TOH HUI WEN Architectural Portfolio Year 2016 - 2019
TOH HUI WEN +65-90121518 tohhuiwen@gmail.com www.linkedin.com/in/tohhuiwen
EDUCATIONAL QUALIFICATIONS Sept 2018 - Current May 2014 - Aug 2017
Oxford Brookes University MArchD Applied Design in Architecture (ARB & RIBA II) - Sustainable Building & Performance Design Singapore University of Technology and Design Bsc (Architecture and Sustainable Design)
PROFESSIONAL EXPERIENCE
LANGUAGES English Fluent
Written, Spoken
Mandarin Fluent
Written, Spoken
TECHNICAL SKILLS Rhinoceros 6 Sketchup Pro Revit Grasshopper V-Ray Lumion AutoCAD DIVA DesignBuilder EnviMet ADOBE SUITE: Photoshop Illustrator Indesign Premiere Pro / AE Microsoft Office MODEL MAKING: Laser Cutter 3D Printing CNC
Jun 2019 - Aug 2019 Sept 2019 - Dec 2019 London, UK
Jan 2018 - Aug 2018 Singapore
ARUP // Spatial Experience Designer Intern, Part-time Assistant Designer Part of a team conducting user research and experience design to create smart office strategies, and prepared report on climatic design proposal for client KYX Architects // Architectural Designer Involved in coordination with clients and contractors, preparation of tender package and compliance of local regulations in Thailand
Sept 2017 - Dec 2017 Singapore
SPARK Architects // Architectural Intern Worked on preparing competition design drawings and built a 1:1 physical model doghouse
Feb 2017 - Aug 2017 Singapore
COLOURS // Part-time Architectural Intern Worked on printed publication book through design development and building 3D model for project
May 2016 - Aug 2016 Singapore
P.A.C // Architectural Intern Involved with preparation of presentation drawings to clients for project in Jinshan, China
ACCOMPLISHMENTS May 2019
The Method Consulting Prize
Apr 2018
Exhibition for BowWow Haus London Doghouse
Feb 2018
Print book publication ‘Second Beginnings’ entry
Dec 2017
Rochester Park Competition
ACTIVITIES Community Service Learning & Volunteer Project Mentor (Rotaract@SUTD) to Lao PDR on Jan 2016 Exchange at Massachusetts Institute of Technology, USA Overseas Exchange Student to Boston on Jan 2017
I believe that places and spaces evokes emotions and feelings associated with our memory, environment and mental stimulus. As designers, we should respect that and create a user experience with a heart. Architecture needs to go beyond being human-centric and care for the Earth and other living creatures.
In my final year of Masters in Architecture at Oxford Brookes University, I hope to create architecture – be it the spaces, places and environment, that transcend the physical realm and explore emotional and social meanings of design. Architecture’s role, like a microscope, reveals things that are invisible to plain sight. It deals with very delicate issues and therefore requires highly complex thought processes and explorations. However, at the core of this journeys is having to create a user-centric design. If we focus on the crafting of experiences, it will have the power to impact and influence people. Throughout this final year, I hope to further equip myself with a more pronounced ability to think critically and engage in conversations. Certainly, to develop a greater aptitude, and through developing myself technically and visually would benefit me in conveying the right messages and inspire positive attitudes in people. At the same time, I envision that most parts of my life and design would be shaped by the people and environment surrounding me, and with numerous fruitful discussions, grow to be a thoughtful, adept designer.
academic work
01
02
03
iffley poetry
green fingers
urban sustainability
04
05
06
weaving windows
07
the intersection
13
village co-op
08
playscape
11
rochester park
red lantern
09
unity
12
professional work
spark doghouse
CONTENTS
10
phuket marina
collective
01
IFFLEY POETRY Mentor: Ronnie Maclallen, Juliet Burch, Shahe Gregorian Oxford, United Kingdom November 2019 (2 week project)
The Iffley Road Community Association have decided to cultivate its new found street life with a Festival Fortnight. With a broad range of cultural events happening along the street, this part of Iffley will be the heart of Iffley’s Poetry Festival. We will learn to appreciate poetry as a medium and tool for us to express our thoughts and emotions in a creative and enlightening manner.
BIOHOUSE SECTION 1:75
SOLAR PANELS
TIMBER CORK
Green Roof Soil & Vegetation substrate Root barrier Waterproofing layer Insulation Vapour Control Layer Timber panel Timber frame
TIMBER PANEL VOID PROTECTIVE LAYER TIMBER FLOORING INSULATION CORK PANEL OAK LOGS
BioHouse
Vapour control layer INSULATION Breather membrane VOID TIMBER CLADDING
Poems are made up of lines of words. Like a ribbon, it can be shaped and modified to craft spaces, similar to the way it evokes emotions with certain techniques used in poetry creation. This analogous relationship between architectural structure and poetry suggests a design of expressive and meaningful spatial experiences.
02
GREEN FINGERS Mentor: Hossein Sadeghi Movahed Milan, Italy January - April 2019
Milan, Italy, often faces overheating issues creating high levels of discomfort to people. In this project to design for the future, year 2080 presents an even greater challenge with rising temperatures and uncertainties. As such, it is time to relook at how nature and our environment can be the solution to many problems. To learn from our ecosystem, and creating a circular economy becomes crucial for our sustained development. It is an opportunity for us to reuse what we initially deem as ‘primitive’ as the step towards the future us.
GREEN FINGERS
The Porta Nuova is a rapidly progressing district. However, the adjacent Isola district is faced with an unparallel development, neglected. Consumed by gentrification, Isola, fearing the loss of character, set up a community garden to preserve what is left of their identity. Green fingers act as a social glue to these two districts, through getting the urban population to take a step back and be more connected to nature and its processes.
SITE SKETCH
A food forest is a lesson to all, in terms of its ability to self-sustain, its cyclic ecosystem of energy and natural habitat. Our future needs us to relook at the way we support ourselves, physically and emotionally.
SITE ANALYSIS PROGRAMMATIC DISTRIBUTION
TRANSPORT NODES
GREEN NETWORKS M
M
TRAIN
M
M
Residential
Commercial
Retail / FnB
Transportation
Community
Education
Housing
Shops / Retail
M
Metro
Rail tracks
SITE CIRCULATION
Vehicular
Bicycle
Pedestrian
GREEN BUFFERS
They create enjoyable environments and journey for people visiting the area and provides a safe buffer between the road, pedestrians and cyclists.
DESIGN PRINCIPLES
1 Consistency in harvest 2 Diversity of plants species 3 Wind Protection from the north winds 4 Maximize Sunlight received by plants
Continuous loop of programmes around nature
A lifted and sweeping plane that reveals and hides the inner forest
Initiating natural entrance from existing site into undulating landscape of food forest
FOOD FOREST PLANTS
1
CONSISTENCY
Harvesting throughout the year, across seasons
2
DIVERSITY
To produce a resilient and productive food system, and all plants are useful
Nitrogen Fixers / Ground covers
Wild Angelica
Strawberry
Bush Clover
Quince
Attracts insects
Raspberry
Blackberry
Onion
Italian Alder
Fig
Black locust
Drought resistant / Resilient
Lavender
Sea kale
Edible
Red maple
Rosemary
Gooseberry
Elderberry
TIMELINE OF FOOD FOREST
3
WIND PROTECTION
Northern edge should provide maximum shelter
4
MAXIMIZE SUNLIGHT
Priority of sun direction : West > South > East
YEAR 1 Preparing the forest garden - Requires wind protection - Nitrogen fixers for soil Wind break species
Planting of Food Crops
YEAR 2-3
- Shade tolerant shrubs - Starts attraccting beneficial insects for pollination
Densifying + Harvesting
YEAR 5
- Ecosystem established - Plants are more self sustainable - Time spent on harvesting instead of planting
YEAR 10 Full fledge Food Forest - Attracts natural wildlife habitat - Appears ‘messy’, imitating a forest
Wind break species
Wind break species
1
Annual Fuel Breakdown - Iteration 1,2,3 [kWh/m2 yr]
WINDOWS
Summer schedule for high windows (improve stack ventilation to purge heat)
SHADING
Extended shading on large glazed bedrooms (reduce solar gains into bedrooms)
DHW
Room Electricity
Problems identified: • High Solar Gains • High Electricity Usage • Uneven daylighting • Overheating in bedrooms, especially East and West Facing (BR 1,4)
Lighting
2
Cooling (Electricity)
WINDOWS
Heating (Gas)
0.00
5.00 10.00 15.00 20.00 25.00 30.00 35.00 40.00 45.00 Iteration 1
Iteration 2
Iteration 3
LAYOUT
Annual Heat Balance - Iteration 1,2,3 [kWh/m2 yr]
Zone Sensible Heating
3
Glazing
WINDOWS
CO2 Production [kg CO2/m2 yr] = 37.01
Floor Area = 252sqm
Increased glazing ratio (reduce electricity for lighting)
Total Annual Energy Usage [kWh/m2 yr] = 119.83 5
Decrease window opening spans (reduce heat loss during winter)
CO2 Production [kg CO2/m2 yr] = 56.52 5
Curved floor plans (attempt to improve overall energy efficiency performance)
• 5Solar Gains • 5Overheating Issues • 5Cooling & Heating demand • 5Overall daylighting
Zone Sensible Cooling
Total Annual Energy Usage [kWh/m2 yr] = 78.89
Floor Area = 180sqm Total Annual Energy Usage [kWh/m2 yr] = 96.38 6
Increased northern facade (increase surface area to promote wind flow)
CO2 Production [kg CO2/m2 yr] = 45.52 6
Reduce southern glazing area (reduce solar gains from afternoon sun)
External Air
LAYOUT
Solar Gains
-150.00
-100.00
-50.00 Iteration 1
0.00
50.00
Iteration 2
100.00 Iteration 3
150.00
200.00
Bedrooms face away from south (maintain diffuse lighting but reduce direct sun)
• 6Solar Gains • 6Overheating Issues • 6Cooling & Heating demand • 5Overall daylighting
Floor Area = 243sqm
FINAL DESIGN
SOLAR PHOTOVOLTAIC PANELS
Iteration
Iteration Iteration
7
Floor area [m2] ANNUAL SIMULATION ALL SUMMER SIMULATION Total Annual Energy Usage [kWh/yr] 22,876 CHANGES MADE CIBSE TM52 Total Annual Energy Usage [kWh/m2 yr] 94.14 • Protruded southern façade to • [rejected] Night purge 40.79 reduce solar gains > effective because CO2 Production [kg CO2/m2 yr] ventilation > instead low winter sun can still penetrate maximize ventilation Annual Fuel Breakdown [kWh/m2 yr] • Added top windows to improve throughout the day with a 9,439 38.84 purge ventilation in communal zones Heating (Gas) summer schedule Cooling (Electricity) • Bedroom window schedules 3536 14.55 changed to open earlier Lighting 1,524 6.27 Room Electricity 3,025 12.45 Floor Area = 243sqm PROBLEMS IDENTIFIED DHW 5,341 21.98 • Reduced solar gains Increased heating requirements Annual Heat Balance Graphs [kWh/m2 yr] Solar Gains 14,359 59.09 External Air ‐8,159 ‐33.58 Glazing ‐4,023 ‐16.56 Zone Sensible Heating 7,903 32.52 Zone Sensible Cooling ‐10,891 ‐44.82
243
243 252
Iteration Active Area = 0.58m2 1 (Base A) Total area = 28units of 5m x 0.58m row of solar panels
ALL SUMMER SIMULATION ALL SUMMER SIMULATION IMPLEMENTED CIBSE TM52 CHANGES MADE CIBSE TM52 • High windows for • Overheating in bedrooms, • Additional shading devices on • Slight improvement in summer scheduled especially East and West southern façade criterion 2 of communal ventilation Facing (BR 1,4) • Increased window opening hours in zones, due to increased • Shading devices on • Overheating in Communal communal zones and toilet ventilation large glazing faces Zones because of high 9,5456,505 39.2825.81 • Overheating persists, Southern glazed façade especially in communal areas 3458674 14.232.67 PROBLEMS IDENTIFIED PROBLEMS 1,5374,778 6.33 18.96 • Overall demands remain relatively IDENTIFIED DAYLIGHTING DAYLIGHTING 3,0253,488 12.4513.84 similar • High Solar Gains • Uneven daylighting • Decreased overall 5,3414,433 21.9817.59 • High Electricity • Light unable to reach deep illuminance but relatively Usage plan sufficient lighting for activities to be carried out 25,279 56.64100.31 13,763 ‐18,269 ‐32.67 ‐72.50 ‐7,940 ‐13,856 ‐16.88 ‐54.98 ‐4,101 8,0065,499 32.9521.82 ‐1,933 ‐43.53 ‐7.67 ‐10,577 19,881 22,907 94.2778.89 40.6937.01
2 (Base B)
180
21,570 119.83 56.52
6,923 5,230 2,936 2,762 3,718
38.46 29.06 16.31 15.34 20.66
28,786 ‐5,671 ‐9,451 5,813 ‐19,204
159.92 ‐31.51 ‐52.51 32.29 ‐106.69
ALL SUMME CIBSE TM52 • Overheatin and commun heat accumu the day is no occupied at
CHANGES MADE • Curved layout • Increased windows for daylighting > reduced lighting e • Decreased 'summer' windows > lower ach
DAYLIGHTIN • Improved o PROBLEMS IDENTIFIED produces annually • Excessive i • Increased annual energy ~1400kWh/yr usage • Increased Cooling demand 1) 10% of electricity • High Solar Gains
usage
> requires 20 units (2.9m2 x 20 = 58m2 of solar panel area total)
ALL SUMMER SIMULATION
Standard benchmarks
Annual Fuel Breakdown ‐ Iteration 6,7,8 [kWh/m2 yr] (Residential buildings)
Achieved scheme 80.00
Energy usage (kWh/m2 yr):
120-550 kWh/m2 yr
CO2 production (kg CO2 /m2 yr):
50 kg CO2 /m2 yr
Daylighting: Bathroom Bedroom Heating (Gas) Cooling (Electricity) Bed Iteration 6 Desk Kitchen Dining Living Room Reading spaces
Lighting Iteration 7
150 Lux Lux 100 Lux 150 Lux 200 Lux 150 Lux 150 Lux 200 Lux
100 Room Electricity Iteration 8
DHW
60.00
40.00
35.00 yr 94.27 kWh/m2
40.00
POSSIBLE IMPROVEMENTS
200.00
Adding of vegetation (according to varying transmittance values150.00 across the year)
30.00 25.00 20.00 40.69 kg CO2 /m2 yr 20.00 0.00 15.00 Solar Gains External Air ‐20.00 (disregarding 10.00 furnitures) 5.00 ‐40.00 ~100 Lux 0.00 ‐60.00 Heating (Gas) ~600 Lux ‐80.00
~400 Lux ~700 Lux ~400 Lux ~400 Lux ~600 Lux ~700 Lux
Annual Heat Balance ‐ Iteration 1,2,3 [kWh/m2 y
Annual Fuel Breakdown ‐ Iteration 1,2,3 [kWh/m2 yr] Annual Heat Balance ‐ Iteration 6,7,8 [kWh/m2 yr] 1. FOLIAGE SHADING 45.00
100.00 50.00
Glazing
Zone Sensible Heating Zone Sensible Cooling
0.00 ‐50.00
Cooling (Electricity)
Lighting
Room Electricity
Iteration 6 Iteration 1 Iteration 7 Iteration 2 Iteration 8 Iteration 3
1. REDUCE INTERNAL GAINS Improved efficiency/technology of equipments to introduce internal gains
DHW
Solar Gains
External Air
Glazing
Zone Sensible Heating
‐100.00 ‐150.00 Iteration 1
Iteration 2
Iteration 3
1.
South
NW Bedrooms mainly facing East to North-West direction to reduce excessive solar gains from South afternoon sun
West
South
NW E
northern glazing (diffused 3. Larger lighting) but smaller southern glazing (reduce solar gains)
North East
2. NE
emissivity glass to reduce heat 4. Low loss/gain
Maximize northern facade, promoting consistent ventilation from prevailing northern winds
6. Protruded to block
shading off rays from high summer sun yet allow for low winter sun
HOT AIR
Living Room Kitchen
Dining
7. communal zones (living, 5. However, dining etc) fronting south has large glazing ratio to maximize views and comfort during winter
Raised roof to create stacked ventilation, purging heat accumulated from open plan communal areas
03
URBAN SUSTAINABILITY Mentor: Hossein Sadeghi Movahed Milton Keynes, UK January - February 2019 Group Work The project poses a typical challenge of some of the impacts growing urbanism - the need of high density developments which often leads to uncomfortable environmental changes in the city. The key to mitigating the the most significant urban heat island effect is to leverage on its existing conditions of being a vacant plot, and low density buildings in the surroundings to channel wind flow and cool the area effectively.
1. Extruded mass from site boundary
2. Height gradient with surrounding urban geometry
3. Courtyards, skylights for programmatic nodes
4. Entrances punctured for connection to streets
5. Programmatic Zoning to cater for various activities
6. Terracing to provide usable roof spaces
7. Sky bridges improves links between buildings
8. Green Roofs to reduce heat absorption from sun
C. Rain garden a planted bed to receive stormwater and let it be slowly absorbed into the soil
D. Permeable paving allowing water to percolate through pavement
Strategies to tackle Urban Heat Island Effect A. Solar Panels convert sunlight green energy
into
clean
B. Green wall reduce heat entering the building with help of evapotranspiration and shade from plants
A B
D C
540.00
480.00
Section A
Design (1)
420.00
0.00
Section A
ENVI_met
Y (m)
Green Roof / Wall Improve air quality and reduce solar incidence
360.00
300.00
60.00
120.00
180.00
120.00
600.00 60.00 600.00
120.00
420.00 420.00
240.00 240.00 180.00 180.00 120.00 120.00 60.00 60.00 0.00 0.00 0.00 0.00
SUMMER (NIGHT)
Rainwater harvesting Collected graywater to water the green walls and roofs
300.00 300.00
180.00
TEMPERATURE
60.00
360.00 360.00 Y (m) Y (m)
Waterbody breeze system Day-time summer cooling Night-time warming Raises humidity during dry winter
ENVI_met
420.00
480.00
540.00
2.70 to 3.00 m/s above 3.00 m/s
60.00 120.00 180.00 60.00 120.00 180.00
240.00
300.00
360.00
480.00
540.00
Max:x/y 3.20 m/s Cut at k=0 (z=0.3000 m)
60.00
Z (m)
90.00
60.00 30.00
0.00
60.00
0.00
120.00
180.00
240.00
300.00
360.00
420.00
480.00
540.00
600.00
Y (m)
0.60 to 0.90 m/s
0.60 to 0.90 m/s
0.90 to 1.20 m/s
0.90 to 1.20 m/s
Air Temperature
480.00
540.00
600.00
2.10 to 2.40 m/s
2.10 to 2.40 m/s 2.70 m/s 120.00 0.00 2.40 to60.00 2.70 to 3.00 m/s
26.70 to 27.05 °C 27.40 to 27.75 °C
<Right foot>
300.00
360.00
420.00
480.00
540.00
600.00
Y (m)
2.40 to 2.70 m/s 2.70 to 3.00 m/s above 3.00 m/s Min: 0.24 m/s Max: 3.12 m/s
N
N
ENVI_met
ENVI_met
<Right foot>
27.75 to 28.10 °C 28.10 to 28.45 °C 28.45 to 28.80 °C 28.80 to 29.15 °C above 29.15 °C
Figure 1: MK-opt1-a 11:0 31.08.2018
Figure 1: 0304 summer 11:00:01 30.08.2018
x/z Cut at j=29 (y=354.0000 m)
x/z Cut at j=29 (y=354.0000 m)
Min: 26.93 °C Max: 29.47 °C
Air Temperature
Air Temperature Figure 1: 0304 summer
Figure 1: 0304 summer Figure 1: 30.08.2018 0304 summer 11:00:01 11:00:01 30.08.2018 x/y Cut at k=0 (z=0.3000 m)
90.00
90.00
60.00
60.00
30.00
60.00
0.00
120.00
180.00
240.00
300.00
360.00
420.00
480.00
540.00
26.70 °Cm) y/z Cut26.35 at i=26to (x=318.0000
y/z Cut26.35 at i=26to (x=318.0000 26.70 °Cm)
26.70 to 27.05 °C
26.70 to 27.05 °C
27.05 to 27.40 °C
27.05 to 27.40 °C 27.40 to 27.75 °C
0.00
28.10 to 28.45 °C
27.40 to 27.75 °C 27.75 to 28.10 °C
27.75 to 28.10 °C
28.10 to 28.45 °C
28.45 °C 60.00 to 28.80 120.00 28.80 to 29.15 °C
0.00
600.00
Figure 1: MK-opt1-a 11:0 below 26.35 °C 31.08.2018
11:00:01 below 30.08.2018 26.35 °C
30.00
0.00 X (m)
180.00
240.00
300.00
360.00
420.00
480.00
540.00
600.00
X (m)
above 29.15 °C
90.00 60.00 30.00
120.00
180.00
240.00
300.00
360.00
420.00
480.00
540.00
Min: 27.18below °C 26.35 °C 90.00 Max: 28.90 °C to 26.70 °C 26.35 26.70 to 27.05 °C
26.70 to 27.05 °C
60.00
27.05 to 27.40 °C
600.00
below 26.35 °C below 26.35 °C °C 26.35 to 26.70
27.05 to 27.40 °C
27.40 to 27.75 °C
30.00
27.40 to 27.75 °C
27.75 to 28.10 °C
27.75 to 28.10 °C
28.10 to 28.45 °C
28.10 to 28.45 °C
28.45 °C 60.00 to 28.80 120.00 28.80 to 29.15 °C
0.00
180.00
240.00
300.00
360.00
420.00
480.00
540.00
600.00
Y (m)
above 29.15 °C
<Right foot>
Air Temperature Air Temperature
28.45 to 28.80 °C 28.80 to 29.15 °C above 29.15 °C N
N
Min: 27.18 °C Max: 29.42 °C
Min: 27.17 °C Max: 29.25 °C
ENVI_met
ENVI_met
28.80 to 29.15 °C
Air Temperature Min: 27.17below °C 26.35 °C Max: 28.88 °C 26.35 to 26.70 °C
0.00 60.00
28.45 to 28.80 °C above 29.15 °C
Air Temperature
<Right foot>
26.35 to 26.70 26.70 to 27.05 °C °C 26.70 to 27.05 27.05 to 27.40 °C °C
N
27.05 to 27.40 27.40 to 27.75 °C °C 27.40 to 27.75 27.75 to 28.10 °C °C
ENVI_met
N
<Right foot>
ENVI_met
27.75 to 28.10 28.10 to 28.45 °C °C 28.10 to 28.45 28.45 to 28.80 °C °C 28.45 to 28.80 28.80 to 29.15 °C °C 28.80 to 29.15 above 29.15 °C °C above 29.15 °C
Figure 1: MK-test-opt1-10 00:00:01 31.08.2018
Figure 1: NewSimulation (Summer Old) Night 23:00:01 30.08.2018
Min: 26.93 °C Max: 29.47 °C°C Min: 26.93 Max: 29.47 °C
x/z Cut at j=29 (y=354.0000 m)
x/z Cut at j=29 (y=354.0000 m)
Air Temperature below 26.35 °C 26.35 to 26.70 °C 26.70 to 27.05 °C
60.00 30.00
60.00
0.00
120.00
180.00
240.00
300.00
360.00
420.00
480.00
540.00
26.35 to 26.70 °C
y/z Cut at i=26 (x=318.0000 m)
26.70 to 27.05 °C 27.05 to 27.40 °C 27.40 to 27.75 °C
above 29.15 °C 30.00
27.75 to 28.10 °C
Min: 26.74 °C 0.00 below 26.35 °C Max: 28.79 °C 60.00 0.00
600.00
X (m)
26.35 to 26.70 °C
Objects
28.10 to 28.45 °C 120.00
180.00
240.00
300.00
360.00
420.00
480.00
540.00
600.00
X (m)
26.70 to 27.05 °C Buildings
Min: 26.19 °C below 26.35 °C Max: 28.44 °C 26.35 to 26.70 °C
28.10 to 28.45 °C
Vegetation: LAD 1.5 - 2.0
26.70 to 27.05 °C
28.45 to 28.80 °C
60.00 LAD above 2.0 Vegetation:
30.00
60.00
120.00
180.00
240.00
300.00 Y (m)
360.00
420.00
480.00
540.00
600.00
27.05 to 27.40 °C
28.80 to 29.15 °C
27.40 to 27.75 °C
30.00 above 29.15 °C 0.00 Min: 26.04 °C 0.00 Max: N28.79 °C
27.75 to 28.10 °C 28.10 to 28.45 °C
60.00
120.00
<Right foot>
Vegetation: LAD lower 0.5 Vegetation: LAD 0.5 - 1.0 ENVI_met
240.00
300.00
360.00
420.00
480.00
540.00
600.00
28.45 to 28.80 °C 28.80 to 29.15 °C above 29.15 °C N
Buildings<Right foot>
<Right foot>
180.00
Y (m)
Objects ENVI_met
28.80 to 29.15 °C
Air Temperature
Vegetation: 90.00 LAD 1.0 - 1.5
60.00
28.45 to 28.80 °C above 29.15 °C
27.05 to 27.40 °C
Vegetation: LAD lower 0.5 27.40 to 27.75 °C Vegetation: 27.75 LAD 0.5to- 28.10 1.0 °C
90.00
N
Figure 1: MK-test-opt1-10 below 26.35 °C 00:00:01 31.08.2018
y/z28.80 Cut at °C i=26 (x=318.0000 m) 28.45 to 60.00
28.80 to 29.15 °C
Air Temperature
0.00
N
Air Temperature
27.05 to 27.40 Figure 1: °CNewSimulation 27.40 to 27.75 °C (Summer Old) Night 23:00:01 27.75 to 28.10 °C 90.00 30.08.2018 28.10 to 28.45 °C
90.00
0.00
ENVI_met
240.00
27.05 to 27.40 °C
0.00
ENVI_met
180.00
26.35 to 26.70 °C
Y (m)
420.00
1.80 to 2.10 m/s
1.80 to 2.10 m/s
below 26.35 °C
N
360.00
1.50 to 1.80 m/s
1.50 to 1.80 m/s
Min: 0.10 m/s Max: 3.15 m/s
0.00
300.00 X (m) X (m)
1.20 to 1.50 m/s
1.20 to 1.50 m/s
above 3.00 m/s
0.00
240.00
below 0.60 m/s
below 0.60 m/s
30.00
0.00
600.00
The overall temperatures is observed to drop drastically at night on the ground plane. The effect of the improved wind circulation and high number of trees in the 2nd iteration has alleviated the UHI situation by about 1.5oC. The UHI effect becomes more pronounced at night than in the day. The 2nd iteration appears to successfully reduce UHI, likely with the introduction of a water body has promoting a form waterbody breeze system. 240.00 300.00of 360.00 420.00 480.00 540.00 600.00
Wind Speed
Wind Speed 90.00
600.00
X (m)
y/z Cut at i=26 (x=318.0000 m)
y/z Cut at i=26 (x=318.0000 m)
N
420.00
Figure 1: MK-opt1-a 11:0 31.08.2018
Figure 1: 0304 summer 11:00:01 30.08.2018
Figure 1: 0304 summer 11:00:01 Min: 0.00 m/s 30.08.2018
x/y Cut at k=0 (z=0.3000 m)
480.00 480.00
Section B
360.00
With improved wind circulation in the 2nd design, it alleviates the ground air temperature significantly through cooling. The overall temperature is observed to have dropped within the site. The overhangs provide a more comfortable zone for sheltered walkways and entrances into buildings, especially during summer. Temperatures drop by approximately 0.4oC.
180.00
540.00 0.00 540.00 0.00
300.00 X (m)
240.00
Solar radiation
240.00
2.40 to 2.70 m/s
Z (m)
420.00
0.00
SUMMER (DAY)
480.00
2.10 to 2.40 m/s
Z (m)
60.00
1.80 to 2.10 m/s
Z (m)
120.00
540.00
1.50 to 1.80 m/s
Z (m)
600.00
180.00
1.20 to 1.50 m/s
Z (m)
Section B
0.90 to 1.20 m/s
Z (m)
240.00
0.60 to 0.90 m/s
Z (m)
300.00
below 0.60 m/s
Z (m)
WIND SPEED
Y (m)
360.00
Design (2)
Wind Speed
Z (m)
The improved design introduces another opening for wind to flow through the development. A more open ground plane improved the general wind circulation on the, as narrow pathways in the previous design causes wind stagnation zones. In the 2nd design, the terracing of buildings created a more gradual wind speed change, making terrace spaces more comfortable.
Vegetation: LAD 1.0 - 1.5 Vegetation: LAD 1.5 - 2.0 Vegetation: LAD above 2.0
Min: 25.45 °C Max: 28.44 °C
<
04
WEAVING WINDOWS Mentor: Felix Raspall, Felix Amstberg Baizhang Village, Hangzhou, China June - August 2017 Pair Work Baizhang is a village surrounded by numerous bamboo forests and natural landscapes. Xikou Cultural Village will be a new development in Baizhang which focuses on encouraging visitors to engage in traditional cultural activities. This can also serve as a platform for bamboo craftsman to showcase and share their expertise in bamboo crafts making. To add an interesting flavour to the street, we propose a piece of parametrically designed bamboo architeture blended with a landscape garden.
编景
A manifestation of layers of material coming together intertwined and held together, mutually supporting one another, forming part of a larger, stronger structure
It is a concept that can be extended into culture, construction and architecture. It can also be translated between numerous scales from bamboo crafts to large structures.
BAIZHANG SITE Thatched Roof
Upper Gridshell
Rooms
Stairs
Lower Gridshell
PRECEDENT STUDY The Children Activity Learning Center // 24H Architecture
Structural supports
Titled ‘The Den‘ this center is an ecological symbol for the island. Inspired by nature‘s underwater world, a manta ray form is conceived. This organically-formed structure enhances the learning experience of the child with its dynamic spaces within the centre. The structure is a playful form that can interact and communicate with the children within the center, making the entire play experience very three dimensional. Its form from the exterior speaks little of the complex spaces inside, allowing the children avenues for exploration and imagination.
Terrain
GRASSHOPPER PARAMETERS
Grasshopper Parameters
Utilizing grasshopper codes, several parameters are set to control the shape and size of the openings. The size of openings allows for framing of landscape views.
Angle from Centre of Loft
Density of Bamboo
Original
Location of base supports
Curvature at intersection
PHYSICAL TESTS
Size of opening
AXONOMETRIC LAYERS
Size of Roof Opening
1
Degree of Twisting
2
Adapting from the layered envelop in the precedent study, we also created a gallery that utilizes different material (bamboo and ETFE) to suggest the varying permeability of light into the space.
3
1. Structure
The weaving structure forms a strong compressive strength for stability.
2. Membrane
The membrane is created through Weaverbird with points on the bamboo structure as anchors.
3. Ground Supports the activities and creates functional spaces.
LANDSCAPE STRATEGY Upon understanding of the chinese landscape principles, we apply them to create a â&#x20AC;&#x2DC;zen gardenâ&#x20AC;&#x2122; that brings visitors through a journey that draws them from the busy road into the riverside, where they are able to appreciate being in nature.
WEAVING THE VIEWS
1. Framing View
2. Supressed Views
The opening formed by the weave frames the landscape like a picture.
To be partly hidden from view and to have a sudden reveal of a large expanse of space.
3. Borrowing View
4. Drawing in Views
Bamboo artefacts are placed against a background and capiitalizes on the existing scenery.
Bringing the view to the user by providing an open pavilion.
A. Lake
B. Pavement
C. 4 Structures
The lake disappears and appears throughout the journey, giving more playful character to this calm water body.
Meandering, shorter and longer paths allow users to discover and have different views at every turn.
The 4 structures are part of a journey for visitors to transit from their hectic lifestyles to a slower pace of life through the beauty of bamboo weaving.
GALLERY 1 PLAN
GALLERY 1 Galllery 1 is the closest to the road, and hence appears to be closed and rather inward looking to allow for visitors to transit into a more secluded zone. The different levels within the gallery is used to direct views between the spaces and within the spaces, allowing users to focus their attention on either the views outside, or the bamboo products inside.
05
Collective Mentor: Ermanno Cirillo Kallang, Singapore October - December 2016
In a country like Singapore where land is scarce, it is crucial how we mediate the spaces between the different users. A term coined by Oscar Newman - â&#x20AC;&#x2DC;Defensible Spacesâ&#x20AC;&#x2122;, could give a fresh perspective on how we could relook at high density urban living and utiilise the space around us as efficiently as possible. In this project, we question the definition of private boundaries and home as an enclosure.
This project is about challenging the paradigms of living and to question the threshold between responsibility over a space, and how this will potentially affect sense of ownership of what we define â&#x20AC;&#x2DC;oursâ&#x20AC;&#x2122;
CONCEPT DEVELOPMENT
Conceptual sketch of a sectional axonometric of how living spaces can be arranged.
A formal development exploring the aggregation of C-shapes that denotes an interior boundary.
A safe and transparent community on the ground plane.
Long section of housing block.
UNIT TYPES C The internal courtyard in the middle of the building encourages high natural light penetration into the rooms. It also doubles up as a comfortable private outdoor space for leisure activities.
C
A This unit type is ideal for a couple or small family, providing the most basic living facilities with its economical value.
B (Type 1)
+2.45
B (Type 1)
A
The live-and-work concept goes well with duplex apartment where there can be clearer separation between actual residents and employees who use the working space within the unit.
Configuration 1
Configuration 2
+2.45
06
RED LANTERN Mentor: J. Alstan Jakubiec February - March 2017 Daylight and Electric Lighting: Luminaire Design Pair Work When the luminaire is placed in a setting of a hostel room, the mood of the room changes. The role of the luminaire here goes beyond serving as a light to illuminate other objects , but instead it now becomes the object of attention. Designed to possess an interactive element, users can engage with the luminaire through compressing and expanding it, thereby controlling the light intensities and distribution of the lamp.
The lamp shade can provide ambient lighting for rooms and colours can be changed based on the userâ&#x20AC;&#x2122;s preference. Studies are done based on possible formal shapes that could allow the effect of compression and expanded lamp shades.
A. EXPANDED
B. COMPRESSED
LIGHT COMPARISON For both figure A & B; 1. Cloud display of luminance values (top) 2. IES rendering of light (bottom right) 3. Luminaire polar charts (bottom left) blue - vertical plane red - horizontal cone 4. Luminance Values (below)
0
38.25
0
76.5 cd
IES INDOOR REPORT PHOTOMETRIC FILENAME : FINALTRANSCOM2.IES
51.75
POLAR GRAPH
POLAR GRAPH
124
92
93
69
46
62
2
2
23
31
53 4
1
1
Maximum Candela = 124 Located At Horizontal Angle = 360, Vertical Angle = 165 # 1 - Vertical Plane Through Horizontal Angles (360 - 180) (Through Max. Cd.) # 2 - Horizontal Cone Through Vertical Angle (165) (Through Max. Cd.)
Maximum Candela = 92 Located At Horizontal Angle = 30, Vertical Angle = 175 # 1 - Vertical Plane Through Horizontal Angles (30 - 210) (Through Max. Cd.) # 2 - Horizontal Cone Through Vertical Angle (175) (Through Max. Cd.) # 3 - Horizontal Cone Through Vertical Angle (20) # 4 - Horizontal Cone Through Vertical Angle (25) # 5 - Horizontal Cone Through Vertical Angle (30)
Photometric Toolbox Professional Edition - Copyright 2002-2015 by Lighting Analysts, Inc. Calculations based on published IES Methods and recommendations, values rounded for display purposes.
Page 1
103.5 cd
IES INDOOR REPORT PHOTOMETRIC FILENAME : FINALTRANSCOMP2.IES
Photometric Toolbox Professional Edition - Copyright 2002-2015 by Lighting Analysts, Inc. Calculations based on published IES Methods and recommendations, values rounded for display purposes.
Page 1
From the cloud display, the luminance value for the extended form is relatively lower than the compressed form as light rays are more concentrated thus having a more compact cloud display. The polar charts also suggests that the luminaire acts more as an upward lighting. Based on the 3D luminous intensity diagram above, the extended form also shows a significant decrease in the overall luminous intensity of the luminaire. The volume between the red and green form above shows an example of the level of control the users have over the luminaire.
07
THE INTERSECTION Mentor: J. Alstan Jakubiec March - April 2017 Daylight and Electric Lighting: Daylighting in Gathering Space Pair Work This space is designed to be a crematorium. The aim is to explore how the intersection between the ground plane and vertical walls translate to the interfaces between dark and light spaces formed by shadows. Visitors reconcile with their feelings of loss as they transverse through this passage of changing light spaces, symbolising the ephemeral nature of life.
DIVA SHADOW ANALYSIS
The position of the vertical walls relative to one another translate to the interfaces between the dark spaces and light spaces formed by shadows.
The shadow analysis shows the darkest and brightest locations throughout the day. The praying rooms are observed to have the lowest light incidence.
MATERIAL TESTS
ANNUAL DAYLIGHT ANALYSIS
1
2
The climate based annual daylight analysis shows alternating light and dark spaces within the main circulation path. The periphery is seen to be overlit with >3000lux, but is only often occupied by visitors for short periods of time, and is thus acceptable. As seen in the hourly data of several grid points below, different levels of lighting vary throughout the day and year, and visitors can experience an array of lighting qualities. This allows people to have the autonomy to decide the conditions for their personal contemplation and reflection. 1
2
3
4
(Visualizations and false colour analysis in December, 5pm)
An experimentation between concrete (above) and black granite (below) as materials for the structural walls are used to test out the impact of a materialâ&#x20AC;&#x2122;s colour on the lighting. Even though the visualization does not show accurately the changes in lighting qualities, the false colour analysis proves that the black granite was effective in reducing the overall lighting values within the space. The black granite walls have slightly more diffused lighting as well, which could potentially provide a more solemn and repressed environment suitable for a crematorium.
3 4
0
100 >5%, >3000lux Hourly data at specific grid points on annual daylight analysis
08
PLAYSCAPE Mentor: Chong Keng Hua Jurong East, Singapore February - April 2017
Playing is an essential part of childâ&#x20AC;&#x2122;s growth. However, in Singapore where overprotected parents intervening in a childâ&#x20AC;&#x2122;s natural play is a common, there is a need to create a unique playscape that would challenge the notion of formal and informal play. Allowing a child to play without supervision trains their independence, kinesthetic awareness and creates opportunities for social interactions with other children.
0.4H
approx. 0.2H
0.6H
0.2H
2.5H 0.3H
0.18H
0.78H
0.7H 0.4H
Observations made at areas of informal and formal play spaces suggests the active involvement of adults. This would one way or another affect the learning process of the children as they engage in supervised play.
0.35H 0.2H
0.42H
0.45H
1.2H
0.75H
0.55
0.25H
0.35H
0.15H
6.5H
1.0H
1.0H 0.3H
0.37H
Feedback received was targetted towards providing chamfered edges for safety of children and elderly. As well as to have inclusive fittings that cater to varying audience. It provides opportunities for users of all ages to interact with one another while at play. Guardians, can now be also engaged in physical activities at the same time while looking out for children. Chamfered edges
Play is a way for a child to develop his/her kinesthetic awareness and motor senses. They are able to forge bonds with people around them when playing, develoing social skills like negotiation through interaction during play. Having an integration of mixed elements with climbing, crawling, jumping and more actions encourage more inventive and exciting forms of play. Various elements appeal to different age groups and this â&#x20AC;&#x2DC;urban jungleâ&#x20AC;&#x2122; of playscape creates progressive play for children.
09 UNITY
Mentor: Gerard Heng Changi, Singapore November - December 2016 Group Work - BIM Module
To bring closer the ties between students and faculty, it is essential to have communal areas providing a common space and corridor for interaction and communication. Residential units are shared between 2-4 students to promote greater friendships and possibly a positive culture of study groups.
1. (left) Interior of studio unit 2. (top) Facade 3. (bottom left) Aerial view of community spaces 4. (bottom) Aerial view of development
BLOCK ARRANGEMENT
Maximize privacy Blocks are oriented and situated apart from one another to maintain some level of privacy for the residents. Distance between blocks also encourages active uses of open spaces.
BIM FAMILIES (PARAMETERS)
Communal areas
Cross ventilation
A continuous stretch of communal areas attached with function rooms, entertainment and leisure rooms can boost opportunities for meet-ups and get togethers with friends and colleagues.
Residential towers promote active wind flow and cross ventilation between the buildings which keeps the ground floor and rooms windy.
A. Sofa - W * H * D of sofa - Height, size of footing
C. Double bunk bed - Width, height, depth of mattresses and beds - Sizes and dimensions of pillows - Dimensions of staircase
LEVEL UNIT LAYOUT
8 Studio Units
STUDIO FLAT
8 Two-person Units 8 Four-person Units
B. TV Console Cabinet - No. of parts - Dimensions of side drawers
10
PHUKET MARINA Office: KYX Architects Mentor: Dominic Tan Yue Wei Phuket, Thailand January - August 2018 Team Project
To echo the adjacent environment, we bring in the concept of waves and continuity. Through an elaborative lighting facade design, the waves appears to be cascading throughout the resort. Complementing the services of the Phuket Marina, luxurious club rooms, gym and restaurants caters to all walks of life, from families to couples and business individuals.
CLUBHOUSE NORTH ELEVATION 1:100
CH
CH
AA
CH
AB
CH
AC
4500
CH
CA
6000
CB
11485
CH
CH
AL
CH
AK
AJ
6000
6900
CH
CH
AI
CH
14816
CH
AG
10500
CH
CH
CG 5133
VILLA LEVEL 1 PLAN
CH
CI
CH 6103
6765
CH
AE
AD
8600
8600
CH
CF 8873
CH
AF
5300
CH
CE
CD 7719
CH
AH
1800
CH
CC
7724
7721
ROOF FFL 16.85
7300
3RD STOREY FFL 14.00
3RD STOREY FFL 14.00
2850
3700
ROOF FFL 16.85
2850
BUILDING ELEVATIONS AND SECTIONS
B’
4550
1
2ND STOREY FFL 9.45 FFL 5.00
4650
CLUBHOUSE SOUTH ELEVATION 1:100
FFL 4.80
Clubhouse North Elevation 1
CLUBHOUSE NORTH ELEVATION 1:100
CH
CH
AD
CH
AE
CH
CH
CH
AB 4500
CH
AC 6000
11485
7500
CH
CB
BE 8000
CH
14816
SKY WALK
CH
CF
CG
12273
CH
SKY LOUNGE
CH
BF
1165
CH
CE
CD 7719
7724
CH
AH 7300
CH
CC
7721
CH
AG
7500
CH
CA
CH
AF
7500
AA
1ST STOREY FFL 5.25
FFL 4.80
FFL 4.80
CH
CF 8873
7353
CH
CG 5133
ROOF FFL 16.85
CH
CI
CH 6103
6765
3RD STOREY FFL 14.00
2850
2
1ST STOREY FFL 5.25
4250
FFL 5.00
4200
3600
4500
2ND STOREY FFL 9.45
FFL 13.10
LOBBY
BALLROOM
2ND STOREY FFL 9.45 3RD STOREY FFL 14.00
2850
FUNCTION RM 3
FUNCTION RM 2
4550
ROOF FFL 16.85 FUNCTION ROOM 1
MALE CHANGING ROOM
GUARD ROOM
BOH CORRIDOR
MARINA CORRIDOR
RECEPTION COUNTER
RECEPTION BOH
FEMALE CHANGING ROOM 1ST STOREY FFL 5.25
CLUBHOUSE SECTION A-A' 1:100
Clubhouse Section
2ND STOREY FFL 9.45
FFL 5.00
FFL 5.00
1:100
THW
A0
TYW
A
A’
##############
1ST STOREY FFL 5.25
FACADE DETAIL 2
CLUBHOUSE WEST ELEVATION EAST ELEVATION SECTION B-B'
4200
3
BUSINESS LOUNGE
FFL 5.00
FFL 5.00
4550
KITCHEN
4200
FFL 9.20
FEMALE CHANGING ROOM
CLUBHOUSE SOUTH ELEVATION 1:100
B
SKY GARDEN LEVEL 2ND STOREY LEVEL CH
CH
AD
CH
AE
CH
AF
7500
CH
AG
7500
7500
CH
AH 7300
BE 8000
CH
CH
BF
1165
CH
CF 12273
CG 7353
VILLA LEVEL 2 PLAN
SKY LOUNGE
3RD STOREY FFL 14.00
SKY WALK
2850
ROOF FFL 16.85
FUNCTION RM 2
FUNCTION RM 3
LOBBY
BALLROOM
2ND STOREY FFL 9.45
FEMALE CHANGING ROOM
KITCHEN
MALE CHANGING ROOM
FFL 5.00
GUARD ROOM
BOH CORRIDOR
BUSINESS LOUNGE
MARINA CORRIDOR
RECEPTION COUNTER
RECEPTION BOH
4200
FFL 9.20
FEMALE CHANGING ROOM
CLUBHOUSE SECTION A-A' 1:100
VILLA SECTION A-A’
B’
CLUBHOUSE WEST ELEVATION EAST ELEVATION SECTION B-B'
1ST STOREY FFL 5.25
FFL 5.00
1ST STOREY LEVEL 3
4450
FUNCTION ROOM 1
4550
FFL 13.10
1:100
THW
A0
TYW
##############
VILLA SECTION B-B’
A
A’
B
External Corridor Facade Detail
11
ROCHESTER PARK COMPETITION Office: Spark Architects Mentor: Wai Wing Yun Rochester, Singapore September - October 2017 Team Project Designed as a hub for innovation, Rochester Park is the place where business executives can share their ideas in a natural landscape setting. The sheltered canopy integrates the existing colonial buildings which would be retrofitted with office facilities, creating a cohesive and continuous web for the business activities, at the same time being resilient to the weather conditions.
CENTRAL PUBLIC AUDITORIUM This outdoor auditorium is a place for sharing, innovation and discussion. Sheltered by a lightweight canopy and surrounded by nature and buildings with rich cultural heritage, it acts as a node to attract visitors to hold events. At the same time, it supports and complments the functions of the adjacent colonial buildings.
Sustainability Diagram The design of the louvres on the canopy protects visitors from both the Sun and rain. Moreover, solar UV panels installed on the canopy also provides additional sources of energy reuse, creating a sustainable infrastructure.
WOW
12
SPARK DOGHOUSE Office: Spark Architects Mentor: Luca Marcarinelli London, United Kingdom November 2017 Team Project
This is an open call by BowWow Haus London and Blue Cross for Pets for an auction to raise money for thousands of animals. Polyethylene Terephthalate (PET) is a material that is often used in the production of water bottles. However, lots of them are dumped, creating wastage and posing a hazard to wildlife. SPARK came up with an idea of upcycling the PET to recreate a kennel that is waterproof and lightweight, formed through integrating the different layers of structures and skins.
FABRICATION PROCESS
1 The joints were 3D-printed to provide accurate angles and a certain level of strength. Holes were also catered so it can be drilled into the plywood base, fixing the form.
2 The internal space of the PET house was intially contoured and supported by layers of 5cm thick polyfoam. PE rods were inserted into the joints and adjusted to fit the shape. They were first done in a single directional spine, and marked. PE rods were connected in the other direction to stabilise the overall shape.
3 Teflon sheets were chosen as the materials for the circular shaped propellors because of its durability, strength, flexibility and ability to be laser cut. The PET bottles were then fitted through the holes to form the outer most skin, giving the doghouse a â&#x20AC;&#x2DC;spikeyâ&#x20AC;&#x2122; but interesting turtle-like shape.
13
Village Co-op Office: COLOURS & Lien Foundation Mentor: Chong Keng Hua Punggol Island, Singapore February - August 2017 Team Project
Coney island is a nature park nested away from the bustle of city life. This island becomes an ideal location for residents looking for a home away from home. Building their own communities against this rustic background, â&#x20AC;&#x2DC;Village Co-operationâ&#x20AC;&#x2122; is created for elderly cluster living where residents are empowered with a sense of duty as they engage in self sustainable activities.
Article from Lianhe Zaobao on 28 Sept 2018 : “The spaces of the silver-haired blending into the nature and community”
Article from Wanbao News on 10 Feb 2018: “Coney Island visualizes a ‘Kelong Village’ to support the process of the elderly aging gracefully”
TOH HUI WEN contact +65-90121518 tohhuiwen@gmail.com