C0MMUNICATION MARI TAYLOR N0750253
CO N T EN T S
3 |
the brief
48 |
sections
4 |
site: clumber park
49 |
elevations
8 |
site: the old dog kennels
50 |
exploded isometric diagram
19 |
concept and function: the kneipp system
51 |
exterior visual
22 |
concept and function: holistic treatment
52 |
interior visuals
26 |
notable precedent studies
60 |
focus space: the kneipp walk
40 |
masterplan
61 |
focus space: orthographics
44 |
block plan
64 |
focus space: visuals
46 |
ground floor plan
66 |
final model
47 |
first floor plan
THE BRIEF The brief for my project asks me to explore
After researching into the park, I believe it
the current use and function of Clumber Park
has a lot to offer. There is a huge amount of
in Worksop. Taking into consideration the
attraction for families and elderly, but not
current position, demographic of user groups
much draws in the younger generations, so
and building requirements of the park, I have
this project is certainly relevant in attempting
been asked to look into ways in which I,
to hypothetically ‘fill a gap’ in the park. The
as a millenial, can attract other millennials
beautiful landscape and lake create a great
and gen Z to the park in a new, interesting
destination for a venue to attract people of
and unique way. I was asked to create a
all ages and has a desirable element that I
sustainable visitor’s venue, a place that
wanted to enhance and make use of.
people will return to again and again.
PAGE | 3
PAGE | 4
Clumber park is a typical National Trust
and spent the majority of his life. Two
park. There are lots of activities to be
fires occurred at the house, the first in
done, for example, cycling, walking,
1879 and the second in 1912. These
group runs, festivals, many events
fires didn't take the house down but
and activities for families and older
it eventually became too large of a
generations.
place to sustain so was eventually
The park has an interesting history.
demolished in 1938, leaving only the
Clumber house used to sit just next to
grounds and and all that surrounded
the lake and was built around 1760-
still there. The National Trust bought
1770 for the 2nd duke, where he lived
the park 10 years later.
PAGE | 5
In the map, it is clear where the existing buildings sit in Clumber Park. I had the option to choose any of these to work with as a site, or even curate my own site using the land or demolitions of what was once there. After looking at 3 buildings in depth during the research and processing stages of my project, I had made the decision to use the old dog kennels as my site.
PAGE | 6
HARDWICK VILLAGE
CLUMBER LAKE
MAIN ENTRANCE to Clumber Park CLUMBER PARK 1:2000
PAGE | 7
PAGE | 8
The kennels sit east of the lake in Hardwick Village. It is the first building you see when driving into the village, situated on the right, which makes it quite a great site to catch the attention of the locals and visitors of the park.
PAGE | 9
The building was built in 1891, in between both fires of the
spaces was limited due to small interventions, high off the ground.
original Clumber House, in the space only used for a water tower
Also, after looking at old photographs and maps of the building
and supply. It was used as a home and to breed the Clumber
you can see that there was a barrier or caging enveloped around
Spaniel, which was a specific type of dog that the Duke would
the building so, even when these dogs were allowed out of the
take hunting, to flush game from heavy cover. It was later used as
kennels, they were still confined to controlled spaces.
sheep pens and wash in the 1960s.
It also seems that the area surrounding the building leaves a vast
The building itself has 16 kennels. They were around a maximum
spread of untouched, barren land, yet this large ground area does
of 3m by 2m, which could be small and claustrophobic for a large
sit in close proximity to the other buildings in the village so isn't
dog to sit in. The windows and access to natural light in these
too far from life even though the building is isolated on site.
PAGE | 10
PAGE | 11
EXISTING BUILDING ISOMETRIC PROJECTION EXISTING BUILDING PLAN
side elevations north elevation south elevation
PAGE | 12
PAGE | 13
PAGE | 14
PAGE | 15
Early on in the project, in my research stage, I undertook some structural and conceptual analysis of the space and the building. I highlighted some key elements. I looked at the repetition of vertical walls and horizontal walls which were creating these kennel areas as well as the repeated interventions, the hierarchy, the positive and negative space or similarly the open and closed spaces. This highlights the empty area which sits between both buildings. It struck me that it was an area I could bridge or make use of in some way and, from analysing old maps, it seemed to be built 10 years later than the main structure. I also analysed some of these in model form: the positive and negative space, the enclosure element to the building and the light direction which was also highlighted in my photographs.
PAGE | 16
PAGE | 17
This analysis of the kennels aided me when choosing a function for my project. It was clear that the history of the building was something that was oppressive and had a destructive nature, especially due to the way that these dogs were selectively bred, which notoriously is unethical, and the fact that they lived their lives confined to small areas, with a lack of freedom.
PAGE | 18
THE KNEIPP SYSTEM
THE KNEIPP WALK Through my function I wanted to create a space that opposed this restrictive
I decided, after holistic orientated research, that I wanted my space to hold a Kneipp
environment and became a place of reconstruction. I felt this was relevant to
system.
the basic concept of taking this old building and renovating or reconstructing it, to the detail of a reconstructive and healing emotion that can be drawn out
“In practice, it is a treatment based on hydrotherapy, during which one is subjected
of a person through the architecture. To then create a functional space for
to alternating immersions in hot and cold water, which have two different positive
this would then achieve an opposition to the historical nature of the site.
actions on the body. Hot water facilitates relaxation, while cold water tones and
I looked into functionally doing this and it was clear that i wanted to create a
invigorates: alternating temperatures and different pressures on the body exert
place for healing and reviving.
remarkable therapeutic effects.�
PAGE | 19
. Discovered 100 years ago, Sebastian Kneipp identified the benefits of water. . Benefits: the regularity of the bloodstream, the stabilization of the nervous system, the revitalization and renewal as well as the psychological well-being. . A hot /cold foot-path is effective and healthy, the hot water relaxes and tones, while cold water stimulates and invigorates the body’s activities. . Relaxes and strengthens with a beneficial effect similar to the one provided by the reflex massage.
Kneipp walking usually starts by immersion in hot water – which in some establishments means the whole body and not just the legs or ankles – that gives those who undergo hydrotherapy a strong feeling of relaxation.
Immediately afterwards you pass over to cold water in the form of a shower or a walk that shocks the whole body, thus toning your legs and stimulating excellent drainage that helps with swelling and water retention.
PAGE | 20
METHOD SPECIFICS Indulge your feet first for 5 minutes in the warm water, approx. 36 to 38 degrees Celsius (97 to 100 degrees Fahrenheit ). Then immerse your feet in water that is as cold as possible (up to 18 degrees Celsius/65 degrees Fahrenheit ) for 10 to 15 seconds. Repeat the application once more End the contrast bath with cold water. This leads to reactive hyperemia, that is, increased circulation due to the cold stimulus. Dry your feet thoroughly. Take care to rewarm the feet afterwards – for example, using warm socks, movement or a massage. BENEFITS Stimulates the circulatory system Promotes circulation Strengthens veins Helps combat varicose veins Helps relieve hot legs Promotes sleep when performed in the evening Helps migraines Stimulates the metabolism Strengthens the immune system Has a stabilizing effect on the autonomic nervous system
PAGE | 21
I knew that, in designing a building dedicated to the Kneipp system, that this would not become a common concept to the average visitor of the park or millenials. I chose to include more functions to my building that would support the concept of the Kneipp walk, as another way of opening the minds of visitors. I have included a cafe and treatment rooms which would provide different types of holistic treatment methods: massage, acupuncture, reiki and reflexology.
In the design process of my treatment rooms, breaking barriers and this historical enclosure element was important in supporting my concept here. I knew I needed a certain amount of separation for privacy reasons yet also wanted to create a communal healing space which is typical of holistic medicine and treatment. This sort of treatment focuses on a communal healing between people and families which happens external to the body and therefore also creating a physical space for the communal healing of organs inside the body. PAGE | 22
PAGE | 23
PAGE | 24
In my design process I also explored a breaking through of barriers and enclosure in other ways. For example, using the kennel wall repitition and bringing a connection between them that wasn't there before. I had in mind that this could create a space for my kneipp walk and I explored this in model form.
PAGE | 25
CARLO SCARPA
uses geometric shapes and forms to create interesting designs. His materials are usually stone or concrete which allow for light and shadow to play a huge part in the atmosphere he creates. I love his use of water which resonates heavily with my project. I explored some model forms in the style of Carlo Scarpa which became a big influence on the design of my Kneipp walk.
PAGE | 26
PAGE | 27
D O V E C O T E S T UD I O S S UF F O L K , E N G L A ND B Y H AW O R T H T O MP K IN S
This project became a big influence in the design of my building. The way in which the building seems slotted between the original walls, paired with the small air gap between the new and the old pays respect to the untouched ruin. This is something I wanted to achieve in my building creating a barrier of respect between what was once there, complimented by the new - in turn creating an emphasis on and highlighting my strong historical concept. PAGE | 28
I wanted to keep as much of the old structure and building as I could because preserving the old is something I value. I think this brings value to this project and the course as a whole. Using this in my design I believed would be a successful way of preserving the existing structure, and would also allow visitors to question and interact with the history of the building.
PAGE | 29
above lef t J UN S H A N C ULT UR A L C E N T R E B E I JIN G , C HIN A B Y NE R I & H U above right W IND H O V E R C O N T E MP L AT I V E C E N T E R S TA NF O R D, UNI T E D S TAT E S B Y A ID L IN D A R L IN G D E S I G N right A R C HI T E C T E S H 0 U S E 2 G O R S AY, F R A N C E B Y AV E NIE R C O R NE J O lef t B O AT H 0 U S E S WA L L E R UP S T R A ND, D E NM A R K B Y W E A R C HI T E C T UR E
PAGE | 30
I believe timber slats would bring a connection of the interior and the exterior of the building which is something that needed to be done to create a natural healing space. It forms the facade to my Kneipp walk and I used this to control how much light entered each individual space and to manipulate the shadows in my design. Above are some precedent studies which I have looked at to view the interior effect of timber slat facade design.
PAGE | 31
This is another precedent I looked at when designing my entrance and cafe area. I thought it was a good example of a way I could connect old and new without there being too much division between both of them. There also seems to be a seamless interaction between the old and new, again, which I valued.
B E R L IN FA C T O R Y B E R L IN , G E R M A N Y B Y J UL I A N B R E INE R D F O R F E R A R C HI T E C T UR E
PAGE | 32
looking at light and form in my lobby/entrance . views of the old from the perspec tive of the new . raw materialit y
D A O I Z V E L A R D E C ULT UR A L C E N T R E M A D R ID, S PA IN B Y R A FA E L D E L A H O Z A R Q UI T E C T O S materialit y . corridors . controlling view points . controlling the light
PAGE | 33
L O N G H O U S E C O T S W O L D HIL L S , UK B Y B UR E A U D E C H A N G E A R C HI T E C T S
PAGE | 34
This precedent aided in my decisions on materiality. It was important to look at the way the building sits within a country and rural British landscape. I believed it would wanted to bring in elements of this design to my building.
PAGE | 35
PAGE | 36
PAGE | 37
L A P E T I T E A L A IN , U A E B Y B O NE
I love the way the light hits the colours and tones of this cafe. The clean and minimal look is something which I introduced to the cafe area of my building. I feel it is a calming use of a minimal style, yet also the colours and furnishings create a warm and non-hostile atmosphere. I used this to create a relaxing environment to enjoy food and drink, in fitting with my holistic theme and function. PAGE | 38
C O MF O R T sof t furnishings
R E C TA N G L E S T RIANGLES C IR C L E S simple shapes
C O L O UR S raw plaster ef fec t
DETALE CPH is a Danish company that develops delicate, tactile surfaces - inspired by Nordic heritage and nature’s mutability.
PRODUCTS: KC14 CLASSIC AND KC14 RAW Both products consist of coloured wallplaster, and a Top Coat. Together they create the unique look. With Classic and Raw you will obtain a dust-resistant surface, equivalent to regular paint with shine 10.
L I G H T A ND S H A D O W visible on simple materialit y
E X A MP L E O F T HE IR 3 7 C O L O UR PA L L E T PAGE | 39
H
PAGE | 40
E
A
L
PAGE | 41
This is how the building sits into the existing structure and area. With the addition of landscaping of trees it doesn’t sit too far from the road and is very visible on the drive into the village. I feel that it will catch the attention of the visitor almost instantly. I am using natural materials to finish the exterior so that it fits in with the pallet of the village. As all the surrounding buildings are very old, I didn’t want a new building to create too much difference to what is already in the village. I think that this building will bring a function that is a bit different what the park currently offers. The overall function is something that’s necessary in today’s fast-paced life, a space to feel good and feel
MASTERPLAN
healthy, mentally and physically, also promoting a whole body experience which, in basic terms, is what holistic medicine aims to achieve. I also believe it is a place that is incredibly accessible to everyone, even with little or any prior knowledge to the concept of the kneipp walk or the concept of holistic medicine. It offers a new and interesting lifestyle practice which could open the minds of those that visit. With the addition of a cafe it definitely creates a draw, to attract customers and visitors, bridging a gap between the function of the building and people that don’t have a huge amount of knowledge on what holistic practices have to offer.
PAGE | 42
PAGE | 43
PAGE | 44
B L O CK P L A N
My building sits within an untouched area. This is a part of what drew me to the site initially. The lake is situated close by around 100m down the road, within Hardwick Village, and an area in which locals and visitors will park their cars to begin exploring Clumber Park. I have created an area for cars, an accessible ramp for disabled visitors and a path which connects this area to the entrance. Below this sits a flat area of grass and greenery which can be used functionally. The idea of this area was to allow an optional space for groups to gather, whether this would be organically or organised as a meditation or yoga practice for example, leaning into the communal healing concept of holistic medicine. PAGE | 45
b
G RO UN D FL O O R P L A N 7
5
S CALE 1: 20 0
4
1 Entrance 2 Reception/lobby 6
a
2
8
9 3
a
3
Cafe bar
4
Accessible W.C and store room
5
Treatment rooms
6
The Kneipp walk
7
Mixed gender changing room
8
Showers and foot wash
9 Lift
b
PAGE | 46
1
1
2
FIRS T FL O O R P L A N S CALE 1: 20 0
Cafe seating
1
Lift 2
PAGE | 47
PAGE | 48
SECTION BB scale 1:100
SECTION AA scale 1:200
PAGE | 48
PAGE | 49
SOUTH ELEVATION scale 1:200
WEST ELEVATION scale 1:200
PAGE | 49
PAGE | 50
EXPLODED ISOMETRIC DIAGRAM scale 1:200 connection of the new to the existing
PAGE | 51
Bringing in activities that can be done outdoors, like yoga and meditation which are social activities that people are already familiar with, can create a group environment and won’t necessarily need a structural area to take place other than a flat surface. This may attract people into the building and go on to make use of the rest of what HEAL has to offer.
PAGE | 52
I created a thick and compact doorway to contrast the double height ceiling, which is featured in the reception and lobby area, giving an immediate feeling of spaciousness upon arrival. It becomes a really important area of the building because you can see all the functions from this point, providing a central area to flow back to. Raised above the doorway sits the old fireplace, which would originally sit in the old kennels.
PAGE | 53
PAGE | 54
On the previous page is a wide view of the entrance
Therefore, it made sense to include these corridors,
and lobby area. You can see how there are multiple
providing a lovely area to view the Kneipp walk and
points of exits and optional routes for the visitor to
people using this space, as well a space to control the
take, providing access for people to go straight to
light.
the cafe on arrival, which I deemed an important connection. The splitting of corridors happens from the
From this visual you can clearly see the contrasting
entrance on the left, which takes you to the changing
spaces. I wanted to create a more open feeling on the
rooms and onto the Kneipp walk. It was important
left corridor letting in a lot of natural light, that differs
that, from the changing rooms, there was access to
from the treatment room area which is designed to feel
the treatment rooms and also the kneipp walk and that
more intimate and communal.
these spaces flowed seamlessly between one another. PAGE | 55
[left ] A sectional view of two treatment rooms, showing steps in the ceiling height and the shadow gaps whcih contain light fixtures.
[next page] This visual shows the slotting effect of the cafe extension. I believed this to be a way of separating the old and new. However, to continue this conversation between both structures, I designed an intervention for the customer to view into the rest of the untouched kennels and quite literally peak into the history of the space they’re in.
PAGE | 56
The cafe contains a mezzanine for extra seating space. I believed this to be a successful way of adding a level to the area, providing a view across the village and amongst the trees. This allows for visitors to interact with the location, gain a sense of where they are and where to continue and go on to spend their time in the park - thus creating a space for conversation. PAGE | 57
[above] The ground floor cafe bar which connects to the winding stairs, sits within a narrow space.
[right ] The journey through a foot wash from the changing room to the Kneipp walk and shower
PAGE | 58
[below] The seamless cubicles for
beginning of the Kneipp walk.
privacy due to it being a mixed
Through the right arch takes you to
gender changing room facility
the changing room with a door to also access the treatment rooms.
[right ] Mirrored arches and
Through the narrow intervention
a narrow intervention which
you can see people beginning
marks the end of the corridor.
their journey onto the Kneipp walk
Through the left arch is the visible
which begins with a food wash.
PAGE | 59
THE KNEIPP WALK
PAGE | 60
I believed it was important for the Kneipp walk to feature in the centre of my building, to be ‘showcased’ and, through design, visibly see the function and use of these spaces - due to it being at the heart of the function and the fact it will not be a familiar concept to most. It works out that a maximum of 8 people can use the walk at one time and it will probably be used from around 12 to 30 minutes depending on the person.
FOCUS SPACE IN PLAN AND SECTION scale 1:100
PAGE | 61
PAGE | 62
I knew when designing that I needed an even number of spaces for the hot and cold water pools, and that I needed a walkway after to finish. I also knew that people would be spending more time in the hot pools of water than they would in the cold. You can see how this has influenced the size of the spaces and the seating areas. There are 4 individual spaces with connections so there is a clear journey and flow taking place. I have also designed the facade according to each space, the natural light and opening of the spaces increase as you get further along. I have designed the walk paying attention to and controlling what you see and what you can’t see to create an element of mystery and privacy. There are areas to reflect, relax and be completely present. These visuals are an example of how a person may use the spaces.
PAGE | 63
PAGE | 64
PAGE | 65
FINAL SKETCH UP MODEL
PAGE | 66
PAGE | 67
PAGE | 68
PAGE | 69
PAGE | 70
PAGE | 71
PAGE | 72
PAGE | 73
H
E
A
L