Interior Design Portfolio by Tsz Kiu Chow

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P O R T F O L I O

INTERIOR GRAPHIC BRANDING THREE-DIMENSIONAL .DESIGN

TSZ KIU C HOW



“The essence of interior design will always be about people and how they live. It is about the realities of what makes for an attractive, civilized, meaningful environment, not about fashion or what’s in or what’s out. This is not an easy job.” - Albert Hadley



C O N T E N T S

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02

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Discover every aspects of the ultimately smart living

Salon that save you time while providing top notch services

Future Proof Psychotherapy Centre

Compact+

Brisk

H.R.S.S

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22

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Manchester International Festival 2017

Brand identity for fitness YouTuber in China

Festival Square

Wild Saturday 48

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Technology-powered personalization to enhance user experience in store

Lab of Exploration 30

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01 INTERIOR - RETAIL, VISUAL AND SPATIAL BRANDING

COMPACT+ Location: 248 Ferndale Rd, Brixton, London, United Kingdom Completed Year: In progress

Compact+

Compact+

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home showcase community aparthotel

home showcase community aparthotel


INTERIOR DESIGN - COMPACT+

COMPACT+ is a specialised furniture concept store to discover every aspects of small-scale living as well as providing design solutions to the home occupants of this ultimate smart living pattern. The store is launched by two parts: COMPACT+ Concept Store and COMPACT+ Aparthotel. The concept store includes furniture showroom,

For COMPACT+ Aparthotel, it is located in the building next to the Concept Store with the idea of ‘Live it and experience it’ to maximise the experience of compact living. I believe nothing is better than living in an actual environment to complete the experience of compact living. With individual entrance to ensure the security and privacy of the visitors while making connections with the concept store through exterior public space.

home improvement warehouse and restaurant, each covers different area of compact living. Exhibitions held regularly in the store to showcase new ideas, designs and technology by designers around the world, to suceed the goal of making beautifully designed compact home acheivable for everyone.

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S I T E A N A LY S I S

ABOUT THE DEPARTMENT STORE The building was built in 1906 as an annexe to the Bon Marche department store. In 2015, architect Squire and Partners restored the building and turned it into an exciting array of creative workspaces with a variety of creative and retail units. With post office and several restaurants in the same building, it created a great community spirit for the office workers and the public.

Aparthotel

Concept Store

Existing Elevation Plan. Due to the size of the building, the scheme occupied only a section.

ABOUT BRIXTON Situated in the centre of south London. Brixton is a lively, multicultural area with a down-to-earth vibe. A neighbourhood filled with a sense of community, celebrating the cultural diversity. With independent retailers, restaurant and markets, Brixton is an area that has something to offer for everyone.

Post Office

Brixton Recreation Centre with gym and fitness studios. Pop Brixton - a community project, event venue and the home of a community of independent retailers, restaurants, street food startups and social enterprises.

Brixton Station Road Market - a community market run by local traders.

Brixton Underground Station

Map shown where the building is located and main attractions in the area. 10


THE HISTORY AND THE FUTURE

The Bon Marche department store was the first steel framed building in the UK.

1906 A Ferndale Road annex named Toplin House was added in 1906 to provide two additional floors of retail, and staff accommodation on

1955 - 1975

Architects Squire and Partners took over the Edwardian department store and turned it into the architects’ office.

COMPACT+ continues to be the leader in making small-scale living furniture accessible for everyone.

Since 2015

Future

1975 - 2012

2018

The collection of buildings were used by a variety of occupiers until 2012 when the site fell vacant and subject to squatters except the Post Office.

COMPACT+ was born. The ground floor to third floor of the building was turned into

the upper levels.

EXISTING SCHEDULE OF ACCOMMODATION

PROPOSED SCHEDULE OF ACCOMMODATION

Roof

3/F 4/F

The restored and extended building provides work and event spaces for the various design disciplines within the practice, as well as a series of creative and retail units including restaurants and post office. The restaurant on the roof opens to the public helped to increase the people flow inside the building, enhancing the connections between it as the ‘Class A1 Use’ shops and retail outlets and as the ‘Class B1 Use’ office space.

3/F

Existing

2/F

2/F

1/F

INTERIOR DESIGN - COMPACT+

1876

With a brief stint as a bomb shelter during World War II, the Bon Marche consolidated all departments into the main store on Brixton Road until 1975.

1/F

G/F

Office

Terrace

Retail

Roof

Staircase

Elevator

Void

Tower

Proposed Aparthotel

Gear

Home

Elevators

Showcase

Outdoor Space

Community

G/F

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RESEARCH CONTEXT HOW MUC H SPACE IS ENOUGH? Average residential floor space by countr y in m 2

HOW AND WHEN THE IDEA CAME ABOUT The idea behind COMPACT+ relates to my cultural identity. It is easy for me to connect compact living to the current living situation in Hong Kong, the city that is known for having the smallest average home size in the world. Compact living might seems to be a trend for those who have the privilege to choose, but it never was in some of the most populous cities like Tokyo (Japan), Shanghai (China) and London (United Kingdom) besides Hong Kong. The rapid change of new technology and home average size are the main reasons for me to design a retail store instead of a residential interior. I believe the ability of design change is vital for a topic that causes a long term influence to our life. A residential project that is focus on a person or a family cannot cover the diversity of topic nor the situation in our society. The retail store allows me to discover and discuss different aspects of compact living to a wider range of population.

IN HONG KONG

Canada 72 m 2

US 77 m 2

Russia 22 m 2

Sweden 40 m 2 UK 33 m 2

France 43 m 2

Japan 35 m 2

Greece 45 m 2

Spain 35 m 2 Italy 31 m 2

Ver y Small

Australia 89 m 2

Small Average Big Ver y Big

I have focused on the six countries in the range of 15 - 35 m2 to work on. The data then towards as a guide for me on planning the size of each area in the concept store and the aparthotel, especially on the 19 inspirational showrooms with real-life settings.

IN ENGLAND

1

2

ppl/studio flat

37 m²

14.9 m2 - The space is enough for a kitchen, a working desk, a shelving unit with a bed on top of it. With smart designs.

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ppl/one bedroom

50 m²

4

ppl/ two bedrooms

70 m²

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Hong Kong 15 m 2

China 20 m 2

ppl/ two bedrooms

61 m²

4

ppl/ three bedrooms

72 m²


INITIAL IDEAS

accessories display and staircase to first floor. Initial floor plan of ground floor. 1:200@ A3

INTERIOR DESIGN - COMPACT+

Initial sketch of ground floor layout. Including mezzanine, checkout,

Drawings on elements inside the concept store. Layout and departments.

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DESIGN DEVELOPMENT SCHEDULE OF ACCOMMODATION The more you go up, the more compact it becomes. The ceiling height is higher for the lower floors and is slowly getting lower. The ceiling design is to recreate the UK average (2700mm) and minimum (2100mm) ceiling height standard for residential use space, while the ground floor will be keeping the ceiling height standard for commercial and retail space. The design helps to lead the customer into the “journey of compact home�. Showrooms from 1/F to 3/F were designed to be in the same pattern and size to demonstrate the direct impact of ceiling height in a home. Where many home owners might experience this problem, they can related to it and easier to find the suitable way that Compact+ provides to manipulate their home problems.

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MOST COMPACT

2

1

G LEAST COMPACT

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furniture showroom

home accessories

staircase

mezzanine


INTERIOR DESIGN - COMPACT+

DESIGN CONCEPT

The concept “ABOVE AND BEYOND” simulated the condition of living inside a compact home. By experimenting with ceiling height and the relationships between floors to create a dynamic movement in the building. As people goes up, they could experience the more concentrated space lower ceilings. The mezzanine worked as an additional level to view the building in a different and unusual perspective. It could be treated as an individual space on its own, but also the part to bond the floors together. Void were included in each floor to extending the spatial scale and to eliminate the sense of pressure while creating the extension of visual axis. Using reflective materials to allow light to penetrate freely and improves the interactivity between floors. Each space can interact with their “neighbours”. The staircase acts as a pathway to lead people to different floors. The arrangement of the staircase also defines the rest of the space, which offshoot in fragments and are integrated through a rhythmic arrangement of steel beams and columns.

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ON THE LEFT: S E C T I O N A - A ( 1 : 10 0 @ A 3 ) ON THE RIGHT: GROUND FLOOR FLOOR PLAN (1:200@ A3)

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INTERIOR DESIGN - COMPACT+


DESIGN ELEMENTS + COMMUNITY CAFE

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Compact+ Community work with the local community to create multicultural cuisine and to share their stores with the customers.

First floor floorplan to show the layout of +Community Cafe.

afe ity C

1-2/F

un

omm +C

G/F d oo +F

ck Tru

GAU0122 Light Metal + Wood Pendant by Gaucho Där (Matt Black)

Steel Perforated Sheet 3mm holes Powder Coating in White for Staircase Risers

Red Brick Wall

INTERIOR DESIGN - COMPACT+

The design is inspired by street food stall where the customer and chef share the tiny space together. Customer sees how their food getting prepared and chef constantly getting feedback about their food, it provides direct interactions that regular restaurant can’t provide.

Herringbone Pattern Floor in Mango Timber Lime Wash Effect

Golden Oak Timber

4 Light LED Pendant by EGLO Fornes (Oak)

Dulux Paint Mixing Easycare Washable & Tough Matt Putting Green Materiality

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ON THE LEFT: SHOWROOM DESIGN ON THE RIGHT: PICK-N-MIX CUSTOMISATION ALLEY

One of the main features on first floor is the “Pick-N-Mix Customisation Alley”, where the customer can pick their combination of furniture, material and colour. The computer bar and interactive display table will then let them visualise and calculate the item price.

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7, 8

Hong Kong (15m²)

Tokyo, Japan (35m²)

Italy (31m²)

United Kingdom (37m²)

The size of each showroom is recreated the average residential floor space

INTERIOR DESIGN - COMPACT+

of the selected countries from research content.

The showroom is where you get an insight into compact living. There are 18 showrooms in total, each of them have been carefully designed to show the living habits of different types of family. Not only showing the average size of UK housing, some of the showrooms were created to reveal housing sizes in different countries and the way they use to tackle with the small living spaces. The research on average size of house around the world helped me to get a more accurate data on the average house size around the way, it also helped me to focus on 4 countries besides the England that have the smallest average residential floor space, which were Hong Kong(15m²), Japan(35m²), Italy(31m²) and Russia(22m²). The second feature of the showrooms is that I tried to 'put' the typical house building into the space. The showrooms from 1/F to 3/F were designed to look like a real house

First floor floorplan to show the layout of Showroom and Pick-N-Mix Customisation Alley.

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02 INTERIOR - HOSPITALITY AND RECREATION, BRANDING

10 m i n u t e s h a i r c u t

B

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S

K

Location: Avila House, Oxford Road, Manchester, United Kingdom Completed Year: 2016

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INTERIOR DESIGN - BRISK

Located in a busy area surrounded by university campus and offices. Brisk hair salon cut down the service time down to 10 minutes. Target on providing high-quality service for busy professionals and students. The semi-automatic operating system to create a seamless journey for customers. The 10 minutes hair cutting salon presents the idea of “cut out the unnecessary waiting time” and focus on the haircut itself. The idea came up when I thought about how many times I washed my hair in the salon but actually didn’t need it, and ended up paying extra for the service. And many people felt the same when I brought up the topic. More than that, it was considered as rude when you didn’t have a conversation with the hairdresser but sometimes you just want to finish the haircut and get going as soon as possible.

Customers can take control of everything at Brisk.They pay for their service by the self-service ticket machines by choosing the service(s) they needed, service time is shown next to each service item. A ticket will then released after they paid. The customers will then wait in the waiting area for their number to show on the television screen. Styling stations are labelled with colours that match the one on the ticket, to help the customers look for their seat.This system would make sure the flow of the salon is smooth and each barber is handling with similar numbers of customers. Customers are good to go after they have been served. No queues or wait for the bills and changes because they have already done that at the beginning.

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FLOOR PLAN 1:100@ A3

OUTDOOR SPACE

UP

EXIT

STORAGE

STAFF ROOM

STYLING

BACKWASH

WAITING

TICKET TOILET

DISPENSARY

UP

ENTRANCE

Purchasing & Waiting Service Staff Only Customer Route

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ELEVATION PLAN 1:100@ A3

1. STAFF ROOM 2. STYLING AREA 3. BACKWASH AREA

2

3

ELEVATION A-A 1:100@ A3

INTERIOR DESIGN - BRISK

1

ELEVATION A-B 1:100@ A3

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DESIGN ELEMENTS Cutting Area

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For the cutting area, styling unit were custom made to suit the needs of the hair salon. Locker and coat rack are available for all the styling unit. The reason I chose to use this kind of system instead of having the traditional storage room for customers’ belongings was because it would save time from traveling between the storage and the cutting area. As we got only 10 minutes slot for each customer, it would take longer for customer to prepare and to leave the hair salon. As it is an open space, lockers are fitted to ensure the security for customer’s belongings.

colour scheme

INTERIOR DESIGN - BRISK

Coat rack

STYLING UNIT

Foot stool Big items

Locker for personal belongings

Mirror

FOTO Light by ikea (Green, cream, white)

American Black Walnut

Concrete

White Rough Wall Materiality

Footstool About A chair by HAY

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DESIGN ELEMENTS Reception + Waiting area

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Wooden ceiling and concrete floor were used throughout the space to introduce a warm and hearty impression to the customers. A cosy ambience despite of being in the fast-paced environment.

Ticket machine

Black and white were used to make sure the focus is on the ticket machine.

Reception wall

Wallpaper reception wall for easy replacement for different occasions, to be conscious of the feeling of freshness in the space.

American Black Walnut

Concrete

White Rough Wall Materiality

INTERIOR DESIGN - BRISK

Ceilings and Floor

Wyatt LED 9 Pendant Ceiling Light in Bronze by John Lewis

Concept for ticket machine. It is inspired by the idea of food ticket vending machine in Japan.

STEEL 15MM Space Divider

If You Could Bench By Jorre Van Ast, Damien Poulain

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03 INTERIOR - RECREATIONAL

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S

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Location: Fourth Church of Christ Scientist, Peter Street, Manchester Completed Year: 2016

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INTERIOR DESIGN - H.R.S.S

H. R. S. S is a future proof psychotherapy centre for greater flexibility and ever changing social trends. The goal for this project is to explore new ways to give support for those who are suffering from depression caused by chronic pain syndrome. And at the same time, design a future proof psychotherapy centre with greater flexibility to adapt the ever changing social trends. There are many factors to determine the health of a person. Exclude the innate factors, we could still make a change of our habits to improve the acquired factors. The arise of the psychotherapy centre is to give a push to those who are struggling with their illnesses, by providing direct help like giving medical advices and counselling. At the same time, to provide indirectly options through experiencing with the Japanese Zen meditation and adjustment of their eating habits.To achieve the goal, the design of the

space is a key. My goal is to create a place that is welcoming and feel less of being inside of a clinic, hopefully feel more like being in the nature. More importantly, to let those who are suffering with the chronic pain syndrome to start a new life. ‘Future proofing’ is the key for this project. The aim is to think ahead of the present, not only to considerate about the problems that might happen now, but also to predict the possibilities of sudden changes and be ready to tackle with the environment and the society.

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RESEARCH CONTENT

= 10%

RESEARCH ON THE PERCENTAGE OF INDIVIDUAL WITH CHRONIC ILLNESSES EXPERIENCE WITH DEPRESSION

3

= 5%

2

Coronary Artery Disease (without Heart Attack) 18% - 20%

Parkinson’s Disease 40%

Research on chronic illnesses and depression indicates that depression rates are high among patients with chronic illnesses. 4

5

1

Multiple sclerosis 40%

Stroke 10%-27%

Heart Attack 40% - 65%

8 6

7 Chronic pain syndrome 30%-54% Diabetes 25%

Cancer 25%

The reason for me to choose to work on chronic disease is because of my personal experience. One of my close relative with diabetes couldn’t bear the pain of injecting medicine to his body everyday, so decided to end his own life. For all these years, I couldn’t think of any reason for a cheerful person like him to choose a path like this. I went further back to research on the background of chronic disease, such as the definition of the disease and their effects to the patients. I was trying to study their connections with the case of my relative, and focused on the how the disease would affect him mentally. The more I knew, the more connections I could make with the reason for him to commit suicide. The research has given me an insight of the vital link between chronic disease and depression. To be more specific, I have decided to work on depression particularly caused by chronic pain syndrome. Why chronic pain syndrome? Patients experience different levels of pain due to their illnesses. Although there are different types of medical support like drug therapy and psychotherapy, they stem from the Western cultures. As a student from an East-Asian country with numerous ideas about cultural relativism, I would like to come up with a solution that can integrate the best of both. Recognition and treatment are crucial; depression worsens the course of a chronic illness. Prevention is better than cure.

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S I T E A N A LY S I S Fourth Church of Christ Scientist Location: Peter Street, Manchester Pros: - Easy to access - In City centre - Prime location - Loads of restaurants around Cons: - Hard to find parking space - Commercial area - There is no garden or park around the area - Could be noisy due to the bars and restaurants The location of the building could benefit the visitors as it is in the city centre, encouraging them to visit the place regularly.

In order to let more light to get into the basement, I have removed an area of flooring from the ground floor, it helps with the lightning and increase the unity between the floors.

Interior - Ground floor

In the middle of the psychotherapy centre, there is a indoor garden going through the floors. The reason to create the garden is to bring the nature to the audiences. Garden is a important element and it is connected to the Zen philosophy. The miniature of the garden is representing ‘emptiness’, and it is making us to think deeply about our life. Although the idea was inspired by the philosophy of Zen, but in this case, it was simply to make a better connections between spaces and increase the atmosphere of the building.

Exterior

INTERIOR DESIGN - H.R.S.S

The exterior of the building was built by Portland stone, it shows with rich heritage, clean and simple beauty which I decided to keep the exterior as it was. The rearrangement were to replace the double windows with bigger and lighter shades of fixed windows to let more light to get into the space, as light is important for the purpose of the centre.

Interior - Basement

Fourth Church 1:100 @ A4

Original Ground Floor Floorplan 1:100@ A4

Ground

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DESIGN CONCEPT MAKE A MOVE TO TRANSFORM SPACE

The design focal is about making a move to transform a space from what it looks like to another. I have been experimenting with building elements like swivel, flap, slide and fold. The solution is to make the furnitures to be able to adjust to different conditions while being simple enough for different users. What that means is to create a multi-functional space with the method of ‘hide and seek’ - to hide items that are not in use and seek for new ways to transform a space. Although the space is going to be multi-functional, it doesn’t mean it has to be full of new technologies and machine operated features. Too much of these would lower the comfortability of a space, so my idea is to balance the functionality and the harmony of the space at the same time. Design focal to look at: 1. Feature wall, doors and storage solutions in meditation room. 2. Indoor garden to make connections between different floors. 3. Tables at level 0.5 located in ground floor and group area in the basement.

First Floor Floorplan 1:100@ A4

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RETHINK THE DEFINITION OF ROOM

Basement Floorplan 1:100@ A4

The concept of the psychotherapy centre is to explore the possibilities of creating variable elements within the same space. For example, the size of a room for private therapy could also be a space for group activities. Most of us have a set of guidelines about how big a room for certain activity should be. But in this project, I have tried to break this concept and making connections between rooms. Rather than providing a ‘frozen’ setting for activities, the new concept is to make a multiplicity of different uses and atmospheres possible. The result is to develop a well conceived mobile room in compact environments that take up less space than conventional approaches. I used the technique of space in walls to create extra storage for the use of dividing and joining spaces. Also to accommodate flexible elements like door inside the wall. The particular element is ‘parked’ in the wall and taken out as needed. The same element has been used on the tables within the space. By increasing the height of flooring to create extra room to ‘park’ the tables. Only pull up when it is needed. And to help transforming the space for different activities.

INTERIOR DESIGN - H.R.S.S

‘If we need to sleep, we need a bedroom; if we need to eat, we need a dining room.’ that is a quote I heard from a programme called ‘Dream the Future’. It inspired me to rethink about the ways we design our space. The concept of designing a space for specific use has been rooted for us for over decades or even more. It makes me wonder if our concept of rooms is well prepared for our future?

The group area located in the basement is where I experimented with the variable room elements. 35


04 INTERIOR - RETAIL, VISUAL AND SPATIAL BRANDING

People of Red or Dead are explorers with confidence and no boundaries. Fear is not an option. Quirkiness and integrity are always in our blood.

LAB OF EXPLORATION Location: Selfridges & Co, The Bullring, Upper Mall East, Birmingham, B5 4BP Completed Year: 2018

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INTERIOR DESIGN, BRANDING - ROD

Discover new ways to look into Red or Dead’s quirkiness and playful characteristic with technology-powered personalization to enhance user experience in store. The design concept is to simulate the fluidity of the liquid by using neon lighting to form a scenery of the laboratory setting. Lab Of Exploration is a concept store featuring the brand’s eyewear, footwear and clothing, also combines traditional shopping with online shopping to fit in with customers’ busy lifestyle.

it is compulsory to explore ways to provide an extraordinary shopping experience to customer. Red or Dead has teamed up with footwear retailer Schuh and optical retail chain Specsavers for their range of products. The concept store allows customer to book an appointment for their eye check and making orders through the “Sit back and relax” system.

Nowadays, the world of retail is facing challenges like never before. Due to an increase in popularity of online shopping and high expenses on rent,

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LOC ATION Selfridges & Co The Bullring Upper Mall East Birmingham B5 4BP Red or Dead is aim for selling designer products in affordable price with target audiences in different age groups. Although Selfridges & Co is considered as high-end department store but they also have stores like Topshop and COS, which are also considered as middle priced brands. The store attract customers from different age group which makes it ideal for promoting the Red or Dead brand to the public.

Suggested department: women causal on third floor.

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INITIAL IDEAS

INTERIOR DESIGN, BRANDING - ROD

Design concept, layout, dwelling, fixtures

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IDEA SKETCHES

Clothing stocks, self-service area and eyewear display

www.pinterest.com/clothes-stack-up

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Japan high-tech vending machine


Neon light fixture: flow, connections, ideas and details

White neon light outlines logo

INTERIOR DESIGN, BRANDING - ROD

Neon light as clothes rack. Responding to the colours of shoes section.

Bunch of test tubes placed together

Liquid being poured half full into test tubes in laboratory Test beaker

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3D OVERVIEW

1.2 SELF-HELPING CLOTHING

Retail space size: 250 m2

Clothes are placed inside plastic tubes to make it ready to collect.

1.1 CLOTHING DISPLAY

The clothing section is the most appealing part of the store. Neon lights in 3 colours and different thickness to create a fun and vibrate atmosphere inside and throughout the store.

Red: Shows connection with the footwear section, also lead the way to different parts of the store. Blue: Shows journey to ‘self-helping clothing’ and ‘point of purchase’, ends at the footwear section. Yellow: Shows connection with the eyewear section.

W ind

ow

Dis

pla

ys

Patterned floor tiles with Red or Dead logos

Sizes for Eyewear Stand: W100cm D 100cm H 80cm (Lowest point), 100cm (Highest point) Height of "EYEWEAR" neon light: 40 cm from the highest point of eyewear stand

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2. EYEWEAR DISPLAY (TWO-SIDED) The idea of ‘pick up, try it on and look up’ is to minimize the time of travelling around the store just to find a mirror to see how you look in the glasses. Makes the shopping experience straight forward and no fuss!


Neon Signs

Structure Wall

INTERIOR DESIGN, BRANDING - ROD

Point of Purchase

3. FOOTWEAR DISPLAY The shoe section is formed by clear acrylic tubes inspired by liquid poured in test tube. The lighting installed under the area will create a bright and dynamic feel.

67 cm

Mirror

Glossy wood in white

80 cm

Side

93 cm

Clear acrylic tube in 4 sizes and 3 colours.

Mid Point

Highest Level

45 cm

Front

Mid Level Lowest Level Layout of the shoes shelf

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CEILINGS, LIGHTING AND MATERIALIT Y Because the store will be inside the department store where it is hard to find ambient lighting, so the lighting in store will highly dependent on the neon lights on the walls and the ceilings. The lightings will make the store feels fresh and calm.

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Red Rusty Brick Wall

Rusty Brick Wall Painted in White

Floor tiles with Red or Dead logo pattern

Glossy Wood In White

Clear Acrylic Tube

Oak Birch Wood

Eyewear + Point Of Purchase Fixture

Clothing + Footwear Fixture

White neon light (fluorescent tube) as the centre light to show the flow of the interior.

MINOR COLOURS: neon light signs

Furniture: eyewear

INTERIOR DESIGN, BRANDING - ROD

BRAND/MAIN COLOURS: neon light fixture (clothing, footwear)

Point Of Purchase Chairs

LED Panel Downlight 25W

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BRANDING Point of purchasing

HOW THE MACHINE WORKS?

1. Sit down and select the services you want

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One of the staff will deliver your order(s) to you. Try it on -> Like it -> Buy -> Don’t like it -> Leave it there

Try on shoes Your 3 order(s) has been sent. Sit back and relax!

INTERIOR DESIGN, BRANDING - ROD

Experience the new way of shopping and check-out! ‘Point of purchase’ allows you to make orders, check-out or make an appointment with our partners (e.g. Specsavers for prescribed glasses). Chances are you are feeling tired after a long day of shopping, so what is better than the products come to you without you walking around just to ask for a staff’s help for trying on shoes that you are interested? Just choose the products and size, then relax. The products you ordered will be in front of you within minutes.

Make an appointment Please select a day and slot: 23-Oct-2017 15:15

A reminder has been sent to your mobile phone.

Check-out Please scan the barcode on the product(s)

Thank you for shopping at Red or Dead. We look forward to see you soon!

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05 INTERIOR - EXHIBITION, THREE-DIMENSIONAL DESIGN, BRANDING

F E S T I VA L S Q UA R E Location: Albert Square, Manchester, United Kingdom Completed Year: 2017

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INTERIOR DESIGN, 3D DESIGN - MIF

A co-design brief to design elements of Festival Square, for the Manchester International Festival, in collaboration with Oh Ok alongside Practice Architecture and The Office of Crafted Architecture. The project involved working with live client to develop ideas and concepts with regards to making artefacts and elements at object, human and architectural scale and branding, to meet the client needs. By working in a group of 5, we worked closely together for decision making and individually to identify each of our role in the team. During the live project, I had the opportunity to involve in all stages of the design process including space plan and produce accurate drawings using Vectorworks. I also learned how to design furniture and update existing fixture according to the brand guidelines. My floor plan and layout design were moved forward to the final production and was featured on BBC live broadcast.

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EXPERIMENTAL MODELS The initial starting point. My team and I developed our idea from the first workshop with three words - Tension, movement and reform. We then continued our experimenting with different materials. A triangular structure was the regular theme within our experiments, which then led on to triangular shapes used throughout the project.

Initial Teepee structure

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Colour scheme


RESEARCH ON MOVEMENT

INTERIOR DESIGN, 3D DESIGN - MIF

Keyword: Stacked Up Combine and Expand

Oneness Modular Shelving by Kyuhyung Cho + Hironori Tsukue

Consists of a chair and a low table that can be combined into a openstanding shelf when stacked.

Tsumiki building blocks by Kengo Kuma

The ability to create new shapes and forms using the same element.

AA Stools by Torafu Architects

Used as a single chair or joint together to make into a bench.

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EXPERIMENT ON TENSION + REFORM Initial design of the bench + Testing materials for seat pad

CONCEPT 1

Cork 5mm Foam 3mm Tile 5mm

Cork

Top of the seat pad. Material is very flexible and durable. Outcome is lightweight and sustainable.

Glass Tile

Base/support of the seat pad. Material is strong and hardwearing. Outcome is seamless and water resistant.

CONCEPT 2

Seat Height 750 mm

I used hammer to smash the tiles into pieces. The result was not good because it was hard to make the pieces identical. More than that, the tile was not the best to work with because the edges were sharp. Alternative solution was using wood with laser cutting to develop more uniform and safe surface for user to sit on.

Seat Height for children 450 mm

FINAL CONCEPT

Back Angle 45o Seat Height 850 mm

Seat with back or luggage Height 250 mm

4 sets = Single Chair

12 sets = Bench

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BENCH DESIGN

Conceptual imagery with the bench outside Festival Square.

INTERIOR DESIGN, 3D DESIGN - MIF

The bench has a 50 degrees back which allow users to sit in a relaxed position, with the seat that is long enough for users to fold their legs up. This design is dedicated to individuals with varied postures. The gap between each part is to prevent water storage on the bench under rainy weather.

DIMENSIONS

3D MODEL FROM DIFFERENT PERSPECTIVE

ISO

Side

Front

MATERIALITY

Right side

Birch plywood 18mm

Right isometric

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FLOOR PLAN 1:100@ A3

ENTRY & EXIT

ENTRY & EXIT

Tre s

ge

tle

Frid

EE

EP

STAFF ONLY

r de

Or

ter

un

Co

Frid

ge

Wa sh

TE

e

idg

Fr

STAFF ONLY

ge

id Fr

ENTRY & EXIT

rels

Bar rels

Bar

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e

idg

Fr


I N S I D E T H E F E S T I VA L S Q UA R E 3D INTERIOR MODEL BY VECTORWORKS

Mainly by incorporating triangular shapes into each of the design. This can be seen through the construction and materiality in Festival Square. Existing fixture has also been redesigned or updated according to the brand guidelines.

Fixture included in the floor plan:

FURNITURE

360o Hex chair with hole on sides x 20

10 Hex Stool 10 Triangle Stool 20 360o Hex Chair with Hole 10 360o Hex Chair without Hole 20 Hex Table 1 DJ Booth 1 Existing bar with updated colour scheme 1 Podium Stand (Teepee) with extensions

MIF BRAND COLOUR SCHEME

360o Hex chair without holes on sides x 10

INTERIOR DESIGN, 3D DESIGN - MIF

+ + + + + + + +

Hex table x 20

COLOUR SCHEME FOR INTERIOR AND FIXTURE Brand colour reproduction under MIF permission

Hex stool x 10 Triangle stool x 10

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FURNITURE MAKING

From measuring, cutting and assembling. Furniture making took the project to the final production. A hands on process to bring the idea to life and result was towards to enjoy by the participant of MIF’17. During the making, my team and I have to take the responsibility for the outcome because we participated in all the processes. The experience allowed us to take our team work to the next level.

PLANNING PLYWOOD TO CUT

Making the best measurements plan to minimise the material waste and budget. ASSEMBLING THE PARTS

The leg design of the hex stool and triangle stool were universalised to simplify the making progress.

GIVING THE FURNITURE ITS BRAND IDENTITY

Testing out dip dye and colour combinations with furniture paints sponsored by Crowns.

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INTERIOR DESIGN, 3D DESIGN - MIF

PHOTOGRAPH FROM ACTUAL SITE AFTER COMPLETION

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06 GRAPHIC DESIGN, BRANDING IDENTITY

W I L D S AT U R D AY Completed Year: 2018

Wild Saturday is a brand and social media channel created by Zoey Zhou, a famous fitness social media influencer in China. My work for her was to re-design her website/social media channels banners and online shop advertisements following the brand guidelines.

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GRAPHIC DESIGN, BRANDING - WILD SATURDAY


Advertisement for online shop. Illustration by Adobe Illustrator and links to the page.

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GRAPHIC DESIGN, BRANDING - WILD SATURDAY

9. 12

学员专属福利 第一波抽奖来了

参加方法 1.下载米熊app 2.注册帐号(海内外都可注册) 3.在搜索框内输入“周六野”即可找到我的课程 4.找到"28天私教课-赢大奖",点击参与

第一波抽奖会在9月12号进行,后来参加的学员可以期待第2波抽奖活动,奖品和时间会另行通知~ Another sets of advertisement for online shop and promotions. Illustration by Adobe Illustrator and links to the page.

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Š 2018 Tsz Kiu Chow. All rights reserved.


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