Timothy Lince
Architecture Portfolio University Of Kent 2011-2014
Contents Modular
Residential Housing
Pages 4-9
(Stage 3 - December 2013)
Urban
School of Music and Fine Arts
Pages 10-23
(Stage 3 - June 2014)
ACM
Advanced Computer Modelling (Stage 2 - June 2013)
Pages 24-25
Modular
Residential Housing Site: St. Radigunds, Canterbury, Kent The brief called for the design of 20 maisonette and studio flat residential units that explored modular design principals. This included the research and application of new technologies and construction methods suitable for achieving sustainable design. Due to the sites location bordering the edge of the River Stour and within flood zone 3, a sensitive approach to flood risk was paramount to the design development.
Key Flood Zone 2 Flood Zone 3 Site Area Group Masterplan Residential Housing
A A
Group Masterplan Stage 510 20 4
50
100
Section A-A
Flood Protection Strategy My solution to this issue involved raising the building units and integrating a raised access entry. Not only does this provide flood relief to my design, but it also protects the neighbouring buildings. In addition, this elevated access route also introduces improved transition thresholds between public and private space.
Private
Public
Private
Private
Semi- Public Public
Private 5
Second B
Mode 2 A
A
B
First
Ground 6
Mode 1
Spatial Flexibility Both the studio flat and maisonette dwellings were designed to best suit the typical users regarding spatial flexibility. Short-term aspects of flexibility were employed in the studio flat to allow quick alterations of the space to the suit the dynamics of the typical younger person. On the other hand, the maisonette focuses on the longer-term aspects of flexibility to cater for family evolution over a longer timescale.
Section B-B Summer
Building Envelope Strategy The mono-pitch roof design was integrated as a passive design measure to respond to the orientation of the housing block. In particular, it helps provide additional solar gain and light into the main living spaces of the maisonette units during the winter months. Ventilation and heating is assisted by a MVHR system.
Section B-B Winter 7
Construction Details
19
1. B-O-B Timber cladding supported by 30x 60mm Timber Battens 2. Timber clad T+G soffit 3. Breather Membrane 4. 140mm 5-ply CLT Panel 5. 25mm Impact Sound Insulation 6. 60mm Screed 7. Timber T+G Flooring
17 18 16 1
15
15
14 11
15. 200mm MW Insulation 16. 50mm Ballasting Gravel 17. Roof Membrane 18. 100mm Insulation 19. Parapet Flashing 20. 60mm Insulation 21.12.5mm Fire resistant Plasterboard
8. Skirting Board 9. 94mm 3-ply CLT Panel 10. Window Assembly 11. Suspended Ceiling for Services (MVHR ducting) 12. 12.5mm Plasterboard 13. 25mm Insulation 14. Air-Tight Layer
4 12
13
A
10
C
B
C
9
8 6
7
6
5 4
8
7
11
4
9
9
13
Detail A 8
4
12
13
3 9
8
5 4
1
2
8
9 21 9 20 20
13
Detail B
Detail C
Modular Construction Each modular unit is assembled on-site from a kit of pre-fabricated Cross Laminated Timber (CLT) panels. The repetition of specific panels helps maximise production efficiency and minimises off-cut waste.
Typical Unit CLT Panel System 9
Urban
School of Music and Fine Arts Site: Cathedral Close, Rochester, Kent The brief for this project called for the introduction of a new postgraduate campus for the University of Kent’s School of Music and Fine Arts within the historic site of Rochester’s Cathedral close.
(A)
My design evolution had been inspired by observing the existing urban conditions uniquely rooted within the character of Rochester.
(B) 0 10
Site Context Plan 10
25
50
100m
Existing Site Plan
(A)
(B)
Approach
Threshold
Frame
Approach
Threshold
Frame
Threshold Sketches
Rochester Cathedral Close 11
Masterplan Design The design for the Masterplan focused on providing and enriching the existing character of the ‘expansions and contractions’ found within Rochesters urban grain.
Streetfront Gallery/ Workshop/ Director’s Flat Pub Renovation - Student Union Concert Hall
(D)
(C)
Gallery Cafe (Ground Floor) Fine Arts Workshops and Studios Digital Media/Collaborative Zone Music Practice Rooms and Recording Studios Postgraduate Flats
0 10 12
25
50
100m
Masterplan Design
(C)
Approach
Threshold
Frame
Main Highstreet Entrance
Negative Space Plan - Existing
(D)
Approach
Threshold
Frame
“Layering� - Highstreet Side Entrance
Masterplan 13
Planning Development of the internal planning looked to engage with key features of the site. This includes capitalising on key views, creating exciting activity nodes, and playing with the existing topography of the site. In particular, the planning of the school focused on providing a strong collaborative environment between the two courses.
0 10 14
25
50
100m
Ground Floor Plan
Scheme Opportunities 15
Section C-C
Gallery and Concert Hall 1. Gallery Space 2. Auditorium 3. Cafe 4. Lobby 5. Bar 6. Cloakroom 7.Office
8. Music Pratice Room 9. Changing Room 10. Archive Storage 11. Storage 12. Service Room 13. W/C
1 12
10
4
7
1
6
C
2
1 7 8 9
11
25
Basement Plan 16
C
11 10
0
3
12
Ground Floor
Concert Hall Approach
1
11 4
Subterranean Gallery Space
(Influence of the Shorts Brothers’ tunnels in Rochester)
5
4
5
1 7
1
First Floor
Second Floor 17
Gallery Procession The spatial layout of the gallery aims to embody the key characteristics of Rochester’s urban planning by providing key frames and moments along the processional route. This includes the contraction and expansion of gallery spaces to invite a sense of discovery, along with celebrating key viewpoints unique to the character of Rochester.
18
Gallery Transition Space 19
Postgraduate Flats 20
Students’ Private Garden
School of Music and Fine Arts
Section A-A Main Cathedral Square
Concert Hall
New Access to the Castle Grounds 21
School of Music and Fine Arts Workshop and Studio Spaces The formation of the School of Music and Fine Arts came as a response to the growing interdisciplinary nature of the postgraduate courses offered by UoK. The spatial arrangement of the building encourages collaboration and interaction, allowing crossover projects to become a much more seamless process. At the heart of the building , tying all the components together, lies the courtyard. This can be imaginatively used to offer performance and arts spill-out space as well as just a casual social area.
Section B-B 1. Courtyard 2. Library 3. Archive 4. Special Collections 5. Recording Studio 6. Music Practice Rooms 7.Live Rooms 8.Post Production 9.Studio Spaces 10. Wood Workshop
11. Communal Space 12. Workshops 13. Studio Spaces 14.Seminar Room 15. I.T. Suite 16. Offices 17. Dark Room 18. Stage 19. Service Room 20. W/C 21. Postgrad Flats
B 11
3
4 2 11
12
8 5
1
6
12
12
12 18
A
10
B Basement Plan
22
A
5
20
Ground Floor
Section A-A
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17
20
7 6
16
13
16
School of Music and Fine Arts Courtyard
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15
20
13
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13
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6
14
First Floor
16
Second Floor 23
A.C.M
Advanced Computer Modelling These images were produced to showcase the communal lounge area for a wellness centre as part of my Landscape and Architecture design project at stage 2.
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