- knee bright pink zip up skirt is definitely one for the bold buyer. Another plastic accessory by Dolls Kill is the ‘90’s Bag Babe’, a rainbow crossbody- box bag that is completely unnecessary and perfect at the same time. Here we go, bringing it all back together. The year is 2018, and Urban Outfitters sold out of their jellies that they so eloquently named, ‘Juju Jelly Babe Sandals.’ It has been three years, and this fabric that was first ridiculed for the fact you could see all the model’s feet sweat, has exceeded the limits and made a pervasive mark on today’s fashions.
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HUNTING SEASON BY: Sophie Viox
If you’re in college, you’re broke. It’s a fact. As someone with a shopping addiction and a bank account balance of $0.63, being broke is an absolute tragedy. Even if I had more than $0.63 to my name, I would still refuse to sell my soul to Urban Outfitters for a $50 shirt. You could literally thrift an entire wardrobe for that amount. Not only that, but I guarantee anything you find thrifting a lot better than the majority of things in that store – especially if you’re doing it right. Unfortunately, if you don’t know how to do it correctly, you can quickly find yourself drowning in a sea of strange graphic tees – or even worse – high school sweatshirts boasting long-forgotten athletic legacies. As a precaution, I’ll let you in on my best thrifting tactics since I know you didn’t come to Goodwill to score a hoodie from Chad’s ‘09 division 3 championship lacrosse tournament. Before I get into that, I need to dispel two of the worst thrifting stigmas. Let’s start with my personal favorite: “Thrifting is gross, it’s so unsanitary.” This is dumb. Like most people, I happen to own a washing machine that I will obviously use on my purchases. Another good one is: “Don’t you think it’s weird you’re wearing a stranger’s clothes?” First of all, it’s not like I’m thrifting an elderly women’s used bra and underwear?! This is also just
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an all-around stupid thing to say, especially since 99% of people have donated their clothes to a Goodwill or Salvation Army at least once in their life. Moving on. As I mentioned before, you don’t want to get lost in sad athletic memorabilia, so I’m going to tell you what I do while thrifting to ensure amazing finds. One of the most important things to note is that you have to be willing to search. By that I mean going through everything on a rack, shelf, or even corner – whatever it may be. Thrifting isn’t for the lazy. If you’re not willing to put in effort, I’m telling you right now that you’re probably not going to find anything. The best stuff is always hidden and if you don’t hunt you’ll definitely regret it. Another tip I suggest is to go in with an open mind. Thrifting is often hit or miss; especially if you walk into a store thinking the first thing you see will be the light-wash, high-waisted, perfect-fitting Levi’s of your dreams. If you’re that specific, you might as well just take a trip to the mall because that’s not going to happen. Photographer: Michelle Strauss Stylist: Paige Robinson Model: Kariél Cochran
“Above all else, I think the best tip I can give you about thrifting is to TRY IT ON and NEVER overlook something based on size. “ It’s no secret that clothing sizes vary slightly depending on the brand, but sizing has shifted a considerable amount throughout the decades. For example, I’m typically a size 2/3 in pants, but my favorite pair of thrifted jeans that were made in the 80’s, is size 6. Not all stores will have the time period on the tag (Casablanca Vintage does this), so it’s best not to assume a piece won’t fit solely because it’s not your typical size. That’s why I try on absolutely everything. I’ll even try on pants that are 4 sizes bigger than my typical size. I look like a hoarder by the time I get to the dressing room, because I’ll be holding a mound of clothes bigger than my body. You really have no idea what might fit you perfectly.
$0.63 in their bank account), I can confidently tell you that they thrift because they know that you can find the most unique pieces. Not only that, but it’s fun; you never know what you’re going to find. You could be sifting through racks of shirts and finally stumble across something amazing. That feeling of pride and excitement is one the best things ever. If you don’t know what I’m talking about, you need to go to your closest Salvation Army immediately. There’s nothing better than getting a compliment on something thrifted and hearing someone say, “really? you got that from GOODWILL?” – because yes, yes you did, and, it was only $5. Just because you’re broke, doesn’t mean you have to dress like it. Happy Hunting.
If you’re still the type of person who thinks thrifting is unsanitary, you need to get over that immediately. It’s not like these clothes are carrying diseases. You have to try stuff on before you buy it. I know your mom has told you that. Listen to your mom. Regardless of opinion, it’s an indisputable fact that thrifting has quickly grown into one of the hottest trends to date, and it’s not going anywhere. It’s not just broke, normal people who do it, it’s celebrities too. Macklemore is a legitimate frequent thrifter (should’ve known) as well as Anne Hathaway, Gwen Stefani, and Zooey Deschanel. Since they’re clearly not hurting financially (and most likely have more than
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Photographer: Michelle Strauss Stylist: Draven Pena Models: Paige Robinson,Chloe Perichon Nina Payiatis, Leah Brinkman, Kendall Morgenstein
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By Kyle Hughes
The Alternate Fashion: “Oh my god, Becky, look at what Mary is wearing. It’s so hideous, THOSE boots with THAT jacket? Disgusting.” Yeah, we get it. Some things don’t work together well, but Mary, our favorite teenage punk with the black leather jacket, and those heavy black buckle boots; has a hot pink shirt on underneath, with a paint splash color mix, and some skinny jeans tucked into the boots. This image isn’t an average punk, goth mix, but it is Mary, and all Mary is showing to the world, saying, “Hey, look at me, this is Mary.”
and regal? You may be a dress type of person. Wear something long and flowing, that picks up in the wind like rose petals gently rocking in the breeze. If you want to feel dangerous, like a wild card, leather works. Balance it with a pair of denim jeans, or even a nice zip-up hoodie. Whatever the case, the base is in the choice of clothing and the form of it is always the first thing people look at.
All my life I’ve felt judged, criticized on my appearance before my words, before my actions, and it’s true. People make judgements on face value in 1/10th of a second. So, let’s take that 1/10th of a second to paint a broad picture for any onlookers, and instead of the “what are you wearing” looks, we can gain some extra confidence about identity, and still look your best.
For the next step, although wearing an entirely colorless outfit may not be your style. Nothing draws more attention than color and contrast. Color will give that mood to your outfit, and yes, outfits can have moods. Don’t clutter your the flavor of your outfit with every shade in the rainbow, unless you’re portraying yourself as abstract art. You should never have more than two main colors and three accent colors. Realistically, people in blue are easier to approach. Blue is a calming, open color that invites people in, so this is great for friendlier people. Red is the opposite, and can be a very angry, or sensual color. The idea is that it’s fiery and feisty, while also catching the eye. If you have a favorite color, consider making it your hue. Generally, our favorites tend to envelope who we are, even if we can’t explain why.
Focus back to Mary, a loveable little punk rocker, let’s say from New York. Will she have a mohawk, with all that light blue dye in it, or just a short bob cut. So what might Mary wear in this case, to let everyone know who she is. The first step in creating these amazing trends that people see everywhere, even the not-soamazing ones, they have to start somewhere. That’s always a base look. This stems from who someone is, and serves the entire theme of an outfit, the outfit itself. Are you elegant
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Contrast, as off putting as it can be, can always be a game changer for your outfit. This is the real eye catcher here, cause anyone
will notice someone walking down the street, in a black dress with diagonal white stripes through the middle. We don’t all want just plain black and white though, so maybe find that color that works with yours. Red and green go well together, but tend to end up on holiday shelves, so maybe for Mary here, we’ll go with red and black. Her black leather jacket will be dark so that bright red t-shirt underneath will really grab attention, assuming the jacket isn’t zipped up to hide it. Let’s make a new image, we’ll imagine Greg, a friendly, fresh out of
Individual Trendsetting college face, who loves talking with people and is planning on becoming a social worker. For Greg here, we have his nice dark blue cotton sweater, with a white collar undershirt, and some tan khakis to complete the look. No harsh colors contrasting and the material gives a soft look to him, so his smile will seem a lot brighter when approaching his friendly face. Even with how little you’ll see of his collar, the tan versus dark blue works well also, while still keeping in the 3 big color parameter. Lastly, people assume fashion is just about what clothes you wear, or what brands you Photographer: Alison Boya Sun Stylist: Tara Prabhu Models: Aneri Patel, Savannah Carrick, Sammi Jones
purchase, but anyone can make their own custom fashion, without having that ugly “American Eagle” printed right across their clothes. You’re not a walking advertisement for Nike, or Abercrombie & Fitch, you’re a person trying to show who you are and look good doing it. The details do matter, you won’t see Julia in a yellow tank top with white shorts wearing black lipstick and long eyelashes. If anything she’s got clear lip gloss and not much else. Accessories also matter, sunglasses can take away the eyes, while being suave and cool, but also makes people come off a bit too relaxed. You won’t see some women walking around with hot pink purses, against deep purple or black fish netting over their tank top. Match accessories to your personality and colors, unless you really want to draw attention to that brightly colored purse, instead of the person holding it.
With all this in mind, maybe Mary will get different looks from now on, that red shirt will grab people’s attention to her, with the black and denim showing her rebellious, dangerous spirit. She already has short hair and deep shadowy eyes, though some red lipstick will tie her look together. After all, this is who Mary is, and maybe another punk rocker will see her, and start following in her footsteps, some people are followers after all, but not us, definitely not Mary.
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BLURRING THE LINE
Fashion is constantly evolving. What is on trend one day is left in the dust the next. Modern consumer society is founded on the concept of fast fashion. It is no surprise that this quick turnaround time results in unique and innovative ideas. Breaking the boundaries of the industry is what makes designers famous. Defying the traditional rules of fashion is the current fad. Influenced by second wave feminism and gender equality, gender neutral clothing is a trend that falls into this category. It exceeds the limits of what women and men’s fashion historically represents. The ambiguity suggests a rebellion against the oppressive nature of gender normativity. As the rising generations stray away from conventional values and conformity, they choose to showcase this statement through their clothing. Currently considered to be on the rise, unisex clothing is a concept that has its roots in the 1960s.
By Maddi Villines
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Gender neutral clothing started gaining popularity in the 50s. According to Jo Paoletti, a professor at the University of Maryland and author of the book “Sex and Unisex: Fashion, Feminism, and the Sexual Revolution”, this idea is linked to the gender stereotyping that developed during World War II. When the concept took hold in the 60’s and 70’s, there was a shift in what it represented. Unisex clothing was popular among heterosexual couples who wanted to wear matching outfits. However, this was a short-lived craze, and soon traditional androgyny was being marketed by designers. In the 70’s, the target audience for uniformity was children. As noted by Paoletti, although the parents of these children had good intentions, “the embarrassment of being mistaken for a member of the opposite sex left lasting psychological scars on
Photographer: Nicholas Flesch Stylist: Samantha Iverson Models: Becky Davidson, Josiah Lawson
many of their offspring.” Once again, the idea was quick to die out, and gender stereotyping in fashion came back strong. One of the biggest issues with gender neutral clothing during this time was that while clothes were made to “blur or cross gender lines,” they ultimately delivered “uniformity with a masculine tilt.” This conflict between genders is an issue that still has yet to be resolved. Today, the number of gender identities has expanded. The belief that there are only two genders is quickly becoming old fashioned. The line between men’s clothing and women’s clothing is becoming blurred. People are crossing the boundaries, and ignoring what it traditionally represents while they explore fashion without its constraints. Even with the mainstream attention, brands
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struggle to develop marketing strategies that accurately depict gender neutrality. The aesthetic displayed by stores such as Zara and American Apparel is one of masculinity. When Zara released their unisex clothing line, “Ungendered”, there was immense backlash. The items being sold were bland in color, sticking to shades of gray and tan. The pants and tops were loose fitting, providing no definition to the wearer’s body. Those disappointed with the brand voiced their opinions on Twitter, questioning why gender-neutral equals ‘boring.’ Instead of embracing aspects of both men and women’s clothing, the collection appeared to avoid gender all together. When creating looks that are unisex, feminine colors are used to show the ‘girly’ side. Feminizing men’s appearances beyond this level has not yet been adopted into contemporary clothing and incorporating the physical attributes of women’s clothing is rarely seen.
The idea of men wearing women’s clothes is still considered taboo. Dresses and skirts are reserved for women, which may be the reason why brands are hesitant to advertise these items to a male demographic. When women wear suits and pants, and dress like men; they are bold, innovative, and fashion-forward. However, when a man wears a skirt, they are cross-dressing. Some designers have taken on the challenge of modern androgyny. When Jaden Smith posed wearing a dress for Louis Vuitton, the photographs stirred controversy but were also perceived as progressive. Generally, society’s attitude about what women’s clothing represents is so deeply ingrained; it is hard to separate these emotions from the clothing itself. Technically speaking, all clothing is gender neutral. The only aspect of a garment that could make it specific to one sex is the cut.
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For the most part, men and women have different body shapes, and some articles of clothing are created with this in mind. Logically, there is no reason why men cannot wear women’s clothes and vice versa. The only obstacle is society. The gender roles assigned to men and women by the public mandate how they dress. The courage and confidence, that is required to escape the human need for acceptance, stems from societal pressure. No matter the person’s opinions, it is hard to ignore the rise of gender-neutral clothing as a new form of fashion. Whether it is a quick-to-fade trend, or the start of a fashion revolution, that is a story only time can tell. The outcome ultimately depends on society’s reaction. As men and women around the globe continue to express their gender identities through their clothing, the unisex movement will follow suit.
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time
warp
Photographer and Stylist: Sydney Sebastian Models: Sydney Hansen, Mac Brokamp
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By Leah Pentecost It doesn’t exactly require a fashion degree to know what over-the-knee boots are. Exactly as the name describes them, they are boots that end above the knee, somewhere along the thigh, giving them the nickname “thigh-highs”. The diverse vibes of these shoes, thanks to the different heights, colors and materials; make it easy to pair with any outfit (as well as offer the functional feature of warming your legs). The boots work best with a minimalist-styled outfit that won’t compete with them for attention, and skirts/ dresses look best when the hemlines are kept above the top of the shoes. After overcoming decades of different connotations and associations, over-the-knee boots have finally broken the barrier and found themselves at the peak of popularity in today’s culture. Nevertheless, before Kendall Jenner or Rihanna helped bring these shoes into the limelight, thigh-high boots did not succeed without a struggle.
15th century: The earliest known style of overthe-knee boots can be seen in medieval paintings from the 15th century with fairly ornate pairs called “cuissardes.” The artwork shows that for almost 400 years these shoes were originally designed for and worn by men! 18th century: Thigh-high boots became a replacement for the heavy metal shoes that soldiers would typically wear in battle, when military clothing began to change. 19th century: The tall footwear gained a scandalous reputation when women began wearing them, despite that they were for men, for theatrical performances; often sexualized by audiences. The boots were also worn by prostitutes in London, making them trashy by association. 1960s: The shoes finally found popularity as a women’s fashion trend. Yves Saint-Laurent and designer Roger Vivier sent a model in a modern version of cuissardes down the runway and continued to develop unique styles of over-the-knee boots. One
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“The boots’ return to style comes during a time of change in fashion. What we find acceptable has changed.” – Beth Dincuff fashion historian and Parsons The New School for Design faculty member 1980s: When Madonna wore over-the-knee boots in her music videos and shows, the shoes’ popularity made a full comeback. Women acknowledged and embraced the sexy, style connotations that came with the boots. 1990s: The provocative association with thigh-high boots in the 90’s can be attributed to their popular debut in the film “Pretty Woman” as Julia Roberts wears a pair while acting as a hooker. pair was cut so close to the leg that it looked like a pair of tights, and earned the nickname “stocking boots.” As other designers followed suit with the thigh-high fad, Beth Levine and her husband Herbert Levine, who have been credited with popularizing over-the-knee boots, experimented with stretch vinyl and eventually designed the adored “space age” boots. Since they paired well with miniskirts, a trending piece at the time, the shoes grew even more in demand. 1970s: The popularity of thigh-highs began to die down, however they did not disappear completely. Contrary to the 60’s version of the boots which were fun and over-the-top, the 70’s version was more subtle; trading the seemingly modern, colorful, and shiny fabrics for suede and leather. The boots became associated with hippies and had a more bohemian vibe.
Modern Day: Designers across the board have helped to bring fame and approval back to the overthe-knee boots. Raf Simons has shown several pairs in his 1960s-inspired collection for Christian Dior. Karl Lagerfeld, never letting the trend die, has always included the fabulous footwear in Chanel fashion shows every few years. Now, thigh-high boots can be seen covering plenty of celebrities and stocked in almost every store.
the art of
sustainability In the blur of mass-produced, fast-fashion, where new “trends” are coming out daily, and Forever 21 is selling more clothes than an independent designer ever will, it can be hard to stay true to ethical and sustainable values. Trends are easy to stay on top of when offered at $15 per shirt at H&M (don’t get me wrong, you can catch me in an H&M around every big sale), but it can be hard to support local, independent artists. I get it. But when ethically produced garments are selling upwards of $300 per piece, it can be hard to reconcile the true worth of what you are purchasing. However one thoughtfully, well-made garment will always outdo the alternative, which is 15, half-assed pieces that will most likely not be in your wardrobe
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by Madeline Sterling
in 5 years. You know the old saying, quality over quantity? Well, it’s implications are farreaching in the fashion industry. This is precisely the idea I think DAAPAlumna Ericka Leighton-Spradlin had in mind while opening her Over The Rhine bazaar: Continuum. Ericka has been quoted as saying, “Continuum is not just a boutique or a retail store, it is a ‘eclectic bazaar art and concept shop’ that sells art, jewelry, fashion, and accessories from independent artists and designers.” Leighton-Spradlin’s carefully crafted selections speak to a wide range of customers: from the relaxed, bohemian styled, to the ‘chic’ minimalistic client, Continuum has it all.
You can quite literally sense this air of creativity while walking into Continuum. The store is filled with pieces that tell a unique story, which I believe was a major part of Erika’s intention. The idea of story-based designers is monumental when discussing ethical production. The more thought and life an artist invests into this work, the more of a story the piece itself has to tell. A range of independent designers thrive in this space, one of my favorites being a Vietnamese designer who includes her story in the traditional, yet slightly updated, silhouettes that are her pieces. Having the ability to truly believe in the clothes you are purchasing is a huge first step in supporting ethically based clothing. Instead of mindlessly buying pieces that are technically ‘on trend’ at the moment, you are forced out of your comfort zone, and into a space where thought and actual consideration
of each designer’s intent completely inform your purchases. Although you may walk out of a store with significantly less wallet-weight than at H&M, you are actually proud of your purchase. Now you can wear it with conviction that you are quite literally wearing a piece of carefully constructed art.
“THE MORE THOUGHT AND LIFE AN ARTIST PUTS INTO THE WORK, THE MORE OF A STORY THE PIECE ITSELF HAS TO TELL.”
Photographer and Stylist: Madeline Model: Hannah Lehytze
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Getting Down to Business
Redefining Business Professionalism by Emily McDonough Close your eyes grandma and grandpa because the younger generations are setting fire to your cherished business suits. As baby boomers and Generation X’ers retire, and millennials and Generation Z’ers become the B.M.O.C., the traditional concept of business professional attire is fading out. Say goodbye to monochromatic suits, white button-ups, and penny loafers; and say hello to funky textures, patterns, and styles. A more laid-back, individualistic style is here to stay, as long as workplaces continue serving cold brew on tap and allowing dogs to roam. The following pieces highlight both your unique flair and compelling capabilities -- the new business professional standard for attire.
Not your grandpa’s white button-up. These guys still have some potential. Put on your Kohl’s white that isPut entirely These guys still havebutton-up some potential. on your worn out from every professional event you Kohl’s white button-up that is entirely worn out attended in college, and look in the mirror. from every professional event you attended in Dull, right? Now, imagine you added an college, and look in the mirror.if Dull, right? Now, unexpected component to that shirt, like imagine if you added an unexpected componentinsect to patches embroidered details on the collar. that shirt,orlike insect patches or embroidered The enhancement not have to does be flashy details on the collar.does The enhancement not or dramatic. It simply has to be unexpected, have to be flashy or dramatic. It simply has to be so when you your company’s unexpected, so are whenpresenting you are presenting your comstrategic plan, and those in the conference pany’s strategic plan, and those in the conference room noticeit,it, they think, “Woah, they what know room notice they think, “Woah, they know what they are talking about.” they are talking about.”
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Photographer: Leah Pentecost Stylist: Cameryn Blake Model: Preeti Patel
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Patterned blazers that SPUR conversaTION BETTER THAN The STOCK MARKET Who declared that everyone in professional environments has to sport matching blazers? Whoever it was, they are most likely no longer part of the American workforce, and as a result, we no longer have to abide by their rules. It is time to write our own guidelines. In addition to investing in stocks, consider investing in a blazer that will make you stand out in any situation. A powerful pop of red, woven colorful thread or metallic shimmer is bound to complement your powerful opinions. Oh, and if you find a matching set, do not hesitate to purchase. If Hillary Clinton cannot rule the nation with her policies, she can at least rule the nation with her pantsuits. Make her proud!
Penny loafers’ rebellious middle child. Over a decade ago, the penny loafers welcomed a new baby Over their a decade ago, --the penny loafers into family the middle welcomed a new babyitsinto their familythe -- the child. Throughout childhood, middlegrew child.up Throughout childhood, the shoe in a veryitsconfined environment, it was expected shoe grew up in where a very confined environment, to act like its older brothers sisters. where it was expected to act likeand its older However, it never felt like it fit in with brothers and sisters. However, it never felt its fellow penny loafers, because it like it fit in with its fellow penny loafers, looked, thought, and acted differently. because it looked, thought, and acted differSo, as soon as it could walk and ently.the So, as soon aschild it could walktoand talk, the talk, middle began carve middle began to carve ownispath. its ownchild path. Today, that its shoe the Today, that shoe is the platform andloved it is being platform oxford, and itoxford, is being loved thetime firstintime itsby lifemillennials by millennifor thefor first its inlife and Generation als and Generation Z’ers. Z’ers. Now you Now you cancan findfind thesethese middlemiddle children children permeating offices all over the permeating offices all over the world. Who does world. Who does not want to add two not want to add two to three inches onto their to three inches onto their height and height and incorporate playful element into incorporate a playfula element into their their professional look? Whetheryou youneed need a professional look? Whether shoe comfortable enough for your a shoe comfortable enough fordaily yourwalk to work, or oneto that makesoryour better in daily walk work, onelegs thatlook makes your look better slacks, platform slacks,legs platform oxfordsinare the way to go. oxfords are the way to go.
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Let the pins and patches do the talking. Give the individuals who you interact with on a daily a tastewho of you your personality. Give thebasis individuals interact with onIfa you dailyare basisa #GIRLBOSS, a pin on your that says so. a taste of your stick personality. If you areshirt a #GIRLBOSS, stick a If you eat avocados breakfast, andfor pin oncould your shirt that says so.forIf you could eatlunch, avocados dinner; iron an avocado yourpatch modern breakfast, lunch, and dinner;patch iron anonto avocado onto your briefcase. Adding pins and patches to your business modern briefcase. Adding pins and patches to your business outfits and accessories weaves components of outfits and accessories weaves components of your personal your personal life into your professional life, which life intoself-expression, your professionaland life, in which fosters self-expresfosters turn, productivity in sion, and in turn, productivity in workplaces. Theneed business workplaces. The business world does not any world seriousness. does not need any more seriousness. more
The 7,482,685th use of a scarf. This piece may be the simplest way to add flair to your business professional outfits. I am going to go out on a limb here and guess that you have a scarf scrunched up somewhere in your closet. If not, your mom or grandma most likely does. Dust that puppy off, and tie it around your neck like a tie. Although this use of a scarf will not keep you warm during the winter months, especially in Ohio, it will give you a competitive advantage of ‘most fashionable and put together employee in the office.’ Another way to enliven your scrunched-up scarf is to intertwine it into a hairstyle. If your company’s perspective on attire is not as radical as yours yet, adding flair to your hair is a conservative way to introduce your personal style into the workplace. Braid it. Ponytail it. Bun it. No matter which way you style your scarf, always remember to DWGDD (do what grandma didn’t do). There you have it. This new wave of business professional attire has momentum strong enough to roll former CEOs over in their graves. Continue to express yourself in professional environments with fashionable textures, patterns, and styles; because those types of outfits foster diversity, creativity, and collaboration. Generations to come will hopefully never have to think twice about choosing what to wear in order to impress someone in the business world. One patterned blazer, patch, or scarf at a time; we have the desire and power to drive colorful change in our society.
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SKY REACH
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Photographer: Anni Peters Stylist: Elie Fermann Models: Juliette Wean, Katie Them
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MOSCHINO
By Kait Kline
Moschino. The brand without boundaries. The name that is associated with loud graphics, non-traditional materials and gaudy accessories. Although the majority of people may not consider the brand everyday fashion, it has proven itself a key player in the industry and is extremely influential toward street style.
The name Moschino brought the 1980s a new insight within the fashion world that no one was prepared for or knew they needed. In a sense, it was anti-fashion. Moschino decided to break the traditions of the fashion industry and design something new. He poked fun at the system and became a rebel on the runway.
The founder of the industry-dominating brand, Franco Moschino, studied at Accademia di Belle Arti di Firenze, translated to the Florence Academy of Fine Arts. Moschino began in the fashion world with his efforts as a freelancer in Milan, before moving on to work for Gianni Versace. Versace was the one who gave Moschino the encouragement to build his own brand, and in 1983, Moschino couture was born.
Ultimately being inspired by Surrealism, there were no rules to Moschino. His designs and collections embraced being playful and showcased ‘funny’ clothes. No one ever would have thought to wear a teddy bear hat, until Franco Moschino came along. Although many did not understand the brand and often rejected it, he created a ‘tongue in chic’ revolution. There were feuds between Moschino and the more ‘traditional chic’
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fashion brands, including Chanel. However, Moschino has demonstrated to the general public that it is okay to break the fashion stigmas and to branch out into your unique self. In recent years, creative director Jeremy Scott has revamped Moschino. After being given this new title in 2013, he took the brand to new heights. Scott brought Moschino back to what the brand was built on and has pushed its potential, which is now widely accepted and appreciated, often worn by stars such as Katy Perry and Miley Cyrus. This has brought a refreshing change to what Franco Moschino endured during his time building the brand. One of the most prominent collections Scott has made since his time at Moschino is the Fall 2014 ready-to- wear. Serving as one of the most thought provoking collections the industry has ever seen, Scott brought the massmarket culture of America to the Moschino runway. The beginning of the collection included pieces of the iconic, red and yellow colors of McDonald’s; incorporating them into silhouettes significant to the Chanel brand. As
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the collection continued, bold uses of black and denim were accessorized with layered gold jewelry. Toward the end of the series, there were different facial expressions of the SpongeBob cartoon character strategically placed on several types of yellow garments with black spots. The finale of the show was practically a junk food aisle on the runway, with dresses made to resemble popular foods and candies. This collection sparked many controversies and left people wondering about trademarks and legalities regarding fashion. Jeremy Scott will continue to push the Moschino envelope, while also tying it back to the original mission of Franco Moschino. The brand has never failed to bring an interesting insight to Fashion Week, and although the nature can still be hard to understand, it will always be appreciated and respected.
Ultimately being inspired by Surrealism,
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there were no rules to Moschino.
Photographer: Kayla Stellwagen Stylist: Kait Kline Models: Bobbi Ponder, Randi Rammelsberg
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