TN2 Summer Issue 20/21

Page 38

TV

Extra! Extra! Read All About It: What I Learned From My Experience as a TV Background Actor With all of the Normal People hype around the country and beyond in recent weeks, dropping the fact that I was

‘technically’ in the show into conversations has been a fun exercise in subtle flexing. While I didn’t get to rub shoulders with Connell and Marianne (although I was in close proximity to Gareth, played by Sebastian de Souza, at one point), my experience as a TV extra was an exciting side-quest during my summer last year, and one I’d definitely recommend once large crowds can gather again. The application process was quite straightforward, and a very spur-of-the-moment decision on my part. I happened to see an advertisement looking for Trinity students on Facebook one day, and having never even heard of the book before, filled out a form and hoped for the best. When I was asked to submit a headshot, no doubt intended to be a professional photo with a muted background, I simply attached my pixelated profile picture taken in a crowded museum the previous year. Despite my less-than-stellar application, I was accepted, so if a lack of experience and expertise in the industry is holding you back, let this be a lesson that they will more than likely accept anyone that applies. However, the one stipulation in getting involved in a project like this is that you must be available at very short notice, and for an extended period of time. Luckily for me, I was hopelessly unemployed, so this wasn’t a problem. Upon arriving on set, I was struck by the level of attention to detail that went into preparing the extras for filming. For such a relatively insignificant group of people, we were given the star treatment; braids, gold eyeliner, purple eyeshadow (not all on the same person- that might have been overkill); the works. These touches would more than likely never be picked up by the camera’s lens, but on the off chance that they were, we were camera-ready, fully-realised individuals. Once hair and makeup was complete, it was on to wardrobe. We were each asked to bring an array of clothes suitable for the occasion. You would think we, as Trinity students from various courses, would know what a typical Trinity student would wear - but we were wrong. As we were lined up in our finest waiting to be critiqued, the whole process began to feel like an amateur version of Project Runway. The majority of people underwent several costume changes before their looks were locked in, with some even being forced to resort to swapping clothes with a fellow extra. I was one of the last in the queue for approval, and after hearing many others getting ‘read to filth,’ as RuPaul would say, I was happy just receiving a few minor tweaks. With cardigans and jackets in tow to help change up our looks for each new scene, we set off from the extra’s base camp in the Atrium to set, or in this case, the Arts Block. Before we began, yet another layer of detail was added; accessories. Necklaces, earrings and even rings were handed out to complete the illusion of an eclectic group of college students with their own unique styles. I was given a clear pair of glasses after being told they really suited me, which was rather ironic, as I normally wear prescription ones, but didn’t think they were fashionable enough for television. Clearly, the costume department had a keen eye for this sort of thing. Our group mainly served as filler in the lecture halls, filing in and out repeatedly to accommodate multiple takes of tiny scenes of characters chatting post-lecture, and establishing shots of them attending class. This was such a time-consuming process for the cast and crew - all for about 30 seconds of footage. In between takes I found myself admiring their dedication, and suddenly realised the scale of the effort that goes into producing the content that I watch. I never ceased to be amazed at the scope of the production, as each extra was given their own cues to get up from their seat and move at different paces. It almost made me feel like the protagonist, albeit in my own little story. One of the most fascinating aspects of this experience was getting to witness an acclaimed director like Lenny Abrahamson in action first-hand. Whenever he would walk by, I would remember his previous work with actors I admire like Brie Larson and Michael Fassbender, and become starstruck.

34


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Articles inside

Coronavirus Paintings // Frieda Hughes in Lockdown

3min
page 23

Is Nicole Flattery The New Lorrie Moore?

2min
page 22

A Beginner’s Guide to Foraging

3min
pages 16-17

Dating Amber // Review

2min
page 15

Film Club 1: Fruitvale Station

10min
pages 12-14

Harajuku - A Fashion Epicentre For All

5min
pages 10-11

Fashion History 101 Sybil Connolly: The Waterford woman who put Irish fabrics on an international stage

3min
pages 8-9

What Jean-Michel Basquiat’s ‘Defacement’ (1983) Means Today

4min
pages 6-7

Memes : A Cultural Currency

2min
page 46

The Death of Mainstream Media?

6min
pages 44-45

What I Learned From My Experience as a TV Background Actor

6min
pages 38-39

The Stark Realities of the Publishing World

11min
pages 43-48

The Transphobia of J.K Rowling

4min
page 42

Groundhog Day: The Trope that Comes Up Again and Again and Again

6min
pages 40-41

Fetch the Bolt Cutters - Fiona Apple // Review

4min
pages 24-25

The Theatricality of the Plague

6min
pages 34-36

A Eulogy for E3

6min
pages 18-19

Theatre. Online

3min
page 37

Long Live Vinyl - The Resurgence of Records

5min
pages 26-27

The Performative Nature of Dating

5min
pages 32-33

Clued-up about Contraception?

7min
pages 28-31

When Does Gender in a Video Game Actually Matter?

12min
pages 20-23
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