TN2 Issue 4 20/21

Page 42

Theatre

Interview with Robert Gibbons

writer and producer of podcast play Playback WORDS BY URSULA DALE

Ursula: First, can you tell me a little bit about Playback?

U: Has COVID-19 impacted your creative process? If it has, how so?

Robert: Playback is a podcast play consisting of three different episodes of three different podcasts and it follows one person who hosts all three, whose name is Kate Morgan.

R: Yes, it definitely has. I mean COVID has impacted everything and the creative process is part of it. I suppose I'll start with the positives, which always feels weird given that we're talking about COVID, but like it has given me a lot more time to write and a lot more time to consume things and to watch. Like I've watched and listened to and read a lot more this year than I have in previous years. And a similar thing, I live way out in the country in County Meath and I live with my family and when I want to be alone I go on walks and I end up going on these long walks just through fields and fields and fields, which gives me a lot of time to think. In terms of negative impacts it's a lot harder to bounce ideas off each other – it's a lot harder to, you know, kind of have that contact with other people in that easy way. This is kind of all from a writers’ perspective, I wrote it and I did produce Playback as well, but from a writer's perspective I do miss just kind of sitting down with somebody over a coffee and chatting without having to schedule like an hour aside to do that.

U: What attracted you to radio theatre over a traditional dramatic format? R: To be honest it was mostly the pandemic. I love in-person theatre and I love sharing space with people and I love the energy that an in-person performance has and the fact that it feels like it's all just there in the moment. Partially I think what it is that podcasting, which is the form that the play takes, has a similar improvisational quality and a feeling like it's kind of happening right in front of you. As a rule it feels very natural, so it's not in-person and it's definitely not completely ad-libbed, but that was part of it. So yeah, in absence of being able to be in a room with people, in a sense the kind of intimacy you get with podcasting is the next best thing.

38


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Ba é YouTube an Suíomh Shruthú is Fearr de 2020

4min
page 53

Seachtain na Gaeilge: Céiliúradh ar anam na tíre

4min
page 52

Happy Birthday Instagram

4min
page 51

The Case for Rituals

2min
page 50

Is a playlist a clock or a mirror?

2min
page 49

Making An Archive

2min
page 48

Shameless in the time of COVID

3min
page 47

Wandavision The Trials and Tribulations of Marvel's Official TV Expansion

7min
pages 44-46

Back to the Future: 90s

4min
pages 10-11

Making Art in the Digital Age: David Hockney

2min
page 8

A Foray into Trinity's (Dormant) Creative Community

5min
pages 6-7

Interview with Robert Gibbons

36min
pages 42-56

What have we learned from a year of remote theatre?

5min
pages 40-41

Self Love

4min
page 39

Sex and Sexuality Myths: Debunked

3min
page 38

Radio Blah Blah: Sharing Music in the Age of Technology

5min
pages 34-35

Can I Believe Her? // A Piece on Autofiction

5min
pages 30-31

What My Time at Trinity Has Taught Me about Love

5min
pages 36-37

Is 10:04 Art Writing? What is Art Writing?

7min
pages 28-29

Crate Digging: A History

5min
pages 32-33

Mario 128: The Unfinished Game You've Probably

6min
pages 26-27

Racial Oppression Exposed on Film

6min
pages 18-19

Now We're Cooking (With Guinness

4min
pages 22-23

How to End a Game

6min
pages 24-25

Letter from the Editor

10min
pages 5-8

The Fashion of RuPaul's Drag Race

3min
pages 14-15

Healthy Snacks For Study Season

4min
pages 20-21

The Silence of the Lambs: 30 Years On

4min
pages 16-17

Creativity, Clay and Catherine Forristal

3min
pages 9-13
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