Interviews with BP National Portrait Gallery Award Artists 2015| Cass Art INTERVIEWS WITH BP NATIONAL PORTRAIT GALLERY AWARD ARTISTS 2015: PART 1
The BP Portrait Award 2015 is proving to be another roaring success. In its 36th year this year, there were 2,748 entries submitted by artists across 92 countries, and the resulting exhibition represents the very best of contemporary portrait painting. The top prize of ÂŁ30,000 was awarded to 2015 BP portrait winner Matan Ben Cnaan, an Israeli artist for his painting Annabelle and Guy (see above). To celebrate another year of quality portrait making, Cass Art is hosting BP Workshops and Meet The Artist Events in several of our art shops. You can book your place to attend these events on our workshops page. Read on for some insight into the artists behind the BP National Portrait Award this year, including their inspiration, favourite materials and stories behind their exhibited paintings. MATAN BEN CNAAN- BP PORTRAIT AWARD WINNER 2015 Pictured Above: Annabelle and Guy by Matan Ben Cnaan, 2015, Oil on board Congratulations on winning the 2015 BP Portrait Award Matan! How does it feel and what does it mean for your career?
Well, the truth is that I still haven't had the time to sit down and feel it, but it is truly awesome. Although it's still pretty fresh it's totally influenced my career status already; collectors and galleries are approaching me, and the publicity is just amazing. You paint many things, landscapes, still life and portraits. What is it that inspires you to paint? I try to combine two motives within my painting: the element of emotions and the development of my pictorial language. But above all it is light that motivates me. Whether it's in a landscape or still life, understanding that light is the key while the rest is derived from it. Could you tell us about your winning oil painting, Annabelle and Guy? Annabelle and Guy is a painting that I was wondering about for years with its vision in my head, and then I found the right sitters for it. I was inspired by a biblical story of Japhathah and his daughter. But I didn't want to make an illustration of a story, but rather take the emotional complexities of the story and impose it into a portrait. The challenge was to take total abstract matter like tension, grief and fear and literally put them into shapes. The main motive of the painting is the light. But it was very important for me to solve the relations between the figures and their expressions. SARA BERMAN- BP PORTRAIT 2015 ARTIST
Rebekkah by Sara Berman, 2014, Oil on canvas What drives you to paint people? I am interested in identity and image, so whilst I do paint and make all variety of things, the figure always has a draw. I'm also interested in the language of clothing and with that becomes of the figure. Your style is painterly with abstract components; shapes and jagged sections reminiscent of Picasso. Can you elaborate a little on your painting style?
I am very interested in the materiality of paint and also the energy of the act of painting. I tend to let those things lead my work. Sometimes I enjoy a slower rhythm, and sometimes I like to throw the paint around. I think this dictates my style. Sometimes games are involved - little rituals that also bend my style about. Your work is wonderfully different from a lot of the photorealistic portraits in the BP Awards . Do you work from life, photographs or memory? All but mainly photos, found images, magazine, collage and memory or imagination. Again it depends on my rhythm. If I am going slow I like a reference, but if I am using a lot of energy and chucking paint about it is much more between myself and the surface in a very direct way, with no glancing outside of that relationship to a source. SOPHIE WILLIAMS- BP PORTRAIT ARTIST 2015
Just After Noon by Sophie Williams, 2014, Oil on board Congratulations on your 2015 BP Portrait Award oil painting! Were your tutors at Brighton impressed? My tutors at Brighton have been very supportive and encouraging throughout my degree. Having been one of fifty-five artists chosen to exhibit out of the 2750 applicants, I was overwhelmed and honoured. My tutors have been extremely supportive of this achievement and I am grateful to have their guidance. Being accepted into the BP national portrait award has inspired me to work harder and refine my artistic style. I am excited to continue developing my work and see how my work can evolve. How did your foundation at Kingston prepare you for a fine art degree?
My art foundation prepared me for the transition to university. It really broadened my artistic perspective, and encouraged me to mature as an artist. I feel that my work is developing all the time. What oil paint do you like to use and why? As a student I use affordable oils at the moment! Georgian oils mostly. However, I hope that I can soon move on to materials with richer colours. Feeling inspired? Check out our BP National Portrait Award Workshops where you can meet and learn from the artists - simply click on the event to be taken to the events page. Cass Art Islington: Saturday 8 August, 2-5pm Meet the Artist: Demo with Marco Ventura Tuesday 11 August, 2-4pm Meet the Artist: Alan McGowan Tuesday 8 September 7.30pm-9pm Portraiture Today, In Conversation: BP Portrait Award artists Sophie Williams, Sara Berman and Lee Simmonds Cass Art Kingston: Sunday 9 August 11am-4pm Portraiture Master Class with Marco Ventura You will need to book a place for this master class. Saturday 22 August 2pm-4pm Meet the Artist: Sophie Williams Sunday 6 September 2-4pm Meet the Artist Nathalie Beauvillian Scott Cass Art Hampstead: Thursday 27 August 2-4pm Meet the Artist: Sara Berman Cass Art Bristol: Saturday 15 August 2pm-4pm Meet the Artist: Lee Simmonds Our BP Portrait Award 2015 events will be running until September.