THOMAS MAGUIRE ARCHITECTURE + URBAN DESIGN PORTFOLIO 2014 DUBLIN SCHOOL OF ARCHITECTURE, DIT BACHELOR OF ARCHITECTURE
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Contents
Social Infrastructure
(re)Making Wasteland
Dublin’s Royal Canal as urban social infrastructure
A place for community engagement through the Physical
JAN ‘13 - JUNE ‘13
OCT ‘12 - DEC ‘12
Project one is based in Dublin’s north inner city. It is a project that sets about reusing the existing Royal canal Infrastructure as a piece of Social infrastructure and PRUH VSHFLȴFDOO\ VSRUWLQJ LQIUDstructure.
Project two is based in the same vicinity as project one. This was the testing of the idea and trying to examine the site through architecture. It was the initial step for the thesis project, where ideas where formed, some discarded but some kept on and examined deeper.
It is a catalyst for unlocking a route way along the length of the canal but also promoting its use within the communities and the wider city as a whole. It is a new place for a portion of the city which lacks identity or strives to ȴQG RQH The Canal and its bank provide the site and also the linear route through the city, from its periphery to the heart of the city in the QHZ 'RFNODQGV E\ WKH 5LYHU /LH\
This iteration deals with a large building sitting on the landscape. The building is the emphasis of the project with the landscape becoming secondary, something that changed moving forward into the thesis project. The program is one of sport, with civic and social elements also to entice the community to engage with the building and create a centre for the community.
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four North Andover Fire Station
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Photography
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A selection of photographs with from travel
MARCH ‘12 - JUNE ‘12
JAN ‘14 - DEC ‘14
SEPT ‘12 - OCT ‘12
ONGOING
Project three dealt with and examined the high density living required for the competition brief. The competition was to design new living and recreation space in the heart of Dublin city, along a street that need both public and private space.
Project four is a new build, cenWUDO Č´UH VWDWLRQ LQ WKH WRZQ RI North Andover, located north of Boston, Massachusetts.
3URMHFW Č´YH ZDV D WRXFKVWRQH project for the development of the idea which was brought on through projects one and two.
It is approximately 16,00 sq/ft and is under construction as of late November 2014.
The design allowed for a layering of space to occur, from public gathering spaces to private enclosed gardens as well as new retail units such as cafe and restaurant to be places, inviting occupancy of the street and a new feeling of community.
The building is a double volume, consisting of an apparatus wing and an administrative wing. Both have to function independently but also harmonise to achieve HÉ?FLHQW UHVSRQVH WLPHV IRU Č´UVW responders on call.
Creating new space by using the existing and utilising the fabric IRU UHFRQČ´JXUDWLRQ DQG LQVHUWLRQ This was applied to the existing DIT campus of Linenhall, where the School of Architecture and Construction now live.
Project six is a variety of photographs spanning several years. The photographs chosen are a small selection which capture momententary emotions.
The apartments vary in size from 1,2,3 and 4 bed with also duplex available. They all have private balcony space as well as indoor amenities in each building.
The project is located in a very conservation art of New England, upstate Massachusetts and therefore presented some design challenges both for the public committees and planning boards.
The projects deals with a junction in the building which allows for a new social space to be carved from within and puncture into the front courtyard of the campus, creating a dynamic entryway alive with activity.
The photographs portray a variety of subjects, from desolate landscapes to bustling city or iconic monuments. Each shot captures a conscious framing and construction of an image. They all were taken whilst travelling through a variety of countries DQG FLWLHV DQG GHČ´QH NH\ PRments, both emotionally and personal challenges.
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DUBLIN’S SOCIAL INFRASTRUCTURE “Nothing of me is original. I am WKH FRPELQHG HÎ?RUW RI HYHU\RQH ΖȇYH HYHU NQRZQ Č‹- Chuck Palahniuk Of the two canals which encapsulate Dublin City, the Royal Canal has been neglected while the Grand Canal has been nurtured by the thriving city. The Royal has become a forgotten entity on the cities periphery. It once was a thriving waterway to the Midlands of the country, while now it’s GHVRODWH DQG FXW RÎ? IURP LWV QHLJKERXULQJ FRPPXQLWLHV an artery that has been left behind, cut up by the modern infrastructural development of the railways. The site bound by water and housing, hugs to the inner city bank of the Royal Canal and needs to be reused, it’s under-utilised and needs to be given back to its city. The site is located within a run-down and undervalued part of Dublin’s urban fabric. It is the North Lotts RI WKH FLW\ ERUGHULQJ 6KHULÎ? 6WUHHW DQG 1RUWK 6WDQG Road. A part of the city which has a large community but a community unto itself, and seen as a negative. This project deals with the only portion of the bank of the Royal Canal which is inaccessible to the public in its 145km length, a piece that can give so much back not just to the city but to the individual communities that are adjacent to the canal. The full length of the canal is a public
walking route, “The Royal Canal Wayâ€?, except for this RQH SRUWLRQ WKDW LV ORFNHG DQG IHQFHG RÎ? IURP DFFHVV The program for the project is sport and activity, spawned from the idea that the canal is and has been an active walkway following its length from Dublin to the River Shannon. Activity will be the catalyst for community interaction and engagement, with the city and with their immediate environment. The project is in essence two distinct elements; landscape and buildings, where landscape is primary and buildings are the secondary. The landscape meanders and follows the canal bank and provides surfaces and spaces for people to actively use. The buildings add a layer of infrastructure to this idea, they support the landscape by providing social aspects such as cafes and gym space to the park. This parkway in the city could be an urban greenway which connects the city back to the communities on its edge, a place for urban escape, a place to encourage interaction and foster community. On a larger scale it allows “The Royal Canal Wayâ€? to be complete, conQHFWHG WKH 5LYHU /LÎ?H\ YLD WKH 5R\DO &DQDO WR WKH 5LYHU Shannon once more as it was intended to do so, not just as a shipping lane but as a means of connection.
Urban Landscape
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Č&#x160;/HDI\ ZLWK ORYH EDQNV DQG WKH JUHHQ ZDWHUV RI WKH FDQDO SRXULQJ UHGHPSWLRQ IRU PH Č&#x2039; - Patrick Kavanagh The Royal Canal Park has provided facilities and infrastructure to allow for a wide array of sporting activities to occur, from the extremely active athlete to the recreational pastime. The landscape strategy of the project is to provide activities along its length. Areas and buildings which provide spaces for activity. Places for individuals and spaces for
Spatial Images
larger groups have been accommodated. The program ČľH[HV DQG H[SDQGV ZLWK WKH VLWH FRQVWUDLQWV DQG ZLWK the conditions which surround the segment of site. The landscape promotes activity but also provides a vital link along the canal, by creating an open passage between the Mayor Square area and the North Strand Road area, a walking distance of only minutes, this not only links the communities which inhabit the edge of the city but connects the wider scale of the city back to the existing and new canal walkway and the new link cy-
cle tracks which link the existing tracks around the city and out towards the suburbs of the city to the north. This portion of the canal, is an unused piece presently owned by Irish Rail that has been leftover and abandoned since the development of the railway lines through the city. The linearity of the infrastructure is expressed through the landscape design, and linearity of the routes through the park. Embedded in the landscape is a series of small beacon like buildings placed in the landscape, the built structures, house the infrastructural pieces of the program which need to be serviced and not exposed to the elePHQWV VXFK DV FKDQJLQJ IDFLOLWLHV DQG Č´WQHVV VWXGLRV The towers are located along the length of the city park, acting like Martello Towers did along our coastline, wayČ´QGHUV DQG PDUNHUV DORQJ WKH URXWH OLJKWLQJ WKH SDWK after dark. The Towers have hard concrete bases anchoring them, a juxtaposition to the softness of the landscape, while the taller, lighter portion sitting above, is a delicate lightweight wrapping which through its materiality exposes the internal activities of the spaces and creates the image of the active nature of the park. In addition to the Towers, there are four small linear, buildings, anchored within the landscape. These buildings are directly related to the external program adjacent to them. They are pieces of the landscape as opposed to the Towers which counteract its linearity by being the vertical elements.
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Stainless Steel earth bracket Cast-in-situ concrete retaining wall Poured rubber running surface
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Rigid insulated frost board Perforated drainage system Frost resisting sand base
Smooth asphalt cycling surface Metal edge drainage system Loose poured asphalt sub-surface
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Site Diagrams
Existing Rail Lines
Existing Canal Bridges Pedestrian and Vehicle
Proposed Pedestrian Access and Crossings
Proposed Buildings and Site Boundary
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SOCIAL HOUSING INDOOR SQUASH COURTS
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TOWER 2 WALKWAY
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7RZHU 3ODQV 01 - Entrance 02 - Public Cafe 03 - Service Area 04 - Storage 05 - Changing Area 06 - Toilet Cubical 07 - Wash Up Area 08 - Shower Room 09 - Waiting Area 10 - Physiotherapy Reception 11 6WD 2ɝFH 12 - Treatment Room 13 3HUVRQDO 7UDLQHU 2ɝFH 14 - Training Room 15 - Weights Room 16 - Viewing and Waiting Area
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Č&#x160;6SRUW LV D XQLYHUVDO ODQJXDJH WKDW FDQ EULQJ SHRSOH WRJHWKHU QR PDWWHU ZKDW WKHLU RULJLQ EDFNJURXQG UHOLJLRXV EHOLHIV RU HFRQRPLF VWD WXV 6SRUWV FDQ SOD\ D UROH LQ LPSURYLQJ WKH OLYHV RI ZKROH FRPPXQLWLHV Č&#x2039; .RČ´ $QQDQ This building is providing a focal point for a community which has become physically divided by the Royal Canal, on the periphery of Dublinâ&#x20AC;&#x2122;s Inner City. The project facilitates a link through itself across the canal to the newer residential developments which occupy the north bank of the canal. The active landscape utilises the all-encompassing nature of sport and provides surfaces for activity to occur, informal and elementary in their nature. The landscape slots into an unused piece of land left over from infrastructural development. The landscape enhances connections between the communities and utilises the land left over by a introduction of simple program and by providing a point of activity in the otherwise neglected area. Sport provides a use that facilities both physical and social engagement by its very nature. It allows for people to come together in an informal manner and become more
active in the ever increasingly passive city. A city where people are withdrawing from a social realm into urban solitude, something people and looking for on a daily basis. The building sits within a seven minute walk of a critical transport hub in Dublin, the connection of Busaras Bus Depot, Connolly Railway Station and the Luas lines all converge on Amien Street. Provision has been made for both public spaces as well as semi-public of the Sports Club. A Cafe and Bar have been provided to allow for the public to actively engage with the physical building even if they are not partaking in sporting activity, so as to allow for more engagement with the community and not withdrawal from the social realm albeit it not through what is seen as the â&#x20AC;&#x153;activeâ&#x20AC;?. The building is anchored through a carved solid form at ground level which addresses both aspects of approach allowing for public space to be pared from the building to act as entrance points and points of external circulation. Through these spaces people can meander beyond to the active landscape.
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Site Diagrams
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Č&#x160;)RU WKH WKLQJV ZH KDYH WR OHDUQ EHIRUH ZH FDQ GR WKHP ZH OHDUQ E\ GRLQJ WKHP Č&#x2039; $ULVWRWOH The very nature of this building is to create two distinct elements. Firstly the ground plain becomes a ČľXLG SLHFH FRQQHFWLQJ 1RUWK 6WUDQG 5RDG WR WKH QHZ landscape at which this buildings sits as its gateway. Secondly, the upper portion of the building, lightweight and semi-opaque in appearance, a simple orthogonal volume raised above its hard anchored base. The juxtaposition
allowed for the contrast to be incorporated between the EXLOGLQJ LWV VROLGLW\ DQG WKH ČľXLGLW\ RI WKH ODQGVFDSH LWVHOI The building relating to the urban, and the landscape relating to the canal and its soft meandering nature, however each element being man-made at its core and the harmony in which each element can create in relation to the other. The robust nature of the urban interacting with the delicate nature of the urban landscape.
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RIAI TRAVELLING Ȋ$ FLW\ LV QRW DQ DFFLGHQW EXW WKH UHVXOW RI FRKHUHQW YLVLRQV DQG DLPV ȋ /HRQ &ULHU This project was for the RIAI Traveling Scholarship in Ireland, open to students of Architecture. The brief for design ZDV H[WUHPHO\ KLJK GHQVLW\ XUEDQ GZHOOLQJV RQ D VSHFLȴHG site in Dublin city. Each dwelling had to have its own private outdoor space as well as vital amenities available on site. This housing scheme includes 180 units. A variety of 1, 2 and 3 bed units are incorporated within the design to accommodate a large variety of occupants, from the single person to the small family. It is a housing model based upon high density urban communities which work well in Chinese and American cities. The design has three distinct realms, taking advantage of the fall across the site, providing a lower level public space fronted by a vibrant cafe and market/retail zone, creating a public connection from Cork Street Through the new public space, a raised semi-public space, accessed by steps from the Cork Street level. The steps provide a minor threshold to the semi-public space from the public street. The third space, a private space for residents is
located to the southern end of the site providing a garden sanctuary to which the public cannot gain access. The formal internal square is orientated to maximise its aspect to the southern sun, which dictated the surrounding buildings height, the lowest block facing south onto Chamber Street. The variation in facade allows for privacy and minimal overlooking to occur, as no window directly faces another opposite, being spaced so as a minimum of 300mm occurs between facing windows. Units are primarily dual aspect and all apartments have a private balcony space to avail of. By providing a diversity of unit types it allows for diversity within the building, accommodating single resident living to family living. Each apartment allows for direct solar gain with tall opes, also encouraging natural ventilation. The building promotes a healthy living environment by allowLQJ VXQOLJKW WR ȵRRG VSDFHV DQG DOORZLQJ WKH UHVLdents to view and interact with their community.
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View approaching the scheme from Cork Street travelling west towards The Coombe
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Site Location Map
Relationship of the site to its immediate context in Dublin city centre
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01 - Medical Centre 02 - Restaurant 03 - Cafe 04 - Market 05 - Retail Unit 06 - Outdoor Balcony
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Č&#x160;7KHUH LV QR ORJLF WKDW FDQ EH VXSHU LPSRVHG RQ WKH FLW\ SHRSOH PDNH LW DQG LW LV WR WKHP QRW EXLOGLQJV WKDW ZH PXVW Č´W RXU SODQV Č&#x2039; -DQH -DFREV The apartments were explored at a more in depth scale, exploring the materiality and surfaces within. The apartment studied has an internal storage and study area within, all lined with Birch Ply to add a softness and lightness to the space. Each surface was seen as homogenous and became a wrapping of surface within the corridor or circulaWLRQ VSDFHV 7KH GRRUV ZHUH ČľXVK ZLWK QR HYLGHQW
handles or hinges, each being recessed allowing for the smooth surface to envelop and control the space. A surface lining which wraps the space in its entirety to head height, adding the layer of human scale. Each apartment then had its own outdoor terrace space, some larger than others with none on the northern facade, due to the orientation and also due to the northern facade overlooking the busy Cork Street thoroughfare. Each balcony has private covered and open space for varying weather conditions in the Irish climate.
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NORTH ANDOVER FIRE STATION Č&#x160;$UFKLWHFWXUH LV QRW PHUHO\ QDWLRQDO EXW FOHDUO\ KDV ORFDO WLHV LQ WKDW LW LV URRWHG LQ WKH HDUWK Č&#x2039; $OYDU $DOWR
site being the larger more dominant volume. The second volume, which is at an angle of 70 ° to the administration wing, contains the apparatus room and supports spacHV WKH WHFKQLFDO ZRUNLQJ VSDFHV IRU WKH ȴUH GHSDUWPHQW
The project presented some challenges throughout. The biggest challenge was that of the ideas of the town committee and the design ideas which they had for the building, which some were challenged North Andover Central Fire Station is a 16,000 sq. / and changed while some deserved compromise. ft. building with a cost estimation of $7 million. The project is located approximately 30 miles north of Even with the challenging schedule, the project came in downtown Boston. It is a traditional New England DKHDG RI DKHDG IRU FRQVWUXFWLRQ GRFXPHQWV DQG WKH Č´municipality with a population just below 30,000. nal construction cost estimation came in under budget. This project is for a new Central Fire Station in the town. The design was achieved through collaboration WKURXJK RXU Č´UP DQG VHYHUDO JURXS PHHWLQJV ZLWK WKH town committees. The project had a quick lead time of 10 months from contract signing to completion of Construction Documents and initiation of bidding, it was a public bid project in the state of Massachusetts. The building consists of two volumes, both relate to the thoroughfare which they face. The larger volume, the two storey portion, contains all the administration and Č´UH Č´JKWHU OLYLQJ TXDUWHUV DQG KROGV WKH FRUQHU RI WKH
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ELEV. VENT 196' - 2" T.O. PARAPET 193' - 9"
MTL. COPING HORIZONTAL FCB SIDING CL
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W3 T.O. ENTRY PARAPET 178' - 10" SECOND FLOOR 178' - 0"
6 5/8" TYP.
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W3
W3
W3
W3
W3
W3
AWNING WINDOW UNIT FCB TRIM
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PRECAST WATER TABLE EQ
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6 5/8" TYP.
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CJ LIGHT FIXTURE, SEE ELEC. FIRE ALARM BELL FIRE DEPT. CONNECTION GAS METER
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1 2
11 3 /8"
3
TRAINING ROOM 104 STORAGE 128
AIR SUPPLY 127 A.1
COMPRESSOR
2 A4.2
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13'
11' - 3" W2
EXTRA OFFICE 110
W2
CONFERENCE ROOM 113
12' - 5"
1
A3.1
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1 A9.3
CANOPY COVER
2 A3.1
PROVIDE SOLID BLOCKING FOR WALL MOUNTED MONITOR W1
DEPUTY'S OFFICE 114
5 CHIEF'S OFFICE A9.2 115
A3.1
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CORRIDOR 107
114
3 SHELVES CLOSET 116
9 SP1.1
14 A9.4 B.1
116
W2
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3' - 9 1/2" 17' - 1 1/2"
7' - 0"
5' - 10" 3' - 4" M.O.
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6 A6.1
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WATER FOUNTAIN FEC 110
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19' - 6"
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1 A4.2
3
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11 A5.5
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FEMALE TOILET 111 D
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RECESSED LIGHTING, SEE ELEC. ALUM. STOREFRONT SYSTEM
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VESTIBULE 101
3' - 4" M.O.
S2-1A
101B
A1
ADMIN. CLERK 109
B A.2
2 A5.3
109
8 A5.4
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C.1 F WORK ROOM 108
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4 A4.2
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119
CORRIDOR 118
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12' - 2"
2 A5.4
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7 A5.2
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5 1/4 " 8' - 3"
A.1
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LOBBY 102
PROVIDE SOLID BLOCKING FOR WALL MOUNTED MONITOR
ELEV. 106
C.1
120 14'
3 A6.4
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6' - 2"
- 0"
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17' - 5 1/2"
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SHARED OFFICE 103 2 0'
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4 1/8 "
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TURN-OUT GEAR 123
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ELEV. MACH. ROOM 105
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9
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H3
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9 A5.2
9' - 9 7/8"
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1
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DECON. ROOM 125
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UP
25' - 11 3/4"
B 127
D
22' - 2 1/2"
PITC H TYP .
W1
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1 A9.1
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2' -
12 A5.5
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CONC. SURROUND @ BASE OFF COLUMN
4' - 8"
W1
COUNTER
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5' - 4" M.O.
9' - 4 7/8" 9 A5.5
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9' - 8"
W1
3 A8.2
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17' - 4 3/4"
9' - 8"
W1 .0 70
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20' - 11"
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20'
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GEAR SUPPLY, FIRE EVID. & EMO STORAGE 131
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5' - 0"
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APP. MAINT./ SUPPLY 130
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3 A4.1
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14'
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6 A9.4
5 A5.5
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- 9" 23'
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16'
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4
A3.1 29'
5' - 4" M.O.
- 4"
5' -
18'
- 3"
9 A5.3
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11' - 4 1/4"
H 8 A5.2
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W2
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9' - 9 1/4"
9' - 2"
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3' - 4" M.O.
9' - 2"
15' - 4 3/4"
5' - 4" M.O.
6' - 2"
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CONC. SURROUND @ BASE OFF COLUMN
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BOILER/ WATER/ GEN. ROOM 119
STRUCTURAL FILL
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ELEV. 106
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ELEV. 106
LOBBY 102
VESTIBULE 101
MTL. COPING LIGHT FIXTURE, SEE ELEC. BRICK VENEER WALL BEYOND, TYP. ALUM. STOREFRONT SYSTEM
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A.1
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22' - 5 1/2"
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25' - 11 3/4"
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22' - 2 1/2"
11' - 0" CL
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11' - 0"
211
LIEU. OFFICE 213
A3.1
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FF QUARTERS 216
214
FF QUARTERS 215
LIEU. QUARTERS 214
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10' - 9 3/4"
10' - 5 1/4"
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ELEV. SHAFT U.O.D. 191' - 8" ROOF U.O.D. 190' - 6"
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T.O. PARAPET 193' - 9"
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14' - 11 3/8"
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STRUCTURAL FILL
FIRST FLOOR 165' - 0"
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Ă&#x20AC;YH
DSA + C, LINENHALL Č&#x160;$ GRFWRU FDQ EXU\ KLV PLVWDNHV EXW DQ DUFKLWHFW FDQ RQO\ DGYLVH KLV FOLHQWV WR SODQW YLQHV Č&#x2039; - Frank Lloyd Wright â&#x20AC;&#x153;The combination of the spaces In-between or the Social Layer with the formality of the commonplace classroom presents itself with a new emphasis on the social aspect of development and on the education in the formal style. A school without a large or emphasised social grain is a system of generic learning where life occurs and develops outside of its walls, rather than creating the environment where the social skills can develop in tandem with the progression through the educational system.â&#x20AC;? - Extract from Thesis Dissertation This project is the manifestation of a thought process which initially led to a thesis project. The project took an existing building and tried to create a new social space within, by minor alterations and incisions, keeping the majority of the existing intact and making strategic movements and shifts.
An examination of the existing fabric of the building showed it was a functioning building with an evident lack of space for incidental and informal meetings of social circles. The building provides working studios and workshops, which by their very nature are insular with very little crossover between the school of architecture and the school of construction, who also inhabits the Linenhall campus. This proposal is an insertion of a new layer into the already multi- layered building fabric. This inserted layer DOORZV IRU ČľXLG VSDFH WR RFFXU DQG VSDFHV WR RYHUODS and link between each other by the use of visual and audio connections. It allows informal gatherings to occur like in the social spaces of its neighbour, DIT Bolton Street. This allows for more interaction between the two schools who soon will be merging to form DSA+C, Dublin School of Architecture and Construction.
Social Space
New gathering space for the multi discipline trade and design school
Ă&#x20AC;YH
52
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Linenhall context to Henrietta Street and Bolton Street DIT Campus
Diagrams
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Ground Floor plan of the site, showing the entrance sequence to the new space
Diagrams showing the visual connections which occur in the project, connection multiple spaces at any given time
READING ROOM
CAMPUS ENTRANCE
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CRIT FORM
SOCIAL STEPS
ENTRANCE SPACE
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XV WR Č´OWHU ZKDW ZH ZDQW WR VHH WR UHPHPEHU /LNH DUchitecture or design, it is what we create of it. A photograph should be designed, created and captured.
The negative of photography is that we shoot and shoot but merely print approximately 10% of what we capture. We have become â&#x20AC;&#x153;snap happyâ&#x20AC;? and have become less conscious of our framing with digital photography developments. However the ease of which Photography has a very direct relationship to how we we can shoot, delete, recapture has allowed us to perceive the world and has the ability to frame an expe- create an instant platform to share and improve. rience for us, be that an experience with friends or a culThe selection of photographs here were chosen from tural event that has a profound impact on us. The photomy collection from my travelling and experiences which, graphs which we taken are a conscious framing of what both through buildings, people or just experiences have we want to remember from a certain moment in time. made them very unique by having a personal associaPhotography has that unique ability to capture an instant tion with them, an emotion that has been captured. both of our consciousness and also of our experiences. The images that we capture, become attached to memories and memories become attached to these images. The physical photograph is a powerful thing, it is a SK\VLFDO PDQLIHVWDWLRQ RI XV DW D VSHFLČ´F PRPHQW Î&#x2013;W LV D decision which we made to push the trigger, to hit the shutter and to capture what we have framed. It allows
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