SERIALISM MUS 215 路
MUSIC THEORY IV 路
DR. TOBY RUSH
SERIALISM
SERIALISM
1950
PERSIAN GULF WAR · 1990 –1991
VIETNAM WAR · 1955 –1975
1925
KOREAN WAR · 1950 –1953
1900
WORLD WAR II · 1939 –1945
WORLD WAR I · 1914 –1918
SERIALISM 1975 2000
ARNOLD SCHOENBERG · 1874 – 1951 1950
PERSIAN GULF WAR · 1990 –1991
VIETNAM WAR · 1955 –1975
1925
KOREAN WAR · 1950 –1953
1900
WORLD WAR II · 1939 –1945
WORLD WAR I · 1914 –1918
SERIALISM 1975 2000
ARNOLD SCHOENBERG · 1874 – 1951
ALBAN BERG · 1885 – 1935
ANTON WEBERN · 1883 – 1945 1950
PERSIAN GULF WAR · 1990 –1991
VIETNAM WAR · 1955 –1975
1925
KOREAN WAR · 1950 –1953
1900
WORLD WAR II · 1939 –1945
WORLD WAR I · 1914 –1918
SERIALISM 1975 2000
ARNOLD SCHOENBERG 1874–1951
ALBAN BERG 1885–1935
ANTON WEBERN 1883–1945
TWELVE-TONE ROW
TONALITY
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C
F
F# C# D# G#
E
A
D A#
F
A# D#
F
F# B
E
B
C# F#
D
G
C G# A
B
F# G# C#
A
D
G D#
C
F
A#
E
A
D D# A#
C
F
B
G G#
B
E
A
A#
F
G
C G# C# F#
D D#
F#
B
E
F
C
D
G D# G# C#
A
A# D# G# A
E
F#
B
A
D
G G# D#
F
C# F#
G
C
F
A# F#
B
E
E
A#
C# D C
C#
48
C# F#
B
C
G
A
D A# D# G#
E
F
G# C# F#
G
D
E
A
F
B
C
D# G# C# D
A
B
E
C
F
A# F#
G
A# D#
D
G
C
C# G# A# D#
B
E
A
G
C
F
F# C# D# G#
E
A
D A#
F
A# D#
F
F# B
E
B
C# F#
D
G
C G# A
B
F# G# C#
A
D
G D#
C
F
A#
E
A
D D# A#
C
F
B
G G#
B
E
A
A#
F
G
C G# C# F#
D D#
F#
B
E
F
C
D
G D# G# C#
A
A# D# G# A
E
F#
B
A
D
G G# D#
F
C# F#
G
C
F
A# F#
B
E
E
A#
C# D C
C#
TWELVE-TONE ROW
TWELVE-TONE ROW
• USE ANY
ROW, ANY TIME
TWELVE-TONE ROW
• USE ANY
ROW, ANY TIME
• OVERLAP
ROWS
TWELVE-TONE ROW
• USE ANY
ROW, ANY TIME
• OVERLAP
ROWS
• CREATE
CHORDS FROM CONSECUTIVE NOTES
TWELVE-TONE ROW
• USE ANY
ROW, ANY TIME
• OVERLAP
ROWS
• CREATE
CHORDS FROM CONSECUTIVE NOTES
• RESTRIKE
NOTES
TWELVE-TONE ROW
TWELVE-TONE ROW
• START WITH
O-1
TWELVE-TONE ROW
• START WITH • ONLY
O-1
USE COMPLETE ROWS
TWELVE-TONE ROW
• START WITH • ONLY • DO
O-1
USE COMPLETE ROWS
NOT TRY TO BEND ROWS INTO TONALITY
TWELVE-TONE ROW
TWELVE-TONE ROW • PITCH
IS SERIALIZED
TWELVE-TONE ROW • PITCH
IS SERIALIZED
• EVERYTHING
ELSE IS NOT
TWELVE-TONE ROW • PITCH
IS SERIALIZED
• EVERYTHING • RHYTHM
ELSE IS NOT
TWELVE-TONE ROW • PITCH
IS SERIALIZED
• EVERYTHING • RHYTHM • DYNAMICS
ELSE IS NOT
TWELVE-TONE ROW • PITCH
IS SERIALIZED
• EVERYTHING
ELSE IS NOT
• RHYTHM • DYNAMICS • ARTICULATION
TWELVE-TONE ROW • PITCH
IS SERIALIZED
• EVERYTHING
ELSE IS NOT
• RHYTHM • DYNAMICS • ARTICULATION • EXPRESSION
POINTILLISM
POINTILLISM
GEORBES SEURAT, UN DIMANCHE APRÈS-MIDI À L'ÎLE DE LA GRANDE JATTE
1884
KLANGFARBENMELODIE
KLANGFARBENMELODIE Clarinet in B b
& 22
∑
..
∑
∑
∑
∑
Bass Clarinet
?2 2
∑
..
∑
∑
∑
∑
Horn in F 1
?2 2
∑
..
∑
Horn in F 2
?2 Π2 & 22
˙-
p
∑
Π.. ..
# ˙-
Œ ∑
œ-
?2 2
∑
Violin I
& 22
∑
.. Œ ˙- Œ p .. ∑
Violin II
& 22
∑
..
Viola
B 22
∑
..
Violoncello
?2 2
Harp
∑
..
Πw
˙-
p
Œ
˙- Œ œ
bw
∑
Œ
w ∑
∑
∑
&
#˙
Œ
∑ ∑
∑
∑
∑
∑
∑
Ó Œ
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
bw
∑
œp
w
∑
∑
b œ Ó Œ Œ Ó œ. p
P
Œ
∑
∑
pizz.
˙-
Œ
b ˙P. pizz. œ Ó Œ b œ. Œ Ó arco # ˙∑ Œ Œ
Œ
b œœ
∑ Œ
˙p ∑
Œ
KLANGFARBENMELODIE Clarinet in B b
& 22
∑
..
∑
∑
∑
∑
Bass Clarinet
?2 2
∑
..
∑
∑
∑
∑
Horn in F 1
?2 2
∑
..
∑
Horn in F 2
O-1 ˙-
?2 Π2 & 22
p
∑
Π.. ..
# ˙-
Œ ∑
œ-
?2 2
∑
Violin I
& 22
∑
.. Œ ˙- Œ p .. ∑
Violin II
& 22
∑
..
Viola
B 22
∑
..
Violoncello
?2 2
Harp
∑
..
Πw
˙-
p
Œ
˙- Œ œ
bw
∑
Œ
w ∑
∑
∑
&
#˙
Œ
∑ ∑
∑
∑
∑
∑
∑
Ó Œ
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
bw
∑
œp
w
∑
∑
b œ Ó Œ Œ Ó œ. p
P
Œ
∑
∑
pizz.
˙-
Œ
b ˙P. pizz. œ Ó Œ b œ. Œ Ó arco # ˙∑ Œ Œ
Œ
b œœ
∑ Œ
˙p ∑
Œ
KLANGFARBENMELODIE Clarinet in B b
& 22
∑
..
∑
∑
∑
∑
Bass Clarinet
?2 2
∑
..
∑
∑
∑
∑
Horn in F 1
?2 2
∑
..
∑
Horn in F 2
O-1 ˙-
?2 Π2 & 22
p
∑
Π.. ..
# ˙-
Œ ∑
RI-7
œ-
?2 2
∑
Violin I
& 22
∑
.. Œ ˙- Œ p .. ∑
Violin II
& 22
∑
..
Viola
B 22
∑
..
Violoncello
?2 2
Harp
∑
..
Πw
˙-
p
Œ
˙- Œ œ
bw
∑
Œ
w ∑
∑
∑
&
#˙
Œ
∑ ∑
∑
∑
∑
∑
∑
Ó Œ
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
bw
∑
œp
w
∑
∑
b œ Ó Œ Œ Ó œ. p
P
Œ
∑
∑
pizz.
˙-
Œ
b ˙P. pizz. œ Ó Œ b œ. Œ Ó arco # ˙∑ Œ Œ
Œ
b œœ
∑ Œ
˙p ∑
Œ
KLANGFARBENMELODIE Clarinet in B b
& 22
∑
..
∑
∑
∑
∑
Bass Clarinet
?2 2
∑
..
∑
∑
∑
∑
?2 2
∑
..
∑
Horn in F 1
Horn in F 2
O-1 ˙-
?2 Π2 & 22
p
∑
Π.. ..
# ˙-
Œ ∑
RI-7
œ-
?2 2
∑
Violin I
& 22
∑
.. Œ ˙- Œ p .. ∑
Violin II
& 22
∑
..
Viola
B 22
∑
..
Violoncello
?2 2
Harp
∑
..
I-1 -
Œ
w
˙
p
Œ
˙- Œ œ
bw
∑
Œ
w ∑
∑
∑
&
#˙
Œ
∑ ∑
∑
∑
∑
∑
∑
Ó Œ
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
bw
∑
œp
w
∑
∑
b œ Ó Œ Œ Ó œ. p
P
Œ
∑
∑
pizz.
˙-
Œ
b ˙P. pizz. œ Ó Œ b œ. Œ Ó arco # ˙∑ Œ Œ
Œ
b œœ
∑ Œ
˙p ∑
Œ
KLANGFARBENMELODIE Clarinet in B b
& 22
∑
..
∑
∑
∑
∑
Bass Clarinet
?2 2
∑
..
∑
∑
∑
∑
?2 2
∑
..
∑
Horn in F 1
Horn in F 2
O-1 ˙-
?2 Π2 & 22
p
∑
Π.. ..
# ˙-
Œ ∑
RI-7
œ-
?2 2
∑
Violin I
& 22
∑
.. Œ ˙- Œ p .. ∑
Violin II
& 22
∑
..
Viola
B 22
∑
..
Violoncello
?2 2
Harp
∑
..
I-1 -
Œ
w
˙
p
Œ
˙- Œ œ
bw
O-6
∑
Œ
w ∑
∑
∑
&
#˙
Œ
∑ ∑
∑
∑
∑
∑
∑
Ó Œ
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
bw
∑
œp
w
∑
∑
b œ Ó Œ Œ Ó œ. p
P
Œ
∑
∑
pizz.
˙-
Œ
b ˙P. pizz. œ Ó Œ b œ. Œ Ó arco # ˙∑ Œ Œ
Œ
b œœ
∑ Œ
˙p ∑
Œ
SPRECHSTIMME
SPRECHSTIMME
SPRECHSTIMME
EXPRESSIONISM
EXPRESSIONISM
EDVARD MUNCH, SKRIK
1893
MUS 215 路 MUSIC THEORY IV THE UNIVERSITY OF NORTHERN COLORADO