A Design Portfolio By
Tom Galang III
2018–2020
A Design Portfolio By
Tom Galang III
2018–2020
© 2021 TOM GALANG III All rights reserved. No part of this publication may be reproduced, distributed, or transmitted in any form or by any means, including photocopying, recording, or other electronic methods, without prior written permission of the publisher. Images and text have been used exclusively for educational purposes.
KAWS SUSTAINABLE HOUSE PAINTS
06
Packaging
LEVI STRAUSS & CO. CSR REPORT
14
Digital, Identity, Print
HOOP LAB MOBILE APP
24
Digital
CARHARTT CLEAN
36
Packaging
A REVOLUTIONARY COOKBOOK
44
HOUSE OF HIP-HOP
52
Identity, Print
75th ANNIVERSARY: END OF WWII & BIRTH OF UN Environment, Identity
62
01
A DESIGN PORTFOLIO BY TGIII
KAWS Sustainable House Paints PROJECT 01
OVERVIEW
06
01 02 03 04 05 06 07 PROJECT
OBJECTIVE
Sustainable Powdered Latex Paint Packaging
The objective was to design the packaging for a line of sustainable powdered latex paint for a designer of our choice. The designer I chose was Brian Donnelly, a.k.a. KAWS.
PROJECT TYPE
Packaging YEAR OF COMPLETION
2019
KAWS HOUSE PAINTS
APPROACH
KAWS is a renowned artist and designer known for his distinct 3D sculptures and vibrant and lively paintings. My idea was to create a home paint line offering colors identical to the colors KAWS uses in his work. The packaging design was centered around the keywords modern, simple, and minimal.
07
A DESIGN PORTFOLIO BY TGIII
PROJECT 01
08
01 02 03 04 05 06 07
KAWS HOUSE PAINTS
09
A DESIGN PORTFOLIO BY TGIII
PROJECT 01
10
01 02 03 04 05 06 07
KAWS HOUSE PAINTS
11
A DESIGN PORTFOLIO BY TGIII
PROJECT 01
12
01 02 03 04 05 06 07
KAWS HOUSE PAINT PAINTS
13
02 A DESIGN PORTFOLIO BY TGIII
Change is in Our Hands: Levi Strauss & Co. CSR Report PROJECT 02
OVERVIEW
14
01 02 03 04 05 06 07 PROJECT
OBJECTIVE
Corporate Social Responsibility Design
The objective was to choose a brand and design the company’s CSR report and identity across different platforms. The platforms
PROJECT TYPE
Identity, Print, Digital YEAR OF COMPLETION
2020
include a booklet, website on desktop, website on a mobile device, website banner ads, and another print deliverable of our choice. APPROACH
The company I chose was Levi Strauss & Co. Levi's is known for their sustainability efforts, both environmental and social. They are constantly figuring out ways to reduce their carbon footprint in the world while being a voice for causes they care about. 2020 was a turbulent year, marked by waves of protests and social unrest amid a worldwide pandemic. I wanted the concept of Levi's CSR report to be centered on the people and the fight for equality. The concept of the CSR was driven by the keywords powerful, bold, and meaningful.
LEVI'S CSR REPORT
15
A DESIGN PORTFOLIO BY TGIII
PROJECT 02
16
01 02 03 04 05 06 07
LEVI'S CSR REPORT
17
18
A DESIGN PORTFOLIO BY TGIII
PROJECT 02
20
01 02 03 04 05 06 07
LEVI'S CSR REPORT
21
A DESIGN PORTFOLIO BY TGIII
PROJECT 02
22
01 02 03 04 05 06 07
LEVI'S CSR REPORT
23
03 A DESIGN PORTFOLIO BY TGIII
HoopLab: An App To Help You Elevate Your Game PROJECT 01
OVERVIEW
24
01 02 03 04 05 06 07 PROJECT
OBJECTIVE
App Design
The objective was to identify a problem in the world, then come up with a design solution through a mobile application. We were tasked
PROJECT TYPE
Digital YEAR OF COMPLETION
2019
with designing the user interface of the app then creating a prototype showing the functionality of the app and user experience. APPROACH
The problem I identified was something I had a personal connection with. As a kid, I grew up loving the game of basketball. I played for my school team every year and played for several teams in amateur sports leagues. I wanted to get better, but my parents could not afford the cost of hiring a trainer, nor did I have the knowledge of a wide range of drills or workouts I could do on my own. After conducting research and interviews, I found that other kids had similar problems. I wanted to create an app that did the work for you and put together workouts that are personally tailored to your game and areas you want to improve in, whether its shooting, dribbling, defense, etc. The app was designed around the keywords simple, clean, and precise.
HOOPLAB MOBILE APP
25
A DESIGN PORTFOLIO BY TGIII
PROJECT 03
26
01 02 03 04 05 06 07
HOOPLAB MOBILE APP
27
A DESIGN PORTFOLIO BY TGIII
PROJECT 03
28
01 02 03 04 05 06 07
HOOPLAB MOBILE APP
29
A DESIGN HOOP LAB PORTFOLIO MOBILE APPBY TGIII
“Hoop Lab would be the ultimate hub for hoopers. It would come with all the resources, workouts, and drills to help people effectively work on their game, whether it's at the gym, the park, or in their own backyard.”
PROJECT 03
30
01 02 03 04 05 06 07
HOOPLAB MOBILE APP
31
A DESIGN PORTFOLIO BY TGIII
PROJECT 03
34
01 02 03 04 05 06 07
HOOPLAB MOBILE APP
35
04 A DESIGN PORTFOLIO BY TGIII
Carhartt Clean
PROJECT 04
OVERVIEW
36
01 02 03 04 05 06 07 PROJECT
OBJECTIVE
Sustainable Cleaning Product Line
The objective was to choose a brand and design a line of sustainable cleaning products. The 3D prototypes were to be created using
PROJECT TYPE
Packaging YEAR OF COMPLETION
2020
CARHARTT CLEAN
Adobe Dimension. APPROACH
The brand I chose was Carhartt. Carhartt is an American staple from Detroit, MI known for its work apparel such as jackets, coats, overalls, coveralls, dungarees, and more. Since Carhartt is known for workwear and getting your hands dirty, I thought it would be interesting if they had a line of cleaning products. The types of cleaning products I chose were household cleaners and car care products. The concept of the design was driven by the keywords quality, precise, and straightforward.
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A DESIGN PORTFOLIO BY TGIII
PROJECT 04
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01 02 03 04 05 06 07
CARHARTT CLEAN
39
A DESIGN PORTFOLIO CARHARTT CLEAN BY TGIII
PROJECT 04
40
01 02 03 04 05 06 07
“Carhartt has been known for supplying people with products to help get the job done. Why not have a line of cleaning products for those who get their hands dirty?”
CARHARTT CLEAN
41
A DESIGN PORTFOLIO BY TGIII
PROJECT 04
42
01 02 03 04 05 06 07
CARHARTT CLEAN
43
05 A DESIGN PORTFOLIO BY TGIII
The Soul Food Movement PROJECT 05
OVERVIEW
44
01 02 03 04 05 06 07 PROJECT
OBJECTIVE
Conceptual Cookbook
The objective was to design a "conceptual cookbook." Rather than a standard recipe book, there had to be an overarching concept
PROJECT TYPE
Print YEAR OF COMPLETION
2019
behind the book along with recipe spreads. In addition to the cookbook, we were to design a system of other print deliverables including a poster, event ticket, and book mark. APPROACH
The type of food I chose for the cookbook was soul food. The concept honors the humble beginnings of soul food as well as highlights the pivotal role it played during the Civil Rights Movement. The pages were printed in newspaper-like paper, the recipe pages were designed to look like protest posters, and the overall design and colors were inspired by the Black Panther Newspaper. The concept of the design was driven by the keywords powerful, dynamic, and bold.
THE SOUL FOOD MOVEMENT
45
A DESIGN REVOLUTIONARY PORTFOLIO COOKBOOK BY TGIII
PROJECT 05
46
01 02 03 04 05 06 07
THE SOUL FOOD MOVEMENT
47
A DESIGN PORTFOLIO BY TGIII
PROJECT 05
48
01 02 03 04 05 06 07
THE SOUL FOOD MOVEMENT
49
A DESIGN PORTFOLIO BY TGIII
PROJECT 05
50
01 02 03 04 05 06 07
THE SOUL FOOD MOVEMENT
51
06 A DESIGN PORTFOLIO BY TGIII
A Homage to a Culture: House of Hip-Hop PROJECT 06
OVERVIEW
52
01 02 03 04 05 06 07 PROJECT
OBJECTIVE
Conceptual Retail Store
The objective was to come up with an idea for a retail store in San Francisco and design the brand identity. This includes a logo, stationery
PROJECT TYPE
Identity, Print YEAR OF COMPLETION
2018
HOUSE OF HIP-HOP
system, billboard, and a website. APPROACH
My idea for a retail store concept is a record store/vintage clothing shop called House of Hip-Hop. As the name suggests, everything about the store and the products would be related to Hip-Hop culture. This would include a large collection of vinyl records, posters, vintage clothing, and more. Hip-Hop is arguably the most influential culture today, so I wanted to create a retail store that embraces every part of it. The concept of the design was driven by the keywords modern, precise, and organic.
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A DESIGN HOUSE OF PORTFOLIO HIP-HOP BY TGIII
PROJECT 06
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01 02 03 04 05 06 07
HOUSE OF HIP-HOP
57
A DESIGN PORTFOLIO BY TGIII
“Hip-Hop is a beautiful culture. It's inspirational, because it's a culture of survivors. You can create beauty out of nothingness.” – Mos Def
PROJECT 06
58
01 02 03 04 05 06 07
HOUSE OF HIP-HOP
59
A DESIGN PORTFOLIO BY TGIII
PROJECT 06
60
01 02 03 04 05 06 07
HOUSE OF HIP-HOP
61
A DESIGN PORTFOLIO BY TGIII
PROJECT 06
62
01 02 03 04 05 06 07
HOUSE OF HIP-HOP
63
07 A DESIGN PORTFOLIO BY TGIII
75th Anniversary: End of World War II & Birth of UN PROJECT 08
OVERVIEW
64
01 02 03 04 05 06 07 CLIENT
OBJECTIVE
San Francisco War Memorial and Performing Arts Center
Environment, Identity
The objective was a two-part project. First, we were tasked with designing the logo and identity for the End of WWII Anniversary event, honoring the anniversary and the pivotal role the San Francisco Bay Area played during the war. Second, we were asked to design a series of (8) 80x80 feet banners to be displayed in the lobby of the San Francisco Memorial and Performing Arts Center that commemorates key events that took place during the Second World War.
YEAR OF COMPLETION
APPROACH
PROJECT
75th Anniversary: End of WWII Exhibit Banners Design & Identity PROJECT TYPE
2020
75TH ANNIVERSARY
The approach I took for the logo design was to create a logo that represents the event, the war, and San Francisco all in one. I looked to military insignia and symbolism for inspiration. I wanted the logo to have a strong and solid feel to it.
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A DESIGN PORTFOLIO BY TGIII
PROJECT 07
66
01 02 03 04 05 06 07
75TH ANNIVERSARY
67
A DESIGN PORTFOLIO BY TGIII
PROJECT 07
68
01 02 03 04 05 06 07
75TH ANNIVERSARY
69
A DESIGN PORTFOLIO BY TGIII
PROJECT 07
70
01 02 03 04 05 06 07
75TH ANNIVERSARY
71
A DESIGN PORTFOLIO BY TGIII
PROJECT 07
72
01 02 03 04 05 06 07
75TH ANNIVERSARY
73
Thank you.
I want to thank my family, friends, and all my loved ones. Thank you for all the love and support. Thank you for believing in me. Thank you to my instructors for the guidance. Last but not least I want to thank God. Without Him none of this would be possible. Thank you for the Vision.
HABBAKUK 2:3
TGIIIDESIGN.COM